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#and heather and bill were so sweet and not as established as the other two but it's the softness of new love ugh
menlove · 8 months
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I saw someone say moffat's era doesn't know how to write Love bc they were comparing river & 11 to rose & 10 and like sure maybe the doctor's romances weren't written like two people in actual real life devoted love but amy and rory? clara and danny? bill and heather?
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dalekofchaos · 6 years
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What I love and hate About Moffat’s Doctor Who
Much like I did for RTD’s Era, I will be listing my What I love and hate about Moffat’s Doctor Who.
What I love
Eleven. Ten will forever be my Doctor but Eleven has a special place in my heart!  I will always remember him in my heart, I will cherish the memories I had that he was The Eleventh Doctor, I will always remember his epic sense of fashion, his triumphs and sad moments, his eccentric childishness both as him and as a way to trick you and then you realize Eleven is truly terrifying. I will always remember Eleven as The Doctor!
Twelve. I love Twelve. He may have had some poorly written episodes given to him, but Capaldi still handled it like the professional he is. Twelve brought back the sternness of One and the dark manipulator of SevenI Capaldi’s ability to portray the extremes of human emotion make him, perhaps, one of the most skilled and diversely talented actors to take on the role. One of the most joyously mesmerising facets of Capaldi's interpretation of the role is the level of sincerity and gravitas with which he approaches every scene - it doesn't matter if the Doctor is being funny, Capaldi plays the Doctor with a sense of naturalism and realism which has breathed new life into the part. While Smith and Tennant each had a wonderful sense of humour in the role, Peter has taken the opportunity to play the straight-man when it comes to scenes involving a degree of comedy, making the Doctor all the more funny for it. I also love Twelve because I liked the fact that his sheer introduction brought back the idea that older actors (and now actresses) can play the character. Having been a lifelong fan himself, Capaldi would have accepted the role knowing full well that his life would never be the same again. Aside from this willing acceptance of the renown that comes with the role, Peter seems to be one of the warmest and most genuine actors to adopt the guise of the Time Lord. He regularly speaks warmly and at length of the entire history of the programme, not just the series since he joined. His knowledge and passion for the shown and it's fans is truly moving as Capaldi is regularly warm and inviting to those fans that speak to him in the street. Some actors can be somewhat short with their fans, especially if they're having a tough day, but Peter seems to be welcoming and charming regardless of the circumstances. In short, he's nothing shy of the perfect ambassador for the show. The Doctor was indeed in safe hands and we will miss Peter dearly.
Moments like The end scene of Vincent And The Doctor and Twelve’s brilliant anti-war speech in The Zygon Inversion. 
Amy Pond and Rory Williams I loved Amy and Rory.  Amy Pond is an incredibly layered, wonderful, and flawed character. She is brave and independent, she is scared of abandonment and commitment, she is rude and yet compassionate. She has a knack for creative problem-solving and can make connections other people can’t, whether it is realising the truth about the star whale or figuring out how to defeat the Weeping Angel.She has had a difficult life, but Amy is always changing and growing, as she holds onto the contradictory pieces that make up her own histoy. We watch her learn to love and to trust. We see her struggling with keeping up with both her travels with the Doctor and the normal life she comes to value. She experiences joy and loss and she just lives, passionately.What is so exceptional about Amy’s ending isn’t that she chooses Rory; she likely would have made the same choice two seasons earlier. But for the first time it feels like a decision that she can be happy with. Because she no longer is “the girl who waited” - and the Doctor didn’t keep her from growing up, he just became part of her story to get there. Rory is awesome. He’s one of my favorite companions ever, despite being on and off at times because of small things like being dead. Rory is smart, cool, actual husband material, and he keeps The Doctor humble.  I adore their relationship. Amy and Rory loved each other. Their relationship is what made series 5 and 6 great. Beautiful soulmates and The Ponds are beautiful.  I think my favorite part about the Eleventh Doctor, Amy, and Rory’s time together was the fact that most of the other companions in New Who were always talked down to. Not that the Doctor didn’t respect them. He did, immensely. But he was always the one to explain something, always the one looking smart, always the leader, always the one saving the day. But in the case with the Doctor, Amy, and Rory, the Ponds were the ones figuring things out and saving the day while the Doctor tripped as he tried to simultaneously put on a bowtie and eat a fishstick. And that’s beautiful.
Clara Oswald Clara Oswald is a perfectly ordinary sweet natured girl, who’s compassionate and caring, who has shown herself to be quite independent on several occasions, who takes care of children simply because she knows perfectly well what they are going through, and saved the Doctor on so many occasions just out of the goodness of her heart. Clara Oswald is a scared but very clever girl, who becomes very good at playing the most dangerous of situations to get advantage and gets addicted to that thrill. From the beginning, she parallels the Doctor, with her whole era basically being a female Doctor origin story.
Bill Potts.  Bill was wonderful. Finally, a companion who is not a forced plot device, Bill is finally a companion who is special just because The Doctor considers her special cause she’s The Doctor’s friend. Bill is a proud gay woman of color. Her introduction is brilliant, hella adorkable, Has immense respect for the Doctor without ever defining herself around him like so many other companions, strong and stands up to him without ever seeming condescending or ‘you may be the Doctor but I know you better than you know yourself’ and all the slapping him. The Doctor and Bill have the healthiest Doctor/Companion dynamic. Has a clear inferiority complex but never takes it out on the people around her. Her first reaction to seeing depressed Heather is to sit down and ask her what’s wrong, because that’s what she feels is right. Basically so incredibly kind and selfless to everybody. I love Bill so much
The Paternoster Gang. Anytime Vastra, Jenny and Strax are on screen, it’s instantly gold. A  trio of associates to the Time Lord who didn't have hokey origins or contrived resurrections. They emerged fully formed and unexplained; Vastra was a lizard serial killer, Jenny was her servant/lover and Drax made some funny jokes about not being able to understand human biology.
Missy Michelle Gomez was so deliciously and hammy evil. I loved every moment she was on screen, it’s a shame The Doctor Falls ruins it. In her first two appearances she was firmly established herself as a force to be reckoned with. Suffice to say, you wouldn't want to meet this renegade Time Lord in a dark alley. She'd sing "Oh Missy you're so fine" and then obliterate you on sight. After taking a selfie with you, of course. Plus Missy always looks her best when she’s ready to destroy the world!  When she gets her lipstick out, you know that something rather unfavourable is about to hit the timey-wimey fan. Anyone can kill someone but it takes a special sort of person to do it with as much attitude as Missy. After all, if you're not going to zap someone to death looking your best, you might as well not do it at all. It's rule one, guys. Though I do wish they just called her The Master. If Moffat doesn’t think she couldn’t keep calling herself The Master, I’m pretty sure he’d rename Thirteen The Nurse.
Simm!Master’s glorious return! Simm!Master returned and it was perfect! It was both what the fans of Classic Master wanted and what Simm wanted. John Simm always wanted to play a dark and evil Master, it was RTD who wanted Simm to play a dancing and giggling lunatic who acted like Frank Gorshin’s Riddler on crack.  Pure and utter hatred for The Doctor and no regard for anyone but himself. Absolutely glorious. It’s just a shame that Simm!Master will not return and an even bigger shame that the surprise of Simm!Master’s return was spoiled by the trailer and bad make up and inability to hide Simm’s voice. 
The Guest episodes in RTD’s era and the new monsters. All the guest episodes are great. Moffat is good at writing monsters. Moffat is responsible for creating the best monsters in New Who. The Weeping Angels, The Empty Child, Vashtra Narada and The Silence were all good. The sad part is Moffat is good at writing guest episodes. 
What I hate
Plots that go nowhere and abandoning established ideas for his plots and just making up as he goes along. Moffat tends to introduce plots and either never intends to go back or explain them or abandons them altogether. In series 5, it’s introduced that Th Alliance, a group of The Doctor’s worst enemies all worked together to put The Doctor in the Pandorica, who brought them altogether, when and how are they joined together and when are they gonna return? Never brought up again....Okay? When we all heard “Silence Will Fall” it gave us a sense of wanting more. And in the series 5 when River went to Amy’s house in The Pandorica part 1 ending, I saw Omega symbols everywhere. This led me to believe that Omega is tied into the cracks in the universe and The Silence and maybe we would see Omega in series 6 and maybe The Silence were created by Omega. It never happens. The Silence are a religious order. It STILL could’ve worked because there were STILL Omega symbols all over in A Good Man Goes To War. And once again, nothing, I don’t know if Omega was ever planned to return but something was dropped. Moving on. I thought that the reason why The Doctor’s name was shown to be this terrible thing in New Who is because The Doctor used his real name to Timelock The Time War and saying it would unleash The Time War on the universe and...his name is dropped like it’s nothing. The Silence with a flip of a hat decide to join The Doctor despite it being their goal to kill him because...reasons. So glad that was resolved so easily. How did The Doctor and Clara escape The Doctor’s timestream? Never addressed. John Hurt’s character. I always thought he was gonna be The Other considering the 50th was coming up and it might be the Cartmel Masterplan. He’s a Doctor between 8 and 9 and was the one who fought in the Time War? Okay. Okay when Missy started appearing and when she talked about Clara “I chose you well” I got the hint that who this big bad was, that she created  Clara to use against The Doctor, this led me to believe that Missy was The Rani. “Oh she’s the Master, but instead of calling her The Master we call her Missy now”....kay? The Master chose their name like The Doctor, I’m pretty sure they would not change it because The Master changed genders, but whatever.  The Hybrid. Something so horrible that The Doctor left Gallifrey “it was The Doctor and Clara” are you fucking kidding me? Oh it gets better, The Doctor doesn’t even care that he found Gallifrey, all he wanted was Clara back despite Clara being content with dying. No seriously you fucking asshole, you wasted my fucking time with either dropped storylines or shit you made up cause we all fucking know you did not know what you were doing. 
River Song The issue with River Song is she is simply an awful character. River stokes The Doctor’s PTSD really bad. She is a character forced upon both the audience and The Doctor. River is a character who kills at the drop of the hat and makes a Dalek scream for mercy. Yeah, call me old fashioned but showing mercy to a Dalek is more compelling. She encourages The Doctor to kill, and reveres him as some untouchable genocidal god, and constantly pushes herself onto him sexually, even though he pulls away. River Song is Steven Moffat’s Ebony Dark'ness Dementia Raven Way. And there’s the fact that River is predatory. If it was a male character constantly coming on to the much physically younger female character, and being naked and doing so despite being asked not to do that like.... people would have freaked out and called River out for being a predator and had a fit, but because she's an older female and he's a younger bodied male this is... somehow badass and empowered? Oh and let’s not forget the fact that River is somehow part Time Lord? Being born in the fucking TARDIS does not make you part Time Lord. Jesus fucking christ, JENNY is more Time Lord, at least that makes more sense. And the revelation that River is Amy and Rory’s daughter makes no sense. Rory was erased from existence. How can River still be their daughter if Rory died at that point? But moving on.  I hate that she is used as a plot device. Oh, by the way she can fly the TARDIS, and oh by the way, she can flipping regenerate. I’m sorry, but River Song should, by NO means, be able to regenerate. She pops in to get the Doctor in and out of trouble and then disappears to who-knows-where/sometimes prison. And fixed points in time? Excuse me? No. I mean, really. That was absurd. Special rules do not apply to her. Moffat is just trying to make her look cool and I am not sacrificing good writing for image. River Song is a sociopath whose entire life revolves around The Doctor, there is not ONE SINGLE decision she has made for herself. She goes around with a gun, shooting things, causing genociide and we’re meant to believe the Doctor is actually ok with that? Giving her a gun does not make her a strong, independent woman. It makes her a sociopath with a gun. Her smugness annoys me to no end. Fucking spoilers. Fucking hello sweetie. Her sensuality is forced. She has no chemistry with Matt Smith. Her line in the wedding of River Song. I’ll suffer if I kill you-more than the entire universe-yes. How selfish can she get? She is constantly rubbing in her knowledge in not only the Doctor’s face but the companions. It’s like when Moffat took over he wanted to one up RTD so he made River who lets everyone know how awesome she is, how well she knows the doctor, how she can fly the Tardis so well (you turned the “handbrake” off, congratulations) She has no reactions to her parents dying. And finally she is meant to be this brainwashed sociopath who exists to kill the doctor and in the space of literally 30 seconds she changes her mind. A lifetime of brainwashing and trauma and pain and she gets over it in 30 seconds. Like I said, I shit you fucking not River Song is Moffat’s Ebony Dark'ness Dementia Raven Way. And yes, the marriage. It was forced. The Doctor flat out states that he doesn’t want to marry her and she pressures him into it because it’s the only way she’ll let him touch her. If there is any kind of pressure, blackmail or abuse to get someone to marry another person, the marriage is forced. The Doctor was absolutely pressured into participating because not participating would’ve ended the universe. Here’s the difference between Rose Tyler and River Song.  Rose Tyler was a character who existed and had a romance with the Doctor. There was NO love at first sight. it was not Predestined, or anything like that; it was just some crazy old alien being like “oi, you wanna go and see all of time and space?” and rose was all, “yeah, why not!” and they were BEST MATES FIRST. they were just two best mates flying around in their stolen TARDIS, having a laugh, and then when the Stakes Were Raised rose kind of went - oh fuck. i love him. and the doctor went - oh fuck. i love her. it was just a natural, mutual caring and it was just two nerds, both of whom would raise HELL for the safety of the other while saving the universe together.  River Song was a character who existed TO have a romance with the Doctor. We are instantly told, not shown by the first meeting that River is important to The Doctor.  Someone The Doctor would give his screwdriver to and tells her his name. And eventually  they meet again and she kills and The Doctor is okay with it...for reasons. No one ever bats an eye that another genocide happens, but whatever. “Never be cruel or cowardly” apparently The Doctor overlooks why he chose his title when River is around. Honestly, The Doctor would never fall in love with someone who would risk THE ENTIRETY OF SPACE AND TIME because she didn’t want to kill him, i.e. river. he would NOT love someone like that, much less he would certainly not marry her because of it.  Okay. Why is River the only one who knows The Doctor’s name? You might say that River does have a life outside The Doctor cause she’s an archaeologist, yes, but that is barely shown. What do we really know about River? Even though she’s not consistently characterized, we do see that she’s violent, crazy, arrogant, overly sexual, sassy, and even bossy. Not much is known about her that makes us actually love her except that we are supposed to love her because of the Doctor.   If I could change River’s character, it would be this.  River should have been like a future companion who was mentored by The Doctor. Like Seven mentored Ace. In which he becomes like a father to River. She is hateful to him at first because of the conditioning done to her by The Silence. The Doctor saves her from herself and makes her a better person and slowly mentors her, I kind of got that impression when she told Rory about herself in The Impossible Astronaut.  I would have prefered a father/daughter relationship more than a romantic one. And River getting over trying to kill the doctor in just one episode (Let’s Kill Hitler) didn’t really take advantage of the weapon turned companion plot, and it was such a waste! It’s so frustrating how much potential there was there to really tell a story, and instead they just rushed it and made it into a nonsensical mess, rushed into a mystery and rushed into a forced romance. And we will never be free of River, as long as Moffat guest writes for Doctor Who, River will always be there. Even when she is being sent to her death, River Song’s presence is forced upon us in series 10 and no matter how much we want her to go away, River will never leave. Fuck Moffat for forcing River on us.
Moffat’s perception of The Doctor. Moffat sees The Doctor as this angsty vengeful authoritarian god. The Doctor is important because They are the one being trying to make a positive impact in the universe not because they’re a god/angel/cosmic authority/vengeful deity
The Doctor’s Name. Since when does the Doctor’s name matter so much? He chose his own name, Doctor, for a reason. It stands for everything he believes in.  and that’s what matters, not his birth name, they weren’t gonna do the Carmel Masterplan, so it really doesn’t matter. Furthermore, how could the Doctor’s name bring about the end of the universe? I just…I don’t understand? I’m really trying to and I can’t, because it makes no sense. Before Steven Moffat took over, The Doctor wasn’t this prophesied space messiah that all the evil beings in the universe were hell-bent on destroying because they knew that his name had catastrophic properties. Never explained why and all mentions of why his real name is important is thrown away, thus once making something built up entirely pointless.
