#Lee "Scratch" Perry | Explore Tumblr Posts and Blogs

lyrics724 · 2 years

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Run For Cover

[Verse 1] Run for cover now, I’m taking over So, please, step aside, because I ain’t gonna sympathize Boy, I’m gonna lay it on, from dusk ’til dawn With a right to the head and a left to the cheek Boy I’m goin’ to knock you down With a right to the head and a left to the cheek I’m gonna keep the pressure on [Instrumental Break] [Verse 2] Run for cover now, King Scratch take over So, please, step…

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#Lee "Scratch" Perry

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x-heesy · 10 months

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People run in packs because they dont feel safe alone, I run alone because I don't feel safe in packs..

𝗣𝗨𝗥𝗥𝗙𝗘𝗖𝗧 𝗜𝗦 𝝠 𝗠𝗬𝗧𝗛 / 𝗜𝗧’𝗦 𝝠 𝗧𝗥𝝠𝗣 / 𝗕𝗥𝗘𝝠𝗞 𝗙𝗥𝗘𝗘 / 𝗤𝗨𝗘𝗦𝗧𝗜𝝝𝗡 𝗘𝗩𝗘𝗥𝗬𝗧𝗛𝗜𝗡𝗚 / 𝗖𝗛𝝝𝝝𝗦𝗘 𝗪𝗜𝗦𝗘𝗟𝗬 / 𝗪𝗘𝗜𝗥𝗗 𝗜𝗦 𝝠 𝗖𝝝𝗠𝗣𝗟𝗜𝗠𝗘𝗡𝗧 / 𝗡𝝝𝗧𝗘 𝗧𝝝 𝗠𝗬𝗦𝗘𝗟𝗙 / 𝗬𝝝𝗨 𝝠𝗥𝗘 𝗧𝗛𝗘 𝗥𝝝𝝠𝗗 /𝗧𝗛𝗘𝗟𝗜𝗧𝗧𝗟𝗘𝗧𝗛𝗜𝗡𝗚𝗦𝝠𝗥𝗘𝗧𝗛𝗘𝗕𝗜𝗚𝗧𝗛𝗜𝗡𝗚𝗦 / 𝗠𝗬 𝗖𝗥𝗘𝗗𝝝 / 𝗟𝝝𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝝝𝗩𝗘 / 𝗟𝗜𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝗜𝗩𝗘 / 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗦𝗜𝗠𝗣𝗟𝗘 / 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗥𝗘𝝠𝗟 / 𝗩𝗘𝗧𝝝 / 𝗥𝗜𝗦𝗘𝗥𝗘𝗕𝗘𝗟𝗥𝗘𝗦𝗜𝗦𝗧 / 𝗠𝝝𝝝𝗗 𝗕𝝝𝝠𝗥𝗗 /𝗣𝗨𝗡𝗞𝗦𝝠𝗥𝗘𝗡𝗧𝗗𝗘𝝠𝗗 / 𝗡𝝝 𝗚𝝝𝗗𝗦 𝗡𝝝 𝗠𝝠𝗦𝗧𝗘𝗥𝗦 / 𝗣𝗥𝝝 𝗟𝗜𝗙𝗘 𝗠𝗙𝗭 / 𝗘𝗡𝗘𝗥𝗚𝗬𝗦𝗨𝗖𝗞𝗘𝗥𝗭 𝗡𝝝𝗧 𝗪𝗘𝗟(𝗟) 𝗖𝗨𝗠 / 𝗧𝝝 𝝠𝗟𝗟 𝗧𝗛𝝠 𝗟𝗨𝗩𝝠𝗭

#justanfriendlyreminder 🐺

#thelittlethingsarethebigthings 🔎

#autosuggestion #pointofview #codingyourself #programyourself #endlessness #creatingyourself #neverstoplearning

#fantasy #empathy #equality #respect #love #basics 🫶🏽

#textart #artfulquotes #typography #expressyourself #iphoneart #newcontemporary #popart #artsyfartsy #artfuckery

#quotes #quotesdaily #quotestoliveby #quotestagram #quotesaboutlife #quotesoftheday #quotestags #quotesgram #motivationalquotes #quotesandsayings #quoteslover #quotesofinstagram #quotesforlife #quotestoinspire #quotestoremember #quotestag #quotesilove #inspirationalquotes #lovequotes @frenchpsychiatrymuderedmycnut #quotesaboutlifequotesandsayings #successquotes #dailyquotes #lifequotes #quotesforyou #positivequotes #quotes4you #quotesaboutlove #instaquotes #quoteslife #quoteslove #qotd

Soundtrack: Atmosphere by Lonely Guest, Lee "Scratch" Perry, Tricky, Marta

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goodblacknews · 3 years

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R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

Bunny Wailer, a founding member of the Wailers and a reggae music titan whose career spanned seven decades, died today at the age of 73, according to the Jamaica Observer. Wailer’s manager Maxine Stowe confirmed that Wailer died at the Medical Associates Hospital in Kingston, Jamaica (via the Jamaica Observer). No cause of death has been named so far, but Wailer had been in and out of the…

