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#you will rule well
poorly-drawn-mdzs · 2 months
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Lan Wangji Goes To Lotus Pier AU: Part 1: Dread on Arrival
(Part 2)
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gatoiberico · 8 months
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you must find me
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ash-and-starlight · 11 months
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celebrating Her month by updating my mai&sokka bestieism manifesto & introducing their matching undercuts era
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becca-e-barnes · 9 months
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all i can think about is bucky literally BEGGING to eat your pussy. just on his knees, calling himself a needy slut, just looking up at you with puppy dog eyes while he just begs for your pussy on his mouth. ugh.
Men who are this into eating pussy have a special place reserved for them in Heaven. Hearing someone beg to go down on you is life changing when they know what they're doing 🙈
But you're so right, Bucky would be so willing to degrade himself like that just to be allowed to go down on you. He'd be on his knees, trying to ignore how full his balls feel, begging for you.
"P-please." His voice is so quiet you almost start to question if he said it intentionally. "I need to taste you. I can't think about anything else."
His cock twitches despite how heavy it looks, flushed and angry against the pale skin of his thighs.
"Really?" You tease, tilting his chin up with two fingers so he's looking at your face, rather than your body. "Tell me exactly what you're thinking. Describe it to me"
He doesn't miss a beat. "I'm thinking about how soft you are, how warm and silky your cunt feels under my tongue. I'm thinking about burying my tongue as deep inside you as I can reach and still wishing I could get deeper. I want to feel how wet you are but more than anything, I want to taste how wet you are. I want to dream about it for the rest of the week. Every time I stroke my cock I want to be able to remember how you taste."
Precum drips from his tip and you're not sure you can deny him much longer. Not when he's making it sound so appealing.
"Do you even hear yourself?" You do your very best to act like you don't love the sound of every word that has just come out of his mouth.
"I do. I sound like a shameless, filthy, desperate slut. The type of slut who wants to kiss and lick and worship your sweet pussy until you're so sensitive you have to force me to stop." His hand wanders between his own legs, tugging his stiff length to the mere thought.
He's not above begging and you know that. He'll draw this out as long as he needs to until he gets his way but there's very little sense in that when you want this just as much as he does.
"Lie on the bed." You give him time to make his way over before following, lining yourself up just above his face.
You take a second to smooth his hair, enjoying the feeling of his freshly shaved face against the sensitive insides of your thighs.
He's looking up at you, your eyes meeting his. "Thank you." The relief in his voice is clear right before he grasps your hips and pulls you down onto his mouth.
Fuck, he's incredible. This is the mouth you dream about when you're alone. His tongue massages your clit, stroking back and forth before dipping into your fluttering entrance. You swear he must feel what he's doing to you. You feel your cunt clenching and rippling, your muscles contracting in response to the pleasure and for a second you wonder if he can tell.
He's hungry for this; he has been for hours. He's moaning and slurping obscenely, his tongue buried in your cunt. You don't even need to look over your shoulder to know that he's alternating between fucking his own fist and gripping the base of his shaft tight enough to stop him from spilling his release all over himself too soon.
It's very hard to tell which of you enjoys this more.
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meggalice · 1 month
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Had to sketch out the closing moments from Chapter 13. Wow that really is an unlucky number, hey Dee? I have been obsessed with @remedyturtles' fic Fire Fight. Seriously if you haven't already go give it a read. They are absolutely killing it and the last chapter has left me in pieces, said pieces are still on the edge of my seat though.
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northlight14 · 8 months
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Phoenix: do you remember the day you got your lunch money stolen in kindergarten?
Edgeworth, who came into school wearing a bow tie every day, was always reading, went around quoting different law terms saying he was going to grow up to be “just like father”, and canonically cried when he couldn’t do origami: which time?
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ppl who support xenogenders and general genderfuckery but draw the line at mspec gays are so fucking confusing to me. like yess destroy gender expectations be free express yourself in concepts but if you try to put a pinky toe outside of what i consider an acceptable sexuality i will smite you
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bahrmp3 · 1 year
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[id: 10 gifs from season 2, episode 21 “the maquis part 2” from the tv series “star trek: deep space nine”, the gifs show commander benjamin sisko, and major kira nerys in sisko’s office.
1st & 2nd gif: sisko is standing inside his office, he talks to himself ““establish a dialogue.” what the hell does she think i've been trying to do?” kira comes into sisko’s office, she calls out to him, “commander.” but sisko picks up once more from where he stopped with his rhetorical question, “just because a group of people belong to the federation,”
3rd gif: the camera cuts to kira. sisko is still talking, “that does not mean that they are saints.” kira interrupts sisko, “excuse me.” but sisko asks her instead “do you know what the trouble is?” kira shakes her head before replying, “no.”
4th & 5th gif: the camera cuts back to sisko, who walks from behind his office to stand in front of kira. “the trouble is earth.” sisko starts to reply, and kira interjects with a “really?”, sisko continues, “on earth, there is no poverty, no crime, no war. you look out the window of starfleet headquarters and you see paradise. well, it's easy to be a saint”
6th gif: the camera cuts to a close of kira, she is listening to sisko, “in paradise, but the maquis do not live in paradise.”
