#fern's diary margins

[brucebocchi]

Winter 2024 anime roundup, Pt. 1: Ongoing/returning shows and the trash heap

hey y'all, this is also up on my ko-fi! it's free to read both here and there, but i'm struggling financially rn so i could appreciate if you'd throw a few bucks my way if you liked it!

I wasn't expecting to watch nearly this much anime in just the past three months, but life completely failed at getting in the way. So here's everything I either watched or tried​ to watch for the Winter 2024 season, and a short review for each.

I'm not going to bother with trying to rank them, so instead they're sorted by category, as follows:

Continuing series from Fall 2023

Returning series

What I dropped

Mixed reactions

On hold

New series that are actually good

With this first entry, I'll be covering the first three, with the back half arriving in another couple of days. As with the 2023 rankings, the OP for each show is linked in the corresponding title.

Here we go.

Ongoing shows:

The Apothecary Diaries

Looking back at my 2023 rankings, I think my placement of The Apothecary Diaries’ first cour at #11 may have belied how much I love this show and believe it to truly be one of last year’s greats. If anything, it was hampered by its status as an ongoing show making it incomplete by nature, and I worried myself over the possibility of recency bias taking over my top ten (Frieren is in the same boat, so its top overall ranking should really highlight how damn good it is). Make no mistake, though: The Apothecary Diaries fucking rocks, and it continues to fucking rock. 

It’s largely more of the same, and that’s what you would want from another cour of this show. At the same time, though, more and more is uncovered about Maomao’s background and Jinshi’s status as the proverbial camera continues to pull back and the mysteries adorning the edges of the frame become clearer. I got a sense at the end of the Fall 2023 cour that the show was moving on from its episodic nature into something more serial and plot-driven, and I was mostly right: While several episodes of the Winter cour still revolve around various mysteries of the week, they all start to converge before you even realize it. It’s the same flywheel-effect approach to plot development that Kaguya-sama did so well: While so many of the events seem like one-off curiosities in the moment, these almost-imperceptible movements eventually barrel forward into an unexpected but perfectly logical momentum. The show teases out several plot threads that may not seem relevant at first, and it trusts you to be patient enough to see them play out.

I’m not at all exaggerating when I say that, along with the next entry on this list, The Apothecary Diaries is one of the best anime of the past five years. I had a feeling that this could end up being the case as 2023 came to a close, but I’m sure of it now. Watch this show.

Frieren: Beyond Journey’s End

Last year’s best anime continues apace into 2024 as we get an honest-to-goodness story arc: Frieren, who has been around too long to bother taking any magical governing bodies seriously, needs a certification as a mage in order to continue on the party’s journey north. She decides to take the necessary exam to be certified as a First-Class Mage, a rarefied status in this world, and has Fern tag along to do the same. 

And it’s still incredible! Great action, brilliant animation, wonderful character moments, and a beautiful score. It is still the top-rated anime ever on MyAnimeList, and by a significant margin. I’m not sure I agree, necessarily, but I can say with all sincerity that this has been a perfect season of television and my Fridays now feel empty without it. 

That’s all I’ve got on this one. What else do you want from me? I’ve already written nearly 2000 words about this show alone since it premiered. You’re asking me for more? I’ll kill you.

Shangri-La Frontier

If the low placement on my 2023 list was any indication, I was pretty fed up with Shangri-La Frontier by the end of its first cour, and the first couple episodes of 2024 being little more than plot set-up had me teetering on the edge of dropping it entirely. But I’ll be damned if it didn’t start reeling me back in once shit actually started happening and the plot really began to move forward.

Well, for a bit, at least. The height of the series so far has been the Wethermon arc, in which Sunraku teams up with his fellow shit-gamers, Pencilgon and Katzo, as they vie to be the first to take down a notoriously difficult unique boss. As the fight plays out, we get to see the feeling-out process of a tough action-RPG boss, rife with attack pattern memorization, skill timing, and buff stacking as the margin for error grows ever thinner. As always, the animation is on point, the soundtrack rules, and the action sequences are exhilarating.

