I saw on your Anilist that Uenoyama is in your favorites! And I really have Given brain rot because of the last chapter recently. So I reread the series and have the songs stuck in my head. So what better time to color some Given for you than now? I hope you have a lovely birthday!
Alright, I don’t post on here often but I just wanted to say this. Also disclaimer for possible spoilers if you’re behind like me.
I am fairly new to Demon Slayer, just started watching a few months ago with my dad, haven’t read the manga yet, we’re in the middle of season 3, it’s been awesome.
Rengoku’s death.. It was already sad, you know cuz it just is, and his part was not nearly big enough.. But I’ve been on TikTok looking at character videos, and I passed one with thee saddest fucking sounding song with the pics of Rengoku’s funeral from the manga and let me just tell you my dumBass kept watching it and lost my shit. I boo-hoo bawled. One of the TikTokers is konic and the song I believe it said is anata no yoru ga akeru by Tota Kasamaru. Twice yesterday I cried about it, and maybe I just needed to cry, but Gotdamnit I have not felt that hurt by a character death in many years. In fact I think it was Jushiro Ukitake who got me last time. I just turned 33 like last week, I can’t watch this video without fighting tears, I don’t think I can read that part of the manga, is it animated?? Did I miss something?? I damn sure couldn’t handle that, like absolutely not…
And that’s it, that’s my post, I just wanted to talk about how much that broke my heart. I added some photos just cuz, and I got emotional looking at them. This is ridiculous.
@sillyfanturtle, sorry for the delay but I finally got around to answering the second question you had in your ask!
THE "TRIGGER" TO EVOLVE:
Kizu I think specifically kept in ambiguous so that the reader can read it in many different ways so here I am just presenting my interpretation. Let's talk about Ugetsu for a hot second. In retrospect, every jab like "show me music that's worth listening to" is actually Ugetsu's own way of trying to trigger Akihiko to love music and MAKE music wholeheartedly again. Ugetsu puts himself on a pedestal to hopefully ignite the fire within Akihiko. But it's actually been causing the opposite effect on Akihiko, the hurtful words and actions chipping away at his self-esteem and confidence in music. But Ugetsu doesn't seem to realise that...
Then, it was at that first performance that Ugetsu saw how Mafuyu and himself are similar, he strongly believed that they were musical genius-types who use music as a form of emotional outlet.
So in Ch 13, Ugetsu thought that he can also be the trigger for Mafuyu to not only use music as an emotional outlet, but to truly love and create music.
The "he" Ugetsu is referring to here is I believe Mafuyu. He is thinking, I, a successful musician, can be both Akihiko and Mafuyu's triggers to fall in love with music and create music wholeheartedly. Ugetsu at this point in the story means well but his approach is quite ego-centric; which is to have people be consistently in awe of you or put yourself on a pedestal.
Now i want to defend Ugetsu for a tangent, Ugetsu has been conditioned to think that loneliness and genius is tied. He grew up lonely, then when he found music, other people only ever saw him as a genius including Akihiko, which further alienated him from people. Society has attributed his self-worth akin to that of a musical genius, so that's all he has ever known, that's the only language he knows to show others that he cares.
Hence Ugetsu invites Mafuyu to his concert. And it works! (to a degree) Mafuyu, in awe of Ugetsu, says, "Akihiko, I want to make music".
---
Then we come to Ch 26. Where Akihiko has a huge fight with Ugetsu when he mentions he wants to move out, then the moment Akihiko sees Haruki, he says, "it's good to be home". Now this is very important. While Haruki doesn't actively do anything like Ugetsu to trigger Akihiko, Haruki was the one was founded the band and indirectly created a HOME for all the members of Given, including Akihiko.
Then Ch 27, Akihiko was just about to spiral when Haruki bonked him on the head to snap him out of it.
REMEMBER, Ugetsu is there, Ugetsu sees all this.
Later, Akihiko says, "When did I start hating music? Even though I once loved it so much, even though I once remember shivering in awe like I am right now, the first time I heard Ugetsu play...That's right...I love music".
Same chapter, a realisation dawns on Ugetsu.
He himself is not the trigger. Haruki is. He doesn't know quite what Haruki has done, but he could see over the past few months that Akihiko isn't latched onto him anymore, Akihiko is finding the confidence to leave him, to evolve, because Akihiko has finally recognised Haruki as a place to come home to.
Given implicitly demonstrates that the trigger to get someone to commit to music wholeheartedly isn't to create distance between yourself and them but putting yourself above them, but to create a HOME, a safe space with love and support. Loneliness and genius isn't inherently tied, but love and music is.
(this is all implied) Mafuyu was able to accurately capture his own emotions as well as Akihiko and Ugetsu's emotions in Yoru Ga Akeru because he had Haruki, as the bass, the foundation of the band supporting him to do so (and Uenoyama guiding him). Mafuyu becomes more daring and confident on stage because of his new found family of the Given band.
The fact that Akihiko realises he love music is because Haruki and Given is a home he can go to.
WHAT AM I SUPPOSED TO DO WITHOUT MY ONCE EVERY 2 MONTH MENTAL BREAKDOWNS NOW!!?? I've been following Given since my second year of highschool I can't move on it's literally a part of my soul!
I'm gonna be spending the next 5 days listening to Fuyu No Hanashi and Yoru Ga Akeru on loop and cry
Ok ok but that ending
FUCK YEAH!!! UENOYAMA MY BOY YOUR TIME HAS COME!!!
God I hope there's an epilogue with a time skip just to see them again please it's crucial to my mental health and stability
I got my copy of Cheri+ so these are just some thoughts after using my basic Japanese and piecing together the panels with Keru's wonderful twitter translation.
-- SPOILERS AHEAD --
I was hoping for a cover illustration of Mafuyu AND Ue together but I'm okay with solo Mafuyu too. This was ultimately the story of his grief, discovery, and growth, so to see him smiling at the end of it all is so beautiful. He's surrounded by cherry blossoms, which symbolize change and a new season, and is set against the ocean, which holds special meaning in both of his relationships. I cry.
The fold out poster (pictured above) is so cool!! I really want to cut it out of the magazine and display it somewhere but I'm afraid I'll mess it up...
Given debuted, rejoice!
It's really nice that Kasai wasn't just cast aside as "that jealous girl" competing with Mafuyu for Ue (although she never stood a chance lol) and grew to become kind of a confidant and supporter for him. They may not fully understand each other, but they share a mutual respect and provide little bits of unexpected encouragement for each other and it's so wholesome.
Hiiragi being a menace but also sparkly, usual stuff. It's so funny because Hiiragi and Ue don't get along on the surface (two ore-sama types am I right), but they totally jive as artists, which is why Ue will continue playing support - and "ONLY SUPPORT" says a very bitter Mafuyu - for SYH.
