#cw supergirl is my best friend i never said anything bad about them ever

[blackgirlsuperherorants]

This may be a little stupid, idk. Personal thing.

But, I'm really starting to hate actors coming into superhero roles and saying they weren't familiar with the characters beforehand.

Like, okay, on the one hand, I get it. Not everyone read comics growing up, and some people are even from countries where DC and Marvel haven’t been very popular until recently with the influx of movies. Like, I know Sebastian Stan had no access to American comics in Romania, so of course he didn’t know who Bucky Barnes was. 

But on the other hand, sometimes it feels a little dismissive or disrespectful, or even out of touch. Like, I know I’m a superhero fan. I know I am probably more aware of obscure characters that the average person, even well versed in pop culture, may never have heard of. Like, I wouldn’t be surprised if an actor said they’d never heard of Adam Warlock.

But, then you have the Teen Titans. And, you know, they’re not the MOST ICONIC DC characters, but they’ve had a popular cartoon on for at least 15 years (first Teen Titans, and now Teen Titans Go). I feel like if you’re between the ages of like 8 and 30 and grew up in the United States, you should at least, in passing, know who the Teen Titans are. Like, I remember when the original cartoon was coming on, and I heard a lot about it even before I started watching it. It was popular enough that teens and kids and adults were watching it. It was popular enough that I BELIEVE that’s why Cyborg is in the Justice League movie (because who would’ve thought to include Cyborg in that film until he got so popular through Teen Titans? If that movie came out in 2005 or something, it probably just would’ve been Green Lantern or something. Or even Martian Manhunter.) I digress. Let’s get back on track.

When I hear actors say in interviews that “I wasn’t familiar with the character before I got the role”, sometimes I wonder why they even went for the role. And, I’m an actor, too, so in some ways, I get it. You just want work. You want roles that are dynamic, interesting, fun. You want to make money and support yourself. You want roles that look good on your resume and make you desirable to cast in other work in the future. And right now, superheroes are hot and are star-making roles. You go from being “that guy in that thing” to “OMG THERE HE IS!” I get it. But also, like... there are thousands of actors registered in the Screen Actors Guild. Out of all of those actors, there have to be some who have actually heard of these characters. Why do we ALWAYS end up with actors who have never fucking heard of... the goddamn Teen Titans?

Like, I understand some of the more obscure characters not being heard of. Like, maybe Danai Gurrira never heard of Okoye before her audition, but also Okoye is obscure as hell, before the film. Even people who knew who Black Panther was didn’t necessarily know who Okoye was. Most people who thought of Black Panther thought of Storm, maybe Shuri, and maybe like Monica Lynne. Ayo, Okoye, Nakia... all of them are more obscure secondary characters in the Black Panther universe. 

I’ve been trying not to call out specific actors... but I’m going to say this, and let me tell you all and be clear, I still support her casting and am happy for her. But...

Starfire is too well known to have cast someone who didn’t already want to play her in the first place. Who didn’t already know the character, at least in passing. 

Sidenote, IDK where Miss Diop is from, so she might have grown up where they didn’t show the Teen Titans cartoon on TV. Which might be why she didn’t know who Starfire was. So, there’s that.

And, I know everyone can’t be Michael B. Jordan or Grant Gustin (superhero/comics fans long before they got their roles in their respective comicbook movies/shows.) 

But, it would be great if the studios and networks could start casting people who maybe had some idea who these characters were beforehand. Even if they aren’t fans. Like, even someone who is like “Yeah, I knew about this character and had seen them in cartoons/comics before I even read for the role.” It seems like the only time we get that is if it’s Supergirl, Wonder Woman, Batgirl/Batwoman, Catwoman... 

Y’all can’t find actors who have heard of Starfire? I’m an actor, and I’ve heard of Starfire. I’m an actor, and I’m black, and I’ve heard of Starfire. Like, I... don’t understand why so many actors, in my age range, have simply never heard of popular superhero characters unless they’re fucking Batman or Superman.

The hell y’all been? Even before I considered myself a true superhero/comics fan, when I was a child I watched superhero cartoons. Spider-Man and X-Men and Batman and Justice League and Avengers.... they came on regular TV, in blocks with other cartoons. Not even cable. Fox and WB(now CW). Even Teen Titans, it came on Cartoon Network, and was a popular series at the time (though I was already actively a self-professed superhero fan at that point.)

Like, would someone get cast as Sailor Moon and be like “I’d never heard of Sailor Moon before this audition”? I seriously doubt it.

And, I’m not saying the work suffers for it. Some of these actors do really good jobs and become iconic for their performance of the characters. Like, Sebastian Stan is probably the definitive Bucky Barnes and probably will remain that way.

And, again, I’m not talking about really obscure characters, like the Guardians of the Galaxy (and 90% of the characters from their movies: Ego, the Collector, Yondu, etc.). Most of the time, in those cases, their performances become so iconic they change the way the comics versions of their characters are portrayed. Like, Chloe Bennett with Quake. (Not saying all of those characters were the most obscure things ever. I think Collector, for instance, is pretty well known among Marvel readers. Just saying if you went to anyone on the street and said “Who is Iron Man” they’ll know what you’re talking about, but if you said “Who is Ego the Living Planet?” they might look at you crazy.)

Like, I don’t think it’s bad that someone playing Ego might have never heard of Ego.

Just, like... it get annoyed when someone is cast in some iconic thing, and we’re all excited about it, and then the interview with them is like “Lol, I never heard of this weird comics thing, but the fans are passionate, lol, don’t wanna piss them off! So, I read some comics!” Like... It just leaves a bad taste in my mouth. 

I know I’ve talked like this about Elizabeth Olsen, but she actually became an expert in Wanda stories. (Her only problem, now, is acting like she’s above the whole thing in interviews.)

And I’m sure the actress that inspired this rant will do her best to make this character great, but honestly. I’m just really, really tired of hearing actors say they didn’t know anything about the thing before they were cast. 

There are a lot of us who are comics fans who knew about the thing since we were kids. It would be so easy to cast actors who at least have some context.  

I’m just saying, as long as we’re getting people playing characters that are well known and beloved, it would be great if they could have some prior knowledge. Even just a little. Like, I doubt Grant Gustin was a Flash superfan before he became Barry Allen. But I know he knew who the Flash fucking was. I know Chris Evans didn’t necessarily know everything about Captain America before he became Cap, but he knew who Cap fucking was. 

And, even if they didn’t and they had to be sent a stack of comics and read up to understand, I wish they would just... omit that part. Because saying it in interviews, to me, comes across as dismissive. Like, when actors in book movies say they didn’t read the book, I feel the same way. But it’s worse when it’s superheroes/comics, because it always comes across as looking down on the source material. Like “of course I wouldn’t know about this weird ass shit, but since it has weirdo fans who care too much...”

Like, their paychecks come from people who grew up with this stuff and love it. At least don’t treat us like freaks for caring about Starfire. Or any of our other characters.

Also, Teen Titans, specifically, seems to be really popular with people in my age range. Even people who I wouldn’t consider comicbook fans. My Facebook (which is full of people I went to high school and college with, not just superhero friends) is full of conversation about this Teen Titans series because so many of us grew up watching the original animated series. I have no curated my Facebook to be superhero rich or anything. In fact, I barely post there, because, like most people’s FB, it’s full of people I know/knew IRL and know/knew in different contexts. Actor friends. Mom’s friends from church. Family members. Classmates. People I barely know who just went to my High School. And still, I see people around my age talking about this series, because so many of us grew up with and love the Teen Titans. And so many of us have grievances with TTG. (I get why it’s the way it is, and I think it’s a perfectly funny cartoon, but I still have grievances with it.)

And, like, black folks I know have been defending Miss Diop from people who were just mad that she has brown skin. 

So, like... I just wish she wouldn’t be in interviews talking about how she knew nothing about the character. Just say you did a lot to prepare, and don’t make it weird. 