But my major gripe with the series remains: There’s hardly any actual story here, even after 25 episodes. There are broad gestures towards a larger plot (“the truth of this world,” as the NPCs call it), but they are too vague to even resemble anything enticing. Everything in between the major fights is just set dressing, and there’s a lot of in between. There’s decent stuff in there, to be fair; the adorable rabbit NPCs are always a delight, and I love the commitment to depicting our top-level gamers as smug, preening shitheels. These are long walks for short drinks of water, though, and much of the main cast isn’t likable enough to make the downtime tolerable, to the point where watching the many set-up episodes feels like more of a grind than the actual grinding in the show. Even in the fight sequences I still had moments where I found myself yelling “STOP TALKING ALREADY” at the screen. Internal monologues are a constant in battle shonen, I know, but if there’s any demographic whose internal monologues I want to hear the least, it’s gamers.

I kept watching this show despite myself, and six months later I’m still not sure how much I actually enjoy it. I haven’t seen any of the lousy VRMMO anime that people favorably compare it to, so at least it isn’t Sword Art Online. Yay, I guess? Yet here I am, still plugging away at a show I can’t strongly recommend to a lot of people. Shangri-La Frontier has turned me into a Steam reviewer.

Undead Unluck

The stakes continue to rise exponentially in one of last year’s more underrated shonen hits (or it would’ve been a hit if Disney gave a fuck about marketing the anime on its own platforms). The Union neutralizes a threat, gains a new Roundtable member, and then shit hits the fan.

The scope of this series goes into absolutely buckwild directions, and all I will say is that “Kimi no Todoke predicting the future” was not a piece of worldbuilding I would have ever expected. But at the same time, it never loses focus on the human element, which only gets more poignant as it goes on. There’s a really beautiful message in the last arc about how people can live on through the memories of others, well past their bodies dying, which hits nice and hard considering this season aired at the same time as Frieren.

This is a show that I tended to watch sporadically (because I just plain forget to open Hulu just to watch one show every week), and I would say that it was the ideal way to watch it, except the pacing issues from the first cour only got worse during a monumentally consequential sequence in the middle of the second. There was an episode that had, I shit you not, 90 seconds of new content in the first seven minutes of runtime, and at the exact point in the series when you’re salivating for something, anything new. In a season where so much goes on in just 24 episodes, I’m baffled that they felt the need to pad the runtime so much.

That’s the worst of it, though, and the momentum fortunately builds up from there and barrels downhill until the end. The story becomes incredibly meta, which was a very ballsy move for a Shonen Jump series that was still relatively early into its run. The gamble pays off, though, and the debut season ends on several incredibly strong episodes, and now I want more. I’ll be hopping on the manga soon.

It also struck me towards the end of the season just how goddamn cute everyone looks. For all of the spraying blood and grim marching towards Armageddon, it says a lot that I still wanna pinch everyone’s fat little cheeks.

Returning shows:

The Dangers in My Heart, season 2

The first season was absent in my 2023 rankings but I decided to pick it up while the second was still airing, and I’m so glad I did: The Dangers in My Heart is an almost-too-precious middle school romance that is endlessly endearing and bluntly honest (if a little exploitative) about what middle schoolers are actually like, warts and all. Insecurities are amplified, they struggle to figure out their identities, and mental and physical development runs on different schedules from one kid to the next. And amidst all this raging hormonal nonsense, we have ourselves a lovely little romance story.

Kyotaro has (mostly) kicked his chuuni tendencies and realized that he’s madly in love with the beautiful, cheery Anna. He’s as aware as anyone of what a mismatched couple they’d be, though, and continues to self-sabotage any progress in the name of maintaining her good social standing. To pile onto his loner’s perspective of middle school politics, Kyotaro also gets a front-row seat to Anna’s part-time work as a model-slash-actress and he wonders if an underdeveloped shrimp like him should be anywhere near someone so obviously more mature. At the same time, though, he’s a growing boy, and we see lovely moments of progress as Kyotaro takes initiative both for her sake and to achieve what he wants. To both ameliorate and complicate these situations, Anna reciprocates his feelings towards her, and we creep ever closer towards what we want to see, in increasingly awkward and precious fashion.