7th, 8th, 9th, & 10th gif: the camera cuts to show sisko pacing back and forth, before stopping in front of kira. he is clearly frustrated and agitated by starfleet’s response to the situation “out there, in the demilitarized zone, all the problems haven't been solved yet. out there, there are no saints, just people -- angry, scared, determined people who are going to do whatever it takes to survive, whether it meets with the federation's approval or not.” /end id]  
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pencildragons · 1 year
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still insanely funny to me that ortus nigenad has canonically written 18 volumes of epic poetry about a bodyguard who was, in fact, Just Some Guy, and regularly quotes himself out loud in conversations on the regular. man had to die at the start of gtn because he was too fucking powerful to live
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cardassiangoodreads · 6 months
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Either one upholds the equal worth of all human lives, opposes war crimes, and despises far-right ethno-nationalist political projects or one doesn’t. What’s more, cheering (or publicly announcing your refusal to condemn) the murder of children isn’t just morally grotesque but also politically self-defeating. The West’s apologists for Palestinian war crimes have far less power than its apologists for Israel’s brutal domination of the Palestinian territories and discrimination against Arab citizens of Israel. But precisely because left-wing critics of Israeli apartheid lack power, we must not forfeit our moral authority. For decades, the Israeli government’s knee-jerk defenders have sought to equate opposition to the occupation with contempt for the security of Jewish Israelis. Now, a loud minority of Palestine’s self-styled champions are blithely affirming this smear, insisting that solidarity with Palestine requires callous indifference toward (or, at the very least, silence about) the mass murder of Jews. In so doing, they are making it easier for their adversaries to discredit and marginalize the broader cause of Palestinian liberation. And that cause has never been more vital. It is therefore imperative for progressives to disavow all apologia for Hamas’s atrocities and for the broader public to understand that the left’s analysis of the conflict’s origins, and its prescriptions for its resolution, are wholly extricable from the blood lust of a loud minority of pseudo-radicals.
(emphasis mine)
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inkskinned · 1 year
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one of the things about the trends and the body image and all of it is that. you can't unsee it. and it doesn't matter that you know logically it's stupid and that logically any person who has a problem with your body can fuck off and die, but it's almost like gore. you flinch even knowing the blood onscreen is fake. you sense a pain that was invented. your body creates the phantom sensation - this thing should be avoided. so okay.
it's not that you won't wear the skinny jeans or the choker or whatever isn't "in style" anymore. and sometimes the demands are so buckwild that you can just ignore them, plain and simple.
but you do think twice sometimes. you do notice things about yourself you hadn't even considered. you notice the hip dips and the shape of your cheekbone and the skin over your eyes. it's been pointed out to you - so you notice. and sometimes it's like fuck you i look fucking amazing and sometimes it's like nobody even remembers that being a thing probably and sometimes - it's fucking devastating. like someone drew a bright red circle around each insecurity. on those days, you wonder - does anyone else see?
because the blame is on you either way. you have a terrible catch-22. if you want to fit in, it's on you to be sure that you look good, that your makeup isn't the "heinous" 2016 style (even if that's the style that flatters you), that your bodyfat settles in the appropriate landmap. and at the same time: it is also on you to ignore the programming. it is on you to get over your decades of social exposure to a trillion-dollar industry and just not care! about these things.
in the comments of course there are people who would advise you nothing with nuance. just ignore it! sure. nobody actually cares about these things. absolutely. this isn't how normal people look. of course not, you know that. you weren't born yesterday. you know about the photoshop and the pricetag and the brand manager.
but like. the media still exists. there are videos on how to manage your hip dips (your skeleton. you know it's your skeleton, and it doesn't matter, does it, because it has a name now, doesn't it?) and how to finally correctly wear the clean-girl-trend and how to have enough money to wear the latest "casual outfit". there are videos critiquing your entire generation for how you dress. how "cringe" it is to wear a certain style of necklace. an influencer says - let's be honest! nobody cares if you just have confidence!
but people do care. you've seen it. you know they care. you've been made fun of enough. it's not, like, a horrible sin to just want to fit in. it's not saying anything new to say i just don't want to be made fun of.
somewhere along here, you learn - your body is more like an accessory. not a home, not a sensation. it is an object like mom jeans or opera gloves. something to manipulate, not something to love.
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poorly-drawn-mdzs · 25 days
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Game night ruined.
[First] Prev <–-> Next
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canisalbus · 3 months
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To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?
Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.