The Silence Genocide. Here’s the difference between how genocide is presented with the Ninth, Tenth and Eleventh Doctors. The Ninth Doctor has the opportunity to destroy the Dalek Emperor’s fleet with the delta wave generator, but it would be at the cost of the humans and Jack on the game station. He couldn’t bring himself to commit genocide a second time, he would choose to be coward over a killer anyday. With Ten, he had no choice but to destroy the Racnoss and commit genocide, but he was ashamed of himself. The Silence had been on earth for thousands of years and had influenced human history and helped get humanity to the moon. One of them killed a human.  The Doctor sanctioned a genocide of an entire race with a smile on his face and turned on by his psychopathic future forced wife(jesus I wish I was making this up) and the humans just go along with it, The Doctor might as well have just told Cletus to burn a cross on The Silence’s yard. What was The Silence’s crime exactly? furthering Man's achievements? I can only assume that no one knows about the killing of Joy in the toilets, but if the Doctor did its a bit harsh to wipe out a whole race because of the actions of one. I mean, holy shit we have a jail that is capable of holding aliens established in the beginning of the episode and apparently killing them all instead of holding them all away is preferable. 
Apparently sexual assault is funny if a woman forces herself on a man. If someone forces themselves on you without your consent, it is assault. It happened with Amy(while she was on her way to being married), it happened with River, it happened with Clara, it happened with Tasha Lem,  and it happened with Missy. It was not funny in absolutely any time, yet this immature fucking jackass always plays assault for laughs. If this were an older man forcing himself on a younger woman, there would be outrage. and the creepery of women who meet fully grown men as little girls falling hopelessly in love with that same grown man, usually throwing themselves at him and forcibly advancing on him.  And him sexualizing them when they're adults when literally like 5 minutes ago for him they were children, it’s really vile.
Moffat’s inability to break the New Who companion formula with Clara. When we were first introduced to Oswin Oswald, I sincerely thought we were finally getting a new type of companion, FINALLY a companion from the future and not just another modern girl from the UK. Then Oswin was revealed to be a Dalek and she died. Sad but I thought she was a great character and I really wanted her to start traveling with The Doctor, Oswin and Eleven had great chemistry and unfortunately it was wasted potential. Next, we get Victorian Clara. Finally, a companion from the past. Her story was so great and once again good chemistry with Eleven and once again I wanted Victorian Clara to travel with The Doctor and she dies. What happens next? We are once again forced to have a “the companion must be special to travel with The Doctor plot device” and we have Clara Oswald from modern UK. Okay, fuck you. You complete and utter fucking moron. Not every goddamn companion needs to be from the modern UK. The Doctor has traveled with companions from the past, from the future and even aliens, hell, two of his companions were Cybermen. The Doctor traveling with a companion from the past or future works. 
Moffat believes companions should only be female. Gee, it’s not like Ian Chesterton, Steven Taylor, Ben Jackson, Jamie McCrimmon, Alistair Gordon Lethbridge-Stewart, Mike Yates, John Benton, Harry Sullivan  Adric, Vislor Turlough, Mickey Smith, Captain Jack Harkness, Rory Williams and Danny Pink don’t exist or are important. Seriously fuck you, the male companions are just as important as the female companions. 
Death always being teased but never executed upon and made ultimately pointless in the end. Rory has been dying in three fucking seasons until he actually dies in series 7. His death in series 5 was actually great. Then, when Amy and Rory ACTUALLY die in Series 7, it makes absolutely no sense and there are so many plot holes around it, it can be avoidable and The Doctor could simply just travel to a different part of the country in the TARDIS and just go back to New York on plane or car. Their death is completely avoidable and comes off as Moffat saying “He can’t save them because shut up” The Doctor let Amy and Rory go at the end of series 6. That is all you had to do. LET THEM GO, their deaths were avoidable and if you wanted to write them off, let them go. The most interesting Claras died and the last Clara died but was stupidly brought back despite the fact that Clara was content with dying. Ashildr had a great death protecting her people and of course deus ex machina technology makes her immortal. Even Heather, a girl from one episode had a good emotional death, is brought back in the finale. Bill Potts had possibly the worst possible fate. Bill was shot and everyone was shocked. Like damn, Bill is dying and the next thing we know is she is being converted into a Cybermen and who knows The Doctor is being forced to deal with the fact that he led his friend to a fate far worse than death. The emotional pain is there...and it’s ruined. Bill is fine and gets a happy ending like Clara and Ashildr. River is dead AND WE ARE STILL NOT FUCKING FREE FROM RIVER SONG! I don’t know why the fandom perceives Moffat as bad as George R.R. Martin, Moffat is a coward when it comes to death and never sticks with death, everyone HAS to come back and the deaths for every companion is undone and makes their deaths and sacrifice completely pointless. The reason Adric dying worked SO WELL is because he stayed dead and Adric’s death was a sacrifice and it worked. If Moffat was headwriter for Earthshock, I’m pretty damn sure he would find a way to undo Adric’s death. Death has no consequences in Moffat’s Who.
Until Bill Potts, every companion ALWAYS had to be special because the plot demanded it. Amy was “the girl who waited” River was River and Clara was “The Impossible Girl” no one could be special cause they are special to The Doctor, they had to be related to the plot
Day Of The Doctor was not celebrating 50 years of Doctor Who. It celebrated New Who and The Time War. It only celebrates The Time War and Moffat’s Who. It makes Not only that, it makes it black and white, it makes The Daleks the true evil of The Time War and erases the culpability of The Time Lords. Remember  it wasn’t just the Daleks who were the cause of The War, it was The Time Lords themselves who started The Time War when they convinced Four to try and stop the Dalek creation in Genesis Of The Daleks, it’s very important to understand that it wasn’t black and white and make the Time Lords the innocent party. And Day Of The Doctor ignores that and ignores that Rassilon wanted to erase all life and make The Time Lords beings of higher consciousness at the cost of all life in the universe.  
Mishandling The Time War itself. Throughout series 1-4 The Time War was built up as this horrible war that was so horrible that if it did not end, it would’ve destroyed life itself. The Time War NEEDED  to be more than a generic Sci-Fi battle. in the novelization of the episode Rose, 
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The Time War was meant to be bigger and more horrifying.“this wasn’t a fight like laser guns and spaceships and explosions, this was a filthy, stinking war that changed reality itself.” Instead, it became a generic Sci-Fi action movie. Instead of the enormous time-traveling, inconceivable concept that was painted. The Time War prior to the 50th was something that we COULD NOT CONCEPTUALIZE because it was not fight like a normal war, it spanned galaxies and time. The true tragedy of it wasn’t that the Daleks were going to destroy Gallifrey or Arcadia, it was that THE DALEKS AND TIME LORDS BOTH WERE RIPPING THE UNIVERSE APART WITH THEIR WEAPONS. You cannot show that. So instead, we got shitty action movie explosions. When I got real interested about the Time War before series 6, a fan trailer showed a concept that The Daleks wanted to capture the Eye Of Harmony and insinuated that the Daleks went to war with the Time Lords to gain Gallifrey’s resources so they can gain mastery over space and time. That alone is more compelling than “Daleks just wanna exterminate the Time Lords” it was lazy writing, even more so by portraying the Time Lords as the innocent party. The Time Lords tried to get The Fourth Doctor to stop their creation and The Seventh Doctor manipulated Davros into destroying Skaro. There is no innocent Time Lords, retconning their actions throughout classic who and ignoring Rassilon and the High Council’s plans was complete and utter lazy writing. Rassilon and the High Council were as scary and menacing as the Time Lords from War Games and  Rassilon was a fearsome genocidal demigod. Choosing to ignore that was seriously dumb. Let’s go over Moffat’s depiction of children of Gallifrey and how he portrays the Time Lords waging War. Ignoring the concept of looming is dumb. “children of Gallifrey” I was just so mad when I heard about this. looming made Time Lords more alien and it is an interesting portrayal of Time Lords being asexual. Ignoring that, the concept of Time Lord Children is really dumb, Time Lord children carry stuffed rabbits. Because Time Lords children = Human children. Oh wait. Then Moffat’s concept of how The Time Lords would wage war.  Time Lord soldiers have helmets.  Time Lord soldiers have helmets to protect them from the rubble. There is rubble.  Things are burning. No, I mean things are literally burning.  Things are burning because the Daleks are shooting ray guns and the Time Lords are shooting back using their super advanced … ray MACHINE guns!!!!  Just to remind the audience, the Time Lords are a superior race with power over time itself.  The Time Lord soldiers have walky-talkies. No really, they do.  When Time Lords make art, they make it in 3 dimensions.  When Time Lords make war, they make it in 3 dimensions.  “Have you ever thought what it’s like to be wanderers in the Fourth Dimension?” Masters of time and you decide to make them have ray-guns? This isn’t the fucking Terminator. And also, it ignores the fact that The Doctor witnessed Gallifrey burned. The way The Time Lords were portrayed in DOTD, was just lazy.     
Sonic Sunglasses. I believe that the sonic screwdriver needed a long break. It worked for Five-Seven so it would work for Twelve.  I like the sonic screwdriver but I hate how they constantly made Ten and Eleven dependent on it and turned it from a time lord device that can open any door to a magic wand that can perform a deus ex machina. What happens instead of Twelve relying on his intelligence and wit? He gets a downgrade and gets himself Sonic Shades. It worked like the screwdriver, with a few added bells and whistles to justify this downgrade.  One of the most noticeable problems with the glasses was that, unlike the screwdriver, their effects weren’t visible. Doctor Who is ordinarily a visual program that has always drawn attention to its colorful sci-fi/fantasy moments. Also, unlike the screwdriver they weren’t exclusive used by The Doctor, making them far less special. Clara, Ashildr and Osgood all donned the specs during the limited number of episodes in which they appeared. In series 10, the glasses committed their greatest sin. After the events in Oxygen rendered The Doctor blind, instead of having him deal with the extent of losing one’s vision, he popped on his magic glasses, thus cheapening the experience. While they didn’t restore his vision, the tech provided him with enough guidance to dramatically lessen the full extent of his blindness. Sadly, if the writers had allowed The Doctor to go 100% blind, the sheer vulnerability of such a powerful character could've made the Monk Trilogy a much stronger arc.
Hell Bent undid Clara’s sacrifice and made Day Of The Doctor completely pointless. Hell Bent STILL leaves a bitter taste in my mouth. All this mystery around The Hybrid and it was completely pointless. Gallifrey was completely wasted. We were given hope that The Doctor would see his home and his people again, but instead of The Doctor restoring Gallifrey, finding Susan, Romana, Leela and Ace again, Gallifrey is reduced to background noise and The Doctor doesn’t even care that he’s home. It was all just to bring back Clara. Clara was content on dying to save Rigsy. Clara paid for her mistakes by trying to emulate and be The Doctor. Heaven Sent was brilliant, it showed The Doctor trying to struggle without Clara, it was emotional and brilliant. Not only is her death undone and Gallifrey is reduced to background noises, Clara is rewarded by her actions by becoming a faux Doctor with a TARDIS and her own companion in Ashildr. This is the complete opposite of what should have happened. She gets rewarded for trying to become The Doctor when she shouldn’t be. She should be paying for it, that’s the whole point. Clara isn’t The Doctor, what makes her different is her primary strength and that’s why they need each other. Clara dying was the only good way to end this character and it ended up as a copout. It took her agency away and because Moffat could not let her go he had to bring her back, thus making Face The Raven and Day Of The Doctor completely pointless
Because Moffat STILL will not let River go, he has a portrait bigger than his own granddaughter’s Susan Foreman. There is no way within time and space that The Doctor will never believe River Song is more important than his own granddaughter. In my opinion, he should have picture frames of Rose, Jackie, Mickiem Jack, Martha and Donna, The Ponds and Clara along with Susan, but only River gets the big special picture. Fuck Moffat and his petty favoritism
Nardole For the majority of series 10, The Doctor was followed around by a cue-balled whiny crying cyborg known as Nardole. He first appeared in the 2015 Christmas episode with a purpose and then proceeded to just sort of hang out afterward with no discerning purpose. Then midway through series 10 in the episode Extremis, his purpose was explained. He was just a reminder that River Song is still there. We can’t be free of River no matter what and because of that we have to sit through this unbearable, annoying screaming robot. Kamelion is better than him and that should show you how bad Nardole is, but unlike Kamelion who had issues cause the robot malfunctioned and only lasted a few episodes,  we suffered through the entirety of series 10 because of Nardole.
Bad make up and giving away Simm!Master in the teaser ruined the reveal. The series 10 trailer spoiled that John Simm would return as The Master at some point. However, since he didn’t appear in the first ten episodes, it became a given that’s he’d appear sometime during the two-part series finale. And while they might have been saving him for part two, it was likely they’d want to utilize him for the entire story arc. So with all that in mind, a character that looked and sounded like John Simm in heavy makeup appeared about 15 minutes into the penultimate episode, The World Enough and Time. Some viewers may have been as shocked as The Doctor and Missy were by the reveal, but it could’ve been handled better. Simm did his part by disguising his voice and mannerisms. Yet it feels like a lost opportunity with an easy enough fix, if anybody had cared. The whole thing could’ve been avoided by either not including The Master in the trailer, or by disguising Simm in even more makeup and prosthetics.
Ignoring Simm!Master’s character arc in End Of Time. I don’t like End Of Time for a majority of reasons, but even I understand that Simm!Master had an arc in End Of Time. Sure, he mostly wanted revenge for what Rassilon’s done to him, but he still saved The Doctor, he considered The Doctor’s offer and had a realization that maybe he doesn’t have to be bad. Simm!Master had sane moments in his insanity which all had in some way the Doctor involved, showing him listening, with tears in his eyes. And in The Doctor Falls, he is completely unchanged. Acts as if the character arc never happened, Simm!Master is sexist for no reason.  Time Lords have no real concept of gender inequality. The Master had respect for Jo Grant, Nyssa, Tegan and Martha Jones and never harbored sexist attitude for them, he had ill feelings as an enemy, that’s it. Made to hate the Doctor so much he’d rather die than standing with him - Ignoring the fact that’s exactly what he did in The End of Time Part 2 and also the fact that the Master’s main goal over everything else was always his own survival. So he dies unredeemable, learns nothing, uncaring asshole, and completely disregards his character development in "The End of Time and all just to make Missy look good.
Missy had no reason for wanting to change and my annoyance at the name change. I don’t see or understand why Missy wanted to change. Obviously they are gonna give her a redemption story for...reasons. What are the reasons you might ask?...Shut up. Well, we obviously need her to fight her demons so why not give her absolutely no reason to want to change (except “I want my friend back” which apparently wasn’t enough reason for any other Master) I seriously do not understand why Missy would want to change. Missy/Master would want to fight a common foe with The Doctor and later betray The Doctor later and their game would go on as it always goes. Missy had no motivation, every chance The Doctor gave her, she always went back to her old ways. Missy’s “change” simply comes off as “let’s praise Missy She’s changed!! Why? Who cares. Motivation? Character development? Nuances? I can’t do that, I can only create a contrast between new and old so crass, everyone will see the change! Shut up and stop asking questions!” If Missy returns, I want  them to stop calling her Missy. Call her The Master. The Master chose their name like The Doctor, I’m pretty sure they would not change it because The Master changed genders. You don’t just change that name. She can very well still call herself The Master, there is no reason why, they cannot call her The Master. Changing gender is not a reason to change the title The Master chose to be called as such as they believe they can rule and subjugate the universe. But The Master should at the very least return as a villain, despite the forced change.