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#Beverley Kelso #Bob Marley #Bunny Wailer #Cherry Smith #Coxsone Dodd #Jackie Mittoo #Jamaica #Joe Higgs #Kingston #Lee "Scratch" Perry #Maxine Stowe #Neville Livingston #Peter Tosh #Reggae music #The Wailers

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zaphmann · 3 years

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In Memory of John Peel Show 210813 Podcast & Playlist

John Clare – The Shepherd’s Calendar : January “Every show is so different, I never know what to expect” https://radiopublic.com/in-memory-of-john-peel-show-6nVPd6/ >> the best new music, independent of the industry system – back this show on patreon Paypal to [email protected] heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or embed/listen at podomatic –…

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#Black Plastic #Conor O&039;Kane #Ekoplekz #Hackedepicciotto #JOHN (TIMESTWO)#John Francis Flynn #john peel #Lee "Scratch" Perry #Moor Mother #New Age Doom #new music #One More Grain #Paul Rooney #Robert Farmer #Shit and Shine #Wednesday #Zaph Mann

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robmoro · 7 years

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Music | Gig News: 10 March 2017

Lee Scratch Perry who was originally to play at The Bowery in Rathmines has been moved to Whelans of Wexford street due to demand for tickets. Tickets are available from www.wavtickets.ie, www.ticketmaster.ie and www.eventbrite.ie at a cost of €25 inc booking fee. Clean Cut Kid will play The Academy 2, Dublin on Saturday 13 May 2017 Tickets €13.00 including of booking fee go on sale Friday 10…

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#3arena #Afghan Whigs #Dublin gigs #Eddie Vedder #EXIT Festival 2017 #Festivals #Gig News #Lee "Scratch" Perry #Morrissey and Marshall #Ron Sexsmith #The Academy Dublin #The Grand Social Dublin #The Killers #The Olympia Theatre Dublin #Whelans Dublin

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scottbcrowley2 · 3 years

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Jamaican reggae legend "Lee Scratch" Perry dies at 85 - Mon, 30 Aug 2021 PST

Jamaican singer and record producer "Lee Scratch” Perry, considered one of reggae's founding fathers, died on Sunday. He was 85. Jamaican reggae legend "Lee Scratch" Perry dies at 85 - Mon, 30 Aug 2021 PST

#Spokesman.com: Latest stories #Jamaican reggae legend "Lee Scratch" Perry dies at 85 - Mon

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thejoyofviolentmovement · 3 years

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Throwback: Happy 85th Birthday, Lee "Scratch" Perry

Throwback: Happy 85th Birthday, Lee “Scratch” Perry

Yesterday was the legendary Lee “Scratch” Perry’s 85th birthday. And what better way to show love and respect to the beloved creator of dub than with some live footage of the man doing his thing –= with the energy and verve of someone half of his age. Happy birthday, Mr. Perry! May there be many more.

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#dub #Lee Scratch Perry #Live Footage #reggae #The Joy of Violent Movement: Throwback: Happy 85th Birthday Lee "Scratch" Perry #Throwback: Happy 85th Birthday Lee "Scratch" Perry #video #Youtube

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midnightiscoming-kasabian · 5 years

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Kasabian's Serge Pizzorno: 'Being pretentious is my number one fear'

Tim Jonze - www.theguardian.com - Photo: Neil Bedford

2 Sep 2019

He’s the lairy lad rocker who scored one of the best ever goals on TV – in winklepickers. Now he is aiming to be music’s answer to David Lynch

Serge Pizzorno is looking back at the rise of his band Kasabian and trying to pinpoint when it all became a bit too much.

“You’d turn up at shows and there’d be 20-odd trucks there, a catering team, loads of people everywhere,” he says. “And you’d think, wow, this is actually a job for a lot of people, and it all rests on these four maniacs!”

This was in 2017: the band had just completed their sixth album, For Crying Out Loud, released to mixed reviews, and all was not well in camp. After 20 years together, Pizzorno was worried the band were getting stuck in a rut. And then there was the personal turmoil: not for songwriter Pizzorno, who had settled into family life in Leicester (he has two boys, Ennio and Lucio), but for Tom Meighan, the band’s wild-eyed frontman.

Mimicking their idols Noel and Liam Gallagher, Pizzorno wrote the songs while Meighan brought the stage presence, preposterous quotes (“Our songs sound like we’ve shit ourselves 10,000 feet in the air”) and ludicrous tales. Band legend had it that, whenever Meighan became too much to handle, the other members had to take him to the nearest Toys R Us store to calm him down. But following a split from his partner, the relentlessly upbeat singer was struggling. He cried in one interview at the time.

“Tom’s still figuring things out, but he’s in a much better place now,” says Pizzorno when we meet for coffee in London. But it’s no wonder they needed time out. “I was worried we would get stale. Sometimes you need to go down the rabbit hole to refresh things.”

