sunweed
this is a new head sown
to some old tail—
a brand new graft grown
off a salvaged tendril and
this mutant refuses to get
fed eating up the sun
through rails on a balcony.
me and all my friends
are plants and we get bored
of the reward without the risk,
get fed up taking root
in the rug, ruts in rows
through kitchen tiles.
so we go out in the night—
suck life from city.
we stay electro turning
greenhouse fear to joy—
turn the glow of crosswalks
into fuel for our moves.
we turn the lust we feel
for our sparks, captive
and coming from behind
the draw of so, so many
blinds, into light.
2 notes
·
View notes
well known cruise
I will forget your face,
so I have to blow it up.
pocket a memento from
a frame and study what
you look like on my hike
home— try and recall
what I couldn’t memorize
from a glancing lip across
a brow, the palm of a cheek,
our mindless graze for hours.
you’re already such a blank
that, soon as possible,
I paint a picture of your picture
and hope reproduction
spackles the hole— already
deep and upset, so empty
and threatening to suck up
more important memories.
hoping above hope
to take some space.
in some years I’ll stand next
to that portrait smirking from
the pile and I will long, I think,
but won’t remember why.
1 note
·
View note
a victim of the faucet
I can be tempted into retreat,
but a tempt is never enough.
so, I give in to a metaphor—
dedicate my life to it. gather
my bright dead things,
all my pretty ones, and we crow.
we see a wolf and we call it a wolf.
we have some horses.
why not do the same? attack
out from a center fold and grow
big enough to finger slow lightning
along the wounds of night sky.
shrink back down and crawl
unaccompanied across a foreign
desert eating up a field guide’s
worth of landscape: goldenrod
and rhododendron.
suck mad honey from the comb
until you appreciate the wild beauty
in ordinary beasts. realize people
are all trees making up the same
grove together, the same chimera:
desolate us.
fear can tempt if you’re still desperate
from the lack of plague years, still wary
and cautious with the owl’s insomnia.
don’t feel fear walking up the oracle
of Hollywood Blvd.
show her who’s boss.
0 notes
que celebrar
(for Madeline Johnston)
the quiet used to be damp and slow—
a crawl from an always open window,
across rooms always too dim lit and
I would sit, always at the other end.
back like usual to the unlocked door—
daring the world.
I would be still and quiet would slink
right up to my feet— break, roll, churn
back against the pitch of my blood.
then I’m not sure when— quiet
stopped being a guest, became
a host— tame sheets and so giant.
like the strumming of a midwife at
an uneasy spray of fresh feathers—
eager for this world to appreciate
the offspring.
0 notes
alix lacloche and a semester abroad
somebody died today and they were remembered.
maybe they sang a song and strangers heard it
and fell in love— sang along and felt love. maybe
they were in a movie once and those gray eyes
across a crowd through slated light pierce the silver
and exist in countless fantasies for all time.
or maybe they did nothing— took the bus or
took unflattering pictures of the moon when it
moved them and were adored.
somebody died today and they closed their eyes
and slipped away while a son’s eyes followed them
out through the full rooms of a house to an open
front door. maybe they just never came home and
were held so close and so gone it got tough to hold
hope, too. and after not long enough a wait they were
let go— let but never abandoned. they died today
and you remembered—
you said their name hard into a void that would never
recognize it and you stared new creases into a photo
that, even after so much time, will be less familiar than
your memory. you’ll look through their clothes, pick up
a broken pot still vibrating their touch through space
and when you do it’s like they’re still alive. like time
hasn’t chipped the paint from the memory— ruining
details, but leaving the portrait, for now.
it’ll be like that for years and years from now. but, today
someone died and in France the sun is coming up.
1 note
·
View note
First pub of the year.
0 notes
nothing for you
(for Ernest Hemingway)
I can feel the gore of the horn
down the length of a thigh or
partway through a kidney,
even though
I’ve never grabbed a bull.
or feel the sharp ring of recoil as it
leaves a bullet, leaves the barrel,
up the musket to contuse the tendon
of a shoulder
even though
I’ve never hunted for sport.
I can even feel the rattle
of a car wreck— numb, singing,
flashing from the busted window
of a pile up.
but those are sensations
and I feel them in my hands
and the always stop,
like the stampede of a white
elephant, when I close the book.
1 note
·
View note
wrong muscles
some times I flex and its weird—
not the kind I like, but the rip still
comes, the tear, the heal of mass,
maybe weight. strong rubber wraps
in ropes around weak points,
the gaps of every thing I am not.
soon I’ve grown and when I manage
to make it to a mirror, I see the faces
of every hand that’s ever held a knife
to my throat— I feel every slice
they left go dim, submit to scar tissue
and drown in a hard pile of contempt.
buried under the wrong kind of muscle.
