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alanmunsaves · 11 years
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Alternatives to the word "Walk"
(via writeworld)
Amble: walk easily and/or aimlessly
Bounce: walk energetically
Caper: skip or dance about in a lively or playful way
Careen: pitch dangerously to one side while walking or running
Cavort: jump or dance around excitedly
Clump: walk heavily and/or clumsily
Falter: walk unsteadily
Flounder: walk with great difficulty
Foot it: (slang) depart or set off by walking
Footslog: walk heavily and firmly, as when weary, or through mud
Gimp: limp; hobble
Hike: take a long walk, especially in a park or a wilderness area
Hobble: walk unsteadily or with difficulty; see also limp
Hoof it: (slang) walk; see foot it
Leg it: (slang) see foot it
Limp: walk unsteadily because of injury, especially favoring one leg; see also falter
Lumber: walk slowly and heavily
Lurch: walk slowly but with sudden movements, or furtively
March: walk rhythmically alone or in a group, especially according to a specified procedure
Meander: walk or move aimlessly and idly without fixed direction
Mince: walk delicately
Mosey: see amble; also, used colloquially in the phrase “mosey along”
Nip: walk briskly or lightly; also used colloquially in the phrase “nip (on) over” to refer to a brief walk to a certain destination, as if on an errand
Pace: walk precisely to mark off a distance, or walk intently or nervously, especially back and forth
Pad: walk with steady steps making a soft dull sound
Parade: walk ostentatiously, as if to show off
Perambulate: see stroll; travel on foot, or walk to inspect or measure a boundary
Peregrinate: walk, especially to travel
Plod: walk slowly and heavily, as if reluctant or weary
Pound: walk or go with heavy steps; move along with force or vigor; see lumber
Power walk: walk briskly for fitness
Prance: walk joyfully, as if dancing or skipping
Promenade: go on a leisurely walk, especially in a public place as a social activity;see parade
Prowl: walk noiselessly and carefully in a predatory manner
Pussyfoot: walk stealthily or warily
Ramble: walk or travel aimlessly
Roam: go without fixed direction and without any particular destination, often for pleasure; see ramble
Rove: travel constantly over a relatively lengthy time period without a fixed destination; wander
Sashay: glide, move, or proceed easily or nonchalantly; see parade
Saunter: walk about easily
Scuff: walk without lifting one’s feet
Shamble: walk or go awkwardly; shuffle; see scuff
Shuffle: walk without lifting the feet or with clumsy steps and a shambling gait; seescuff
Skulk: move in a stealthy or furtive manner
Somnambulate: walk in one’s sleep
Stagger: walk unsteadily
Stalk: walk stealthily, as in pursuit
Step: walk, or place one’s foot or feet in a new position
Stomp: walk heavily, as if in anger
Stride: walk purposefully, with long steps
Stroll: walk in a leisurely way; see saunter
Strut: walk with a stiff, erect, and apparently arrogant or conceited gait; see parade
Stumble: walk clumsily or unsteadily, or trip
Stump: walk heavily, as with a limp; see lumber
Swagger: walk with aggressive self-confidence
Tiptoe: walk carefully on the toes or on the balls of the foot, as if in stealth
Toddle: move with short, unsteady steps, as a young child; see saunter and stagger
Totter: walk or go with faltering steps, as if from extreme weakness; see stagger(also, sway or become unstable)
Traipse: walk lightly and/or aimlessly
Tramp: walk heavily or noisily; see lumber and hike
Trample: walk so as to crush something underfoot
Traverse: walk across or over a distance
Tread: walk slowly and steadily
Trip: walk lightly; see also stumble
Tromp: tread heavily, especially to crush underfoot; see lumber
Troop: walk in unison, or collectively
Trot: proceed at a pace faster than a walk; see nip
Trudge: walk slowly and with heavy steps, typically because of exhaustion or harsh conditions; see plod
Waddle: walk clumsily or as if burdened, swinging the body
Wade: walk through water or with difficulty, as if impeded
Wander: to move from place to place without a fixed route; see ramble
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alanmunsaves · 11 years
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100 Words for Facial Expressions
(via dailywritingtips)
1. Absent: preoccupied 2. Agonized: as if in pain or tormented 3. Alluring: attractive, in the sense of arousing desire 4. Appealing: attractive, in the sense of encouraging goodwill and/or interest 5. Beatific: see blissful 6. Bilious: ill-natured 7. Black: angry or sad, or see hostile 8. Bleak: see grim and hopeless 9. Blinking: surprise, or lack of concern 10. Blissful: showing a state of happiness or divine contentment 11. Blithe: carefree, lighthearted, or heedlessly indifferent 12. Brooding: see anxious and gloomy 13. Bug eyed: frightened or surprised 14. Chagrined: humiliated or disappointed 15. Cheeky: cocky, insolent 16. Cheerless: sad 17. Choleric: hot-tempered, irate 18. Coy: flirtily playful, or evasive 19. Crestfallen: see despondent 20. Darkly: with depressed or malevolent feelings 21. Deadpan: expressionless, to conceal emotion or heighten humor 22. Dejected: see despondent 23. Derisive: see sardonic 24. Despondent: depressed or discouraged 25. Doleful: sad or afflicted 26. Dour: stern or obstinate; see also despondent 27. Downcast: see despondent 28. Dreamy: distracted by daydreaming or fantasizing 29. Ecstatic: delighted or entranced 30. Etched: see fixed 31. Faint: cowardly, weak, or barely perceptible 32. Fixed: concentrated or immobile 33. Furtive: stealthy 34. Gazing: staring intently 35. Glancing: staring briefly as if curious but evasive 36. Glaring: see hostile 37. Glazed: expressionless due to fatigue or confusion 38. Gloomy: see despondent and sullen 39. Glowering: annoyed or angry 40. Glowing: see radiant 41. Grim: see despondent; also, fatalistic or pessimistic 42. Grave: serious, expressing emotion due to loss or sadness 43. Haunted: frightened, worried, or guilty 44. Hopeless: depressed by a lack of encouragement or optimism 45. Hostile: aggressively angry, intimidating, or resistant 46. Hunted: tense as if worried about pursuit 47. Impassive: see deadpan 48. Inscrutable: mysterious, unreadable 49. Jeering: insulting or mocking 50. Languid: lazy or weak 51. Leering: see meaningful; also, sexually suggestive 52. Meaningful: to convey an implicit connotation or shared secret 53. Mild: easygoing 54. Mischievous: annoyingly or maliciously playful 55. Moody: see sullen 56. Pained: affected with discomfort or pain 57. Pallid: see wan 58. Peering: with curiosity or suspicion 59. Peeved: annoyed 60. Petulant: see cheeky and peeved 61. Pitying: sympathetic 62. Pleading: seeking apology or assistance 63. Pouting: see sullen 64. Quizzical: questioning or confused 65. Radiant: bright, happy 66. Roguish: see mischievous 67. Sanguine: bloodthirsty, confident 68. Sardonic: mocking 69. Scornful: contemptuous or mocking 70. Scowling: displeased or threatening 71. Searching: curious or suspicious 72. Set: see fixed 73. Shamefaced: ashamed or bashful 74. Slack-jawed: dumbfounded or surprised 75. Sly: cunning; see also furtive and mischievous 76. Snarling: surly 77. Sneering: see scornful 78. Somber: see grave 79. Sour: unpleasant 80. Stolid: inexpressive 81. Straight-faced: see deadpan 82. Sulky: see sullen 83. Sullen: resentful 84. Taunting: see jeering 85. Taut: high-strung 86. Tense: see taut 87. Tight: see pained and taut 88. Unblinking: see fixed 89. Vacant: blank or stupid looking 90. Veiled: see inscrutable 91. Wan: pale, sickly; see also faint 92. Wary: cautious or cunning 93. Wide eyed: frightened or surprised 94. Wild eyed: excited, frightened, or stressful 95. Wistful: yearning or sadly thoughtful 96. Withering: devastating; see also wrathful 97. Woeful: full of grief or lamentation 98. Wolfish: see leering and mischievous 99. Wrathful: indignant or vengeful 100. Wry: twisted or crooked to express cleverness or a dark or ironic feeling