I'm surprised at how little Haruki and Akihiko showed up in the chapter, but we did get crumbs that Haruki is apartment hunting~ They are so stable, just get married already.
When Keru initially tweeted that a significant portion of the chapter covers something she was hoping would happen but wasn't sure if it would, my mind immediately went to the gutter and assumed it was RitsuMafu sex lolol. It wasn't just me, right???
Anyways, they went to the BEACH. Mafuyu has gone to the beach with Yuki, but they went during the biting cold of winter and weren't "officially dating" so they didn't really do date-y stuff. His experience with Ue was totally different. There's several pages of them just eating and having fun, and they look like they can't get enough of each other.
Ugetsu calling Mafuyu out of the blue to thank him for the CD was really sweet. When I initially watched and read the series up to the end of the AkiHaru arc, I wasn't too big on Ugetsu and I actually thought that he was romantically interested in Mafuyu and would stir things up or cause trouble. Clearly I was wrong, and I'm glad. Their friendship is so valuable for both of them as two musical geniuses who are a bit socially awkward, and they've taken turns being there for the other when they needed a push, whether it was to say goodbye to an unhealthy relationship or to take a step towards love and music.
Ugetsu's wish to Mafuyu back when Yoru ga Akeru was in the works - about hoping that despite everything that's happened between him and Akihiko, if at least the music could remain - ends up being the driving point of this chapter and the end of the series. Mafuyu tells Ugetsu that he believes that Ugetsu remains in music, and so does Yuki, even if he can never see him again. When Ue comes back and kisses Mafuyu before offering him a drink, Mafuyu muses that someday, he'll probably forget this moment too, and that's why he wants to keep making music. It ties back to his last time at the beach with Yuki, because Yuki insisted that Mafuyu would eventually forget that day, but now with Fuyu no Hanashi and Umi e, these moments are able to live on.
The kiss had me squealing! It's nothing big or grand, but Ue is kneeling and he looks up at Mafuyu for a moment before going in for the kiss. This is such huge growth for Ue~ Their first kiss was a result of his overwhelming emotions after the live, and he didn't even remember it later! When they shared the classroom kiss after their fight, Ue wanted to take initiative but got shy and so it was ultimately Mafuyu who made the move. Now Ue has kissed Mafuyu on his own, in public!!! and with full intent and absolute love and affection. When he pulls away, the look in his eyes is like Mafuyu is the most amazing being in the world and he can't believe he's his. Ughhhhhh.
There is a full blank page of just text that says, "If only everything could stay like this forever." This is what Mafuyu is thinking as they ride the train back from the beach. I found it a weird thought to highlight because obviously, things WILL and SHOULD change.
As they get up to leave the train, Mafuyu (blushing slightly) calls out to Ue and says, "When we get back, should we do it?" to which Ue responds with "EHHHHHHHH?!" A little unexpected as the final panel of the final chapter but it's a nice callback to when Yuki asked Mafuyu the same question. MAH BOY UE IS FINALLY GRADUATING! I knew Mafuyu was going to have to take the lead, hehe.
MINOR GRIPES AND FINAL THOUGHTS
I've had two months to deal with the series ending and I had already tempered my expectations knowing the ending was going to be rushed, so honestly as long as Kizu-sensei didn't like, spontaneously kill off a character or break up a couple, I was pretty okay with anything the chapter was going to give us. I do still have some some gripes and things I just wish had been explored more.
My biggest complaint is in regards to the treatment of Ue as an individual and his relationship with Mafuyu. If we recall, Given actually starts off from Ue's point of view. He had been in a musical slump until Mafuyu came along and rocked his world. He had to come to terms with his unfamiliar feelings, and then he also had to deal with the fact that he knows almost nothing about the boy he likes. Even after they started dating, Mafuyu really didn't share anything about Yuki with him, so whatever he knew was very vague and second-hand knowledge. THEN in addition to that, he's tasked with finishing the demo of a piece that Yuki had obviously intended as a love song for Mafuyu. And ironically, he works on this song at the expense of his relationship with Mafuyu. He had brief moments of vulnerability, once when Aki called him out for his feelings toward Mafuyu (this is one of my favorite scenes in the anime), and again when Mafuyu rejected his invitation to SYH's debut concert. But then we never really see him working through these complicated feelings. My boy's been through so much and he is strong, but I wanted to see more growth and development from him. After all, he's just a teenage boy who fell in love for the first time and is trying to balance that with music, school, a part-time job, etc.
As for Ue and Mafuyu as a couple, they are my endgame, my OTP, so while I enjoy the arcs that focus on AkiHaru and ShizuRagi, I was never as invested in them. I was okay reading 20+ chapters of them because I always assumed that the series would circle back around to have a final arc focused on Ue and Mafuyu. I also found the resolution to their problems in the hiiragi_mix arc to be very rushed. They had MAJOR communication issues, which is completely understandable for two young guys. Ue was trying so hard to finish the song as a gift for Mafuyu, but Mafuyu pulled away because he saw a repeat of what happened with Yuki coming again and got scared. The root of the issue is that they've never talked about Mafuyu's relationship with Yuki and Yuki's death.
At SYH's debut live, Mafuyu hears Umi e, instantly recognizes that the song came from Yuki, and then is so moved and inspired that he basically proposes to Ue that he wants to make music with him for the rest of his life. And then the final chapter just cuts forward after this declaration to Given debuting. This resolution is too fast and unrealistic. I would have preferred at LEAST one whole long chapter dedicated to Ue and Mafuyu after the live debriefing and talking. In an even more ideal world, they would have also done it after the talking. I never expected anything explicit but I would have at least liked to see the lead up, because it would have been the truest form of intimacy they could share, and Ue coming to terms with his sexuality and what exactly he wanted to "do to Mafuyu" was such a big part of the series early on.
Regardless, Kizu-sensei wrapped everything up nicely, brought back every character for at least a cameo, and ended things on a happy, meaningful note. I've seen that many people are unsatisfied with it but I mean, I watched Game of Thrones, so I know a bad ending and this was just fine. Although I didn't get everything on my Given wish list, I am glad that I got to see the end. I prefer that over it getting cancelled at some point for whatever reason and being left unfinished. And we still have more to look forward to! I'll be hoping for some extra manga content with the volume 9 release and waiting to hear Umi e in the anime.
Just like Mafuyu says, Given and the music will remain with us. It touched my heart and will always have a special place there. Thank you for everything, Given!
Well, it is release day. What better way to celebrate than to post a new translation?