The Daleks and Cybermen are misused and overpowered. The problem with the Daleks is that Moffat has no idea what he wants to do with them. This video explains it perfectly. When the Daleks returned in series 5, they returned with an awful new look but they are still the biggest threat in the universe and the emotional trauma and hatred with the Doctor is there. Then, The Daleks go away and nothing is done with them. In series 7, Asylum Of The Daleks they return. They are not treated like the unstoppable force they were once in Classic Who or in Davies’ Who or even in Victory Of The Daleks. They are instead treated like another monster of the week. It’s not a big deal for The Doctor to face them anymore, he doesn’t seem to have any kind of reaction to them still operating or prospering in the universe. So now with no explanation Skaro is apart of the universe again despite the fact that it was destroyed in Remembrance of the Daleks,  there is a Dalek parliament, thousands of them exist, they have their own asylum(apparently the Daleks are too scared of their own malfunctioning Daleks) and they have death camps. Dalek death camps and The Doctor doesn’t care. Dalek death camps and The Doctor has no reaction to nor does he want to help anyone in the camps. While the execution of Evolution of The Daleks wasn’t very good, Dalek Sec was right that the purity of the Daleks would always destroy them in the end and must change if they are to survive, but that is no longer relevant. The tone of the Dalek appearances after Victory Of The Daleks shows their menace is no longer there. The Doctor goes from being enraged and consumed by grief by seeing The Daleks, to not feeling anything nor caring that the Daleks having death camps across the universe. The Rusty thing just didn’t work. The only thing that did work was the “you are a good Dalek” line. The Daleks have lost their menace and if The Doctor doesn’t care or show any fear or hatred towards them, then why should we as an audience care? As for the Cybermen. The problem is they are just the Cybus Cybermen with the symbol removed, the same monotone “DELETE” the only difference is they are too overpowered and well they are apparently Iron Man now thanks to the Nightmare In Silver all rocket boots and detachable limbs and superspeed. In  Dark Water/Death in Heaven they are nothing but Missy’s slaves with no autonomy of their own rather than a true force to be feared. It hasn’t helped that more often than not, modern Doctor Who has repeatedly decided the only way to beat the Cybermen is to overwhelm them with the power of love, a trope the show falls back on far too often. What made the Cybermen scary in Classic Who is when they were first envisioned, they were meant to be a chilling extrapolation of what creators Dr. Kit Pedler and Gerry Davis saw as the future of prosthetics and cosmetic surgery, humankind chopping bits of itself until what was left was more machine than man. Only their very first incarnation, the Mondasian Cybermen has ever tangibly captured the gruesome, tragic roots that sit at the heart of the concept behind them as monsters. Tomb Of The Cybermen also showed them as a true threatening monstrosities.  So when the Mondasian Cybermen do return, Bill is converted and what happens? Bill retains consciousness and apparently it’s not enough to have the Mondasian Cybermen, Moffat just HAS to bring back his overpowered Iron Man knock off Cybermen. No true and utterly terrifying new designs, just the overpowered Metallic Gary Stu Iron Man Cybus Cybermen. So as usual Moffat has a genius idea and manages to ruin it in the end.  
Moffat’’s sexist garbage ruined The First Doctor in Twice Upon A Time. I have seen EVERY First Doctor serial and One is not sexist at all. I get it, the sixties were a different time, Since the First Doctor was of that era, he wanted the audience to laugh at how different things were back then. Especially with the constantly horrified reactions of Twelve at his former’s self’s behavior. So what’s the problem? Short answer, it’s because the First Doctor wasn’t like that. Not even remotely.  And this is the story that takes place before One’s regeneration, apparently Moffat doesn’t care about all the character development One went through with Ian and Barbara, he just wanted bad humor that goes against One’s character just so he can appear as the better party “see? My Doctor is better than Classic Who” no, asshole, The First Doctor was not at all like that One wasn’t a walking ball of sexism, he was a curmudgeonly grumpy old space grandpa who lightened up with his first human contact, grew warmer and closer to them and learned to help rather than… eh.. smash people’s skulls with rocks.
The real problem with Moffat is that  Moffat is a good writer, capable of being a great one at times, but a terrible showrunner. Steven Moffat was a man who in the beginning had some marvelous ideas, and much like another BBC writer Terry Nation. When writing scripts once or twice a year were completely brilliant, but when stretched to almost write an entire series single handed, the outcome suffered. Doctor Who used to be a show full of heart, courage, emotion, character driven, cared more about the heart of the show and character than the concept of the over-complicated plot that will eventually be dropped at the end of the series. And honestly sometimes Moffat’s fans sound like Rick And Morty fans “To be fair, you have to have a very high IQ to understand Moffat’s Doctor Who." that’s what most of y'all sound like.  After watching the teaser for series 11, I am finally really excited for Doctor Who. It feels like everything it used to be, everything that made Classic and Davies’ Who great. 13 and her new friends I cannot wait and finally it feels like Doctor Who
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Heather Cox Richardson:
August 18, 2020 (Tuesday)
Trump today celebrated the 100th anniversary of the Nineteenth Amendment to the Constitution, protecting women’s right to vote, by announcing that he would pardon suffragist Susan B. Anthony, who was arrested in 1872 for the “crime” of voting. Scholars of suffrage note that Anthony would not want a pardon. “Anthony WANTED to be arrested and convicted and hoped to take her case all the way to the Supreme Court,” wrote historian Marjorie Spruill, “claiming that as a citizen, her right to vote was established by the 14th Amendment. However, because a well wisher paid her fine without consulting her, her case was closed and she was not able to proceed further through the court system. She was furious!”
Deborah L. Hughes, president and CEO of the National Susan B. Anthony Museum & House added that Anthony would oppose a pardon because it would give validity to a case she believed invalid. Hughes told Washington Post reporter Samantha Schmidt that the White House did not consult with the museum before deciding on the pardon.
That oversight might be because highlighting Anthony was designed to please a different audience than scholars and those excited about women’s participation in politics. Anti-abortion forces incorrectly see Anthony as one of their own, and claim her despite a lack of evidence she cared much about the issue at all. After appearing at Tuesday’s event at the White House, Marjorie Dannenfelser, president of the anti-abortion Susan B. Anthony List appeared at Tuesday’s event, then celebrated the “sweet moment,” because Anthony “fought for the rights of all, including the unborn.”
At the suffrage event, reporters asked Trump for his reaction to former First Lady Michelle Obama’s address last night at the Democratic National Convention, a speech widely seen as particularly strong. Trump’s response was a weird self-own that showed the degree to which he focuses exclusively on media and what will make him look best in a particular moment, with no longer strategy. He said, “Well she’s in over her head, and frankly, she should’ve made the speech live, which she didn’t do. She taped it. And it was not only taped, it was taped a long time ago, because she had the wrong deaths….” Trump meant that Mrs. Obama had cited the number of Americans dead from Covid-19 as 150,000, when the number is actually now more than 170,000. Not something one would think he wants to highlight.
Today Postmaster General Louis DeJoy, a Trump loyalist and mega-donor who imposed new rules on the USPS shortly after he took office in June, was forced to announce that he will postpone his overhaul of the USPS until after the election. Americans have been outraged over mail delays and the president’s announcement that his administration’s squeeze on the USPS was designed to hurt the Democrats in November by undercutting mail-in voting. DeJoy is facing Senate hearings on Friday, and House hearings on Monday. Lawmakers will undoubtedly want to hear why the Department of Veterans Affairs has had to go to private companies like FedEx and UPS to get medication to their patients, when previously, the USPS handled about 90% of all VA mail-order prescriptions.
But DeJoy’s statement did not address that, according to an internal USPS planning document obtained by CNN, 95% of the mail sorting machines marked for removal should already be gone.
Today the Senate Intelligence Committee released the fifth and final volume from its investigation of “Russian Active Measure, Campaigns, and Interference in the 2016 U.S. Election.” The bipartisan Senate Intelligence Committee is currently chaired by Republican Marco Rubio (R-FL), although most of the work in the report was done under Republican Richard Burr (R-NC), who stepped down as chair amid allegations of insider trading over information received in a classified briefing over coronavirus. This is a committee run by Republicans.
It concluded that there were extensive connections between Russian operatives and Trump campaign officials in 2016 that “represented a grave counterintelligence threat." Campaign chair Paul Manafort repeatedly communicated over encrypted channels with Konstantin Kilimnik, his Ukraine business partner who was also, the report establishes, a “Russian intelligence officer.” Manafort shared the campaign’s sensitive polling data with Kilimnik. The report also notes that Manafort consistently lied about his interactions with Kilimnik, and was willing to go to jail rather than tell the truth about them.
The report also established that the White House “significantly hampered” the committee’s investigation and coordinated stories before witnesses talked to the committee, and that there was “significant evidence” that WikiLeaks, which dropped emails hacked from the Democratic National Committee, was “knowingly collaborating with Russian government officials.” Document drops were timed to protect Trump from bad news stories, most obviously the tape of him boasting of sexual assault.
Despite their awareness of this material, Republican Senators refused to hear witnesses at Trump’s impeachment trial, and voted not to convict him.
In any normal year, the big news of the day would have been that today was the second day of the Democratic National Convention, held tonight with actress Tracee Ellis Ross as emcee.
Tonight was the business portion of the convention, and the business at hand was for Democratic delegates to nominate former Vice President Joe Biden for president. First, delegates entered into consideration two candidates: Vermont Senator Bernie Sanders and former Vice President Joe Biden (delegates for the other candidates have been allocated to either Sanders or Biden according to a complicated formula). There was much consternation when progressive Democrat Alexandria Ocasio-Cortez (D-NY) seconded the nomination of Sanders instead of Biden, but only among those who have not dealt with conventions: his delegate count required a nomination and it was an honor to hold a nominating slot. AOC explained with her usual style: “If you were confused, no worries! Convention rules require roll call & nominations for every candidate that passes the delegate threshold. I was asked to 2nd the nom for Sen. Sanders for roll call. I extend my deepest congratulations to [Joe Biden] - let’s go win in November.”
The DNC managed the nomination process virtually in clever videos from each state and territory that served as reminders that the theme of this convention is “We the People.” Delegates stood in front of iconic scenes from their states and told a little of their own history in a process that clipped along much faster than an in-person convention. The virtual trip around the country started in Selma, Alabama with a tribute to the late Representative John Lewis, then traveled around the country until Biden’s home state of Delaware claimed the honor of putting Biden over the top for the nomination at about 10:19 p.m. The new system was so well-received it would surprise me if it doesn’t become the norm.
The theme of the night was leadership. The first item on the list was health care. Progressive activist Ady Barkan, who is grappling with ALS and who first endorsed Massachusetts Senator Elizabeth Warren and then Sanders, recorded a powerful spot for Biden. Then former acting Attorney General Sally Yates, former President Bill Clinton, former Secretary of State John Kerry, and former Chairman of the Joint Chiefs of Staff and former Secretary of State Colin Powell, all endorsed Biden’s foreign policy chops.
The convention also highlighted rising Democratic leaders, and emphasized working across differences to build coalitions. To that end, Arizona Senator John McCain’s widow, Cindy, narrated a video recalling the friendship between Biden and McCain (R-AZ), implying that it was McCain’s friendship for Biden that led to McCain’s historic vote to buck Trump and save the Affordable Care Act.
Once again, though, it was the keynote that anchored the evening. Jill Biden’s earnest recounting of individual stories of community and love were a signal moment in U.S. history. They were a direct contrast to the vignettes of individuals crushed by the government that Ronald Reagan deployed in his famous 1964 speech “A Time for Choosing,” the speech that launched his national political career. Reagan’s vision of the world ushered in a world of toxic individualism; the vision of Dr. Biden, a teacher, offers to reclaim community and social responsibility.
Dr. Biden used the story of her life with Biden, surviving tragedy and rebuilding, as a metaphor for the country. She highlighted the good in Americans, and reminded that “we need leadership worthy of our nation.”
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Ep. 1 - “Karma is a Nasty Old Woman”  - JG
This season began the night of December 8th with a cast reveal, but the game was already afoot before that. Players had the opportunity to earn an extra trip to hunt for the idol by reading the rules. Heather, August, Aundra, JG, Rebecka, Tara, and Vi all took advantage of this opportunity!
The pre-merge buffs were also revealed, with the tribes called Iolaire and Saorsa.
And then the game began.
The first immunity challenge was posted, which you can check out here:
https://atomicsurvivor-isleofskye.tumblr.com/post/168340626526/tribal-immunity-1-isle-relay
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Introductions have been made, and everyone seems nice so far!
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Consider me the f*%# overwhelmed. I’m trying to make personal connections but clearly that isn’t going too well. The challenge seems scary. I’m dying. Someone help!
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I am SCARED. I have to establish all new relationships and I’m pretty shook about it.
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Everyone seems so nice. I can deal with the challenges but I'm a bit scared. I don't want to mess up so early in the game.
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Man, I forgot how the start of orgs are so busy. Everyone seems pretty nice so far but I swear I won't learn their names until at least merge. If we have merge that is. After that I'll have to relearn. Hopefully we all make it to merge so I don't have to relearn anything. This challenge is pretty bad though. Slow internet will make this a pain
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Ok so I love my Tribe so far! The first immunity challenge came so fast but I'm glad that our team came together to figure out who's doing what. Also JG is coming in clutch with that advantage.
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So I’m not sure how to feel about being on a tribe with Rebecka, she might be bitter, or she might be happy to have someone she knows. As for me if I can’t find anyone else ill try that connection, for now I just need to keep communicating.
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This game is so different from azores (shout to everyone from that game) the vibes are completely different. probably because im completely different but yah im really enjoying this tribe rn we have team work down and dont seem like a bad group of people. only thing is i signed up to do the logic puzzle thing and im not that smart 
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omg this seems like a nice little tribe, its interesting be surrounded by new players to this like myself :') im not outta place, also it seems like being the oldest i hope everyone will be able to rely on me and my knowledge :D on the flip side with everyone being new it's sure to lead to some confusion in challenges hopefully i'll be able to give them some guidance and lead us to some wins :) also i fully expect to have bad luck doing the moors crap but yolo and may as well try right? 
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So the LoIaire tribe decided to do a call but it turned into me, Stephen and JD talking about videogames fjksskskd. I hope people don't think we're an alliance already! Fingers crossed.
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my tribe is full of nerds
but i'm a fan of it
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So the em peeps - me, Tara and august - made an alliance right off the back. I'm already lying to them like I did my previous org. Who said I was gonna do random voting this time again? O well, time to play a wolf in sheep's clothing and hope not to get picked to shear. That would be terrible. It's really cold and this wool is really warm. We're basically ignoring the other chat since they're in a group call and geeking out about stuff. I don't know. I zoned out bc I didn't understand what they were saying. Hopefully I'll be able to start my plan of seducing them with pictures of my pets soon.
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I'm not sure if it will be an advantage or disadvantage but while searching the Moors, I found a twist that will be revealed at merge! Now I just have to do is survive until then... tune in nextime kids
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Cool tribe.  Trying to prove my crappy helpfulness in this collecting challenge since i'm godawful at puzzles. Also, tara went ahead an made a stupid fast f3 with me and infinity, and i told them my searches which sealed the deal. Also like JG and Ain, seem like pretty cool dudes, hoping to work with em'. This moor twist is really neat, but i also feel like everything already found already, but whatever. 
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Tara is pretty cool. She's nice and I think we can work together
An alliance of Heather, Lukas, Madison, and Olivia called “Future Final 4″ was created on Saorsa.
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We love early alliances YES WE DO.
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https://www.youtube.com/watch?v=cch6Q-ItmQE
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https://www.youtube.com/watch?v=R8Vto9iHwVY&t=2s hope this works haha
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kay so the tea is that I’m aligning with Madison and Olivia. Olivia is super sweet and super trustworthy, so I am aiming to keep her close for awhile. Madison vibes with me but she seems very intelligent and very much so willing to stab me in the back. I’ll keep an eye on her. I am hoping these two allies will be able to at least get me through the first few votes. Who knows? {note: I’ll be submitting video confessionals soon after more happens}
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haven't talked to rebecka at all yet but love her video calling me late at night to show n complain about her broken tooth! an icon! can't wait to see more of her this season. hope her medical bills aren't too expensive
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So Luke and I have been skyping for 3 1/2 hours and I am so glad we have chosen each other! We have plans of who we each are going to talk to and who we want in our alliance. He is going to try and get close to Madison and AnnMarie and I am going to try and get close to Skip, and Dr. Mike Jake. Sarah at this point is a big question mark and Heather is in between and we'll keep her close enough but we both think that she will either be a good meat shield or a threat that we should take out pre merge. The other Jake we are both going to try to get close to as well. Hopefully we can have the majority no matter how it goes. Maddy told us that she is close with Rebecca on the other tribe which was probably a big mistake so we have to keep an eye out for that. She also told Luke about a secret map that she found at the moors! She lied when I asked if she found anything about it. Luke said there was a phrase that you could send to the hosts about this secret map so we both sent it in. Sarah, Heather, Luke, and I formed an alliance that they think will go all the way but I think Luke and I may have other plans. I trust Luke implicitly and I know he trusts me! Hopefully our plan works out.
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3 and a half hours later, Olivia and I are going strong on Skype planning and scheming for the whole game. I exposed Madison after learning she is also close with Jake (* ^w^*). We are definitely targeting Heather at some point, for she is the least trustworthy of them all. I’m planning on trying to win over AnnaMarie and Madison’s votes and Olivia is going to win over Jake (* ^w^*) and Trip. Hopefully by controlling two people each, we will have the majority in any potential vote. Needless to say- I will trust and advocate for Olivia until the end. I believe in our ability to take out the rest of our tribe and come merge time lay low. She’s writing a confessional right now as well, I hope it’s not about how she’s going to eliminate me lmao.