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alanmunsaves · 11 years
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Tone/Attitude Words
(via writeworld)
accusatory: charging of wrong doing
apathetic: indifferent due to lack of energy or concern
awe: solemn wonder
bitter: exhibiting strong animosity as a result of pain or grief
cynical: questions the basic sincerity and goodness of people 
condescension; condescending: a feeling of superiority
callous: unfeeling, insensitive to feelings of others
contemplative: studying, thinking, reflecting on an issue
critical: finding fault
choleric: hot-tempered, easily angered
contemptuous: showing or feeling that something is worthless or lacks respect
caustic: intense use of sarcasm; stinging, biting
conventional: lacking spontaneity, originality, and individuality 
disdainful: scornful
didactic: author attempts to educate or instruct the reader
derisive: ridiculing, mocking
earnest: intense, a sincere state of mind
erudite: learned, polished, scholarly 
fanciful: using the imagination 
forthright: directly frank without hesitation
gloomy: darkness, sadness, rejection
haughty: proud and vain to the point of arrogance
indignant: marked by anger aroused by injustice
intimate: very familiar
judgmental: authoritative and often having critical opinions
jovial: happy
lyrical: expressing a poet’s inner feelings; emotional; full of images; song-like
matter-of-fact: accepting of conditions; not fanciful or emotional
mocking: treating with contempt or ridicule
morose: gloomy, sullen, surly, despondent
malicious: purposely hurtful
objective: an unbiased view-able to leave personal judgments aside
optimistic: hopeful, cheerful
obsequious: polite and obedient in order to gain something
patronizing: air of condescension
pessimistic: seeing the worst side of things; no hope
quizzical: odd, eccentric, amusing
ribald: offensive in speech or gesture
reverent: treating a subject with honor and respect
ridiculing: slightly contemptuous banter; making fun of 
reflective: illustrating innermost thoughts and emotions
sarcastic: sneering, caustic 
sardonic: scornfully and bitterly sarcastic
satiric: ridiculing to show weakness in order to make a point, teach 
sincere: without deceit or pretense; genuine
solemn: deeply earnest, tending toward sad reflection 
sanguineous: arduous, bloodthirsty, brutal, murderous AND optimistic, cheerful
whimsical: odd, strange, fantastic; fun
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alanmunsaves · 11 years
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Word List: Transitional Words
(via writeworld)
Additional Facts
again
also
another
and besides
finally
further
furthermore
in conclusion
initially
next
to begin with
Restatement
in brief
in essence
in short
in other words
namely
that is
that is to say
to put it differently
Similarities
as
as though
also
comparatively
coupled with
correspondingly
identically
in the same way
like
likewise
moreover
similar
similarly
together with
Contrasts
although
but
by the same token
conversely
despite
either
even though
however
if
in contrast
in spite of
instead
likewise
neither
nevertheless
on one hand
on the contrary
on the other hand
rather
similarly
still
unless
yet
Place
above
among
adjacent
below
beyond
farther
nearby
opposite
there
under
Direction
above
beyond
here
in the distance
nearly
opposite
over there
there
to the left
to the right
under
Diversion
by the way
incidentally
Cause
because
since
for this reason
Result
accordingly
as a result
consequently
for this purpose
for this reason
hence
obviously
otherwise
so
so then
subsequently
therefore
thereupon
thus
wherefore
Sequence
after
afterward
at first
at the same time
earlier
first of all
for now
for the time being
in conclusion
in the first place
in time
in turn
later
later on
meanwhile
next
simultaneously
soon
to begin with
the meantime
the next step
then
while
with this in mind
Specific Examples
a few of these are
as an illustration
chiefly
especially
for example
for instance
in particular
in this case
including
markedly
namely
particularly
specifically
such as
Generalizing
as a rule
as usual
for the most part
generally
generally speaking
ordinarily
usually
Exception
aside from
barring
beside
except
excepting
excluding
exclusive of
other than
outside of
save
Emphasis
above all
basically
chiefly
especially
essentially
certainly
in fact
indeed
of course
particularly
singularly
with attention to
Time
after
afterward
as soon as
before
finally
later
now
not long after
until
when
while
Summarizing
after all
all in all
all things considered
briefly
by and large
finally
in any case
in any event
in brief
in conclusion
in short
in summary
in the final analysis
in the long run
on balance
on the whole
to sum up
to summarize
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alanmunsaves · 11 years
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Iwan Rheon Gif Hunt
(via fc-helper)
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alanmunsaves · 11 years
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How To: Write Smut
(via lilopaylinsonrph)
In some mature roleplays, the characters are allowed to write smut, which is a great thing for the characters. You just put them under the Read More cut because that’s a must. Not everyone wants to know how loud your character moans when he’s in the middle of the act. So, here are some tips to write your smut.
The background, the background, the background.
You may say I’m an obsessed bitch with the background, but it’s important to everything. A good background gives the lights for the other RPer to take the lead and start their part. They give the necesary info to keep going and understand what is happening at the moment. So, what you might need here, is the following.
The relationship with the person you’re writing the smut with.
You’ll need to detail what the relationship between the two characters is, why are they there, why are they doing it? Are they just hooking up, is it a one night stand, are they in love with each other? All of these things are necesary, trust me.
The place.
Where will they do it, what is around. Of course you need to detail it. You wouldn’t want your partner go look for the lube in another room just because he doesn’t know where you’re at. Describe how did they get there, what is around them, what can be seen or not from there, what part of the room/place where they are is where you’re going to do it. Everything is needed!
Now that you know the basics, let’s move on with the next part.
Make me come alive, come on and turn me on.
Like our friend Nicki Minaj begs, you need to turn on the other person. Teasing is required before the sex. Why, you might ask? It leads the other person to start lubing naturally. You might not need it, but a little playing before the whole thing is good too. Turning on your partner will turn you on too. You can start kissing and showing some skin here, teasing all the time, grinding. Every corporal contact is required in this part so both of the characters get really turned on.
