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I miss the little ghostband show (Julie and the phantoms)
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posted a midnight burger fic, show her some love 🫶
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imagine if Neil didn’t die and the poets (mostly Charlie) slowly allow Cameron to feel more comfortable as an individual, eventually letting him break free of the harsh conformity he’s been conditioned into
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I’ve never heard something more Casper and Ava from Midnignt Burger than:
“Do you feel ashamed? When you hear my name?”
“Anyway don’t be a stranger.”
“But you’re breathing in my open mouth, you’re the gun in my lips that will blow my brain out”
“I know it’s for the better”
“There are no words in the English language I could scream to drown you out”
Basically any Phoebe Bridgers song is them and believe me I could go on and on
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behold… my bertbert designs
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she is looking out the window/at somebody coming in
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anyway here’s my cornley polytechnic drama society into the woods fancast because I think it’s the perfect sort of show for them to fuck up 👍
jonathan plays the baker, alongside sandra as the baker’s wife. I imagine this is shortly enough after peter pan that they’re still very bitter at one another. said bitterness absolutely shows onstage, but it fits the characters perfectly and the audience ends up thinking that they’ve just finally gotten good at acting. jonathan brings a homemade “medieval feast” to celebrate opening night and it poisons the entire cast
annie plays the witch. this was the only casting decision that was unanimously regarded as good until chris let it slip that he’d ultimately done it because she was “the loudest singer.” robert took great offense at this and, despite having no interest in the part before, began campaigning to play the witch instead. it did not work. annie’s witch costume has two layers to make the quickchange at the end of act 1 easier, but the top layer keeps falling off before the reveal is supposed to happen. her magic staff is supposed to emit a smoke effect but it keeps malfunctioning, and at a certain point she just gives up and tapes lit cigarettes (stolen from trevor) to it. this goes about as well as you’d think
dennis plays the narrator. everyone had assumed it’d be an easy role for him since he could just read all of his lines off his book prop, but this is proven wrong near instantly when he starts genuinely reading the book instead. when dennis actually does start reading from the script, it becomes immediately clear that he somehow has the director’s copy and the entirety of the rehearsal notes are read out loud, including several deeply personal things that chris has written in his script for convenience
dennis also plays the mysterious man, but he keeps forgetting which way he’s supposed to be related to the baker. over the course of the show he goes from father, to son, to brother, to father again, to distant cousin, to grandmother
chris plays cinderella’s prince, alongside robert as rapunzel’s prince. they spend the entire show trying to out-act one another, and it goes without saying that this ends up a complete disaster. robert makes any moment into an unplanned duet to try and prove that he could have succeeded in seducing the baker’s wife. chris shows up at rapunzel’s tower and attempts to choke robert out with her wig. they get in an opt-up battle at the end of agony (reprise) that ends with robert singing a note so high it shatters a stage light
in accordance with typical into the woods casting, chris also plays the wolf. he orders a very expensive “wolf suit” online from someone he thinks is a bespoke costume artist. it doesn’t arrive until opening day, and it becomes immediately clear that what chris has actually bought is a full on fursuit. it’s very hard to see in and he keeps running into the fake trees
robert is double cast as milky white. there is no practical reason for this whatsoever, as milky white could’ve just as easily been a puppet or some kind of cutout on wheels, and it’s very obvious the whole thing is just a power move on chris’ part. during the scene where milky white is meant to “eat” the props, vanessa misunderstands and literally feeds them to him. he chips a tooth on cinderella’s shoe
due to a lack of numbers, vanessa is playing both cinderella and rapunzel. her costume is split down the middle, and due to this she can only face in one direction as each part. this means that half of the time she’s facing away from whoever she’s talking to, and that she frequently has to walk/run backwards without turning her head at all. whenever cinderella and rapunzel talk to each other she faces straight forward. the break-off mechanism in rapunzel’s side of the wig doesn’t work (sandra ends up stealing a single, barely visible hair), so she’s also constantly tripping on her hair
max, being in a new relationship with sandra, desperately wanted to play alongside her as the baker so that they could kiss onstage. unfortunately for him, he is playing jack instead. although this is maybe the single most-fitting role he’s ever been cast in and he’s genuinely giving a great performance, the opportunity is ruined by his having to do every scene accompanied by robert’s milky white
lucy was supposed to play little red, but was pulled from the production the day before opening by her parents, who have banned her from performing with “robert’s troupe” after what happened in peter pan
consequently, little red is now being played by trevor, who is wearing a costume far, far too small for him. trevor manages to get away with reading his lines off papers pinned to the inside of his cloak, but he doesn’t know any of the songs, so sandra has to sing them offstage for him while he lipsyncs
