You may have answered this before, but how are you handling characters that don't believe in starclan, like mothwing and cloudtail? Personally I thought it was interesting when reading the books, considering cloudtail, but only to a point because it's very hard to write atheist characters in a setting where there's undeniable proof of the gods/spirits/etc. Like, how did they explain the literal forces of heaven and hell battling on earth??
As An Atheist Myself ™ I have a lot of feelings about the two of them. I think the short answer is just that in a setting where gods are literally undeniable facts of life, "Atheism" looks more like Dystheism, the belief that they exist, but are not worthy of worship.
That seemed to be the conclusion at the end of Mothwing's... i forgor the name of her novella 💀Mothflight's Blaspheme Boogie. It's actually why it's one of my favorite novellas, I really like the way it closes out with Mudfur trying to sales pitch StarClan's goodness to her, she doesn't buy a fucking penny of it, and ultimately concludes that the comfort it provides to her Clanmates is valuable to them but doesn't have to be for her.
So that's how I want to handle them. They have an outsider perspective to the fact that this is a theocracy, based on gods that can be vindictive and vengeful. Scourge/Iceheart is also joining these two, he actually is going to have a minor but important role in Squirrelflight's Horror as a ghost basically giving insight to what happens when you don't worship StarClan when you die.
With him and Mothwing I really know what I'm doing. Mothwing is insight to Leafpool, especially in TNP where she is now a POV, and observing how the though of StarClan influences the behavior of the cats around her. Scourge is killed in the Great Battle and serves as a ghost to witness their trial. Cloudtail...
Cloud's still evolving. He's going to be a supporting character with Ferncloud in her SE and exploring the feelings he has towards Ashfur, now his apprentice, becoming a villain. How he did his job perfectly, raised him with a deep respect towards the warrior code, and that lead to the person he is today. How he couldn't have done things "better" because this DID raise him the way his society expected him to.
But his dystheism is kind of secondary to that. I think the story I've got for him is fine so far, but it needs more of an 'ending' that I can't decide on until they finally kill him in the main books.
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ok another one in that i went over everything again expressly to pick up murder mystery clues, especially in the beginning
noted as the first appearance of mordecai, hanging out in the garage. to be perched on the hood of a car, leaning back, is so whimsical for him. jaunty. but also, being the earliest appearance in the comic / its own timelines, you know. more informatively, it sure seems like atlas was shot or something there. looks like it matches his design even from the mostly obscured look we get at it, and presumably there's any all the more unobscured view available to everyone in-universe. it's also presented as part of someone's file, so that's noted re: drago, though it may just be the required framing to present it as a photograph that'd exist at all
then introduced to mitzi in the next page, and i've helpfully added the arrow b/c i was looking for it like "well, based on this Theory that the basis of mitzi and mordecai being in cahoots and having an understanding about it is their mutually having a personal/emotional connection to atlas (at least on their end b/c we see so little from atlas and hear even less. even when people would usually say one is personally connected to their wife. are they)....might mordecai show up at the glimpse of atlas's funeral" and i'm noting how closely that design there aligns with mordecai's, even though this isn't high res enough to be absolutely certain. but: seems to have a shaded-in coloration, center streak in the ear, sharply triangular corner of face (especially a feature in these earliest depictions, rather than this triangularity incorporating a bit more waviness / curve later), light uhh muzzle nose mouth area, what could be the outline of the light stripe under the eyes, light eyebrows >:c ly arched, & pince-nez or just glasses if that's the only option when you're cats....there's a lot of "wow that really could be mordecai huh" design alignments that are otherwise just a lot of coincidences like, whoops drew this background rando who matches so closely one of the main cast members....characters. getting theatrical out here. and what's then also noticeable is: none of the other background randos resemble any other characters, even when if mordecai is simply here as an Important Employee, where's viktor, where's anyone else we know was already around, where's the employees who remained steadfast who are shown immediately after this, versus mordecai who, as an employee, did Not loyally stick around at lackadaisy, but as someone with enough emotional investment in atlas for that to indeed be the foundation of his and mitzi's murder mystery Understanding, to then also maybe be the only lackadaisy employee at atlas's funeral (presumably with mitzi's knowledge), to have left lackadaisy out of grief rather than professional interests....hmm
mordecai also in this picture, where again everyone's hanging out, next to atlas and singled out by being the only person not sitting. did he just get there, maybe. is he On The Job still, i.e. maybe by being something of an [almost always active personal bodyguard] here. seems he'd face more Away from atlas for that. but not like i know what he's up to otherwise, and Thee Point may be to more symbolically have him standing apart. with even viktor also there, sitting and chilling, to show how mordecai Might also be doing that....but isn't. also of course tingling with mystery senses about what mitzi was going to have said to wick here, about how she would hate to, dot dot dot...then changes her mind upon Considering Atlas
here's mordecai Standing Near atlas again while socializing is happening. while he is also distinct from a) mitzi, in that this is confirming (if somewhat implicitly) that mordecai was in fact already associated with lackadaisy & atlas before atlas met mitzi, and b) viktor, who was still stationed with the arbogasts' funeral home, wherein i'm also considering this relevant b/c naturally it emphasizes that the professional viktor & mordecai duo's existence doesn't make them interchangeable: backing up that mitzi sure may have had a reason beyond a coin flip for having this secret with mordecai rather than viktor (and, of course, the reason probably isn't just "i need to work with some lackadaisy employee who can fire a gun" in the first place)
a couple more points being
mordecai going on and on about professional approach all the time; could simply be his preference, could be an expression of the like precision / methodical perspective that makes him good at biting and killing, could be [that] plus just how he deals with his job being biting and killing when it's unlikely he was up to that before the train ride ft. atlas and atlas taking him on for that success....i also wonder if he took a Professional Approach to killing atlas / thinks of it in that way, even if that reason for [secret mystery involvement with mitzi on this] was an emotional one, and that being recent and tumultuous has him like tripling down on this. even though mordecai may not have killed atlas either, even presuming atlas Was shot and killed. and knowing that mitzi gave him a gun, or mordecai gave her the gun, or they passed it back and forth a few times for obfuscation
the pig farmers start wandering into a dark area of lackadaisy's caves and there's bones back there. what goes on in said caves....all this coming about b/c atlas opportunistically took advantage of the cave access, seems like the kind of environment with real potential for some figurative resonance. like also the rivers.
