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inkblackorchid · 1 month

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What the hell happened with Crow: an autopsy (Part 3)

Trying my absolute damnedest to finish this one and part four sooner now that I've finally covered the Pearson backstory. *Ehem* Hello again! I hope you're ready for more yelling about a certain spiky-haired Blackbird aficionado, because I sure am.

To get some things out of the way first, though, here come the usual disclaimers:

This is part three of a series of posts about hpw Crow's character was handled during 5Ds' whole run. You can find part one here and part two here. Reading them technically isn't required, but things sure will make a whole lot more sense if you do. (Bring snacks, they're long.)

This post isn't meant as a Crow hate post, nor is it meant to convince people who didn't vibe with his character to change their mind. This is my very long winded-attempt to analyse the writing decisions surrounding his character as best I can, without too much bias. That said, full disclosure, I do personally like Crow, so there's a good chance that will shine through whether I want it to or not. But also, I'm trying to have fun here, so please cut me some slack.

In case you haven't read my previous Crow posts (no shade there) and/or still believe the many, many production rumours that have been haunting the 5Ds fandom since the show's original run, please let me burst your bubble(s) with some insanely comprehensive research by someone over on Reddit (thanks again to @mbg159, who's also here on tumblr): No, Crow was not meant to be a dark signer, or the final boss of season 1, and his spike in screentime has nothing to do with his cards. And also, No, Aki didn't get less presence in the narrative because her VA got pregnant. What if you don't have the time to read either of those long posts? In that case, please take away this simple, very easy rebuttal of why the above theories are bullshit: Their would-be "key points" don't line up with the 5Ds production timeline. At all. Not even vaguely. So please, ditch them, let them die, seeing them still talked about makes me feel like I'm gonna break out in hives. And for the love of god, don't use this post or in fact anything else I post to pit Aki and Crow against each other. Both characters have their strengths and their reasons to love them. I am not the least bit interested in starting any character discourse. So please, spare my sanity. Ok? Thank you.

And now, we can get to the good part at last. In my previous post in this series, I stopped my analysis at episode 95, a.k.a. part two of the Pearson backstory. In this post, I will thus be picking up right after, at the very start of the WRGP—with the Team Unicorn match. The goal for this post is to analyse Crow's part in this particular arc, then provide some food for thought/ideas on how things that rubbed some people the wrong way could have been improved.

More below the readmore, and I give you not just my usual warning, but an extra warning, too: The universe will not let me write short things, so tread with caution, stay hydrated, and expect a veritable dissertation below, because this post feels long even to me, who has long since lost her sense of length when it comes to text. (But I'm well aware this is the result of me refusing to split the WRGP part into two separate posts, so I take full responsibility for that.)

Since we left off right after I chewed through all the issues with Crow's rather belated backstory and especially Black-Winged Dragon last time, we jump right into the thick of things now, with episodes 96 and 97, which serve as the preamble to Team 5Ds' first WRGP duel against Team Unicorn. Crow only gets two major things to do during this short stretch of episodes, the first being that he's Team Unicorn's gateway into roping Yusei into a duel during practice, which helps them set up a ruse that baits the 5Ds gang into sending Jack as their first wheeler because they think Jack's deck is best suited to countering Andre's—which, as it later turns out, it is not.

(Arguably the screenshot where Crow gives off the strongest Youngest Sibling Vibes during the entire show. Look at him, all chastised.)

Crow's second role is an odd one that I argue only he out of the main three guys could fulfill at this point: He's the one to get injured right before the Team Unicorn match, rendering him unable to compete, which leads to Aki offering to take his place for that particular match.

(Pictured: Bird Boy regretting all his life choices up until that point simultaneously.)

Here's the first moment I have to talk about in greater detail. See, the thing is, I don't know what the fandom consensus on Crow getting injured here is, but I argue that this moment was a (rare) strategic decision made by the writers at this point. Crow's injury accomplished several things: 1. It sets up the mystery of why his back wheel locked up out of nowhere, which is later paid off through Team Catastrophe's shenanigans. 2. It organically allows Aki to take his spot without introducing any argument about which of them is "worthier" of having that third spot. 3. Through this, it also allows him to actually bounce off Aki for once (a point I will come back to below, during the Team Catastrophe section). And 4. It allows the show to (TECHNICALLY) pay off the setup they did in letting Aki get her turbo duelling license and train with the boys. (Generally, Crow's and Aki's character writing intersects a bit during the pre-Diablo incident WRGP section, something I'll touch on below.)

Moreover, I think this is also the only match where they could have done something like this, and the reason for it is very simple: Team Unicorn are one-off opponents whose presence in the narrative is only relevant as far as it concerns the WRGP, and they are also one of the first teams the 5Ds gang faces. If we think about the opponents Team 5Ds has after this, it becomes very obvious why Crow could only be injured during this duel: If they had tried pulling this stunt later, it would have forced the writers to pull Aki centre stage during a much more plot-relevant duel than this one (which they were apparently allergic to, but let's not go there), not to speak of the fact that it would have forced them to sideline someone they were definitely trying to sell as the third portion of their protagonist trifecta, which would have probably been awkward. (If not for the fact that they literally did this to Crow later in the show, but I'll get there. Yes, I know there's a lot already that I'll still be "getting to".)

The thing is, whether or not it feels like an awkward writing choice to make so early in the big tournament of this arc (you be the judge of that), Crow's injury finally allows him to have a few interesting character moments for once. For one, there is his immediate disappointment about being forced to stay on the sidelines. Aside from the fact that this is a human and relatable reaction to his injury, it stings even more for the character than it does for us as the audience, because Crow got a moment where the Satellite orphans he previously took care of cheer him on for the tournament literally within the same two Team Unicorn preamble episodes.

(Say what you will, this is just stupid cute.)

So when Aki eventually offers to take his place during the match, he's understandably apprehensive—and again, this is human. It may seem mean in the moment, but from a character writing standpoint, it's a natural response. Plus, it's certainly more interesting to watch the group have a bit of conflict among themselves, rather than everyone immediately jumping straight to acceptance. It introduces tension, and, for however brief a moment, raises the question of whether Crow might refuse to let Aki take his spot. This is also the point where Aki and Crow's character writing officially intertwines, at least for the stretch of episodes between the Team Unicorn duel and the Team Catastrophe duel. And you know what? Say what you will, but I think it does a world of good for both of them. The 5Ds cast, as lovely as it is, doesn't get a lot of room to bounce off one another where it concerns personal matters anymore, once the WRGP starts. Arguably, they get little time to bounce off one another outside of plot-related discussions at all once this portion of the show comes around. The characters are treated as "fully developed", and thus, the writing largely doesn't take the time to show us how the group naturally interacts with one another anymore, especially not with how many side characters (chiefly Bruno and Sherry), antagonists, and duels the show now has to juggle. So Aki and Crow getting even a smidgen of personal conflict here is honestly a breath of fresh air. The interaction kicked off by Crow's injury isn't completely plot-irrelevant, like most character interactions during the pre-WRGP were, but it's not something that feels like it's only there to explain the machinations of the antagonists to the audience, either.

Let me go through this in a little more detail to illustrate my point.

So, episode 97. Crow storms off after Aki offers to take his spot, while Aki heads out to prepare her runner, intent on helping her team. The personal motivations here are already very nice and reflective of these characters as we've gotten to know them up until this point: Crow's angry and disappointed (mostly at himself, which is noteworthy!) because he can't compete. And specifically, he's angry because not being able to compete in the first match means he can't show the kids his duelling like he wanted to. Then there's Aki, whose offer to take Crow's place is every bit as much of a strategic suggestion as it is a bid for acceptance from her. Acceptance, which is the thing she's been all about ever since she was introduced, basically. So she pleads with her friends to accept her, see her as an equal, and allow her to duel for the team, which they do. And Crow initially throws a fit, but then...