This song is the final song of Op. 3. Even before the announcement of Op. 4, I already felt it hinting heavily at what may happen in Op. 4, what this song refers to as “the fateful night”. And what I’ve assumed it to be is the night when Milverton gets William and Sherlock to face each other for the first time as Lord of Crime and Detective. OOF. Just imagining how that scene could play out in Op. 4 sends chills up my spine.
This song has a few references to previous songs that I want to highlight. But I’ll do that under the translation. Enjoy!
The beginning of the end
最後のはじまり | Saigo no hajimari
Characters: William James Moriarty, Sherlock Holmes
Kanji
I will 僕は行く
さだめの 道を
美しい世界への
僕の死への道 I hope
I will 犯罪教 俺は決めた
お前を 捕らえる
Ah リアム お前が
犯罪教なら… I hope
I will boku wa yuku
Sadame no michi wo
Utsukushii sekai he no
Boku no shih he no michi I hope
I will hanzaikyou ore wa kimeta
Omae wo toraeru
Ah Liam omae ga
Hanzaikyou nara I hope
Ah koko ga
Saigo no hajimari
Yakusoku sareta shi he no
Kanashiki ketsui no
Keredo kono mune ni
Kimi ga [Omae ga]
Sunderu
Kodoku na kokoro ni [Susanda sekai ni]
Kaze ga fuku
Kimi ga [Omae ga]
Iru kara
Chorus: Ima koko ga saigo no hajimari
Kanashiki yo ni [Kurutta yo ni]
Kimi ga [Omae ga]
Ikiteru
Boku no [Kono ore no]
Kanata ni yureru
Akari wo daite
Ima unmei no yoru ga akeru
Unmei no yoru ga akeru
Nazo no kiri no kanata
Sadameshi yoru ga akeru
Ima unmei no yoru ga akeru
Unmei no yoru ga akeru
Ima [Ima unmei no yoru ga]
Unmei no [akeru unmei no]
Yoru ga akeru
English
I will go
On this path I chose
Towards a beautiful world
Towards my death, I hope
I will I've decided, Lord of Crime
I will catch you
Ah Liam, I hope
that you are the Lord of Crime
Ah this is
the beginning of the end
To the promised death
This unfortunate resolution
However, in this heart of mine
you [you]
are there
In my lonely heart [In this desperate world]
The wind blows
Because you [you] are there
Chorus: This is the beginning of the end
In this sad world [In this crazy world]
You [You]
live
The light flickering
in the distance
that I [I] hold onto
The fateful night now dawns
The fateful night dawns
The mist of mysteries in the far distance
This night of destiny is coming
The fateful night now dawns
The fateful night dawns
Now [The fateful night now]
the fated [dawns. The fateful]
night dawns
References:
1) I hope / I will - This reference is probs very obvious to anyone who’s heard of the final song in Op 2. It hits me hard that this reference doesn’t come up until the final song. In Op 2, William and Sherlock sing “I hope” and “I will” respectively, separately. The verbs reflect their expectations in their upcoming future: William hopes Sherlock will catch him. Sherlock is determined that he will catch William. Here, they both have “hopes” and “wills”. I’ll leave it to you to see how different they seem to be from each other.
2) 風邪が吹く / Kaze ga fuku / The wind blows - This is a recurring reference in Op 3, as will be revealed in future translations (namely, Kodoku no heya ni and Kokoro wo daite). In Kodoku no heya ni, William refers to Sherlock’s existence in his life as a wind that gently blows onto his cheek. A soft presence that comforts him. Which makes me wonder, if in this song, both sherliam sing this line, does Sherlock also think William is a wind that blows for him?? Who knows.
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Kare no naka ni dare wo utsushi naiteru
Akai sora ni ukabu hishageta ganbou no gainen
Kokoro Koko ni arazu ochite bakari sora miage
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Akeru yoru ga kowai Kara to me wo somukete warau
Kara Kara Kara Kara Kara to oto wo tatete ha
Baku Baku Baku Baku to kokoro narashite
Sonna Boku wo
Warae yo saa
Kono ame ni mamirete
Kono Sora ni utarete
Tada kowareteku
Tada kowareteku kara
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Sono koe wo Sono sen wo
Hiroiatsumeta kaiko ni utsuseba
Tada kowareteku
Tada kowareteku
Kanashimi ga Yume ni ukande ha kieteyuku
Akane ni moeru shikisoku zekuu saa
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Ame no naka ni hitori Yume wo nakushi shagamu shounen
Kare no kage wo mite kioku ha itsu nani wo utsusu?
2, sarugutsuwa
saru ga saru no mane o sarugutsuwa shite ashi ateki warau
shadan sono shūhasū ni kakimidasa rete yuku jūdan
muron jōshō kiryū wa dare ka no nibansenji hakari
keibetsu to sokubaku no mokuyoku ni oboreru kaikan
genkaku ni nireinihakushuichirei sono yogoretate o
hedo de arai Doro de kiyomeru ashita o mate
haite suteru hodo no itoshī gomi yo
a ~anazekorehodoni kurushī no ka
haite suteru hodo no kurushī gomi yo
a ~anazekorehodoni itoshī no ka
3, I wanna kiss
uretakajitsu ga suki gankyū ga toroke-sō na
yokubō no kawa o muite hōbatte mitai yo
shinkei o tsumabiku yōna kisu jōshō kiryū ni nokkatte
fuwafuwa no uchū e sa~a Do you understand?
kowarete shimaeba sono kotae ni yudanereba „YES“
shinzō o aibu suru yōna kisu-hyō mo ura mo shitchatte
bakana otona ni natta ima
aishiatte iru mitai kanjō nai ai nai nai?
naranda naranda Yū no hana
saite ima chittetta kireidatta na
ai wa nai kisu haitoku de yogoshite ikou
narande saite saitei
sa~a oide sa~a oide hora kono-te no naru kata
I wanna kiss. Do you understand?
„YES“
aishiatte izon shitai saigen nai ai nai? Nai
seikai mo fu seikaina n janai?
shinde tta shinde tta ai no hana
saite ita shitteita kireidatta na
ai wa usotsuki haitoku ni noma rete ikou
kokoro hikisaita mitai ne
sa~a ikou ne sa~a ikou ne hora ano te no naru kata
4, bessekai
flash back karete yuku yumewomita
furan shita arigētā teatarishidai nomikonda
flash back shiranakute yokatta na
migattena seigi o furikazasu boku wa kakumeigo
shinde kureru nonaraba more better
come with me sa~a ikou tengoku e to naraku no soko
shinigami sae nigeru yōna shin sekai kamo?
yurayura meku zangai ga koboreochite ku namida ga
kirakira meku mirai ga koware hajimerukara
flash back? Raishū no yotei wa zenbu chōkeshida
come with me sa~a ikou tengoku e to naraku no soko
korosuke nante naikara itoshite
kimigasuki aa aishi no DIABOLO
shinigami sae nigeru yō ja mō bessekai
-sōdarou?