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Also- Heather said in her intro video that she isn't afraid to backstab people and she kept going on about how much she loves acting! She also wouldn't really say anything when we talking about future plans so HOW AM I SUPPOSED TO TRUST HER! I know I've already made two so this is the last one lol.
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Things seem to be going well, I have talked to everyone, excluding Rebecka, and get along well, so far there are few people talking strategy, but that suits me fine for now.
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I am so happy that the game finally started. The Saorsa tribe gives off really great vibes to me and I hope that is a good thing. I feel like I've made connections with almost everyone, but it is really nerve wracking because you never know who felt a connection with you. I feel I got pretty close to Madison, Lukas, Olivia and a few others. I just hope we can win Immunity so I dont have to send anybody home
I am very nervous for the competition. None of us really know Sarah and if she doesn't  show up, it's going to suck for the tribe. I don't want to be known as the weakest link for the tribe because my partner for the challenge didn't work. 
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So I reveled I have a 10% advantage, hopefully that doesn't kill me off but oh well. So far so good. Tara and I have been bonding over BTS and I think I'm gonna try getting us to f2 since I like her the best out of everyone so far. Maybe she'll back stab me but that's okay too as long as she gets into f3 ^-^. I hope not though, that would be completely and utterly sad. (I do think she knows what I'm playing at since she watched my first org and I'm basically redoing that. She's trying to help me right now at least)
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So I went to the moors for the first time and I’m really excited to be playing. This game going to be good and I know it going to have plenty of twist in it. Also I’m really liking Tara form like day one we vibes and we started talking and she’s pretty cool. Another also I feel like one of those older wise people because a lot of the peopel on my tribe are newbies and that makes me feel somewhat more safe in this game. 
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So I misread my hidden advantage/disadvantage. What it actually says is that it will be revealed at a tribe swap and not merge. Also, Ive been mapping out all the locations and places explored in The Moors and concluded that Ain has the idol that was in the pit she fell in. For now I'm going to try and befriend her more so that we can be allies or have her reveal and flush an idol. My crossword chellenge is upcoming and I've been studying Survivor terminology so I don't flop!
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I really like Jake and Maddie. I really want to start having a good strong alliance with them later on in the game. I love everyone's dogs as well.
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Trip is sure he blew the logic puzzle. I feel bad for the kid and I definitely don't want to target him or anything over it and I want to make sure other people don't do that as well. I've been reading up battleship strategies online and about how to read people and poker tells and whatnot and that either makes me the biggest dumbass in the world to think that any of the advice might help or it makes me more prepared than my opponent. Can't tell at this point. He says he can't do the challenge today so we have to wait all the way until tomorrow. That'll either give me more time to be prepared or it'll give me just enough time to overthink and freak myself out. Either is likely at this point. I tried talking to AnnMarie some like Luke and I planned and she seemed pretty receptive until I suggested videochatting and she didn't respond but I'm not sure if she is doing her puzzle right now or if I just scared her off.
oh also Trip and I talked this morning which was great. Hopefully people don't talk to one another and say "oh hey has Olivia been talking to you" because if they do then they may think I'm playing too hard which at this point I'm probably over-doing it but I am just so excited
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So Tim has told me that he has an advantage from the moors that will be reveal at the tribe swap. I believe him because even if hes lying it means he wants me to trust him so we work together. Looking ahead I think Tim, Tara, and I would make a good team, of course we’d need more numbers but it all depends on the connections we make, people’s performance in the challenge, and how people act if we go to tribal.
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Found a special path in the moors, but even though I’m not getting anything from it, I’m getting a bunch of friends by telling other people. I told the alliance of me/infinity/ and Tara about it and I’m pretty sure that was the mortar that’s holding the house together. Also gave the info to Tim, hoping to work close with him, seems to be a pretty straightforward guy. He asked who else I gave the info to which I replied a solid “sorry can’t say” but I think it’ll go fine as long as that stuff doesn’t come up any longer.
Madison found a special path in the Moors, where she could receive a vote revealing advantage if she created an alliance with the two players she trusted the least, who she ranked as Jake S. and Sarah.
To do this, she opted to tell the tribe that she had to make an alliance with “random” players for a potential trial advantage. She succeeded, and was given a necklace which would reveal all votes cast at a tribal council, to be played until the final 7.
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Hopefully honesty is the best policy. 
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Ok so its Day 2 and i completed my immunity challenge pretty fast in my opinion... but this is whats happening... August told me about the third path in Moors but he said that i wasn't the only one that knew about it. Later Tara got caught searching in The Neist and August said that he told Tara about it but Tara said that's not true... Im on to you August.. lets just wait for the immunity results...👀
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So Tim has told me even more information about the Moors, and a secret location called the Neist that August found. This makes me trust him more and feel more comfortable working with him, but it also means I have to work on my connection with August if the three of us are going to work together TimHoly shit things are going downnn. So August and Tara are actually allies and Im the third. And originally, we were the only 3 that knew about the Neist. But I rushed and thought I was getting played so I told Stephen... EVERYTHING about the Neist including the locations already searched... I messed up big time! ( Or maybe not? 👀)
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omg so i hate august!!! first thing he messages me in the game is that we shouldn't tell ppl that we know eachother and we should try to seem distant because we know eachother from epicmafia n then he goes blabbing his mouth n telling ppl that he told me all this info! like where and when is that a smart thing to do august?? before i even knew he did that tim confronts me n is like hey do u know august, did august tell u this, and me trying to b a good friend to august is like yaa no sorry! but like ugh! august needs better communication bcos if the first thing he messages me is "HAHAHA SHHH SHHH WE DON'T KNOW EACHOTHER" i'm gonna expect that hes gonna try keep distant! then he goes blabbing some more n tells tim about drama that happened in our last org like hmm interesting... um but ya august is gonna b first boot! bye girl! 
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So today in the Moor I came across a skeleton that “had a ring of bones unmarked from where a necklace once was”. This to me is a mess. Who on earth has already gone down this exact path and #snatched the necklace from me? Anyway, I messaged my main sis Olivia and devised a plan, then ran it by Madison as well. In the tribe chat, I openly said I have a “gem that could boost the power of a necklace that once rested there” which is complete BS. I am hoping someone takes the bait and messages me about having a necklace of such, and then I can expose them. 
Also- Madison entrusted me with the knowledge that she has a power that can reveal everyone’s votes at a certain tribal. I may just keep this to myself, because up until now all info I’ve received in the game I’ve shared. 
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THE MOORS ARE CRAZY AND I KIKE THE RIDDLES AND THE HINTS AND IVE ONLY BEEN ONCE BUT I CANT WAIT TO GO TOMORROW. THE PUZZLE IS VERY HARD AND I STRUGGOED AT FIRST AND I HOPE the tribe isn't going to tribal council.
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Tara came to me freaking out. I had told both her and Tim about the special path and Tim was like “ I bet they’re aligned” so Tara made up a lie saying I didn’t tell her. I tried to solve the problem by just being outright honest, but I’m still annoyed. Tim is far too paranoid to work with. 
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ok so it seems as though as suspected some areas of our challenges were a bit rushed in decision and now i think it could be a big fat L but sometimes you win sometimes u lose, that said i hope the effort i put into my part shows im here to win, outside of that i've made more social connections with olivia and some others :) that open alliance announcement was a shock to me kinda made me laugh, looks like the 3 may be working together to get the moors solved so i'll have to keep on it
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I'm a comp flop and i hope that doesnt make me a target. I havent talked to a few people and I'm going to get on that. 
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Ok so everyone sucked today at the challenges (I still love them) and it is kinda looking like I am our last hope. wheeeeeeeeeeeeeee. Also it turns out the whole tribe is gonna watch?! what???!!! Feeling better every second out the firm alliance between Luke and I though. At the Moors I took a harness and hid it in a place where another harness already was so I am gonna try and be first when it comes to going to the Moors tomorrow. Luke found a skeleton without a necklace there meaning someone has the necklace. He told the tribe and AnnMarie just told him privately she had to tell him something about the moors AND NEVER RESPONDED. The second (not Canadian) Jake seemed like he might pull through and be an active participant but its not looking too likely. Sarah is still inactive so unless the other tribe sucked more than us she will probably go home Monday. Also I am supposed to talk to the Canadian Jake but idk how to talk to that guy! and trip too! Like I never know what to say but I am going to keep trying because Luke is making good progress with Maddi and with AnnMarie. We both gotta be careful and include Heather because if not that could be dangerous. 
JUST GOT SOME MAJOR TEA FROM CANADIAN JAKE WOOOHOOO!!! I was asking him about Canada and he told me that if I take the harness back to camp it leads to more paths. I told him this made me trust him a lot. Not exactly true but not false either. He could be playing me but hopefully this is securing a bond.
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Hi I’m Aundra and I’m stupid af. I picked to do the logic challenge knowing I’m stupid af. then announced to the tribe that I’m thinking about quiting being stipid af. now I’m stuck looking stupid af
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https://www.youtube.com/watch?v=-KvsH2lWN3Y
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4 hours and 20 min later I finally finish my part of the challenge I’d like to thank Ali for helping me through when I was about to quit and Kermit I’d also like to say if we lose it won’t be my fault fully because people have gotten 10% disadvantages on the team so our odds are low but the grave I’ve dug for my self is bigger than the possible 20% I think we have agonist us 
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LukasJust a lil update for the girls. Madison told me about her magnifying glass, but apparently she hasn’t told anyone else. I’m going to keep this to myself from Olivia otherwise I will have nothing to keep secret for myself, and that just seems wrong. I staged a text conversation with my boyfriend and sent it to Heather about her dog and how it’s totally the next big meme. Heather ate it up as expected, and now I feel like I have an in with her. Aside from my core 4 alliance, I really don’t know where anyone else’s head is at and they all are lackluster communicators. 
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Ok so Maddi, Heather, and myself had about an hour long chat (mostly) about the game tonight. We agreed that the four of us (us 3 + Luke) should definitely stick together and although it’s definitely possible, it’s probably unlikely that the other four players have their own alliance. My fears about heather were mostly assuaged because when Maddi left she voiced her concerns about Maddi and her connections to the other side and she revealed to me that she trusts me the most (which is obviously great). Now I have two people that trust me the most out of anyone. (Only one I feel the same about) As long as I’m in this game I won’t forget heather’s intro video and her statement about how she is more than willing to backstab. The relationship between trip and I seems to be going well (albeit a little slow) while my relationship with AnnMarie is kind of nonexistent but it’s only been two days. I don’t trust Jake S. At all. He said he hadn’t been to the moors yet?? Fishy to me. The battleship showdown is tomorrow. Survivor gods be kind, let it go well. 
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The idol is already out there on day THREE. Im assuming either Vi or August has it but I'm leaning towards August.. If we lose immunity then I may have to spark up the game and vote out the idol holder either that or have thr idol work in my favor. I'm on to you August and Vi and your friend Ain too! You may have had us do your dirty work of finding the idol but I'll get the last laugh. Know That. StephenSo Tim thinks someone has found the idol based on what he found in the moors and I’m inclined to agree, but it worries me how fast things are moving, im hoping we win immunity so theres time for things to settle down and for people to relax. At the same time chaos is a good way to find out who you can trust.
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https://youtu.be/RSSBtWKMfiU
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I'd be very very surprised if we win immunity, especially since our tribe has members with a 5% and 10% disadvantage, and some members of our tribe who have yet to complete their challenge or never will? InfiniVi has a 10% advantage so maybe that will help balance it all out. Regardless, I think I'm in a safe spot on my tribe and I am confident in my challenge time and Im hope Stephen and JG does well so cheers to that?? 
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I didn't notice a small wording difference which  changes my time in logic puzzle from very low to over 3 hours and 40 minutes. I am worried if we lose this challenge I could be sent home, but hopefully if so Sarah is thrown under the bus. I mean they haven't even been here! Everybody else is so nice and cool, I love my tribe!
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Well I had a very nice conversation with Vi and Tara (seperately) and August your game is donezo. We know about your idol/advantage and you lost your potential allies' trust in the process. If only you'd kept Neist point a secret. Fear not, we can still use you as a number and you can be one of the many strings I pull as I become Sole Survivor. Ciao!
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Hour and a half before battleship. The tribe seems excited to cheer me on. They all seem to think it rests solely on me. But if they all lost then we’re already fated to go to tribal, no? Irregardless, it would be a good moral victory. I’m trying to decide how to come across when I go head to head with the other tribe. Strategic? If so he may figure out that my ship placement strategy wasn’t just random. Wholesome and nonthreatening? It may help out now but they may think I’m not quite smart should I make it to the merge. Maybe that’s a good thing idk. I’m only certain of one thing however and that is that I’m definitely overthinking this. I watched my opponent’s intro video. He is into Star Wars and humanitarianism. Maybe I can pander to that so he doesn’t feel threatened. Battleship is mostly a game of luck but anything I can do that might be an advantage is worth it.
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So so so, so much has happened I don't know where to start. The alliance between Tara, August and I basically is down to Tara and I and August as the third wheeler. He has betrayed our trust and so we're going to pretend to be nice to him. Also there is a 85% chance of him having the idol. Tim accused me of having it but jokes on him, I would have screamed it in the main chat since it's rare for me to get lucky with anything. Anyways I think I'm gonna go place some tension between a couple people and see how that blows up in my face. I know it will bc that's my luck also
I got more updates on the drama. Tim is a bas-cough- sneaky little no legged lizard. Can't believe he told Tara to go to the cauldron even tho Ain told him that it held a disadvantage right before that. Hehehe the boys - August, Tim and Stephen - are gonna regret it the moment the girls line up too.
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Olivia is a QUEEN AND WON A SECTION FOR US IN THE RELAY. SLAY ME
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Im not sur if im allowed to curse but where in the world are these ships!!! Hello????
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My fav player won their challenge I am so proud of her. She will win first for sure calling it now.
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JG seems like a fun guy, but we havent talked much. In his challenge he kept changing his pattern, which I’m not sure was a good idea, but that might just be hindsight.
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https://youtu.be/nk5jBYqnYwI
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We are going to lose because I suck at puzzles 
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HOLY SHITBALLS!!!!!!!!!!!!!!!!!!!!! Just won the battleship challenge and I feel OH so relieved. So much has happened today I hope I don't forget to write it here. Ok so I was included into the one viewing lounge which was cool as shit but I didn't know anyone but hopefully I can be included in this community going forward because everyone seems so cool. Trip and Canada jake both told me their moor experience which hopefully shows trust. And after I won the challenge Trip said I should be captain. It was sweet, but hopefully no one takes that to mean I am the leader because I sure as shit do not want that. Even though I feel like I am in a bit of a power position with Luke right now, I do not want anyone else to know and I certainly don't want people to think I am the captain because those people always get targeted (see: ben this current tv season). Apparently I mentioned that Luke was the only one that knew the coordinates for battleship and when Luke told me I did that I about shit myself because we don't want people finding out how close we are. Hopefully none of the players caught on. Luke told me that Heather told him that she got a 10% advantage in the first individual immunity challenge, and she didn't tell me that until she told the fab four collectively which concerns me because yesterday she told me she trusts me the most. I started individually messaging her so hopefully I can keep that trust. We get the tribal results tonight and hopefully we won so we can keep the Sarah buffer going forward. People were calling me an icon today and I don't really agree but it made me like so happy I could do something for the tribe and everyone was so nice after I won like I was so emotional reading the messages. I know this is a game but I like everyone so much and I'm so grateful I got this tribe. oh also Jake S. hasn't been responding (like usual) and I am just overall concerned about him and whether or not he has an idol. Besides that, I am just so happy with how today played out. Sorry for the long ass confessional lol.
Oh and also I love Heather but with the individual messaging I wasn't sure how to start it so I mentioned the walking dead, her favorite show, which I have literally never seen except for when people reblog stuff about it on my tumblr. I literally only had my tumblr knowledge to go on to carry that convo but it seemed to work and she seemed to buy it. I feel bad lying but like I need to talk to her more and I needed an ice breaker lol.
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I’m currently trying to secure my alliance with Madison. Whilst I don’t 100% trust her and would like to see her gone before the merge, I want her to think she is my #1. To do this, I’m asking her if I should branch out to Annamarie. She agreed, so I made a group chat with them. This is not so much to control Annamarie but more to let Madison think I’m hopeless without having her in my convos. Hopefully I’m not coming on too strong. 