(Listen. You have no idea how much Crow and Aki getting to actually be friends means to me.)

He comes around to the idea and not only gives Aki his express permission to take his spot, he even coaches her a bit right before the match. Moreover, as his text states above, he literally entrusts her with the kids' hopes, as well as his own. This quickly brings both of them full circle: Crow, who already has a theme of legacy attached to him, passes the torch to Aki for this match, and in so doing, offers her the acceptance she asked her teammates for. (Frankly, stuff like this makes me wonder why on earth people were so eager to pit these two against each other, when their shared moments are actually some of the best-written during the often rocky WRGP arc.) So, though this injury pulls Crow out of the duel, it, funnily enough, ties him better into the story and to the other characters.

From there, we then dive into the Team Unicorn match proper. And well, being injured as he is, Crow doesn't exactly get a whole lot to do there. However, since we're in the portion where his and Aki's writing overlaps a bit, I do need to go on a quick tangent about what Aki's portion of this duel means for Crow.

(Sigh. Okay, buckle up for a quick and rough detour.)

First, something I need to get out of the way and off my chest: I have made no secret out of the fact that I hate Aki's portion of this duel, save for the moment where she summons Stardust. Hell, this duel segment is pretty much universally hated by anone who has even a smidgen of sympathy for Aki. It's regarded by many as the very moment the writers axed Aki's character, and for good reason: After all the buildup surrounding her getting her turbo duelling license, the supposed "payoff" of it all is that she gets to duel against Andre for a depressing four turns before being defeated immediately, which leads into Yusei's frustrating portion of this duel, which, to my knowledge, isn't regarded any more kindly by fans than Aki's segment. It's a massive let-down, simply put. But the thing is, it's not just a let-down for Aki. After all, the brief character conflict she had with Crow about taking his spot here can and should be regarded as part of the setup for this moment, and as such, it can also be considered to be wasted the second Aki leaves the track after barely making an impact whatsoever.

However, I do need to mention that I have a theory on why this segment was handled the way it was, mostly because I feel like Crow's later interaction with Aki, shortly after she's out of the duel, underlines it (mind that this is just my personal theory, though, after having watched the show perhaps more times than can be considered sane): I think there is a cultural aspect to this duel. See, the word ganbaru, which anime subtitles often like to translate with "do your best" or something along the lines, has a greater significance than the translation implies. Though it's not inaccurate per se, there's more than just the idea of doing your best behind ganbaru, because it's something like an umbrella term not just for doing your best and succeeding, it's also the idea that you have to keep trying, even if you don't succeed. It's related to tenacity, to persistence, even in the face of terrible odds. And make no mistake, I don't mean the Japanese equivalent of "if at first you don't succeed, try again" here. I genuinely do mean "you have to keep trying, even if you fail". There is no guarantee of success here. And for that reason, the idea behind ganbaru is also that it's not simply the success that has value, but the effort made in the attempt to attain it, regardless of the result. (Side note: I tried to scrounge up a resource I could link to that nicely explains this concept, but unfortunately, all the promising articles were paywalled and the ones I learned it from require institutional access to lecture materials.) And this is where I will posit the tentative theory that this is exactly what the 5Ds writers were going for with Aki's segment of the duel—it was very much meant to be the payoff for her turbo duelling license setup and her plea to take Crow's place, but it wasn't so much her success that was meant to be valued, as the effort she (and by extension, Crow) made for and during this duel. And this is where Crow's little pep-talk with Aki after she's out of the duel comes in, because it feels like it supports exactly this interpretation:

(This is essentially the whole sequence. Note how Crow, despite so fervently entrusting Aki with his and his kids' hopes prior, doesn't admonish her for making a bad showing in the slightest.)

I don't think it gets any clearer than it is here. During this sequence, Aki is painfully aware of how poor her performance was against Andre, especially after she was so insistent on duelling at first, and despite having been entrusted with Stardust by Yusei, to boot. Yet, Crow doesn't have a single word of criticism to offer her. Instead, he even tells her she did well and that nobody's perfect. It very much reads as valuing Aki's effort over the result she achieved to me, and thus seems perfectly in line with the idea behind ganbaru.

However, if we assume I'm correct about the intentions behind this writing choice, we come back to why Aki's segment of the duel is so hotly debated and why it may have arguably been a disservice not just to her, but to Crow, too, character-wise. Because the majority of non-Japanese watchers of the show culturally don't have a 1:1 applicable concept like ganbaru, this writing choice was more likely to fall flat for them, because to someone who wasn't raised to understand the idea behind it, Aki's portion of the duel doesn't register as a payoff; it registers as a massive disappointment, because it feels like the writers, who had so much setup already done for her, let her fail on purpose, just to later let Yusei attain his arguably dumbest victory of the entire show. Thus, they also essentially waste the conflict she had with Crow about whether she would be allowed to take his spot in the first place, because with how little she achieved during the duel, she may as well not have gotten on the track. (Figuratively speaking. Please Do Not take this to mean I would prefer a version where Aki hadn't duelled at all. That would be worse. It would be infinitely worse.)

(Also, side note: If this post reaches anyone who's actually Japanese and still remembers this duel, I would genuinely love your input on whether my interpretation is feasible or just wishful thinking. Did you interpret Aki's part of the duel the way I did here? Or did it fall flat for you, too? If what I'm saying here feels like an absolute reach, please tell me. I'm honestly just trying my best to make things make sense here and remembered this concept from some classes I took in Japanese studies at uni.)

With all that in mind, it doesn't come as a surprise that some people were just as frustrated with the way Crow was barred from duelling here as they were with Aki's segment or Yusei's later victory. But it is what it is—the Unicorn duel concludes the way we all know it to, and with that, the show begins setting up the following duel with Team Catastrophe.

The only other, non duel-related, noteworthy thing that happens between the Unicorn and the Catastrophe match is a brief appearance at the Poppo Time by Sherry, who admonishes the signers for celebrating their victory early and warns them about Iliaster. Why do I bring this up? Because it's one of less than five times that Crow is in the same room with Sherry. Remember, Sherry. The girl he later, during the finale, talks out of working for the big bad evil guy because he suddenly seems to have such a deep understanding of her motivations and character that he can accurately deduce what argument will make her understand that working with Z-ONE won't give her what she's looking for. So, does Crow get a meaningful interaction with her during this scene, then? Nope. Not even in the slightest. Crow says exactly one sentence that is aimed at Sherry during her appearance, and that sentence is this:

(What a meaningful conversation!)

And yes, I will come back to Crow and Sherry's dynamic in particular. But we'll save that for the Ark Cradle arc post. For now, just keep it in mind as we move along to the other WRGP duels.

So. Team Catasrophe.

During the duel against this team, which was previously only hinted at ominously, the writing for Crow and Aki overlaps again, and this starts with the writers essentially doing a complete switcheroo of what came before: Instead of Crow getting injured and being unable to compete, it's Aki who crashes, ends up in the hospital, and is thus forced to give up her spot during the duel. (This also goes hand in hand with her suddenly losing her powers, which we are given absolutely zero explanation for, but let's not talk about that clusterfuck here. If you're interested in my opinions about that particular trainwreck, I have a rant for you.) Additionally, it's during this stretch of episodes (103-105, which is a whopping four episodes less than Team Unicorn got) that we find out that not only Aki's crash, but Crow's previous one, too, were both sabotage, caused by the rather unscrupulous Team Catastrophe by way of a special card that can cause real damage even when there is no psychic duellist present. (A card we also find out was given to them by Placido/Primo, but this is irrelevant for both Aki and Crow.) Crow's reaction to this piece of information, particularly once Aki gets injured due to the same thing, is where things get interesting for him again, because he gets pissed, to say the least.

