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#i'm being 100% sincere in it if that helps it's not irony poisoned
wild-at-mind · 1 year
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I’ve been thinking about the reason I feel so weird about people on tumblr who aren’t living in the UK making jokes about how great it would be if the UK split up and abandoned England (where I live) and made the great Celtic aliance and whatnot....like, I acknowledge I really have no good social justice approved reasons for feeling weird about this. I’m English in England and I do understand the long history of England oppressing and colonising all the other nations. This isn’t in question. I’m sure it would be better for all the other nations if they left England, and if there was a way it could be done very easily and quickly for everyone, then I’d say do it in a heartbeat. It feels really daft of me to be like thinking about actual logistics because of a fucking joke post which no one really needs, but I always do for some reason and it’s just so stressful to think about. The UK is fucking falling apart right now, it can’t manage anything. Our last Prime Minister lasted 49 days. No one has been elected as PM for like a decade, they all just take over from the last failure in this fucking endless conservative government. It feels never ending. I feel like it was also really easy for people outside the UK to judge Brexit as a terrible idea, but from the inside it was never that simple. It was a really bad idea for sure, and it caused this massive influx of xenophobia, but while it was going on it was all so complicated and there was so much shit on both sides. You would think it would be easy to say like ‘I don’t want to be on the side of xenophobia so I’m anti-Brexit’, but then you would get accused of being in an ivory tower and not affected by the employment issues concerned caused by EU workers or w/e. Someone would write a thinkpiece calling you classist or something, using the exact same emotive language people deploy all the time on here for their good causes. It’s not so easy to be like ‘ok this is good emotive language making me think the right thing, and this is bad emotive language making me think the wrong thing’. In reality, of course, it was never a case of just working class people wanting Brexit and just middle class people wanting remain, that was more fucking propaganda and it was sooooo much more complicated than that. I hope this is starting to get across the problem a bit. A few people were even arguing that Brexit was good because more workers of colour could come into the country if we stopped having so many white EU workers so Brexit could actually be anti-racist. (As if the current government would willingly do anything like that...lol.) What I’m trying to say is it split the country in so many ways, it was a really ugly time. I have heard similar things from people living in Scotland about the last push for Scottish Independance. Whether you were pro or anti, it got ugly and caused massive painful rifts. Now, i do think at some point Scotland will gain independance and I will cheer them on. But it won’t be an easy split, because they never are. The other thing I think gets glossed over is that we aren’t a very big country, of course there’s a lot of movement, many people in England have very recent roots in Scotland, Wales and/or NI. When you make it more distant roots, then it’s a vast percentage. And it’s worth noting that identifying as English specifically, if you live in England, has some connotations of racism and xenophobia against immigrants. (England for the English, that kind of fucked up thing.) People who do not want those connotations who live in England will tend to use the term British to self describe. I don’t know what it means to be ‘English’, specifically, without racism coming into the frame pretty quickly. I think that’s why these posts also read a bit as if annexing England will free the other nations from racism, whether or not that was the intention.
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metanarrates · 10 months
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What you wrote about letting the Poster in your mind die struck a cord in me. Lately when I'm writing I can't help but censor myself & add a tone of irony to it & lampshade cliches. Do you have any advice on how to write earnestly? Do you have any favorite media that is written with sincerity you would suggest?
my opinion is that if you're trying to cut out your own urges to be ironic and detached DURING the process of writing, you may end up overly scrutinizing your writing while it's happening, and that's usually what gets you too trapped in your own head to even get many words out. my advice is to simply let it happen in the first draft of whatever you come up with, and then have it be one of the things you look for while going over it in editing. ask yourself when you edit: am I saying what I actually want to say? am I being ironic for a reason, or is it because I don't know how to write anything else? can I try to do something less ironic? if I feel like I want to write something funny, can I come up with jokes that aren't "hey look at this cliche?"
above all else, when editing your own work, I find it valuable to think about whether this is the sort of story you really want to tell. if you feel passionate about it, why do you find it necessary to censor yourself? and if you find that you don't feel passionate about it, maybe you should restructure the work to make it more enjoyable to you. of course, not every scene in a story is fun to write, and not every moment of irony or lampshading is necessarily a bad thing. but if you find that irony is becoming a major habit in a work, it might be worth thinking about whether or not you're actually enjoying your own story.
as for the sincere media - most good media is very sincere! i actually think irony poisoning is the exception rather than the rule, though it is common enough in big blockbusters and the like that I do feel I have to complain about it. I would say most works I've read and enjoyed have been quite sincere. there's good stuff out there if you look.
that said, the works that come to my mind as being particularly upfront in their sincerity are:
mob psycho 100 - you've probably heard of this one. middle schooler with psychic powers and a severe case of emotional repression dispels a lot of ghosts with his con artist mentor and also figures out how to be a more well-adjusted person. mp100 has had a LOT of very eloquent reviews, so I won't say too much about it. it's just an extremely funny and shockingly emotionally resonant work.
witch hat atelier - absolutely gorgeous manga about a little girl who becomes an apprentice witch after discovering that magic is not exclusive to those who were born witches as she thought, but instead a teachable skill that has deliberately been kept in the hands of a few. the art in this is stellar, and its moments of horror are just as well-captured as its moments of gentleness. one of the themes of witch hat atelier is the beauty of art/magic and the joy an artist finds in its creation, and the artwork of the manga REALLY reinforces this theme. it's beautiful to look at and there's a quality of sincere love for both the work itself and its audience that suffuses the manga. though I will give a general tw for child harm - another major theme of the story is the responsibility adults, particularly teachers, have towards children, and this theme necessitates showing the ways that children can be harmed by teachers, as well as showing the ways that a good teacher can affect a child. it's very good!
omniscient reader's viewpoint: this one is LONG (over a million words) but is a great example of what I would call "post-cringe." a guy ends up seeing the events of his favorite fantasy-apocalypse action novel be recreated around him, and is determined to survive in this world where only he knows everything. one of the most charming things about orv, to me, is that the novel read by the main character is pretty obviously "cringe." it's a badly written escapist webnovel that is sometimes overly edgy, relies a lot on clichés, and can be very dense. the story points out sometimes how facts of the novel's world are kind of stupid or contrived. and yet, our protagonist loves that novel, and the story VERY much validates his love of it. despite him having at times a little bit of that ironic detachment towards the novel he loves, it's always clear that he thinks the cool monsters etc. are The Shit and that he is enthralled by the events playing out around him. the writing leans into how cool its setting and set pieces can be. hell, one of the big themes is how a story, no matter what kind of story it is, can mean everything to the reader who loves it. it's a good example of a work that can poke fun at its own clichés sometimes WHILE still loving those cliches and wanting the audience to enjoy those exact clichés.
again, there's a lot of good stuff out there! these are just my picks for having notable sincerity. if you read a lot, chances are that you will find a lot of great, earnest work. personally, I would recommend figuring out what genre you enjoy reading or watching, and then trying out some highly rated works in that genre. it's a great way to try out shit you haven't tried before! I would also recommend trying out stuff from 15 or more years ago, generally, if you're looking at more mainstream novels, movies, and TV series rather than specific genre fiction. the irony poisoning problem wasn't so prevalent then.
hope this helps!
edit: I FORGOT EVERYTHING EVERYWHERE ALL AT ONCE. please watch eeaao, it's a deeply sincere and whimsical piece of art
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