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#oh i also know vaguely about that infamous 'rules of detective fiction' list (i think it's also referenced in a zero escape game?)
pochapal · 1 year
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I don’t know if you’ve been asked this before, but what was your experience with detective mystery novels before umineko?
i've always gravitated towards stories with mysteries or something obtuse to puzzle over and figure out but i'm not actually that versed in detective fiction at all haha. the genres i'm normally into lean more towards horror and speculative/literary and also everything that homestuck is so while a lot of stuff i read does have central mysteries guiding their plots, the specific construction of detective mystery isn't something i am incredibly familiar with on the whole.
my closest experience to detective mystery fiction was actually when i was super into danganronpa as a teen and i ended up trying to write my own original killing game fan story. i never finished it and it's kind of cringe looking back at it but i did spend several years of my life trying to construct solid "hard but fair" murder mystery cases (i still have a bunch of files on my hard drive from when i planned it all out lol) that i think taught me a lot about the experience of a murder mystery from both the perspective of the writer and the reader. a lot of that was making up a guy in my head and imagining them trying to catch me out based on where their thinking would likely be at each stage. so then i was also thinking of my mystery but also how to throw this hypothetical guy off the scent while still making something solvable. the writing process was very much like chessboard spinning but if you put the chessboard in a 1 million rpm washing machine and turned into a weird psychological game of cat and mouse between me and a person that didn't necessarily exist.
the mysteries i published were kind of not that great (their conceits were "how can you find *the* culprit when the culprit is actually two people in tandem" and "an incredibly obvious case that becomes complicated by everybody else's assumptions and overthinking") since i wrote and planned them out when i was like 17 but the later cases i never got around to doing when i hit my stride and sketched out the rest of this story would have been way cooler (one murder was going to hinge around a really nasty wordplay trick to do with the time of death that technically wasn't a lie but was incredibly misleading and deceptive and another was an elaborate cause-effect chain involving a publicly witnessed indisputable suicide as the trigger) if i'd gotten around to completing the story. i will forever be haunted by this one particular locked double locked room murder i spent six months of my life sketching out down to the minute by minute positioning of the characters. it would have had the 2018 fanganronpa community trembling in their boots if i had ever realized my vision lmao.
anyway i guess my experience with detective mystery fiction is coming more from the position of a writer than a reader which i think comes through a little when you examine some of my thought processes (my approach at times is very much "if i was writing this story right now what would i do here" and then i search for evidence to try and back that up) even if i'm not super well-read or familiar with the genre outside of like one vn series lol. i know about making fiction and i know about keeping people guessing via revealing and concealing information and past a certain point most fiction operates under similar principles so that's how i got into understanding and approaching mystery. i think it's a fun genre, both to produce and to read now that i'm reading something that is more seriously presenting itself as a piece of detective mystery fiction! umineko is good because it really is scratching a specific kind of itch i never really address in my own writing these days because there's a specific time and occasion to produce these kinds of mysteries. hope this illuminates my understanding of/relationship to this genre a little more!
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