(A moment I imagine firebirdshippers must have been positively delighted about.)

Here, I have to reiterate an earlier point: Think what you will of Team Catastrophe, of Aki's crash, and of the sequence where her powers suddenly don't work, but this moment here, where Crow gets angry on her behalf and swears to duel Team Catastrophe into submission—not because he wants his kids to cheer for him, or because he wants to prove himself, but as revenge for his friend—is one of sadly only a handful of moments the writers use to show the strengthened relationships between the individual members of Team 5Ds after the dark signers arc. It's one of the precious few scenes that actually shows, rather than tells us or lets us search for scraps in the subtext, that the signers, and the members of Team 5Ds as a whole, care for each other outside of revolving around Yusei like planets around the sun. Even if it's laughably small, it's at least a hint that there are individual friendships between the other signers, too, that they all stick around one another for reasons beyond gravitating towards Yusei for one reason or another. And for that alone, I'm grateful that they put this here, even if Team Catastrophe was otherwise so ridiculous and made such a bad showing at their actual match that they could barely be taken seriously as antagonists at all.

Speaking of which. The actual meat of the matter. The Team Catastrophe match. What does Crow do here? Well, he duels! Even though he wasn't supposed to, for injury-related reasons. What both his participation as well as the actual duel accomplish, though, are that they not only showcase previously established character traits of Crow's again, but they also make a (possibly unintended) callback to a previous, major duel Crow took part in: His dark signer duel against Bommer/Greiger. Where and how? Let's see.

Firstly, Crow's participation. The reactions of the other characters to this make it very evident that Team 5Ds did not plan for this, with Yusei and Jack even going as far as to say they "had no choice" but to let Crow duel, because he insisted. This is perfectly in line with the stubbornness we already know from him at this point—a stubbornness that was also a major reason for why he took Bommer on and later continued his duel with said man, despite Yusei showing up and telling him he shouldn't be duelling a dark signer.

Secondly, there's the manoeuvring thing, and here's where I can call attention to a fun tidbit: The WRGP isn't what introduces the concept of manual mode during turbo duels to the audience. It's Crow. During his duel with Bommer. Being crafty and a bit shrewd as he is, Crow, during said duel in the DS arc, purposefully switches to manual mode when he duels Bommer, because he figures that attacks that can deal real damage can probably be evaded if you actually have control over your runner and aren't stuck in autopilot.

(Don't believe me? Here it is. And frankly, it is somewhat hilarious, yet also very fitting that Crow is the only one who thinks to do this during a duel with a dark signer.)

The reason this particular bit is relevant during the Team Catastrophe duel is because Crow essentially repeats this trick here. Of course, it's a bit less impactful now, given that manual mode is standard for WRGP duels, but still: Due to Hook, the Hidden Knight, Crow is forced to pay attention to the track and manually evade the monster's attempts to make his back wheel lock up during the duel, mirroring how he thought to manually evade Bommer's attacks during the DS arc.

Thirdly, there's the revenge angle, and this one is a particularly juicy callback. Remember, Crow's major reason for taking on Team Catastrophe, despite being injured, is that he wants to get revenge for Aki. This directly parallels how his major reason for duelling Bommer during the DS arc was that he wanted revenge for his kids, whom he believed to be dead at that point in time. (It also, interestingly, establishes a bit of a connection to his deck, which boasts a fair amount of revenge effects, but I'll not get into that here, seeing as I've talked about Crow's cards a bit before.)

Keep in mind, despite all the things listed above that this duel accomplishes, it's also by far the shortest WRGP duel. It lasts a whole six turns, total, which is ludicrous compared to the likes of 27-turn Team Unicorn, 26-turn Team Taiyou, or 25-turn Team Ragnarok. And I don't think it's controversial to say that the Catastrophe guys are probably the most forgettable WRGP Team, too. Yet, somehow, despite all its shortcomings in terms of memorable antagonists and plot relevance, this is one of the best duels of the WRGP where Crow's character writing is concerned. Now, I'll be perfectly candid: Coming into this post, I did not expect the Team Catastrophe duel, of all things, to end up being as good at actually showcasing Crow's character and his ties to other characters (who aren't Yusei) as it was, but here we are. And we had better hold on to the good the Team Unicorn - Catastrophe segment did for Crow, because the next thing that's coming up is a harsh break from the WRGP, starting with the sudden appearance of Placido's home-engineered army of killer duel robots. And what does Crow get to do during this part?

Uh. Well.

(Pictured: Bird Boy being demoted to benchwarmer while the city's being ransacked by murder duel robots.)

Nothing. A whole lot of nothing, is what.

During the duel robot invasion, we only ever flash back to Crow to ascertain that he is, in fact, useless during this part of the show, something he shares in common with Ruka, Rua, and Aki here, because all of them get pretty much nothing to do while Yusei finally gets the hang of accel synchro. Granted, Aki gets to save a little girl at the hospital, but in comparison to Yusei's lengthy, plot-heavy duel with Placido, this feels like a consolation prize. And for once, Jack is only marginally better off, too, because sure, he gets to beat up a couple of robots, but that's it, really.

Where Crow is concerned, his plot relevance doesn't actually resume once the Placido duel finishes, though. (And neither does Rua's, Ruka's, or Aki's, while we're at it.) Because wouldn't you know it, the next big thing directly after the duel robot invasion are the Red Nova episodes, where three out of five signers (Crow, Aki, and Ruka, unsurprisingly) are removed from the screen almost in their entirety again while Jack gets his much-needed dragon upgrade so he can keep up with Yusei, in order to uphold his status as a classic, almost-evenly-matched yugioh rival.

Speaking of upgrades and dragons, let's make a quick detour while our protag and rival duo take their express vacation to the Nazca plains. It is, of course, no secret that no signer outside of Yusei and Jack ever got a dragon upgrade within the anime. (No, I'm not forgetting about Life Stream Dragon. But that one, unlike Shooting Star Dragon and Red Nova Dragon, was a.) teased all the way back in the DS arc and b.) didn't have a unique summoning method or some other gimmick that made it an "elevated" synchro. So I'm discounting Life Stream as a "proper" dragon upgrade on purpose.) Is this the point where I start arguing that Crow should have gotten one, then? Well, not quite. Not with the writing the show canonically gave us, at least—after all, with how late Black-Winged Dragon was introduced, it would have been bonkers to upgrade him here already, if even at all. However, I do argue that the way the show hands only Yusei and Jack upgrades seems a bit... off. Now, I know why only those two get upgrades, or at least I think I do. After all, they're the central protag/rival duo, and within the framework of the character archetypes the larger yugioh canon has created for itself, this would have always made them the first, if not the only candidates for dragon upgrades. What feels a bit off to me, though, is that specifically the 5Ds cast feels like it... chafes a bit against those character archetypes, for lack of a better word. The problem is this: The signers, as far as the first two arcs are concerned, are sold to us as equals who all have very powerful ace monsters. Yes, Jack and Yusei are still undoubtedly the best duellists among them, but not on account of having uber-powerful extra special monsters that were acquired through supernatural means that are categorically inaccessible to the other signers. However, with the appearance of Shooting Star and Red Nova, this changes. While Yusei and Jack were previously and would have always been the two guys who had a Special dynamic with a capital "S" on account of their character archetypes, their acquisition of the dragon upgrades—and even more so, the lack of upgrades their fellow signers receive—now decidedly puts them in a different power bracket and skews the balance between previous, supposedly "equal" characters. (Which, unfortunately, is yet another thing that makes everyone else easier to sideline.)