Take me in the bathroom, take my clothes off.
Once you’re turned on, you might want to feel your partner’s body moving in synch with yours until you both reach climax. No, no. Remember you both are fully clothed still. This time is really sexy, and in my opinion, you should take time while doing this. 
Yeah, I know, you want everything going on right now, but consider this: When you get a gift, you need to unwrap it carefully because 1. someone took their time to wrap it. 2. You don’t want to damage the gift. So, you can start undressing the other character from head to toes really slowly, also to give the eye some pleasure.
Pencey Prep.
This is it. You both are totally naked, really turned on and you are about to start having sex in the place you’ve chosen. NO. Sometimes you might want to prepare the other person because it might hurt. Whether you’re writing straight or gay smut, it helps preparing the other person. Yes, girls need preparation too.
Manual and oral stimulation helps the other one relax and feel better in the way. It also may help as lube when you’re in a hurry and you’ve ran out of it. Girls and guys both love oral stimulation when they’re about to do something. So, why not start pleasuring your buddy with your mouth?
Now that everything is ready, you might start doing what you want! But oh wait, there are some steps missing!
Is it still me that makes you sweat? Am I the one who you think about in bed?
Yes. People does sweat while they’re at it. Now that you finally managed to do whatever you needed to (get the guy’s dick somewhere, get the dildo inside of her or him) you shouldn’t be just humping until you come. There are some natural reactions that happen at the moment of sex.
If he/she a virgin, it will hurt.
Every girl’s first time is a little uncomfortable for them. None of them have not experienced a little pain, even if they have masturbated before their first time. The first time is really awkward if the guy has a really huge cock, because the girl is not adapted to that size. The hymen’s a membrane that once it’s torn bleeds. So it will hurt if that happens. 
In the case of the guys, the anus is a sphincter that when it’s stretched it hurts a lot. So it needs to be prepped to reduce the pain. Every time that something goes inside it, it will hurt, but with some time it will hurt really little that you might ignore it. Talking from experience here.
After a while of going in and out both start to get pleasure.
Yeah, it might take a while after it’s all uncomfortable and it starts giving you pleasure for real. Trying to adjust sizes, trying to find a comfortable pace, takes a little time. The position has a lot to do with this too.
Positions.
Your character might not want to stay horizontal on the bed all the time until they climax, so it might be good to change positions at least once or twice in the act. Some of them give more pleasure to both of them in the way too.
Hormonal and natural reactions.
Some people DO THINK WITH THEIR DICKS. So some guys like to go really rough. Something that happens with Frankie a lot is that once he’s in his partner, his brain goes off and he thinks with the minihead in his crotch. Trust me, I have fun playing with him, but also remember this might displease the other character, or please them even more. If you want guys, request and I’ll put up a How To Write Rough Smut Guide. 
When they’re at it, the hormones work faster, your brain starts processing them, accelerating the process of the pleasure. You may lose some focus and start biting, licking, scratching everywhere. Those are the natural reactions that the hormones lead you to do while you’re having sex with someone, and your character might have too.
Lock the cellar door, and baby, talk dirty to me
Dirty talk is ENCOURAGED. You might play a prude, but when you’re moaning in ecstasy and delight, your character would love to express with cussing and so, and it also turns on even more the one who’s hearing you talk. Also, guys love when they get reminded how big their dicks are and girls (because I’ve heard my friends talking) think it’s hot to have a tight pussy.
 Faint, baby. When you do the things you do. You make me wanna. Think I’m gonna.
And after all of the hair pulling, neck biting, body sweating and hip shaking process, both of them are closer to climax. Girls might have reached their third or fourth… (how many times your character wants an orgasm) for the night, while the boy is really close to his one and only orgasm. This part is really fun, because both of them are desperate for it. The guy becomes self centered, and trust me, they don’t care if it hurts anymore the other guy or girl, they just want to ejaculate. But here are somethings you should keep in mind.
If your character is playing safe sex, he could easily come into the other one if he’s wearing a condom (we don’t want pregnant girls or sexual diseases, unless you really do.)
You can change positions, or go back to oral sex if you want.
It’s impossible to stop at the very edge of climax. When the guy feels the cum running down his system, it’s happening.
Pull back if needed.
Somethings you should know about guys anatomy are these:
Face turns red, and breathing goes faster
The heartbeats go faster as normal
The balls get closer to the body to help delivering sperm cells to the prostate
The guys movements go faster in his desperate need to release.
The anus stretches along with the muscles when he’s coming, making it tighter.
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alanmunsaves · 11 years
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synonyms for the most commonly used words of the english language
(via criticalcharlize)
Amazing — incredible, unbelievable, improbable, fabulous, wonderful, fantastic, astonishing, astounding, extraordinary
Anger — enrage, infuriate, arouse, nettle, exasperate, inflame, madden
Angry — mad, furious, enraged, excited, wrathful, indignant, exasperated, aroused, inflamed
Answer — reply, respond, retort, acknowledge
Ask- — question, inquire of, seek information from, put a question to, demand, request, expect, inquire, query, interrogate, examine, quiz
Awful — dreadful, terrible, abominable, bad, poor, unpleasant
Bad — evil, immoral, wicked, corrupt, sinful, depraved, rotten, contaminated, spoiled, tainted, harmful, injurious, unfavorable, defective, inferior, imperfect, substandard, faulty, improper, inappropriate, unsuitable, disagreeable, unpleasant, cross, nasty, unfriendly, irascible, horrible, atrocious, outrageous, scandalous, infamous, wrong, noxious, sinister, putrid, snide, deplorable, dismal, gross, heinous, nefarious, base, obnoxious, detestable, despicable, contemptible, foul, rank, ghastly, execrable
Beautiful — pretty, lovely, handsome, attractive, gorgeous, dazzling, splendid, magnificent, comely, fair, ravishing, graceful, elegant, fine, exquisite, aesthetic, pleasing, shapely, delicate, stunning, glorious, heavenly, resplendent, radiant, glowing, blooming, sparkling
Begin — start, open, launch, initiate, commence, inaugurate, originate
Big — enormous, huge, immense, gigantic, vast, colossal, gargantuan, large, sizable, grand, great, tall, substantial, mammoth, astronomical, ample, broad, expansive, spacious, stout, tremendous, titanic, mountainous
