I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
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oooooo please tell me (who knows nothing on the subject) about orv swap au
hehehe. hehehehehehe. hehehehehehehhehehehhheheheh <- guy who is so normal
the premise of orv swap au (name has yet to be finalized) is this: what if kdj and yjh swapped narrative positions (reader <-> character) but very little else? what if a video game player enters a time loop to save his favorite character from dying over and over again and also to end the apocalypse?
admittedly it's not super fleshed out yet (a lot of the changes this premise would introduce are still not hammered out yet) but here are some points under the cut (novel spoilers ahead!)
orv swap au starts with pro gamer yjh who feels :/ abt his job, but hey, it pays the bills. despite (or maybe because of) his relative popularity as a pro gamer and networking with the agency/sponsors/people to impress, he's kind of isolated in a way that's detrimental, a facade of someone he's not whenever he's on camera
something to play around with is the idea of agency? maybe this yjh doesn't feel like he has any and has his hands tied between the lifestyle and being under public scrutiny and not having enough of a support system to leave everything behind. maybe he doesn't know what else he would even do. maybe he's aimless and drifting with nothing to hold on to.
his favorite video game is what i've been thinking of as World's Hardest To Play Indie Game (not based on difficulty but just on the experience of consuming it) a boring, exposition heavy, player-hostile, poorly designed, slightly buggy mess of a barely-playable game: twsa, a game that was not finished upon release and experiences with sporadic updates every now and then.
the ending tree to this game is so convoluted its insane. also theres no save states so if you die (very likely) u restart babeyyy.
twsa (video game) does have multiple endings, all of which happen when kdj, your main character, dies. some are farther into the apocolypse than others, some paths require meta knowledge of future events or character actions or items or whatever. the "true ending" is either analogous to the original 1863: kdj makes it to the end at the cost of everyone he loves, or hsy's modified 1863: kdj makes himself enemy of the scenario to secure a way out for the kimcom remnants.
there's branches on the choices tree where everyone dies and everything sucks and is bad forever and theres choices to make where kdj gets to make a family and they don't really get to settle down but they can get pretty close to it among the ruins of the apocalypse. through all his testing, yjh finds that these endings are nice but peter out - to get to the end of the apocalypse yjh has to claw his way there inch by painful inch, through betrayal and sacrifice, and he still cant fully get past it
i originally wanted to finagle a yoohankim 3 way swap but i couldn't figure it out. swap aus are a lot easier to work with when they're even numbers, at least to me, so this au features a ysa who is a video game company employee by day and by night she really has become god this time (and also a terrible indie dev). and this is how jungdoksang can still win !!!!
also yjh's coworker from Real Life hsy :) i haven't decided if she's like an employee for the same agency, or if she's someone else in the gaming circles that yjh interacts with sometimes (in my heart theyre in like some sort of discord server together), or something like that but she's around. whatever she does she is twitter cancelled for something. to me.
the only other character swaps are lsk and yma. yma is yjh's estranged sister (in broad strokes there's a vague bad parent situation going on here) (they used to be close until they drifted apart and slowly started hating each other [there is an abyss between them that neither of them can bridge]) (he feels that she betrayed him and threw him under the bus so he left [maybe he gets kicked out]) (she feels that he abandoned her to whatever situation they have going on [he didn't even try to take her with him]) and he has to find her when the apocalypse starts. yjh older sibling to yma gives us a whole different little dynamic to explore from kdj ysk (there's different levels of responsibility and guilt and blame when you're talking siblings that are soooooo interesting to me. sorry that i see any set of siblings and immediately try to figure out how to make them worse)
lsk is kdj's mom who appeared into existence at some point with kdj and they were both just adults. that's weird isn't it. oh well. i guess she can become a transcendent later too for funsies
everyone else stays in the same configuration of Real Person vs Character to me this is a very important aspect
this point has no precedent with the swap, nothing particular that would change to cause this, but it would be so funny if lgy was a little gamer boy who is an avid yjh hater. hates that guy. shows up to competitions to boo him. tunes into yjh's silent no-mic speedrunning streams to mald in chat but yjh +mods don't ban him bc its kinda funny.