Why do I bring all this up in a post dedicated to Crow? Because this new power imbalance arguably impacts him more than the other signers—because he's Team 5Ds' second wheeler and doesn't miss another WRGP match from here on out. Thus, that power imbalance is felt in the upcoming duels, where Yusei and Jack bust out Shooting Star and Red Nova like it's nothing, while Crow is left manoeuvring with the somewhat underpowered Black-Winged Dragon and whatever else he can come up with. This is also why I claimed that the show did sideline Crow in some aspects further above. Because while some parts of his writing go to great pains to establish him as part of a protagonist trifecta that is now supposed to take centre stage before the other characters, he also permanently lives in Jack and Yusei's shadow, ultimately barred not just from reaching equal status as a signer (due to his late and rocky introduction and dragon acquisition), but also barred from becoming the equal of his foster brothers as a duellist. Frankly, I'm surprised the show didn't make this a plot point, because the first thing my mind jumps to when I think about this is whether Crow felt left behind after his brothers acquired such immensely powerful, special cards. But more on my personal writing ideas later. For now, let's just put a pin in the power-imbalance thing.

So, when is Crow back on screen in any meaningful role, then? (Note that I mean this as literally as possible. As per my discussion about "screentime" and my gripes about it in part two, I gloss over the parts where Crow is on screen, but could be traded for any other signer or even a lamppost without affecting the scene at all.)

Well, the next thing Crow gets to do isn't exactly glorious, but it sure is funny.

(I want you all to remember that he has to wear this costume and play this part in Team 5Ds' absurd plan to capture Yaeger/Lazar because he lost at rock-paper-scissors. This will never not be funny to me.)

Ignoring the hilarious outfit and Crow playing the bait at a fabricated cup ramen promo event meant to lure Yaeger in, bird boy does actually get something that's not just for funsies to do during the two episodes where Team 5Ds is trying to get more information about Iliaster: He gets to have a duel revanche against Yaeger, who, if we remember the DS arc, ditched him the last time they squared off. Much like the Team Catastrophe duel, this one, too, calls back to previous duels Crow has had: For one, it's the obvious conclusion to his unfinished, first duel with Yaeger. And for two, Crow repeats a "trick" (for lack of a better term) here that is also unique to him: losing on purpose, which we remember from his duel with Lyndon.

(Identical-looking clown family jumpscare be upon ye.)

And again, much like getting injured for the Team Unicorn duel, I argue that this story beat here is something that could also only have been accomplished with Crow. Because he's the only one who has previously duelled Yaeger, firstly, because not wanting to make a child cry by beating their dad in a duel makes sense for him as a character due to him being a family-oriented person who loves children, secondly, and because losing on purpose in this scenario is a tactic that would seem out of character from anyone else, thirdly. (We recall, the only times Jack and Yusei, respectively, ever consider/offer to lose on purpose is when the lives of people close to them are on the line, in the shape of Carly/Rally. As for the others, aside from not being present, Aki, Rua, and Ruka are so heavily sidelined at this point that they would have never been an option for this. And if his writing is anything to go by, Bruno is mostly purposefully forbidden from accomplishing Plot Things, especially through duels, while he's Bruno.) But hey, due to the way this episode is set up, losing on purpose works out for Crow, because it convinces Yaeger to stop hiding and actually share his knowledge about Iliaster. This, by the way, is the second scene where Crow gets to be in a room with Sherry for a longer stretch of time. And look, him joking that Sherry might kill Yaeger if he doesn't spill the beans about Iliaster soon is fun and all, but in light of the Ark Cradle duel later, I have to point out that he, again, doesn't get to have so much as a shred of a meaningful conversation with Sherry here. Again. But moving on. The scene with Yaeger at the Poppo Time then leads us first to the small sequence in the arcade where the gang has to win a simulated duel to get Yaeger's encoded intel, then to episode 116—the Moment Express episode, where, due to this being a Yusei, Sherry, and Bruno-focussed episode, Crow gets nothing to do again. (And also doesn't get to interact with Sherry again.)

Congrats! We've survived the WRGP break. This leaves us with three more WRGP duels before shit hits the fan and the Ark Cradle arc commences. And full disclosure, I'll be doing a bit of a quick-fire round of those three duels. Why? Because despite them all having their merits in their own rights (they're the better liked duels of the WRGP for a reason), there honestly isn't that much focus on Crow during them. He duels, yes, and I've seen people point this out over and over again as the supposed smoking gun that shows how Crow had so much more relevance and screentime than Aki and yadda, yadda. We've been there. And it's not that I can't see where this argument is coming from—I'll be the first to tell you that it's a travesty that Aki never got to duel in the WRGP again outside of the Unicorn match. But I want to use the final three matches to dig into how the way these matches—and especially the opponents to go with them—were set up made it nearly impossible for Aki to replace Crow again during any point of the WRGP finals.

First, episode 118. This is the only preamble episode we get for the first two WRGP finals teams, and here, our group is split in two: Yusei, Bruno, and Rua introduce us to Team Taiyou, while Jack, Aki, and Crow introduce us to Team Ragnarok. There isn't much to say here, because the only thing this episode does for Crow is a shallow repeat of what the Team Catastrophe duel did: By putting him in a group with Aki and Jack, and letting them decide among themselves, independently, to check out the exhibition match, it implies that he voluntarily spends time with signers who aren't Yusei. Thumbs up. Gold star. You made an effort (I guess). Then, the real fun starts.

Round one. Team Taiyou.

(Pictured: The sweetest country bumpkins to ever grace this earth. Yes, I'm biased.)

So here's the deal with Team Taiyou, from a narrative standpoint, as best as I can grasp it: They are a callback to Team 5Ds' roots. Specifically, to the boys' Satellite roots. The Taiyou boys come from humble origins, have only one, mostly home-engineered duel runner, and play using old cards that are widely considered shitty, as 5Ds canon tells us. They are essentially the non-signer, countryside version of what Jack, Crow, and Yusei once were, which is why this is the first duel where the duellist constellation on Team 5Ds' end couldn't possibly have been altered. Team Taiyou is there to remind us where our boys started, so it has to be our boys duelling them. This also goes for Crow, even though this duel otherwise doesn't accomplish much for him, character-wise. Instead, it's more of a narrative wink at the audience, as well as providing a breather between otherwise extremely tense, plot-focussed duels. But yeah, Crow's part in this match isn't much to write home about; he doesn't get any verbal interactions that are very meaningful to his character, can't get so much as a scratch in on Zushin, even with Black-Winged Dragon, and is defeated so Yusei can take out the legendary giant.

Round two. Team Ragnarok.

(Behold the pizzazz of at least two contenders for Haircuts With The Most Spikes in the show.)

Though this duel is framed as being even more so aimed towards bolstering Jack's character writing than Crow's, given the inclusion of Dragan's personal history with Jack, Team Ragnarok gets significantly more interesting for Crow again than Team Taiyou did. This is, of course, mainly because of Brave/Broder. Where Team Taiyou were a callback to the 5Ds boys' roots, Team Ragnarok are their narrative foils. Dragan is the duellist who lost his pride to contrast Jack, who's brimming with pride at all times, and Harald/Halldor is essentially the rich, "destiny isn't bullshit, actually" version of Yusei. Meanwhile, unlike the first two, who highlight our 5Ds boys' characteristics by contrasting them, Brave acts as Crow's mirror. Through Team Ragnarok's flashbacks, we see that he gets almost exactly the same, lovable-rogue-type backstory that Crow did during the DS arc, just in a different setting. The only, major difference between them is that while Crow is more down-to-earth, Brave likes to be pretty flashy.