Brave — courageous, fearless, dauntless, intrepid, plucky, daring, heroic, valorous, audacious, bold, gallant, valiant, doughty, mettlesome
Break — fracture, rupture, shatter, smash, wreck, crash, demolish, atomize
Bright — shining, shiny, gleaming, brilliant, sparkling, shimmering, radiant, vivid, colorful, lustrous, luminous, incandescent, intelligent, knowing, quick-witted, smart, intellectual
Calm — quiet, peaceful, still, tranquil, mild, serene, smooth, composed, collected, unruffled, level-headed, unexcited, detached, aloof
Come — approach, advance, near, arrive, reach
Cool — chilly, cold, frosty, wintry, icy, frigid
Crooked — bent, twisted, curved, hooked, zigzag
Cry — shout, yell, yowl, scream, roar, bellow, weep, wail, sob, bawl
Cut — gash, slash, prick, nick, sever, slice, carve, cleave, slit, chop, crop, lop, reduce
Dangerous — perilous, hazardous, risky, uncertain, unsafe
Dark — shadowy, unlit, murky, gloomy, dim, dusky, shaded, sunless, black, dismal, sad
Decide — determine, settle, choose, resolve
Definite — certain, sure, positive, determined, clear, distinct, obvious
Delicious — savory, delectable, appetizing, luscious, scrumptious, palatable, delightful, enjoyable, toothsome, exquisite
Describe — portray, characterize, picture, narrate, relate, recount, represent, report, record
Destroy — ruin, demolish, raze, waste, kill, slay, end, extinguish
Difference — disagreement, inequity, contrast, dissimilarity, incompatibility
Do — execute, enact, carry out, finish, conclude, effect, accomplish, achieve, attain
Dull — boring, tiring„ tiresome, uninteresting, slow, dumb, stupid, unimaginative, lifeless, dead, insensible, tedious, wearisome, listless, expressionless, plain, monotonous, humdrum, dreary
Eager — keen, fervent, enthusiastic, involved, interested, alive to
End — stop, finish, terminate, conclude, close, halt, cessation, discontinuance
Enjoy — appreciate, delight in, be pleased, indulge in, luxuriate in, bask in, relish, devour, savor, like
Explain — elaborate, clarify, define, interpret, justify, account for
Fair — just, impartial, unbiased, objective, unprejudiced, honest
Fall — drop, descend, plunge, topple, tumble
False — fake, fraudulent, counterfeit, spurious, untrue, unfounded, erroneous, deceptive, groundless, fallacious
Famous — well-known, renowned, celebrated, famed, eminent, illustrious, distinguished, noted, notorious
Fast — quick, rapid, speedy, fleet, hasty, snappy, mercurial, swiftly, rapidly, quickly, snappily, speedily, lickety-split, posthaste, hastily, expeditiously, like a flash
Fat — stout, corpulent, fleshy, beefy, paunchy, plump, full, rotund, tubby, pudgy, chubby, chunky, burly, bulky, elephantine
Fear — fright, dread, terror, alarm, dismay, anxiety, scare, awe, horror, panic, apprehension
Fly — soar, hover, flit, wing, flee, waft, glide, coast, skim, sail, cruise
Funny — humorous, amusing, droll, comic, comical, laughable, silly
Get — acquire, obtain, secure, procure, gain, fetch, find, score, accumulate, win, earn, rep, catch, net, bag, derive, collect, gather, glean, pick up, accept, come by, regain, salvage
Go — recede, depart, fade, disappear, move, travel, proceed
Good — excellent, fine, superior, wonderful, marvelous, qualified, suited, suitable, apt, proper, capable, generous, kindly, friendly, gracious, obliging, pleasant, agreeable, pleasurable, satisfactory, well-behaved, obedient, honorable, reliable, trustworthy, safe, favorable, profitable, advantageous, righteous, expedient, helpful, valid, genuine, ample, salubrious, estimable, beneficial, splendid, great, noble, worthy, first-rate, top-notch, grand, sterling, superb, respectable, edifying
Great — noteworthy, worthy, distinguished, remarkable, grand, considerable, powerful, much, mighty
Gross — improper, rude, coarse, indecent, crude, vulgar, outrageous, extreme, grievous, shameful, uncouth, obscene, low
Happy — pleased, contented, satisfied, delighted, elated, joyful, cheerful, ecstatic, jubilant, gay, tickled, gratified, glad, blissful, overjoyed
Hate — despise, loathe, detest, abhor, disfavor, dislike, disapprove, abominate
Have — hold, possess, own, contain, acquire, gain, maintain, believe, bear, beget, occupy, absorb, fill, enjoy
Help — aid, assist, support, encourage, back, wait on, attend, serve, relieve, succor, benefit, befriend, abet
Hide — conceal, cover, mask, cloak, camouflage, screen, shroud, veil
Hurry — rush, run, speed, race, hasten, urge, accelerate, bustle
Hurt — damage, harm, injure, wound, distress, afflict, pain
Idea — thought, concept, conception, notion, understanding, opinion, plan, view, belief
Important — necessary, vital, critical, indispensable, valuable, essential, significant, primary, principal, considerable, famous, distinguished, notable, well-known
Interesting — fascinating, engaging, sharp, keen, bright, intelligent, animated, spirited, attractive, inviting, intriguing, provocative, though-provoking, challenging, inspiring, involving, moving, titillating, tantalizing, exciting, entertaining, piquant, lively, racy, spicy, engrossing, absorbing, consuming, gripping, arresting, enthralling, spellbinding, curious, captivating, enchanting, bewitching, appealing
Keep — hold, retain, withhold, preserve, maintain, sustain, support
Kill — slay, execute, assassinate, murder, destroy, cancel, abolish
Lazy — indolent, slothful, idle, inactive, sluggish
Little — tiny, small, diminutive, shrimp, runt, miniature, puny, exiguous, dinky, cramped, limited, itsy-bitsy, microscopic, slight, petite, minute
Look — gaze, see, glance, watch, survey, study, seek, search for, peek, peep, glimpse, stare, contemplate, examine, gape, ogle, scrutinize, inspect, leer, behold, observe, view, witness, perceive, spy, sight, discover, notice, recognize, peer, eye, gawk, peruse, explore
Love — like, admire, esteem, fancy, care for, cherish, adore, treasure, worship, appreciate, savor
Make — create, originate, invent, beget, form, construct, design, fabricate, manufacture, produce, build, develop, do, effect, execute, compose, perform, accomplish, earn, gain, obtain, acquire, get
Mark — label, tag, price, ticket, impress, effect, trace, imprint, stamp, brand, sign, note, heed, notice, designate
Mischievous — prankish, playful, naughty, roguish, waggish, impish, sportive
Move — plod, go, creep, crawl, inch, poke, drag, toddle, shuffle, trot, dawdle, walk, traipse, mosey, jog, plug, trudge, slump, lumber, trail, lag, run, sprint, trip, bound, hotfoot, high-tail, streak, stride, tear, breeze, whisk, rush, dash, dart, bolt, fling, scamper, scurry, skedaddle, scoot, scuttle, scramble, race, chase, hasten, hurry, hump, gallop, lope, accelerate, stir, budge, travel, wander, roam, journey, trek, ride, spin, slip, glide, slide, slither, coast, flow, sail, saunter, hobble, amble, stagger, paddle, slouch, prance, straggle, meander, perambulate, waddle, wobble, pace, swagger, promenade, lunge
Moody — temperamental, changeable, short-tempered, glum, morose, sullen, mopish, irritable, testy, peevish, fretful, spiteful, sulky, touchy