anyways the apocalypse starts when yjh and his coworker/fellow gamer hsy are on a train to twitchcon and lgy is also there (also headed to twitchcon) and he brings bugs because he likes them but also to sabotage yjh specifically. its just funny if this happened. you understand
instead of having reader-related skills and abilities, yjh's skills are video game player based! he gets flavor text insight on people, location, and items, things like that. notably, he has the ability to reset, to bring himself back to the beginning of the apocalypse
orv swap proper follows yjh as the Player of the Game (Consumer of the Narrative) who lives hundred of lifetimes in this ruined-world-become-reality "replaying" [read: time looping through] the game to reshape it to save his fave character from self implosion (kdj with no dissociation is very prone to dying. all the time.). to revisit the idea of playing with yjh and the idea of agency, of creation, the only way to get past the apocalypse is to go off the beaten path, to choose options that weren't even there in the game. when in space, at his darkest point, yjh becomes a writer. in this story, at his darkest point, he has to become a creator too
please do not ask me how the epilogues go i dont know how the epilogues go (i don't want to throw yjh back into a train for milennia after he Just went through a thousand resets so i'm sending kdj for that but i havent fully planned how or why)
anyways, hope that helps!!! :)
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I get why people are worried about misinformation because of the increase in mental health related TikTok’s and videos, and yeah some people are just neurotypical people looking for clout but like… that isn’t anything new… and then you have people who are neurodivergent making videos to either just make little jokes or share their experiences and symptoms or just trying to relate and make other neurodivergent people feel less alone and yeah maybe make money because in this world you have to monetize every single aspect of yourself Or Else™️ apparently, and people will just be so shitty about it.
Leaving comments about them being narcissistic and not really neurodivergent and how eeevvvvvveeeeerrrrrryyyyyyyyooonnnneeeee is like that too and acting like it’s the same as romanticizing mental illness. I’ve seen so many people on here claiming to be neurodivergent who talk like this and like that’s ableism babes. You’re just being ableist.
People romanticizing mental health struggles and adults not taking their kids seriously because they think it’s “just a fad” did not pop up in the age of tiktok and YouTube, it’s just the same bullshit that’s always happened.
so maybe just leave the random content creator making their stupid little videos alone.
just because people have done that thing where they’ve picked a group they think is deserving of mockery and therefore can be shitty to them without an ounce of guilt doesn’t mean you aren’t being an ableist piece of shit.
Neurodivergent people are allowed to joke and talk about their struggles without painting it as the bleakest existence there ever was and they’re allowed to explain why their brains make it extra hard to do maintenance and chores without being called lazy.
📣📣 You’re just being ableist 📣📣
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obviously this is a grim way to go but in the long term i think it's good if twitter disappears. on social media sites like tumblr and instagram, you just engage with people in your personal circles - and while this is possible on twitter via a locked account and insular communities, ultimately the majority of twitter users are engaging with a quasi-global forum. even on reddit, which tries to be an "everything" site, the majority of users gravitate to subcommunities. whereas twitter became to an extent global public infrastructure, by virtue of its huge userbase, instant brand recognition, and the sheer number of public figures on the platform - which inspired the need for the verification system, the fact-checking addenda, the pivot to news in the "explore" page, etc, because ultimately there IS a degree of responsibility that comes with a social network that big, not to mention the extreme amounts of invisible moderation work needed to keep it regular. obviously though that kind of broadness is completely untenable in a way that makes it deeply attractive to megalomaniacs who think they can do everything, which is why the megalomaniacs who used to own it were happy to lean into the global infrastructure angle, and why the megalomaniacs who currently own it are trying to make it an e-commerce site. but fundamentally global infrastructure should never be privately owned, i mean i believe this on an ethical level but also just on a practical level, the biggest global public infrastructure - the internet - has plenty of government involvement and regulation, and, no matter your feelings on that (i have particular objections to various forms of government intervention in the internet but i'm not a total libertarian about it), it is unwieldy and ultimately unsafe for a site that tries to be as big as the entire internet to operate without some level of regulation. so yeah fuck it we don't need no water let the motherfucker burn etc etc
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