5, HOTEL LeMMON TREE
saiteina yumenonakade ai o motto chōdai
kodoku o ume tsukusu hodo no nē lies& truth, love& hate
ai o kuretatte naite kuretatte dōse inaku natte
shukujona furi shite akujo ni kagitte junsuida nante
waraenai jōdan kakuzatō hakon de sa~a heya ni oideyo
HOTEL LeMMON TREE
aitaida nante nē nōtarin ga nanisama no tsumori?
Mamoru tte miseru tte Knight kidotte usotsuki no jōtōku de
tsubekobe iwazu arittake motte sa~a heya ni oideyo
HOTEL LeMMON TREE
729
bye - bye Boy I love you yumenonakade wana o hatte Hepburn enji kitta
Poison Candy Bitch kimi wa Virgin Queen
kireina bara ni wa toge ga aru nante amai mon ja nai no
toge koso ga bara soko ni kabuseta ōkan no hanabira
omedetai atama sa~a hierarukī nobotte oide
HOTEL LeMMON TREE
729
bye - bye Boy I love you yaminonakade umarekawatte Hepburn mitsu o nutte
Poison Candy Bitch kimi wa Virgin Queen ika re teru ze
saiteina yumenonakade ai o motto chōdai
kodoku o ume tsukusu hodo no nē lies& truth, love& hate
good - bye Boy I love you yaminonakade wana o hatte Hepburn enji kitta
Poison Candy Bitch kimi wa Virgin Queen ika shi teru ze
sweet sweet honey nukedasenai kurutta arijigoku
fuck you BABY nozomi-dōri no ai o kurete yaru ze
haite suteta iku sen oku no ai de tsumiageta
HOTEL LeMMON TREE otogi no kuni
6, SLAVE
endorufin tobichitte kowareta banira
saikō no akumu o miyou
maisutōrīnara ryōjoku jūji ni saka re
ittaidoshita n ka na boku wa
mō ī-sa dō ni demo natte
ita ttai na parusu no yoru ni sakenda
good bye ano Ni~Tsu no kimiyo
the end? Mita koto mo nai sekainara tobikome
sureiburī ga shikaku sute mitsuketa shangurira
tsuwamonotachi yume no ato sa
guru guruguru karamatte ku kietsu ni obore
hontōni-dōshi tan dai boku wa
mō ī-sa mata aitakutte
kurushī na tomaru shinzō no riariti
good bye ano Ni~Tsu no kimiyo
the end? Mita koto mo nai sekainara tobikome
good bye aishita kimiyo
kitto machigai janai hate no aru mirai e
-- kijo no sono yubi ga Shiraki o ayameru nonara, sā dekakeyou
good bye ano Ni~Tsu no kimiyo
the end? Mita koto mo nai sekainara tobikome
good bye aishita kimiyo
kitto modoru koto nai bakadarou sō sa oh new world
7, tsui no yukue
ai wa kieta mō koreijō
mirai ga misuteta sora miagete
hora asa ga kuru yo namida ni nureta mama
kagayai teru hizashi no naka de
kimi ga nai teru yoru wa mō kowareta
kireina sekai sa iron'na yume o ubatte ku
tarinaina mirai ga
negaeba ushinau to shitte shimatta bokura wa
kotae o tozashita
I wish for mabayui uso o mō 1-do ai o negai o
hai to shi o ima tomete yo
kiraina sekai ga mirai o sotto koroshite ku
tsui no yukue o
tozashita kotae wa kitto zutto imademo
hizashi no naka de
Thanks @hiromiikunn and @dee--eer for the tag >w</ <3
Rules: You can usually tell a lot about a person by the type of music they listen to. Put your playlist on shuffle and list the first 10 songs, and then tag some ppl if you like!
I'm more into japanese song soooo my playlist is fulled with them skksksks
14 - Lihim by Arthur Miguel, an OPM song that was pretty popular for a while here in the philippines and for the longest time I didn't know the title so when I did i listened to it quite a lot
17 - まるつけ The Right Answer by Given, during i think march? i watched given and became moderately obsessed ajvygbajkbev surprised it wasn't yoru ga akeru since i really ended up liking that song
41 - The Night We Met by Lord Huron, i think it was because i really associated this song with my wol/warrior of light in ffxiv (dead fiance and all that) tho i don't really think i listened to it that much
If/When someone figures out the lyrics at the beginning of existence and/or the end of to you, I will add them.
Also, the bonus track is not in the lyrics booklet.
I also started posting the translations to Wordpress.
existence
"Saigo ni fusawashii kotoba wo tsumugou. Higeki wo kakiwaketa saki ni wa nani ga aru no?
Fufuu, miru no ga kowai? Shitteshimau no ga osoroshii?
――Iku yo, finaare e"
genzai houraku no charade
henzai hinshu kairyou sareta Fake
ubawareta inukareta sekai kasetsu gishou
kimi wa shiranai
nagareta namida no bun dake dare ga yurushite kita no ka?
daishou wa houtai de wa kakushikirenai
myakuukkizu no kazu dake kireigoto wo suteta
gokousetsu nara iranai kore ga saigo no melody
Akashic Records ga anji suru you ni sukuu byouri
donna te mo hodokoshiyou ga nai hodo ni shinshoku shita
"hamukatte"
"dakiyosete"
"kirisaite"
"kuchidzukete"
ikou todokanu yami no hate e
nozonde kogareta shitsubou no rouhi wa shinai
kudake chitta garasu no kakera ni katsute atta yohaku mo shisou mo
rinkaku sae mo nani hitotsu mou utsuri wa shinai
shikai ga boyakete mienai――
tenohira wo koboreochi ushinatta mono-tachi wa
ikuyo wo tesshite demo kazoe kirenakute
oboroge de hakanakute roka sareta ka no you ni
sukui toru koto nante dekinaku natte iku gensou
'Shi ni monogurui de ikite, kuchite, tochuu de kowaku natte mo hikikaese nakute…….
Yogorete kara hajimete, kirei na mono wo kirei datta to shitte.
