#if we get an isaac character poem for sou's next birthday i will be digging a grave

[himehikoshrine]

The Central Nation of Kielce - a History

[I/D : Screenshot for Sissia of the Central Nation showing Levi, Adra, and Crowley on the wall. Crowley is saying "Hahaha! How have you been, little wall?! It’s like you’re a part of our origins!"]

Having now read through every route's game script of the Central Nation of Sissia, I figured I'd tried to put together all the Kielce lore across the different routes into one. If you want to read them yourself, you can do so either on the game menu if you've finished the game, or [here]. This will contain details unique to most of the routes, so technically, there are spoilers, but they are discussed entirely within the world of the play. I will edit in a few minor clarifying details with no route plot information from routes as I find them now that I'm going through things with a finer tooth comb. It will spoil some things that are in the stage script only epilogues too, so please read at least one of them before reading this, or you'll be really confused. Two, ideally, especially if the first one you picked was Crowley's.

Don't ask me why a rather big piece of character information, that is kind of a twist, is hidden within epilogues only on the stage script in the menu. We're nearly the full year into Havenna Lore drops, apparently this is just how Neji writes. (And given all the lore hidden in weird bonus material, also how Ishida and Towada write.)

The Nation of Arbine and the Republic of Quatra, which is to its east, were at war for 77 years. Many lives were lost on both sides, and there were plenty of children made orphans in the process. We know little about Quatra before the end of the war, but Levi describes it as having "warmth" and Crowley says it had a very strong culture in the arts, including song and dance. After Arbine wins the war, 20 years before Sissia joins the troupe, Arbine begins calling the 77-year-war the 'War of Joy.'

They force the people of Quatra into servitude, build a wall around the country, and mark them with a tattoo of a horse on their shin. The hostility gets so bad in the upper military ranks of Arbine, that they begin calling Quatra "the nameless country" or "the nameless servant country." The culture of Quatra is stamped out within the nation, possibly beyond simply forcing everyone into labor for the sake of Arbine, and anyone in Arbine who even discusses it with anything but scorn is suspected of treason.

Arbine is ruled by its "commander and king" (always said together like that) who has the surname "Arbine" like the nation he rules. His top advisor, confidant and strategist is Major Azur Hybird. The military elite make up the aristocracy of Arbine, and their positions are expected to be passed down.

Arbine is a strict military state, with border patrols and street patrols in addition to a standing military that citizens are quite acquainted with. They are able to freely interrogate and detain anyone, but murder seems to be considered a crime in Arbine, regardless of the nationality of the person killed, even, seemingly, for low ranking patrol officers. (We only have Crowley's potentially joking word here, though). The high ranks can order and carry out death sentences sans trial of any kind, of course.

The military aristocracy is also the high society of Arbine, and they attend parties and engage with what they consider 'high culture' including national dances - Arbine does have a national dance troupe.

Arbine's language is called "Arbine". It appears to be different than the language of Quatra or at least a different dialect, though one suspects they have some degree of mutual intelligibility. Carlo says the further east one goes in Arbine, the simpler the pronunciation of its language gets. Accents are shared to some extent in the border region, as well as words. Carlo says Arbine has 'a certain roundness' and that the first letter of Carlo is pronounced 'more elegantly' than Sissia's accent usually does.

Carlo illustrates the linguistic drift with the word Kielce - which is the Arbine term for Circus, a word used in Quatra. Carlo says no one but a historian or a suspected traitor would know that word these days, so maybe once it was also used in Arbine, or maybe a historian would merely be more familiar with the arts from Quatra.

So, 20 years ago, the war ends. As for the future members of Kielce at this time, Chance, at least, wasn't born yet.

Levi Caineman, who was born to Arbine parents, was orphaned by the war and was taken in across the then-wall-less border when he traveled there in search of food. Once the war ended, he was taken into an orphanage on the Arbine side of the wall, while his foster mother, a Quatra, was left behind it.

At some point, Levi will meet Crowley. Crowley is, though it's unclear who knows this but him, an illegitimate son of the 'commander and king' of Arbine, so his full name is, in fact, Crowley Arbine. It's never explicitly stated in the play if Crowley creates Kielce as a troupe or not, or the origin of its name "The Central Nation of--" but in the practice dialogue it is confirmed that Crowley and Levi are the founding members of the troupe.

As for when it was founded, Crowley considers the first Border Performance, which takes place ten years before the present of the play, and thus ten years after the end of the war "part of our origins." It is likely the name, too, partially a form of protest. Given the troupe's founders - an openly avowed revolutionary with a personal connection to the throne, and a fascination with Quatran arts, and an Arbine boy raised for a time by a Quatran foster mother, I'm sure this was very much part of their motivations.