Neat — clean, orderly, tidy, trim, dapper, natty, smart, elegant, well-organized, super, desirable, spruce, shipshape, well-kept, shapely
New — fresh, unique, original, unusual, novel, modern, current, recent
Old — feeble, frail, ancient, weak, aged, used, worn, dilapidated, ragged, faded, broken-down, former, old-fashioned, outmoded, passe, veteran, mature, venerable, primitive, traditional, archaic, conventional, customary, stale, musty, obsolete, extinct
Part — portion, share, piece, allotment, section, fraction, fragment
Place — space, area, spot, plot, region, location, situation, position, residence, dwelling, set, site, station, status, state
Plan — plot, scheme, design, draw, map, diagram, procedure, arrangement, intention, device, contrivance, method, way, blueprint
Popular — well-liked, approved, accepted, favorite, celebrated, common, current
Predicament — quandary, dilemma, pickle, problem, plight, spot, scrape, jam
Put — place, set, attach, establish, assign, keep, save, set aside, effect, achieve, do, build
Quiet — silent, still, soundless, mute, tranquil, peaceful, calm, restful
Right — correct, accurate, factual, true, good, just, honest, upright, lawful, moral, proper, suitable, apt, legal, fair
Run — race, speed, hurry, hasten, sprint, dash, rush, escape, elope, flee
Say/Tell — inform, notify, advise, relate, recount, narrate, explain, reveal, disclose, divulge, declare, command, order, bid, enlighten, instruct, insist, teach, train, direct, issue, remark, converse, speak, affirm, suppose, utter, negate, express, verbalize, voice, articulate, pronounce, deliver, convey, impart, assert, state, allege, mutter, mumble, whisper, sigh, exclaim, yell, sing, yelp, snarl, hiss, grunt, snort, roar, bellow, thunder, boom, scream, shriek, screech, squawk, whine, philosophize, stammer, stutter, lisp, drawl, jabber, protest, announce, swear, vow, content, assure, deny, dispute
Scared — afraid, frightened, alarmed, terrified, panicked, fearful, unnerved, insecure, timid, shy, skittish, jumpy, disquieted, worried, vexed, troubled, disturbed, horrified, terrorized, shocked, petrified, haunted, timorous, shrinking, tremulous, stupefied, paralyzed, stunned, apprehensive
Show — display, exhibit, present, note, point to, indicate, explain, reveal, prove, demonstrate, expose
Slow — unhurried, gradual, leisurely, late, behind, tedious, slack
Stop — cease, halt, stay, pause, discontinue, conclude, end, finish, quit
Story — tale, myth, legend, fable, yarn, account, narrative, chronicle, epic, sage, anecdote, record, memoir
Strange — odd, peculiar, unusual, unfamiliar, uncommon, queer, weird, outlandish, curious, unique, exclusive, irregular
Take — hold, catch, seize, grasp, win, capture, acquire, pick, choose, select, prefer, remove, steal, lift, rob, engage, bewitch, purchase, buy, retract, recall, assume, occupy, consume
Tell — disclose, reveal, show, expose, uncover, relate, narrate, inform, advise, explain, divulge, declare, command, order, bid, recount, repeat
Think — judge, deem, assume, believe, consider, contemplate, reflect, mediate
Trouble — distress, anguish, anxiety, worry, wretchedness, pain, danger, peril, disaster, grief, misfortune, difficulty, concern, pains, inconvenience, exertion, effort
True — accurate, right, proper, precise, exact, valid, genuine, real, actual, trusty, steady, loyal, dependable, sincere, staunch
Ugly — hideous, frightful, frightening, shocking, horrible, unpleasant, monstrous, terrifying, gross, grisly, ghastly, horrid, unsightly, plain, homely, evil, repulsive, repugnant, gruesome
Unhappy — miserable, uncomfortable, wretched, heart-broken, unfortunate, poor, downhearted, sorrowful, depressed, dejected, melancholy, glum, gloomy, dismal, discouraged, sad
Use — employ, utilize, exhaust, spend, expend, consume, exercise
Wrong — incorrect, inaccurate, mistaken, erroneous, improper, unsuitable
0 notes
alanmunsaves · 11 years
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Body Language Basics
(via autocrit)
In any story, half of the information given to the reader is never spoken out loud. It’s body language, and body language can tell your reader what your character is doing and how they feel about it.
Smiling for example. There are many kinds of smiles and each one tells something different about what the character is thinking, feeling or doing. A natural smile produces wrinkles around the eyes while an insincere smile only makes your mouth move.
Five other types of smiles:
Tight-lipped smile – the lips are stretched out to form a straight line and the teeth are hidden. This smile can say, “I have a secret”, “That’s just silly” or “I’m tolerating you only because I have to” depending on how tight the mouth is.
Twisted smile – when only one side of the mouth is turned up and no wrinkles appear near the eyes this smile is saying, “Sarcasm.”
Drop-jaw smile – the jaw is dropped to give the impression the person is laughing or playful, but isn’t really feeling either of those things. No wrinkles near the eyes, means not a happy smile.
Sideways-looking up smile – the head is turned down and away while looking up and smiling. This smile tells people you are juvenile, fun, secretive and coy. It produces protective feelings in men, and women want to be like her. Princess Diana was an expert at this smile.
The eyes can give away what we’re really thinking if you know what to look for. A person’s pupils will contract when they’re angry, unhappy or repulsed. They will dilate when a person is happy, excited, attracted or solving a problem. If you look at a person with dilated pupils you will feel welcomed and respond in kind. The reverse is also true.
Eyebrows can also speak volumes about what we’re thinking:
We flash our eyebrows at people we wish to attract (a rapid raise and lowering of the brow).
Lowered eyebrows – indicate aggression or concern. We tend to take people with low eyebrows more seriously. JKF had low set eyebrows.
Raised eyebrows – is a gesture of surprise or submissiveness.
Lowering the eyelids while raising the eyebrows, looking up and slightly parting the lips indicates sexual submissiveness. Marilyn Monroe had this look down pat.
Nodding and positioning of the head can reveal several very primal feelings:
A slow head nod indicates interest in what’s being said.
Fast nodding tells the speaker you’ve heard enough.
Head nodding in general encourages cooperation and agreement.
Tilting the head signals submission because it exposes the throat and neck.
Head down signals negative feelings or aggression.
Body position signals how we really feel about the other people around us.
Facing someone with an open stance, legs straight or apart, arms at your sides, palms facing forward is a “Trust me” signal. We also use it when we want to engender a positive response from the other person.
Open legs is a signal of acceptance and confidence.
Crossed legs or arms signals a nervous, submissive, negative or defensive attitude.
Women are more likely to fold their arms across their chests around aggressive or unattractive men and hold them open around men they find attractive.
Holding hands behind the back is a gesture signalling superiority or confidence.
Hands on the hips makes us appear larger and is a sign of assertion.
