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ai-the-broccoli · 7 months

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The Resignation and Resistance of Yukika Nanase, an analysis

Last Friday (September 29th, 2023) was the 15th of the Eighth Month in the lunar calendar, which is the date of the Mid-Autumn Festival/Chuseok/Tết Trung Thu/Tsukimi/Uposatha, festivals strongly associated with the autumn moon in Asian countries.

Since I happened to have some ThoughtsTM and writings on Yukika Nanase (whose release event, "Otsukimi is After an Elegant Tea Party" was about, well, [O]tsukimi, and who's got a lot to do with Yukika in general), I thought this might be a really good excuse for me to finally officially begin posting on Tumblr! So...

Here is the first one out of a few (perhaps?): a little something I first wrote earlier this year, though now refined, organized, and extended by... maybe over 5 times its original length, for posting on here.

(official CG of the full moon, as it's depicted in the Yukika-narrated event Otsukimi. why exactly there is a rainbow around it is solely up to interpretation)

You may or may not be aware that Yukika Nanase is one of my favorite characters and main blorbos in Magia Record, and while I'm sure personal preference (and her being Relatable™️ for me) counts for a good part of it as it usually does, I would personally argue that she is also just an exceptionally intriguing character in general.

Typically, the fandom at large seems to view Yukika as a daredevil ojou-sama of sorts and some thrill-seeking gambler (and a character that her designer Masugitsune really likes), etc, etc. Now, it's clear where that image comes from, and by no means is it totally off either, but once you really get around to watching or reading any of her stories, you basically immediately see an entirely different side to her than what you might've assumed from her fandom reputation. almost like... the back side of the moon, so to speak

Now, in the canon story content itself, Yukika is often treated as a somewhat comedic character by the narrative, especially in stories where she's not the main protagonist. By no means is this a complaint or a criticism: Elements of comedy don't make a character any less well-written (unless said comedy is implemented in a way that's ineffective or distracting, but that's another matter entirely), and with Yukika in particular I've found that she often works with comedy excellently.

Besides, the fact she often has a comedic-ish role is largely in line with (and partly because of) Yukika's own extremely effacing perception and framing of herself—however, it also makes it quite easy for one to simply completely overlook her own emotional complexities and problems, both in-universe and among fans in the community. Which is fair, even she herself does it! ...But I do want to draw attention to it here, since it's an aspect of her that's quite interesting to me.

So today I'm going to talk about... Yukika's fatalistic mindset and her mental health.

Long informal analysis under the cut:

[cw: major spoilers for most Yukika-related stories, vague reference to Ashen Revolution's themes and motifs (nothing actually spoilery aside from AR's short very first opening section, which will be directly quoted), clinical discussion of mental health issues, mention of addiction]

A Magical Girl who has lived without ever straying from the rails laid out for her since childhood. Raised as a young lady, she is able to handle everything with ease, but her self-esteem is extremely low because of all the talented ladies who surround her. Though she was fed up with the boring life she was leading, her life has taken a sharp turn since she became a Magical Girl, and now she is constantly caught up in trouble.

Yukika's Extraordinary Everyday Life

If you're already familiar with any of her canon stories (or have read her official character description above), you must know that Yukika's "main thing" is that she's always involved in all kinds of trouble on an extremely frequent basis.

Like almost any other playable character in MR, she has her moments™️ (and, the fact that she is in constant stress and anxiety due to the passive effect of her wish; when nothing is wrong she keeps worrying something is about to go wrong in no time and she apologizes for it in advance, and when something is wrong, she blames herself for no matter what it is and tries to take responsibility at top speed), but overall Yukika seems generally surprisingly "fine" as in, we pretty much never see her get into any particularly negative emotional outbursts over anything, at all. Despite all the troublesome situations that she never stops finding herself in, she seems decently adjusted and stable (that is, "stable" on the grand scale of things, since everyday instability is her stability), at least among the MR girls we know.

But when you look into why that is the case, you'll kind of see that it's because Yukika actually has her own unique sense of a fatalistic mindset—in that, typically speaking, (there are some notable exceptions, such as when she made her wish) she completely accepts the state of herself and the state of her life as they are, even though they are by no means what she genuinely sees as ideal.