IDK. Again, it’s dumb, and it’s just me... I’m just really tired of hearing this from actors. I obviously watch a lot of superhero content, and I watch interviews with a lot of actors from this stuff, and a good percentage of them say they never heard of their character before they were cast, and a good chunk of that percentage of actors says it in a dismissive way as if the content is weird and they were ... “not a nerd” or are too high brow, an Actor! serious about their craft who would, of course, never have heard of Bizarro Superman, or whatever. (Like, I’m an actor, serious about my craft, with a degree in theatre, and studied the avant garde and have mostly only acted in avant garde pieces or serious dramatic plays, and you know what my cute ass does after curtain? I go to my cast dinner, then I go home and watch fucking Arrowverse shows or read Captain Marvel comics. None of those things are mutually exclusive, and it doesn’t make you a more serious actor to pretend liking comicbooks or superhero content is beneath you. Ask Michael B. Jordan and his many acclaimed performances.)

And, like, it’s such a privilege to even be an actor with the opportunity to be in a huge show or movie about DC or Marvel superheroes. Y’all don’t even understand. Acting is a HARD business, most of us will be lucky to even make a few hundred bucks a year acting, and have to supplement with other work. Getting steady work on a TV show is like winning the lottery. Getting steady work on a TV show that almost guarantees success, like a branded show about characters with a following already is like winning the Mega Millions lottery, and not just the couple hundred bucks scratch off. Marvel and DC are HEAVILY curated. They don’t just greenlight shows and movies. These concepts are worked on for years, from the idea, to the script, to the casting, to the filming... They don’t, for the most part, license out their characters to just anything. And, today, they pretty much have a hand on everything that is branded with their names. So, being an actor, seeing other actors get once in a lifetime opportunities to star in HEAVILY CURATED superhero content from the two biggest comics entities in the US, probably the world... and then treat it like it’s fucking stupid and beneath them? It really annoys me.

Like, trade with me, y’all. I’ll play Starfire, you come take my roles in my small, Important, Serious Theatre off off Broadway. Since you want to be an artiste, and superheroes are beneath you.

I guess that’s probably the main reason it annoys me, lol. These roles are a big deal. Nobody just randomly gets hired by DC. I can’t just waltz into an audition and suddenly I’m Nubia. They’re heavily curated projects. People sit down at tables and discuss which casting will work and why. These people won the fucking actor lottery, and they behave as if it’s nothing, and they’re better than it.

And, I respect them. Maybe they are better than it, in some ways. Maybe she dreams of holding that Oscar statuette, and this Starfire role is just to get her name more recognition. 

And also, maybe she, in particular, feels soured on it because of the racist douchebros being asswipes about the orange alien she plays being played by a black actress. (DON’T GET ME STARTED ON THAT BULLSHIT).

But.... I’m still over hearing actors talk about how much they didn’t know a thing about their characters before being cast. I mean, goddamn... What am I supposed to think about this? 

Anyway, fuck me up, if you need to. I’m being nitpicky. And, like I said, I still am happy for her and support her casting. Black women gotta work, and nothing makes me happier than seeing racist fanboys shit their pants when the character they fapped to is played by a black woman. Dunno why they thought Starfire’s alien ass was white, anyway. Aliens aren’t white, kids.

Superman ain’t white, nor is Kara. None of these aliens are white. Better not hear anything about the race of the actors cast as them... But ESPECIALLY Starfire, who is fucking ORANGE. At least Superman has skin similar to European humans in the comics. Starfire has ORANGE SKIN. 

Anyway, done. Still salty, but done.

[kalinara]

So, in honor of my anonymous prompt earlier, I will write a post about why Rip Hunter, as a character, appeals to me.

The big thing, for me, is that he's complicated.  He's a very flawed man but a good man.

And when we meet him, he is in the worst place imaginable, having suffered the single worst loss that I think a human being can suffer.  He's fucked up, half out of his mind with loss, grief and trauma, and he's embarking on a domino effect of bad decisions and consequences.

And I love that.  Because it feels, viscerally, real.

I've said before that I think Rip Hunter is probably the closest thing that the CW-verse has to a realistic, recognizable portrayal of a trauma survivor.  And I find it compellng.

Trauma in the Arrowverse tends to be written one of two ways, in my opinion.  The first, is the "trauma, what trauma" category.  Take for example, Ray Palmer.  In a very short amount of time, he loses a fiancee, he loses his business, he's captured and imprisoned for months by Damien Darhk.  And as far as the narrative is concerned, this might as well never have happened.

This is not a criticism of Ray as a character, or Brandon Routh as an actor, but I think it's fair to say that the writers are not particularly interested in showing Ray dealing with any of these traumas.  It gives us a character who apparently incredibly resillient and irrepressible.  But probably not terribly realistic.  We as an audience have to project what he must be feeling/experiencing beneath that facade onto him because, thus far, the show hasn't given us anything deeper.  

Kara Danvers is, in some ways, another example of this.  Supergirl does, occasionally, bother to show us a real aftermath of the significant losses that Kara's suffered throughout her life.  But all too often, it seems to go forgotten entirely.  She is someone who is strong enough to remain a light, joyous person despite horrible experiences.  But it's hard sometimes to tell when this is the intended portrayal, or the show has sometimes forgotten that those experiences have happened at all.

The other type of trauma in the CW-verse is what I call Batman or Arrow trauma.  Basically, it's the special province of the Arrow characters.

Unlike the first category, these characters' trauma is acknowledged.  But only in according to a very specific formula:

The character starts out as an ordinary young person, maybe a bit shallow, thoughtless or arrogant, but generally a good-hearted person.  Then through the course of events, they are transformed.  They emerge from the other side of their trauma as strong, powerful badasses.

Of course, they're tormented too: and we see that, generally through attractive moonlit brooding shots.  Maybe a spot of temper or the occasional bit of assholishness.  But in truth, their social interactions never seem to suffer too much.  They never seem to have trouble collecting friends and allies.

They'll have very aesthetically placed scars (always on the torso or the back.  To be properly showcased in a shirtless scene.  Never in the face.  Never in a way that damages their beauty, or makes physical movement difficult.)

They'll have flashbacks or nightmares, but we rarely see anything undignified.  We don't, for example, get to see them shouting or reacting to something that isn't there in a public or embarrassing way.  Hell, we don't generally even get to see them cry afterward.  We might get to see them breathe heavily, they may look pale and shaken.  But never unattractively so.

This is not to say that these characters aren't suffering.  But in a narrative sense, we get the sense that the trauma is...well...worth it.  It's turned these characters into beautiful monsters and every element of their trauma is presented for the audience's benefit.

Rip Hunter doesn't fall into either of these categories to me.  He's not a Ray Palmer or a Kara Danvers.  His trauma is a major part of the storyline.  It's very prominently featured and never forgotten.  He therefore is not a man who is cheerfully resilient through truly terrible experiences.

He's not an Oliver Queen or a Sara Lance either, though.  Rip didn't come out of his trauma a stronger, more powerful person.  In fact, by all accounts (the Time Masters, John Valor, Eobard Thawne), Rip appeared to have been considerably more formidable before he'd lost his family.

Rip's trauma didn't make him a badass.  It just broke him.

He's not a beautiful monster.  He's a broken, destroyed wreck of a man.

And his symptoms are far less attractive.  We don't generally see Rip come out of a flashback or a nightmare, pulling himself together with noble effort.  No, we see Rip crying brokenly, alone, in a corner of an empty cargo bay.  Or staring at a hologram, in his shirtsleeves, for a week at a time, inconveniencing and annoying his entire team.

Rip, like Oliver, has moments of temper, but when Rip lashes out, it's at people who aren't as patient or long-suffering as Oliver's friends.  And he gets immediate consequences for it.  (see: Marooned).  He will bend over backward to throw himself into the fire for his team, but at the same time, he doesn't seem to be remotely able to connect to them on any human level.  The man is wrapped up around lies and secrets, even with the people he trusts most.  And he could never be described as the heart or the inspirational figure of the team, even at his best.

We've never seen any scars on Rip.  I'd imagine he doesn't have any at all, despite the injuries we know he's suffered, because Gideon can heal pretty much anything.

So we never see Rip take off his shirt, showing impressive musculature adorned by scars to show us exactly what he's endured.  Actually, the only time we ever see Rip shirtless at all, it's while in that Sauna in Failsafe, in a scene where he's intended to look as defenseless and weak as possible.  (Though the subsequent fight scene does show that there is some musculature there after all.)  

