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theadusa · 3 years

Text

All the dramas I’ve watched in 2020

These are all the dramas that I watched in 2020, with some review there should be NO Spoilers. I think I watched a lot more than usual probably because what else am I supposed to do between school and quarantine. So this is gonna be a long one...

Crash Landing on You (Lee Jung-hyo, 2019-2020)

Main Leads: Hyun Bin and Son Ye-jin

Episodes: 16, 70 to 110 Minutes

Thoughts: I enjoyed this drama, and it was a good one to start 2020 with. I thought it was a perfect blend of romance, comedy, heartfelt, found family, action, and some tragedy. I would highly recommend it, especially for those who are new to Kdramas. Also fun fact this is my first Hyun Bin drama. Rating: Fun and adorable

Tale of Nokdu (Kim Dong-hwi, 2019)

Main Leads: Jang Dong Yoon and Kim So Hyun

Episodes: 32, 35 minutes

Thoughts: I actually started watching this when it was airing but I stopped around episode 13 because of my busy schedule and finished it in the new year. I adore the main couple, the romance, comedy, the found family, and the women center story. I thought it shined the brightest when it was focused on the group and its funny and warm moments but once it got too political it kinda fell flat. I loved the ending, however. Also, I really like Jang Dong Young as an actor, I saw him in Solomon’s Perjury (2016) and Mr. Sunshine (2018) and I loved how he played Nok Du too. Rating: I love a women’s only widow village

I’ll Find You When The Weather is Nice (Han Ji-seung, 2020)

Main Leads: Seo Kang Joon and Park Min Young

Episodes: 16, 60 minutes

Thoughts: I really liked this drama, probably one of my favorites this year. As you will notice I enjoy quieter and more slow-burn stories. Also, I am a fan of Park Min Young she tends to pick more interesting and strong-willed female roles, so it is really enjoyable to watch. Rating: makes me want to own a book store.

King: The Eternal Monarch (Kim Eun-sook, 2020)

Main Leads: Lee Min Ho and Kim Go Eun

Episodes: 16, 70 Minutes

Thoughts: Confession; I am actually not the biggest fan of Lee Min Ho, nothing against him I just hate rich bratty characters and he tends to play them. However, I surprisingly really liked his character, he wasn’t a rich brat he actually was likable. I also really like Kim Go Eun, she is actually one of the main reasons why I watched and also with all the hype around it. Woo Do Hwan, who I have always liked, stole the whole show, however. I didn’t hate it like a lot of people, I really liked the characters, I liked the romance and the action. Also, Lee Min Ho and Kim Go Eun’s hugs were absolutely fabulous. It wasn’t my favorite and there were too many product placements, but I don’t think it was the worst drama this year. Rating: Lukewarm

A Piece of your mind (Lee Sang-yeob, 2020)

Main Leads: Jung Hae In and Chae Soo Bin

Episodes: 12, 70 minutes

Thoughts: I actually really liked this drama despite the low views, again I’m big on slow burn stories and character focus. I believe the episodes were cut from 16 to 12 I don’t know exactly why maybe because of the Pandemic or due to viewership or a mixture of both. Despite its being cut short I really liked the ending, and I thought the two leads were sweet. Rating: Wish we had more time to develop the characters.

Its Okay not to be Okay (Park Shin Woo, 2020)

Main Leads: Kim Soo Hyun and Seo Yea Ji and Oh Jung Se

Episodes: 16, 70 to 85 minutes

Thoughts: Out of all the dramas I talked the most about this one. I have always been a fan of Seo Yea Ji since Save Me (2017) and Lawless Lawyer (2018) and I am happy to see her getting more recognition because of this role. The entire cast was amazing and I think I cried every episode. Such a good and heart-wrenching drama which is why I chose to watch it before work every time. Rating: I would let Seo Yea Ji stab me with a knife anytime.