For instance:

[Though with all that said, I am, so to speak, in the role of "Villager A". - Yukika]

Yukika: (As I was one of many “Black Feathers”...) Yukika: (I didn't have any desire to advance and become a White Feather someday.) Yukika: (Because those White Feathers who manage the Black Feathers are more suited to shining...) Yukika: Yes, like the pride of Mizuna Girls Academy, Akatsuki Tsukuyo-senpai…! Yukika: Even in Mizuna Ward, where many wealthy families produce polished children, Akatsuki-senpai is a genuine charm... Yukika: ...Just like the full moon. Yukika: (While I get saddled with Student Council Officer duty almost every year because I seem "sort of" ladylike, whatever that means...) Yukika: (Akatsuki-senpai has an aura leagues above mine.)

she looks weirdly happy in the last two (pretty self-deprecatory) lines here and then goes on to talk about how her presence is so faint that Akatsuki-senpai still doesn't know she's a Magical Girl yet, whi— ANYWAY I digress

From this early part of Otsukimi, we see that Yukika has a crush on Tsukuyo (for legal reasons this is completely? a joke) a pretty set idea of what her "role" in this world is supposed to be (i.e. she has a "fixed mindset", as some may call it, as opposed to a "growth" one), and that is the role of a "Villager A"—basically meaning an NPC character, to put it in more common terms.

Yukika: (Looking for a substitute for Akatsuki-senpai and being mistaken for Akatsuki-senpai…) Yukika: (Despite her absence from beginning to end, she's got the sense of presence of a true protagonist!) Yukika: (It's getting more impossible by the second for a minor role like me to pretend to be her...)

And this attitude is very telling of her outlook on life as a whole.

Student Council President: That’s right. Will you accept? Yukika: Please leave it to me. Yukika: Our already-busy President shouldn't have to deal with this kind of hassle. Yukika: As the lowliest Student Council Officer, I think that I'm the right person for the job. Girl A: ...Oh, I’ll help you too! Student Council President: Thank you, it’ll be a huge help. Yukika: By "the lowliest Student Council Officer", I mean the Student Council Chore Officer, of which one is selected from each class. Yukika: My job is to gracefully prepare the tea in the student council room, help pour the tea for the exchange parties, and so on. Yukika: ...That's a tremendously misleading description, of course. Yukika: But in short, since it's hardly comparable to the Student Council President, who's elected by the whole school, and the Class President, who's elected from her class's honor students... Yukika: The job naturally gets foisted on me, the vaguely cultured-ish girl with no aura and hardly any presence!

From her rank in the Wing of the Magius as a "lowly Black Feather", to her duty in the student council as the "Student Council Chore Officer", Yukika views her roles and positions of insignificance as essentially predetermined things that she—as a self-perceived NPC figure—is simply matched for by nature; and she never even considers the idea of breaking out of this status quo, because, to her, it is simply a fact of life.

and you may notice this in the way Yukika presents/frames things—anything—in general, too; she's basically got an attitude of "ah well, of course, things are how they are; now let me deal with it so it doesn't trouble anyone else" toward basically everything, ever.

This brings me to my next point...

A Bunny Caught in the Tracks of Orbit

Yukika: Speaking of the moon, I used to wonder when I was a kid... Yukika: When the moon faces the Earth, it only shows the side with the rabbit and its mochi. Yukika: Why doesn’t it show the “other face” on it’s back? Yukika: According to my physics teacher, this is because the moon’s cycle of “revolution” and “rotation” is the same. Yukika: It’s apparently quite common in space. Yukika: (I don’t know what the standard of “common” is in space, but...) Yukika: Ah... I am Yukika Nanase, a first-year student at Mizuna's Girls Academy and a Magical Girl. Yukika: Yes, I am one of those who reluctantly set foot into the world of Magical Girls— Yukika: the "other side" of common sense, that most people will live their lives without ever knowing.

(excerpt from the start of Otsukimi, slightly condensed for format)

It is very clear from Yukika's Magical Girl attire that she's associated with rabbits/bunnies—partly for the casino aesthetics, partly for the Alice's Adventures in Wonderland reference, and partly because of the Moon, which is heavily associated with rabbits in Japanese culture. Namely, there is the legend of the moon rabbit, a mythical creature said to live on the moon, as Yukika herself references in the excerpt above.

Now, the next part is going to look like a bit of a stretch if taken to be actual speculation of canon, but to be clear that is not my intention; it is merely a connection I made/similarity I noticed, and I figured it would be interesting to bring up.

(...Actually that does remind me, I should probably clarify here that this entire analysis is, in fact, of my own personal interpretations of the content presented in the game itself, rather than what I theorize to be the deliberate intention of the writers.)