You can ask any Rip fan about that scene, and even the ones who find him/Arthur Darvill very attractive do not talk positively about that scene.  Because it's not intended to be attractive.

Basically, everything about Rip's trauma showcases him as weak, unattractive, unlikeable, and even a burden at times.

And I often wonder if that isn't part of why Rip is so unpopular as a character.  Because, well, this is a wish-fulfillment type of genre.  And we admire people like Ray or Kara who can smile after the worst of their experiences.  We admire people like Oliver and Sara, who come out of hell stronger.  

Rip suffers in that comparison.  How can he not?  He’s a “wet blanket”.

But, at the same time, I think that's part of what makes Rip so compelling to me.  I look at Rip, the patterns, the flaws, the ugliness, and I feel like I recognize what I see.

In the midst of the comic book fantasy, I feel like Rip Hunter is a glimpse of something raw, visceral and REAL.

So, I'm invested.  Far more than I really ought to be.  And I find it very easy to become indignant on behalf of a character who is maligned for his humanity, while his complexities are ignored and diminished.

Rip's story, at its heart, will always be a story of survival and slow, painful healing.  And to me, it will always be the most compelling part of Legends of Tomorrow.

#rip hunter #legends of tomorrow

[briangroth27]

Supergirl Season 2 Review

Supergirl felt a lot more natural for The CW than CBS, so I was glad it made the move this season. While remaining on its own Earth, I'm glad the show has increased potential to cross over with the other Arrowverse now. I was sure the Invasion crossover would be a Crisis that blended Earths-1 and -38, and I'm glad I was wrong. This way, Supergirl can build its own world while still interacting with Earth-1. And the world building they did in Season 2 was great!

Full Spoilers…

Kara Danvers/Kara Zor-El/Supergirl Kara (Melissa Benoist) setting out at the beginning of the season to find out how to be "Kara Danvers" was perfect, given CatCo Kara was such a real, learned personality last year—not a mask like "Clark Kent" is, which I’ve long thought is a brilliant character choice—and it felt like the right time to develop that part of her life. Kara's reasons for wanting to be a reporter felt right to me, but unfortunately this arc ended up being underserved in the latter half of the season. It started strong, but I feel like the season lost direction for “Kara Danvers” along the way. Perhaps this was due the fact that the villains were driven by Supergirl’s influence on their children and the world moreso than anything Kara did at CatCo. Perhaps if Kara had been working to expose Cadmus or Rhea (Teri Hatcher) as an alien through journalism, that arc would’ve remained strong the entire year. That said, I loved that the season focused on Kara’s influence on others, specifically how her relationships with Lena Luthor (Katie McGrath) and Mon-El (Chris Wood) made them better people. The entire Super family is built on believing people can be better and inspiring them to do so, making this a solid theme to cover on Supergirl.

One part of being “Kara Danvers” that hasn’t been covered yet is the darker side of that prospect. Season 1 revealed that Jeremiah (Dean Cain) and Eliza Danvers (Helen Slater) essentially raised Kara to be a human first and a Kryptonian never, given the world already had Superman (Tyler Hoechlin) and they wanted her to walk under the radar. We got a taste of Kara not seeing the Danvers through rose-colored glasses when Jeremiah was working for Cadmus and Kara noticed something was wrong almost immediately. I’m not saying this came from retribution on her part—he is a father to her and the human conditioning wasn’t malicious—but I think there could be some resentment hidden under her surface that needs to be explored. I think we need to see more of Kara confronting her parents about raising her to be someone she’s not, and doing so this year would’ve been a strong parallel arc to Alex’s (Chyler Leigh) coming out story. Supergirl is closer to Kara’s origins than the woman the Danvers raised and has seemed like Kara's way of finding her true self and owning her power up until now. So, while “Supergirl is what I can do, Kara is who I am” is true—and Kara Danvers has been growing to be more assertive as she's gotten more comfortable being out with her powers/heritage as Supergirl—I feel like we've maybe missed seeing scenes where she started seeing CatCo Kara as her real self and Supergirl as just what she can do. Now that she’s gotten to team up with her more famous cousin and save him from Silver Kryptonite (in a fantastic fight!), I hope the hero worship has worn off so we can see Kara confront Clark about abandoning her with the Danvers. Alex brought up the fact that he ditched her this year, but Kara didn’t follow up on it. Coupled with the fact that Kara’s entire mission in coming to Earth was to protect and raise Kal-El, confronting him over the idea that he apparently couldn’t be bothered to return the favor would make for some great drama. I love it when the show balances Kara’s sunny optimism and hope with the fact that she’s faced real tragedy in her life—anytime she tries to talk with her mother’s AI (Laura Benanti) but is met with the computer’s inability to return any emotion is perfectly bittersweet—and I hope the writers continue to mine that drama in every aspect of Kara’s life. The reveal of what kind of man Zor-El (Robert Gant) really was worked against Kara’s memories of him, so I hope they continue to explore that as well. I don’t ever want the show to be as dark as Arrow, but a Flash-like balance of lightness tinged with tragedy would be ideal. I think they’re moving in that direction this season compared to last, so I’m hopeful they’ll explore these drama-rich story threads. Benoist is perfect as Kara and I’d love to see what she can do with personal conflicts like these!

In the move to The CW, some plotlines and characters were quickly shuffled away or undone outright, the biggest being Kara and James’ (Mehcad Brooks) relationship fizzling within the first hours of Season 2. I liked James and Kara’s budding romance in Season 1 and I shipped that relationship back then, but wasn’t heartbroken that they didn’t work out here. I’m glad they were both adults about it, respected each other, and remained friends, but I think that romance’s screentime in the first season deserved a longer fizzle, even if the relationship wasn’t going to last. Trying to make it work despite the dawning realization that they didn’t fit together would’ve paid off the investment Kara, James, and the fans put in last season, and it would’ve played into the realities of being human as Kara tries to “have it all” and realizes the parts don’t always fit together correctly: it’s completely realistic that even though something feels right, it doesn’t work for whatever reason. Maybe James’ secret life as Guardian and possible feelings of inadequacy over not doing as much good as Clark and Kara could’ve also driven their relationship to an early end, since he kept it a secret from Kara. Whatever would’ve finally ended the Kara/James relationship, we should’ve seen why it fell apart in more detail. If nothing else, I can safely say I truly believe James wanted nothing but the best for Kara, even if that wasn’t him.

The far more divisive relationship, Kara and Mon-El, started strong with her teaching him to be a better person and him revealing some uglier prejudices in Kara. I loved that the writers refused to make her hatred of Daxamites a one-and-done issue; instead, it was clearly something she struggled with every day. I didn’t want them to date from day one, but I admit that things like them playing Monopoly, their fun training sessions, and their good chemistry made the idea grow on me. I just didn’t think Kara needed a relationship with her trying so hard to figure out how to balance her Kara and Supergirl lives. I liked that she was struggling to be a reporter and to find out who “Kara Danvers” could be, and she never needed a guy for that. It also didn’t help that Mon-El was so tied to her alien self, which necessarily pulled focus from her Kara Danvers side for the vast majority of his appearances. I believe everyone can improve, and I absolutely believe he genuinely did try to be a better person, so I didn’t have a huge issue with them dating; I just wish they’d kept focus on the rest of her life too. That said, I was pleasantly surprised she asked Mon-El point-blank if he had feelings for her and even more surprised the writers almost never let Kara let Mon-El get away with the problems he brought to their relationship. Every single time—except once, post-breakup—she called him on his crap and he was forced to better himself. Mon-El was legitimately a possessive and jealous jerk at first, and while Kara looks for the best in people and believed he could be a better person—so she probably gave him more slack than a lot of people would have—she always stood up for herself and didn’t lower her standards or feel like a pushover. I really liked that, so I was disappointed when their breakup ended so abruptly with the musical crossover with Flash. Unlike Barry (Grant Gustin) and Iris’ (Candice Patton) breakup, Kara and Mon-El’s didn’t feel like a mistake, but like Kara had finally reached the limit of her patience and wouldn’t put up with his issues anymore. His silent admission that he might not have ever told her the truth about being the Prince of Daxam should’ve been the final nail in the coffin, so a magic declaration of love from him (literally the next day in our time, even if it was longer for them) shouldn’t have changed her mind. She did make a comment about dropping a mountain on Mon-El if he lied again, but I felt like there needed to be a bigger conversation between them in the wake of their breakup instead of a quick scene in the next episode where it seemed like him super-loving her and making her a big breakfast made up for everything. It’s one thing for her to have hope in his potential, but another thing entirely to expect her to keep dating him while he continues screwing up in increasingly bad ways. It’s a shame that got swept under the rug so fast, presumably so the drama with Mon-El’s parents wanting to take him away would be bigger. I would’ve liked a twist in “Duet” where the reality of the non-musical world hit Kara and Mon-El to show that the Music Meister might be wrong on this count (a suggestion I liked from Twitter was that Alex’s sisterly love for Kara could’ve been just as strong as Barry and Iris’ romantic love). As much as I was won over by their chemistry, I wouldn’t mind if Mon-El’s banishment prevented him and Kara from getting back together for a long time, if ever. I’m not sold on Mon-El as Kara’s endgame relationship at all (to Benoist and Wood’s credit, though, they made me feel the sadness of his banishment in the finale); it feels too early in the series for that and I’d like to see her date Brainiac 5 or someone else. If Mon-El changes on his journey, we’ll see if that will change my mind on whether I’m reinvested in a future for Kara with him.