Mystic Pop up bar (Jeon Chang-geun, 2020)

Main Leads: Hwang Jung Eum and Yook Sung Jae and Choi Won Young

Episodes: 12, 70 minutes

Thoughts: I actually watched this while I was watching Its Okay Not to Be Okay and it was a nice balance to it because this was more of a found family story with less heartbreaking moments. Though it did have its share of heartbreak. I really liked all the characters and their relationship. Also, I am a sucker for bureaucratic fantasy/ magic, and kdramas are so good at it. Rating: I wish it was 16 episodes.

When the Camila Bloom (Cha Yeong Hoon, 2019)

Main Leads: Gong Hyo Jin and Kang Ha Neul

Episodes: 20, 63 to 75 minutes

Thoughts: I liked the story overall, the romance was cute and the mystery was interesting but I thought the family expectations was the best part of the story. This was not my favorite drama, but it was enjoyable and heartfelt. I watched it right after It's Okay Not to Be Okay and while I was watching Flower of Evil (2020) which probably is why I was so underwhelmed by it. Rating: Sweet romance and adorable found family.

Flower of Evil (Kim Cheol Kyu, 2020)

Main Leads: Lee Joon Gi and Moon Chae Won

Episode:16, 70 minutes

Thoughts: This was my favorite drama of this year. I went into this drama not thinking much of it, and I mainly watched it as a post drama blues drama. It was an action and thriller which I mainly don’t get attached to plus I am a huge fan of Lee Joon Gi. I should have known better, I cared so much about all the characters, the acting phenomenal, also every time they showed their hands I cried. This drama left me shriveled and empty inside. Rating: Lee Joon Gi will literally kill me one day.

Put Your Head On My Shoulders (Zhu Dongning, 2019)

Main Leads: Xing Fei and Lin Yi

Episodes: 24, 40 to 45 minutes

Thoughts: This is the first Chinese drama on this list. I thought it was cute, I liked the couple and thought it was alright. I started to dislike the male lead later in the series but it was overall fine. It was basic and sweet with very little drama. Rating: It did its job.

The School Nurse Files ( Lee Kyoung Mi, 2020)

Main Leads: Jung Yu Mi and Nam Joo Hyuk

Episodes: 6, 45 to 57 minutes

Thoughts: This is probably my second favorite drama. I couldn’t tell what happened in the drama but I loved it. I thought it was weird and fascinating, and just so magical. I loved the children and just how the whole school was just off its rocker. I also think that Nam Joo Hyuk does really well in serious roles, and I thought he did a really good job here. Rating: 1 jelly heart.

Mr. Heart (Park Sun Jae, 2020)

Main Leads: Cheon Seung Ho and Lee Se Jin

Episodes: 8, 11 Minutes

Thoughts: This was 8 episodes of start fluff and I adored it. Apparently, it is apart of a BL series by Park Sun Jae and there is a movie version that I haven’t watched. If you want to destress and watch just fluff this is the show for you. Rating: If it is any sweeter I would be going to the dentist.

You are My Destiny ( Ding Ying Zhou, 2020)

Main Leads: Xing Zhao Lin and Liang Jie

Episodes: 36, 45 minutes

Thoughts: I hated this drama, I thought it was the worst thing ever. I don’t know why I even watched all 36 episodes. Apparently, it is a remake of a popular 2008 Twaniese drama Fated to Love You and there is a Korean remake of it as well. I have watched neither of them, so I was brand new to this story. I hated, despised the male lead. He was whiny, entitled, and an asshole. The only good part of the drama was the male and female lead actually had a lot of chemistry, unfortunately, they are playing awful characters. Rating: This was made in 2020???

First Romance (Ding Pei, 2020)

Main Leads: Wan Peng and Riley Wang

Episodes: 24, 45 Minutes

Thoughts: This is another Chinese drama. Similar to Mr. Heart (2020) this show was super fluffy. I really liked the main couple they seem to respect each other and they both had adorable crushes on each other. I loved the whole dumb jock and dumb artist dynamic it was so funny. Rating: Cute!!!