With that out of the way, let's look at the opening section of Ashen Revolution:

Rabi: We can never stop the never-ending movement of the starry sky. Urara: However much I practice, I can never defy the gravitational pull drawing the diabolo. Alexandra: No matter how much I raise my voice, without this atmosphere, my melody will never resonate. Asahi: Yes, we are forever under the control of the unseen. Asahi: Like this rabbit, it lost its life at the hands of my unseen self. Asahi: Everything is made by the natural order, and being at the mercy of it is a fate we must resign ourselves to...

I won't go into details about AR here since on a technical level Yukika is entirely unrelated to it, but it is an event about the struggle of Magical Girls, who help people in secret but remain completely unknown, unacknowledged, and not understood. Which...

compare Yukika's previously quoted monologue, in which she compares the world of Magical Girls, which "most people will live their lives without ever knowing", to the backside of the moon.

Coincidentally, Yukika's own character is also all about helping people in the background and never ever being acknowledged (to a higher degree than the average MR girl). Relatedly, she also notably possesses a level of figurative invisibility/unseenness similar to the AR girls, through her entire recurring "faint presence" thing.

So, as seen in the AR excerpt above, the rabbit motif is used to demonstrate their helplessness in the hands of fate—or in their specific case, "fate" as in what they perceive to be the "Will of the Universe".

Well, funnily enough…

[Yes, I believe it's all due to the Great and Terrible Will of the Universe... - Yukika]

Yukika: (Here it is, the new hassle..!) Yukika: (The schedule has returned to a blank slate…) Yukika: (Rather, things have actually gotten worse thanks to the passage of time.) Yukika: (How can I put this? It’s as if...) Yukika: (It's as if some great and terrible will of the universe is at work,) Yukika: (and is specifically targeting me and creating trouble.)

…alright, so this is 99.1% a coincidence, especially because the two terms don’t use the same word for “will of the universe” in the original Japanese text, but it’s pretty crazy nonetheless.

In any case, the themes of fate and fortune are indeed actually heavily featured in Yukika’s own character. There’s her gambling motif as seen in her story, design, and gameplay alike, and her entire “keeps getting caught up in troublesome matters” thing, which is the result of her wish.

And how does she see it?

Girl A: Wouldn’t that mean you’d have more work? Yukika: Please don’t worry. Yukika: Dealing with trouble is my fate. Girl A: …Fate? Yukika: Ah, nothing! Let’s hurry! Girl A: Yeah, got it! Yukika: (Yes, I am involved in trouble on a daily basis.) Yukika: (It’s the “fate” that has been decided for me ever since I became a Magical Girl.)

"Fate". Once again, we see a certain degree of fatalism in Yukika's worldview, especially in regard to herself. Rather than a choice she's made on her own, she sees her behavior/self-imposed duty of helping everyone out as the luck of the draw, something that is "decided for" her.

And this part is extremely significant because it offers us a particularly revealing look into her mindset:

The truth is, in spite of everything she goes out of her way to do daily in order to resolve trouble and help/save other people, without actually being forced to do any of that by anything or anyone, Yukika sees literally all of those actions as passive acts rather than something she's doing out of her own free will (and isn't actually obliged to do, really)—because, no matter what she does she only thinks of it as the predetermined consequences of her own choice, for these issues are always the fault of the wish she personally made (or so she thinks), thus the responsibility to resolve them naturally always falls on her shoulder, which is why there's really never anything to brag about about this, according to Yukika.

As for why and how she made such a wish in the first place, that is explained to us in her MSS:

Yukika: …I do think that I was blessed in many ways during my upbringing. Yukika: But one day, um… In spite of all that luxury, Yukika: when I thought of how from then on, rather than moving forward with my own strength, Yukika: I would instead be riding the train toward the future on the tracks built by my parents, Yukika: I started to feel like I wasn’t really “living” at all…

Not necessarily relevant, but for a bit of a linguistic context, the word for “tracks” (in the sense of “rails; train tracks”) and the word meaning “orbit” (as in the trajectory of a celestial body around another; the curved course of a satellite) is the same word in Japanese (and various other languages. Which makes sense, since even the English term “orbit” was derived from the Latin word “orbita” meaning “tracks; course”); hence my title for this section. anyway this ties into the motif of gravity as seen in Urara's line above

Very interestingly, the original line here too explicitly uses train and train track imagery as a metaphor for the course of life and fate, similar to how it's used to symbolize these things in Kenji Miyazawa's The Night on the Galactic Railroad, and by extension Magia Record, which takes a lot from Miyazawa's works.

