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plzdai · 5 months
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experimenting with white lineart + enjoltaire mitski combo
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francu-s · 8 months
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Book Four - Final Touches 3 [next page] [first page] or read the finished pages on [AO3] By my book this is still not NSFW, but please let me know if you think otherwise. Cheers!
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homeboundmonsters · 2 months
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I don't post a lot of analysis here but enjoy this mad scuffling of thoughts on the Tragedy of Javert as the Failed Lover
For me the moment Javert really loses it over Jean Valjean is not at the barricade but when Jean Valjean ‘dies’. In Toulon Jean Valjean belonged to the system, Javert’s eyes could watch him but they were not the only eyes that possessed Valjean with the intensity and scrutiny of the Law. In Montreuil-Sur-Mer Javert spends four years following him, stalking him. His eyes possess Valjean, he tries to offer him up to the law and is abandoned alone in his scrutiny and observation. Yes, Valjean belongs to the townspeople but not Really because they don’t see him like Javert sees him, they don’t have the intimacy of observation that Javert has. In his unaware and abstract way Javert is trying to understand Valjean, not intellectually but biologically: it is the broadness of his shoulders, the strength of his thighs, the gait he walks with; Javert seeks to understand the way his body speaks. For four years Javert is left alone in his desire and the intensity of his desire to penetrate Valjean’s secrets.
Then the rug is pulled out from under him. His understanding of why he consumes this man is ripped away and, all of a sudden, he has to reframe his understanding of why he feels this intensity of emotion, and desire for ‘knowing’, and he cannot understand it. Instead, he wants to run from it: he wants to be dismissed, to flee into mediocrity and the drudgery of agriculture. He can’t bear the burden of his guilt as a spy, but he has been more than a spy he has been a kind of peeping-Tom wanting to see inside of Madeleine and reveal him. This is an affront to Javert, not because he’s homophobic but because Madeleine is a superior: Madeleine is untouchable, a man of better class, better breeding. But mostly because Javert cannot understand his own feelings beyond the idea of them being an intrusion on the Better class of People that he has been determined to serve. He might as well as become aware of himself peeping into a bedroom window. He is a guard dog, he is not meant to experience what goes on in the house, his place is outside. Yet he has sought out the intimate knowledge of this man and in doing so has intruded beyond his status.
But worse for Javert is the world is turned on its axis again and he is proven right. He has NOT sought to go beyond his bounds, instead he has sniffed out a strange dog in the master’s parlour stealing the master’s meal. He is no longer troubled by the uncertainty of his years long passion. The world is set to right so he settles again into the comfort that his understanding of the world and his role in the world is correct. And then, after having Valjean for himself for four solid years, he gives him back to the prison system only… Javert is not there to observe him. Valjean is given over the scrutinising eyes of others and Javert satisfies himself with service to the Law.
So then, why is he so eager to believe that Valjean is still alive? Surely by all rights he should not care that Valjean is dead, Hugo emphasises that Javert shows little interest in the newspaper article. Well, the answer supplies itself when Javert thinks of Valjean is ‘his convict’. His pursuit of Valjean in Paris is defined by the fact that he does not try to share his suspicions, he does not try to share Valjean with anyone. Again and again he foils his own plans to catch the man. There is intimacy again between them, the kind of safe intimacy that comes without touching, only observing. Javert follows him to where he sleeps and secretes himself in a mirror room to Valjean’s: he is seeking again to have an intimate understanding of Valjean biologically; the way and shape in which he lives his life. He seeks evidence of the physical form, even though some part of himself knows it already his mind and eyes hunger for freedom from doubt. Is that not what Valjean always brings him: doubt? Uncertainty. Hunger, the pursuit of intimacy of understanding, the revealing of secrets and the concealed.
He is paralysed by Valjean’s disappearance at Petit-Picpus. He spends a week pacing outside searching for ways in. There is a physical barrier between him and Valjean, here he cannot observe him, here he cannot fabricate the intimacy that is brought on through observation. He is tormented by it. Why? Why does Valjean’s disappearance torment him in a way that the disappearance of Patron Minette? Javert meets Thernadier- a criminal on the run- in the sewers and is disinterested by him. Why because his mind is shaken by Valjean’s act of mercy? It is more than that. Valjean has breached the unspoken rule of their relationship again: there has been a crossing from observation into physicality and that is always destabilising for Javert. He feels safest when he is observing, that is why he is a spy. He likes to go unnoticed. Valjean brings him out into the open, not as a spy but as Javert the man. And for Javert, all these years he has felt that he understood Valjean, that he observed him and knew him as no one else did. That he had penetrated that man’s secrets, his mind, that he understood his desires and goals, and now he finds he knows nothing about him. All of that imagined intimacy is gone, torn from his hands by a man who tells him to shut up and leave already because he knows nothing.