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holy shit that was the worst puzzle i've ever had the misfortune of trying to piece together im so happy its over
Iolaire won the first immunity challenge, sending Saorsa to tribal council
https://atomicsurvivor-isleofskye.tumblr.com/post/168413432616/tribal-immunity-1-results
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Im literally shakingggg. We won the first immunity so no first boots from our tribe! I think we were lucky that someone from the other tribe got a strike, otherwise, im uncertain how things would have ended up. There was a plan to blindside August and the idol but we'll have to put it on hold!
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So glad we won, there has been a little drama and while I was confident I wouldn't be going home I'm glad we get time to settle down and talk more. I want to make sure I can get Tara, JG, and Rebecka on side, if we can flush or blindside August's idol I'll feel mch better.
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omg, close ass challenge it seems like this was alot closer than i anticapated, i expected a loss in the logic but holy we almost wonf if not for sarah thats crazy, but i mean its hard to win with an afk, at least its an easy vote, another loss may not result in so, so we gotta get that motivation and grab the bull by the horns and win !!!
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I'm so proud of Trip and Olivia for winning but I am also soooo pissed. If Sarah would have tried I truly think we would have had a chance.
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Honestly I'm kinda pissed that Sarah never submitted cause we had it in the bag. I failed pretty hard with the puzzle, but I'm hoping to do better next time. I found a freaking path in the moors, no advantage, no hint. I'm trying to get around, trying to talk to everyone, especially madison, lucas, and olivia. I'm very comfortable with them and I feel that we'd be a good alliance once the game gets SERIOUS. I got drafted twice and I'm gonna cry I'm so happy
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DAMNNN we have to go to tribal. Whilst I am sad about this, it won't be too sad seeing Sarah go (hopefully). After seeing the draft results as well, I think I am going to make Madison my #1 considering how liked she is by the VL. She must be a good person. Also, since she has history of the game- it would make sense to align with her over Olivia.
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So Rebecka has finally communicated, was worried she had a grudge from Athena, but I know she's going through some things, hopefully she is better now. I do want to work with her, but I would be worried that she is more inclined to work against me than with me, hopefully I can work with her, she's a loyal person and I can use that.
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Aye it’s my first confessional!! I’ve kinda been laying low from the start cuz I’ve been very busy in real life but I think everyone on my tribe is cool! I think this rounds tribal should be easy considering we have a 100% inactive but in survivor who knows what’ll happen.. I’m also not aligned with anyone at this point. I’m just chillin. But it’s a bummer we lost so hopefully someone reaches out to me soon! 
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Jake just told me we are meant to be allies. I asked for his advise and he said he is there to help me, which is good for any future plans. I'm not sure if Heather trusts me the most anymore, but I know she thinks I'm right. I still have Luke 100% and hopefully tomorrow I can secure Trip more. Tomorrow is an easy vote day and Luke and I are going to use this opportunity to lay low and just trust build. Hopefully all goes to plan. Should we lose another immunity, we have a tentative plan in place. But hopefully, we won't get there.
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I cant believe I somehow won my challenge even though I made a horribly dumb mistake! If my original assumption was right since we both won me and Olivia should have nothing to worry about. We all know who is going this tribal though. It would surprise me if it was not unanimous.
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I’m glad I’m not going to be the first boot! A personal achievement. MadisonI’m super concerned about the advantage possibilities NOT GONNA LIE. And Jake S is sketchy. And Trip is playing hard wtf? Also I’m concerned that i was DRAFTED SO MUCH WTF. Like I’m happy but also I’m v concerned that people think I’m way more of a threat than I am. 
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Honestly from yesterday to rn I read every single message over 3 times and  I still don't understand anything that people messaged me. I had to write this over 3 times since I'm so dizzy and brain dead from not sleeping and finals. I feel absolutely nothing atm and so  I can't tell if people are trying to screw me over or not. O well. I'm not that sad that we won, I don't know the other tribe so whatever.
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Wow. So tribal's tonight and I'm mega excited. I can't wait to see how it goes and what question the judges ask and see who people voted for. I feel that this is an easy vote, but it's impossible to know what everyone is thinking. I'm excited for the next round and see what challenges the judges come up with. Overall, this first round has been incredible, especially since this is my first time playing, and I'm ecstatic to see what's next.
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Well tribal is not too far away. I voted for Sarah, I'm hoping and guessing everyone else did too. Canada Jake's nickname for me is Moose, how freaking adorable is that. I love that guy. Today was supposed to be just a simple trust building day and then Trip blew that up lmao. I wonder if I tell Canada Jake that Trip excluded him if he would maybe get on board with what we need him to. I'm finding myself thinking way too far in advance when I just need to focus on what is happening now. With every move I imagine 1,000,000 different repercussions and how it could lead to me getting voted out. I want to go far so badly but I worry I won't make it past episode two. Just gotta take it one step at a time I guess.
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This is probably my 100th confessional of the season (It's day 4), but Im totally enjoying my day off! We don't have to worry about going to tribal and losing a member of our team! What worries me though is that once the other tribe eliminates their inactive player, we'll be doomed at the next immunity.
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Dang k9trip is salty at the moment. Rushing tribal to the extreme.
An alliance of Heather, Lukas, Madison, and Olivia called “Future Final 4″ was created on Saorsa.
An alliance of Vi, Tara, and August was created on Iolaire.
An alliance called “Secret Tribe F5″ between Heather, Trip, Lukas, and Olivia was created on Saorsa.
An all-girls alliance between Heather, AnnMarie, and Olivia was created on Saorsa.
At tribal council, Sarah was eliminated in a unanimous vote:
https://atomicsurvivor-isleofskye.tumblr.com/post/168443384851/tribal-council-1-saorsa
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the-record-columns · 4 years
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Dec. 4, 2019: Columns
A cook book including a couple of recipes for life…
By KEN WELBORN
Record Publisher
Through the good offices of Ben Lane of Wilkesboro, I now have in my possession a fascinating relic from 1946. 
No, not Ben, but a fairly well preserved copy of the North Wilkesboro Woman's Club Cook Book.  The Woman's Club was established in 1920 and has been a fixture in North Wilkesboro ever since.  The cook book had recipes from the members and I am sure some others as well.  For me, having grown up on North Wilkesboro in the 50’s, many of the names were familiar.
  Some of the ladies who had recipes in the book were folks I delivered the Greensboro Daily News to as an 11-year-old boy.  Of them, one of my favorites was Mrs. Fred Hethcock.  The Hethcock's were a retired couple who lived on 6th Street in North Wilkesboro, just down the hill a bit and across the street from one of my other favorites, Carl W. Steele.  When I would go by on Saturdays to collect my 45 cents for the previous week’s paper, Mrs. Hethcock would always invite me into her kitchen and give me a glass of sweet tea—a treat like no other.  She would let me sit at her table and I remember she put lots of lemon in the tea the way I liked it.  Her recipe in the cook book was for shrimp sauce.
Another name I saw in the cook book was Mrs. William Marlow, Mary.  I was fortunate enough to get to know Bill and Mary Marlow through my association with the Lions Club of North Wilkesboro, and later, as a neighbor down the street from them.  They were just the kind of people you are thankful to have known and I can remember my daughter, Jordan, remarking about Mrs. Marlow's wonderful cookies, and the fact that the Marlow's always bought whatever stuff the school system had the kids out selling without complaint.  Mary Marlow had her recipe for Dream Bars in the cook book, which I have personally been lucky enough to have enjoyed.  I have also had many opportunities to speak with Mary, who had an accent I won't try to describe, except to say it was a wonderful Southern voice which was perfect for the stately lady she was.
There were lots of other familiar names in the cook book, Mrs. W.K. Sturdivant, Madge; Mrs. A.B. Johnston, Ruby; Mrs. Hoyle Hutchens, Virginia; Mrs. Maurice Walsh, Sina; Mrs. Jack Brame, Virginia; just to name a few.
 However, it is the two nuggets in the boxes I want to call your attention to.  They both caught me completely off guard and I was very pleased to see them.  The first is just past the title page and is called "Club Sandwiches," and the second was in the Pickles and Preserves section and is entitled "How to Preserve A Husband."
  These gals obviously knew their way around life, as well as the kitchen.
Club Sandwiches
A very special recipe from page 2 of the 1946 North Wilkesboro Woman's Club Cook Book
Take 80 club women, well seasoned by the experience of living--these should be firm, yet tender.  Mix well with equal parts of faith and hope.  Sprinkle in the spirit of service and add a dash of pep.  Stir in a heaping cup of tolerance, and let stand until all arguments have dissolved and the mixture has cooled.  Spread between two slices of courage with all crusts removed and wrap in a cloth dampened with the milk of human kindness.  This recipe will serve the entire community.
How To Preserve A Husband
Interestingly enough, this piece was in the "Pickles and Preserves" section of the cook book.
Be careful in your selection.  Don't choose too young, and take only such as have been reared in good moral atmosphere.  Do not go to market for him, as the best are always brought to your door.  When once decided upon and selected, let that part remain forever settled and give your entire thought to the preparation for domestic use.  Some insist in keeping them in a pickle, while others are constantly getting them in hot water.  This only makes them sour, hard and sometimes bitter.  Even poor varieties may be made sweet, tender and good by garnishing them with patience, well sweetened with smiles, flavored with kisses to taste.  Then wrap them in a mantle of charity; keep warm with a steady fire of domestic devotion, and serve with peaches and cream.  When thus prepared, they will keep for years.
 ‘In A World Where You Can Be Anything, Be Kind’ 
By HEATHER DEAN
Record Reporter
Note: This was not my planned topic this week but I have many friends either struggling with the loss, or caregivers dealing with  serious ailments of loved ones, and wanted to rerun this column from a few years back to remind us all to be kind, and be present.
 Tis the season… All the hustle and bustle, rushing here and there, making sure everything is perfect for the gatherings that are getting ready to happen. We sing holly jolly songs, take the kids to see Santa, make plans to see family out of town, and eat enough goodies to stuff a reindeer. We giggle and snort about tacky sweater parties, and maybe we roll our eyes at those that don't share the enthusiasm of the holiday; maybe even muttering "Scrooge" or "Grinch" under our breath.
But…maybe they have lost their joy for a very valid reason.  It's hard sometimes to see the melancholy, past all the glitter and lights. For many people, this is a horrid time of year; reflecting on who won't be home for holidays, especially if it’s the first one without them.  
I would like to share with you a song that my friend Brian Brown penned about his daughter, who was the poster child for Christmas, if ever there was one. .She was named "Bria", after her father, was the only daughter, and the baby of the family. Bria suffered from asthma, but that never stopped her from enjoying all things Christmas- singing, playing in the snow, all the fun kid stuff. It was after all, her favorite holiday.
Bria died in February 2015, after suffering an acute asthma attack at the age of 14. Christmas was never the same for Brian and his wife, or the rest of the family.
My Christmas is Gone
My Christmas is Gone
Hard to see the blinking lights
Tough to see the twinkling stars
Hearing them bells ring
just opens up all the scars
Happy families holding hands
humming holiday tunes
I'm Scrooge in the corner
wishing it was June
CHORUS
Please don't happy me this
Please don't merry me that
Cause my Christmas is gone
It ain't coming back
Even if Santa's sleigh landed right here
I'd step right over them reindeer tracks he knows my Christmas is gone...it ain't coming back
Yeah my Christmas is gone
It ain't coming back
This was her time of year
Loved decorating the tree
Singing those old Christmas songs; come adore on bended knee.
Everytime the snow fell
Bundling up to go outside
Fingers went numb
From the snowball fights
CHORUS
I got no more silent nights
No more decking the halls
Every day's now to be the same
Behind these four blank walls
There might be joy to the world
It just hasn't found me
My soul's laid bare
As Charlie Brown's Christmas tree
CHORUS
Brian wrote this song, "to find a way out of the dark pit of self pity while still embracing the sadness that is so important for healing.”
So while you’re out there, take a moment to make eye contact with people.
Be aware.  
Try to be the comfort in another’s holiday grief.
If you are the one grieving, know you are not alone.  
 HOTLINE 800-273-TALK (8255)  
Israel - The U.S. security net
 By AMBASSADOR EARL COX and KATHLEEN COX
Special to The Record
Those who wrongly consider Israel as "illegal occupiers" of land deeded to her by God Himself, are woefully failing to accept the truth which, in plain language, means a Middle East without Israel would be nothing more than a region filled with overwhelming violence and chaos. 
In 2005, Israel unilaterally withdrew from the Gaza Strip hoping to receive peace in return.  It did not happen.  Prior to 2005, Israel vacated a significant portion of Judea and Samaria leaving the West Bank, which includes the Golan Heights, in the hands of Palestinian Arabs who, with the support of Iran, Turkey and North Korea, turned the area into a giant launching pad for missiles and terrorist attacks threatening Israel and every pro-US Arab regime in the region. 
In 1967, Israel seized the strategically significant Golan Heights from Syria in a defensive war - a war which she did not instigate.  Israel was again attacked by her hostile Arab neighbors without any provocation whatsoever. In only six days and against seemingly impossible odds, Israel emerged the victor. She successfully defended her land and her citizens and even gained land in the process. 
Israel's presence on the mountain tops and ridges and in the Golan Heights serves as a sort of security policy for Jordan and others who are friendly to the United States.  Having Israeli troops in the Golan is also a kind of security safety net for the U.S. negating the need to send U.S. troops to patrol the Golan Heights as unrest and war rage in Syria, as Iran continues to spread it tentacles in Lebanon and Syria with ambitions to control the land all the way to the Mediterranean Sea, as Turkey's president sets his sights on Syria with expansionist intentions, and as Russia continues to expand its presence in Syria, Lebanon and any other place in the Middle East where there is the slightest opening or where leadership is weak.
Controlling the Golan Heights is important not only to Israel but also to the entire world.  Damascus, Syria is less than 50 miles from the Golan.  In the Middle East, Damascus is the center for the proliferation of global terrorism and drug trafficking.  You might remember that Damascus welcomed Nazi war criminals who fled Germany and Poland following WWII.   
Keeping Israel in control of the Golan Heights is essential to maintaining stability in the region.  Anyone who thinks otherwise is simply not thinking. Israel's presence is one of deterrence from which the United States, and the world in general, greatly benefits.     
It’s a Carolinas Heritage Christmas
By CARL WHITE
Life in the Carolinas
We have been busy elves working on our new Christmas Special.
The 2019 theme is A Carolinas Heritage Christmas. We have been filming on location in historic Gold Hill.
The people of Gold Hill kick off the Holiday celebrations with an annual event they call “The Lighting of the Fall Fires.” The event is always the Saturday before Thanksgiving and is held rain or shine. This year it rained, but that did not seem to dampen the sprits of the attendees.
When people arrive, they exchange their tickets for a bag of gold nuggets (painted gold that is). Once they have their nuggets in hand, they board a trolley that takes guests to their choice of three stops. The nuggets can be exchanged for various food offerings throughout the village.
I met a fellow at the Brunswick Stew station. He so loved the stew that he used three nuggets for three servings. He said it was the best he had ever eaten. Then we met a lady at the chicken and dumpling station who was in line for the second time. She said it brought back great memories.
The village was filled with all sorts of music for people to enjoy as they went from place to place. It was a friendly event with all the charm you might imagine.
Vivian Hopkins at the E. H. Montgomery General Store provided great assistance in our production as well as sharing a look into life in the village. The Montgomery is a popular location during the Holidays and throughout the year with weekly Friday Night Bluegrass gatherings.  
There were three fires. We were on location with three cameras at the largest fire when it was set ablaze. As the fire was set, I chatted with Darrius Hedrick and John Yelton who have been part of the event from the very beginning,19 years ago. Darrius said that the event transitions us into the Holiday season.  John, now in his 90’s, said we need to be thinking about what we can be thankful for.
We were enjoying our chat as the fire grew, so much so that Darrius looked at me and said with a calm smile, “We better move back a bit before my pants melt.” I suppose I was so caught up in the moment that I did not notice that the ground around us was starting to steam from the mist in the air and the growing heat of the blaze.  
It was great talking with Darrius and John as they were both involved in making the Gold Hill Village what it is today. Naturally, there are many people involved; however, at that moment I became very aware that “The Lighting of the Fall Fires” is much more than an event to raise money and awareness for the Gold Hill Historic Preservation Society; it is a celebration of the fact that Gold Hill has significant Carolina history and, most importantly, it stands today as the Historic Gold Hill Village and provides a glimpse into our past and comfort for our future.
We will be back in Gold Hill for more filming during the “Christmas in the Village” celebration which is always the first full weekend in December.
Happy Holidays and Merry Christmas Season!  Let’s make some new friends and traditions this year and if we do maybe depression will not be in our stockings during the upcoming months.