Speaking of which, that brings us to our next, largest, and final section...

A Thin Ice Between Life and Death

buckle up guys, it's got three parts

Pt. 1. The Rabbit with a Death Wish

Earlier on, I said Yukika accepts her life as-is, but really, she also fully accepts her death as-is. While her heart does desire to feel "alive", and it is for that, rather than any active desire to actually die, that she longs to be at the brink of death, it is... actually a bit worrying, how little she feels like she has to live for.

Well, let's look at the part in Otsukimi when she thought she was going to die to the powerful Witch:

Yukika: (Ah… There’s blood coming from my mouth. This is called hematemesis, right?) Yukika: (I'm... definitely a goner at this point.) Yukika: (But despite that... No, maybe because of that...?) Yukika: (My head's perfectly clear, and I'm getting tons of adrenaline.) Yukika: (Way more than when I bet all of the coins I have…) Yukika: (I feel like I’m alive!) Yukika: Hehe... Yukika: (...Wow. I must be kind of crazy.) Nanny Witch: …………!! Yukika: Kwaah…!! Yukika: Hehehe... I've got plenty where that came from! Yukika: ...Is what I'd like to boast right now. Yukika: But my battery is dead. [the image of Hotori and Rion flashes before her eyes] Yukika: (I’m going to die without being able to do anything…) Yukika: (I wonder if that unknown White Feather felt the same chagrin…) [the image of Hotori and Rion flashes before her eyes] Yukika: I’m sorry… Yukika: I won’t be seeing you two at the moon viewing party. Yukika: .............

...maybe it's just me, but it strikes me as unusual and almost alarming how little she seems to feel like she has to live for, you know? Like, Rion and Hotori are a pair of girls who she literally just met this afternoon. And they (and her not being able to defeat this threat on other people's lives) are somehow her biggest regrets.

And like, Yukika isn't just like this here. Whether you say it's for thrills or for other people's sake (it's usually initially the latter with the extra bonus of the former sometimes), she never even hesitates to put her life on the line. It's kind of sad, really.

This makes sense, though; this sort of attitude tracks perfectly with the abysmally low value she attributes to herself and her existence (again, in her eyes, she is literally just the most basic NPC ever, and who cares about what happens to a random NPC? well actually several people in this fandom do care, including me, but it's not like Yukika Nanase would know that).

In fact, let's look at the legend about the moon rabbit that I mentioned earlier. A quick online search would tell you that it's a mythical figure in East Asian and indigenous American folklore, based on pareidolic interpretations that identify the dark markings on the near side of the Moon as a hare or rabbit

As a side note, this is (accidentally?) fitting in the context of her own perceived "lowliness" (+ faint presence and all) against Tsukuyo's full moon-like brilliance... but I should probably leave that for another analysis oops (assuming I ever write one)

who (in East Asian folklore) pounds the elixir of life (according to Chinese and Vietnamese interpretations), or rice cakes such as the mochi (Japanese and Korean interpretations).

But how come the Moon Rabbit arrived on the Moon?

There's a story behind it that originates from Tale 316 of the Buddhist Jataka tales, and a derived version of it appears in the Japanese anthology, Konjaku Monogatarishū.

According to the Japanese folklore:

The rabbit, as well as the hare, have long been associated with moon deities, and may signify rebirth or resurrection. According to legend, an old man who lived on the moon decided to visit Earth. A group of animals saw what they thought was an old beggar who was starving. “Poor beggar, he looks hungry and has no food. Let us give him some food”. First, the monkey plucked some fruit from the trees. He brought the fruits and laid them in front of the old beggar. Next, the otter collected some fish and brought it to the old beggar. The jackal was too lazy to find something that the beggar could eat, so he caught the first animal he could - a lizard, and placed it in front of the old beggar, along with some water. The rabbit did not know what to get for the old beggar. He was not good at catching animals or fish, nor could he scale trees and get fruit. He only knew how to gather grass, but humans didn’t eat grass. Having nothing to offer, he sat in a corner unhappy. Suddenly he remembered that humans like to eat meat. So he got up happily, prepared a fire and jumped into it, having decided to cook himself for the unknown old man. The fire did not burn the rabbit! The old man revealed himself to be Sakra, the ruler of Gods. “You have been very kind and selfless.” he said to the rabbit. Touched by the rabbit’s selflessness and virtue, he drew the likeness of the rabbit on the moon. “Henceforth, for all ages, all those who will look at the moon, will see your shape in it and remember your kindness.