The SLP is that rabbit hole. It’s his initials – his full name is Sergio Lorenzo Pizzorno – and the name of his forthcoming solo album, recorded at his home studio, the Sergery (yes, really). With its guest appearances from Little Simz and Slowthai, and wild eclecticism, it’s reminiscent of Gorillaz – a cartoonish world constructed as an escape from the pressures of being in an enormous band.

Pizzorno sees it less as a new direction and more a return to the way he started off making music. Back then he was using an old Atari and a Midi keyboard; these days he’s been recording on his phone, stealing snippets from 70s Italian horror movies, “weird Polish shit”, and whatever grabs his attention when he’s out and about.

“I’ll be in Tokyo, hear the buzz of the electricity running through the pylons, and be like...” he waves his phone in the air, as if frantically trying to record the sound. “All my mates will be taking the piss. And even in my own head I’m thinking, ‘I’m never gonna use this.’ But this time I did.”

Indeed, the buzzing pylons make it into The Wu, an incredibly odd song about wandering through hotel corridors in search of the afterparty. It’s a case study in Pizzorno’s esoteric influences, from the South African disco label Heads and Lee “Scratch” Perry to the late Nigerian synth wizard William Onyeabor. Elsewhere there’s Mediterranean house (Nobody Else), mariachi meltdowns (Meanwhile … in the Welcome Break) and, in ((trance)), the kind of joyously anthemic track that wouldn’t sound out of place in, well, a Kasabian set.

Did the rest of the band not think: can’t we have a couple of these tunes? “It’s probably testament to why we’re still together that they didn’t mind,” says Pizzorno. “Tom understands that you need to explore what else is out there. Otherwise you become the band everyone expects you to be.”

The irony is that Kasabian have never been the band a lot of people think they are anyway. When they emerged in the early 00s, with electro-influenced rock anthems such as Clubfoot and LSF, they were stereotyped as lairy lad rockers, when in reality they were just as enamoured by hip-hop and acid house.

“On our first record I would wanna sit people down and go, ‘No, no, no – this is where we were fishing for that stuff, Can and Neu! or whoever. But whatever we said, the journalist would just ask us about the Happy Mondays. I soon realised it was best to just keep your mouth shut, because if you’re still able to make albums and art, who cares where it comes from anyway?”

I interviewed the band a few times back then and always found them far kinder and more erudite than they were portrayed (“On the road carnage with rock’s rowdiest band!” screamed one NME cover line). But it’s fair to say, with their wild tales and boasts, they played up to it.

Was the lad thing a bit of an act? “We knew that journalists wanted it,” says Pizzorno. “But at the same time, we did grow up where, if you wanted to be in a band, you had to have your wits about you. If you’re playing in a village pub in Leicester in front of a load of lads that would throw darts at your head for having long hair, you can either go in and be all art school, or you can snap a snooker cue in half and say, ‘Let’s go!’ But then I still wanted to get them in the corner and talk about Jodorowsky afterwards.”

Pizzorno’s lad-rock credentials were no doubt enhanced by two televisual moments: a goal on Soccer AM, in which he improbably flicked the ball up in the air while wearing winklepickers before volleying it into a tiny hoop; and an even better strike during the Soccer Aid charity match that saw him scoop the ball over former England keeper David Seaman’s head and into the top corner of the net. The mention of these acts of sporting glory makes Pizzorno groan: “You’ll work for ages on a piece of music or art that you’re really proud of. But kick a ball through a hole in an inflatable bouncy castle and it’s what you become known for.”

Come on though, which was his favourite goal? “With the Soccer AM one I’d been up all night, I was hanging. If I was sober I’d never have even tried it. But the [Soccer Aid] one … not only is it a great goal, but for five minutes after scoring it, I’ve never been more off my nut in my life. As a pure sledgehammer hit of adrenaline, it was insane. God knows what it would be like to score in a World Cup.”

Less impressive when it comes to lad stereotypes was a cover of Q magazine, on which Meighan and Pizzorno appeared alongside two naked ladies, something that even back in 2011 looked like a relic of a bygone era. Pizzorno groans again, but this time he means it. “That really kills me,” he says. “It was sold to us as Jimi Hendrix, Electric Ladyland, a celebration of 60s psychedelia. But we learned an important lesson there – we need to take control over every element.”

Pizzorno says the band have always been more inclusive than people give them credit for. “Art can be the start of something. At [Kasabian’s] gigs you only have to look at the first few rows to see there’s people from all over the world, with completely different views on how things should be done, but at least we’ve got them together.”

There’s a song on The SLP that addresses this, the final track Meanwhile … in the Silent Nowhere. “It’s about communication,” says Pizzorno. “Previously, even if you were rightwing or had extreme views, it felt like there could be some sort of dialogue where you could at least hear each other’s stories. Now it feels like, ‘This is my belief, fuck you’ ... there’s a danger in us not sitting down and talking face to face.”

