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#yes we're bringing back reviews in a big way for 2024 🙏
youngharridan · 4 months
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Let me preface this by saying I adore Annie Autumn. Its one of those great one-sided/parasocial kind of relationships of my online life. I’ve been following her for awhile now after seeing her tagged in another friend of a friend’s posts. I bought a baby blanket from her for a friend of mine when she was doing a fundraiser, and I have one of her hook rugs on my wall as well. It’s devastating watching her go through cancer treatment and now settling into end of life care - but I also really value what she is willing to share with everyone. Radical queer community grieving at its finest. That is all to say – this is a funny kind of review. Not that I ever strive for objectivity or anything like that. But this little zine really hit a spot in me and its really interesting to give a bit of a longer reflection.
I bought this on a total whim – Annie made merch for her living wake and asked Instagram if people would buy it. Which hell yeah of course we wanted it! Let everyone wear this beautiful stuff while giving you some money for your family. And she included this zine with the totes and shirts. I knew she had built her home with her family and community and jumped at the prospect of hearing more of the story. It’s a short zine – maybe less than 10 pages, colour printed on cardboard. It’s structured around two weather events that woke Annie up in the middle of the night and threatened her home. In-between these stories of fire and flood is a bit about the actual building of the house. The thing that initially struck me is that this is a climate crisis story, displaying the real cost of our collective failure to address climate change meaningfully and sharing the material effects of this crisis. This is a story that is both political and personal in all the best ways.
Annie talks about how building her own house was a dream of her’s from when she was a teenager. I feel like it is such a strong trope in the queer community that we all dream of running away from society to start a commune where we can live freely and build things together. I have personally harboured this dream, but during the covid-19 pandemic lockdowns I was confronted with just how interconnected we all are and thought that this kind of running away fantasy was really cruel. I don’t want to turn away from the world, I want to find a way to live in it while also being in community. This also led to me to looking at houses instead of property when it came to buying a house. I did kind of abandon the city in the end and run away a bit, but just up the hill to the mountains where we could afford to buy a house just outside of the insane Sydney property bubble.
There is something that I struggle with that comes in later in the zine that I want to dig into a bit, towards the end. Annie reflects on how the house is far from perfect but that:
“I love that she’s still a bit of a work in progress, that I’ve shown my kids that you can build a life using your hands, and that life can resist dominant paradigms that dictate that you ‘cant’t’ or ‘shouldn’t’ make things for yourself. That tells you not to try in case the things you make are ‘bad’. That its better to work in a soulless job so that you can pay others to use their hands to make things for you – your clothes, your home, your garden”.
This kind of sentiment is something that greatly irritates me while also being something that I agree with to a certain extent. I live in a house that someone else built – and we paid someone to renovate the kitchen in the first year we lived here, and I don’t regret either of these decisions. I also really want to learn how to paint the walls myself and take on other repairs eventually as well because learning skills rules. The garden is going to be a lifelong project for me. At the moment it’s a fussy cottage garden that the retirees that lived here before us obviously poured so much love and care into, but is full of plants I want to slowly replace with natives and productive fruits and vegetables. I don’t think it’s fair to blanket say that all work is soulless, and that paying professionals to do things for you is wrong. But I do think we could all stand to learn the true cost of things like food and clothes on the planet, people, and animals. So call me a fake radical but I am happy to give some jobs over to the tradies in my house.
I kind of can’t believe how long this went – hoping to review more zines this year but don’t expect >500 words very often.
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