(the story of Tsuki no Usagi, from here. lightly adjusted for formatting and such)

Most versions of this myth have roughly the same story, with the identities of the rabbit's companions varying. Interestingly, the legends of Moon Rabbits among some indigenous cultures of North and Central America often tell an extremely similar story as well. For example:

According to an Aztec legend, the god Quetzalcoatl, then living on Earth as a human, started on a journey and, after walking for a long time, became hungry and tired. With no food or water around, he thought he would die. Then a rabbit grazing nearby offered herself as food to save his life. Quetzalcoatl, moved by the rabbit's noble offering, elevated her to the Moon, then lowered her back to Earth and told her, "You may be just a rabbit, but everyone will remember you; there is your image in light, for all people and for all times."

(from Wikipedia)

The Jakata version of the tale relates that this event took place on Uposatha, which is the same night as Tsukimi. And while it’s hard to say for certain that this was 100% a deliberate reference, it’s definitely not farfetched to connect this legend to what Yukika does on Tsukimi in her debut event, and in general.

Deeming herself a thoroughly unnoteworthy person with nothing special to offer, she's extremely willing to throw herself into anything from minor inconveniences to life-threatening dangers, as long as it's to help someone else. Because, as noted by Tsukasa and Mifuyu in her MSS...

Tsukasa: I mean, she says she’s "dragged into it" by the effect of her wish... Tsukasa: But really, isn’t she taking on this lost child of her own volition? Mifuyu: She’s the type of girl who could never leave someone in need alone, no matter what. Mifuyu: So, from her perspective, it’s the same as being dragged into things. Tsukasa: …What a kind girl.

...So, honestly, I have no doubt that she would have no hesitation in doing the same thing as the original Moon Rabbit did in the legend, had she been in his/its situation.

Yet the thing is, as Mifuyu analyzes above and according to Yukika's own words about "fate" prior, Yukika never sees what she does as anything exceptional because, in her eyes, she's only doing what she's naturally supposed to do, and what she probably (incorrectly) assumes to be what anyone in her circumstances would also do. Thus, she never sees any merit in those actions and she refuses to take credit for them, trying to remain in the background because she firmly believes that's just where she belongs by nature. but more on her self-effacement next time.

Now, onto the secondary reason she's eager to throw herself into danger:

Her thrill-seeking instinct.

Though it's a well-known fact about Yukika that she is quite a reckless gambler, have you ever wondered...

Why is she like this in the first place?

Pt. 2. The Psychology of an Ennuyé Bunny

in which I accidentally turned the analysis post into a psych diagnosis of a mostly unspecified mental condition I swear as a distinctly not STEM person I went out of my way to do scientific research this time, please bear with it if you don't mind

Of course, there's a canon explanation for this in Yukika's MSS, where it is discussed.

Tsukasa: …medal games? Yukika: When I abandon myself in an all-or-nothing, do-or-die game, I can forget for a moment about my boring daily life. Yukika: So… going to the arcade after school to play medal games became a hobby of mine. Yukika: I even secretly bought a casino set, and now stare at it at home every night… Mifuyu: …Your escape from reality, I see. Yukika: Exactly. Tsukasa: If that’s the worst you can do, then you really are a true lady.

(Seen in her MSS and personal memoria, this is the casino set she secretly keeps in her closet but only ever stares at, without actually doing anything with it.)

As Mifuyu puts it, Yukika finds in small acts of gambling an escape from her boring reality, and as she said in her wish, what she wanted was "the feeling of being alive".

This is, statedly, due to her boredom* more on this later from following a predetermined life path (hence her wish being an act of defiance against fate, one which she is shown to be deeply ashamed of), but also...

...you know how substance abuse, excessive gambling, and other forms of addictions often co-occur with mental health issues?

Yeah.

In many such cases, said addiction can be the consequence as well as the cause of these issues

because for people with symptoms of depression, anxiety, executive dysfunction (and any other kind of stress or motivation issues, etc.), activities like alcohol and gambling provide them with a temporary source of ease, escape, and/or brain chemicals of the likes of catecholamines* see explanation later, any of which they might lack otherwise.