What does he think of the current political situation? “It’s like Vegas. Fundamentally, the system is rigged and whatever you implement, the outcome will be the same. You’re probably talking revolution here but we need someone to come along and start again.” Is Jeremy Corbyn that person? “He’s the best shot we’ve got ... but I think there’s more. There’s someone else out there that can marry spirituality [with politics] and break the system and get us to start again somewhere better.” He laughs: “I think I’m just waiting for the messiah.”

Right now, Pizzorno has more pressing problems than the overthrow of capitalism: how to be a musician without Meighan by his side. He’s planned an impressive stage show, with different characters performing each song. It sounds ambitious. “But in a really minimal way,” he stresses. “Not overblown, the opposite to lasers and screens. It won’t be pretentious. Pretentious is my number one fear.”

Will there be costume changes? “Very subtle ones. There might be a hat. I might be barefoot. Fundamentally, I want it to be like a David Lynch thing, where people feel on edge, as if they’ve entered another world for 50 minutes.”

Pizzorno says he knows he can never compete with Kasabian’s enormous gigs – those gigantic, truck-bearing affairs with catering teams and staff everywhere. “But the aim is to get to that same euphoric point,” he says, “just in a whole new way.”

The SLP is out now. The tour starts on 5 September at Glasgow SWG3.

#kasabian #sergio pizzorno #the s.l.p.#interviews #interviews 2019

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hicemusic · 4 years

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Album des Monats Dezember 2019

Ich wünsche euch ein Frohes Neues Jahr 2020!

Es steht noch eine Wahl aus, die sich auf das letzte Jahr bezieht:

Wählt bis zum 08.01. das Album des Monats Dezember 2019!

Ihr entscheidet, welche Veröffentlichung “Album des Monats Dezember 2019” wird.

Zur Wahl stehen diejenigen Alben, die in dem Monat veröffentlicht und bei hicemusic vorgestellt wurden:

Take Our Poll

Viel Spaß beim Wählen 🙂

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#Album #Album des Monats #Album of the month #Burial #Kaytranada #Lee "Scratch" Perry #Music #Musik #Nina Kraviz #Review #Rezension #St. Vincent #Stormzy #The Who

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x-heesy · 10 months

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Note to myself ☑️

Distance is a good teacher. You only fully understand that which you have lost. -Goliarda Sapienza

𝗣𝗨𝗥𝗥𝗙𝗘𝗖𝗧 𝗜𝗦 𝝠 𝗠𝗬𝗧𝗛 / 𝗜𝗧’𝗦 𝝠 𝗧𝗥𝝠𝗣 / 𝗕𝗥𝗘𝝠𝗞 𝗙𝗥𝗘𝗘 / 𝗤𝗨𝗘𝗦𝗧𝗜𝝝𝗡 𝗘𝗩𝗘𝗥𝗬𝗧𝗛𝗜𝗡𝗚 / 𝗖𝗛𝝝𝝝𝗦𝗘 𝗪𝗜𝗦𝗘𝗟𝗬 / 𝗪𝗘𝗜𝗥𝗗 𝗜𝗦 𝝠 𝗖𝝝𝗠𝗣𝗟𝗜𝗠𝗘𝗡𝗧 / 𝗡𝝝𝗧𝗘 𝗧𝝝 𝗠𝗬𝗦𝗘𝗟𝗙 / 𝗬𝝝𝗨 𝝠𝗥𝗘 𝗧𝗛𝗘 𝗥𝝝𝝠𝗗 /𝗧𝗛𝗘𝗟𝗜𝗧𝗧𝗟𝗘𝗧𝗛𝗜𝗡𝗚𝗦𝝠𝗥𝗘𝗧𝗛𝗘𝗕𝗜𝗚𝗧𝗛𝗜𝗡𝗚𝗦 / 𝗠𝗬 𝗖𝗥𝗘𝗗𝝝 / 𝗟𝝝𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝝝𝗩𝗘 / 𝗟𝗜𝗩𝗘 & 𝗟𝗘𝗧 𝗟𝗜𝗩𝗘 / 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗦𝗜𝗠𝗣𝗟𝗘 / 𝗞𝗘𝗘𝗣 𝗜𝗧 𝗥𝗘𝝠𝗟 / 𝗩𝗘𝗧𝝝 / 𝗥𝗜𝗦𝗘𝗥𝗘𝗕𝗘𝗟𝗥𝗘𝗦𝗜𝗦𝗧 / 𝗠𝝝𝝝𝗗 𝗕𝝝𝝠𝗥𝗗 /𝗣𝗨𝗡𝗞𝗦𝝠𝗥𝗘𝗡𝗧𝗗𝗘𝝠𝗗 / 𝗡𝝝 𝗚𝝝𝗗𝗦 𝗡𝝝 𝗠𝝠𝗦𝗧𝗘𝗥𝗦 / 𝗣𝗥𝝝 𝗟𝗜𝗙𝗘 𝗠𝗙𝗭 / 𝗘𝗡𝗘𝗥𝗚𝗬𝗦𝗨𝗖𝗞𝗘𝗥𝗭 𝗡𝝝𝗧 𝗪𝗘𝗟(𝗟) 𝗖𝗨𝗠 / 𝗧𝝝 𝝠𝗟𝗟 𝗧𝗛𝝠 𝗟𝗨𝗩𝝠𝗭