Carl White is the executive producer and host of the award-winning syndicated TV show Carl White’s Life In the Carolinas. The weekly show is now in its eleventh year of syndication.   For more on the show visit  www.lifeinthecarolinas.com and join the free weekly email list. It’s a great way to keep up with the show and things going on in the Carolinas. You can email Carl White at [email protected].  
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samanthasroberts · 5 years
Text
A Brief, But Not Too Brief, History of the Italian-American Cocktail
When Italians first began coming to this country in numbers, back in the 1880s and 1890s, many of them did what Irish and German and other immigrants did before them and went into business serving the food and drink of the old country to their fellow immigrants. Italian food and drinkways, being rather more alien to the prevailing American standard than either German or Irish ones were, took extra work. Things had to be imported. Good, dense pasta asciutta in all its myriad shapes, olive oil, the essential cheeses and cured meats, so on and so forth. After all, you can’t make a saltimbocca alla Romana without prosciutto or a stracciatella without well-aged parmigiano, and life without saltimbocca or stracciatella is no kind of life at all.
The same held true for Italian drinks. At home, Italians drank wine with their meals, perhaps preceded by a light, bitter amaro aperitivo and followed by a heavy, bitter amaro digestivo or perhaps a spot of grappa. That was civilized. Americans drank whiskey and cocktails and that lager beer that the Germans had brought over a few years back, and if they used bitters at all it was dashed into their whiskey. True, Italian vermouth was widely available due to its popularity in the Manhattan and the Martini, but those amari and that wine needed special importing.
Once supplied with the necessary stuff, the first Italian immigrants to open restaurants and bars kept things largely in the community; the only Americans you’d be likely to see in an Italian restaurant were the foodies of their day or Bohemians on a budget. In general, restaurants were preferred; what Italian bars that existed were more along the lines of cafes and social clubs than American-style brass-rail, knock-’em-back joints. Neither the bars nor the restaurants were famous for their cocktails.
There were exceptions. Victor Baracca’s restaurant on Stone Street in Lower Manhattan employed the talented Jacob “Jack” Grohusko as bartender. Grohusko, of Russian Jewish extraction, nonetheless introduced drinks such as the “Baracca’s Cocktail,” three parts Italian vermouth to one part Fernet-Branca, up. This was nothing more than the Italian, on-the-fly way of making an aperitivo—take vermouth and splash in a digestivo—in cocktail dress. There were several other Fernet drinks in his 1908 Jack’s Manual, all of them variations on the same thing.
Fernet-Branca appears in a few other cocktail books of the day, used pretty much as Grohusko did. One also finds Ferro-China Bisleri, another Italian amaro, perhaps even more extreme in flavor (it had a blood-like tang of iron), used the same way, but this sort of first-stage Italian cocktail did not catch on. It was too bitter, too intense, too Italian. Its component ingredients fared little better: Fernet and the small handful of other amari that were imported remained ethnic specialty products, and as for grappa—well, when Broadway casting director Jonathan Briscoe tried it at Vincenzo and Eugenia Sardi’s restaurant in New York he dubbed it “Fourth of July” because it was like a fireworks show on his palate.
That was in 1922, during Prohibition. With the passing of the Volstead Act, the legion of small Italian restaurants that dotted parts of New York and San Francisco and Chicago and New Orleans and wherever else Italians settled in numbers faced a dilemma. An Italian would not want to eat without wine, and selling wine was illegal. With gastronomy in one pan of the scale and the law in the other, the sensible side of the scale won out and a great many of these places suddenly found themselves in the speakeasy business. And once they were selling wine and food, they might as well sell a little liquor, too, right? And not just that weird Italian stuff. Bacardi. White Horse. Canadian Club, like that—or “Bacardi,” “White Horse” and “Canadian Club.” You never knew really what you were getting, particularly when the old, rough, secretive Sicilian and Calabrian networks for evading the authorities came into the business.
Men like Domenico “Nick Martini” Setteducati in New York, Amelio Pacini in San Francisco, and Adolfo Renucci and Agostino “Gus” Sciacqua in Chicago went from waiters, cooks and busboys to bartenders and hosts overnight. But speakeasies couldn’t be run like the old our-thing Italian restaurants. Speakeasies were for everybody—they had to be: if you wanted to stay in business, you had to pay a lot of people. That meant that the drinks were no longer from the old country. You couldn’t get the wine, anyway, and while you could get some of the bitters—allowed in by Prohibition law as medicines—you couldn’t persuade people to drink them.
When repeal came, most of these speakeasies reopened not as bars, but as restaurants, and Italian ones at that. But the cocktails they sold at the bar were the same thoroughly American things they sold during Prohibition, now made with reputable booze. Truth be told, the food was no longer as Italian as it had been back in the 1910s, either. Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.
This process of Americanization was greatly accelerated by the war years. From 1940, when shipping lanes closed down, there were no Italian imports until 1947 or 1948, when a devastated Europe was able to begin shipping things to America again. By the 1950s, places such as Sardi’s in New York, Amelio’s in San Francisco, and Renucci’s and Gus’s in Chicago were American institutions: places where you could down a Manhattan or an Old-Fashioned at the bar, drink Scotch Highballs with your steak, salad and baked potato, and end the meal with a Stinger or a Brandy Alexander. You could also have linguine with white clam sauce and veal Marsala, accompanied by a straw-covered bottle of Chianti and tamped down with a pony-glass of Strega or Galliano, the two most popular of the very limited field of available Italian liqueurs, but that path was strictly optional
“Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.”
Then came the 1960s, with all its consciousness-raising, diversity-celebrating, and ethnic-cheerleading. Assimilation was out, Italian-American pride was in. Mario Puzo’s 1969 novel, The Godfather, was on the best-seller lists for 67 weeks, becoming for a time the most widely sold book ever. Sure, it presented a picture of the Italian experience in America that was somewhat … complicated. But if you can overlook all the felonies and criminal conspiracies and adultery and whatnot, its characters were a lively bunch and for every Italian-American, as they were now calling themselves, who thought the book and the instant-classic 1972 movie that followed it were making his or her people look bad, there was one who thought any publicity was good publicity.
This renewed sense of identity highlighted a need: all those spaghetti & steak joints suddenly noticed that there wasn’t much going out from the bar that said “this establishment is proud to be Italian.” One of the consequences was that, in the Disco Drink-era of the 1970s, among all the candy-sweet, suggestively named alcoholic confections that were in style, one often found the Negroni being offered.
Now, this was a legitimately Italian drink, even though its creator only thought to splash gin in his vermouth-and-Campari Americano because he had spent years as a fencing instructor and gambler in New York. As such, it was plenty sweet, but also plenty bitter. Italians like bitterness. Americans at the time, not so much. That meant that most of the spirits Italians actually drank back home in Italy were unlikely to fill the bill. There were a couple, though, that just might work.
Galliano, for one. This 80-proof, lightly-herbal, vanilla-forward liqueur from the gritty naval port of Livorno, in Tuscany, was nowhere near a national brand in Italy; it’s not even mentioned in Italian Wines and Liquors, the guide the Italian Federation of Producers of Wines, Liquors and the Like published in 1953 to show that the industry was back in business for export after the war, nor is it found in Gino Neri’s 1960 I Liquori Italiani. But it had been in America before Prohibition, come back after Repeal, and was the key ingredient in the widely-popular Harvey Wallbanger.
It didn’t take long for Dominic “Duke Antone” Paolantonio, the Wallbanger’s self-claimed inventor and proprietor of a mixology school in Hartford, Connecticut, to come out with the Italian Fascination: an ounce each of Galliano and heavy cream, half an ounce of Kahlua and a quarter triple sec, shaken with ice and strained into a Champagne flute. He also had a flaming “Coffee Nero” with the stuff. He may also have had a hand in the “Italian Heather,” which was nothing more than a Rusty Nail with Galliano instead of Drambuie.
While those drinks got around some, helped in large part by Galliano’s importer papering the country with a 1970 recipe booklet featuring them and other concoctions, none of them really caught the public’s imagination. It fell to another company to crack the market wide open. In 1968 or thereabouts, I.L.L.V.A. (I won’t spell out the acronym), a family-owned distilling firm from Lombardy, found an importer for Amaretto Di Saronno, another liqueur very little known in its native land. The family had been making this 56-proof extract of apricot pits since the early part of the century. Tasting like almonds (closely related to apricots) sweet and nutty and not at all herbal, medicinal or bitter. In 1972, either I.L.L.V.A. or its representatives did what Duke Antone should have and plucked the most obvious name going for their own version of the Rusty Nail. The Godfather—Scotch and Amaretto di Saronno on the rocks—was an instant success, as were its two spinoffs, the Godmother (with “feminine” vodka instead of the “masculine” Scotch) and the Godchild, the same with cream.
The Godfather led to the Amaretto Sour, originally just Amaretto and lemon juice but made in mediocre bars from coast to coast with sour mix, and, for those who found that too challenging, the Bocce Ball (spelled variously), which was basically a Harvey Wallbanger with Amaretto instead of both the Galliano and the vodka. That one was so innocuous that it was served onboard the TWA charter jet that flew Pope John-Paul II around America in 1979.
There were a couple of other Italian liqueurs that found their way into American bars. Sambucca, another little-known cordial, this one anise-flavored, was used in some drinks, although its real niche was as a part of after-dinner service, where it was put in a little shot glass, garnished with a coffee bean or three and set on fire. In the early 1980s, it was joined by limoncello, a tooth-grindingly sweet regional specialty from the Amalfi coast.
By then, though, the culinary revolution was underway. There was a new generation of Italian restaurants, more adventurous and less Americanized. These were places where they would list their grappas and their amari on the menu, with the full expectation that their clientele would order them. This led in turn to the cocktail revolution, where the bartenders, when they weren’t doing shots of Fernet-Branca with their friends, saw no problem using it in their cocktails. Suddenly, American bartenders and their customers were using formerly-challenging Italian drinks—amari, aperitivi, what have you—to make drinks that were even more challenging than what you’d find in Italy. Rhubarb amaro would find itself mixed with mezcal, funky old sherry and a few drops of yuzu juice. Grappa would be worked into an Old-Fashioned, topped off with a float of navy rum.
Now, in the final twist of the knife, this 21st-century extreme mixology has found its way back to Italy, where bars such as the Jerry Thomas Project in Rome, Nottingham Forest in Milano and the Antica Café Torinese in Trieste are making the same kind of intense, modern cocktails that one finds in New York or San Francisco. At the same time, bartenders in the US are perversely looking back in nostalgia at the Godfather and the Amaretto Sour and suchlike confections. It’s a funny old world. If somebody tries to serve me an Italian Fascination they’re gonna get punched, though.
Source: http://allofbeer.com/a-brief-but-not-too-brief-history-of-the-italian-american-cocktail/
from All of Beer https://allofbeer.wordpress.com/2019/01/11/a-brief-but-not-too-brief-history-of-the-italian-american-cocktail/
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adambstingus · 5 years
Text
A Brief, But Not Too Brief, History of the Italian-American Cocktail
When Italians first began coming to this country in numbers, back in the 1880s and 1890s, many of them did what Irish and German and other immigrants did before them and went into business serving the food and drink of the old country to their fellow immigrants. Italian food and drinkways, being rather more alien to the prevailing American standard than either German or Irish ones were, took extra work. Things had to be imported. Good, dense pasta asciutta in all its myriad shapes, olive oil, the essential cheeses and cured meats, so on and so forth. After all, you can’t make a saltimbocca alla Romana without prosciutto or a stracciatella without well-aged parmigiano, and life without saltimbocca or stracciatella is no kind of life at all.
The same held true for Italian drinks. At home, Italians drank wine with their meals, perhaps preceded by a light, bitter amaro aperitivo and followed by a heavy, bitter amaro digestivo or perhaps a spot of grappa. That was civilized. Americans drank whiskey and cocktails and that lager beer that the Germans had brought over a few years back, and if they used bitters at all it was dashed into their whiskey. True, Italian vermouth was widely available due to its popularity in the Manhattan and the Martini, but those amari and that wine needed special importing.
Once supplied with the necessary stuff, the first Italian immigrants to open restaurants and bars kept things largely in the community; the only Americans you’d be likely to see in an Italian restaurant were the foodies of their day or Bohemians on a budget. In general, restaurants were preferred; what Italian bars that existed were more along the lines of cafes and social clubs than American-style brass-rail, knock-’em-back joints. Neither the bars nor the restaurants were famous for their cocktails.
There were exceptions. Victor Baracca’s restaurant on Stone Street in Lower Manhattan employed the talented Jacob “Jack” Grohusko as bartender. Grohusko, of Russian Jewish extraction, nonetheless introduced drinks such as the “Baracca’s Cocktail,” three parts Italian vermouth to one part Fernet-Branca, up. This was nothing more than the Italian, on-the-fly way of making an aperitivo—take vermouth and splash in a digestivo—in cocktail dress. There were several other Fernet drinks in his 1908 Jack’s Manual, all of them variations on the same thing.
Fernet-Branca appears in a few other cocktail books of the day, used pretty much as Grohusko did. One also finds Ferro-China Bisleri, another Italian amaro, perhaps even more extreme in flavor (it had a blood-like tang of iron), used the same way, but this sort of first-stage Italian cocktail did not catch on. It was too bitter, too intense, too Italian. Its component ingredients fared little better: Fernet and the small handful of other amari that were imported remained ethnic specialty products, and as for grappa—well, when Broadway casting director Jonathan Briscoe tried it at Vincenzo and Eugenia Sardi’s restaurant in New York he dubbed it “Fourth of July” because it was like a fireworks show on his palate.
That was in 1922, during Prohibition. With the passing of the Volstead Act, the legion of small Italian restaurants that dotted parts of New York and San Francisco and Chicago and New Orleans and wherever else Italians settled in numbers faced a dilemma. An Italian would not want to eat without wine, and selling wine was illegal. With gastronomy in one pan of the scale and the law in the other, the sensible side of the scale won out and a great many of these places suddenly found themselves in the speakeasy business. And once they were selling wine and food, they might as well sell a little liquor, too, right? And not just that weird Italian stuff. Bacardi. White Horse. Canadian Club, like that—or “Bacardi,” “White Horse” and “Canadian Club.” You never knew really what you were getting, particularly when the old, rough, secretive Sicilian and Calabrian networks for evading the authorities came into the business.
Men like Domenico “Nick Martini” Setteducati in New York, Amelio Pacini in San Francisco, and Adolfo Renucci and Agostino “Gus” Sciacqua in Chicago went from waiters, cooks and busboys to bartenders and hosts overnight. But speakeasies couldn’t be run like the old our-thing Italian restaurants. Speakeasies were for everybody—they had to be: if you wanted to stay in business, you had to pay a lot of people. That meant that the drinks were no longer from the old country. You couldn’t get the wine, anyway, and while you could get some of the bitters—allowed in by Prohibition law as medicines—you couldn’t persuade people to drink them.
When repeal came, most of these speakeasies reopened not as bars, but as restaurants, and Italian ones at that. But the cocktails they sold at the bar were the same thoroughly American things they sold during Prohibition, now made with reputable booze. Truth be told, the food was no longer as Italian as it had been back in the 1910s, either. Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.
This process of Americanization was greatly accelerated by the war years. From 1940, when shipping lanes closed down, there were no Italian imports until 1947 or 1948, when a devastated Europe was able to begin shipping things to America again. By the 1950s, places such as Sardi’s in New York, Amelio’s in San Francisco, and Renucci’s and Gus’s in Chicago were American institutions: places where you could down a Manhattan or an Old-Fashioned at the bar, drink Scotch Highballs with your steak, salad and baked potato, and end the meal with a Stinger or a Brandy Alexander. You could also have linguine with white clam sauce and veal Marsala, accompanied by a straw-covered bottle of Chianti and tamped down with a pony-glass of Strega or Galliano, the two most popular of the very limited field of available Italian liqueurs, but that path was strictly optional
“Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.”
Then came the 1960s, with all its consciousness-raising, diversity-celebrating, and ethnic-cheerleading. Assimilation was out, Italian-American pride was in. Mario Puzo’s 1969 novel, The Godfather, was on the best-seller lists for 67 weeks, becoming for a time the most widely sold book ever. Sure, it presented a picture of the Italian experience in America that was somewhat … complicated. But if you can overlook all the felonies and criminal conspiracies and adultery and whatnot, its characters were a lively bunch and for every Italian-American, as they were now calling themselves, who thought the book and the instant-classic 1972 movie that followed it were making his or her people look bad, there was one who thought any publicity was good publicity.