all of the ensemble characters are played by a celebrity “guest” frantically switching between various comically large hats. chris tried to get francis back for this part but after some careful deliberation he determined that it would genuinely be easier to kidnap a famous person than to get francis to come back after the disaster that was peter pan. the tension is only worsened when, via a botched music cue, it’s revealed that francis is now an active member of trevor’s metal band
the giant was supposed to have been played by trevor via voiceover from the sound booth, but now that he’s onstage playing little red the part is left to approximately four members of the run crew who are desperately trying and failing to say the lines in unison. lucy breaks into the theatre sometime during the baker’s wife search sequence and takes over the giant’s part the next time she’s on, much to trevor’s dismay
the worst fuck-up award goes to annie, for accidentally knocking the supports out from under dennis’ narrator platform during last midnight and triggering a chain reaction in which every fake tree onstage topples each other one by one like some terrible, life-threatening game of dominos. honorable mention goes to chris for spending $6000 of max’s inheritance on a custom costume without actually seeing it at any point during the process
the worst injury award goes to max, for getting his circulation cut off and almost losing a hand after his arm got stuck inside the golden hen puppet midway through act 2. honorable mention goes once again to chris, who got stabbed with a bunch of glass shards when robert broke that stage light
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coder bfs save me…. coder bfs…. save me coder bfs
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SUCCESSION S04E10 “With Open Eyes” (2023) written by Jesse Armstrong
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just me, my husband, and these totally normal adopted children of ours
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Roman, instead of worrying about appearing "submissive and breedable", please make sure your paperwork is submitted and readable.
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Nico truly is the character ever. He’s gay, he’s autistic, he has adhd and dyslexia, he has depression, he has ptsd, he’s a cane user, his body is full of scars, he can raise the dead, he’s Italian, he’s originally from the 30s, his memory was erased, he has a cool sword, he loves so much it will be his doom, he’s the son of hades, he has beef with Cupid, he knows gods and creatures from all mythologies around the world, he can teleport, gods love him but people his age are scared of him, he’s a practican pagan who used to be catholic, he’s emo, he’s both a younger sibling and an older sibling, he’s the first person ever to go to Tartarus and come back alive, and he did it twice, he’s in a autistic4autistic relationship, he’s short, he’s Antigone and Joan of arc, he was turned into a daffodil and into corn once, he was homeless, he’s getting therapy from the god of wine and parties, he killed a guy, he’s guilt and sacrifice personified, he’s 15 years old, he
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guy guys the lords
the. The lords of the black and white. The black and white. Like. Like black ink on a white page. Like the script. Guys.
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the Hatchetfield plotline has me in a CHOKEHOLD
The new starkid actor who plays the character with a direct link to the musicals title (Jon [Paul], Angela [Lex], Will [Max])
The two characters that fall for each other over the course of the musical (Paulkins, Barneston, Lautski)
That interlude song about a musical that is a part of the Hatchetverse but has nothing to do with what's happening at that point in the show. (Workin' Boys, Santa Clause is Goin' to Highschool, The Barbeque Monologues)
The single dad who thinks he knows what’s best for his kid but is pretty misguided (Bill + Alice Woodward, Tom + Tim Houston, Solomon + Steph Lauter)
The song where everyone in town goes insane (La Dee Dah Dah Day, Feast or Famine, Hatchet Town)
Jeff Blim's commentary on something probably (America's Great Again, Made in America, Just For Once)
And now to interrupt out segment - DAN AND DONNA WITH THE HATCHETFIELD ACTION NEWS
That one CREEPY AF song that comes out of nowhere (Join Us (And Die), Do You Want to Play, The Summoning)
The “smoke club” gesture
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That part of the musical where a main character almost dies but then is saved by someone appearing on stage. (Paul + McNamara, Lex + McNamara, Pete + Max)
Then there's that one character who's morality was already questionable but then they give into the eldritch gods without any supernatural coercion (Prof. Hidgens, Linda Monroe, Grace Chastity)
Those precious few seconds where you think everything is going to be alright but the apocalypse lives on
Oh, and Paul Matthews and Emma Perkins finding each other… as they always do
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These two idiots kill me because what Crowley is hearing from Aziraphale is, “I am able to look past your demonic nature because I love you so much, but if there was a way, I would change that part of you” and what Crowley wants to hear is, “I look at all of you and I love all of you”
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Meanwhile Aziraphale’s actually saying, “I love every version of you that I’ve known, but I miss the smile you had when I met you and I would give anything to bring that joy back”
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the problematic puppy was the reason for the protests at the hatchetfield kennel. The puppy was there.
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