(Keep in mind that he's doing this on a runner. Is there such a thing as courses on how to do acrobatics on your runner? Like there are courses for vaulting on horseback irl? I'm overthinking this again.)

Unsurprisingly, the duel thus ends up addressing the similarities between Crow and Brave, mostly through two things: One, the duel essentially becomes a contest of who can out-trickster who, culminating in the famous, ridiculous-in-the-good-way sequence where Crow activates a trap from his graveyard, to the shock of pretty much everyone present. And two, despite being on opposite sides, the two bond over their concern for the children they took care of and their concern for children in general, which is expressed most clearly in the scene where Crow's kids, in an attempt to hold the poster they made for him higher, very nearly fall over the barricade in the WRGP stands. Despite the hefty length of the full duel, these are pretty much the only things actually related to Crow's character that come up, though. They're good, don't get me wrong, but in a duel that is otherwise this dense with plot, Aesir shenanigans, and Iliaster foreshadowing, it's no surprise that the duel doesn't add that much to Crow's character, outside of giving him someone he can bounce off very well and relate to. Again, though, we are faced with the same situation as with Team Taiyou: Due to the way the members of Team Ragnarok are written, meant to contrast/parallel one male duellist each from Team 5Ds, nobody other than Crow could have taken the third spot here, either. It would have felt awkward from a narrative standpoint (as much as I would have loved to see Aki duel more).

Now, finally. Round three. Team New World.

(Welp. Here come the robots.)

I had to check to make sure I wasn't misremembering this, but due to the way this duel was set up so José/Jakob could bust out Meklord Emperor Granel with a ridiculous amount of attack points, Crow gets a resounding four turns total in this duel. (Gee, I wonder which other character got this treatment during a WRGP duel.) During those four turns, there are only two things he accomplishes: One, leaving behind two combo pieces Yusei later uses, and two, showcasing the shrewd tactics that earned him the label of "trickster" during the Ragnarok duel by bringing out a non-synchro monster that can take advantage of a synchro monster's attack points and effects—Aurora the Northern Lights. And arguably, this is a very smart play, moreover, it's the only time anyone in the show has the bright idea to not use synchro monsters against the known and feared synchro-killer Meklords. Unfortunately, as smart as it is, the narrative doesn't reward Crow for this play—José all but shrugs what could have been a turning point in the duel off, then proceeds to steamroll Crow the next turn, leaving Yusei to score the win, as usual. To get back to the "Crow got so much more screentime than Aki during the WRGP" thing for a second, of all the duels in the WRGP finals, this is arguably the one where Aki could still most easily have taken Crow's spot again, because here, it doesn't matter whether it's him or someone else, as this duel isn't tied to his character in any way. Unfortunately, due to the Granel-steamroller-strategy, this is also the duel where letting Aki take his spot again would have been the biggest shot in the foot, because unless they had changed Team New World's strategy, Aki would have gotten brutally guillotined here, same as Crow—something I can't imagine anyone, not even people who hate Crow, being happy about.

With that, though, we've finally made it through the WRGP. So, what's the bottom line here? Frankly, speaking from my own interpretation, Crow occupies an... odd spot during this tournament, to say the least. Though he does get to duel the majority of the time, few of the duels actually cater to his character in any way. Moreover, he only gets to be the star of the show in a WRGP duel once, during the by far most forgettable match against Team Catastrophe. And mind that I use the term "star of the show" very loosely here, because the problem the WRGP arc as a whole has, in my opinion, is that the rather lame Team Catastrophe duel is the only one in the whole tournament that isn't won by Yusei, which categorically means that any of the other character's big moments are usually undermined by the fact that they ultimately still need him to save the day. Thus, moments like Aki summoning Stardust Dragon and Crow using an anti-synchro-killer strategy that for once actually forgoes synchros are somewhat cheapened by the fact that they're not actually the turning-point moments they're initially painted as, because ultimately, Yusei always has to be the one to save the day. What's worse is that this almost feels like a bit of a non-issue that could have easily been fixed—given that the show tells us that teams can shuffle around their line-up for a match any time. But unfortunately, the writing never interacts with this as a possible strategic element, nor does it ever seem to consider letting Yusei lose, or forcing him to give up his spot for a match. I feel the need to say that I don't put the blame at Yusei's feet here, though: This strongly feels like an oversight by the writers, and perhaps a disproportionate need to have a nigh-infallible protagonist (on the duelling side of things) that their audience would never run the risk of calling "lame". For Crow, though, this chiefly means one thing: In any duel other than the Catastrophe one, it was always clear that even if he partook, he would never finish the match. And yes, this is technically an issue Jack has, too. But this is where the character writing outside of the duels comes into play, too.

Unlike Jack, who actually gets to do something during the Diablo invasion (albeit very little), who gets his very own dragon upgrade and who gets a very personal, pre-duel plot with Dragan, the show's writing doesn't bother giving Crow a lot of plot- or character-relevant things to do, once the WRGP starts. This is also why I was so surprised at how much the Unicorn and Catastrophe duels embrace his interactions with Aki—compared to the later duels in the finals, this portion still makes Crow feel genuinely relevant and interwoven with the other characters. Meanwhile, out of the three final duels, only the Ragnarok one actually tries to establish a connection to his characterisation, through Brave. The Taiyou duel only sets itself up in such a way that Aki partaking instead of him would have been awkward. Meanwhile, the New World duel just has him being treated like a floormat in a sad parallel to Aki during the Unicorn duel, seeing as they both get a nice moment where it looks like they might turn the duel around (Aki summoning Stardust Dragon and Black Rose Dragon onto the field at the same time; Crow summoning Aurora the Northern Lights, which couldn't be absorbed by the Meklords), only to have their hopes dashed as they're mercilessly cleared off the track. Outside of the duels, many scenes sadly give the impression that they may as well not have included Crow, though—he often gets so little to contribute to a moment or even to say at all that substituting him with a cardboard box seems like it would not have impacted the scene in any way. And that's without addressing his non-existent connection to Sherry, which feels extra glaring, given his later interactions with her on the Ark Cradle.

All in all, the WRGP feels like a very mixed bag, where Crow's character writing is concerned. His belated backstory, which I talked about in part two, is front-loaded and asks as many questions as it answers. Then the tournament commences, gives him some actually decent character interplay with Aki for once (at the cost of letting her succeed in the tournament, it seems), only for him to be basically irrelevant during the WRGP pause again. And once the whole thing resumes, it becomes this hot-and-cold thing where some duel aspects seem tailored to him, while others treat him as completely expendable. The end result is an arc where I'm left wondering why exactly the writers felt the need to make it seem like Crow made up one portion of a protagonist trifecta, if they never actually bothered treating him as equal to the other two. (The answer, I believe, lies somewhere between the fumbled setup they did for him during the Fortune Cup and DS arc, and the way yugioh in general treats its character archetypes. But that's just speculation on my part.) The one, saving grace the WRGP (outside of the Pearson backstory) has for Crow is that it at least doesn't introduce any new character- and/or timeline inconsistencies. In fact, his character stays remarkably true to form once the tournament begins.

Okay, onto the final bit, then. As I've done in both previous posts, let me delve into completely subjective territory and offer some ideas on how this arc could have been handled to make it seem a little less all over the place with Crow. And since his writing here canonically intersects with Aki's several times, let me try to do it while offering the best of both worlds to both characters, if I can.

