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#album: Engeltjes
k3fanblog · 7 months
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Results of the best KKJ song bracket!!!
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Congrats to Mamasé for being the best KKJ song! Also not pictured here, but Meiden van de brandweer gets a honorary mention for coming 4th.
Some fun stats:
Lollypopland, Beroemd and Niet-verjaardagsfeest had the biggest increase when compared to the full K3 bracket, Lollypopland was originally ranked 24th but managed to become 9th! Beroemd was ranked 21st and came 8th and Niet-verjaardagsfeest was ranked 28th but came 18th!
The biggest losers are Eya Hoya! and Willem Alexander, both losing 14 spots in the ranking
When looking at the albums, Eyo was the most popular, the average rank is 20.33, the next album is Mamasé (24.67) and then at a distance Engeltjes (32.92), Loko Le (35.69) and Alice in Wonderland (36.60). (The two singles without an album are K3 Loves you at place 20 and K3 kan het! at place 31.)
Full ranking below the cut! Though because of Tumblr lists it doesn't show ties, so it's only fully accurate until the 27th spot. (If anyone wants the full data feel free to message me)
So next is the HKM bracket, per popular demand it's going to be a 64 song bracket starting with a group stage that I will probably put up early next week so stay posted!
And that was it for the KKJ bracket, thanks everyone for voting and reblogging, it was a lot of fun to read your opinions and sometimes even song analyses! Hope to see you back for the HKM bracket!
MaMaSé
Waar zijn die engeltjes
Hallo K3
Meiden van de brandweer
Eyo!
Loko le
Zwaai als je verliefd bent
Beroemd
Lollypopland
K3-Airlines
Leukste van het land
Willem-Alexander
Handjes draaien
De politie
Ster
Drums gaan boem
Alice in Wonderland
Telepathie
Niet-verjaardagsfeest
K3 Loves You!
Parapluutje
Wanneer zie ik jou terug
Zeg eens AAA
Niet normaal
Filmster
Koning Willem-Alexander
Smoorverliefd
De revolutie
Geloof in jezelf
Dubbeldekkertrein
K3 Kan Het!
Eya Hoya!
Jurkje
Viva viool
Wat jij doet met mij
Blankenberge
Mijn liefje achterna
Kitty
En ik dans
Bel me ringeling
Kinderen baas
Kusje van jou
Hey hey
Cowboys en indianen
Alles kan in Wonderland
Verstoppertje
Gigaleuke dag
Vind ik leuk
Onder water
Ik wil naar huis
Doe de bloemendans
Naar de film
Op de kermis
Wie zal ik een kusje geven
Het steltenlied
Alleen door jou
Hiep hiep hoera
Mama kan alles
Radio
Leugentje leugentje
Ik wil niet naar huis gaan 
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trainingblog238 · 3 years
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Cynthia Freivogel
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Cynthia Miller Freivogel received a BA in musicology at Yale University and an MM in violin performance at the San Francisco Conservatory. In addition to being the leader and concertmaster of the Baroque Chamber Orchestra of Colorado, Ms. Freivogel plays with Brandywine Baroque in Wilmington, Delaware, and is a tenured member of Philharmonia Baroque Orchestra, based in the San Francisco Bay Area of California. She is a founding member and second violinist of the Novello Quartet, which is dedicated to the performance of the string quartets of Haydn and his contemporaries on period instruments. Ms. Freivogel frequently performs at Bay Area early-music venues with ensembles such as Magnificat, Voices of Music and American Bach Soloists, and on concert series at Old First, San Francisco Early Music Society and MusicSources. Ms. Freivogel spends summers playing violin in the Colorado Music Festival Orchestra in Boulder. She also played with the Tanglewood Music Center Fellowship Orchestra, San Luis Obispo Mozart Festival, the State Orchestra of Sao Paulo, Brazil, Apollo’s Fire, Portland Baroque, American Russian Young Artist’s Orchestra, and Amerus chamber players. Ms. Freivogel studied principally with Camilla Wicks and Marylou Speaker Churchill, and is a dedicated and certified Suzuki teacher.
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2 records for Cynthia Freivogel. Find Cynthia Freivogel's phone number, address, and email on Spokeo, the leading online directory for contact information. Listen to music by Brandywine Baroque: Cynthia Freivogel, Karen Flint and Douglas McNames on Apple Music. Find top songs and albums by Brandywine Baroque: Cynthia Freivogel, Karen Flint and Douglas McNames including Sonata in D major, Op. 1: Grave-Allegro-Adagio, Sonata in D major, Op. 1: Allegro and more.
