#I think I'll just highlight and comment on tags as we go with ULM

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 1.1

So disclaimer: I took screenshots instead of photographing my screen this time, but the quality of footage is a thousand times worse so the images are still mostly shit. But anyway, here we go :)

We're going to have to keep a tally on how many times they refer to their relationship in romantic terms. Less than a minute in, Paul has used the description, “great love affair.”

And John's right on his heels with “the sexual equivalent of . . . People in love.” So there's 2 already. Oh boy.

That opening montage of John and Paul just living for the light in each other's eyes should actually be the official music video for “I wanna hold your hand.”

Also I wonder how many songs they have about hiding. Someone's got to have a list somewhere right?

I adore the absolute lack of reaction to John manhandling Paul.

And then This Look. He's in love with him, ladies and gentlemen.

I remember seeing somewhere that this footage was literally right after they'd finished “she loves you.” Which was pretty recently after Bob Wooler, which was right after Barcelona. And if you're like me and you think that song is secretly about their relationship? If Paul's just been singing “she said you hurt her so, she almost lost her mind, but now she says she knows you're not the hurting kind. She said she loves you” at you, after all of that? Of course John's acting like a fucking puppy dog.

Poor George tally number 1

Excuse me??? John wants to live in the Beatle apartment instead of with his actual literal wife until Paul decides to move in with his girlfriend? What? He's so insane. Cynthia, you're lucky Paul's a fucking social climber.

I think it's indicative of two things that Paul said “screw secret girlfriends” while John happily went along with secret wives. One: different levels of security in masculinity (John doesn't have gay eyebrows etc) and two: different relationships. Jane and Paul's relationship was a smart career move for both of them and I think, being upper-class, and having her own career, and not being a mother, Jane was in more of a position to have a say.

Every time I watch that footage of Ken Dodd asking about their parents I physically cringe. Poor poor babies. Do your research you idiot! I don't think that ever happened again. I wonder if Brian made sure of that.

Paul literally talks like such a husband here. “We've thought about it, and probably the thing that John and I will do . . .”

Obsessed with Paul shouldering himself between George and John after George's little joke shove. It's so protective and yet so subtle. Exactly the same strong posture and easy smile as when he stepped between John and that interviewer during the Jesus scandal.

Poor George tally number 2 (you can't quite tell from the pic but John is shoving him out of the way because how dare he put his suitcase by Paul's?! That's John's suitcase's spot!!)

All the Beatles were cuddly with each other. It's one of the cutest bits about them, the puppies in a basket aspect. But I think we'll need a “noticable spacing difference” tally for this rewatch, too, and here's the first.

Paul wearing John's hat for attention and it fully and completely doing the job? They're so embarrassing!

I actually love that John's imitation of his upper-class Scottish family (which Paul can't do) is actually much more convincing than his broad Liverpudlian (which Paul nails in two variations, one based off his own family) I'm obsessed with the class dynamics between them.

Poor George tally three. He shares this one with Ringo. That moment when Paul's pretending to interview them about their purple hearts and cuts them both off with, “thank you. Mi-mister Lennon,” and John and Paul proceed to completely forget the other two exist for who knows how long – certainly longer than the videographer was willing to record.

I find John sliding into Paul's raspy “tiiight yeeeah” with his very turned on “mmmMM it's been a hard” extremely suggestive. I'm sorry but I do.

It's like he thinks if he looks away for too long he's going to disappear or something. Which. Now that I said that. Yeah. That is what it is. Poor separation-issues baby.

Ringo: Paul, you wrote a beautiful song and you sing it great. John: yeah and you're SEXY! Let's not forget that, everyone.

Am I crazy to obsess over every little musical similarity in their songs? Yes. Can I help it? No. The little “oh-oh ohoho” in the If I Fell demo is exactly the same as in Imagine and (frothing and writhing) it means something I can feel it! I just have no idea what.

I also find the lyric change from “i hope that she won't cry” to “i hope that she will cry” extremely interesting. There's always a heterosexual explanation. Trust me, the straights are the Simone Biles of mental gymnastics. But while the published lyric can be read as a man bitter toward his ex girlfriend hoping to hurt her by flaunting his new relationship, the demo version is trickier. Could it be that he doesn't want to hurt his wife's feelings by letting her know he's in love with someone else? But who else could John Lennon possibly have been in love with at the time?

“Too too much in love. Woah, too too much in love with you.” My heart

#I'm sad because I really wanted to make a post about y'all's excellent tags on get back especially some that were such good points but I got #So if you want more discussion on those get back posts or if you want to laugh check out the tags on them #I think I'll just highlight and comment on tags as we go with ULM #ringo starr #george harrison #ulm #understanding lennon mccartney #mclennon #the beatles #paul mccartney #john lennon