The dead start stretching,
wonder what’s next. All
winter in quilts of white,
colorless as their wrists
and bones are becoming.
They think they ought to
be hungry, ought to feel
around for photographs
of the ones who followed
them this dark bed and
then turned their backs.
The dead wonder if this
is a bad dream where
flashes of their old clothes
are lugged off in boxes,
their names in an address
book crossed out, darkened
over with ink like someone
putting a stone on the
coffin or weighting a body
to throw overboard. When
they feel light move into
the grass they remember
lilacs, white roots of
trillium like upside down
trees in a negative. It’s too
late to change things. Some
times they smell fresh
flowers left on their grave
and feel less lonely. It does
not hurt to know somebody
kneeling in wet grass
is as lonely.
When Spring Melts the Ground by Lyn Lifshin
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Is it light on the trees
that turns them to pale fire
or is it spring, come without
warning to this town on
stilts, set so precariously
above the river? All night my
heart is an owl perched on
a high branch, its feathers
ablaze, its question answered
by the face of the Angel
of the Resurrection reflected
in water as your hand prints itself
on my bones, head bowed, mouth an O,
burning, drinking the river
in order to breathe.
I spent days writing you a letter, but can't.
from The Angel of the Resurrection by Cynthia Zarin
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II.
Tuesday’s Thaw, And Nectar
My loving is reckless—this small-clawed mammal seeking flight.
There is such quiver of forsythia, such tremble
in the orchard. Everything
on the cusp of bloom and ripe—
fruit of his cheek, his speckled iris,
new honeysuckle. Dumbstruck,
I turn sonic beacon, emit clumsy
rings against stone, veins of leaves, skin.
All untetherable, I ache to gather in.
from Spring Pivot by Tayve Neese
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The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.
The Red Poppy by Louise Glück
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What is a wound but a flower
dying on its descent to the earth,
bag of scent filled with war, forest,
torches, some trouble that befell
now over and done. A wound is a fire
sinking into itself. The tinder
serves only so long, the log holds on
and still it gives up, collapses
into its bed of ashes and sand. I burned
my hand cooking over a low flame,
that flame now alive under my skin,
the smell not unpleasant, the wound
beautiful as a full-blown peony.
Say goodbye to disaster. Shake hands
with the unknown, what becomes
of us once we’ve been torn apart
and returned to our future, naked
and small, sewn back together
scar by scar.
Blossom by Dorianne Laux
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Chaste sun who would not light your face
pale as the fates
who vanished
when we turned aside; recluse
whom grace
returned and by returning banished
all thought but: Love, late
sleeper in the early hours, flesh of my bone,
centaur: Excuse
my faults—tardiness, obtuse
remit of my own
heart, unruly haste
to keep my mouth on yours, to wipe the slate
clean, to atone—
what could I want but to wait
for that light to touch your face,
chaste as Eros in the first wished-
on rush of wings?
Aubade Against Grief by Cynthia Zarin
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It is spring on the coast—
the sun behaving as it should
burning into the window
flashing against this poem.
This poem celebrates a fly
that softly rises above the desk.
Not arrogant, it thinks
where have I been? Where
an I now? What year is this?
You May Ask by Ruth Stone
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Some love best long, leafy lanes, thick
Overhead, and dewy grass bedecked with
strawberries;
Others, roses, like lovers climbing
To the windows of sweet girls…
But give me instead, O April,
Sloping hills spotted with dandelions,
And orchards laden
With pale, blossoming beauty;
Red maple buds against the wide sky,
Tawny and grey leaflets throbbing into life,
The sudden green of the willow,
A patch of emerald wheat,
Forsythias in a blaze of glory,
And strong winds blowing white clouds
Athwart great gaps of blue.
A Plea by Sally Bruce Kinsolving
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Still cool the season, beauteous hawthorn blooming…
I scarcely thought to greet
You on the sands, or see your shadow looming
Breeze-ruffled, at my feet.
But suddenly I sense my brow beset
With heavenly scents thereof;
Nor, in Verona's orchard, was Juliet
Filled with more heartfelt love!
Trembling, I stop. Vanillin-limbed, that bough
That I stoop to caress…
Strength bedimmed, will my life be ended now
In your languorousness?
Alas, we have no warning, no defense
To guard ourselves from you!
What arms are there against a redolence
That breaks the heat in two?
And you-simple, calm innocence!…You, good
And guiltless host to bees…
Who would suspect a frail corolla could
Ever wreak feats like these!
Can you enjoy your sport, the power you wield
To pierce hearts captivated?