Lost Romance ( Eri Hao, 2020)

Main Leads: Marcus Chang and Vivian Sung

Episodes: 20, 70 minutes

Thoughts: This is the only Twainese drama on this list. I think I liked this drama, I actually only remember very little of this drama. I like the CEO in the real world more than the book world, and I also really liked the female lead except she lowkey stalked the CEO like that was not okay. Rating: I think I liked it???

When We Were Young ( Deng Ke, Liu Guo Hui, 2018)

Main Leads: Neo Hou and Wan Peng and Gala Zhang and Pan Mei and Ye Marcus Li

Episodes: 24, 45 minutes

Thoughts: I really liked this film, I loved all the characters and thought it was all very heartfelt. I cried like a baby, and Hua Biao was such a touching and relatable character. And the whole grandma story hit so close to home. Rating: Made me cry like a baby.

Moment of 18 ( Sim Na Yeon, 2019)

Main Leads: Ong Seong Wu and Kim Hyang Gi

Episodes: 16, 70 minutes

Thoughts: I really liked this drama, and I thought the romance was so cute. I also really liked the relationship between the moms and was sad that the rich mom was a bitch and ruined the friendship. I also wasn’t a big fan of the ending, but I loved the rest of it. Rating: The main lead is part of a boy group because he had a random singing moment.

Perfect and Casual ( Li Shuang, 2020)

Main Leads: Miles Wei and Xu Ruo Han

Episodes: 24, 45 minutes

Thoughts: This is another Chinese drama on this list. I’m pretty sure it's considered an Idol drama so that sets your expectations. I really liked this drama a lot, I am a big fan of contract marriages and I thought the leads were so cute together. Also, this is the first contract marriage drama where the leads don’t break up which I like. A lot of the drama came from outside of the relationship. Rating: You can’t analyze love.

Le Coup De Foudre ( Wang Zhi, 2019)

Main Leads: Janice Wu and Zhang Yujian

Episodes: 35, 45 minutes

Thoughts: My favorite Chinese drama on this list. I loved this drama, I thought it was sweet and simple and the main couple was so realistic. Unpopular opinion I disliked the second couple and the best friend I thought she was annoying and brattish. However, I adore the main couple and their relationship. Rating: Realistic sweet romance.

More Than Friends ( Choi Sung Bum, 2020)

Main Leads: Ong Seong Wu and Shin Ye Eun

Episodes: 16, 70 minutes

Thoughts: I enjoyed the overall story and characters. I loved the group and their relationships. Also, Young-Hee made me cry, and her relationship with Hyun Jae was so sweet. The main leads were also sweet, and I related a lot to Lee So. I just didn’t like the back and forth. Rating: How many times can we break up in a drama.

Be With You ( Zhou Miao, 2020)

Main Leads: Ji Xiao Bing and Zhang Ya-Qin

Episodes: 24, 45 minutes

Thoughts: This is the last Chinese drama I watched this year. It was alright, the romance was sweet, I really like the female lead, and the male lead was nice to look at. It was okay. Also, the second couple was so ??? She was his boss, enemy, and older than him, what?? Rating: Sometimes you need to fall in love to be creative.

Moon Lovers: Scarlet Heart Ryeo ( Kim Kyu Tae, 2016)

Main Leads: Lee Joon Gi and Lee Ji Eun (IU)

Episodes: 20, 60 minutes

Thoughts: I know I am really late watching this, but I finally did. I went in knowing this would hurt me and Lee Joon Gi already scared me this year ( damn this man) so I was fully prepared. I really wasn’t, it so much. (SPOIlERS) When Wang Eun and Park Soon Deok died I sob like a baby (SPOILER ENDING). It took me a long time to finish this show because its heart so much, like it physically hurt me. The show was really good, and heartbreaking, and the ending stabs me in the heart 20 times. Rating: Lee Joon Gi is trying to kill me with tears.