So much of this anime is just gorgeous. Even setting aside the visuals and music (which are on point at all times), there are really lovely themes in here about insecurity, teenage perception of maturity, and self acceptance. On top of all of that, though, this is just a delightful slice-of-life romance story. You can probably guess where we’ve ended up by the end of the second season, but it’s the getting there that makes it all worth it. The manga is still running (and I plan to pick it up), so there’s clearly plenty more of the story to tell, but if this is where the anime ends, it ended perfectly.

Holy shit, though, did the first season really air at the same time as Skip and Loafer and Insomniacs After School? Dentists must have made a mint that season because every single one of these shows is so unrelentingly sweet that my teeth start to itch. Not that I’m complaining.

Mashle: Magic and Muscles, season 2

I honestly think I might’ve been too hard on Mashle in my 2023 rankings. I gave up on it a few episodes in when it’d initially aired, but I eventually came back to finish out the season and ended up having a pretty good time. I’ll cop to having forgotten that latter part when I mapped out those rankings, but that enjoyment quickly came back to me when I picked up season 2... even if the season begins with a ton of table setting.

Plenty of battle shonen take time to find their voice, both in manga and anime, and Mashle really seemed to hit its stride fairly quickly into the second season. Mash’s lack of magical quality is no longer a secret, and now magical society has to find a way to deal with it, so the series’ initial stakes are raised and Mash HAS to become a top-level sorcerer lest he lose his life. Also, the bad guys are back. Unfortunately, just as I started to genuinely appreciate the ensemble cast, most of Mash’s friends took a backseat to the larger plot (Lemon is nowhere to be seen almost all season) as the villains raise the stakes with increasingly JoJo-esque magic abilities. There’s still plenty to like, though, and some of the new characters help. Props for having an openly nonbinary character play a major role.

The music is a real highlight here; a surprising amount of hip-hop paints the backdrops during dialogue, and any show with an OP by Creepy Nuts will immediately grab my attention. "Bling-Bang-Bang-Born" actually turned into a bona fide hit single, much like Oshi no Ko's "Idol" and Jujutsu Kaisen's "SPECIALZ," and I'd say it's well earned (seriously, it fucks, please click the link above). The animation has also started to really pick up where it felt like it kept falling short in the first season as well, and I found myself looking forward to action sequences more as the season went on.

And hey, it might’ve taken 21 episodes to get there, but I finally laughed at a cream puff gag!

Urusei Yatsura (2022), season 2

I really don’t have much to say other than it’s more Urusei Yatsura, and that’s just swell. We continue the modern adaptation of the classic gag manga as the OG anime babe and her piece-of-shit “darling” get caught up in yet more bizarre hijinks. Despite the 48-episode run being touted as an “Urusei Yatsura all-stars” cherry-pick from Rumiko Takahashi’s 34-volume opus, not all of the segments hit on the same level, but the stories that last entire or even multiple episodes have been killer. Lum and Ataru, despite their myriad flaws, genuinely do care for one another, and this series is at its best when those feelings get to shine through. Takahashi remains a legend for her expert balancing of comedy and heart, and while this particular adaptation doesn’t have the built-in benefit of 300+ chapters of familiarity, those moments still feel earned.

It’s Urusei Yatsura. It’s a classic for a reason. Watch it.

Dropped:

Gushing Over Magical Girls (dropped after one episode)

For the TL;DR version, consult the image above.

All I’d heard about this show going in was that the manga it’s based on was good and that there would be boobs. I wish I’d known more than that before watching, though, because if I’d known that said boobs would belong to middle schoolers, I wouldn’t have bothered with even the one episode I did end up watching.

I was drawn in by the initial premise, too: The protagonist, the conspicuously-named Utena (who looks enough like Bernadetta from Fire Emblem that I was immediately endeared to her), is an enormous fan of the magical girls who keep her city safe, so when an adorable maho shoujo mascot approaches her with an offer, she immediately takes him up on it. As her sinister-looking (and unnecessarily revealing) costume suggests, though, Utena doesn’t get to live out her magical girl dreams; she actually got roped into—and blackmailed into keeping—a role as a villainess. The magical girl team she idolizes quickly recognizes this, and to stave off their assault, Utena is forced to summon a monster to bind them. As they continue to struggle and squeal, Utena goes further with it by ripping their clothes and spanking their bare bottoms red, because it turns out that she’s actually into this stuff, sexually. The title, it turns out, is a double entendre.