As far as Crow's backstory is concerned, I've already offered my solutions to that in part two. Now, to stay consistent with my own suggestions, I'll try to branch off what I wrote in the last post. This means that, as per my previous two analyses, we're dealing with two scenarios again: One, Crow stays a signer and we try to touch canon as little as possible. Two, Crow isn't a signer and we adjust canon in whatever way we need to to make him feel interesting and necessary despite/because of that.

First, though, let's get two adjustments I personally would have made in both versions out of the way:

The way the WRGP is structured puts every character that isn't Yusei at a massive disadvantage, where character moments in duels are concerned. Thus, I propose an overhaul. Among the changes I think could have benefitted the characters (yes, all of them) are: One - Aki actually getting to accomplish something during the Unicorn duel (she can and should still have her moments with Crow, but maybe let her portion of the duel end in her thanking him for coaching her, creating a more upbeat scene that strengthens their friendship, which could double as good setup for their later double-duel against Sherry). Two - letting the Team Catastrophe duel actually play out properly (as in, they become more meaningful as opponents by having a better strategy, for example, and Crow could stick it out longer against them, in order to make this more so his win than Jack's. Also, why not let Aki actually see him get back at Team Catastrophe for her?). Three - giving Crow an actual character moment during the Taiyou duel (what if one of the country boys had played a card or two of the ones he learned to read from? It could have helped drive the parallel between the two teams home.) Four - letting Crow's anti-Meklord strategy get at least a little payoff, if only for two turns (show us at least proof of concept, damn it!). Yes, the Ragnarok duel is the only one I wouldn't rewrite (unless special circumstances are introduced, see below). Additionally, let Team 5Ds alter their line-up more than once, damn it. Let them actually strategise about the duels, let them take into consideration who should go first when and whose deck might be better suited to which scenario. Also, remove Yusei from at least one duel. Doesn't matter how, just let him not partake once. Perfect setup to let Aki duel again, and would also allow for spicy character interactions. (Arguably the best duels where this could have been done would have been any of the final duels, though it would have also required rewriting the antagonists somewhat in any case.)

For the love of god, give Sherry and Crow some setup. Let them actually interact, let them introduce their philosophies to one another, just do something, anything to make Crow understanding and talking sense into her during the finale seem earned. A few chance meetings, or maybe even a tiny side-plot could have done so much here. And if you can't let them interact outright, at least let Aki and Crow talk about Sherry! Double whammy! The two characters who end up duelling against her are made to seem even more like a team, and Crow actually gets to find out what Sherry's deal is on-screen. Just. Set. it. up. I beg you.

There we go. Now, onto the two branches.

Option A: Crow stays a signer and obtained Black-Winged Dragon.

Seeing as Crow's signer status, funnily enough, isn't all that relevant during the tournament itself (save for two notable exceptions), there aren't that many fixes to be made here. Crow can still get injured, miss out on the Unicorn duel and be the star of the Catastrophe duel. But giving him something to do during the duel robot invasion that isn't standing around and hoping Yusei will fix everything would also be nice. It's fine if he can't drive out there and duel, but why not let him do something else? He's a crafty guy, why not let him find, say, a way to fry the Diablos' runners, taking a few of them out even from a semi-stationary position without duelling them? He could at least get as much of a consolation prize scene as Aki got with her saving that child. Then there's Team Taiyou, which, save for what I proposed above, is a duel that doesn't feel like it needs changes. Crow does his thing here. That's it. The same goes for Team Ragnarok, especially given that they're specifically written to oppose an all-signers Team 5Ds. Finally, there's Team New World, which, if I'm being completely candid, I would personally overhaul to change the cyborgs' strategy entirely in order to actually let all three members of Team 5Ds shine. But this is the version where I touch canon as little as possible, so... Aside from what I wrote above, no changes needed. Just make Crow seem a little more relevant, make his strategy have at least a little payoff, even if Granel's back out and menacing literally two turns later.

Option B: Crow, as per my previous posts, isn't a signer and doesn't have Black-Winged Dragon.

This is the version that would categorically require heavier changes, though they honestly don't arrive until the break in the tournament. Unicorn and Catastrophe stay the same, I would still propose that Crow gets to be a little more useful during the Diablo invasion. But! In this version, seeing as he never acquired BWD, the break in the WRGP would be an excellent spot to let Crow acquire an upgrade for his beefy Blackwing ace monster of choice. Give him a little side-plot, too, something to do, something where he proves himself. Maybe let him run into Iliaster here, or maybe call back to Pearson again and introduce the new Blackwing upgrade as a treasure Pearson stashed away before he died (maybe this could have even been the card Bolger was actually after; the world is our oyster here). Then he's beefed up, too, and actually feels a little more on the same level as Jack and Yusei. The tournament recommences and again, the Taiyou duel could stay mostly the same, I think. Ragnarok and New World are where it gets really interesting, though. The way I see it, Ragnarok could go two ways with Crow not being a signer: Either he partakes as he did in canon and his non-signer status is called out as a peculiarity by our Swedish boys who happen to be obsessed with fate (which would make his performance against Brave seem all the more impressive), or, due to this being a duel all about destiny and celestial pissing contests, Crow's spot is given to Aki again for this duel due to her signer status (this would, obviously, require rewriting Brave, perhaps even switching him out for a Ragnarok lady instead). As for Team New World, this duel would honestly be a lot more juicy with a non-signer Crow, because much like he was for the dark signers, a non-signer Crow would essentially be an unknown in their plan for the cyborgs. He would be the guy who's Not Supposed To Be Here. Granted, he would still be beaten, but he could still get an excellent moment where his out-of-left-field anti-Meklord strategy genuinely seems to turn the tables for a bit, angering José and providing even stronger setup for Yusei to win later.

Aaaaand that's that. Somehow, I get the feeling the WRGP had the least things that needed fixing because it also had the least actual character writing. But that might just be me. It's late and I have been writing for A While. But hey, I got out part three faster than part two! I consider that an achievement.

Now, while I get my talking points in order for part four, I hope you'll have fun chewing on this one. See you in the grand finale to my Bird Boy dissertation.

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ctrl-alt-cel · 1 year

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when i was 13 i wrote an essay explaining the rationale of puppyshipping to some guy in a skype chatroom. found the essay again. wanted to rewrite it. without further ado:

HERE’S HOW PUPPYSHIPPING CAN STILL WIN: THE SEQUEL: 2 PUPPY 2 SHIPPING (4.3k words)

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kaiba and jounouchi’s relationship stands at an awkwardly undefinable place in canon: they're not on good terms, but they're not enemies either. they know each other too well to be called passing acquaintances, but kaiba hardly acknowledges jounouchi as a duelist, let alone a potential rival. at best? they're mutual nuisances.

or, that's how jounouchi and kaiba choose to define it. both of them would love if their dynamic were that simple, nothing more than a back-and-forth of petty insults—but that’s not the truth. and they'll dance around the truth for five whole seasons, purposefully downplaying why they’re so obsessed with provoking each other whenever they’re in the same place.

they're foils.

—but the term "foils" is so dulled within fandom lexicon now that it can mean literally anything from two guys who just disagree with each other sometimes, so i'll sharpen this further. jounouchi and kaiba see their counterpart less as an individual person but more a representation of who they could have become if they had respectively, in their eyes, never learned the lessons they needed to. they project their own ideals onto the other and come away thinking they already know how the other operates, and the fun thing is, even when working from conjecture, their assumptions of one another happen to hit far closer to home than they have any right to.

so really, they can't leave each other alone because they can't stop seeing their failures reflected back at them. the other is a defective version of themselves that they need to correct because they can't stand constantly acknowledging who they used to be, so they try to bend the other to be more like their own image—an "i can fix him (by dragging him down to my level)".