Persona ( Lee Kyoung Mi, Yim Pil Sung, Jeon Go Woon, and Kim Jong Kwan, 2019)

Main Leads: Lee Ji Eun (IU)

Episodes: 4, 19 to 27

Thoughts: This is a collection of mini-films by directors. 4 separate stories are starring Lee Ji Eun. I thought all of them good, especially “ Kiss Burn” and “Walking at Night.” There isn’t much else to this, more than it is an artistic display of filmmaking. Rating: Hipster Kdrama

Come and Hug Me ( Choi Joon-bae, 2018)

Main Leads: Jang Ki-Yong and Jin Ki-Joo

Episodes: 32, 35 minutes

Thoughts: I actually just finished this show today. I really liked it, I thought it was both sweet and heartwarming/wrenching. I hated that one journalist and the public like why are they blaming a victim. I didn’t watch it with my full mind because I’ve been distracted lately, but I did enjoy it. Rating: another cute but sad couple.

Movies I watched this year:

Spell Bound ( Hwang In Ho, 2011)

Main Cast: Son Ye Jin and Lee Min Ki

Running Time: 114 Minutes

Thoughts: I watched this at like 12 am after a bad day and it was cute. I love RomCom fantasy, which I think Korean media does really well. I don’t know what else to say except it is a really cute romance. Rating: Is it the ghost or the butterflies

The Host ( Bong Joon Ho, 2006)

Main Cast: Song Kang Ho and Byun Hee Bong and Park Hae Il and Bae Doona and Go, Ah Sung

Running Time: 119

Thoughts: This film I had to actually watch for class. It was a really good film which is expected from Bong Joon Ho. I love monster films and I thought this was a good rendition of this film. Also, The monster was so cool especially from 2006. I thought it was heartbreaking, stirring, and so beautifully shot. Rating: Oscar-worthy Direction

Little Forest ( Yim Soon-rye, 2018)

Main Cast: Kim Tae Ri and Ryu Jun Yeol and Moon So Ri and Jin Ki Joo

Running Time: 103 minutes

Thoughts: I really, really liked this film. It reminded me so much of I’ll Find You When The Weather is Nice (2020) that I thought that it was based on this film but it isn’t. I have watched this film 3 times since October and every time I watch it have made bread. I really just love everything about this film, how quiet it is, the cinematography, the acting, just everything. Rating: Three loaves of bread.

Always ( Song Il Gon, 2011)

Main Cast: So Ji Sub and Han Hyo Joo

Running Time: 106 Minutes

Thoughts: I thought it was okay, I watched it while I was knitting so I was distracted a bit. But I thought the couple was sweet, and the characters were interesting. Rating: It's Okay.

Currently watching

True Beauty ( Kim Sang-hyeop, 2020-)

Main Cast: Moon Ga Young and Cha Eun Woo and Hwang In Yeop

Episodes: 16, 70 minutes

Thoughts: This is currently an ongoing series that is actually really popular. Apparently, it is based on a webtoon, which I haven’t read. I like it so far, I always liked Moon Ga Young and I think she is a great actress. She plays Im Ju Kyung in a likable and insecure way, instead of someone annoying which could easily happen. I will be continuing watching. Rating so far: Okey dokey yo.

Live On ( Kim Sang-woo, 2020-)

Main Cast: Jung Da Bin and Hwang Min Hyun

Episodes: 8?, 60 Minutes

Thoughts: I really Like this show. The main couple is sweet and supportive. I really like the female lead, I like that she is cold and kinda quiet, but with a sweet spot if you are not a dick. I really like the main relationship conflict comes from friendship instead of romance, I think it makes the show more interesting. Rating: I want to Join a Broadcast group.

On My List:

I actually don’t have anything else on my list so if anyone has recommendations please tell me. I am thinking about watching Mr. Queen ( 2020) because I really like Shin Hye Sun. I also want to watch Sweet Home (2020) the Netflix series. But please recommend me some dramas!!!