One other thing I thought would’ve improved the Kara/Mon-El relationship is the two of them sharing their cultures with each other. Not only would it have been an excellent opportunity for Kara to re-embrace her Kryptonian culture (something I’ve wanted from day one), but it would’ve paralleled real-life relationship culture clashes perfectly to see him wanting to have Daxamite holidays and her preferring to celebrate the Kryptonian way. Those could’ve been fun, relatable speed bumps in their relationship that didn’t rely on Mon-El being a work in progress and would’ve gone a long way to show that—with some shared culture between these neighboring races—there were bigger reasons Kara felt a stronger connection with Mon-El (another member of an endangered species) than James or anyone else she’d dated so far. Seeing more of what Kara lost would also help connect Rhea’s crusade to Kara, giving us a greater instinctive understanding of what the villain was trying to recapture, since we would’ve seen Kara trying to reestablish that for herself throughout the year. It also would’ve connected Kara more strongly to Lillian Luthor’s (Brenda Strong) quest to preserve Earth culture in the face of the alien immigrants.

Like her issues with Daxamites, I loved that Kara’s growing proficiency as a journalist was a hard road to travel. It would’ve been so easy to paint Snapper Carr (Ian Gomez) as irrationally angry like J. Jonah Jameson can be sometimes and allow Kara to ignore his rules and impress him with her moxie or something, but making him right almost every time forced her to grow, just like Mon-El truly wanting to be better forced her to reevaluate her thoughts on Daxamites. For example, even if she knew she was right about a story, there were still journalistic standards she had to abide by. It was also really smart to take Cat’s (Calista Flockhart) offer of any job Kara wanted and turn it around on her as a sign of unearned privilege. I wanted to see more of Kara learning how to be a journalist—I’d even hoped Iris would give her a few pointers in either crossover—and I feel like this was the plot that dropped the ball most this season. While her job as a reporter allowed for some classic superhero undercover work, like visiting Alex and Maggie at a crime scene for a story, it felt like this plot fell to the wayside too often. I don’t know why Kara didn’t continue to work as a blogger after getting fired for posting a story despite Snapper’s dismissal of it. The one time we saw her do just that, it was several episodes later and she got her job at CatCo back for it. In the meantime, I grew very tired of her just hanging out at her apartment with Mon-El instead of doing stories for her blog or even just looking for work (a single line about Snapper blackballing her would’ve been enough to solve that issue, at least). Kara even had a line about being happy she didn’t have a job because she could spend more time with Mon-El, and while I don’t think it was meant to be taken that she’d given up on work altogether—it played mostly like she was reaching to find the positive in the situation—this was about the time that he started to feel like he was holding her back instead of supporting her.

Kara’s Supergirl side fared much better this year. Lines like “It’s hope; how could it be false?” were the perfect encapsulation of what she stands for (along with incorporating her new motto, “Hope, Help, and Compassion for All”). There were several classic Super moments over the course of the season, including Kara “Doubtfiring” as both Supergirl and Kara Danvers at one of Lena Luthor’s events (though I would’ve liked an explanation for why J’onn (David Harewood) couldn’t double her again), Supergirl pulling off huge saves like rescuing a train and stopping a space ship from taking off, entertaining excuses like “Supergirl was getting coffee with Kara,” and fun investigative moments with Mon-El that reminded me of Clark and Lois’ interaction on Smallville and Lois & Clark. Bits like Kara standing up to alien guards without her powers were awesome and I’m always up for seeing Kara use her brain to defeat villains like Mxyzptlk (Peter Gadiot) over her fists. On that note, I feel like both this and (to a lesser extent) Flash have a tendency to make Kara and Barry just the muscle, if only so the rest of their teams have things to contribute (Kara's not really even the leader of her team, J'onn is). That's something I'd like to see remedied in both their upcoming seasons. Perhaps an arc towards leadership is part of Kara’s series-long growth, because we definitely saw her gain confidence this season when it came to her superheroics. Kara telling Wild Dog (Rick Gonzalez) she and Barry “feel like we help the world because we do” could’ve easily come off as pompous, but Benoist played it like hard-won confidence instead. That was a nice moment for her, considering how she spent most of Season 1 defending her effectiveness against what everyone thought of Superman; she’s clearly taking none of that anymore. I also wish more heroes would respond like this when confronted with allegations that they’re causing the problems they’re trying to stop. I liked that Kara came off the crossover feeling she should be doing more than just saving cash and jewels from common thugs; that felt real after getting a taste of larger threats. I loved how much focus they put on the effect Kara/Supergirl had on others: perhaps her greatest power, next to her compassion, is her ability to change hearts and minds and inspire people, so it's good to see the show didn't forget to include that…or villainous reactions to it.

Kara being so eager to jump in and help Barry without hesitation was perfect; I love their friendship and I hope we get many more crossovers (or even a CW Seed show like this). The two of them tag-teaming Cyber-woman (Erica Luttrell) and high-fiving was so fun, and their musical crossover was even better! Benoist and Gustin have excellent chemistry, so any time the two of them get to be super friends it’s a delight. On the other hand, I thought Kara’s frustration at Guardian picking up her scraps felt slightly out of place after the massive team-up of the Crossover, but I assumed that not knowing who he was after all this time was actually bothering her more. I loved her confrontations with James when she finally found out: they were very well-written and mature. I do wish he’d invoked Alex and the rest of the DEO as heroes who don’t have powers either, to which she could’ve responded that they’re extensively trained and he isn’t. That just felt like an exchange that could’ve fleshed out both their arguments a bit. I was glad the show took Kara’s side by having Guardian and Mon-El still need her help when Livewire (Laura Prudom) returned; Mon-El was too green and Guardian routinely takes severe beatings as it is, so they shouldn’t have been able to overcome villains with the power levels Kara usually faces. I’m glad Kara and James later came to a better understanding about his need to be Guardian; I thought that whole arc played out very well. I’d still like to see more from the lives of the other heroes Kara works with—the DEO agents—but I’m glad we finally got an official answer as to why Kara only sometimes wears her CatCo disguise at the DEO this year. I’d assumed it was an open secret, but it was nice to have it confirmed as common knowledge within the organization. I’d also like to see Kara take on a bigger leadership role with the DEO or at least as a superhero; moments like the first part of the season finale felt like she took a backseat to everyone else’s plans to deal with the Daxamites.