1 note
·
View note
holorama
we’re back
on the dawn of another cicada summer
another proof of the travel through time.
our breathing out has a frequency
and it adds to the noise of the universe
as it expands. so your pitch went into
all those insect young as they slept—
they went in the ground just weeks before
you did.
now to those million bugs you’re still here,
still vibrating in their bellies as they go on
to glut countless predators who will die
and feed countless trees with their bodies—
will your sound live on in those predator bones
in that wood?
in seventeen years will the stump
ask about you to the ax?
2 notes
·
View notes
do you think the car will start?
what if the force we need
isn’t the brutality of strength?
we’ve been trying to explode
our way with tons and tons
of pressure to another plane
when the spread of that
beating is a waste of our energy.
what if force is just an exertion
of purpose? of the move away
from the float and flow of moments—
of being taken by a current.
what if we get off our backs
off the cool stream of time’s surface
and plant soles in those shallows?
let’s break on through with our
movements, not hope to blast
doors open with our actions.
2 notes
·
View notes
hell efficient
maybe in some old world some young
braided viking crosses cobblestones
barefoot. past the ruins of a longhouse
and through a thick and empty field
to a real life glacier and screams a real
warning into the ice and you’ll write a book
about her courage.
I’m a new world rough and in California
our ruins are made of red wood. I can walk
through my apartment to a refrigerator
and yell at water in a plastic tray—
hope that when those cubes break open
behind the glass of a museum years
from now, the future will feel my breath.
3 notes
·
View notes
blew with envy
this is how you know where to cut—
when I haven’t mentioned a minefield
in months.
no matter the number of revisions of that
same night I’m forced to live— or maybe
numbed reckless by the repetition—
I don’t feel the threat anymore.
no longer have the drive to fear the dark—
the hungry and predator fangs multiplying
there. I don’t watch where I step anymore
and any chance I get, stop in my tracks
hoping to hear the sound of ticking
and some wires I can walk towards.
1 note
·
View note
boss of the horns
by the time I walked
into that ghost room, to my bed
all the glass had depleted so much
from my body my skin was thin.
a dirty look or passing glance
could draw blood if I wasn’t careful,
but so could the saw teeth of a knife.
despite the dimming
of the human from my features
in all the mirrors, I was delicate.
that dawn I got home, already
a block of ice in my sweater—
I felt every look from each ghost eye
cut at me so bad, all I could do was
aim for my bed and dive— hide until
the sun was high and the house
empty—
until the ghosts had grown bored
of the wreckage.
3 notes
·
View notes
black cat vs. the flamingo
cats can smell
and for months this stray finds
every last trace scent of our old dog.
sprays and rips at rooms until we know
the cat knows— he wasn’t here first.
makes us pay for the deception.
two apartments later
when the smell of the old boy finally
stops offending the cat, we settle—
become a family with a pet for good.
until one day
months after the move, kitty claws—
tears to shreds at innocent wallpaper.
over and over guts birds on that print
and we all stop— not so scared at cat
outrage, than paused at the amount
of blood coming from inside a house.
1 note
·
View note
pearl doing alms
today’s rush job is a prayer
so I lay my offering down—
hope wood chips pass for gold
or at least burn wet like incense.
hope the vapors waft and reach
up branches to my ancestors
elders and family stacked atop
each other for all spirit-time.
hope the burning birch means
something to these ghosts.
I sit, and against every tree
of my nature, sit still— try to quiet
the noise I didn’t even realize emits
from my body every time I think.
some call it meditation, but I call it
pointless when I’m alone. call it
enlightenment at a party. then I wait.
hope a twelve-eyed snake will bring
me the perfect metaphor on a platter
like the head of a duped saint—
like a steak.
0 notes
rancid lessons
the washing machine is empty now
the rest of you started wearing clothes
again. I hear the cringe of fear come
from the underdressed, but never stop
adjusting my shirt collar.
I’ve been champing for this for
endless summers and you can call
it prowl if you lack imagination, call
it crawling at night. but everywhere
you go in your disguise and still six
feet away from desire— I’ll be making
an entrance wearing light and blinding
boredom out of every stranger I meet
for years.
I’m no aloha, but I do enjoy fresh blood.
0 notes
see-thru song
she’s fifty feet tall, so most people
listen when she teaches them
to always add more words, to thank
her later when the warm volume fills
the gapping mouth of the reader—
but mouths stay hungry.
readers are lucky I have no
built in memory, that every time I want
to remember some actually occurring
event I have to sort through my blood
for the details, through that warm recall
all over my fingers and on the page—
not at how it actually happened but,
how time described the moment
to my body, how space dimmed
the action without the help of repetition.
others might be glad to gag memories
from their throats with their thumbs forever.
most of the audience is more than happy
to help you wallow. if you need me
I’ll be perched on a cactus,
ripping into a snake with my beak.
1 note
·
View note