Think about what a person’s body position when they attempt to hug you. It’s completely open and if you like, trust or are attracted to this person, it’s easy to hug them back. But, if you don’t like or trust, or aren’t attracted to this person, hugging them is very difficult and uncomfortable. You will hold your body as far away from that person as you can, stiffly and will try to end the hug as fast as possible.
Want to present an interest and readiness in another person and/or what they’re saying? Lean forward in an open body position.
When we like someone or agree with what they’re saying we will mirror their body position.
It’s a commonly held belief that a liar can’t look a person in the eyes, but that’s not always true. If you want to spot a liar, watch their hands not their eyes. A liar’s subconscious will tell their hands to try to cover or stop the lie from coming out. As a child if you said something that wasn’t true you’d probably slap both hands over your mouth. As we get older, we get better at suppressing our reactions, but it’s really hard to not do one of the six common lying gestures:
The hand or fingers cover, touch or go in the mouth.
The nose touch.
The eye rub.
The ear grab.
The neck scratch.
The collar pull.
Body language can enrich any story, because it relates the innermost thoughts and feelings of our characters, even while they’re saying words to the opposite. It’s a great way to enhance description and give depth to your dialogue, conflict and romance.
0 notes
alanmunsaves · 11 years
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41 Emotions as Expressed through Body Language for Writers
(via omnivoracious) This list, while exhausting, is soooo not exhaustive; it barely scratches the surface. And each entry could easily become cliché (if it isn’t already). But, it should be enough to get you started. Want more? Start watching people (not in a creepy way), and take notes of what they seem to do when expressing different emotions. Your repertoire of expression will double in no time. PS—do not use these for actual, real-life body language reading; you will fail. These are strictly novelistic.
Awed 
Slack
jawed, raised eyebrows, staring 
Frozen, slack body language (Self? What self? There is only Zuul.) 
Take a step back and put a hand to his heart
Amused 
Smiling and throwing back her head laughing 
Slapping her thighs, stamping her feet, clapping her hands 
Shaking her head (That’s so wrong!)
Angry/Aggressive 
Sharp movements, like shaking a fist, pointing, slashing, or slamming a fist on a table 
Flushed face, patchy red blotches 
Tension in neck—chords standing out, veins throbbing—and jutting or tucked chin 
Arms akimbo, or clenching fists 
Entering someone else’s space and forcing them out 
Poofing up with a wide stance (I am big! Very big!), arms wide (Bring it!) 
Lowered eyebrows, squinting eyes 
Teeth bared, jaw clenched, snarling
Annoyed 
Pressing lips together into a thin line 
Narrowing eyes sometimes with slight head tilt (Why do you still exist?) 
Rolling eyes, often paired with a long-suffering sigh
Anxious 
Fidgeting, such as tearing grass into little pieces, playing with a ring, or chewing on a pencil 
Biting lower lip, swallowing unnecessarily 
Quickened breathing or holding breath 
Darting eyes 
Pallor, sweating, clammy palms 
Unusually high-pitched, “nervous” laughter 
Hunched shoulders 
Pacing
Attentive 
Slow head nodding with a furrowed brow 
Leaning forward, toward the speaker, and sitting up 
Taking notes 
Looking over the top of her glasses
Bored 
Resting his head on his palm, peeking out between the fingers, maybe even slipping so his head “accidentally” hits the table 
Tapping toes, twirling pencil, doodling, and otherwise fidgeting 
Staring out a window, or at anything remotely more interesting (Which is everything . . .)
Confident 
Arms clasped behind body 
Head lifted, chest out, standing tall 
Walking briskly and making firm, precise movements
Confused 
Tilting head with narrowed eyes 
A furrowed brow 
Shrugging
Contempt/Superiority 
Lifted chin (The better to look down the nose.) 
Pursed lips, sneering, slight frown 
Circling a shoulder, stretching her neck, turning away—anything to indicate she doesn’t see the person as a threat or worthy of her attention 
Grabbing her lapels, or tucking her thumbs in her waistcoat (See this clothing? It is much nicer than yours.) 
Dismissive hand-waving
Cynical/Sarcastic/Bitter 
Twisted lips or a half-smile 
Sneering, sometimes with shaking the head and other defensive body language 
Pressed lips with a slight frown 
Eye rolling
Defensive 
Crossed arms, legs, crossed anything, really (Well, maybe not fingers . . . or eyes . . .) 
Arms out, palms forward (Stop!) 
Placing anything (sword, shield, book, backpack) in front of her body
Disgusted 
Crinkling his nose 
Curling his lip and/or showing the tip of his tongue briefly 
Flinching back and interposing a shoulder or turning away 
Covering his nose, gagging, and squinting his eyes shut—hard—for a moment. (It assaults all the senses.)
Displeased 
A plastered-on fake smile (You suck; but I can’t tell you that. So here: a fake smile! Enjoy.) 
Pouting or frowning (I’ll cry if you don’t give me what I want—don’t test me, I will!) 
Crossed arms and other defensive/frustrated body language (I will not let that terrible idea influence me!)
Distressed 
Wide eyes and shallow, rapid breathing 
Beating the walls, or huddling into a corner 
Clasping hands over his head protectively 
Rocking himself 
Handwringing 
Running his hands through his hair
Earnest/Passionate 
Leaning forward, nodding, wide eyes with strong eye contact and raised eyebrows 
Hand on heart, or presented palms-up, or otherwise visible 
A double-handed handshake (I really want to make sure you understand me!)
Embarrassment
Blushing 
Stammering 
Covering her face with her hands or bowing her head (I’m so embarrassed, I can’t look!) 
Difficulty maintaining eye contact, looking down and away
Excited/Anticipation 
Rubbing hands together (I can’t wait to get my hands on it!) 
Licking lips (It’s so close I can taste it!) 
A vigorous, pumping handshake (I can’t wait to get started!) 
Jumping up and down (Look at me being literal here! I am jumping for joy.) 
A wide and easy grin
Flirty 
Eye play, like winking, looking up through the lashes, over the shoulder glances, and eye catching  
Preening, like hair flipping or smooth, clothing straightening, spine straightening, etc. 
Striking a cowboy pose, with his thumbs gripping his belt tight
Frustrated 
Shaking his head (You are so wrong!) 
Massaging temples (My brain—it hurts.) 
Clasping his wrist in his opposite hand, behind his back (Bad arm! No biscuit.) 
Running his hands through his hair (All this frustration is making my hair mussy. I can feel it.) 
Grabbing onto something like armrests, or white-knuckled interdigitation (Restrain yourself!)
Happy 
Smiling and laughing 
Eyes and nose crinkling 
Swinging her arms, spinning loosely, dancing, jumping
Impatience 
Quick head nodding (Get on with it!) 
Toe/finger tapping (Hear this? These are seconds. Wasted. Listening to you.) 
Sighing, checking the clock/sundial/freckles (Time. It is moving so slowly.)
Jealous 
Tight lips, or a sour expression 
Narrow eyes locked on the perpetrator, to the point of a stare down 
Crossed arms, and additional frustrated, angry, possessive, or bitter body language
Lying 
Scratching their nose, ear, neck, miscellaneous part of face 
Sudden change in behavior or demeanor, including shifty eye contact, lots of long blinking, shrugging
Ill-timed smiles or laughter (This is how I normally smile, right? Right???) 