――Aa, pareedo wa owari. Anata wa hitori?'
togireta ashiato no kazu dake oki sutete
soredemo furikaeru koto wa yurusarenai
kasureta koe no kazu dake kanshou nagesuteta
gokousetsu nara iranai kore ga saigo no melody
Akashic Records ga anji suru you ni sukuu byouri
donna te mo hodokoshi you ga nai hodo ni shinshokushi
kore koso ga saishuu sensou
hibuta wa kiri ochite susumu byoushin
haiiro no ame wo abinagara yoru wo juurin shite
“ukeirero”
“haite demo”
“taoreru na”
“kanau made”
moumoku de are togetai nara
'Juujika no kazu dake monogatari ga atta'
'Kono senritsu wa kitto, yuigon da'
'Sai kouchiku sareta shinpi ga genjitsu to natte ukiagaru'
'Kami no koe wo kiite, sekai no kodou wo kanjite'
'Saigo no tobira no sono saki ni aru mono wo shimeshite'
'――Toki wa kita. Saa, utaimashou?'
Fukagyakusei Clockwise
'Kami kara no shoushuu wo ukete, kakuchi ni chirabaru saiyaku ga [majo no niwa] ni tsudou.
Saiyaku…… majo nante saiyaku to dougi deshou. Soshite, atashi mo sono hitokakera.
――Hito wo sutekirenai koto. Sore ga atashi no yowasa.
Soredemo, mamori tsudzukenai to ikenai.
Uchi kara taezu kikoe tsudzukeru, atashi wo majo e to michibiita [norowareta igai] no koe.
Torikomarereba, atashi to iu sonzai wa kitto kiete shimau darou.
Mamoranakute wa ikenai…… Atashi ga egakitai sekaizou wo kanaeru tame ni――'
ao no isu ni zasu souhaku no majo
urei obita me wa hito wo sutekirenai mama ni
ono ga negai wa nande aru ka, kokoro ni toi tsudzuketa
aozameta yume mo koukai mo nai
odayaka na hibi wa dousureba kaeru no darou
higoto ni kasumi kieteiku kokoro wo nakusanai you ni
tsumi ni mamireta kono mi de wa ikanaru kireigoto mo tada no mougen
soredemo, dakara koso……
fukagyakusei sekai dokei hitosashi yubi de sakamakou
mimi ni hibiite yamanai sakebi mo bouda no namida mo
sekai wo maki modoseba zero kara yarinaoseru to
hari ni furerareru no ga kami nomi naraba…… kami to narou.
gareki no shita de nemuru tsuion wo yobisamasou
aoki haru wa mou kaben chirashite
iroaseta mirai ni yumemiru no wa tou ni yameta
shuuchaku no chi, subete ga koyoi koko de owaru no dakara
nukumori nakushita kono te ga saigo no tobira wo akeru sono setsuna
koko ni kite, doushite……
fukagyakuteki na mahou wo kuchibiru de fuujikometa
zettaiteki eizokuteki sono hazu ga sore nanoni naze, anata wa koko ni iru no?
yureru kokoro fumitsukete furiharatta yowasa wa
tsurugi to nari dare wo tsuranuku?
'Konna mirai wo dare ga shukufuku suru to iu no……!? Naraba, isso kono te de!'
waga nozomi wo ima, takaraka ni tsugeyou
“sekai yo, sakamake! hajimari e――!”
fukagyakusei sekai dokei hitosashi yubi de sakamakou
hana ni iki wo fukikake warai afureta ano hi made
futatabi makimodoshite zero kara yarinaosetara
koko ni tadori tsukanai mirai wo sagashi atete miseyou
'[Go-majo kaidan] to iu na no sekai no yuugijou.
Koko de erabareta mono ga, tsugi no sekai wo katadoru.
――Otogibanashi janai, kore ga genjitsu.
Donna ni jikan ga kakatte mo ii.
Kurikaeshite, kurikaeshite, itsuka tsukami totte miseru'
Yuukei Higeki wo Ataetamae
'Tooi tooi mukashi... Chi no aka yori mo fukaku utsukushii [majo no zangai] ni deai, watashi wa isshun de miirareta.
Hito no honshitsu wa zen ka aku ka? Sonna koto wa doudemo ii.
Naze nara kono sekai wa saisho kara kurutteiru kara――.
Moto yori yuiitsu muni no seikai nante sonzai shinai no dakara. Shikou suru dake muda. Sou deshou?'
bourei koso shinshiteki ni sumiyakani okonaubeki
reikoku mujihini kataru no wa aka no isu ni zashita majo
"bougyaku no majo" to utawareru made ni itsuwari wa naku
sono kiseki de ikuoku mono garakuta fumitsubushite kita
hito wa mina, kami wo motomeru no darou?
wake mo naku yurusaretai no darou?
kimi ni wa kotaerareru kai? zen'aku wo wakatsu [Frontière]
daremo ga kotonaru kai naraba zaregoto to shireru
utsukushiku kedakai [Doll] kono te de kowashiteiku sama wa [Drôle]
rakuin wo ataeyou junzen na waga shimobe to nare
fukaki aka ni nurete chikadzuita [Eveil]
fuhen fumetsu nante nani yori taikutsu da
mui de muimi na shi wa hiroi atsumete [Ecrin] e
hitobito wa kami wo noroi majo wo agameru
kami ga nanimono ka sono honshitsu mo shirazu ni buzama ni
tatae yo iwae yo chi ni fuse negae yo
kono yo ni fusawashii ware koso chaos da
bourei no koe ga fueteiku tabi kanki ni furueru
shisha mo seija mo mina subete watashi wo sanbi suru no da to
hito wa mina, hito wo aise yo to iu ga
ubaiai hofuriai uso wo tsuku darou?
watashi wa koutei shiyou mugoku doyoku de orokashii [Enfer]
daremo ga okashita tsumi ni batsu wo motomeru naraba
kagami utsushi no [Diable] zetsubou wo utai hibikaseru [Ténèbres]
horobi wo kurikaesou junzentaru akumu to tomo ni
guren ni mae [Apocalypse] chitsujo wo kurae [Ouroboros]
"kotowari wo chaos ni otose, sekai yo――"
waga nozomi wa umareochite nagaki ni watari tada hitotsu
setsuna no yoru wo kurikaese subete ga karisome naraba koso
'Kurueru sekai ni sara naru chaos wo. Sore koso ga, watashi no sekai no egakikata'
sacred answer
'Mei. Eien to wa nanika, anata wa shitte ite?
Sore wa ne――
Sei yori mo nao, tashikanaru mono.
Shi yori mo nao, utsurowanu mono'
'Soredemo haguruma wa ugokidasou to iu no.
Aa, utomashii, utomashii……'
kururi kururi to maware
utsuro naru yami no naka
fureru koto naku fureru
nejimagerareta rinri
chouritsu wo hatasarete wa
ouyou ni warau mono
kitto kono nanimokamo
utsukushii no deshou?
hoka ni nani mo iranai
tashi mo kake mo sasenai
kono te no todoku kagiri
eien no hako ni
nanika wo tou mune no oku ni yadoru ishi
sotto yasashiku nigiritsubusu you ni
naraku e tomo ni ochite ochite saihate e
yodomi wo medete eien e
nanimokamo wo yurusu
majo no kotowari wo kike
'[Mukuro] wa bi wo kikyuu suru.