This renewed sense of identity highlighted a need: all those spaghetti & steak joints suddenly noticed that there wasn’t much going out from the bar that said “this establishment is proud to be Italian.” One of the consequences was that, in the Disco Drink-era of the 1970s, among all the candy-sweet, suggestively named alcoholic confections that were in style, one often found the Negroni being offered.
Now, this was a legitimately Italian drink, even though its creator only thought to splash gin in his vermouth-and-Campari Americano because he had spent years as a fencing instructor and gambler in New York. As such, it was plenty sweet, but also plenty bitter. Italians like bitterness. Americans at the time, not so much. That meant that most of the spirits Italians actually drank back home in Italy were unlikely to fill the bill. There were a couple, though, that just might work.
Galliano, for one. This 80-proof, lightly-herbal, vanilla-forward liqueur from the gritty naval port of Livorno, in Tuscany, was nowhere near a national brand in Italy; it’s not even mentioned in Italian Wines and Liquors, the guide the Italian Federation of Producers of Wines, Liquors and the Like published in 1953 to show that the industry was back in business for export after the war, nor is it found in Gino Neri’s 1960 I Liquori Italiani. But it had been in America before Prohibition, come back after Repeal, and was the key ingredient in the widely-popular Harvey Wallbanger.
It didn’t take long for Dominic “Duke Antone” Paolantonio, the Wallbanger’s self-claimed inventor and proprietor of a mixology school in Hartford, Connecticut, to come out with the Italian Fascination: an ounce each of Galliano and heavy cream, half an ounce of Kahlua and a quarter triple sec, shaken with ice and strained into a Champagne flute. He also had a flaming “Coffee Nero” with the stuff. He may also have had a hand in the “Italian Heather,” which was nothing more than a Rusty Nail with Galliano instead of Drambuie.
While those drinks got around some, helped in large part by Galliano’s importer papering the country with a 1970 recipe booklet featuring them and other concoctions, none of them really caught the public’s imagination. It fell to another company to crack the market wide open. In 1968 or thereabouts, I.L.L.V.A. (I won’t spell out the acronym), a family-owned distilling firm from Lombardy, found an importer for Amaretto Di Saronno, another liqueur very little known in its native land. The family had been making this 56-proof extract of apricot pits since the early part of the century. Tasting like almonds (closely related to apricots) sweet and nutty and not at all herbal, medicinal or bitter. In 1972, either I.L.L.V.A. or its representatives did what Duke Antone should have and plucked the most obvious name going for their own version of the Rusty Nail. The Godfather—Scotch and Amaretto di Saronno on the rocks—was an instant success, as were its two spinoffs, the Godmother (with “feminine” vodka instead of the “masculine” Scotch) and the Godchild, the same with cream.
The Godfather led to the Amaretto Sour, originally just Amaretto and lemon juice but made in mediocre bars from coast to coast with sour mix, and, for those who found that too challenging, the Bocce Ball (spelled variously), which was basically a Harvey Wallbanger with Amaretto instead of both the Galliano and the vodka. That one was so innocuous that it was served onboard the TWA charter jet that flew Pope John-Paul II around America in 1979.
There were a couple of other Italian liqueurs that found their way into American bars. Sambucca, another little-known cordial, this one anise-flavored, was used in some drinks, although its real niche was as a part of after-dinner service, where it was put in a little shot glass, garnished with a coffee bean or three and set on fire. In the early 1980s, it was joined by limoncello, a tooth-grindingly sweet regional specialty from the Amalfi coast.
By then, though, the culinary revolution was underway. There was a new generation of Italian restaurants, more adventurous and less Americanized. These were places where they would list their grappas and their amari on the menu, with the full expectation that their clientele would order them. This led in turn to the cocktail revolution, where the bartenders, when they weren’t doing shots of Fernet-Branca with their friends, saw no problem using it in their cocktails. Suddenly, American bartenders and their customers were using formerly-challenging Italian drinks—amari, aperitivi, what have you—to make drinks that were even more challenging than what you’d find in Italy. Rhubarb amaro would find itself mixed with mezcal, funky old sherry and a few drops of yuzu juice. Grappa would be worked into an Old-Fashioned, topped off with a float of navy rum.
Now, in the final twist of the knife, this 21st-century extreme mixology has found its way back to Italy, where bars such as the Jerry Thomas Project in Rome, Nottingham Forest in Milano and the Antica Café Torinese in Trieste are making the same kind of intense, modern cocktails that one finds in New York or San Francisco. At the same time, bartenders in the US are perversely looking back in nostalgia at the Godfather and the Amaretto Sour and suchlike confections. It’s a funny old world. If somebody tries to serve me an Italian Fascination they’re gonna get punched, though.
from All Of Beer http://allofbeer.com/a-brief-but-not-too-brief-history-of-the-italian-american-cocktail/ from All of Beer https://allofbeercom.tumblr.com/post/181916749782
0 notes
allofbeercom · 5 years
Text
A Brief, But Not Too Brief, History of the Italian-American Cocktail
When Italians first began coming to this country in numbers, back in the 1880s and 1890s, many of them did what Irish and German and other immigrants did before them and went into business serving the food and drink of the old country to their fellow immigrants. Italian food and drinkways, being rather more alien to the prevailing American standard than either German or Irish ones were, took extra work. Things had to be imported. Good, dense pasta asciutta in all its myriad shapes, olive oil, the essential cheeses and cured meats, so on and so forth. After all, you can’t make a saltimbocca alla Romana without prosciutto or a stracciatella without well-aged parmigiano, and life without saltimbocca or stracciatella is no kind of life at all.
The same held true for Italian drinks. At home, Italians drank wine with their meals, perhaps preceded by a light, bitter amaro aperitivo and followed by a heavy, bitter amaro digestivo or perhaps a spot of grappa. That was civilized. Americans drank whiskey and cocktails and that lager beer that the Germans had brought over a few years back, and if they used bitters at all it was dashed into their whiskey. True, Italian vermouth was widely available due to its popularity in the Manhattan and the Martini, but those amari and that wine needed special importing.
Once supplied with the necessary stuff, the first Italian immigrants to open restaurants and bars kept things largely in the community; the only Americans you’d be likely to see in an Italian restaurant were the foodies of their day or Bohemians on a budget. In general, restaurants were preferred; what Italian bars that existed were more along the lines of cafes and social clubs than American-style brass-rail, knock-’em-back joints. Neither the bars nor the restaurants were famous for their cocktails.
There were exceptions. Victor Baracca’s restaurant on Stone Street in Lower Manhattan employed the talented Jacob “Jack” Grohusko as bartender. Grohusko, of Russian Jewish extraction, nonetheless introduced drinks such as the “Baracca’s Cocktail,” three parts Italian vermouth to one part Fernet-Branca, up. This was nothing more than the Italian, on-the-fly way of making an aperitivo—take vermouth and splash in a digestivo—in cocktail dress. There were several other Fernet drinks in his 1908 Jack’s Manual, all of them variations on the same thing.
Fernet-Branca appears in a few other cocktail books of the day, used pretty much as Grohusko did. One also finds Ferro-China Bisleri, another Italian amaro, perhaps even more extreme in flavor (it had a blood-like tang of iron), used the same way, but this sort of first-stage Italian cocktail did not catch on. It was too bitter, too intense, too Italian. Its component ingredients fared little better: Fernet and the small handful of other amari that were imported remained ethnic specialty products, and as for grappa—well, when Broadway casting director Jonathan Briscoe tried it at Vincenzo and Eugenia Sardi’s restaurant in New York he dubbed it “Fourth of July” because it was like a fireworks show on his palate.
That was in 1922, during Prohibition. With the passing of the Volstead Act, the legion of small Italian restaurants that dotted parts of New York and San Francisco and Chicago and New Orleans and wherever else Italians settled in numbers faced a dilemma. An Italian would not want to eat without wine, and selling wine was illegal. With gastronomy in one pan of the scale and the law in the other, the sensible side of the scale won out and a great many of these places suddenly found themselves in the speakeasy business. And once they were selling wine and food, they might as well sell a little liquor, too, right? And not just that weird Italian stuff. Bacardi. White Horse. Canadian Club, like that—or “Bacardi,” “White Horse” and “Canadian Club.” You never knew really what you were getting, particularly when the old, rough, secretive Sicilian and Calabrian networks for evading the authorities came into the business.
Men like Domenico “Nick Martini” Setteducati in New York, Amelio Pacini in San Francisco, and Adolfo Renucci and Agostino “Gus” Sciacqua in Chicago went from waiters, cooks and busboys to bartenders and hosts overnight. But speakeasies couldn’t be run like the old our-thing Italian restaurants. Speakeasies were for everybody—they had to be: if you wanted to stay in business, you had to pay a lot of people. That meant that the drinks were no longer from the old country. You couldn’t get the wine, anyway, and while you could get some of the bitters—allowed in by Prohibition law as medicines—you couldn’t persuade people to drink them.
When repeal came, most of these speakeasies reopened not as bars, but as restaurants, and Italian ones at that. But the cocktails they sold at the bar were the same thoroughly American things they sold during Prohibition, now made with reputable booze. Truth be told, the food was no longer as Italian as it had been back in the 1910s, either. Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.
This process of Americanization was greatly accelerated by the war years. From 1940, when shipping lanes closed down, there were no Italian imports until 1947 or 1948, when a devastated Europe was able to begin shipping things to America again. By the 1950s, places such as Sardi’s in New York, Amelio’s in San Francisco, and Renucci’s and Gus’s in Chicago were American institutions: places where you could down a Manhattan or an Old-Fashioned at the bar, drink Scotch Highballs with your steak, salad and baked potato, and end the meal with a Stinger or a Brandy Alexander. You could also have linguine with white clam sauce and veal Marsala, accompanied by a straw-covered bottle of Chianti and tamped down with a pony-glass of Strega or Galliano, the two most popular of the very limited field of available Italian liqueurs, but that path was strictly optional
“Italian food was becoming Italian-American food. There were big, thick steaks, there was cheese on everything. Portions were bigger, the quirky, odd edges of Italian cuisine were rounded off and regional differences ignored, with dishes from northern Lombardy squatting on menus next to ones from Sicily.”
Then came the 1960s, with all its consciousness-raising, diversity-celebrating, and ethnic-cheerleading. Assimilation was out, Italian-American pride was in. Mario Puzo’s 1969 novel, The Godfather, was on the best-seller lists for 67 weeks, becoming for a time the most widely sold book ever. Sure, it presented a picture of the Italian experience in America that was somewhat … complicated. But if you can overlook all the felonies and criminal conspiracies and adultery and whatnot, its characters were a lively bunch and for every Italian-American, as they were now calling themselves, who thought the book and the instant-classic 1972 movie that followed it were making his or her people look bad, there was one who thought any publicity was good publicity.
This renewed sense of identity highlighted a need: all those spaghetti & steak joints suddenly noticed that there wasn’t much going out from the bar that said “this establishment is proud to be Italian.” One of the consequences was that, in the Disco Drink-era of the 1970s, among all the candy-sweet, suggestively named alcoholic confections that were in style, one often found the Negroni being offered.
Now, this was a legitimately Italian drink, even though its creator only thought to splash gin in his vermouth-and-Campari Americano because he had spent years as a fencing instructor and gambler in New York. As such, it was plenty sweet, but also plenty bitter. Italians like bitterness. Americans at the time, not so much. That meant that most of the spirits Italians actually drank back home in Italy were unlikely to fill the bill. There were a couple, though, that just might work.
Galliano, for one. This 80-proof, lightly-herbal, vanilla-forward liqueur from the gritty naval port of Livorno, in Tuscany, was nowhere near a national brand in Italy; it’s not even mentioned in Italian Wines and Liquors, the guide the Italian Federation of Producers of Wines, Liquors and the Like published in 1953 to show that the industry was back in business for export after the war, nor is it found in Gino Neri’s 1960 I Liquori Italiani. But it had been in America before Prohibition, come back after Repeal, and was the key ingredient in the widely-popular Harvey Wallbanger.
It didn’t take long for Dominic “Duke Antone” Paolantonio, the Wallbanger’s self-claimed inventor and proprietor of a mixology school in Hartford, Connecticut, to come out with the Italian Fascination: an ounce each of Galliano and heavy cream, half an ounce of Kahlua and a quarter triple sec, shaken with ice and strained into a Champagne flute. He also had a flaming “Coffee Nero” with the stuff. He may also have had a hand in the “Italian Heather,” which was nothing more than a Rusty Nail with Galliano instead of Drambuie.
While those drinks got around some, helped in large part by Galliano’s importer papering the country with a 1970 recipe booklet featuring them and other concoctions, none of them really caught the public’s imagination. It fell to another company to crack the market wide open. In 1968 or thereabouts, I.L.L.V.A. (I won’t spell out the acronym), a family-owned distilling firm from Lombardy, found an importer for Amaretto Di Saronno, another liqueur very little known in its native land. The family had been making this 56-proof extract of apricot pits since the early part of the century. Tasting like almonds (closely related to apricots) sweet and nutty and not at all herbal, medicinal or bitter. In 1972, either I.L.L.V.A. or its representatives did what Duke Antone should have and plucked the most obvious name going for their own version of the Rusty Nail. The Godfather—Scotch and Amaretto di Saronno on the rocks—was an instant success, as were its two spinoffs, the Godmother (with “feminine” vodka instead of the “masculine” Scotch) and the Godchild, the same with cream.
The Godfather led to the Amaretto Sour, originally just Amaretto and lemon juice but made in mediocre bars from coast to coast with sour mix, and, for those who found that too challenging, the Bocce Ball (spelled variously), which was basically a Harvey Wallbanger with Amaretto instead of both the Galliano and the vodka. That one was so innocuous that it was served onboard the TWA charter jet that flew Pope John-Paul II around America in 1979.
There were a couple of other Italian liqueurs that found their way into American bars. Sambucca, another little-known cordial, this one anise-flavored, was used in some drinks, although its real niche was as a part of after-dinner service, where it was put in a little shot glass, garnished with a coffee bean or three and set on fire. In the early 1980s, it was joined by limoncello, a tooth-grindingly sweet regional specialty from the Amalfi coast.
By then, though, the culinary revolution was underway. There was a new generation of Italian restaurants, more adventurous and less Americanized. These were places where they would list their grappas and their amari on the menu, with the full expectation that their clientele would order them. This led in turn to the cocktail revolution, where the bartenders, when they weren’t doing shots of Fernet-Branca with their friends, saw no problem using it in their cocktails. Suddenly, American bartenders and their customers were using formerly-challenging Italian drinks—amari, aperitivi, what have you—to make drinks that were even more challenging than what you’d find in Italy. Rhubarb amaro would find itself mixed with mezcal, funky old sherry and a few drops of yuzu juice. Grappa would be worked into an Old-Fashioned, topped off with a float of navy rum.
Now, in the final twist of the knife, this 21st-century extreme mixology has found its way back to Italy, where bars such as the Jerry Thomas Project in Rome, Nottingham Forest in Milano and the Antica Café Torinese in Trieste are making the same kind of intense, modern cocktails that one finds in New York or San Francisco. At the same time, bartenders in the US are perversely looking back in nostalgia at the Godfather and the Amaretto Sour and suchlike confections. It’s a funny old world. If somebody tries to serve me an Italian Fascination they’re gonna get punched, though.
from All Of Beer http://allofbeer.com/a-brief-but-not-too-brief-history-of-the-italian-american-cocktail/
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spynotebook · 7 years
Link
We’ve been excited about Doctor Who‘s latest companion, Bill Potts, for a while now. Well, if you saw actress Pearl Mackie bring Bill to stunning life in the show’s S10 premiere “The Pilot” over the weekend, you’ve likely already fallen in love with her. Of course, change isn’t easy for people, and there are always going to be some who are skeptical of a new companion no matter what. Here are some reasons why you may just become smitten if you give her a chance.
Yes, She’s a Woman of Color!
The thing that most people noticed and talked about from the moment the character was introduced was that we were finally getting another black companion. Considering that in over fifty years of Doctor Who, Mickey was the first black person to set foot on the TARDIS in 2005, and Martha was the first black full-time companion in 2007, this is a pretty big deal.
For most, this in and of itself was exciting news. Yay representation! Of course, for others, this was yet another sign of “SJWs” ruining everything. I mean, what’s next, a female Doctor? *sigh*
As trailers were released, people began forming more concrete opinions, and those who loved her seemed to love her because she’s a black character who is a positive female protagonist. Those who didn’t love her started bending over backwards to insist that their dislike of her had nothing to do with her being black. *more sigh*
The truth is, before “The Pilot” aired, none of us had enough information to make a judgment on the character one way or the other, and now that we’ve seen her in action, I’m happy to report that Bill being black, while hugely important and understandably exciting, is also the least interesting thing about her.