The aspect of Kara’s Supergirl life that didn’t feel like it got the attention it deserved was her willingness to kill or go along with plans that included killing enemies. Parasite (William Mapother) was her first kill, I believe, but the aftermath dealt with her being proud of Mon-El for being a hero, not the fact that she’d just killed a guy (even considering she warned him to stand down and he continued charging). I’m glad they didn’t try to justify it by saying “he’s not human anymore” (neither is she and aliens have been humanized on the show, so that excuse should never fly), but saying nothing didn’t feel right either and I think that should’ve been dealt with, particularly as she insisted they not kill Mxyzptlk in the very episode where he temporarily brought Parasite back to life. Kara was on board with at least seriously injuring the Dominators and outright killing any Daxamite who couldn’t get off Earth in time with the lead bomb, so the latter instance especially was another missed opportunity to clarify Kara’s morals. While Lillian could’ve brought up breaking the no-kill rule when she mentioned Kara’s politics in the finale (and Kara trying to peacefully persuade Rhea to stand down was a strong moment), I would’ve liked a scene where Kara’s adoration of President Marsdin (Lynda Carter) didn’t stop her from speaking against the plan to commit genocide. There’s also a dark grey area where Kara setting off the lead bomb lead to Rhea’s death, but it was Mon-El who refused to help her escape with the rest of the Daxamites. I do think Kara kicking all the Daxamites off the planet was a stronger moment than Lillian betraying everyone like I thought she would, but they absolutely need to dig into Kara having a hand in Rhea’s death next season. I think Kara and Barry should be heroes who don’t kill ever—they should always find the impossible solution no one else can think of—but if they’re going to, they absolutely need to deal with it. Perhaps they are, and Kara flying into the atmosphere in the final moments (and pushing back her human side in Season 3) is their spin on the Superman “Exile” storyline from the comics.

Alex Danvers I loved Alex’s story this year, with her coming to terms with her sexuality and building a healthy relationship with Maggie Sawyer (Floriana Lima). That was a well-crafted and solidly paced relationship that felt real—the best-written subplot of the season—and I’m very anxious to see if it will survive Maggie not being a series regular next year. Chyler Leigh’s portrayal of Alex’s coming out was excellent and immediately had me invested in them making it work. I was just as thrown as Alex was when Maggie initially shot her down and it was great to see Alex so happy with Maggie once they worked things out! I loved that this arc also brought Kara and Alex closer and paralleled Kara living with her secret, even if they didn’t dig into Kara’s side as much as I feel they could have. I’d missed those Danvers sisters couch moments, so it was nice to see them return. When Jeremiah came back working for Cadmus, both Benoist and Leigh were excellent at running the full gamut of emotions as the two sisters found themselves on opposite sides!

Alex was consistently awesome when it came to action sequences, like taking down Cadmus’ facility and keeping herself alive after being kidnapped. Creating a life jacket out of her pants was nothing short of brilliant! It’s no surprise that both Alex and Maggie were total badasses in the Daxamite siege, but that Alex/Kara “Meet me outside!” extraction from the compromised DEO was nothing short of spectacular! I do wish Alex could’ve taken part in the crossovers; I’d love to see her reaction to the Earth-1 heroes and ARGUS and she absolutely should’ve been a part of breaking Kara out of the Music Meister’s induced coma. That she wasn’t at least there to stay with Kara felt very wrong. I’d also like to see how Alex relates to the DEO agents besides J’onn and Winn (which was a fun, unexpected bit of chemistry), even if they’re just small moments. As second-in-command, she should know most if not all of them and it’d be fun to get glimpses into any friendships she may have at work.

J’onn J’onzz/Martian Manhunter I’m a fan of the calm, composed presence Harewood brings to J’onn and the fatherly relationship he has with Kara and Alex. That said, giving him some friction with characters who aren’t White Martians was a good change of pace. I liked J’onn’s established history with Clark and their problems over J’onn keeping a cache of Kryptonite, but at the end of the season’s first two episodes their issue was resolved too easily. Even though the tension was mostly external to the two of them—Superman was worried the order to use the Kryptonite against himself or Kara would come from J’onn’s superiors even if he knew the Martian wouldn’t use it himself—it seemed like it had existed for years, so just handing the Kryptonite back to Superman to resolve it felt a little underwhelming. I thought J’onn’s relationship with M’gann M’orzz (Sharon Leal) was much better developed, even if it didn’t go where I thought it would. J’onn’s relief and excitement over meeting another surviving Green Martian was palpable and it was nice to see him so thrown and hopeful at the same time. I’d expected something like Young Justice’s younger take on Miss Martian, so seeing her and J’onn start dating was a shock that I thought worked well regardless of my expectations. That whole arc gave J’onn some solid growth—his learning to trust a White Martian nicely paralleled Kara learning to trust a Daxamite—and I really hope she comes back often in Season 3.

J’onn made a comment this year about Kara helping him to accept himself, which was a nice touch, but I really wish we’d seen more of that either this year or last. That could’ve been a cool counterpoint to Kara digging into Kara Danvers this year, to Alex dealing with her sexuality, and to Kara helping Mon-El to acclimate to Earth. My least favorite J’onn moment this year also involved Kara, when he told Mon-El to keep her under control and safe; in no world would that need to happen. That felt way out of character, even for a protective father figure like J’onn. I really enjoy J’onn’s easy friendship and rapport with Jeremiah, so it was a shame for things to go the way they did when Jeremiah turned on everyone to protect his daughters from Cadmus. I thought his motives seemed more sinister than that explanation, but I hope he and J’onn can repair this rift. I would’ve liked to see a similar rift explored further between J’onn and Alex when he impersonated Jeremiah to test her loyalty. The pull between her two “dads” could’ve made for some interesting drama. It also would’ve been nice to see when Alex and J’onn got back to running the DEO. Even though their search for Jeremiah was cut short last year, there was a slightly awkward jump from Lucy Lane (Jenna Dewan Tatum) running things to them taking over again. I assume Lucy is still running the DEO’s cave bunker, but some mention of her current status would’ve been nice.

Lena Luthor Katie McGrath seemed to have a blast playing Lena and she got some great lines, like "That's the difference between us: I've never stood behind a man" and responding to "I'm a black belt” with “I'm a Luthor!” I really liked McGrath as Lex Luthor’s sister and I loved that Kara found real friendship with her. It was cool that Kara talking to and trusting this Luthor made things turn out differently than between Clark and Lex. I feel like Superman might unintentionally come off as high and mighty whereas Supergirl doesn’t, so simply talking and listening may have made all the difference here (to say nothing of the fact that Lena has a much smaller ego than Lex). I certainly hope Kara and Lena’s friendship continues, and that Kara’s trust in her is justified. Lena’s a great improvement over Max Lord (Peter Facinelli) and I liked that she was genuinely trying to redeem the Luthor name, though the show was smart about playing her intentions close to the vest early on, like when she set a trap for a gang of thieves when it seemed like she was setting one for Kara. It was funny to me how closely Lena’s history and the Luthor vibe in general paralleled Tess’ (Cassidy Freeman) past and the Luthors (Michael Rosenbaum, John Glover) on Smallville, as did James telling Kara that Clark and Lex used to be best friends. The Luthor mansion even looked like it could’ve been a room from the Smallville mansion. I loved Smallville, so stylistic shout outs like that and Lillian getting her name from that show made me smile.

I wonder what Lena will get up to now that she knows she’s the only one who can access Lex’s bunkers assuming he has others). There was a scene with a chess board that seemed to imply she thought of Supergirl as “her” knight, and I wonder if that will come to mean more than “Supergirl’s in my corner.” I don’t want her to follow Lex’s path, though. I liked that Rhea used Lena’s need for a positive parental figure to win her over and that was a smart plot connection between the season’s two villains, even if Rhea and Lillian didn’t get to meet face to face. I was also impressed Lena so quickly uncovered Rhea’s real identity and kicked her out. After being kidnapped and almost forced to marry Mon-El, Lena casually strolling down an alien hallway while he struggled to take out a Daxamite guard was funny, as was hacking a computer terminal with her tiara. Since Lena knows Mon-El is an alien and has met him as “Mike,” she has to at least strongly suspect Kara is Supergirl, right? I liked Lillian’s reasoning for not telling Lena about Kara, but I don’t think Lena will have the negative reaction her mother is hoping for.

James Olsen/Guardian I thought getting to run CatCo was a nice extension of James trying to do more than photography last season, but this plot was far too rushed and ignored in favor of Guardian to really work. They should’ve spent more time with James learning the ropes at CatCo before switching to trying to be a vigilante upon realizing he still doesn’t feel like he’s doing enough. Even if he totally failed at running the place, they should’ve stuck with the plot (which also could’ve opened avenues for Kara to spend more time there). Snapper’s curt reactions to how James wanted to run things worked just as well as they did for Kara (for as long as they lasted, anyway): again, he was in the right and James had to learn from him. 