Soshite, sono koe koso wa, watakushi no koe.
Aratanaru sekai no kami to naru mono no koe.
[Kono kuni de ichiban utsukushii no wa, daare――?]
Saa, utainasai. Masshiro no kuni no utsukushiki mono-tachi yo!'
«Merikuruberu! Merikuruberu!»
uruwashiki koe wo sono mi ni abite
nani mo ga aragaenu ai wo tada sosogu dake
saa tomo ni odore odore saihate de
itami wo daite eien e
subete wo gaenzuru
majo no kotowari wo kike
saikou no gikousha de aritai
rakuen wa ima mo kono te ni
samenai yume ni oboretai
nanimokamo kegare nado sasenai
'Sekai ga nao mo haguruma wo susumeru to iu no nara.
Watakushi no negai wa, tada hitotsu――'
“sekai yo, tomaru ga ii. utsukushiki mono to tomo ni”
aratana kami no koe
sore ga zettai no kotowari
owari wo tsukihanasu
umi mo horobi mo sezu ni
honogurai shiawase wo
ikite ikite ikite ireba ii no
waratte ireba ii no
«Merikuruberu! Merikuruberu!»
masshiro no kuni wa eien ni
Ingaritsu wo Yake Shoujo
saa oide soba ni ite
asa mo yoru mo tomo ni tokoshie ni
tatoe kakehanarete mo futatabi meguriau made
'Rifuru―― Aa. Anata no koe wo kiita. Watashi wa tashika ni anata ni deatte
Anata to futatabi tomo ni―― Sore nanoni. Anata wa, anata wa……
――Anata wa dare nano!?'
keshite kienu itami ga aru
nakushita karada no sono hanshin ga uzuku you ni
katachi no nai karada wo daite
sono itami no mama onore wo basshite shimau you ni
kanata yori motometa
itooshiki omokage
sono kioku wo utagau koto ga kaku mo osoroshii
aa tomaranai tomaranai
kono te no saki kara kusari ochite ikeru
shiboridasu umekigoe wa todoku saki mo nakereba
shinjitai shinjitai
kore ga erabareta tada hitotsu no kiseki
nani ni sae kaegatai waga hanshin to
soushite ikuta no noroi wo nejifusete iru
itsuka futari dake
nanimokamo ga iranai sekai e saa
machitsudzukete eta hazu demo
kokoro no dokoka de sore mo kitto mata magai mono da to
nando mukaetarou
itooshiki omokage
anata koso ga sono kotoba sae mimi wo fusagitai
aa mitomenai mitomenai
keshite muguisaru koto no dekinu iwa wo
nagaki toki no hate ni tadoritsuita no ni doushite
yurusenai yurusenai
onore ga uchi kara wakiiru sono koe
aisubeki mono datta sono hazu nanoni
soushite aratana ruupu ga hajimatte iku
iwaku mugen wa amari ni nagaku
erabareta kotae mo munashiku
kami ga kizanda sadame ni naku
soshite itsuka
nanimokamo wo ushinaitaku naku
nanimokamo wo akirametaku naku
nanimokamo wo kangaetaku naku
tadoru kotae
houkou subete wo kanaguri sutete
oukou yurusenu kono shiuchi ni
tatakitsukeru wa negai no kotoba “yakero, sekai” to!
'Wakatteita.
Sou, shitteita.
Mou, kaettekonai no ne. Rifuru――.
Mou ii. Nanimokamo doudemo ii.
Watashi no negai wa mou―― owatta no'
dakara owaritai owaritai
subete nanimokamo keshisatte shimau no
owari naki shizan no hate ni tachitsukushite
anata wo kubiritai kubiritai
kuroku zetsubou wo nijimaseru kono te de
imijikumo ten no meguru unmei naraba
sou yo kami no arikata mo hitei suru made
koe no nai mama ni yamai wo sakebu
saa oide soba ni ite
asa mo yoru mo tomo ni tokoshie ni
'Minna, yakete shimaeba ii……'
Sujigaki-doori no Unmei Gekishi
'Tokidoki omoidasu'nda. Hontou ni, doushiyou mo naku kodomo datta.
Demo, sonna ore wo aitsu wa tasukete kureta. Mizukara wo gisei ni shite made.
Naa, hiiroo tte no wa…… Sou iu yatsu no koto wo iu'n janai ka?'
koware kaketa yozora ni itsuka tomotta chiisana hoshi
tayorinai unmei ni mote asobareru ga mama no you ni
kamoku no kamen no shita kodoku wo ooi kakushi nagara
ibitsuna kurosurain
sono hate wo mitsumete iru
amari ni ooku wo misugita
keredo sono kokoro no okusoko de wa mada――
kitto sekai no subete wa kudaranai
shinjiru kachi mo ari wa shinai
ikiru hodo ni nageki chissoku shite
horobi ni mukatte iku
keredo nemurenu yoru ni sora ni takaku
nozomu hoshi no hikari no you ni
kasukanaru saigo no sono kibou wo
ima mo shinjite iru
'Ooku no hito ga damasare, uragirare, nageita.
Mou, takusan da.
Saigo ni kizutsuku no wa, ore hitori dake de ii'
sekai wa yami wo kakae jigoku no minichua no you ni
kami mo majo mo awasete
tsukuri ageta kono torajedia
sou da sashizume kimi wa akushumi na kono butai no ue ni
shibari tsukerare nagara kokoro wo doku sarete iru
nani mo kaerare nado shinai
onore wo azawarau koe ni toikakeru――
naraba kodoku ni kieru fairytale
yubi wo kuwaete mite iru no ka?
shoujo no namida ni nani mo dekinai
omae wa nan'nanda
sou da nani mo owatte nanka inai
yakusoku hitotsu saigo made
ima wa aogi miru koto mo dekinai
are ga omae no hoshi
sono michi kitto tadashite miseru
tsunaida inochi wo toshite sae
soubou ni katsute nai ketsui wo himete
tachiagare yo
'Sumanai. Furanchesuka.
Dakedo, kore de ii hazu nanda.
Kimi wo sukutte miseru. Katsute ore ga sou sareta you ni'
sore ga shoujo ga yameru sekai naraba
sekai ni datte tachimukaou
sonna zankoku na sujigaki nara
ore ga kaete yaru
sore ga tatoe hitotsu no giman de sae
uso wo tsuku no wa narete iru
sono kokoro ni ima mo sukutte iru
"shounen” ga sakebu
kurai yozora ni itsushika se wo muketa
hoshi yo
hataseru shokuzai
douka mitodokete hoshii
Last Piece
'Seijo Anasutashia to juusha Rukusein.