Crowley is, after all, enthusiastically a traitor. (He maintains everyone in Kielce knows this, and no ones statements fully discredit that assertion in other routes. No one ever quite says the first performance WASN'T an act of rebellion or treason.)

Crowley says he's the one who brought Levi in and raised him up to be ringleader. At some point, Kielce, including Crowley and Levi, ends up performing at a party for military aristocrats. How this happened or how it went down, we don't know, other than apparently everyone was thoroughly amused. At this point, they aren't suspected of anything treasonous, but are considered 'low' entertainment.

In attendance is Major Azur Hybird's son, Adra Hybird. At this point, Adra has already been dancing for most of his life. It is unclear how old he is. But he decides that this is the kind of dancing he wants to do. He leaves the life of a Military Aristocrats son behind and runs away to join the circus -- Kielce.

(It is not implied Adra is younger than the other two - on Levi's route, Adra remarks that Levi has grown into quite the man, which, if anything, implies Adra may be a bit older than Levi.)

By the time of the first Border Performance, which is ten years before the present, Adra is a well established member of the troupe, enough that he is involved with choosing to do it. He seems to be one of the senior members in the troupe.

Fan Carlo Albus, on the other hand, is a newcomer to the troupe ten years ago. It seems she joined enough after Adra that she's talked about as another sort of 'generation' - when talking about Kielce's style being a talent showcase, Crowley says its more pronounced now that Carlo and Chance have joined.

Carlo watches the border performance from the side, not on the wall. Also watching that day is Isaac Bazmaz, an Arbine child from the border region who lives near the wall. He is watching with a friend of his. On Isaac's route this friend is explicitly Sissia, a girl from Quatra who he met through a crack in the wall. Isaac talks about the wall as having always been near his house, suggesting that he is under 20 years old, or at least, not much older. Chance Orlando, as stated, is under 20. He doesn't watch the border performance, but hears rumors about it as a kid in Arbine that later inspire him to join.

Crowley is one of the leads in the performance, which he also wrote. This is, to him, intentionally an act of rebellion and revolution. The fact that it doesn't overthrow the nation makes it kind of a failure in his book. Adra says his motivation is sort of to stick it to the military aristocracy and their backwards ideas, both about Quatra and discrimination and their authority and control in general. Adra is also quite annoyed at their elitism. Levi doesn't give an explicit reason for it the first time, but when asking to do it again, he mentions love of theater and love of freedom as absolute principles he leads Kielce by. One imagines his foster mother on the other side is a motivation, as well.

The performance is seen as treasonous and puts the entire troupe on a watch list. According to Major Azur, the 'commander and king' of Arbine has pushed to imprison everyone in the troupe since that day. (It is completely unclear if either the Major or even the 'commander and king' himself have any idea who Crowley is.) Every member who was around at the time tells Sissia that it was quite the controversy and ordeal, and caused a lot of trouble.

Isaac makes a promise to his friend to one day stand on the wall with Kielce together. Sissia, watching from the Quatra side, is already being forced into labor, despite seemingly being a child. Sissia dreams of one day standing on that stage, too. Both Isaac and Sissia will eventually follow that dream to Kielce.

It seems that despite the displeasure of the ruling elite, Kielce continues to operate and have many fans. Their popularity is seen both as a threat, and, one assumes, a bit protective, as it's quite clear that Arbine is aware of the precarity of it's absolute control.

Adra notes that even members of the military attend the shows. Not all the fans share their ideals, of course, and will report things to the authorities.

Kielce has a standing theater within Arbine, but their base seems to keep a very 'traveling circus' aesthetic. It is possible they are both a traveling company and one with a home base. It's unclear when this was built.

Chance and Isaac are recruited the same day by Crowley. Isaac says that if it weren't for Kielce, he'd 'still be working at a factory'. They are still considered relative newbies by Carlo by the time Sissia is recruited, but they seem to have been around long enough to be pretty established as staples of the troupe.

#sissia of the central nation #jack jeanne #jack jeanne meta #lore hunting #kielce #i told you i have kielce brain rot #yeah the characters are based on quartz and its a love letter to quartz but its not slacking on the worldbuilding or messaging #like the characters may feel less inspired since they're taken from their actors but damn if this play doesn't have a MESSAGE and LORE #if we get an isaac character poem for sou's next birthday i will be digging a grave #i have so many more thoughts to share but lets get the history down first #so many. thoughts.