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Known Locations: Jamaica Plain MA, 02130, Berkeley CA 94705, Oakland CA 94610 Possible Relatives: Benjamin W Freivogel, Bill Hein Freivogel, Elizabeth D Freivogel Cynthia L Freyvogel, age 44, Pittsburgh, PA 15243 View Full Report.
Cynthia Freivogel Voices Of Music Youtube
Alberto Miguélez Rouco, Arttu Kataja, Collegium Vocale Gent, Combattimento Consort, Cynthia Miller Freivogel, Daniel Johannsen, Florian Just, Johannes Kammler, Klaas Stok, Maarten Engeltjes, Marc Pantus, Netherlands Bach Society, Philippe Herreweghe, Pieter Dirksen, Renate Arends, Rene Jacobs, Robin Johannsen, St. John Passion, St. Matthew Passion, Thomas Hobbs
A little over 22 years ago, my husband and I moved from the Netherlands to California. My husband is a Jazz bass player in his spare time, so for him the music was another aspect to “living in Paradise.” There are many more Jazz performances and festivals here than in Europe, and there are lots of people here to do jam sessions with.
Cynthia Freivogel Telemann
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But for me it was a different story. I found a wonderful voice teacher and a good choir to sing in, but I missed the strong Dutch tradition of hearing and performing Bach’s Passions in the weeks before Easter. I used to have my biggest bouts of homesickness around that time of year. The heartache was softened only by it being my most favorite blooming season in California: the few weeks when two native trees, the purple Western Redbud (Cercis Occidentalis) and the blue-violet wild lilac (Ceanothus) bloom at the same time. The photos here don’t really capture how beautiful those colors are and how stunning it is when you see them together in the landscape, but it is something that makes me very happy.
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Last year I didn’t have any homesickness, because all Passions in the Netherlands or Belgium I could have attended or participated in were canceled, so I didn’t feel I was missing anything. And while the world locked down, at the same time it became more accessible to me, because performances were now being moved to the internet. This meant I could watch the dress rehearsal of Herreweghe’s St. John Passion without the 11-hour plane ride or the struggle with jet lag. (That video registration is still available: find it here – scroll a bit down to where it says “Passions 2020”).
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This year there were so many online St. Matthew or St. John Passion offerings from the Netherlands it was almost overwhelming. I didn’t have time to listen to all of them before writing this today, because most of the videos didn’t go live until yesterday, Good Friday. So I’ll just focus on a few that stood out to me.
Cynthia Freivogel Wikipedia
Find the English translations of the St. John Passion here; the St. Matthew Passion here.
Cynthia Freivogel Vivaldi Four
In the category “most interactive creation” I would like to mention the St. John Passion by Zing als vanZelf. An initiative of online singing instructor Bert van de Wetering, this organization invited thousands of singers to record themselves singing the chorales at home in the weeks leading up to Good Friday. They then recorded a performance with professional soloists singing the arias and the choruses with the excellent Combattimento Consort (Cynthia Miller Freivogel, concertmaster) as the orchestra, this all under the direction of Pieter Dirksen. Then they edited all this together into a video where you see the performance from a pretty church in a small town in the Netherlands, but every time there is a chorale you see the “choir” of individual volunteer singers pieced together on the screen. A really clever and touching solution. Watch it here. If you enjoy it, please consider making a donation, similar to what you would have paid if you would have attended this in person. The link for that is right there under the video.
For readers who understand Dutch and would like to learn more about the St. Matthew Passion, I highly recommend the video program from the organization that every year brings performances of this masterpiece to the beautiful Bergkerk in the city of Deventer. This year they recorded four arias from the St. Matthew Passion, in the order they appear in the second half of the work: “Erbarme dich” (sung by countertenor Maarten Engeltjes), “Aus Liebe” (sung by soprano Renate Arends), “Komm, süßes Kreuz” (sung by bass Florian Just), and “Mache dich, mein Herze, rein” (sung by bass Marc Pantus). What I liked best about this video is the conversations director Klaas Stok has with each soloist before they sing their aria. Through these conversations, I gained a lot of new insights into the meaning of the different arias. I especially loved what Klaas Stok had to say about the architecture of the piece, the role each aria plays in the overall structure, and how different movements are connected. Of all the talks, I particularly enjoyed bass Marc Pantus’ take on “Mache dich, mein Herze, rein,” the final aria on the program. You can watch this until April 14. Just click here. But please note, it is all in Dutch. Again, a link to donate is right there under the video.