#justanfriendlyreminder 💡

#thelittlethingsarethebigthings 🔎

#autosuggestion #pointofview #codingyourself #programyourself #endlessness #creatingyourself #neverstoplearning

#fantasy #empathy #equality #respect #love #basics 🫶🏽

#textart #artfulquotes #typography #expressyourself #iphoneart #newcontemporary #popart #artsyfartsy #artfuckery

#quotes #quotesdaily #quotestoliveby #quotestagram #quotesaboutlife #quotesoftheday #quotestags #quotesgram #motivationalquotes #quotesandsayings #quoteslover #quotesofinstagram #quotesforlife #quotestoinspire #quotestoremember #quotestag #quotesilove #inspirationalquotes #lovequotes @frenchpsychiatrymuderedmycnut #quotesaboutlifequotesandsayings #successquotes #dailyquotes #lifequotes #quotesforyou #positivequotes #quotes4you #quotesaboutlove #instaquotes #quoteslife #quoteslove #qotd

Soundtrack: Atmosphere by Lonely Guest, Lee "Scratch" Perry, Tricky, Marta

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goodblacknews · 3 years

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MUSIC MONDAY: "Roots, Rock, Reggae" - a Bob Marley Collection in Honor of his 76th (LISTEN)

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest) Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley. It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality. He is still a global symbol of Jamaican music,…

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#Beverley Kelso #Bob Marley #Bunny Wailer #Coxsone Dodd #Jamaica #Junior Braithwaite #Lee "Scratch" Perry #Marlon West #Peter Tosh #Rastafari #Reggae #Reggae music #Robert Nesta Marley #Rock and Roll Hall Of Fame #Rocksteady #Rolling Stone #Ska #The Wailers

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surfingbrown492 · 2 years

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Lee Scratch Perry Live Review 2016

Lee Scratch Perry Live Review 2016 Youtube

Lee Scratch Perry Wikipedia

Lee Scratch Perry Live Review 2016 Video

Lee Scratch Perry Live Review 2016 Tickets

Lee “Scratch” Perry at Crowbar, Tampa, FL, USA

Artist: Lee “Scratch” Perry,Venue: Crowbar,Tampa,FL, USA

Lee Scratch Perry GIFS ART; Fotos from Ableton Loop 2016 @ Funkhaus Berlin; Stills from 'Lee Scratch Perry's Vision Of Paradise' Movie; Press & Social. Press Review; Kickstarter; Projects. Ice Cold Cat; Quotes from Lee Perry in the movie; Give Me Some Tape! Oct 21, 2018 “Therein Lies The Dub” October 21, 2018 Written by Jason Reed On Saturday the legendary Lee “Scratch” Perry graced the stage of the newly opened SLO Brew “The Rock” concert venue in San Luis Obispo, performing in honor of the 45th anniversary of his 1973 album “Blackboard Jungle Dub“ (recognized by many as the first dub album to ever be released). Browse Lee 'Scratch' Perry tour dates and order tickets for upcoming concerts near you. Book with Ents24.com, the UK's biggest entertainment guide. In the jumbled world of reggae history, Lee 'Scratch' Perry's 1973 effort Upsetters 14 Dub Blackboard Jungle has earned the false reputation of being the first dub album to see release.

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Lee “Scratch” Perry at One Love Cali Reggae Festival 2020

Artist: Lee “Scratch” Perry,Venue: Queen Mary Events Park,Long Beach,CA, USA

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Lee “Scratch” Perry at Sole DXB 2019

Artist: Lee “Scratch” Perry,Venue: Dubai Design District,Dubai,United Arab Emirates

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Lee “Scratch” Perry at Piraeus 117 Academy, Athens, Greece

Artist: Lee “Scratch” Perry,Venue: Piraeus 117 Academy,Athens,Greece

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Lee “Scratch” Perry at Jazz Cafe, London, England

Artist: Lee “Scratch” Perry,Venue: Jazz Cafe,London,England

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Lee “Scratch” Perry at The Welly Club, Kingston upon Hull, England

Artist: Lee “Scratch” Perry,Venue: The Welly Club,Kingston upon Hull,England

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Lee “Scratch” Perry at The Brewery Arts Centre, Kendal, England

Artist: Lee “Scratch” Perry,Venue: The Brewery Arts Centre,Kendal,England

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Lee “Scratch” Perry at Band on the Wall, Manchester, England

Artist: Lee “Scratch” Perry,Venue: Band on the Wall,Manchester,England

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Lee “Scratch” Perry at Fleece, Bristol, England

Artist: Lee “Scratch” Perry,Venue: Fleece,Bristol,England

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Lee “Scratch” Perry at Aladdin Theater, Portland, OR, USA

Artist: Lee “Scratch” Perry,Venue: Aladdin Theater,Portland,OR, USA

Dem Can't Stop We From Talk

Jah is the Light

Champion Sound

Cassava Piece

Jah Vengeance

Happy Birthday

Dub Organizer

Words of My Mouth

Patience

Sun Is Shining

Dread Lion

Super Ape

...