Kami no kyuubu wo mae ni, seijo wa uyauyashiku koube wo tareta.
Sekai ni machi nozomareta gonin-me no majo ga ima, kakusei wo mukaeyou to shite ita.
Koko ni iru daremo ga uchinaru negai wo hime, mirai wo genshi suru'
kami ni chikadzuku wa katsute no ruuzaa kami ni egakareta kiseki no toori ni
kanzen naru mezame no toki sono setsuna
kami ni hamukau wa haitoku no juusha kami ni tsukitateru hangyaku no yaiba
te wo nobashita toki ni wa karada wa hi ni ugatarete
'Guu…… Furanchesuka, modottekoi……'
'Arigatou. Demo, watashi wa, zutto watashi no mama.
Nani mo shiranai shoujo no koro ga "tadashikatta” nante kimetsukenaide.
Ima no watashi ga tadashii to mo omowanai keredo, tashika na shin'nen ga aru.
Jibun no ashi de aruite, jibun de kimeta genjitsu nano.
Yami wo nomihoshite, koe wo kiite, tsukami totta ima nano'
'Furan……'
'Nee, Rukusu. Saigo made mitodoketeite tte, watashi, itta janai'
'Anata no zetsubou to watashi no zetsubou wo onaji ni shinaide yo…….
Anata ga sukutta no wa, anata dake――'
anata wa watashi no oku ni dare no kage wo miteita no?
anata ga seou genzai anata no tame dake no shokuzai
watashi no yami ni kasanenaide
jiko giman ni michiteite mo sore ni kidzuite nakute mo
sonna hiiroo kidori koso hito-rashikute itoshikatta
kami wa warau saigo no piisu ga youyaku sorou, to
kami wa iwau "daigo no majo” no tanjou wo
"hikari dake de wa shoujo wa shoujo no mama hito wo koeru koto wa dekinai
shin'en wo, yamai wo wazurau ga ii
tsui no sakai de waraeru ka?
haisha no zanshi ga "seigai" to iu na no noroi to shite izanaeba
shoujo wa mezameru…… hito wa sore wo “majo” to yobu darou”
karada wo kake meguru chikara watashi wa dokokara dokomade ka
atama ni hibiku seija to shisha no koe
yami wo kainarase kami wo mo azamuku nara hohoende misero, saa……!
'Yatto koko made tadoritsuita.
Hate no mienai tabi ga, youyaku owaru toki ga kita no ne.
――Kono tsumi wa, itsutsu no kegareta zangai to tomo ni'
''Shoujo Furanchesuka, seijo Anasutashia, soshite majo to shite no watashi no na wa――''
aa, kono yo no hate wo negai tojiyuku yume wo nozomu mono
kioku no na wa “Sekusarisu”
naraba, sono na wo tsugimashou
sou, kono yo no hate no saki ni aratana mirai wo yumemite
ushinawareru sekai no na wa
saigo no kami no mina ni fusawashii
'Iku yo, Sekusarisu'
arishi hi no chikai kyokou e to shizumi yuku naka mizukara ni kashita kase
kami no kairai wo enji tsudzukete miseru to
koyoi akumu wa owaru darou
shin no kaihou―― sore wa tooi yakusoku
tsumibukai tabi no shuuchaku-ten wa mamonaku…
'Saa, hajimemashou. Kami oroshi no gi wo'
'――Dekiru dake yasashiku koroshite ageru'
Majo to Kami no Rinne
kaibyaku no toki ga kita sora wo saku koubou no shirushi
miare tasogare ni majo to kami no kotowari no moto
tsudoe yo itsutsu no tamashii-tachi yo
seijaku ni hibikase yo zetsubou no hate negau uta wo
miare tenmei ni majo to kami no rinne wo ima
utae reirou ni fusawashiki senritsu kanade yo
'Kami no sentei ga hajimaru.
Gonin no majo wa onore no negai wo hansuu suru.
Aratana kami ni fusawashii sonzai wa, ittai dare nanoka.
Sono negai ni suukousa wa hitsuyou nai.
Mottomo kami no kyoumi wo hiku koto, tada sore dake――'
'Tsui ni kono toki ga kita……!
Aa, mi ni amaru shiawase ni karada ni furuete shimau wa'
'Subete wo ikorosu you na me wo shite koufuku wo kuchi ni suru.
Sou iu no, kirai janai'
'Daisuki datta kami-sama, daikirai na kami-sama.
Ima sugu anata wo koroshite sashiagetai wa'
'Konna mono ni, sekai no subete ga yudanerete iru nante.
Fujouri ni mo hodo ga aru'
nagaki toki wo mamorite surikireta mitama wo yomigaeraseru mono yo
shikou no kyuubu wo kansuru ni ataisuru negai wo kikase yo
ao no majo ga negau wa sekai wo makimodosu koto
hari wo zero e to michibike
aka no majo ni wa fukuin wa iranai nozomu no wa
zen'i to akui wo naburi tsukusu chaos dake
masshiro no majo no negai sore wa teishi shita sekai
ude no naka kuon ni kagayaki tsudzukeru bi wo mede yo
shisui no majo ga kogareta hikari ni wa furerarenai
kage wo hofuru kono mi wa kokushi no homura matoite subete wo kogashi yakitsukete
jiga to sekai no hakai wo―― kyomu wo motomeru
"nokoru wa saigo no majo dake”
butai kara sode wo miyaru
kanojo no koe wa kawarazu tomo
itehari ni mo nita me de hoshi ni toikakeru
'Sekusarisu. Anata no negai ni kawari wa nai no ne?'
'Ee. Sunbun mo tagawanai'
'Yokatta. ――Watashi ni mo, mayoi wa nai'
kibou to zetsubou ga tomo ni ochiru nara hoshi no koe wo kiki todokeyou
"kono sekai ni mirai wo ataetai”
kurogane no majo to shite negaou
kibou to zetsubou ga mazari yuku mirai no “shin'i” wo hitakakushite
seijo no michibiki to hoshi no negai
soshite, watashi no inori no hate……
Finale no maku ga agaru
subete wa mesaia no te no ue
ima, masa ni sai wa nagerareta saa, dare ga erabareru――?
to you
'Ano hi, hajimete Sekusarisu wo mita.
Hoshi no kioku ga hito no katachi wo totta sonzai.
Anasutashia no chikara wo keishou shite, kanojo no koe ga kikoeta.
Sono kokoro wa surikirete, tada kurai zetsubou ni ukandeita――'
'Erabareta no wa, daigo no majo.
Watashi no koe wo kiite kureta no wa, anata de futari-me.