Additional anxiety body language 
Shaking head no while saying “yes” (I can’t believe I just lied.) 
Licking lips, covering mouth, touching mouth, etc.
Overwhelmed 
Both palms to forehead, fingers splayed (This gives me a headache.) 
Covering eyes with one hand (If I can’t see the world, it can’t see me . . .) 
Eyes wide and staring into space, hands gripping the table in front of her (. . . Woah.)
Playful/Friendly 
Winking 
Waggling eyebrows 
Tiny shoves or nudge
Pleasure 
Head tilted back, lips parted slightly, eyes wide or closed 
Slow, languorous movements, stretching (such as arching her neck or back) 
Slight flush, quickened breath and pulse
Possessive
Handshake with arm clasp 
Putting hands on or around someone’s shoulders, neck, waist, back, or even just the wall near them 
Standing in someone’s personal space, body positioned toward that person 
Any one-sided act of intimacy, like running a knuckle down someone’s cheek 
Staring down any who get too close
Proud/Dominant 
Chin up, chest out, shoulders back 
A painfully hard handshake that not only squishes the bones, but also forces his hand on top 
Leaning back with his hands behind his head, and his feet up 
Strong, unblinking, focused eye contact
Reluctance/Resistance 
Arms crossed, sometimes with fists (Not happening.) 
Dragging feet (But I don’t wanna!) 
Pinching nose (You want me to do what now?) 
Clamping hands over ears (La la la la!)
Sad/Upset 
Droopy body (and anything held, like a sword), bowed in shoulders, wrapping arms around self 
Slow movements with hesitation 
Bottom lip jutting out and/or quivering 
Crying, sobbing, body shaking, sniffling, wet eyes
Secretive 
A tight-lipped smile (My lips are zipped.) 
Hiding her hands in her pockets (What has it got in its nasty little pocket?) 
Looking away
Scared 
Hunched shoulders, shrinking back from others (Don’t hurt me!) 
Wide eyes and lifted eyebrows (The better to see them coming.) 
Shaking, trembling, or freezing 
Rocking from side to side, sometimes holding self (It’ll all be okay, self, it’ll all be okay.)
Shame 
Slumped shoulders (Don’t look at me.) 
Trouble meeting your gaze, looking down and away 
Burying her face in her hands or bowing her head (I can’t face the world right now.)
Shocked 
Hands covering her mouth, or mouth hanging open, sometimes with a gasp (If I had words, I would be saying them.) 
Freezing and staring with wide eyes and eyebrows raised (Diverting all resources toward staring.) 
Smacking a palm into his forehead (Clearly, my head isn’t working right, or I wouldn’t have seen that)
Shy 
Avoids eye contact, or has only fleeting eye contact (Eye contact means you might speak to me.) 
Keeps a fair distance from everyone, and will back away if someone steps closer (Space invaders!) 
Folded arms, head down, and other defensive body language (If I make myself small, they can’t see me.)
Smug 
Slight, close-lipped smile (occasionally one-sided) and sometimes one raised eyebrow (I know something you don’t know.) 
Chin slightly tucked, Mona Lisa smile, raised eyebrows (I know better.) 
Finger steepling (I am so smaaaht.)
Suspicious/Skeptical/Disbelief 
Narrowed eyes, sometimes with a sidelong glance or raised eyebrow (Perhaps if I look at it out of the corner of my eye, I will catch it unawares.) 
Rubbing his eyes (I can’t believe what I’m metaphorically or literally seeing!) 
Shaking his head (I—I don’t believe it.) 
Blowing out cheeks (Well , I don’t know . . .)
Tired 
Rubbing his eyes, eyes staring into space, raised eyebrows (Raising my eyebrows helps keep my eyes open.) 
Yawning and/or stretching (I am tired—see? Tired! Too tired to care!) 
Almost nodding off and jerking awake (Cannot. Stay. Awa—snnnnurzzzz.) 
Gritting teeth to stay awake (Cannot—yawn—dang it!)
Thoughtfulness/Thinking 
Steepling fingers (I will think better if I center myself and focus.) 
Pinching nose, sometimes with closed eyes (Focus, focus—I just need to focus.) 
Tugging on an ear (This will help me remember!) 
Stroking a real or imaginary beard (People with beards look smart.) 
Furrowed brow, narrowed eyes, sometimes tilted head and pressing lips together (I can’t see it—I will try harder!) 
Resting his chin on his hand (Thinking makes my head heavy.)
Triumphant 
Hands clenched and held above head while grimacing (She is invincible!) 
Head tilted back with a yell (She is fierce!) 
Arm pumping in the air, jumping (Woohoo!)
0 notes
alanmunsaves · 11 years
Text
Create Vivid, Memorable Characters: Breathe Life into Your Fictional People
(via archetypewriting)
If your readers don't care about your characters, you're sunk. Readers don't necessarily have to like all of your characters, but they have to care about what happens to your main character, or there's no reason for them to keep reading.
Which means you have to care about your characters, and you have to know them, maybe even better than you know yourself. To create characters that live and breathe on the page, you must first create characters that live in breathe in your psyche. This is why you need to know much more about them than you'll ever have to include in your completed story.
One way to achieve this authentic character history is to put your main character(s) in as many real-life situations as possible. And because thinking is only the first stage and can only get you so far, write these situations out, considering all sorts of details.
When you can imagine your character in different places and with different people, beyond people and places your story requires, you make your fictional people exponentially more realistic within the confines of your own story.
Start by deciding on the basics: your main character's date of birth and favorite things (such as food, color, activity, place, song, movie, book, friend, family member, possession, game, animal/pet, amusement park ride, season). Remember: these are details you'll want to work out, even though they may never need to be discussed in your story.
The basics is great place to start, but to create the most vivid, memorable characters, you'll need to stretch your imagination and go beyond the basics.
The following exercises will get you started in developing rich, believable, interesting characters. Choose the exercises you're most drawn to, and really let yourself go -- don't worry about polished sentences or grammar or mechanics. (You can't plumb the depths of your imagination when you're worried about comma placement.)
STRENGTHS/WEAKNESSES: List emotional, intellectual, and physical strengths and weaknesses for your character. Include any special talents or aptitudes. Get your hands on an IQ test and take it from your character's perspective, not yours. (Tricky, but fun and worthwhile.)
DINNER AT OUR HOUSE: Imagine a family meal at your main character's dinner table. Write a short descriptive scene revealing the average evening meal at your main character's house. Now revisit that meal scene and add tension. (After all, tension makes fiction go 'round.) Perhaps the school principal called Mom that afternoon and therefore Mom has some serious lecturing to do (or some serious disappointment to relate). Or maybe Dad lost his job that day and -- over meatloaf and green beans -- tells the family that they'll have to be uprooted (again). Perhaps the teen daughter brings home a dinner date who only Mom (an undercover detective) recognizes as a convicted felon.