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Lee “Scratch” Perry

Sun Is Shining (14)

Happy Birthday (12)

War Inna Babylon (11)

Black Ark Vampires (10)

Curly Locks (10)

Covered by

Living ColourMimi MauraOrange StreetLee 'Scratch' Perry & Mad ProfessorTom Tom Club

Artists covered

Eddie CooleyBob DylanBob Marley & The WailersJunior MurvinLee 'Scratch' Perry & Mad ProfessorMax RomeoThe UpsettersThe Wailers

Lee Scratch Perry Live Review 2016 Youtube

210 people have seen Lee “Scratch” Perry live.

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Lee Scratch Perry Wikipedia

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madamlaydebug · 7 years

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Robert Nesta Marley (6 February 1945 – 11 May 1981) was a Jamaican reggaesinger, songwriter, musician, and guitarist who achieved international fame and acclaim. Starting out in 1963 with the group The Wailers, he forged a distinctive songwriting and vocal style that would later resonate with audiences worldwide. The Wailers would go on to release some of the earliest reggae records with producer Lee "Scratch" Perry. After the Wailers disbanded in 1974, Marley pursued a solo career upon his relocation to England that culminated in the release of the album Exodus in 1977, which established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records. Exodus stayed on the British album charts for fifty-six consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love". In 1978 he released the album Kaya, which included the hit singles "Is This Love" and "Satisfy My Soul". Diagnosed with a type of malignant melanoma in 1977, Marley died on 11 May 1981 in Miami at the age of 36. He was a committed Rastafari who infused his music with a sense of spirituality. He is considered one of the most influential musicians of all time and credited with popularizing reggae music around the world, as well as serving as a symbol of Jamaican culture and identity. Marley has also evolved into a global symbol, which has been endlessly merchandised through a variety of mediums. In July 1977, Marley was found to have a type of malignant melanoma under the nail of a toe. Contrary to urban legend, this lesion was not primarily caused by an injury during a football match that year, but was instead a symptom of the already-existing cancer. Marley turned down his doctors' advice to have his toe amputated, citing his religious beliefs, and instead the nail and nail bed were removed and a skin graft taken from his thigh to cover the area. Despite his illness, he continued touring and was in the process of scheduling a world tour in 1980. The album Uprising was released in May 1980. The band completed a major tour of Europe, where it played its biggest concert to 100,000 people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden in New York City as part of the Uprising Tour. Bob Marley appeared at the Stanley Theater (now called The Benedum Center For The Performing Arts) in Pittsburgh, Pennsylvania, on 23 September 1980; it would be his last concert. The only known photographs from the show were featured in Kevin Macdonald's documentary film Marley. Shortly afterwards, Marley's health deteriorated as the cancer had spread throughout his body. The rest of the tour was cancelled and Marley sought treatment at theBavarian clinic of Josef Issels, where he received a controversial type of cancer therapy (Issels treatment) partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months Marley boarded a plane for his home in Jamaica. While Marley was flying home from Germany to Jamaica, his vital functions worsened. After landing in Miami, Florida, he was taken to the hospital for immediate medical attention. Bob Marley died on 11 May 1981 at Cedars of Lebanon Hospital in Miami (nowUniversity of Miami Hospital) at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were "Money can't buy life." Marley received a state funeral in Jamaica on 21 May 1981, which combined elements ofEthiopian Orthodoxy and Rastafari tradition. He was buried in a chapel near his birthplace with his red Gibson Les Paul(some accounts say it was a Fender Stratocaster). On 21 May 1981, Jamaican Prime MinisterEdward Seaga delivered the final funeraleulogy to Marley, declaring: His voice was an omnipresent cry in our electronic world. His sharp features, majestic looks, and prancing style a vivid etching on the landscape of our minds. Bob Marley was never seen. He was an experience which left an indelible imprint with each encounter. Such a man cannot be erased from the mind. He is part of the collective consciousness of the nation. Bob Marley was a member for some years of the Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became an ardent proponent of Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. He once gave the following response, which was typical, to a question put to him during a recorded interview: "Can you tell the people what it means being a Rastafarian?" "I would say to the people, Be still, and know that His Imperial Majesty, Emperor Haile Selassie of Ethiopia is the Almighty. Now, the Bible seh so, Babylon newspaper seh so, and I and I the children seh so. Yunno? So I don't see how much more reveal our people want. Wha' dem want? a white God, well God come black. True true." According to Marley's biographers, he affiliated with the Twelve Tribes Mansion, one of the Mansions of Rastafari. He