#like people keep saying that elliot page tweet was Actually About Body Type but like. is it? or is it about I Don't Think Elliot Page Passe

[biracy]

I can't remember if I've posted abt this before but regardless: I'm sorry but I really and truly cannot get behind the idea that there is any wide-scale societal "pressure for trans men to be feminine" or "to be twinks" or whatever. You are either conflating a very small online community's beauty standard (usually some kind of transmasc pseudo-appropriation of "femboy" aesthetics, which yes, are often Bad and regressive and fetishized and etc.) with Mainstream Society, or confusing society not wanting trans men to transition with "wanting trans men to be feminine", which are certainly not the same thing. Ultimately if a cis person believes there is any validity to the concept of being trans (i.e. not a Posie Parker-esque "there's no such thing as a trans person" type), they are more likely to think that trans men should be like as masc and buff and hairy as possible or whatever bc that's what cis people think men look like and it's easier for a lot of people to recognize someone who Looks Masc as a man. It is difficult sometimes to see derision of trans guys who are Too Feminine and Not Hairy Enough or whatever (which is not always something someone has control over btw) as anything but "this is Skye who I think is a confused little girl because Skye does not pass" slightly restyled for 2023 "filthcore fagdykes" or whatever lol

#and btw 'twink' is not synonymous with 'skinny' that's not all it means i am so so so tired of seeing it used that way #i am also tired of like Positivity Posts for 'bears' needing to be based on derision of 'twinks'. get over that! #open mick night #lgbt #gender #god this is like that post where op is like It's sooooo hard being a trans girl who wants a vagina bc that's not the mainstream :pensive: #is it not? mainstream society decided women can have dicks? since when? #let men be masculine or whatever #sorry i know i've been talking abt this a lot lately but yknow it Is difficult. given the way i look and all that #like people keep saying that elliot page tweet was Actually About Body Type but like. is it? or is it about I Don't Think Elliot Page Passe #also tbh people say the same shit abt cis men. 'people are okay with Fem Queers(tm) but not Masc Queers(tm)' wow are they? since when? #and are the people telling men they're not allowed to be masculine in the room with us right now

[latinxcastingmanifesto]

Your questions answered

Recently you tweeted us questions. Gabi and Quiara spent a day eating lunch, sunbathing, and responding to what you asked:

@gmorningstunner: If you are an Afro-Latinx woman, and you look more African than Latina, how likely is it that you will be cast as a Latinx role?

A casting director cannot legally ask about your identity when casting. But if you want your identity to be known, you are free to and encouraged to share it! So, please do go audition for those Latinx roles, and consider sharing your identity on your photo/resume for that particular role.

Self-designation and self-id is an under appreciated casting tool! And trust me, the director, writer, and casting director want as much information about you as possible! But they’re not allowed to ask, plus if they have a more limited sense of the Latinx diaspora then they really may not know.

QUIARA: For writers, we need to consider ourselves producers, too, and push very hard for Afro-Latinx casting as normal and not exceptional. I have had to educate producers and casting directors that the cousins in my Elliot Trilogy plays, well, one cousin can be a black Latina and the other cousin a white Latino, and that this reflects the reality of many Latinx families. Many producers and casting directors didn’t know this and it was absolutely my job to advocate for the truth and integrity of my work. I have given up expecting other people to know my truth and reality, and I say it aloud and clearly and with love and as early in the process as possible. Say these things at the very first meetings, or it may be too late.

Another call to action for playwrights: designate on the script that your casting must include Afro-Latinx. Or say that loud and clear on the first casting conversation.

@SalvadorVasqu10: Why are stories of the latinx community still to this day some of the most un-produced works? How can we make Latinx stories more accessible to all? When are you and @TanyaSaracho gonna team up for a musical?

Who picks up a play and reads it? Not necessarily our family members.

Call to action: professors, help us spread the word about Latinx work by assigning Latinx reading.

Call to action: artists, we need to produce our own work and each other’s work in order to get it to the community. Downtown institutions are our allies, but if we rely exclusively on preexisting production pipelines, the community will remain on the fringes. Our assignment is to figure out how to center the community as artistic creators and producers.

Call to action: we are the living library. Keep creating and producing. We need a few more generations of this work. We need to reach a critical mass.

Call to action: swap reading lists with your Latinx theater allies. Spread the word about the work you know.

(As to Tanya Saracho, I can’t wait to world-build with that FEROCIOUS artist. Till then, I’m blessed to call myself a fan and ally.)

@dbirdsoprano: How can we do more to address the imbalance of privilege in representation onstage?

Call to action: playwrights, literally address it. Write poor characters, working class characters. Write non-college-educated characters. Show various family structures. Break silence.

Call to action: producers, invest in the leadership of POC. Not internships, top positions. Scrutinize and criticize seasons centering wealthy and well-educated characters.

Call to action: universities, teach about professional sustainability (grant-writing, for example) in addition to art curriculum so poor and working class students can stay in it for the the long hall and we don’t lose them for financial reasons.

@AlexChurchyG: As a Young Latina director, who can I look to for role models in an industry of old white men?

WOCA  (Women of Color in the Arts) is a mentorship program for women of color in the theater.

Latina women have been directing plays and kicking ass. Latinx Theatre Commons is a phenomenal community of Latinx theater professionals including working Latina directors.

If you network with someone, follow up. It is not their job to chase you. Chase them! Invite them to coffee! They may say no. But they may say yes.

As Latinas, we’ve been trained to not ask for help. To be caretakers and never be on the receiving end. Stop it! Our spirits can ask for help.

@LaMeraFeli: I’m not in theater myself but have a daughter… can we talk about body type? Roles for the llenitas and the gorditas?