Soshite, watashi no negai wo kanaete kureru, saisho de saigo no kami ni naru'
fukasetsu fukasoku fujourina kami no kimagure
sekai no yukusue sore sae banjou no yuugi
kanousei katousei ikayou ni kazaritatete mo
sentaku hitotsu de sore ga doori ni kaki kawaru
“itarite yukai da”
sugata naki koe ga azakeru
“karehaten to suru wagami wo akewatasou”
kawaru gawaru kami ga tsudzuri tsunaida pantashia
“tsugi no kakite wa omae da, hai ni nibuku hikaru majo
zetsubou no hate ni negau mirai to yara
shijou shikou muni no shinario wo egaite misero――”
subete ga zero e to shizumi yuku itsuka mata inochi mebuku toki
itetsuku yoru ga konai mama de yasashii oto ni mitasarete
«per aspera ad astra fabula» inori wo
'Mabayui hikari to fukai yami ni tsutsumarete, erabareshi mono wa erabarezaru majo wo kurai, mesaia wo korosu.
Sono rinne ni yotte, kono hoshi wa sonzoku sarete kita.
Amata no zetsubou ga watashi to iu hoshi wo ikashi, koroshi tsudzukeru.
――Dareka, kono hoshi wo owarasete'
“ensa no koe wo hibikaseru haizansha wo hofuri
furuki mesaia ayamete saa, kengense yo……!
sekai wo tsunage yo subete wa hoshi no tame
sonzoku saseyo genshou wo kiroku suru tame”
'Kami to majo no kotowari ga, hoshi no sonzoku no tame?
Iie. Sore wa nagai nagai toki no naka de, nejimagerarete itta to shitta.
Ikani omoshiroi otogibanashi wo egakeru ka. Yomite ga, nozomu shigeki wo motomete kyakushoku shite itta no da.
Nee, doko ni hontou no shiawase ga aru no deshou ne?'
kasane gasane saika kakae hirogaru pantashia
dokokara machigaeta no ka dare ni mo wakari wa shinai
koko ga saishuushou tsudzuki wa tsudzuranai
kami mo majo mo hoshi to ochiru no yo―― o-ainiku-sama.
hitotsu hitotsu hagare ochite kieyuku pantashia
koko made mite kurete ita anata to tomo ni yukimashou
hoshi no makuhiki wa mou sugu owaru kara
nanimokamo ga mugen tokashitara
――yatto waraeru――
anata mo zero e to kaeri yuku itsuka mata umare izuru toki
douka wasuresarareta mama de douka shiawase na yumemite
«per aspera ad astra fabula» tojite
saihate kara hajimaru, anata e
'Sayonara… Mata itsuka.
Ie, kitto mou deau koto wa nai deshou kedo.
Kore ga hontou no, shuuen no uta――'
Bonus Track
‘Sou, kore ga ushinawareta hoshi no kioku nano ne.
Watashi to onaji na wo kansuru.
Tooku horobita, sude ni naki hoshi.
Soshite, soko ni ikite kuchite ita amata no inochi-tachi.
Kansokushi kirenai kurai no monogatari ga atta.
Utsukushikatta. Hakanakatta. Morokatta.
Demo, tsuyokatta.
Taisetsu na monogatari ga hoka ni mo takusan aru deshou ne?
Sono subete wo gisei ni shite, watashi ga umareta…
Yasashikute, kanashii inori ni mo nita mirai wo watashi ni takushite.
Kitto, watashi wa kono kioku wo omoidasu koto wo anata-gata wa nozonde inakatta no deshou.
Nee, Sekusarisu
Watashi wa kore kara atarashii kono hoshi ni dou mukiau no?’
genesis
'Kegare wo shiranai hoshi.
Mujaki na made ni junpaku de, donna iro ni datte somareru sekai.
Negau mono ga inai kara, kami sae sonzai shinai.
Kore wo kimi wa, taikutsu to kanjiru darou ka.
Kanjou ga umareru oto ga kikoeta.
――Nee, kore kara doushitai?'
Sinew no umi kakera wa michita
eien ni tsudzuku yume wa nai
keredomo aratana yume wa inochi wa mebuki hajimeta
mekurumeku monogatari ga mata umarete wa kieteiku'n darou
me wo akete saa, hajimaru yo shahaaru
koko kara mieru mono ga subete janai
"souzou ijou” ga afureru dakara koso itoshii
anata ni wa mou aenai kedo
aoku kizanda senritsu wa nokoru
kono sekai ni mada sen wa nai kokkyou mo joushiki sae mo
kokoro no kazu dake imi ga umarete asu wo katadoru
tomedonai monogatari wo akiru koto naku kate ni suru’n darou
itsuka mata kansoku sareru hi e――
subete wo ouu you na kurayami mo
mabayuku shikai wo ubau you na kagayaki mo iranai
anata to tsunagereru kioku
tada sono tame ni senritsu wo tsumugu no
soushitsu-kan wa tsuieta
keredo juusoku-kan mo naku ayumu
owari no saki wo koeta mirai e
kitto kotae wa sono naka ni――
tooku zutto tooku horobita basho de
musuu ni hikaru monogatari no kakera wo sagashi dashita yo
ikutsu no shi ikutsu no yume koetekita darou
te ni shite kita shinjitsu
wasurenaide ne wasurenai kara
ima mieru mono ga subete janai
hora, monogatari wa tsuranaru dakara koso utsukushii
anata wa mou inai keredo
musuu ni kanadeta senritsu wa refrain nari yamanai
mata zankou ga―― kirameku
'Sora kara furisosogu mono wa hikari dake.
Sore wa kandouteki de utsukushii mono darou ka. Soretomo hikanteki na monokanashii mono darou ka.
Senritsu wa dainari shounari kanjou wo yusabutte, mujikaku ni kokoro ni isuwari tsudzukeru kara.
Wasureta tsumori demo, ushinatta tsumori demo…… ari tsudzukeru kara'
Tagged by @agaywithcoffee to put my on repeat playlist on shuffle and post the first 10 songs
1. At The Beep - Girls5Eva
2. Bend Not Break - Girls5Eva
3. Something About You 7" Version - Level 42
4. No Time At All - Pippin
5. Heaven Knows I'm Miserable Now - The Smiths
6. Magic To Do - Pippin
7. All I've Ever Known - Hadestown
8. Corner Of The Sky - Pippin
9. Stars and the Moon - Songs for a new World
10. Yoru Ga Akeru - Given
Thank you for tagging me!! I always love doing stuff like this (if I remember lol)! Tagging @oksanaastankova @followinglilies @shegoeshometoacactuss @binariesarebullshit @bluesesameseed and anyone else who wants to!