was in the denomination known as "Tribe of Joseph", because he was born in February (each of the twelve sects being composed of members born in a different month). He signified this in his album liner notes, quoting the portion from Genesis that includes Jacob's blessing to his son Joseph. Archbishop Abuna Yesehaq baptized Marley into the Ethiopian Orthodox Church, on 4 November 1980, shortly before his death. Bob Marley married Alpharita Constantia "Rita" Anderson in Kingston, Jamaica, on 10 February 1966. Jason Toynbee (2013). Bob Marley: Herald of a Postcolonial World. p. 88. Rita has claimed that she was raped there [Bull Bay] by Bob in 1973 after he returned from London, and asked her to care for another child he was going to have by a woman there (Roper 2004). The formulation changes to 'almost raped' in her autobiography (Marley 2005: 113). But in any event, it seems clear that Bob behaved in an oppressive way towards her, always providing financial support for herself and the children it is true, yet frequently humiliating and bullying her. Marley had a number of children: three with his wife Rita, two adopted from Rita's previous relationships, and several others with different women. The Bob Marley official website acknowledges eleven children. Sharon, born 23 November 1964, daughter of Rita from a previous relationship but then adopted by Marley after his marriage with RitaCedella born 23 August 1967, to RitaDavid "Ziggy", born 17 October 1968, to RitaStephen, born 20 April 1972, to RitaRobert "Robbie", born 16 May 1972, to Pat Williams, born 19 May 1972, to Janet HuntKaren, born 1973 to Janet BowenStephanie, born 17 August 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob's daughter, born 4 June 1975, to Lucy Pounder, born 26 February 1976, to Anita BelnavisDamian, born 21 July 1978, to Cindy Breakspeare Other sites have noted additional individuals who claim to be family members, as noted below: Makeda was born on 30 May 1981, to Yvette Crichton, after Marley's death. Meredith Dixon's book lists her as Marley's child, but she is not listed as such on the Bob Marley official website.Various websites, for example, also list Imani Carole, born 22 May 1963 to Cheryl Murray; but she does not appear on the official Bob Marley website. Football. Aside from music, football played a major role throughout his life. As well as playing the game, in parking lots, fields, and even inside recording studios, growing up he followed the Brazilian club Santos and its star player Pelé. Marley surrounded himself with people from the sport, and in the 1970s made the Jamaican international footballerAllan “Skill” Cole his tour manager. He told a journalist, “If you want to get to know me, you will have to play football against me and the Wailers.” Marley was a Pan-Africanist, and believed in the unity of African people worldwide. His beliefs in Pan-Africanism were rooted in his Rastafari religious beliefs. He was substantially inspired by Marcus Garvey, and had anti-imperialist and pro-African themes in many of his songs, such as "Zimbabwe", "Exodus", "Survival", "Blackman Redemption", and "Redemption Song". "Redemption Song" draws influence from a speech given by Marcus Garvey in Nova Scotia, 1937. In the song "Africa Unite", Bob Marley sings of a desire for all peoples of the African diaspora to come together and fight against "Babylon", which represents imperialist and colonialist ideals that have oppressed African people through the eradication of their original culture and beliefs. Marley believed that independence of African countries (such asZimbabwe) from European domination was a victory for all peoples of the African diaspora. Marley considered cannabis a healing herb, a "sacrament", and an "aid to medication"; he supported the legalization of the drug. He thought that marijuana use was prevalent in the Bible, reading passages such as Psalms 104:14 as showing approval of its usage. Marley began to use cannabis when he converted to the Rastafari faith fromCatholicism in 1966. He was arrested in 1968 after being caught with cannabis, but continued to use marijuana in accordance with his religious beliefs. Of his marijuana usage, he said, "When you smoke herb, herb reveal yourself to you. All the wickedness you do, the herb reveal itself to yourself, your conscience, show up yourself clear, because herb make you meditate. Is only a natural t'ing and it grow like a tree." Marley saw marijuana usage as a vital factor in religious growth and connection with Jah, and as a way to philosophize and become ✊

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zaphmann · 3 years

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In Memory of John Peel Show 201218 Podcast & Playlist

lloyd Thayer The final show of the year (except for the Festive Fifty One) is full of epic tracks, but also those odd twisted ones… >>> the best new music, independent of the industry system – back this show on patreon Paypal to [email protected] heard in over 90 countries via independent stations https://radiopublic.com/in-memory-of-john-peel-show-6nVPd6/ (RSS)Pod-Subscribe for free here or…

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robmoro · 4 years

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Music | Suede, Supergrass, and more bound for Dun Laoghaire

A number of summer concerts have been announced for Dun Laoghaire Harbour on the June Bank Holiday Weekend.