Besides, executive dysfunction (which is seen in many different mental conditions) can also mean worse inhibition control in both thoughts and behavior, which makes people with executive function issues particularly susceptible to addiction to physiological-rewarding behaviors, in more ways than one.

So... while I'm not going to pin anything particularly specific on her (okay I lied I'll say here she clearly does show symptoms of general anxiety at least, even if that's solely induced by the effects of her wish and not something originally innate to her, but that's mildly beside the point here since I'm more talking about the cause of her wish instead of the consequence), I don't think it's that much of a stretch to speculate that Yukika might have a mental condition or two that contributed to her unbearable "boredom" with her routine everyday life at that time.

Many studies have shown that executive function problems (as seen in various different conditions including neurodevelopmental disorders such as ADHD and ASD, or mood disorders such as depression and bipolar) may be caused by imbalances and deficits in certain key neurotransmitters, such as:

dopamine, and

noradrenaline (a.k.a. norepinephrine)

...both of which are among the 3 catecholamine hormones & neurotransmitters, alongside adrenaline a.k.a epinephrine.

for reference, common ADHD meds like amphetamine (Adderall, etc.) and methylphenidate (Ritalin, Concerta, etc.) are often catecholamine analogs or serve the same function, that is to say, they're used to increase the amount of dopamine and noradrenaline released by the patient's adrenal glands.

You may have realized that this isn’t exactly the first mention of adrenaline in this post. Indeed, Yukika herself brought it up in the earlier excerpt from Otsukimi where she experiences a rush of adrenaline at death’s door.

Adrenaline and noradrenaline both fall under what's considered “stress hormones”. Along with dopamine, they're a big part of what activates the fight-or-flight response (or to put it in more medical terms, the "acute stress response") in a person, as the catecholamines increase heart rate, blood pressure, breathing rate, muscle strength, mental alertness and more.

Between the two, adrenaline is released by your body when you experience acute or chronic stress, in preparation to protect itself against real or perceived danger.

On the other hand, noradrenaline is continuously released into circulation at low levels, but the amount produced also increases in response to stress and fright.

(By the way, adrenaline is made from noradrenaline, and noradrenaline is made from dopamine.)

...Right, well, all this neuroscience stuff and I still haven't made my point yet. But basically, what I mean is that there's enough canon evidence for me to believe the odds are that Yukika Nanase is not precisely a neurotypical individual, no matter what her problem(s) actually is in exact.

This is evident in her...

Chronic boredom (sometimes synonymous with "ennui") prior to making her contract, indicative of a depleted reward system

Attraction toward gambling and other risky behaviors that act as stimuli and generate the release of catecholamines in her brain

Possession of a certain level of impulsivity, and engagement in reckless & risky activities

Novelty-seeking attitude and behavior

As previously discussed, those traits above are primarily observed in Yukika's wish, the circumstances and reasons behind her wish, and her thrill-chasing attitude and behavior, including her fondness for medal games.

Like, if you read what Biser Angelov says about the connection between ADHD and boredom (the article is about ADHD specifically, but you can apply this particular section's info to other conditions with cognitive dysfunction as well):

As you can see, the screenshotted paragraphs discuss similar ideas to what I've been talking about in this subsection, and I'm sure you can see from here how the situation described indeed applies to Yukika, especially with her state before her wish.

In addition, let's examine the psychology of a thrill seeker. Yukika fits the description of what we would call an "adrenaline junkie", being particularly into thrills and dangerous situations. But what exactly makes thrilling sensations so appealing to a so-called "adrenaline junkie"?

You may or may not have heard of the Sensation Seeking Scale (SSS), originally published by psychologist Marvin Zuckerman in 1964 as a measure of sensation seeking that encompasses and evaluates an individual’s personality traits of thrill and adventure seeking, disinhibition, experience seeking, and susceptibility to boredom. A study about the brains of people with high scores on the SSS shows that under chaotic/dangerous/troublesome circumstances, these people tend to excrete less cortisol and more dopamine in response to the situations, compared to those who score low.

Now, cortisol is also a stress hormone, but it generally generates more feelings of what we actually consider "stress" compared to dopamine (and other catecholamines), which is instead more associated with feelings of pleasure and attention. So, during those highly chaotic experiences, those with a thrill-seeking constitution are more likely to feel good and elated instead of feeling burdened by stress, and the experiences thus become exciting to them rather than suffocating.

