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bigyack-com · 4 years

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Vijay’s Bigil financier Anbu Chezhiyan’s houses raided by I-T department, Rs 65 crore seized - regional movies

The Income Tax department on Thursday revealed they seized Rs 65 crore from residences of popular Tamil film financier Anbu Chezhiyan, who had recently financed actor Vijay’s latest release Bigil. According to a report by The News Minute, Anbu Chezhiyan is the well-known industry insider, who often monetarily backs production houses, has been accused by multiple people of loan shark behaviour. As recent as November 2017, the financier was booked for abetment of suicide over the death of Tamil producer Ashok Kumar who had alleged harassment over debts. On Wednesday, I-T officials conducted raids at the residences and offices of AGS Group, which includes AGS Cinemas and AGS Entertainment, actor Vijay and film financier Anbu Chezhiyan. Watch | IT raids residences of Vijay’s Bigil film financier, recovers ₹ 65 crore The raids were conducted in over 20 locations related to the AGS Group. The officials had also gate crashed the shoot of Vijay’s Master in Neyveli where he was reportedly issued summons over his income following the success of Bigil, which grossed over Rs 300 crore worldwide. It hasn’t been revealed yet if the officials seized anything at the residences of AGS Group and actor Vijay. Vijay, who is believed to be the next superstar, is not new to controversies. His recent films Mersal and Sarkar ran into controversy. As per the News Minute report, Mersal took potshots at GST, demonetisation and Digital India, upsetting the BJP in Tamil Nadu. The party, in turn, accused Vijay of being anti-BJP because he’s Christian. The BJP’s H Raja tweeted Vijay’s Voter ID which has his full name Joseph Vijay, claiming that this was why he was attacking the Centre. The BJP also took exception to the fact that Mersal has a scene where Vijay’s character says a hospital should be built in place of a temple. Sarkar questioned many ideologies of the ruling party AIADMK. The film released after facing stiff opposition from the party. Also read | Bigg Boss 13: John Cena shares Asim Riaz’s pic, fans say ‘only a winner in life can identify the true winner’ Vijay is currently shooting for Master, which is being directed by Lokesh Kanagaraj. The film will feature Vijay in the role of a college professor and will have a college backdrop for most part of its story. It’ll be the first time Vijay and Vijay Sethupathi will be seen sharing screen space. Vijay Sethupathi will be seen playing the antagonist. The team has so far completed two schedules of shooting. Recently, the makers shot a major portion of the film in a prison in Shimoga in Karnataka. Malavika Mohanan, who made her Tamil debut via Rajinikanth’s Petta, has been signed to play the leading lady. The film also stars Andrea Jeremiah in a key role. Follow @htshowbiz for more Read the full article

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jacejovial · 4 years

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தளபதி 65 இயக்குநரை கன்ஃபர்ம் செய்த விஜய்! அந்த இயக்குனர் யார் தெரியுமா? | Jace Jovial | JaceJovial Vijay 65,vijay 65 latest news,vijay 65 director,vijay 65 movie in hindi dubbed full movie,vijay 65 heroine,vijay 65 new update,thalapathy 65 update,thalapathy 65,thalapathy 65 director,thalapathy 65 first look,thalapathy 65 heroine,vijay next movie,vijay next movie name,vijay next movie director,vijay next movie villain,vijay next movie update news,vijay next movie pooja,jace jovial,jacejovial,jace,jovial,vijay,thalapathy next movie updates,vijay next. by Jace Jovial

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jobgujnews · 4 years

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Vijay and AR Murugadoss may reunite for Thalapathy 65: reports - regional movies

Vijay and AR Murugadoss may reunite for Thalapathy 65: reports – regional movies

Actor Vijay and filmmaker AR Murugadoss, who had previously worked together in Thuppakki, Kaththi and Sarkar, are most likely to reunite for the fourth time, as per reports that are buzzing on social media.