⠀

jounouchi and kaiba’s parallels run down to their origins, both set up against abysmal family situations they have no choice but to make the best of. seto and mokuba are orphaned at a young age until seto gets them adopted, while katsuya is separated from his sister and stuck with a deadbeat father who can't carry his own weight. trapped in an environment where nobody expects anything worthwhile from him, katsuya joins a gang and lives out a self-admittedly miserable existence before befriending yugi, while seto is in a battlefield of his own, faced with protecting mokuba while enduring against the nightmare that is gozaburo kaiba’s parenting.

what they do to survive those conditions determines the outlooks they carry for the rest of their lives: jounouchi learns that losing is inescapable and the best you can do is learn how to cope with it, whereas kaiba learns that losing is something you must protect yourself from because there's only so much you can afford to lose.

jounouchi is positioned as the underdog, fighting tooth-and-nail for every victory he can manage, while kaiba has power in excess and holds to the belief that it’s all he really needs. one would argue that they have the perspective the other lacks—they argue that they have the perspective the other lacks. but in my opinion? it doesn't actually matter. what interests me is how they treat each other as a result.

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side: seto kaiba

kaiba degrades jounouchi a lot. like, to an uncomfortable extent. you know that one post that’s like “why does bullying exist? why are you mad that i’m ugly?” why is kaiba so mad over the fact that jounouchi loses so much?

it’s projection. he’s just holding jounouchi to the same standard he holds himself to. you need to be powerful if you want to play the same games as kaiba, and seeing jounouchi so openly lean on his friends, ask for help, and have the audacity to lose sets kaiba off because he’s not playing the way he’s supposed to. kaiba rubs jounouchi's losses in his face because he believes that's what loss is supposed to look like, and that it’s jounouchi’s fault for not understanding that yet. kaiba is trying to teach him. to kaiba, this degradation might as well be an act of generosity.

while kaiba stayed true to his own ambitions, seizing kaibacorp from gozaburo and turning it into a children's entertainment company, he beat gozaburo at his own game not by inventing new rules but by playing it better than his adoptive father ever could. and as impressive as that is, it’s not sustainable. gozaburo kills himself when faced with his own defeat, and kaiba internalizes this lesson: that all losses are final, and it’s better to die than adapt to the consequences of a defeat. gozaburo’s death was a suicide, but in the context of their game, kaiba might as well have killed him regardless.

he mirrors this when he threatens to kill himself in duelist kingdom, his heightened emotions catastrophizing losing the duel to immediately equal failing mokuba and coming to the conclusion that if he loses mokuba he’d rather be dead. being someone so fervently self-reliant, any alternate solution, a possibility that he can lose here and still find a different way to rescue mokuba never crosses his mind. and, look, this isn’t his fault. this is the only way of living he’s ever been taught. he’s never learned how to cope in the event of failure because he’s never had the luxury to fail to begin with.

he's burned and rebuilt himself over and over again to survive in the world he operates in, and that’s why jounouchi pisses kaiba off so personally. jounouchi loses so much and so messily, and kaiba tries to show him that if he doesn’t start reinventing himself from the broken pieces of his defeats until all that’s left of him are jagged edges the same way he has, he’s never going to win. but jounouchi…does win. and keeps winning. and even when he does lose, it’s as if he creates new victories for himself, like there’s still value to playing a game with someone when you don’t win it—power of friendship bullshit and whatever. jounouchi is still here, a competitor that kaiba can no longer write off as much as he desperately wants to. (and, yeah, it is pretty ironic how jounouchi will jump through a million hoops to get kaiba to look at him, but he doesn't realize that he doesn't need to do anything to keep kaiba’s attention, only continue being himself.)

jounouchi refuses to compromise who he is and still manages to get far when in kaiba’s mind, that shouldn’t be possible; he’s supposed to be punished the way kaiba was. jounouchi is proof that you can take a devastating blow and move on from it, that even when you do fuck up spectacularly, there’s still something worthwhile in starting again tomorrow.

so kaiba constantly needs to prove that he’s better than jounouchi, that jounouchi isn’t even worth his time in order to justify his worldview. because if kaiba isn’t right, then he'll have no choice but to confront the fact that the war is over. that his circumstances aren’t instant life or death anymore and that even though he’s freed himself from gozaburo’s influence, there’s still further growth as a person he could stand to undergo, now divorced from the harsh conditions of his upbringing. jounouchi is a testament to how it’s possible to make peace and move on from the past without constantly bleeding for closure, that maybe, kaiba’s headlong quest to get the last word on his rivalry with yami yugi may not actually be as fulfilling as he thinks.

but admitting that you might need to change the way you live feels like a defeat in and of itself—it’s infuriating to hear that after everything you’ve had to learn, the way you live now isn’t good enough. that surviving insurmountable trauma doesn’t inherently make you better or more worthy than other people—it just traumatizes you, and is something you must heal from. so, instead of reflecting on these revelations, it’s so much easier for kaiba to tell himself that jounouchi is only ever graceful when he’s dead.

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side: katsuya jounouchi

jounouchi is very stuck on this idea that he needs to be useful. his dad is an alcoholic with a gambling addiction and he believes it's not only his duty to pay his father's debts, but to be the household's sole source of income. his sister needs eye surgery and he believes it's his responsibility as an older brother not only to pay for it, but to act as her primary emotional support to get the surgery and throughout her recovery process. haga throws yugi's exodia into the ocean and jounouchi blames himself for not stopping it. jounouchi gets mind-controlled by malik and blames himself for causing his friends anguish from it. mai literally gets jounounchi’s soul stolen and he apologizes to her for messing up and making her sad. it's habitual, jounouchi doesn't know how to stop taking on the burdens of other people.

if you live with the mentality that you’re inevitably going to fail for long enough, you’ll come away with the belief that caring about your own wellbeing isn’t worth the effort. it depends on how pessimistic you want to read it, if it’s just his love language or jounouchi compensating for the damning act of being himself, but jounouchi quantifies his worth by how much he provides for other people. he’s always jumping in the line of fire for the sake of others because if you constantly undervalue your own wellbeing, you always have less to lose. as the underdog, he may not be as overtly powerful as kaiba or yugi, but he can still give himself away, and he’s convinced himself that it’s what he’s supposed to do. jounouchi is still new to this whole friendship thing. after a lifetime of supporting himself by himself, he doesn't know when he's allowed to ask for help yet—he’s supposed to be the help, dammit.

a key distinction between jounouchi and kaiba’s upbringings is that while kaiba’s biological parents died in an accident, jounouchi’s parents are still alive and they choose not to be responsible for him. jounouchi is conditioned to fend for himself by himself because having a parental figure actually present in his life isn’t a luxury he gets to have. to jounouchi, there has to be a reason why his mother only takes shizuka and never goes back for him in the six years he’s left with his father, and he rationalizes this with his notions of masculinity: he’s a strong man who can handle it. jounouchi is not delicate, he can endure it. men are responsible for their own circumstances. kaiba is hyperindependent out of a mixture of spite, paranoia, and self-defense. jounouchi is hyperindependent because he believes he deserves it. it’s the reason why he believes he’ll finally have a good relationship with his father if he just wins enough money to pay off his gambling debts—jounouchi can fix everything if only he were man enough to, and he can get people to stay if he demonstrates himself useful enough.

so death doesn’t carry nearly as much weight to jounouchi as it does to kaiba. in kaiba’s eyes, death is the punishment for failure, but to jounouchi, death is just the natural consequence for the kind of life he leads. he can't stop himself from fighting for the people he loves until he’s spent everything and forced to stop (read: dies), so during the several times jounouchi is confronted with his own death, he meets it with a solemn acceptance. like, yeah, it sucks, but he doesn’t regret the actions he took to end up here—he’d do it all over again, frankly. it’s better to die than not give everything he can, and at least he was able to give his life in service to someone else. it’s not necessarily good to die, but it doesn’t matter as much if he does.