In the carriage Javert battles with his passion, he desires physical intimacy with Valjean: seize and devour, which he can only understand within the framework of arresting him. And yet we know already that since Valjean has reappeared in Paris has been unable to share him, unwilling to give him away. To devour, to bring something into your body and make it a part of you, to process it until it becomes indistinguishable from yourself. These feelings are not new, the desire not to let Valjean go into the hands of others is not new, but for the first time Javert is wrestling with the idea that this means he must turn his back on his Mother and Father: The Law. It is the classic story of the Lover, the Lover must always leave his family to start his own with the object of his affection, but how can Javert do that when his Mother and Father, his ultimate authority, are the very outlining of society themselves? Besides that, he lacks the perceived intimacy that gave him confidence in their interactions before. How can he step out of the safety of his relationship with the Law into the unknown of this man who defies all understanding? Who blinds him, who IS the man who almost brought him to his knees in M-Sur-M? Love is terrifying, but love for someone completely unknowable? Love for someone whose very perspective of the world is so obscure to you that you feel blinded by a glimpse of it? For Javert love has always been self-sacrifice and service. He turned his back on his own people to become a prison guard, he served as a policeman suffering contempt and poverty; so, he loves Valjean how he understands love to be: he sacrifices himself. That at least makes sense to him when nothing else does.
But my point is, as rambling and incoherent as this has been, that Javert has loved Jean Valjean, and wanted to Love Jean Valjean for a long time and not known it. How can a person know Love when they have never experienced it? Not just romantic love, but familial, the love of friendship, the love of a pet. This man has been so abstracted from society by his birth and ethnicity that he never even understood to recognise love from the outsider’s view: he has never even looked on love as a concept. Why torment yourself with what you can’t have? But despite everything, Javert does love and he does love as someone should: self-sacrificingly, with constancy, with patience, with a desire to understand, with a desire to protect and preserve. Javert is the Failed Lover archetype, once upon a time he could have been Marius: watching and falling in love by glances, understanding, scaling walls to communicate and develop intimacy. But Javert, and Jean Valjean in turn, were always doomed to be on the outside, out in the cold.
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wanliangzhen · 11 months
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"Permets-tu?"
Happy Barricade Day.
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royce2005 · 1 year
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RED
trying new style but not really work
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thepoorlark · 1 year
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reading fics where enjolras is super loud and needs to be told to stfu every five seconds is so funny to me because like. in canon he literally just sits in the corner and listens to his friends talk. and when he DOES choose to speak, everybody shuts up and listens because nobody has a way with words like he does. enjolras is so quiet and thoughtful and he knows what he wants to say and when others need to hear it. enjolras is in control of every single aspect of his life, especially his words.
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oplusplus · 4 months
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Gavroche
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frain911 · 11 months
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westend valvert 2022.ver only
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ariel2art · 1 year
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Icons for you and the person whose hand you would hold if you die
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awaywardplantagenet · 11 months
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plzdai · 9 months
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i cant escape thems
aggressively reassuring enj is my favorite trope
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francu-s · 8 months
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Book Four - Final Touches 2
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[next page] [first page] or read the finished pages on [AO3]
I really don't think this needs to be labeled as mature content (maybe the next ones), but let me know if you feel otherwise. Enjoy! <3
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homeboundmonsters · 5 months
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Stargazer
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wanliangzhen · 4 months
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KISSING MOSTER
Modern AU, Jean Valjean and Javert together raise Cosette.
You guys must watch the videos that lovely Philip Quast in PLAY SCHOOL!!!!!
youtube
youtube
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royce2005 · 1 year
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Dawn
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I have an exam tomorrow and I drawed this not study☠️
but gosh I love them so much
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chazstity · 1 year
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Klimt but make it Enjoltaire
Society6
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