Despite rushing through the CatCo business to get to it, I think Guardian’s the strongest material James has had on the show so far. I didn't think I'd be down with Olsen trying to be a vigilante, but Brooks’ acting and the writing in scenes where he had to justify himself to Winn (Jeremy Jordan) and Kara brought me around. I thought tying so much of his vigilantism to his father’s camera was a little heavy-handed, but I liked the idea behind honoring his dad. It also makes sense that he'd want to do more when all his best pals are superheroes. James' insecurities over people's love of the Supers vs. their fear of him played really well into classic Jimmy's persona and subtly reflected the double standards real-life society puts on white and black criminals (routinely showing black kids' mugshots and white kids' graduation or Facebook Profile pictures on the news, for example). I don’t think the people of National City were scared of him because he's black of course, but I do think there was a parallel to that in there. On a general superhero level, this was a really effective way of displaying why Kara and unmasked heroes inspire trust and hope while angry masked vigilantes don't; disputing the effectiveness of Batman (at least in a place like National City) without actually needing Batman. It was also cool that Guardian got to touch on the importance of representation in our superheroes, since Marcus (Lonnie Chavis) would only open up to James because he saw something familiar in him. I’m interested to see where they’ll take Guardian, but I’d like them to balance that with James at CatCo so he can interact with people as a reporter (or similar position) again; he seemed to miss just talking to people and hearing/telling their stories.

Winn Schott Winn working with the DEO is exactly what I was hoping for from his character and I'm glad they did it. He makes so much more sense there than at CatCo. I would've liked to see his official recruitment, but ultimately that didn’t matter. And who knew Alex and Winn would have such great chemistry? Winn’s interactions with James were also very well done; Winn yelling at James to cool his jets until the Guardian suit was complete was his second-best moment on the series (the first was everything involving his father last year). Winn’s concern for his friend was palpable and raw, and I’m glad that the Guardian plot brought these moments out for both of them. It was also a plus that they weren’t stuck in a love triangle again, since that defined their characters so much in Season 1.

Working with the DEO seems like it made Winn grow up a lot and I was impressed. His dating advice to Mon-El was actually really good. I’m glad that his almost childlike wonder didn’t go away with his newfound maturity either; his reaction to meeting Superman was perfect (as was Clark’s simple kindness in the face of that fanboy love), and there was such love in his eyes when Mon-El came to save him while quoting Star Wars. After hating him and his toxic crush on Kara last year, I’d say Winn is easily the most-improved character this season.

Mon-El At first, I thought Mon-El was the weakest link of the season, since Cadmus was more compelling and the reaction he provoked in Kara—her struggle with her anti-Daxamite prejudice—was more interesting than he was as a character. His adjustments to Earth culture were fun and it was nice to see Kara give mentoring a go, since that’s why she was sent here, but I didn’t want them to date (even seeing the Romeo/Juliet plot coming with Krypton and Daxam). I felt their chemistry felt more like an older sister/younger brother at first but it changed over the course of the season and their cuter moments won me over. I was surprised he was so shy about remembering their first kiss, but maybe not just announcing it and demanding what he wanted was one of the first signs that he really was changing. It’s worth noting that Kara was right about him becoming a better person: his honesty about being so possessive on Daxam being the “easier” path meant he’s genuinely trying not to be that person anymore. I absolutely disagree with a large section of the internet’s assessment that he was abusive to Kara; certainly not physically, he wasn’t emotionally manipulative, and she never let him get away with anything in their relationship (until “Duet,” which I’ve already stated was a problem, but I don’t think it was abuse). Even though I ultimately enjoyed their chemistry and relationship (minus the post-musical reunion and him potentially holding her back job-wise), I would’ve been fine with Mon-El going off to build a better Daxam. If M’gann can go help her people find a better way, why not him? He’d be fulfilling what Kara saw in him and had been nurturing all season. However, a permanent ban from the planet does make for more drama and it didn’t seem like the Daxamite army was going to listen to a kinder, gentler Mon-El anyway. According to the comics, he has a much bigger destiny in store, so it’ll be cool that Supergirl’s influence on him might essentially create the Legion of Superheroes on this Earth.

Maggie Sawyer I liked Maggie a lot; admittedly I don’t know much about the character in the comics, but Lima brought just the right mix of street smarts, compassion, and boldness to the role. She and Chyler Leigh also had great chemistry and I liked that Alex helped Maggie to open up again. I hope she returns early and often next season. I also hope she says yes to Alex’s proposal, but not answering and leaving it on a cliffhanger made me feel like maybe she won’t want to make that commitment. That’d be sad; it’s clear she loves Maggie and I can’t imagine why she’d say no. We’ll get to meet Maggie’s dad this year, so I can’t see how that affects her relationship with Alex. Regardless, it’ll be really good to dig into her personal life a bit more.

Beyond a stellar arc with Alex, the other invaluable thing Maggie brought to the show was the woman on the street perspective. Outside of people like Cat Grant and Max Lord commenting on Supergirl last season, we didn’t really get an in-depth look at what the citizens thought about Kara’s alter-ego. Even CatCo’s employees and Kara’s fellow DEO agents seem detached in this area and don’t really seem to have opinions (something I’d like to see remedied), but Maggie brought all that to the show and into Kara’s face. I loved that she introduced a “how legal are Supergirl’s arrests?” question and I hope they continue to explore things like that. Supergirl swooping in and stopping a hostage situation Sawyer and the National City PD had been working on for hours—frustrating Maggie—was another great point of conflict. Questions about the best use of superheroes’ time—should they just stick to fighting supervillains or should they handle street-level crime that’s beneath their powerset?—aren’t often asked in movies and TV, and I hope that Maggie continues to bring these questions up. The question of how much Kara should be helping National City before she stunts its growth is a fascinating one, and Maggie is just the person to ask it.

I also liked Maggie and Kara clashing over the best way to save Alex when she was kidnapped and their eventual bond from the experience. It was cool that they learned from each other’s opinions on how to deal with the situation, and to see each of their struggles with breaking the law to rescue Alex. I did wish Maggie hadn’t bashed Kara’s glasses disguise, though. That’s something the show should lean into instead of calling it out as pointless; even having Maggie say something as simple as “once you know, it’s kinda obvious” would’ve been enough.

M’gann M’orzz/Miss Martian I was stoked for Miss Martian to appear on the show ahead of the season—she’s been one of my favorites since Young Justice introduced her to me—and Sharon Leal didn’t disappoint. She played the crushing guilt of being part of a race that tried to cleanse Mars of Green Martians (even if she herself didn’t want to participate in the slaughter) very well, to the extent that I think she was trying to goad J’onn into killing her when she served him up to Roulette (Dichen Lachman). That sort of pain and guilt was something I hadn’t seen in the character to this extent before and I was glad Supergirl dug into it. That she literally got trapped in a coma by her guilt, necessitating J’onn to go in and rescue her, was a brilliant way heal the rift between them and to externalize her turmoil (ironically by internalizing her psyche).

I was hoping Miss Martian would play a larger role this season, particularly that she and Kara could become close friends and bond over being aliens with powers on this planet. I’d still like to see that in the future; they’ve got so much in common yet are such opposites that it’d be a great friendship to explore. I was sorry to see M’gann head back to Mars, but I love the idea that she’s going to try and lead her people on a better path. I do think they laid it on a little thick about J’onn inspiring her to be a hero, though. She’d turned on her people to try and save Green Martians from death 300 years before she even met him! He inspired her to stop running and feeling guilty, sure, but she was a hero long before that. I can’t wait to see what she’s like after her mission is fully complete and I’m glad it has hope in people at its core; Kara would be proud! Her return in the finale with an army of reformed White Martians was a great surprise and an awesome sign that her mission isn’t hopeless!