Credit where it’s due for a clever concept: On paper, this is really goddamn funny! My issue is with the execution: I don’t really care to see someone’s sexual awakening if it involves repeated violations of consent, and doubly so if I have to see nudity of ostensible middle schoolers (Japanese middle schools are the equivalent of seventh through ninth grade, so even on the older end these girls are 15 at most). After 100 Girlfriends, I thought I could handle whatever trashy bullshit any anime could throw my way, but the longer I chewed on Gushing’s premiere, the worse it sat with me. I have no intentions of playing morality police here, but I can’t bring myself to watch any more of this than I already have. 

Early teenage sexuality is a very difficult subject matter to handle delicately, especially in a comedy milieu, and I can levy plenty of criticisms on that matter towards series I otherwise enjoyed, like Call of the Night and the aforementioned Dangers in My Heart. And although there appear to be some coming-of-age elements here, Gushing doesn’t seem interested in handling it without being exploitative. Maybe it gets better, but I don’t really plan to find out for myself. 

I just feel like it’s a shame that in a season with some actual halfway decent LGBT representation, the breakout yuri hit is about middle schoolers performing dubiously-consensual BDSM on each other. And maybe that speaks to something for some sapphic viewers, and I have no intention of speaking over them, but I do know that this isn’t for me. I would’ve gone fucking feral over this show when I was like 13, but I haven’t been a 13-year-old boy for a long, long time. 

I may not have a leg to stand on here as someone who watches Mushoku Tensei (although frankly, that one’s on strike two with me), but I have to put my foot down somewhere. For me, that “somewhere” is borderline pornography involving 13-15 year olds. I try to meet media where it is, even the squicky stuff, but I cannot put myself at the level Gushing Over Magical Girls sets for itself. 

Sasaki and Peeps (dropped after eight episodes)

This show is frustrating to even process postmortem. After a mildly intriguing hour-long premiere that introduced a whole lot of concurrent concepts, Sasaki and Peeps somehow managed to not only continue heaping new ideas onto the pile, but also fumble every single one of them in a way that wasn’t even entertaining to watch.

Sasaki, a lonely 40-something salaryman of modest means, decides that instead of living vicariously through adorable animal photos on social media, he should pull the trigger and get a pet of his own. He settles on a reasonably-priced and suitably adorable fat little Java sparrow, who as it turns out speaks human language and is actually named Piercarlo the Starsage (Sasaki settles on Pii-chan, or Peeps in English). The bird was reincarnated from another world, where he is able to take Sasaki at will, and the man realizes he can use the other world’s relative dearth of technology to his advantage and sets up an interdimensional trade full time so he can make coin on his own watch and help Peeps try the delicious beef he heard is the best food in Sasaki’s world. To the latter end, he also invests in a restaurant. Peeps also helps teach him magic, which Sasaki is forced to use in a pinch in the real world. He is quickly found out and gets roped into a secret government bureau of psychics, because the agent who caught him using ice magic decides he’d be a perfect complement to her water powers (think Kanne and Lawine from Frieren, but stupider). Sasaki now has to balance these multiple lives, which hardly ever interact with one another, as the stakes rise in Peeps’ world in the form of palace intrigue and in Sasaki’s world in the form of a growing threat of evil psychics or something. Also, there’s magical girls, because why the fuck not at this point.

If you actually managed to process all that and went “wow, that’s a lot, I wonder how they can tie all that together,” it brings me no pleasure to report that Sasaki and Peeps completely fails at that task. This is a work of fiction with entirely too many ideas, to the point where it feels like it has no ideas. There’s a saying in football that a team with two quarterbacks is a team with no quarterback, and Sasaki and Peeps has, like, six on its depth chart. You ever hear a band that managed to cram multiple genres in the same song and you get whiplash every time it switches up? Those are bands with a lot of influences, but no identity to call their own, and that is Sasaki and Peeps to me. It is the Twenty One Pilots of anime. A lot of shit got thrown at the wall, and none of it stuck: This show, conceptually, is shit-stained drywall with a pile of turds adorning the moulding. 