Considering the factors analyzed above, this might be the case for Yukika as well. If her brain suffered from a deficiency of catecholamines on mundane days but could produce much of those energizing neurotransmitters and hormones under stress and fright, it would explain why she enjoys high-risk/near-death experiences (and gambling) and finds being in chaotic troublesome situations to elevate a good portion of her boredom.

Moreover, the need for higher stimulation in children with executive dysfunction is backed by scientific research, according to this article on the link between ADHD and high-risk behavior.

Other studies (Zentall and Zentall 1983 and Douglas 1983) indicate that children with attention problems need a higher level of stimulation. According to the research, children with ADHD are under-aroused by dull or repetitive tasks and will seek out high-interest or high-risk activities to compensate. Further, (Farley 1981, 1985) children that are under-aroused will search for more intense activities and will be more open to different experiences. They will prefer complex tasks to simple tasks; will seek new and novel experiences that include the need for high energy and high risk. In short, Farley found that children with hyperactivity seek high stimulation. His recommendations for children with hyperactivity included modifications to education to include more interactive and creative experiences to provide the extra stimulation needed.

Many other scientific studies, such as this one conducted in 2021, have also proven that ADHD, a major symptom of which is executive dysfunction, is "uniquely linked to a pervasive pattern of engagement in risky behaviors", spanning across various domains, including gambling.

Moving on, Yukika also has the tendency to:

Ramble a lot (in her head and otherwise) while jumping from one topic to the next, sometimes in ways that would be considered... whimsical?

Accidentally think aloud, or vocalize things that she has no intention of letting the other party hear about, without realizing it until she sees their reaction

Despite her own opinion, Yukika actually stands out to me as quite capable, intelligent, and resilient in various areas (especially when you consider how honestly difficult her everyday life is like).

That said, the way she thinks and talks does sometimes give off the impression of some sort of scatter-mindedness, and when we spend time in her head we see that Yukika kind of zones in and zones out of conversations sometimes because there’s always so much going on in her brain (partly thanks to her full awareness of her own trouble-attracting nature, but I kinda get the feeling she was probably kinda like that even before becoming a Magical Girl), causing her to blurt out to people things she doesn’t mean to tell them about at times.

There are several instances of this in Otsukimi, including the “dealing with trouble is my fate” comment she didn’t mean to let that random girl hear about in the earlier excerpt, and the Great and Terrible Will of the Universe remark (as seen in a previous screenshot) wasn’t meant for the Tea Ceremony Club’s leader’s ears either.

As for her erratic thought patterns in general, you can probably see the way her internal thoughts are always constantly racing throughout the entire event. In fact, one can just look at the very start of Otsukimi for an example. And in a different scene, we see Yukika suddenly wondering to herself, while very sincerely navigating the problems in an attempt to solve them:

Yukika: (This time, I’ll find the cause of the trouble!) Yukika: (I’ll definitely reveal it...) Yukika: (Just what the Great and Terrible Will of the Universe (Tentative Name) actually is!) Yukika: ………… Yukika: (I doubt it'd happen, but just imagine...) Yukika: (The moment I step into the old school building, everyone yells "Happy Birthday!",) Yukika: (and this mob of well-wishers swallows me whole.) Yukika: (If nothing else, please let me be spared the embarrassment of such a turn of events...) Yukika: (Ah, and maybe even Akatsuki-senpai is in the act.) Yukika: ...Yeah, I think not. Yukika: I mean, it's already past my birthday for starters...

...yeah. Doesn't particularly read like the thought process of a neurotypical kid to me, but hey, who knows, maybe that's just me.

Moreover, she also shows signs of:

Anxiety and restlessness (the former of which was either caused by her wish or marginally increased by it)

Low self-esteem, feelings of worthlessness, and (debatably) inappropriate guilt

...etc, etc.

Overall, I believe that more than sufficient evidence is present in canon for one to see Yukika as having one or more mental conditions that come with executive dysfunction, and interpret her behavior and thinking through such an explanation.

Pt. 3. The Girl Who Wants to Live

On a note directly related to my conclusion in Pt. 2, I'm going to take a moment to compare and contrast Yukika to one of her better friends, Yuuna Kaharu.

Now, I personally believe that Yukika is quite a parallel to Yuuna in various ways, and Yuuna in The Flower that Blooms in a Hollow Heart definitely reads to me as having depression. I'd say the parallel is most obvious (to me) in like, Yukika's "I feel like I'm not really alive because all I'm doing is living the boring luxurious life to the future that my parents planned for me" (Yukika MSS, paraphrased) vs Yuuna's "I'm an empty shell blessed by the lucky life handed by me by my parents on a golden plate, only living because I'm not dead yet" (Hollow Heart, also paraphrased).