Lillian Luthor I was surprised the cool, calculating, evil mad scientist leading Cadmus was Lena’s mom, but that was an awesome twist! Her mistrust of aliens makes so much sense when you consider she’s basically echoing what Lex is always spouting about Superman; he must’ve gotten it from her. Like the rest of the Luthor presence on this show, Lillian and Lena’s relationship felt right out of Smallville’s Luthor playbook, and that’s a great place to go for inspiration IMO. Her skewed view of Lex’s downfall was perfect and I really liked all her plans with Cadmus this season. I wasn't expecting telepathic murders and it was cool to see Cadmus using alien tech! Bringing her back to team up with Kara and the DEO against the Daxamites made perfect sense and I loved that Kara’s very existence was so against Lillian’s views. Not only did she represent the alien menace, but Kara “corrupted” her daughter away from the Luthor way of doing things, making Lillian’s vendetta against Kara both personal and philosophical. Brought to life by a perfectly evil performance from Brenda Strong, Lillian and Cadmus might be my favorite Supergirl villains so far.

Queen Rhea I definitely didn’t expect Teri Hatcher to be playing an alien here, but she was great and felt totally natural as a ruthless queen! Rhea worked really well as a parallel to Lillian—she was trying to protect her race and ended up “losing” her child to Kara’s influence—and as a good villain in general. I liked that Cadmus attacked what Kara is and her right to be here, while Rhea attacked who she is (both as a Kryptonian and a hero defending Earth) and both of them clashed with what Kara inspired in others. Positioning Kara between two women who believe in their planet before all others was a great idea, as was making it personal because they saw Kara as “poisoning” their children and turning them against them. I loved the revelation that Daxam was a party planet for the express purpose of keeping its population stupid and easily manipulated. Her plan to set Mon-El up as a “new” kind of leader while actually embracing the same old systems also felt like a clever spin on modern politics. I had a feeling Rhea would kill her husband (Kevin Sorbo), but I didn’t expect her reaction to Mon-El turning his back on them to include a trip in a cage back to New Daxam. I liked that for how similar she was to Lillian, Rhea was even more horrible when it came to her child disobeying her wishes. I also liked that Rhea seemed to genuinely respect Lena at least a bit; that added a layer to their interaction even if Rhea was also totally using Lena for her technology and as a symbolic sign of the union between Daxam and Earth. I expected her to have a secret army, but I didn’t expect so many ships! The invasion was a great step up from the Kryptonian attacks last year and while I would’ve liked Kara to use more ranged attacks like heat vision and ice breath in her final fight with Rhea (particularly after Rhea revealed her Kryptonite-laced blood), the season came to a very satisfying conclusion. I was hoping Rhea would survive the season and I was sorry to see her go. I also really wish they’d found a way to reunite Hatcher with Dean Cain on screen.

Cat Grant I missed the Cat/Kara mentoring scenes from Season 1, caused by Flockhart's reduced role due to the production’s move to Vancouver, but it was also good to shake up that area of Kara's life even more. Snapper challenged Kara in ways Cat never did, so losing Cat’s support at CatCo—particularly with James also distracted by his Guardian duties—was good for Kara. That said, Cat’s return in the final two episodes of the season was very welcome and I loved bits like her conversation with Kara outside the bar. Telling Kara what she’d learned about the secret to happiness—it’s human connection, so wanting to rescue the people she loved wasn’t selfish, it’s everything—was a great moment. Cat’s interactions with Winn and James at the DEO were great, particularly her recognizing James’ eyes through the slits in his mask. Her constantly hitting on Clark is fun too. Cat’s diffusion of the Marsdin/Rhea standoff felt a little cheesier; I liked the intent, but it felt like it went on for too long and I’m glad Rhea didn’t go for it. I will say that was one of several moments this season where I was acutely aware that there was no one but powerful women on screen, and that was an awesome realization! I wonder if Cat knows Clark is Superman, because she finally revealed that she knows Kara is Supergirl (to us, anyway). I didn’t need her to know, but I’m glad that question has finally been answered. I liked her parting advice and pep talk for Kara, and I definitely appreciated that it was a fire that pulled Kara away: she committed to her Kara Danvers persona by ignoring a fire when she was first hired by Cat, and now she’s fully embraced her role as Supergirl (and, from what we know of Season 3, she’s actively pushing away her human side).

Superman I like this version of Superman a lot. It was definitely time for us to meet him and he didn’t disappoint! Asking Kara to tell him about Krypton at the end of his second episode was a great touch; the fact that she knew things about Krypton that he didn’t was one of the areas Smallville failed to cover when they introduced Supergirl. I just wish we’d gotten to see that conversation. I also felt like they did an excellent job of showing Superman was the more seasoned superhero without making Kara look inept. Both onscreen and off, Hoechlin made a point to be clear that it was Supergirl’s show, and that definitely translated into his generous performance as Superman. Beyond that, from the superheroics to Kara’s frustration with everyone fawning over Superman (and Clark), his team-ups with Kara were simply fun. He also shared some great insight with her and I hope he gets to return next season. I thought for sure the WB wouldn’t let Supergirl use him much due to the Justice League movies—I even thought he’d die in the crossover if it were a Crisis—and I’m extremely happy to be wrong.

Eliza and Jeremiah Danvers It was good to see Eliza back and doing science with the DEO this year! I’d like to see her become a recurring consultant for the agency. Eliza telling Jeremiah that they needed “to learn each other again” when he suddenly reappeared was a brilliantly realistic way of handling his absence that totally took me by surprise. I’m sorry we didn’t get to see that this year and hope we do next year, even if it doesn’t end up working out.

Dean Cain should be on the show more often! I liked that they let him play some darker shades of Jeremiah this year and he did it well. I knew something was fishy the way Kara and Mon-El left Jeremiah in a hail of bullets that didn’t seem to be hurting him during their escape from Cadmus. I didn't expect him to be a cyborg upon his return, but I liked it. I was honestly surprised Jeremiah really was fully coerced to help Cadmus, since he’d seemed darker in the previous episode. I was sorry to see Jeremiah shuffled off into captivity again after the attempted alien exodus plot and I hope he comes back soon. His relationships with Kara, Alex, Eliza, and J’onn are still full of potential drama that could and should be mined in the near future.

President Marsdin Lynda Carter was good as President Marsdin and I liked the callbacks to her time as Wonder Woman ("You should see my other jet" and Kara putting out a fire by spinning). I loved that Kara was such a fangirl of her character, though like I said earlier, I wish they’d let Kara overcome that when it came time to plan the attack on the Daxamites. That said, I liked her motives for taking quick action; this is maybe the first time I’ve seen a "shoot first and kill them all" President's motives that didn’t play like they were evil and corrupt. I'm not sure I like that she's secretly an alien, though. It may’ve been a stronger arc if everyone knew she were an alien but not everyone was ready for an alien president (they’d have to say she was born on Earth, of course). I also feel like her pro-alien stance would mean more if she weren't an alien herself; aren’t all of her pro-alien policies going to be criticized as self-serving rather than truly progressive if she’s ever discovered? …Though that could also easily parallel backlash to President Obama, Hillary Clinton, and any other progressive politicians and policies that try to create equality instead of continuing to support systemic oppression of anyone who isn’t white, straight, and male. I wonder if she’ll be impeached if/when the general public finds out she's not human; that seems like a powder keg that has to go off. Could it be big enough to start a civil war?

Other Allies Meeting Zor-El was overdue and having him create Medusa was a smart twist. I hope he continues to appear, because we haven’t seen much of Kara missing her birth father yet. It was great to see Vasquez (Briana Venskus) back at the DEO; I’d still love an episode focused on her and other DEO agents to see how they view Supergirl and other heroes. Are they like Maggie, and think it’s annoying that the Supers swoop in to take the glory they’ve worked hard for? Are they bitter that she sometimes isn’t in as much danger as they are? The addition of Eve Tessmacher (Andrea Brooks) as Cat and James’ assistant was a fun shout-out to the Superman movies. I’d like to see her get some more depth, but I was glad that even though she was into “Mike,” she didn’t fight Kara over Mon-El. That was a smart move on the writers’ parts. “Clark’s friend” who projects fear and uses gadgets has got to be Batman, right? There were at least three references to him on the show this season. When can we get a Kara and Barbara Gordon/Batgirl team-up?