For a show about a 40-year-old man, it gave me serious pause that there was not a single named adult woman in any of the episodes I watched, and I grew even more frustrated waiting for one to show up. Sasaki’s partner, Hoshizaki, seems to be a driven, professional young woman, but it turns out she’s a 16 year old high school student, for some reason. The daughter of the viscount doing business with Sasaki is a young girl who likes to tag along with him, and Sasaki’s neighbor is a latchkey high school girl who may or may not have a yandere-ish fixation on him. The magical girl we meet is also definitely a kid. The female psychics they face off against don’t appear to be older than teenagers, though the one who appears to grow fond of him turns out to be several hundred years old, which especially gave me pause because we all know that unfortunate trope and the type of person who hides behind it. Before progressing any further, I found out that the light novel series upon which this show is based was written by someone with the pen name “Buncololi,” which told me the rest of what I needed to know.

That part made me increasingly uncomfortable, and I became less and less convinced that this show was capable of sticking the landing as it continued to pile on new, contrived ideas. This was a waste of an excellent voice cast, but more than that, a waste of time.

Tales of Wedding Rings (dropped after nine episodes)

I can’t believe how much goddamn isekai I ended up watching this season. That Tales of Wedding Rings wasn’t the worst one (see above) was a minor miracle, because boy howdy was this one a dud.

Satou is just a normal high school boy, blah blah blah, his childhood friend he’s in love with is actually a princess from another world and she has to go back to fulfill a political marriage, he follows her into the portal to pull a Benjamin Braddock. But then, gasp, the palace is under attack, so the princess (her native name is Krystal, but growing up in Japan she was known as Hime, which means… princess) instead decides to marry Satou, bestowing upon him her kingdom’s ring, which gives him powers that he uses to fight back the demons. It turns out that her ring enables him to use one elemental affinity out of five, so of course now Satou has to collect the other four to become the Ring King and save the world, and to do so he has to also marry each corresponding princess.

This is basically Tolkien’s Rings of Power but as a harem isekai with bonus nudity. What I saw of the season was basically a MacGuffin hunt that had waifus of various fantasy races attached. Fine character designs for each, to be fair, but it wasn’t enough to keep me interested.  It’s funny on paper that (to paraphrase Geoff Thew) our protagonist’s power level scales with the size of his harem, but Tales didn’t do enough to make me actually care what was happening. And I wanted to! There were elf titties and I didn’t care. That’s criminal.

What makes Tales especially difficult to watch is that this show is fuck ugly. The color palette is muddy and unappealing, everyone looks uncannily shiny, and there’s a smudgy Vaseline filter over everything. The action sequences are uninspiring, the animation is lousy, and every character looks terribly off-model unless they’re naked. Watch the OP I linked if you don't believe me; that's the best of it. The aural element isn’t much better; ecchi scenes are punctuated by a Cinemax-caliber smooth jazz score that I pray was chosen ironically, and most of the show’s humor consists of “an old guy is screeching.” And if you’re wasting Shigeru Chiba’s talents on that one lousy joke, you’ve fucked up catastrophically.

What completely pushed me out of wanting to see any more of this show, though, was how hard it doubled down on the worst elements of harem anime by having Protag-kun be a wishy-washy little ninny even though he’s openly declared his love for and is literally married to Hime/Krystal. And I wanted to care about her; the narrative made me want to care about her, and her jealousy of the other princesses is warranted, but alas, the harem demands bodies. To his credit, Satou recognizes her mixed emotions and makes extra time for her to make it clear that she’s forever number one in his heart, but every single time their shared romance and emotions actually push them towards consummating their (all caps for emphasis) MARRIAGE, the show goes Rent-a-Girlfriend on us and finds a cheap excuse to ruin the moment. No thanks, I’m out. Nothing else about this show is good enough to make me wade through that shit.

Honestly, the only thing that had me coming back after my Persona 3-induced hiatus was that I wanted to see the dragon girl, and that alone was almost worth it, but there really isn’t much of a draw otherwise. There were better isekai, better romances, better fantasy settings, and even better uncensored harem shenanigans this season. I might pick this back up as the second season approaches, but I’m not in any hurry.

#anime reviews