Yukika and Yuuna are also character foils, however, in that Yuuna has an arc centered on growth and she is able to advance forward because she finds herself a clear and defined goal in Mami, whom she sees as a role model that she aims to become like one day. On the other hand, Yukika establishes right at the very start of Otsukimi that she had never any desire to advance upward, whether in WoM or in school, because it was supposedly people like Tsukuyo who were suited for such better roles, and to Yukika, that's simply how it is.

There is another striking difference between them, and that is that Yuuna is unabashed in taking credit for when she's done something good, whereas Yukika times and times again brushes off any help she's offered with an "oh it's nothing special / it's already over with so let's not talk about it" kind of attitude, because that's really just how she sees it.

As examined earlier, this is largely due to her low self-worth and her perception of everything as her own natural responsibility. The unfortunate thing is that this self-effacing attitude, on top of her already faint presence and all, makes her even more unnoticed and her deeds completely unacknowledged.

And then, by further preventing most people from recognizing Yukika and her efforts, it reinforces her mindset about her lowly faint presence and further contributes to her lack of self-worth, which in turn makes her value her life even less, altogether creating a vicious feedback loop.

Yukika speaks of having friends in class, but with the way she talks about it, they don't seem all that close to her and they're definitely not people she could fully open her heart to.

see the fact that she's very concerned that her classmates and school friends mustn't hear about her visits to the arcades; she is never really seen thinking much about them on-screen, going to them for help, or worrying about any particularly important school friend when the whole school is in trouble, etc.

In canon, there are like only three named characters who consistently notice Yukika and actively try to pay attention to and care about her (Rion & Hotori, later Yuuna), and none of them even go to the same school as her.

And because Yukika has this somewhat fatalistic mindset, no defined aims or goals in life, and effectively actively discourages people from noticing her, she is likely to just... stay this way, unlike Yuuna.

Like, Yukika is just a weirdly really static character in her default state. As someone who's tried to work with her as a major character in a story, it's honestly kind of crazy how I always absolutely have to throw her into some odd situation where another character actively tells Yukika that she (and she specifically) should try to change or grow, as long as I want to make her undergo any dynamic character development. Otherwise, her usual mentality typically completely blocks any possible self-development of the introspective kind from happening.

To me, there's something rather... subtly tragic(?) about this, but...

Yeah, so, I for one do believe that Yukika still has the quality for future growth. Not sure if it could happen in the game or not, but like, I do think that can still happen to her as a person. And more than that...

In spite of everything I've been saying up till this point, Yukika's core desire is "to live".

It's in the wish she made. It's why she chases excitement the way she does. Indeed, Yukika is relatively easily self-sacrificial as a result of the "low self-worth + too kind" combo and she seeks to experience the brink of death for a wholly different reason, but truly, her overall main subconscious drive is to feel alive.

And the most paradoxical thing here is the fact that her longing to experience a brush with death stems from her desire to live, rather than a desire to die; not only thanks to the catecholamines rush, but also because it is through the fact that the chance of death exists for one that their life is so meaningful. (or so goes my personal opinion, in any case)

After all...

Yukika: Wow... Student Council President: What do you think about it? Yukika: Yes... Yukika: I'm so glad to have been born on a planet with a moon! Student Council President: You… you're that moved by it? Yukika: Yes. Yukika: I thought that I wouldn't live to see it again. Student Council President: Okay…?? [...] Yukika: The same old face of the moon as always. The same boring world as always... Yukika: Tonight, they both shine brilliantly to me.

...

Even though her everyday life is tedious, her self-esteem dreadful, her mindset somewhat fatalistic, and something's up with her brain chemicals too...

Deep down in her heart, the thing Yukika Nanase truly wants is to be alive.

And I don't know about you but... man. I find that very moving, you know?

And...

That's all, folks!

This concludes my essay. Basically, my big main point is that Yukika is certainly one of the most characters of all time and should be cherished at all costs.

Thanks for reading this (very long) propaganda analysis post to the end, and I’ll see you next time o7

#magireco #yukika #yukika nanase #nanase yukika #magia record #analysis #character analysis #essay #i (ai)#own writing #(can you see I have no idea how to tag yet?)

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