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#iz's one-woman steve yockey watch party
bibliophileiz · 5 years
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Celebrating the Life of Asa Fox
Yockey knocks it out of the park with this debut -- ‘Asa Fox’ may be in my top five favorite SPN episodes. Directed by John Badham,featuring one of the best musical montages in the recent seasons before the title card and featuring the always perfect Sam Smith as Mary, Kim Rhodes as Jody and Lisa Berry as Billie, it is criminal that this one only has an 8.5 rating on IMDb. (I mean, Billie’s presence alone makes it at least a 9.) 
Anyhoo, let’s dive in.
In this opening scene, we meet baby Asa Fox racing through the woods running from a werewolf. And may I just say I am pissed that we didn’t get an AU Resistance Leader Asa Fox in Season 13 (one of my many disappointments from that plot thread.) Mary is the perfect blend of badass hunter and typical mom (cleaning Asa’s face). Also, her braids are super cute.
“Since the last time we saw you, I killed Hitler.” “Thank you?” Dean is a rom com chick, pass it on. Ellen and Asa were bros, it’s cannon. “We’re going to salt and burn the body tomorrow. I can’t believe I just said that like it’s something normal.” God, Dean is distractingly hot this scene.
How did the Winchesters get into Canada? Are you telling me they have fake passports?!?!
The actress playing Asa’s mom does not get the credit she deserves for this episode.(I looked her up, and she is Laurie Paton. She’s also in The X-Files.)
There should be more episodes that feature a shit ton of hunters getting wasted. “Nobody can take out five Wendigos in a night.” I want that episode.  THE BANES TWINS!  “She was, like, a good witch. Very Enya. It was the ‘90s.” “What did she teach you?” “Mostly how to seduce men.” Max. Buddy. I need you to give Dean a nudge. In other news, I want the Banes twins to be my best friends.
“It’s not like we’re in the live-till-you’re-90, die-in-your-sleep business.” That line has a lot of weight, especially now going into the final season.
Rollerskating ghouls!!! I want that episode too. Sam and Dean walking in just in time to hear that Asa and Jody banged is so awkward. 
Jody fangirling over Mary is still the cutest thing that has ever happened.  Mary’s short hair this season is the other cutest thing. Also, unrelated, but I love Sam Smith’s voice. My best friend once described my mom’s voice as sounding like a hug, and while I knew what she meant -- because she’s my mom and I’ve always gotten the same feeling hearing her talk (unless she’s mad) that I get when she gives me a hug, but I didn’t think other people would feel that way -- but that’s how Sam Smith’s voice sounds. Like a hug.
Big Sister Jody coming to Dean’s rescue, as usual.
How come Lorraine heard the name “Mary Winchester” and didn’t immediately assume Mary is Mary Winchester’s daughter who just has the same name? Maybe she just assumes all hunters are childless loners. “You’re the reason my son didn’t become an astronaut.” Also the reason he didn’t become a werewolf, Lorraine, keep up. I do think this scene is wonderful, because as Lorraine says, “Hunting was his whole life. He never married, never had kids--” Mary’s hearing the story of her own sons.  And the next scene is the same: Sam telling her Asa chose to be a hunter will later parallel him telling her he chose to be a hunter in “The Raid” (another criminally underrated episode. God, I love Season 12.) “Everywhere I go and everything I do, it just feels wrong.” Maaaaaarrrrryyyyy!!!! When Sam says Mary was still hunting in 1980, after Dean was born and “everyone” thought she had quit, Mary gets this guilty look on her face that is not really explored to its full potential. And I just want to say that in a perfect world where Jeffrey Dean Morgan was able to come back for a length of episodes and could have a fully developed arc (and not the delightful but kind of fan servicy one he had in the 300th) that THIS is the plot I would have wanted -- John being resentful of Mary for keeping her hunting life secret from him and, arguably, putting their sons in danger for it. 
You guys, this episode is already so good, and we haven’t even really gotten to the Agatha Christie-style murder spree yet. 8.5 my ass.
Also, Jared Padalecki is killing it this episode. I love his scenes with Sam Smith.
Is the blood dripping on Asa’s forehead supposed to parallel the show’s first scene? I mean, I’m sure it is, but I need some meta writer to explain to me why that is.
And here’s where the plot picks up. Also, we need more crossroads demons in our life. (Where’s my Bela Talbot Crossroads demon???)
“Go away.” “You’re not the boss of me.”  Billie and Dean is one of my favorite dynamics in the entire show. “You can huff and puff, but that house is on supernatural lockdown.”
Jael kills both a First Nations girl and then later Marlene and her kid to create angst for Asa. Does it count as fridging if it’s in dialogue? Turning off the water is so smart! I love me some smart villains! I love how Jody immediately takes command of the situation -- before Sam, even. I kind of always wanted her to be like Sam’s lieutenant.
“It’s a one-way ticket.” Billie is like me, and wants to watch the Agatha Cristie-style murder spree, which would be totally ruined if everybody could get out of the house.
Did Jael say, “Elvis has left the building”? That motherfucker ....
This is the first time we see Mary grab an angel blade, which means the angel blade Mary carries the entirety of this season is Asa’s.
Kim Rhodes makes a delightfully evil demon, and seems to have had a blast doing so. “I so hoped you’d kill your mom! Wouldn’t that be a riot?”
(also, my brother’s dog is named bucky, so every time a character says bucky’s name i just get really distracted.)
I like the hunters all saying different parts of the exorcism.
“That sucked.” Poor Jody!
You guys, Bucky sucks. Also, hanging the person you actually killed from a tree so that no one would suspect you actually killed him is like ... so opposite of what the demon-dealing-happy Winchetsters would do in this scenario that they can’t even comprehend how to handle it.
I just realized this ep even has an Agatha Christie-style reveal, with the murderer confessing all at the end after being revealed. (And everyone else’s identities/crimes/motivations being revealed FIRST.)
“I was wrong. Asa did have a family. I’ve even got grandchildren.” Wow, it’s almost like hunters can have families too.
“Mom to mom....” Why, oh why did Jody and Mary not hang out more?? (It’s because those fuckers at the CW cancelled Wayward Sisters before it could get filmed.)
Also, this scene between Billie and Mary is so. good. “She’s not alone.” Dean. Buddy. I love you forever. “Then I guess you’re just going to have to wait.” “Winchesters.” This scene is just *kisses fingers like an Italian chef* “So does this mean you’re coming home?” “Well, not yet, see I’m only contracted for like 10 episodes this season ....”
And scene.
I mean. This episode, man. Everything about it is criminally underrated. It’s not very flashy in terms of mytharc plot, but it contains so much rich worldbuilding, such great writing and acting, and a healthy dose of ominous foreshadowing the likes of which only Yockey can pull off.
Yockey knows the perfect characters to mix and match. (And I think the scenes between Lisa Berry and Jensen Ackles this episode became the inspiration for their even better scene in “Advanced Thanatology.”) This is the only episode we ever get that has Mary AND Jody AND Billie, three of the best characters. He also creates delightful original characters (which we’ll see again with Tasha Banes, Lily Sunder, Noah the eyeball-eating monster). I know this is the casting director, and not Yockey, but each of the actors playing those original characters were on point.
I also am a total fan of the Agatha Christie tropes -- to my knowledge, that had never been done with Supernatural before, but this episode was just the perfect combination of the two.
I can’t think of any major problems with this one, or even really minor ones. (I mean, the scene with Sam and Dean talking about Jody’s sex life is pretty awkward....) Keep ‘em coming, Steve Yockey. I will watch everything you ever write forever. 
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