Over the last few months, names of several filmmakers have been associated with Thalapathy 65, which is the tentative title of Vijay’s next film. From Sudha Kongara to Magizh Thirumeni and…

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kwicknews-blog · 4 years

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Vijay and AR Murugadoss may reunite for Thalapathy 65: reports - regional movies

Vijay and AR Murugadoss may reunite for Thalapathy 65: reports – regional movies

Over the last few months, names of several filmmakers have been associated with Thalapathy 65, which is the tentative title of Vijay’s next film. From Sudha Kongara to Magizh Thirumeni and…

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newbisskey · 6 years

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STAR LIFE New Tp STAR LIFE New Frequecy STAR INDIA Launch New HD Life Style Channel STAR LIFE On 27th AUG 2018 For African Viewers

Star India Private Limited, is one of India's largest media conglomerates,[1] a fully owned subsidiary of 21st Century Fox.[2] It is headquartered in Mumbai, Maharashtra. The network reaches approximately 720 million viewers a month across India and more than 100 countries.[3] Star India generates more than 30,000 hours of content every year and broadcasts 120+ channels. Founding STAR TV was a joint venture between Hutchison Whampoa and Li Ka-shing and was established to launch such a service. Li Ka-Shing's son, Richard, was CEO. It was launched in 1991.[5] 1990s and early 2000s In early 90s, Star India included Star Plus (then an English-language entertainment channel), Prime Sports (later became Star Sports), MTV (through a tie up with Viacom), Star Movies and Zee TV (belonging to Subhash Chandra).[5][6] In 1992, Rupert Murdoch bought a 64 percent stake in Star TV for $525 million. Star was originally broadcasting content from Rupert Murdoch's Fox Broadcasting and thus a synergy was envisioned. In 1992 News Corporation purchased 63.6% of STAR for over $500 million, followed by the purchase of the remaining 36.4% on 1 January 1993.[7][8] Murdoch declared that:[9] "(telecommunications) have proved an unambiguous threat to totalitarian regimes everywhere ... satellite broadcasting makes it possible for information-hungry residents of many closed societies to bypass state-controlled television channels" Between 1994 and 1998, Star TV launched Star Movies, Channel V and Star News with a limited Hindi offering. In 1991, Star India launched Star Plus as the first step towards leadership in the Hindi speaking market.[10][11][12] Peter Mukerjea was the chief executive officer of star india(1997–2007) Star India also launched India's first dedicated news channel in 1998, STAR News, an up-to-date, 24-hour news with a global focus. In September 2003, 21st Century Fox entered into a joint venture for Star News and other regional language news channels with the Anand Bazar Patrika Group in September 2003. The company subsequently exited from this joint venture with the ABP Group in 2012.[13] Regional expansion In 2002, Star India and its affiliate company acquired Vijay TV to extend its reach beyond Hindi speaking markets.[14] In 2004 Star India launched its second Hindi channel, Star One.[15] In 2008, Star launched Star Jalsha and Star Pravah as a first step to enter the local language market.[16][17] In 2009, Star India acquired Asianet Communications Limited, a media conglomerate headquartered in Trivandrum, India, a market leader in Malayalam language TV content with a wide reach across 60 countries.( Asianet was the first privately owned television channel in Malayalam and the second to broadcast in India.) This acquisition was the first major step for Star India to become a Pan-Indian broadcaster.[18] Restructuring In August 2009, the Star Group restructured its Asian broadcast businesses into three units – Star India, Star, and Fox International Channels Asia.[19][20][21] In 2009, Star affiliate and CJ Group of South Korea launched CJ Alive (later known as ShopCJ), an Indian television shopping channel.[22] It was a 24/7 shopping channel which used STAR Utsav for hosting the television marketing programs in six-hour slots in its initial stage of launch. Star affiliate exited the joint venture in May 2014.[23][24] In 2009, 21st Century Fox launched a film production and distribution business in India through Fox Star Studios India, an affiliate of Star India.