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View of interior of a 1976 Buick car. Label on sleeve: “General Motors, Buick interior, 1976.”

Courtesy of the National Automotive History Collection, Detroit Public Library

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Anders als die Andern (Different from the Others) (1919) Directed by Richard Oswald

"Widely considered the first feature-length film aimed specifically at a gay audience, made all the more significant for its humanistic depiction of gay men and its explicit plea for the end of their social and legal persecution." (x)

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Get me someone who loves me like this

#🂽 #♦

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Hazbin little practice 2/?

#🂽 #♦

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wish i had something to live for tomorrow

#🂽 #♦

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thing for @celestialalpacaron's overlord husk au

closeups under the cut

#🂽 ♦ OP you considered painting Sistine Chapel or.

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AND I FORGOT TO PUT THIS HERE WTF ME?!

#♦ #🂽

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talking to people while holding a beverage is awesome because you don't have to know what to do with your hands and when you don't know what to do with your face you can just take a sip

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They're a bad influence.

#🂮 #🂽 #Man I made this for my boyfriend. Here. #hazbin hotel #huskerdust #angelhusk #hazbin hotel memes #angel dust #husk

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Lauren Bacall and her children, Leslie and Stephen Bogart, at a matinee performance of the Ringling Bros. and Barnum & Bailey Circus on April 17, 1957.

Photo: Hal Mathewson for the NY Daily News

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The corridor glance

IN THE MOOD FOR LOVE (2000) dir. Wong Kar-wai

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The detail of a place setting is a reminder of largely bygone times.

The Los Angeles House, 1995

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𝓞𝓃𝓁𝓎 𝒶 𝓈𝓂𝒶𝓁𝓁 𝓅𝑒𝑒𝓀 𝑜𝒻 𝓂𝓎 𝒸𝒽𝑒𝓈𝓉 𝒻𝑜𝓇 𝓃𝑜𝓌. ♡ ° 𝓘’𝓁𝓁 𝓈𝒽𝑜𝓌 𝓂𝑜𝓇𝑒 𝒾𝒻 𝓎𝑜𝓊 𝒷𝑒𝑔 𝒻𝑜𝓇 𝒾𝓉.

#🂽 #hey gorgeous

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'preciate all the cosplays but damn some are looking straight like a reincarnation of Cats.

#🂮 #You decide if it's a bad or good thing. #hazbin husk

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I have learned how to live, how to be in the world and of the world, and not just to stand aside and watch. And I will never, never again run away from life. Or from love, either.

SABRINA 1954, dir. Billy Wilder

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🎙️ Alastor redesign + some headcanons

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WONDER BAR (1934) | dir. Lloyd Bacon

“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”

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