#in the 16th century canon he starts out as an introverted but sincerely well meaning guy that never quite manages to find his social niche#he was a sensitive kid and when subjected to enough pressure#his insecurity fearfulness and powerlessness mutate into distrust resentment aggression suffocating repression and self-restraint#I don't think he's a bad person in fact he consistently tries very hard to do the right thing#do his job properly avoid letting people down and get through life with a sense of dignity#but he is supposed to come across kind of cold impersonable and difficult to be around if you don't know him personally (and very few do)#people can sense there's something wrong with him and are put off by it#Vatican is a nest of vipers and as the stakes rise he retreats deeper into his coldblooded untouchable work persona#he has no choice but to start lying scheming blackmailing and eliminating his enemies#in order to maintain his position keep Vasco safe their relationship under wraps and his own head above water#essentially playing by the same rules everyone else in the holy see has been playing with for centuries#eventually he loses his spot as the secretary of state and is manipulated/forced to take on a role in the roman inquisition#and if people were sort of iffy about him before being the authority overseeing trials torture excommunications and executions doesn't help#and since he has so few allies and such an infamous reputation he's an easy target for scapegoating whenever necessary#towards the end it dawns on him that he's become the kind of twisted cruel corrupt person he used to fear and despise#and the guilt moral injury and abject self-loathing had largely sapped him of his will to live by the time the final assassin gets him#answered#anonymous#Machete#Vaschete lore#he thought his dream of priesthood would make him a better person more worthy of admiration safety and love but he climbed too high#and got roped up in the dangerous games that take place under god's nose and slowly got strangled to death
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sunderwight · 6 months
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Thinking about the weird camaraderie that exists between demons but not angels in GO.
Have we ever seen two angels who are actually friends? Or even friendly to one another? We have met angels with a capacity to be friendly in general, but I think the closest we've come to two angels actually getting along would be Gabriel making a point to laugh at Sandalphon's terrible "can't have a war without War" line in S1.
Most scenes between the angels actually seem to have an undercurrent of absolute hostility. Teeth-clenched teamwork. No wonder it took them so long to notice that Aziraphale wasn't on the same page as the rest of them! The rest of them are barely on the same page as one another, either! When Gabriel goes against the majority vote, no one bats an eye at demoting him and wiping his memory. Michael and Uriel immediately begin vying for his job. The only times we've seen angels team up is when they're working together to bully someone else, like when they're trying to intimidate Aziraphale in S1 or going to the aftermath of the bookshop raid in S2.
Saraqael's overall neutrality towards Muriel is the closest we get to two angels in Heaven getting along, and it's more a lack of hostility than any kind of friendliness. At least until Gabriel loses his memories and Muriel shows up to spy on Aziraphale, and Aziraphale decides to be kind to both of them.
Demons, on the other hand, actually seem to form alliances and even friendships among one another. Hastur and Ligur are awful, but Hastur seems genuinely distraught over Ligur's death, not just fearful of suffering the same fate. Shax and Furfur conspire together and even though the 1940's investigation into Crowley's fraternizing doesn't work out for Furfur, it's not due to any double-crossing on Shax's part. Unlike the angels, who stick almost exclusively to making threats until the Metatron decides to try dangling a carrot at the end of the season, demons actually offer rewards to other demons when trying to work together. Beelzebub offers Crowley a promotion if he can bring them Gabriel, Furfur offers to back Shax up politically if she goes for the Duke position opening, and Crowley successfully stalls Hastur in S1 by pretending everything was a test and he's going to be put in charge of a legion as a reward for passing. They're still not great at socializing, but they're significantly ahead of the angels.
Of course, it's a fact that demons are awful to one another (Eric's treatment is really bad, they throw that random demon into holy water just to test it, "it'd be a funny world if demons went around trusting one another", etc) but they still seem more capable of forming friendships than the angels do.
I think that's because Hell cramps and crowds everyone together to try and increase their suffering and hostility, whereas Heaven isolates angels to decrease the odds of questioning or rebellion. Hell's methods are unpleasant, but it still ends up putting demons together, and some of those demons inevitably forge alliances and make friendships. Because as Crowley and Beelzebub demonstrate, demons are still social creatures with the capacity for love and affection, even if it's strongly discouraged and buried under nine million layers of trauma and a cultural mandate against kindness.
Angels are the same, but isolation makes is harder to form connections than overcrowding. Muriel and Jimbriel are both so eager to make friends, but Muriel's spent the past millennia shut in an empty office, and Gabriel has been distanced from his peers both through his position and also through Heaven's culture of fear and surveillance. He only breaks away from it when he finds something that's stronger than "choosing sides" (stronger than the fear of being rejected by Heaven and Falling, in fact strong enough that Falling seems worth it if he gets to be with someone he loves). Both Muriel and Gabriel are only able to start forming connections when they're away from Heaven.
I just think it's interesting that demons, despite being supposedly devoid of love, have an advantage in forming relationships compared to angels. Angels are supposed to love, but have far fewer opportunities to actually do so. Demons aren't supposed to love, but they make connections anyway.
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egophiliac · 5 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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romansmartini · 8 days
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ideal ship dynamic: guy who’s the most mentally unstable person you’ve ever heard of in your entire life x guy who wants to bang them so bad it has them saying things like “nothing wrong with that guy. they’re completely normal and sane”
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