[25] In 2011, STAR India entered into High Definition broadcasting with the launch of the HD versions of its channels, including STAR Plus HD, STAR Movies HD, STAR World HD, Star Gold HD and National Geographic Channel India HD.[26][27] Indian Premier League and Hotstar In 2012, Star India acquired the BCCI Rights for India cricket for the period 2012 through 2018. ESPN was renamed Star Sports 4, STAR Cricket was renamed Star Sports 3, Star Sports was renamed to Star Sports 1 and Star Sports 2 kept its name. STAR Cricket HD and ESPN HD were renamed to Star Sports HD1 and Star Sports HD2 respectively.[28][29][30][31][32] In 2015, Star India forayed into the video-on-demand segment with the launch of Hotstar, India's first curated content Over-The-Top platform.[33][34][35][36][37] In 2015, Star India expanded its Pan-India portfolio by acquiring the broadcasting business of MAA TV, a leading Telugu TV channel network based in Hyderabad, to enter the Telugu language market.[38][39] Business results In August 2012, Business Line of The Hindu group reported that Star CJ Alive is claiming a average sales of products worth Rs. 9.5 million on week days and Rs. 12 million on weekends.[40] Approximately 65% of the sales come from electronics segment while household segment stands second in the race. In December 2012, some sections of the media reported that Rupert Murdoch run News Corp may exit Star CJ by selling its entire stake to Providence Equity Partners.[41] This share transfer reportedly ran into trouble when the Department of Revenue discovered that funds from other jurisdictions were being channelised to exploit Indo Mauritius double taxation avoidance agreement.[42] STAR India Entertainment provides 52 channels while STAR India Sports provides 12 channels Star India digital online app Hotstar[43] is an online streaming service to watch all Star India's Channel shows and many more by using app or website. Many shows can be downloaded in mobile by using Hotstar app. It earns revenue through ads and premium membership. National Sports Network in India The STAR sports group has planned to build a national sports network in India. The plan includes broadcasting in Indian languages. Starting from regional language Hindi to expansion for South Indian languages Malayalam, Tamil, Telugu, and Kannada. ESPN was renamed STAR Sports 4, STAR Cricket was renamed Star Sports 3, Star Sports was renamed to STAR Sports 1 and STAR Sports 2 kept its name. STAR Cricket HD and ESPN HD renamed to STAR Sports HD1 and STAR Sports HD2 respectively. STAR Sports 3 will be predominantly a Hindi-only channel. STAR plans to start with cricket, field hockey and football (soccer) initially. Domestic cricket of India like Deodhar Trophy and Ranji Trophy are considered. Besides, this two non-professional leagues like the University Cricket and University Field Hockey are also planned to be launched by STAR. In football, Barclays Premier League is also considered for regional broadcasting by STAR.[44] Broadcasting rights STAR India has acquired media rights for BCCI Domestic and International Cricket Series matches in India through 2023, International Cricket Council matches through 2023,Bangladesh National Cricket Team through 2020,New Zealand Cricket Board through 2020,Premier League Football through 2019,Federation International De Hockey through 2022, Wimbledon through 2022 and Bundesliga through 2020. On 4 September 2017, STAR India acquired digital as well as media rights for Indian Premier League for a term of five years 2018–2023 with a whooping bid of ₹ 163475 million(US$2.55 billion). In September 2014, STAR India acquired a 35% minority stake in Football Sports Development Limited, a joint venture with IMG-Reliance to launch the Indian Super League, a professional soccer league. In March 2015, STAR India, in association with its affiliate, acquired a 74% majority stake in Mashal Sports Private Limited in March 2015, for the operation of the Pro Kabaddi League In January 2015, STAR India, launched Hotstar, a new mobile and online entertainment destination for television shows, movies and sports content. In February 2015, STAR India entered into an agreement to acquire the broadcast business of MAA Television Network Limited, an entity in India that broadcasts and operates Telugu language entertainment channels. In December 2015, STAR India announced it has successfully completed the integration of the broadcast business of MAA TV in a deal estimated to be between Rs 2,000 to 25 billion.