Last but not least, the most impressive performance I listened to yesterday and today: The St. John Passion (1725 version) by the Netherlands Bach Society under the direction of René Jacobs. This was shown on Dutch television on Good Friday, so if you don’t understand Dutch, you’ll have to sit through a confusing excerpt from the St. Matthew Passion and a few ads at first, but then you can forward the video 14 minutes, to skip the pre-concert interview with René Jacobs. Soloists are Daniel Johannsen, tenor (Evangelist); Johannes Kammler, bass (Christ); Robin Johannsen, soprano; Alberto Miguélez Rouco, countertenor; Thomas Hobbs, tenor; and Arttu Kataja, bass. There is so much fluidity and phrasing in the orchestra, such a good blend in the choir, as well as excellent enunciation from the choir, it is extraordinary. All the choral movements are extremely transparent, I enjoyed that very much. Jacobs takes some risks with considerably slower tempi in the chorales than is usual in the Historical Performance Practice world, stretching out the pauses in the Evangelist’s recitatives, and taking long fermatas on ending notes, but it is never old-fashioned or too Romantic. It makes for a very engaging, one of a kind performance. All soloists are wonderful, but I would like to give a shout-out to the two tenors: Daniel Johannsen for being an excellent Evangelist, and Thomas Hobbs for his fabulous “Zerschmettert mich” aria (one of the arias that is not in the better known, 1724 version). Donate to the Netherlands Bach Society here.
Cynthia Freivogel Youtube
If you don’t feel like listening to any Passion music anymore, please find my three Easter blog posts from previous years through the following links:
Cynthia Freivogel Voices Of Music
Wieneke Gorter, April 3, 2021.
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k3fanblog · 1 year
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Best K3 song bracket!
Link to the post with the whole bracket
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k3fanblog · 11 months
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Some fun facts of the current round (now in post form!)
Every generation has at least one song still in the running!
To be precise, the og has 26, kkj has 2, hkm has 3 and hmj has 1
From all albums of the og only Kusjes has no song left in the bracket
Other albums that are completely eliminated are: Eyo!, Engeltjes, Alice in Wonderland, Love Cruise, Dromen, Dans van de Farao and Vleugels
Apart from the og albums, no album has more than one song left
2 songs that were never on a K3 album are still in the running: Hokus pokus dikke dokus and Verliefd (3 biggetjes).
The first 5 albums are responsible for over 50% of the songs still in the competition
The albums with the most songs still in are Tele-Romeo (with 5 if you count Toveren) and Oya lélé (with 5 as well). Alle Kleuren comes 3rd with 4 songs
7 of the songs that are still in the bracket were never released as a single (Baby come back, Mr. de president, Verliefd (3 biggetjes), Hokus pokus dikke dokus, Superster, Eeuwig en altijd and 1, 2, doe met me mee)
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k3fanblog · 1 year
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k3fanblog · 3 years
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Other languages in K3 songs 28/? Mijn Liefje Achterna, French
Et puis c'est lui et moi
[Image ID: A not so great quality gif from the 15 years K3 show, from left to right, we see Josje, Kristel and Karen all wearing jeans, a white shirt with a print of their own head and a pink leather jacket. They make some dance moves where they cross their hands over their chest, before pointing to the audience with two hands and moving their arms down with the palms up. End ID]
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k3fanblog · 3 years
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Other languages in K3 songs 27/? Vind Ik Leuk, English
Oh my God, vergeet je niet
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k3fanblog · 3 years
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WAAUUW WAAUUW HEEY HEEY WAT een IDEEE Ik met m'n Juuurkje en Wij met ooons Tweeee Ik wil geen Shooort, geen Bikiiiniii Geen Keeeiiikooorte Miiiniii M'n juuurkje gaat Overaaal MEEEE
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k3fanblog · 3 years
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DAAAMES EN HEEEREN Het DOEK gaat omHOOG, de Shoooooow gaaaat begiiiiinnen Zwaaaaaaaaai, Zwaaaai, Zwaai als je verlIEFD bent Voooeeel je die Vlinnnders, al TinTeeeLen vanbiiiiiiinnen Zwaaaaaaaaai, Zwaaaai, Zwaai als je verlIEFD bent
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k3fanblog · 3 years
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K3.1 Albums rated
MaMaSé - Point deducted for De Politie, because ehhm that didn’t age well, two points deducted for the middle because I don’t really like it, points added for being a double cd and the last song being the saddest K3 song ever. 9/10
Eyo! - Point deducted for Willem-Alexander because frankly ??? Point added for the Hallo K3 theme song. The rest is a fairly average album so: 7/10
Engeltjes - The title track is a bob tbh so +1, a lot of the rest is kinda weird and sorta annoying, but it picks up a bit at the end. 5/10
Loko Le - Good album, point subtracted for Willem-Alexander once again. 8/10
Bonus: Alice in Wonderland (because I think it’s more of a soundtrack) - I love musicals but tbh I do not like all songs here. 7/10
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