Make sure your daughter knows how to write. Make sure she’s jazzed about producing. If she’s sitting around waiting to get cast in gordita roles created by others, it’s not gonna happen or it will be brutal.

She should write her own stories and act in them. Or she should find a writer friend who gets who she is and ask them to create monologues for her.

Teach her to find her village. She’s not gonna do it alone.

Gabi literally started an entire theater company for this reason. Power Street Theatre Company. They are amazing and breaking new ground in Philly. Come to Philly and join their journey. Or create something like that in your own backyard.

@itsnikkig_: When are we going to start casting some fat Latinx actresses?!

Now. Writers, put ALL BODY TYPES in your actual character descriptions. Producers, put ALL BODY TYPES in your casting calls. You have to write it in as a clear directive or it will be more skinny bodies, always and forever.

@starmacosta: Is hiring an agent necessary? My mom does most of the work when it comes to booking or auditions…

GABI: I’ve always had that question myself. In Philly most of the actors I know don’t have agents. This may be contingent on where you live.

QUIARA: Find local working actors whose career you admire and ask them. For playwrights, no an agent is not necessary until you have a production contract in hand, or an offer from a producer. Then you get an agent. Before then, you have to get your own work produced. Use google to figure out which theaters have produced work that most resonates with your own. Submit your work to them. Or find your fellow travelers, find your village, and produce together.

@saybarra: How do we make space for aaaaalllll the variations of what it means to be Latinx in this country? In casting, in writing, in subject matter, in form, etc etc etc etc

The Latinx Theater Commons is very diverse in terms of pan-Latinx community. Find organizations doing the work, and they may not necessarily be theater groups. They may be drum circles, community college teachers, prayer circles. If you really can’t find a space you need, then it’s time to create the space. Bring the space into your living room or local park. We must always be creating space.

We are a diaspora, so how do we both engage all the specific variations of who we are while also embracing fluidity and openness? Those with more cultural leverage can use that to create spaces for underrepresnted Latinx stories: for instance, Latinx queer stories, Latinx trans stories, Afro-Latinx stories, biracial stories.

@zjriv: How do you manage your ideas? Every time I get writers block it’s because another comes along and I can’t stop thinking about it. Then another idea. Then another idea.

QUIARA: Sometimes you get 30 pages into an idea and can’t take it any further. That’s ok. Let it go. Let the new ideas continue to blossom in your imagination at their own speed. If they are still growing six months later, there may be a play there. Write what is speaking to you most today. No need to ignore it. The other stuff will still be there tomorrow. But also, letting ideas blossom is enough, they do not always need to be written out yet. I just had new insights for a play I thought up in 2003. I had forgotten about the play completely and then it tapped my shoulder over 15 years later.

@sleeplessinmit: What opportunities are available for presenting blended-language or Spanish-language works of theatre? What tools are available to make them accessible to all audiences?

Repertorio Espanol in New York has been doing this work for a very long time! Reach out to them and ask if they know of other bilingual theaters in your area. Ask what tools they use for this work. Suerte!

Also check out Spanglish theaters in your area. Miracle Theater in Portland, Power Street Theatre in Philly, Urban Theater Company in Chicago are just a few. Make allies and seek out mentors!

@omixmix: my plays are nonrealistic and include Spanglish. How do I shift attention to working on my style of nonrealism when everybody else seems to latch on to the “challenges of a foreign language”?

See above answer about Spanglish theaters. There are probably some in your area!

Also, stick to your guns. Live your truth, speak your truth, write your truth, and that’s what matters. You don’t need anyone’s permission to create, and you also cannot control others. Articulate to yourself and others why this work speaks to you and is important to you.

QUIARA: I have had to get into a deep practice as a playwright that I have no control over an audience. I only have control over the words I create. I have to believe in my writing, whether or not it’s what people want.

@ajdm: How do the Iberian colonial conquests in what we now call Asia (east, south, and Pacific) and those diasporic movements figure into this conversation?

Exactly. They do. What about collaborations and bridge-building between local Asian theater groups and Latinx theater groups? This would be fire. Let them know you’re hungry for this. Let them know how you willparticipate in bringing this question to the stage!

For instance, Power Street Theater Company (Gabi’s company) supports the Asian Arts Initiative. Gabi attends their town halls, though she’s Puerto Rican. She listens, observes and supports. And when she’s invited to share, she does. World building together, and doing the work.

Showing up for each other.

@alejandroraya_: I find casting requiring Latinx are given less reach than castings for other POC. Many projects in need of POC are often wide searching, but it seems casting for Latinx feels somewhat inaccessible. How do you feel casting directors can create larger reach for Latinx artist?

This is not necessarily true about other POC groups. A lot of communities have limited casting access and are underserved. This may be for budget reasons, and also because the roles simply aren’t being produced.

Create a list of all the Latinx folks you know, find out who the casting director is, and send it to them. Are there Latinx casting lists and resource groups in your area? The Kilroys did this cool experiment about creating a visible google-searchable list of unproduced plays by womxn. This may be a neat thing to do in your area for Latinx actors. The internet is a great tool for harnessing visibility!

@mingarla: If you don’t sing and dance as a Latina actress, is there any chance of finding work in theater? Seriously thinking of giving up my Equity membership.

GABI: I seriously relate to that.

QUIARA: This is hard. As a playwright, I have recently pressed pause on my playwriting life. For various reasons. It’s ok to step aside. I think life as an actor must be hard, because you’re at the whims of writers, producers, directors, etc. However, if you’re an actor who’s also a writer, designer, producer, then you can start to create work for yourself.

GABI: Another option is to find other paying jobs that sustain you, that you love, because you will need that income. If you’re only sustained by being an actor in someone else’s thing, then the reality is that’s a hard road.