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lazyupdates · 6 years

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In the entertainment industry, a sleeper hit is a film that becomes effective, steadily, often with little promotion. Some sleeper hits are tactically marketed for audiences subtly, such as with previews a couple of weeks prior to release, without compelling them to see a heavily promoted film. While some are genuine surprises that tip toe into the theatres and go on to roar at the box-office, raking in crores and reaching cult status. These films may not boast of superstars or great production values. They create history on the strength of the story, the novelty of the theme, the pride of performances and presentation. What they boast of is a self-assuredness that comes with confidence in the product. At times, the makers themselves don’t come in with great expectations and are left pleasantly surprised by a discerning audience. Here are six films, which came in quietly and went on to make noise and news… because of their novelty. Here are, the small movies that made a big bang…

Sonu Ki Titu Ki Sweety (2018)

Director: Luv Ranjan

Cast: Kartik Aaryan, Nushrat Bharucha, Sunny Singh Nijjar and Alok Nath.

Sonu Ki Titu Ki Sweety (SKTKS) is the latest addition to the list of sleeper hits in Bollywood. Viewers did have good expectations from the film, judging from the previous track record of Kartik Aaryan and director Luv Ranjan (the duo have done Pyaar Ka Punchnama, Akaash Vani, Pyaar Ka Punchnama 2). But they didn’t expect this film to perform this well. SKTKS is different from their previous collaborations, which was about friendship and romance. Or as the makers put it Bromance vs Romance. We saw Sonu (Kartik) try everything to stop his best friend Titu (Sunny Singh) from marrying Sweety (Nushrat Barucha), who is a con artiste and plans to run away with Titu’s money after marriage. In Hindi films, love is shown triumphing over everything. But here we saw love being put to test along with friendship. Although the film went on to receive mixed reviews, this didn’t stop it from having an excellent run at the box-office. The performances of the lead cast, especially Kartik received a lot of praise. Another thing that helped the movie was its excellent music. Songs like Boom diggy and Tera yaar soon main became wildly popular. SKTKS was made on a budget of 24 crores. But from the first weekend itself the collections of the film went pass its overall budget and raked in 26.57 crores. The lifetime collection of this tongue-twister of a film ended at a whopping 140 crores. FilmfareFilmfareFilmfareFilmfareFilmfareFilmfareFilmfareFilmfareFilmfare

Aashiqui 2 (2013)

Director: Mohit Suri

Cast: Aditya Roy Kapur, Shraddha Kapoor and Shaad Randhawa

One of the biggest romantic musicals, Aashiqui 2 was a sequel to the 1990 musical blockbuster Aashiqui, which was directed by Mahesh Bhatt and catapulted Rahul Roy and Anu Aggarwal to fame. The film’s chartbusting music was composed by Nadeem-Shravan. It can well be said that the duo went on to become stars and ruled the ’90s with their melodies.

Despite being the successor to Aashiqui, the sequel, directed by Mohit Suri, didn’t manage to open on a great note. The love story centered on the stormy relationship between musicians Rahul and Arohi, a bond, which is affected by Rahul’s alcohol abuse and personality. The film opened to mixed reviews and collected only 5.25 crores on the first day. But, the good word-of-mouth and the music of the film and the crackling chemistry of the lead pair, Aditya Roy Kapur and Shraddha Kapoor, got around there was no stopping the film. The music by Mithoon, Ankit Tiwari and Jeet Gannguli was a hit. The song Tum hi ho became extremely popular and made singer Arijit Singh, an overnight sensation. The song also saw him win his first Black Lady for Best Playback Singer (Male). Sun raha hai na tu was another hit track. The film ended with a whopping 34.65 crores at the end of its first week. After earning over 109 crores in three weeks, the movie was declared a blockbuster in India and is the highest-grossing film ever produced by Vishesh Films.