Like Persian solder, why have I no shield,
Tight-knit, of wicker plaited?
Deathless aroma, seizing, tethering us
Till we swoon! Such your toll:
No converse sweeter—nor more dangerous!—
Than listening to your soul!
Praised be the gods, your flowers will soon be dying
As the season departs.
But Love, already with your deadly sighing,
Has poison-tipped his darts!
The First Hawthorn by Anna de Noailles (Translated by Norman R. Shapiro)
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The mysterious spring still lay under a spell,
the transparent wind stalked over the mountains,
and the deep lake kept being blue, —
a temple of the Baptist not made by hands.
You were frightened by our first meeting,
but I already prayed for the second, and now
the evening is hot, the way it was then…
How close the sun has come to the mountain.
You are not with me, but this is no separation:
to me each instant is — triumphant news.
I know there is such anguish in you
that you cannot say a single word.
The mysterious spring still lay under a spell…by Anna Akhmatova (Translated by Jane Kenyon and Vera Sandomirsky)
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It was a disappointment,
For I do not like magenta,
And the garden was a fire of magenta
Exploding like a bomb into the light-coloured peace of a Spring afternoon.
Not wistaria dropping through Spanish moss,
Not cherokees sprinkling the tops of trees with moon-shaped stars,
Not the little pricked-out blooms of banksia roses,
Could quench the flare of raw magenta.
Rubens women shaking the fatness of their bodies
In an opulent egotism
Till the curves and colours of flesh
Are nauseous to the sight,
So this magenta.
Hateful,
Reeking with sensuality,
Bestial, obscene —
I remember you as something to be forgotten.
But I cherish the smooth sweep of the colourless river,
And the thin, clear song of the red-winged blackbirds
In the marsh-grasses on the opposite bank.
Magnolia Gardens by Amy Lowell
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There is a black rose
growing in the middle
of my heart
its scent makes me sleep longer…
it is a summer afternoon
I am fourteen years old
the jasmine is tormenting my soul
its power weights heavily
on my breast
it competes with my young love
and the movies which storm
my brain
spring fever in Beirut lasts from
dusk to dawn.
from The Spring Flowers Own & The Manifestations of the Voyage by Etel Adnan
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LIII
My love, give me yesterday's rose, or tomorrow's. As for the rest of
spring, let's save it for later!
from Absolute Solitude: Selected Poems by Dulce María Loynaz (Translated by James O’Conner)
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II
How dared you write of roses? History
Burned like a forest round you in the summer heat.
A man’s brushing dust off time’s annals in the library
But outside the window, back with the spring,
Sappho sings through a nightingale
Following her heart.
from Roses for Sappho by Maria Pawlikowska-Jasnorzewska
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only love could do it,
give us moments so complete
there is nothing behind us or before—
only the timbre of that particular voice,
the brush of skin on that particular skin,
soul brushing against that other soul—
but, sometimes, light can do it too,
as it fills every fresh leaf on an April tree,
brightens one side of every limb and twig,
reveals how every one of them was pulled low
by last year's burden
and half the branches pruned and burnt,
how the tip of every down-turned branch, every one,
is upturned now, pink budding through the green—
like the painted, upturned fingers
of temple dancers.
I Thought by Moya Cannon
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5
I want to tell you, beloved, the poetry
given us in the bread, the bed, the song,
the audacious spring, the sweet weeping
of the child awaking to the day.
It tastes of winter earth, of distance
the name that covers us with its mantle.
In my hours of shadow and of tears
it is a lily that lights my desert.
For all these reasons I love you.
The way you talk, your eyelids, your stature,
the grace of your gentle movements
as you lay you body down like a river.
When the sea closes me within dark night,
it is your voice that captains my ship.
from Love Sonnets by Claribel Alegría
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I slept in a room filled with white moths. In a wooden house in the lower Carpathians—Beskid Niski—each silvery night. I made my bed in the room's far corner, white moths settling like quiet petals on every surface as evening fell.
They folded their wings and clung to the walls without a quiver as I undressed.
I knew, as soon as I switched off the lamp, that the air would go pale with their fluttering. I knew, in my sleep, one might light on my arm, on my cheek, in my hair, without waking me. In this room, also, the seeds of wildflowers gleaned from the meadows were spread out to dry. What I learned about gentleness then. What I learned to be gently less wary of. I want not to forget those nights
in the lower Carpathians, deep spring, sleeping alone: the white moths swirling as I dreamt; the meadows baring themselves to the moon.
Postcard to Myself from the Lower Carpathians, Spring by Cecilia Woloch
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