I love that we have a woman of color on the TARDIS again (and that black Whovians have her as a new cosplay option). I love that Bill rocks her afro majestically, providing an alternative image to Martha Jones’ straightened locks. I love that, even though she has a white foster mom, we get to see her mourn and look at her black biological mother (do I smell a future episode where Bill gets to see her mom again, a la the “Father’s Day” episode for Rose?), and I hope that she lasts longer than one season, which would be a huge first for a black companion. (Yes, Martha reappeared on both Doctor Who and on Torchwood, but she only got one season as a regular companion).
Still, her being black isn’t even what makes her awesomesauce. It’s an added bonus.
Yes, She’s Unambiguously a Lesbian!
As we got closer to “The Pilot” airing, and once people got tired of talking about Bill being a black companion, we heard that Bill was also an LGBTQIA character. This is an even bigger deal than her race in that there has never been a queer companion on Doctor Who (and no, your Second Doctor/Jamie fan fic doesn’t count. I mean, it should, but it doesn’t). The closest we’ve come is Captain Jack, but while he traveled with the Doctor a bit, he wasn’t a full-time companion (though he did get his own show, which is pretty sweet). Obviously, there’s also Madame Vastra and Jenny, but they too are supporting characters. This is the first time that a long-term resident of the TARDIS is LGBTQIA, and I am here for it.**
Even better than this basic fact, however, is how it was handled in the episode. This was all the more impressive considering that showrunner Steven Moffat wrote the episode. In the past, I’ve complained about his writing of gay and lesbian characters: grateful that he wanted to include them, but disappointed in how they seemed to be shoehorned in and inelegantly written to make a point of their inclusion. (See! I included gay people! Lookit! Lookit!) In the specific case of Vastra and Jenny, I thought some of his writing for them a bit male gazey and weird. Lots of jokes and tongue motions that felt more like what a dude enjoys watching women do, rather than what two actual female characters who are married to each other would say or do. As much as I’m #TeamVastraandJennySpinoff, I’d prefer for someone else, preferably a woman, to write it.
Bill, however, has been handled wonderfully. Not only is her sexuality integral to her personality, but it’s also integral to the plot of the episode in a really beautiful way. Her attraction to women is established right at the top of the episode as she tells the Doctor (who she thinks is a really cool university professor) about a crush that she has on a female student who always comes into the cafeteria, where she serves chips. She alludes to her sexuality again when her foster mother warns her about her new, cool university professor who’s taking an interest in her,
Later, we see her crushing on a girl named Heather (Stephanie Hyam), with whom she had a chance encounter at a bar and with whom she is reunited on the university campus—the girl with a star in her eye. It’s her attraction to Heather that propels their continual meeting, that causes an alien oil puddle that is piloting Heather’s body to continually follow Bill, and ultimately it’s the thing that makes Bill’s eventual release of Heather so sad. Hell, when Bill joins the Doctor, he tells her that it’s a big Universe and that they may well find Heather again. There may be more to the Bill/Heather relationship than one episode, and that would be a beautiful thing.
She’s Also Intelligent, Straightforward, and Enthusiastic
She may not be an enrolled student at the university where she serves chips, but unlike Rose or Donna, she doesn’t need the Doctor to unearth hidden potential, or to show her that there’s more out there than a dead-end job. She prioritizes knowledge. Of her own accord, she attends the Doctor’s classes simply because she’s fascinated by his lectures on physics and time. She might not be “Type A smart” like Martha, but she’s absorbed a huge amount of knowledge simply by being a human being who’s curious about the world around her, and she’s quick and clever in new situations because she loves to learn.
While Bill is unique in so many ways, she also has a lot of past companions’ best traits, evoking them while subtly avenging the wrong done to those companions by the Doctor. Hell, the jacket Bill wears in “The Pilot” seems like it was taken right out of Ace’s closet.
There’s a moment when the Doctor is about to mind-wipe Bill, and she tells him that she “knows what a mind-wipe looks like” because she’s seen sci-fi. She allows him to take away his memories, but only after reprimanding him and seemingly chastising him on behalf of the viewing audience for what he once did to Donna. Then, “Clara’s Theme” faintly plays, evoking Clara and how she mind-wiped the Doctor as Bill consents to being mind-wiped, but that the Doctor should first think about what it would feel like if this were happening to him. As it turns out, since Donna, he has experienced having memories taken from him, and so this time, he’s able to make a different decision with a companion.
Bill’s straightforward personality, coupled with the fact that she’s uninterested in men romantically, make her someone that seems set up to be a “bro” to the Doctor. Like the Doctor’s relationship with Donna, there’s the potential here for Bill and the Doctor to be friends on equal footing.
Much though I love Clara, and as amazing and powerful as she became over time, there was still that sense of her being amazing for the Doctor. Ie: she’s strong in order to allow for the Doctor to go on being great.
Bill is an equal right out of the gate. Not in intelligence or experience, of course, but in feeling like her ideas and thoughts deserve a seat at the table. There’s no gendered hierarchy here. It doesn’t feel like a mentor/mentee relationship, nor does the Doctor’s mission and life feel More Important than Bill. Whereas Clara and the Doctor were co-dependent “best friends,” Bill and the Doctor could genuinely be good friends to each other.
And then there’s her enthusiasm. She loves learning, she loves figuring things out, and she loves taking risks—she wants to absorb everything simply for its own sake. She’s not someone who is escaping a life she hates, or who needs to be coaxed out of her shell. She goes with the Doctor because she wants to, not because she needs to.
In part, she goes with the Doctor because there may be a Heather out there for her, but the way she was putting things together (seeing the TARDIS, seeing the Doctor and Nardole sneaking around, etc), it was only a matter of time before she decided to go with him anyway. And he would’ve been a fool to say no.
Shout-out to Pearl Mackie, who’s doing amazing work in this role and has done in one episode what it took Clara years to accomplish: winning my heart.
**There were hints that Clara was bisexual as, even though we only ever saw her with male love interests, she talked a lot about what a good kisser Jane Austen is. I wish that had been made more clear. 
(image: BBC America)
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the-record-columns · 5 years
Text
March 13, 2019: Columns
The truth always fits...
By KEN WELBORN
Record Publisher
I have been accused of many things in my life—many of which are true—including driving way too fast sometimes.
However, a far older and slower Ken is now criticized for the exact opposite fault—driving too slowly, much to the dismay of other drivers who have spoken volumes to me with their middle fingers.
However, one of my favorite stories is about a speeding ticket and my trip to court with my daddy, the preacher, C. S. Welborn.
It was in the late 80’s, and as I was traveling on U.S. 421 North in Yadkin County one day. I was running very late and desperately trying to make up lost time.  And, yes, I got pulled by a N.C. State Trooper who announced to me that it took several miles to catch me because I was going so fast. 
When I asked just how fast, he said I was clocked at over 80 mph when I went by him and he thought I had sped up after that.  I explained my predicament of being late and asked that, if he was going to write me a ticket, would he do so quickly.  He assured me a ticket was forthcoming and returned forthwith with a bit of a charitable tone, writing me up for only 79 mph in a 55 mph zone.  I was still heartsick—my license was going to be gone.
On court day, I took my dad with me to drive me home if I had to surrender my driver’s license on the spot.  In Yadkin County Court that day, I had lots of company and Judge Samuel Osborne had heard a ton of (very lame) excuses, none of which seemed to matter to him that day.
"Guilty."
"Guilty."
"Guilty."
They were dropping like flies, and then it was my turn.
"How do you plead?" I was asked. 
"No contest." I replied. 
"Wait a minute," Judge Osborne said, peering over his glasses. "Mr. Welborn, do you mean to tell this court that you were speeding?" 
I nodded yes, afraid to speak.
Judge Osborne continued, "...have you noticed that you are the only one here today who was actually speeding?"
I just stood there.
The trooper told the judge I had not been a problem, and when asked what I had to say for myself, he told the judge, "He said he was in a hurry."
Folks laughed until the judge glared down at them.
"Mr. Welborn, you haven't had any other tickets recently, have you?"
"Well yes, I got one 65 in a 55 and another 55 in a 45."
I had started feeling a bit better until I had to admit to the other two tickets, and the courtroom remained quiet for what seemed like an eternity. It was probably only about two minutes.
"So you were speeding, huh?" 
I again nodded.
Judge Osborne then went on to say, "Mr. Welborn, this court appreciates hour honesty. You are hereby convicted of running 65 in a 55 zone, go downstairs and pay a $15 fine and court costs. You can keep your driver's license."
    I even got the girl in the Clerk's office to take an out-of-town check—it was truly my day.
   But, best of all, my daddy was beaming.  On the way home he must have said a half-dozen times, "Son, I've always told you that honesty is the best policy."
    As ever, Pa was right.
  Obscure Diagnosis
By EARL COX
Special to The Record
Yes, we’re in flu season but that’s not the sort of disease to which I’m referring.  What I’m talking about is immune to any sort of preventive measures and has survived for thousands of years.  Antisemitism, the irrational hatred of the Jews, is a rising epidemic which is spreading around the world.
In Europe, the word “Jew” is used as a curse word.  Antisemitism in France has increased by 74% in the past year and just a few days ago at a carnival parade in Belgium, one of the floats depicted two giant Orthodox Jewish figures sitting on bags of money with two mice on their shoulders.  In the U.S. and around the world, there is an unprecedented rise in hate crimes directed at Jews. According to a recent Gallup World Affairs survey, in the United States support for Israel among liberal Democrats is at its lowest level of only 43%.  There is a fine line between what constitutes antisemitic speech and mere criticism of Israel.  Rep. Ilhan Omar, a Minnesota Democrat and one of two newly elected Muslim women to the U.S. Congress, recently made statements that equated support for Israel to having a traitorous-like allegiance to a foreign country (as though one cannot be both pro-Israel and a patriotic American at the same).  America and Israel have always had a close relationship based on our shared Judeo-Christian values – something the three newly elected congresswomen, among other Democrats, would like to change.  What Omar is attempting to do is form an idea in the minds of those who buy into her rhetoric that it is treasonous to be an American Zionist.  Very few people are aware of what the “cursed” Jews have contributed to America’s founding and continue to contribute today to making the world a better place.  A history lesson is in order here. 
Our sweet land of liberty owes a debt of gratitude to a little known and unsung Jewish hero named Haym Salomon.  Just what did he do that was so special that the U.S. Postal Service issued a commemorative stamp in his honor?  Almost singlehandedly, Haym Salomon gave the financial resources needed to finance the American Revolution and keep our new nation afloat.  In today’s dollars he gave the equivalent of tens of millions of dollars to the government which, at the time, did not have any power of taxation.   Born in Poland, this 32 year old Jewish immigrant landed in New  York in 1772 where he quickly set up shop as a merchant and trader in foreign securities.  George Washington was counted among his friends. In addition to financing the American Revolution, Salomon gave loans to many of our founding fathers to include Thomas Jefferson, James Monroe, James Madison and other prominent statesmen.  Some historical accounts say he charged no interest on these loans while others say he charged interest well below the market rate at that time. Haym Salomon knew what it was like to be at the top of the mountain as well as at the bottom.  At one point the British confiscated all of his property and forced him to flee penniless.  Nevertheless, he recovered and went on to help lay the financial foundation upon which Robert Morris, under the direction of Congress in 1781, established the Bank of North America.  Salomon recruited other financiers to support the bank, he located purchasers for “government bills of exchange” which are similar to today’s Treasury Notes, and who even loaned their own money to the government.   Jewish businessman Haym Salomon helped equip America’s soldiers and gave generously to military regimens.  He was never repaid the money he loaned to the government thus when he died in 1785, he was impoverished leaving his wife and four children with overwhelming debt.  Shortly before his passing, Mr. Salomon was responsible for having a “religious oath test” removed from the Pennsylvania state constitution which paved the way for non-Christians to hold public office.  I sincerely doubt our newly elected Muslim Congresswomen know this obscure fact of American history – that they owe their positions within the government of the United  States to a JEW who was willing to take risks for the building of a nation which valued life, liberty and the pursuit of happiness. Not only do we owe a debt of gratitude to this marvelous Jewish patriot for his vital contribution in the founding and funding of our great nation, but we continue to owe the Jews a debt of gratitude for their many contributions today in science, technology, medicine and agriculture, making the world a better, safer and healthier place for us all.  
   A Ruby Moment
By CARL WHITE
Life in the Carolinas
Good stories have a way of evolving and often lead to more good stories and that what happened this week.
We had just wrapped up a TV segment on 6th and Main Restaurant in North Wilkesboro. In addition to learning about the great food, we learned about the journey of the current owners, Jimmy and Heather Forester. We also learned about the house that was built in 1903.
It’s a colorful story that over the years has touched countless people. The house was first home to a dentist and then later was home to Richard Tipton “Tip” McNeill, his wife, Glady, and their children. McNeill was a co-owner of the local Coca-Cola Bottling company. He also served multiple terms as the mayor of North Wilkesboro.
As time passed, the McNeill family took in borders that stayed upstairs and this apparently planted a seed that would inspire the next owners.
Henry and Queenie Douglas would open the Douglas Inn that would be home to many over the years.
While doing research for the segment, I talked with John Kilby, Sr. with Yadkin Valley Ford, which is the current oldest continuously in-operation Ford dealership in North Carolina.  John shared with me that his mother was born at the Douglas Inn and so was his mother’s sister and their crib was a drawer.
John was gracious and agreed to be part of the segment open by driving me to 6th and Main in one of his great vintage cars. We waited for a sunny day and John did not disappoint.
The Douglas Inn would close in the 80’s.
Steve and Melody Critz would be the next owners. I visited with Steve, who is now living in Statesville. He shared the story of the work and time required to update and bring the house to life as the “Greetings from the Heart” gift shop and “The Tea Room.” Steve had saved a box of pictures from that time which included before, during and after construction. These pictures were valuable in our segment production.
In the box, he also had pictures of Pat McNeill Day, who was the daughter of Richard Tipton McNeill. In one photograph, he was sitting on the porch steps holding baby Pat. He also had a photograph of Pat enjoying “The Tea Room” many years later.  
While Steve loved the people, the time required to run a gift shop and restaurant was not to be a long-term endeavor.
It would next transform into “The Old Wilkes Plantation” which was operated by Fred and Peggy Bumgarner.
After five years, the house would again welcome new owners. Skip Phillips with Shirley Faw brought a new look and feel to the building as 6th and Main was introduced to the world.
Current owner, and Skip’s niece, Heather worked at the restaurant from the start. As time passed, one day Skip and Heather had a conversation which would lead to the eventual transition of new ownership of 6th and Main. Heather and Jimmy Forester became the new owners. They made a few changes including expanding catering services, and while they are always busy, they love the food business and love the people they serve.
They even have a cool ghost story.
And then, I visited with Ruby Felts Pennington and her daughter, Vivian. Conversations with Ruby are always gentle and kind. We talked about all sorts of things. She shared with me how she would be moving to an assisted living facility and how she was looking forward to making new friends. I told her about the 6th and Main story that we just wrapped up.
Not long after our visit, Vivian called and said that Ruby ask her to drive by 6th and Main. Well, as it turns out she actual lived at the Douglas Inn for one year! The year was 1947, Ruby was 16 and she worked at Cress Five and Dime. The room and board were $6 a week.
One day she was working on the window display and a recently discharged Navy man, John Ralph Pennington, came walking down the street. They made eye contact and Ruby told me he said, “Hello good looking.”
Even after all these years, I could still hear the excitement in her voice. Ruby was smitten and before long she had herself a Navy man who was also a bluegrass musician.
He was part of a group that played live on local WKBC Radio. Rudy and her friends would go to the radio station and watch them sing.
Ruby and Ralph would get married and have many wonderful years together. If she had not been staying at the Douglas Inn and working at the Cress, would they have met?
One house built in 1903 has nurtured families, provided shelter, nourishment, entertainment and celebrations for who knows how many!
That’s one heck of a house if you ask me…
  Carl White is the Executive Producer and Host of the award-winning syndicated TV show Carl White’s Life In The Carolinas. The weekly show is now in its 10th year of syndication and can be seen in the Charlotte market on WJZY Fox 46 Saturday’s at noon and My 12. The show also streams on Amazon Prime. For more information visit www.lifeinthecarolinas.com. You can email Carl at [email protected].
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