mitzi telling wick that atlas was the murderous one in the relationship....not necessarily that significant when like, technically who around here Isn't murderous. just like there having been "here's the body stashing cave section" isn't necessarily extraordinary in its literal existence, but with the symbolism of wandering into the caves and finding an area with no light, where you start walking on old bones, and are about to be killed yourself....hmm. and re: atlas's murderousness, sure is possible to team up to kill someone to protect a fourth party, even though like, who. and that would add another layer of "mitzi and mordecai care about the same person" on top of their presumed [handshaken] emotional regard towards atlas. possible, but like, who would that be. it seems unlikely atlas would, say, threaten ivy or something. and how would that incorporate that [there has to be the Mitzi's Asserted Culpability] element. but these things are sure noted
not directly related to the mystery but i will leave off again on the mordenico agenda. even though, also, it is a "bite me a zillion times, two zillion times shy on me" situation like, what are the odds the [inroad of intrigue over shaking up the glitter in your funny little guy who everyone usually just would rather ignore] situation is actually bound for working out. yet [Also Everything Else. like in this scene and the prior Hotel Room Fête encounters] and declaring yourselves as the same and trying to stay friends no matter what....we can dream
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i don't get Hopes fans' insistence that Claude was fixed by a white woman/man (Byleth) and that he’s better when he's used as a prop for a separate white woman (smellygard). Like they of course don't put it like that but that's deadass what they're saying when they attribute all of Claude’s positive character traits to Byleth and when they cheer so hard for Claude ruining his dreams in the service of a violent imperialist.
Claude and Byleth are better (and straight up GREAT) as equals who help each other grow closer to others and not "well Claude was completely evil until Byleth made him good" and he's DEFINITELY better as an antagonistic force against smellygard than a dumb yesman. like sorry to the Claude "fans" that want him to just be a dumb violent brown boy who only gets fixed by the good white characters but he's an amazing and good person all by himself 🚶
as a disclaimer, as a white woman i won't put words in the mouths of fans of color who like hopes!claude—and many do! but many also don't, at least in part for the reasons you mention, and anything i have to say on the topic will be echoing them. (@butwhatifidothis, for example, who's talked a lot about this specifically from this angle.)
i can understand the argument that byleth influenced claude to grow emotionally closer to people and his trust in her allowed him to break down the walls he would have kept up otherwise. but i think it's more than a little bit silly to attribute hopes!claude's behavior entirely to the absence of byleth. because we have canon proof of what claude looks like without byleth, and it's called "fire emblem three houses", a game in which claude a) doesn't try to take over anything even when given some good opportunities to do so and b) never even considers siding with edelgard. even "well claude didn't have the year at garreg mach" still falls flat when you consider that claude was already a clever and curious person before garreg mach, traits that are, by all accounts, largely absent in his motivations in three hopes.
hopes!claude only works as a tragedy, and even then i find it hard to believe. (and of course, having the series' first POC lord be the Tragic One in a fanservice game, compared to his two white counterparts who make off like kings by comparison, is pretty gross no matter how you slice it.) of the many traits canon claude has, "stupid enough to believe he can help edelgard conquer a continent and then starscream her" is not one of them. it's literally just edelgard's (equally stupid, but at least in-character) canon alliance with the slithers, believing she can turn around and destroy them after depleting her own resources bringing any potential allies she might have had to ruin, but with a golden deer coat of paint. i think that, as a golden deer fan, i can be forgiven for not finding that very appealing, even as an AU, and i'm certainly not paying sixty bucks for it.
seriously, Warriors + three houses could easily have just been another fanservice-y romp like the original, where the 3h characters get to interact with past canon characters and they're all friends and go on adventures together, yay!! but they didn't. they went the most financially foolish route possible and it's not at all surprising that fans weren't interested.
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this isn't a question about your rewrite but as you are The Warrior Cats Pro i figured id throw it out there... why is it that, even though there have been way more books taking place at the lake territory, both in the main wc series and beyond, than the old forest territory, but the forest territory is still so much more memorable and always what i think of when i think of warriors, and the lake feels so uninteresting and forgettable?
because the lake map FUNDAMENTALLY sucks baaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaalloons.
In a series about border drama and forbidden relationships, they have put a huge, impassable obstacle smack in the middle of the map. You ever heard the expression, "Tall fences make good neighbors?" This is supposed to be the BAD NEIGHBORS series and they have put the world's tallest fence in the game.
The lake was a fundamentally bad idea. Simple as that.
It was so bad I reworked the Lake Map for my own rewrite.
I made more contested land, such as putting field maples which produce syrup just beyond the Wind/Thunder gorge.
Added Northern Islets and Southern Delta which have value to several clans
Expanded RiverClan's territory so they can hypothetically reach ProtagonistClan, RE: Northern Islets.
I need to make Draft 2 but I also added more uncontested landmarks akin to the old Forest landmarks. For example, ThunderClan now has a patch of old-growth forest. Places like the Owl Tree and Snakerocks are super important as flavorings.
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