I initially thought Lyra (Tamzin Merchant) was a bounty hunter sent to capture Mon-El, then I thought they might be setting up a discrimination subplot about humans and aliens dating (I was looking for a larger use for her character beyond just dating Winn). I didn’t expect Cadmus to be trying to force her and all the other aliens off the planet! I wasn’t too invested in her pulling heists to save her brother—I think I’ve seen enough of Winn being in sad romances—but I was glad she turned out to be good in the end. Lyra getting angry at Winn when he told her she couldn’t fight crime with him and Guardian because she was too violent felt like it should’ve been more of a problem for James taking on a partner rather than leveraging her relationship with Winn for drama, so that wasn’t very successful in my eyes either. Any character can improve, so I’d be willing to see where they take her next year if they bring her back. Brian (Josh Hallem) the alien snitch is also a fun recurring character I wouldn’t mind seeing more of. I enjoy how easily he can bridge Maggie’s down-to-Earth police side, the DEO, and Supergirl’s more superhero-oriented worlds.

Other Villains Harewood may not like playing Hank Henshaw, but I think he’s entertaining. I do agree that the cybernetic eyepiece looks a little cheesy, but not too bad. I’d like to see more of Henshaw on his own and forming his own plots, though. I’ve long wanted to see Metallo explore the loss of humanity he felt on Superman: The Animated Series, but with John Corben (Frederick Schmidt) dead here and cybernetic body parts in great abundance, perhaps Henshaw could take that on instead. He’s got Metallo’s evil cyborg role down already and also has a personal vendetta/connection to J’onn. There’s definitely territory to explore with why he sees himself as an equal to Superman and his hatred of aliens. Perhaps he thinks cybernetic enhancements are the only way to keep up with the growing alien presence on Earth. Whatever the case, I’d love an episode devoted to exploring him.

I liked this version of John Corben. His origins mirrored the Animated Series well and he was fun cannon fodder. I liked Metallo's return and enjoyed the run-up to his "death"—who knows if he's really gone—but since they established that anyone can be a Metallo, I don't think he was as much of a case of missed potential as I did Parasite. I liked the vast majority of what they did with Parasite, with the exception of his death. Beyond the issues with Kara killing him (I wish they'd at least tried to contain him somehow), I think there was more to explore with Rudy Jones: the use/misuse of power could have more directly tied into Mon-El's arc and stealing power versus using it selflessly like Kara does would’ve been an interesting contrast. At least this Parasite was a member of an alien race, so they can always have another worm show up (the Thing homage was pretty cool!). Perhaps bits of him survived and infected the bystanders when he “died,” creating the other Parasites from the comics. At first I thought the climate change angle was a little weak (if timely), but then I realized it paralleled Kara's attempts to save the world. I also love that we got a full-on purple monster version of Parasite here!

The use of Livewire this season totally surprised me; I thought she was able to give her power to minions and didn't expect her to be the victim. That was a great twist! Kara's very-Return of the Jedi moment where she chose to believe the best in Livewire was also cool. I'd like it if Livewire became something like Kara's Captain Cold (Wentworth Miller), even if she never becomes as heroic as he did. Playing Mr. Mxyztplk as an insane Disney prince was a really fun choice! I hope he comes back, both because they can do anything with him and because he had great chemistry with Benoist. He allows for some great comedic moments and off-the wall Silver Age zaniness and they should lean into that. I’m always down for a White Martian invasion, and the Thing homage with a White Martian impersonating one of the DEO agents was great (as was Jeremy Jordan playing evil!). This version of Roulette was a good small-scale enemy. I’d like her to continue to return in any number of criminal enterprises; I like that she diversifies. I really liked the twist that Jack Spheer (Rahul Kohli) wasn't the bad guy he seemed to be and I liked his past with Lena a lot. Also, his sci-fi technology was so cool! Rick Malverne (David Hoflin), Alex’s stalker/kidnapper, was another surprisingly strong one-off villain. His connection to the Season 1 flashback of Kara saving people from a car wreck was clever, and I was impressed by how smart they made him. His back and forth with the DEO and unwillingness to break and tell them where Alex was unless his father was broken out of prison contributed to one of the show’s most dangerous villains yet. I loved that Kara was able to get through to his father (Gregg Henry) to eventually stop him before he killed Alex, and I’m glad that his memory was erased. He was a great villain, but I don’t think a return would have the same impact his actions in “Alex” did.

General Notes I liked the shift in filming style that came from the move to The CW. I don’t know if they’ve switched to the stunt teams the other CW DC shows use now or if they’ve just gotten more ambitious with using the full range of Kara’s powers mid-fight, but while they were never bad in Season 1 the fights looked even better this year! I rarely like slow-motion breaks in fights, but they weren’t too distracting here. I wouldn’t want them to become the norm, though. There was some spotty CGI, but it didn’t bother me; I’m amazed we’re getting such great comic book action on a weekly basis! And there was also some great CGI, like Parasite! The alien worlds and technology the show incorporated also felt realistic and tangible. I liked the new DEO building and the expanded use of the Fortress of Solitude as well. The locations they kept didn't look jarring compared to their location shots and the production seemed pretty smooth. The pacing on all of The CW’s superhero shows has always felt very good to me: though they’re only 42 minutes an episode, more often than not they feel like a lot happens in them.

The alien acceptance plot was well-written and nicely relevant to current politics. Personalizing it through Kara and Mon-El, J’onn and M’gann, Lillian vs. aliens, and Rhea vs. extinction was great too. After the Daxamite invasion, I can’t wait to see how human/alien relations develop in the coming season. The alien bar was a cool addition and I’d love to see more of the alien subculture that’s developing in National City, as well as humans’ reactions to it (both positive and negative). The mix of Cadmus in the first half of the season and Rhea in the second—united by the aliens vs. humans plot and themes—was a good start to breaking up the seasons. I still want long seasons, but one villain over the whole year might not always work and this was a good way to utilize two great enemies.

The finale’s siege of National City was awesome and I loved all the mini battles. I like that they took the time to have Clark and Kara convince Cat to disperse any potential bystanders too. However, I would’ve had the lead bomb go off on top of the building instead of in Lillian, Lena, and Winn’s faces. Lead’s toxic to humans too, so while I can by that this only increased the content in the atmosphere enough to kill Daxamites but not enough to poison humans, having it explode in their faces was a little too big a stretch.

I wish Supergirl had had more to do with the CW mega-crossover, but I liked that Barry and Cisco’s (Carlos Valez) attempts to open a portal to Kara’s dimension still played into the plot to a small degree. They even saved Kara at one point! It’s unfortunate the CW hyped it as a 4-show event so much and they included the Kara/Barry/Cisco scene in the Flash portion too, making Supergirl’s contribution to the crossover inessential. This was apparently caused because they’d planned the season out before they knew Supergirl would be moving, so hopefully viewers weren’t turned off and Supergirl is much more integral next season. That said, Kara meeting all the Earth-1 heroes and her reactions to them—particularly Heatwave’s (Dominic Purcell) origin—were perfect! It was clear the writers were having a blast pairing Kara up with all the other heroes and I’m definitely hoping we get more team-ups in the future. I’m glad the crossover ended with Kara able to dial up Earth-1 anytime she wants, so there’s no need for Barry or Cisco’s direct involvement due to a specific plot to justify her crossing over. Also, the LEGO Batman/CW heroes crossover ads after the episodes were so fun!

Despite some missteps in Kara’s arc—particularly her journalism career and an eventually problematic relationship with Mon-El—I thought this was a great season! It was an excellent step forward from last year (which I also liked a lot). I don’t remember anything about Reign (Odette Annable) from the comics, but I’m interested to see how she plays into Season 3.

I can’t wait to see what else the coming year brings!

#supergirl #melissa benoist #kara danvers #kara zor-el #mehcad brooks #jimmy olsen #guardian #teri hatcher #queen rhea #brenda strong #lillian luthor #superman #tyler hoechlin #alex danvers #Chyler Leigh #maggie sawyer #floriana lima #winn schott #jeremy jordan #calista flockhart #cat grant #J'onn J'onzz #David Harewood #sharon leal #miss martian #m'gann m'orzz #dean cain #helen slater #jeremiah danvers #eliza danvers