Queen (2013)

Director: Vikas Bahl

Cast: Kangana Ranaut, Rajkummar Rao and Lisa Haydon

Queen, was a film which revolved around a character named Rani (Kangana Ranaut) and how she learns to celebrate herself rather than invest her happiness in someone else. Just a day before the marriage, Rani’s fiancé, Vijay (Rajkummar Rao) tells her that he no longer wishes to marry her. He says that after living abroad, his personality has changed. He believes they can’t make a good match anymore. Naturally, Rani is devastated by this ‘betrayal’. She feels she needs to spend some time alone so that she can find herself once again. She decides to go on the pre-booked honeymoon to Paris and Amsterdam. During her trip, she interacts with many people, makes friends and learns about their lives. This helps Rani grow as a person and makes her realise that she should be the one taking charge of her life and not depend on a man for it. Kangana Ranaut surprised both the critics and the masses. The natural performance had her let her hair down and rise as an actor. Queen can said to be the turning point in Kangana’s career, which pushed her into the big league.

Queen could be termed a small film by all measures. It was directed by Vikas Bahl, who previously had made just one film – Chillar Party. But the unique content proved that even if a film lacks all the bells and whistles of commercial films, it could impress on the sincerity of story, performances and direction. Before the release, people had barely heard of the film. In fact, Kangana in a de-glam avatar with oily plaits and middle-class attire, didn’t even attract eyeballs.

But, a few days later, it started gaining more and more traction on social media as people, who watched it wrote how path-breaking and feminist it was. Kangana became an icon of the bold, beautiful and brave. The numbers of the film began to pick up as well. Produced on the budget of 12.5 crores, the lifetime collections of 97 crores, set the ball rolling for Hindi cinema. Life has not been the same for Kangana either! Maine hothon se lagayee toh… with Kangana throwing all caution and convention to the winds, became the new age of anthem of women, who dared to love, live and celebrate themselves!

Vicky Donor (2012)

Director: Shoojit Sircar

Cast: Ayushmann Khurrana, Yami Gautam and Annu Kapoor

Vicky Donor brought something to Bollywood, which was never seen before. Forget films, even talking about a topic like sperm donation was considered a profanity in society. So, when Shoojit Sircar came up with a movie in which the main character is playing a sperm donor it invited both – shock and awe!

Produced by John Abraham, Vicky Donor also marked the debut of Ayushmann Khurrana and Yami Gautam. Though Yami Gautam had done a few movies down South before Vicky Donor, this was her official Bollywood debut. Like the name suggests, Vicky Donor revolved around a boy in Delhi called Vicky Malhotra. Fed up with the pressure of his family to find a job and get settled he goes on the lookout for a job. Dr Baldev Chaddha (Annu Kapoor) asks him to consider being a sperm donor. Initially, he hesitates. But upon seeing the money being offered, agrees to do it. He starts spending money wildly on all that he wants.

Soon, Vicky falls in love with Ashima Roy (Yami Gautam), a Bengali bank employee, whom he meets when he goes to open an account. Eventually, the two grow close and get married. Vicky stops donating sperm out of his faithfulness to Ashima. In a sudden turn of events, they discover that Ashima is infertile. She undergoes a few tests. She notices that Vicky hasn’t taken any tests to check his fertility. Vicky reveals that he doesn’t need to take tests because he’s been a sperm donor. Ashima is distraught that her husband had hidden this fact. It hurts her to know that while her husband has had multiple children (via sperm donation), she’s unable to bear one herself.

Dr Chaddha, through a series of situations, makes Ashima see all the children that were born due to Vicky’s sperm. She understands how Vicky has brought happiness into the families’ lives. But there’s one child, who was born due to Vicky’s sperm, but has lost her parents. He urges Vicky and Ashima to adopt her. They agree and begin life anew.

Ayushmann, too broke convention, when he accepted such an unconventional debut film. He was then quoted saying, “When Shoojit Sircar offered me Vicky Donor, my first reaction was, ‘Do I look like a sperm donor to you? Why me?’ But to be successful in Bollywood, you either need to be a superstar or have a super script. When I read the script of Vicky Donor, I realised it was a perfect debut. Moreover, the lines between parallel cinema are now blurring. You can do Paan Singh Tomar and Kahaani and still be successful commercially. It’s a golden period for cinema.” Initially, Vicky Donor managed to rake in 13.5 crores despite facing strong competition from the multi- starrer Housefull 2. The lifetime earnings of the film clocked in over 65 crores. Considering the film was a made on a budget of a mere five crores, it deserves the tag of a superhit!