This is such a long list, and I had fun doing it and going back over all the dramas. I hope everyone has a good New year and that we will have many more good dramas in 2021!

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architectnews · 3 years

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Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

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kdramaindonesia · 4 years

Link

Drama China Mr Fox and Miss Rose Subtitle Indonesia

Sinopsis Mr. Fox and Miss Rose Dua ‘spesies’ yang sangat berbeda bertemu secara tak terduga, sehingga memulai kisah ‘menjinakkan’ satu sama lain. Satu adalah kepala suku perempuan dari suku misterius sementara yang lain adalah pembangkit tenaga listrik perusahaan berperut hitam.

Gao Zhenhe (Ren Youlun) adalah seorang pria baja yang mencari nafkah dari eksplorasi permata kelas atas. Setelah selamat dari kecelakaan yang membuatnya jatuh dari tebing, Gao Zhenhe menemukan suku primitif yang didominasi oleh wanita. Pemimpinnya Xing Yue (Zhang Yaqin) menyelamatkannya dengan maksud menjadikannya laki-laki. Untuk mendapatkan permata langka dari suku itu, Gao Zhenhe berpura-pura menikah dengan Xingyue dan mengunci peluang pertama yang didapatnya. Xingyue pergi ke kota besar sendirian untuk mengambil miliknya.

Detail Mr. Fox and Miss Rose Title: Mr. Fox and Miss Rose Chinese Title: 酋长的男人 / Qiu Chang De Nan Ren Broadcast Website: Tencent Broadcast Date: May 28, 2020 Air Time: Thursday-Saturday 20:00 (2 eps), 6 more eps released for VIP (See Viewing Calendar) Genre: Comedy, Romance Language: Mandarin Episodes: 26 Director: Zhu Dongning Screenwriter: Qin Qin Production Company: Tencent Penguin Pictures, Litian TV & Film Producer: Geng Jihong, Zhang Yijia Origin: China

Cast Mr. Fox and Miss Rose Zhang Ya Qin Ren You Lun Chen Xi Jun Jiang Peng Jie Bing

Download Drama China Mr Fox and Miss Rose Sub Indo

INFO VIDEO : 480[HARDSUBINDO/ SUB NEMPEL]

#KDrama #KDrama Subtitle Indonesia

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dglee90 · 7 years

Text

Arxiv[quant-ph]

Petz recovery versus matrix reconstruction - Milan Holzäpfel, Marcus Cramer, Nilanjana Datta, Martin B. Plenio

Locality at the boundary implies gap in the bulk for 2D PEPS - Michael J. Kastoryano, Angelo Lucia, David Perez-Garcia

Markovian Matrix Product Density Operators : Efficient computation of global entropy - Isaac H. Kim

Dynamical quantum phase transitions: a review - Markus Heyl

Emulating many-body localization with a superconducting quantum processor - Kai Xu, Jin-Jun Chen, Yu Zeng, Yuran Zhang, Chao Song, Wuxin Liu, Qiujiang Guo, Pengfei Zhang, Da Xu, Hui Deng, Keqiang Huang, H. Wang, Xiaobo Zhu, Dongning Zheng, Heng Fan

Compact localized states and flat bands from local symmetry partitioning - M. Röntgen, C. V. Morfonios, P. Schmelcher

Photonic Cooper Pairs - Andre Saraiva, Filomeno S. de Aguiar Junior, Reinaldo de Melo e Souza, Arthur Patrocinio Pena, Carlos H. Monken, Marcelo F. Santos, Belita Koiller, Ado Jorio

Machine learning \& artificial intelligence in the quantum domain - Vedran Dunjko, Hans J. Briegel

On geometrical aspects of the graph approach to contextuality - Barbara Amaral, Marcelo Terra Cunha

Quantum qubit switch: entropy and entanglement - Marek Sawerwain, Joanna Wiśniewska

0 notes

architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

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architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

#Architecture – Dezeen

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