All aboard presents headliners Suede with special guests Peter Hook and The Light and Ash on Saturday 30 May 2020. Supergrass will headline on Sunday 31 May with special guests Echo and the Bunnymen and Fun Lovin’ Criminals.

On Bank Holiday Monday 1 June, The Last Ever Tour From Toots and…

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#2020 #alternative music blog #Dublin #Dun Laoghaire Harbour #Echo and The Bunnymen #festival #indie #ireland #Lee "Scratch" Perry #line-up #music #Music Blog #music festival ireland #robmoro #RobMoro.ie #Suede #Supergrass

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nofomoartworld · 7 years

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45 Argentinian Artists Are Painting (and Selling!) Unpaid Bills

Gas and electricity bills, and estimates for bricks, paint, toilets, or doors are being turned into canvases—as we speak—by the indie graphic arts scene in Argentina. Through a program called #pimpmyfactura, the underground visual arts scene scene is bailing out three community day cares by transforming their debts into artwork. Top graffiti, paste up, collage and graphic design artists are merging from diverse disciplines towards one common goal: converting those unsettled bills into marketable works of art.

Over 40 artists from Argentina, Spain, Brazil, Uruguay, the Philippines and Colombia answered #pimpmyfactura's call and created artworks to be sold for charity for the value of the bill turned canvas.

This Icarus is brought to you by Colombian illustrator Chaparro on a paint store estimate of 1163 Argentine pesos, i.e. around 67 US dollars, i.e. the price of this artwork. Photo courtesy of PMF.

The #pimpmyfactura project emerged last year in a contest that linked a foundation involved with low income daycares to TBWA, an advertisement agency that came up with a creative and concrete way of generating funds for the foundation. TBWA copywriter Enzo Ciucci is co-creator of #pimpmyfactura, and drew a bird's skull on a hardware store estimate.

Cofounder of #pimpmyfactura Enzo Ciucci has long been a fan of anatomy illustration. Photo courtesy of PMF.

"I've been doing animal anatomy for some time. In this case, I drew an encyclopedic illustration of an inexistent species," the cofounder tells Creators of his intervention on a drain strainer quote worth 454 pesos. "The idea behind #pimpmyfactura is that we noticed that charity always finds donations, but no one ever takes care of existing debts." Running on that idea, Ciucci, his creative partner Felipe Rostagnol, and project coordinator Sofía Hoffmann started inviting artists to take part in the mutation of the overdue payments.

Eduardo Sganga is a Uruguayan illustrator who is pimping facturas. Photo courtesy of PMF.

"The concept is that every piece be sold for the amount owed on the quote or bill that it's painted on and sales go directly towards that payment," project coordinator Hoffman details to Creators.

Yacarebaby's paste ups are a common sight on the Buenos Aires streets. Photo courtesy of PMF.

Graphic designer George Manta is a musician, but is also famous in the industry for his illustrations. He's designed posters for the South American shows of Tame Impala, CocoRosie, and Lee "Scratch" Perry, to name a few. "When I got contacted by PMF, I was working on a Devendra Banhart poster for his upcoming concert in September. I had prepared many sketches and the producers discarded this one, which was my favorite because of its straightforward expression. It was stuck in mind. So when I received PMF's invoice, I got it blown up to work on a larger surface. And that's how I drew Devendra Banhart's eyes on a heating/AC invoice," Manta tells Creators.

Those Devendra eyes. George Manta is the artist behind the Devendra Banhart's posters in his South American concerts. Photo courtesy of PMF.

"Beyond the fact that the idea is stupendous , i.e. giving a hand while doing what you love best, I think that it's also a great opportunity to remind people that artists don't live in a parallel universe or alternate reality. On the contrary," the poster artist adds.

The participation since the early stages of the project of well known Argentine street artists, such as Diego Roa, Tano Veron, Pedro Perelman, El Marian or RRAA has helped with the rallying of further talents in this unprecedented supportive artistic event.

Diego Roa has been painting blue children on Argentina's public space for almost a decade. Photo courtesy of PMF.

Gordopelota is a prominent muralist and painter on the local visual arts scene and beyond. Convinced of PMF's potential, he painted one of his iconic amateur soccer scenes on a paint store bill. "The initiative here is undoubtedly amazing. As a street muralist, I've taken part in many workshops with kids from all walks of life. Let's not be so pretentious as to think that street art can save the world, but as #pimpmyfactura, it allows you to make a simple significant action," Gordopelota highlights.

Gordopelota paints random typical soccer scenes around Buenos Aires and supports pimping facturas. Photo courtesy of PMF.

All pieces will be on exhibition at Buenos Aires' Centro Cultural Rojas from August 4th to the 14th. They will be for sale for the amount of the bill they are painted on, and 100% of profit goes to the debts of these daycare centers through the Publicidar foundation. The artwork can be purchased online at pimpmyfactura.com.

165 Street Artists Took Over an Abandoned Building in Berlin, and the Results Are Wild

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#IFTTT #creators

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