English Vinglish (2012)

Director: Gauri Shinde

Cast: Sridevi, Adil Hussain and Mehdi Nebbou

Rarely any heroine in Bollywood has made a comeback, which turned out to be as successful as Sridevi’s English Vinglish. The talented Sridevi returned to the big screen after a gap of almost 15 years. She was last seen in Judaai, which released way back in 1997. During the release of English Vinglish she was close to 50. The comedy-drama was written and directed by Gauri Shinde. She was inspired to make this movie by her Marathi mother, who was weak in English and ran a pickle business. In English Vinglish, Sridevi played the role of a homemaker named Shashi. She fails to get the respect she deserves from her husband and daughter as they are embarrassed about the fact that she doesn’t know English. So, during a trip to New York, she signs up for an English coaching class, where along with learning the language, she realises that there is much more to life. Despite this being the comeback film of the legendary Sridevi and receiving amazing reviews from critics, the film, initially failed to have good opening. The plot of the film was not massy. It took it a few days of encouraging word-of-mouth for the collections to witness massive growth. On the opening day, the film collected just over two crores. However, the collections skyrocketed during the weekend. English Vinglish ended its first weekend with a total of 12.72 crores. The film faced competition from movies like Rani Mukerji’s Aiyya and the Karan Johar directorial, Student Of The Year. But it still managed to hold its own at the box-office. The film ran for more than a month in cinemas and ended its journey by earning more than 78.56 crores at the domestic box-office.

Tanu Weds Manu (2011)

Director: Aanand L Rai

Cast: R. Madhavan, Kangana Ranaut and Jimmy Shergill

Tanu Weds Manu was a story about Dr Manoj Sharma aka Manu (R Madhavan), who stays in London. He travels back to India along with his family to meet his prospective bride, Tanuja Trivedi aka Tanu (Kangana Ranaut). Initially, he’s a little hesitant. But, upon meeting her, he informs his parents that he is interested and the preparations for their marriage begin. But Tanu informs him that she already loves someone else and is willing to go against her parents’ wish to get married to that boy. When Manu’s parents learn about this, they start looking for another girl for their son, albeit in vain as Manu already has his heart set on her. But, fate had other plans for Tanu and Manu, as they unexpectedly end up meeting again at a common friend’s wedding in Punjab. They strike up a friendship. But, Tanu is still adamant about her desire to marry her love and tells him that she soon plans to elope. Manu finds out that the man, who Tanu loves is Raja (Jimmy Shergill), a local goon. Raja and Tanu tell Manu that her family won’t accept this relationship. Hence, they are planning to run away. After hearing this, Manu convinces Tanu’s parents about her choice and the wedding preparations begin again. During the wedding, Tanu grows more and more close to Manu, which creates mixed feelings in her hearts. Eventually, she decides that she wants to marry Manu instead of Raja. Raja doesn’t take this too well and threatens to kill the two if they get married. Manu tries to reason with him. And after seeing Tanu’s love, Manu’s courage and goodness, Raja realises that Manu is the right match for Tanu. He congratulates the couple, choked with emotion, and asks the band to play out the drums and proceed with the wedding. The film managed to hook you with its sheer atmospherics and raw and rustic emotions. The director created an extremely busy and colourful canvas brimming with characters, who are anything but cardboard cut-outs.

In its first week, the movie minted 18.5 crores. It added another 8 crores in the second week, taking its total of two weeks to 27.25 crores. Although these numbers might not seem huge in comparison to other Bollywood films, the collections were decent, considering it was a small-budget of the film, produced in 15 crores.

The lifetime earnings of the film went over 90 crores. Aanand L Rai went on to make the sequel titled Tanu Weds Manu Returns. Just like the first part, the sequel went on to have an amazing run at the box- office as well. The two films will be remembered as milestones in Kangana’s, Madhavan’s and Jimmy’s careers.

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