The point is: think of an emotionally-charged piece of information that will make this meal very different from the one above. Write this scene, paying attention to specifics.
WHAT WOULD S/HE DO? Imagine an ethical dilemma that your character finds himself/herself in. Maybe your character was offered a job promotion or a large bonus based on a task s/he didn't carry out alone. Does s/he tell the truth and share the credit with the colleague or keep quiet about it and bask in the glory solo? Choose a moral quandary, plunk your character it in, and write a short, thorough, descriptive scene. Be sure to tap into your character's thoughts, fears, conflicts, and ultimately how s/he arrived at the final decision.
DEAR DIARY: Write three diary/journal entries from your main character's point of view, fully in his/her voice and in his/her head. Make the entries occur on different days and have them deal with different events and emotions. Try to include a whole range of feelings -- joy, sorrow, rage, uncertainty, anxiety, to name a few.
DOCTOR, DOCTOR: Write up your character's last physical exam report, as it would be written by the family physician. Include all relevant details, along with any physical complaints the character might mention. Then write up some clinical notes from a psychologist who has been seeing your character in therapy. Perhaps your character has discussed his/her worst fear with the doctor. Reveal as much background to that fear as you can: when and why it began, how it's manifested, how your character struggles to cope with it.
DEAR AUTHOR: Your character writes you (the author) a letter, instructing you quite specifically in how s/he wants to be portrayed in the book. Make your character's personality come through loud and clear in this letter. Try to set yourself aside as you write it.
JOB APPLICATION: Get your hands on a job application (or create one of your own), and fill it out from your character's point of view. Include work history, schooling, references, as well as the character's statement explaining why s/he would be perfect for the job.
Always remember to have fun with these. The minute you're not having fun, stop. The looser and more relaxed you are when you try these exercises, the more you'll get from them. You'll discover things about your character you never thought you knew, which translates to a more fully realized, believable person alive in your story.
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alanmunsaves · 11 years
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Basic Information on Forensic Science
(via archetypewriting)
Forensic science is not just what you see on television shows like CSI but rather the use of actual science to help determine the answer to varied legal questions. There are many different types of forensic disciplines that are used to help police and other officials answer these questions. These include criminalistics, forensic psychology, forensic pathology and others. 
Criminalistics is the science used to help understand the evidence in crimes. Evidence used in criminalistics can include biological evidence, trace evidence, impression evidence, controlled substances and ballistics. Biological evidence is usually bodily fluids such as semen and blood. Trace evidence are items like hair and fibers. Impression evidence are items like foot prints, impressions of car tires and fingerprints. Criminalistics is usually investigated in a crime lab. Many cities with very large populations have crime labs within their police departments. These include Miami-Dade, Florida and the famous Las Vegas crime lab. 
Forensic psychology is the study of the mind of a criminal. Forensic psychologists usually study the motivations that led an individual to commit a certain crime. Forensic psychology has recently come into the limelight as more and more television shows have started to feature it. These includes CSI, NCIS and Criminal Minds. Criminal Minds especially digs into why a person committed the crime so that they may locate the victim before it is too late. Forensic psychology has also been discredited by some as being interpreted in court as opinion and what might have been going through an individual's mind, not what actually went through the individual's mind. 
Forensic pathology is the study of the cause of death. Literally, pathology is used to determine how someone died and the forensic findings are usually used to backup a court case. Forensic pathology has also recently become popular for television shows such as CSI and NCIS. Many of the cases involve a mystery over death. 
There have also been many other forensic sciences such as forensic meteorology, and forensic geology, although these are used much less often than other branches of forensic science. Many of them just involve using analytical skills to determine the cause of the events.  As with any science there have been some disagreements over the scientific effectiveness of certain forensic sciences. One of these cases was an experiment by the FBI. Comparative bullet lead analysis was used by the FBI for over 40 years starting when John F. Kennedy was assassinated in 1963. The theory was that each batch of bullets had a specific chemical composition, much like an element on the periodic table, and therefore could be traced back to its original batch or even down to the very box. However, internal studies showed this to be exactly the opposite and the test was finally pulled in 2005.  No matter what you may think, forensic science affects you each and every day. Forensic science allows scientific means to be applied to almost any situation so that there can be a root cause determined. Forensic science in any form is just the answering of a legal question using analytical means.
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alanmunsaves · 11 years
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Run by a clinical psychologist, Archetype is the fiction writer's guide using psychology accurately in fiction. Q&A, resources, creative prompts, and media portrayals!
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alanmunsaves · 11 years
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Body Language Cheat Sheet (2/2)
(via archetypewriting)
Anger
Anger is one expression of fight-or-flight mode – an automatic, instinctive reaction to a threat. In many cases, there is an underlying fear of being harmed. Thanks to autonomic nervous system arousal, the heart rate increases, pupils dilate and the face may flush. Other signs of anger:
Balling the fists.
Crossing the arms tightly.
Clenching the fists once arms are crossed.
Tight-lipped smile.
Clenched teeth.
Shaking a finger like a club.
Stabbing a finger at someone.
Attraction
Pupils dilate.
Women will cross and uncross legs to draw attention to them.
Mirroring – (usually unconsciously) mimicking the other person's body language.
Closed to conversation
Keeping the hands in the pockets (especially men)
Arms and legs crossed.
Sitting back.
Folding the hands together on a table (creates a barrier)
The “figure-four” leg cross (setting the ankle of one leg on the knee of the other) and then grabbing the lower half of the top legs with both hands.
Openness and Honesty
Exposure of the palms.
Arms and legs unfolded.
Leaning forward.
Submissive Signals
Smiling – that's why some people smile when they're upset or afraid.
Slumping the shoulders.
Doing anything to appear smaller.
Distress
Men in particular have a tendency to stroke or rub the nape of the neck when they're upset. It acts as a self-soothing gesture to deal with a “pain in the neck.”
Crossed arms – arms act like a protective barrier.
Self-hugging – arms are crossed, hands gripping upper arms.
One-arm cross – one arm crosses the body to hold or touch the other arm – women keep a hand on a purse or bag strap to make this look more natural.
Clutching a purse, briefcase or bag with both arms.
Adjusting cuffs or cuff-links (men's version of the purse-strap grab)
Folding the hands together in front of the crotch (men)
Lying
Lying causes a subtle tingling in the face and neck, so gestures below are attempts to eliminate that feeling
Covering the mouth – can be like a shh gesture, or they may cover the mouth completely – some people try to cover it by coughing.
Touching or rubbing the nose or just below the nose – often a quick, small gesture, not a scratch.
Rubbing the eyes (especially men)
Scratching the neck with the index finger.
Superiority, Confidence, Power, Dominance
Steepling the fingers (aka the tips of the fingers together)
Folding the hands behind the back.
Thumbs sticking out from pockets when hands are in pockets (can be front or back pockets)
Hands on hips.
Straddling a chair.
Hands folded behind the head while sitting up (in men, in women this thrusts the breasts out and becomes sexual)
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