so where kaiba is afraid of losing, jounouchi is afraid of outliving his usefulness (and being abandoned as a result), and kaiba disrupts jounouchi’s worldview specifically because he puts his ideology on the defensive. to jounouchi, kaiba’s presence never demands a question of “what can you do for me?” (nothing, kaiba doesn’t want jounouchi to do anything for him, and frankly, he’d be insulted if jounouchi even tried) but “what makes you worthy of standing on the same level as me?”, and jounouchi can’t sacrificial lamb get set on fire die a billion times into getting kaiba into seeing it his way (rather, that would only prove him right: kaiba would love nothing more than for jounouchi to lose the ability to fight and finally align with his preconceived notions of how the world works), and he can’t argue that his value is in how much he provides for others because that’s a non-answer. kaiba doesn’t care.

kaiba’s presence forces jounouchi into a position of self-reflection: jounouchi works so hard to preserve the friendships he’s created, but who is he—what does he value about himself in the absence of it? jounouchi needs to acknowledge something inherently valuable about himself if he wants to counter kaiba in any meaningful way, and it’s not like he doesn’t have valuable qualities either: he’s tenacious, he’s resourceful, he’s a quick learner—it takes intelligence to rank as high as he does in tournaments, but he undervalues all of it. these traits are all to be expected, they don’t actually count as extraordinary when it’s him. they’re only remarkable when they’re being applied to something greater. jounouchi believes he has the potential to become strong (and valuable by extension), only with the stipulation that he’s never actually there yet. he focuses too much on his inadequacies, constantly pontificating on how he needs to become a “true duelist”, but by the way he speaks about the title, the only way to be a true duelist is be named yugi muto, i guess.

so it’s very jounouchi-esque for him to miss this point with near deliberate precision and try to make himself useful to kaiba anyway. while kaiba is bent on seeing jounouchi fail to prove that his cynicism is superior to jounouchi’s altruism, the inverse is that jounouchi sees his old self in kaiba and he’s dying to teach kaiba a lesson. during battle for bronze, jounouchi states that they used to be the same, people who only relied on themselves and thought they’d be fine living like that. the argument jounouchi makes is that living that way is fucking miserable. he calls kaiba out: you’re supposed to be having fun. why are you playing duel monsters if you’re not having fun? he’s trying to show kaiba that he can be useful and teach kaiba things if kaiba would just let him, but for reasons mentioned in both of their sections, kaiba isn’t interested in being taught anything.

while less malicious in display, it's important to note that jounouchi’s method of trying to teach kaiba doesn't make him the better person here. jounouchi isn’t coming from a place of understanding when he lectures kaiba, he’s coming from a place of misdirected self-flagellation. and from kaiba's perspective, jounouchi is just dispensing unwarranted advice for the sake of his own ego. the most egregious example is when jounouchi picks a fight with kaiba in duelist kingdom, demanding they duel when kaiba is clearly not in the mood, busy with more pressing matters like, i don’t know, trying to rescue his abducted brother? so, okay, maybe a little bit inconsiderate on jounouchi’s part.

they're two ideological extremes: kaiba lashes out at the world while jounouchi gives himself to it, and jounouchi will keep barging in on kaiba with his life lessons because it’s the only way he wants to engage with kaiba’s arguments otherwise. jounouchi interprets kaiba’s rejection of his ideals as the equivalent of the stubbornness jounouchi had before befriending yugi, and he uses it as a reason to keep pushing, not understanding that while he may have found the most honorable path for himself, you can imagine how constantly burning yourself for others isn’t very…appealing. or sustainable. and that maybe it’s something you need to work on, actually.

⠀

conclusion: how i WIN

what’s fun about jounouchi and kaiba is how wrong they are. they genuinely can't live the way the other demands them to, their respective environments won’t allow it. if jounouchi chased victory with the same cutthroat relentlessness as kaiba, he probably never would have left his gang. or, at least, he’d lose the selfless devotion and consideration he has for others, traits that helped him build his support system, and he never would have found the friendships he values in his life—his willingness to change and start again was how he was able to befriend yugi to begin with. (and if you wanted to get really extreme with hypotheticals, his self-destructive tendencies could have grown so severe in the absence of a support system that he probably would wind up getting himself killed somewhere. lol.) inversely, if kaiba granted himself the freedom to worry less about the outcome as long as he enjoyed himself, he’d put mokuba’s safety at constant risk. kaiba’s guarded nature isn’t without reason, there are powerful corporate executives who would love to see him fail, and there are very real consequences if kaiba slips up for even a second and gives his opposition any leeway. the way they live works for them because it’s theirs. it’s not so much that either of their lifestyles are in dire need of correction, but that the other represents the possibility that they could be living better.

and this is fantastic because it means that, despite what they think, neither of them are in the “wrong” and must learn to change their idiot ways or that the solution is to strong-arm each other into some kind of compromise. it’s a battle of perceived weakness. they need to, naturally and individually, accept that the traits they’ve always deemed immature and beneath them can be just as vital for survival, even when it’s not necessarily their own.

jounouchi and kaiba are essentially the most extreme example of two people who want what’s best for each other (gone wrong!) and puppyshipping is appealing because them getting together requires that they stop punishing themselves for who they used to be. they expect too much out of themselves and then inflict those demands onto each other, but if they’re not wrong for the ways they’ve overcome the circumstances they were left in, then it’s equally true that the ideals they abandoned to survive weren’t inherently naïve just because they weren’t given the space to utilize them. sometimes life will push you to your limits in the hope that you fail, and there’s no deeper meaning to it. it’s not life’s way of teaching you a necessary lesson to make you stronger or a test to see if you deserve to live, or that it’s your fault when it breaks you. sometimes there’s no great meaning to suffering. things happen, and you will adjust to it in order to live. when kaiba and jounouchi believe they know each other as much as they know themselves, pairing them is the hope that they’ll respect themselves enough to respect each other, that they’ll one day be able to embrace the parts of themselves they’re the most ashamed of.

(or, you know, for the alternative crowd, they most definitely can make each other worse.)

for two men who claim to be so self-assured in their own lifestyles, jounouchi and kaiba are fascinating because there’s so many layers of denial at play: the denial that they see anything in each other, denial that there may be aspects of the other that they’ve come to envy, denial that they even care, and it's so tempting to imagine if all of it was forced open. jounouchi and kaiba choose to maintain this delicate equilibrium where they never actually confront anything because the idea of admitting vulnerability viscerally disgusts them, and it begs what would happen if the balance irrevocably tipped for once. watching them is like watching a pencil teetering on the edge of a desk, always this close to some kind of breakthrough. i won’t even lie to you puppyshipping pisses me off half the time because i just want to shake them around until something metaphorically breaks.

kaiba and jounouchi never let each other become complacent in their pasts: whenever their personal tragedies and childhoods are brought up in the context of one another, it’s never because they are being vindicated for continuing to dwell in them, but because they are being contested on how much the mindsets they’ve carried over from their pasts should be allowed to determine their futures.

returning to canon, kaijou operates through the language of competition. jounouchi tries to prove himself as a competitor so remarkable that kaiba can no longer deny him, while kaiba already knows he’s remarkable, and that is precisely why acknowledging it pisses him off so much. so they’ll play their game: jounouchi will provoke kaiba into fighting him because he enjoys going up against challenging opponents in the hopes of becoming stronger, whereas kaiba keeps trying to set up situations where jounouchi will lose to the point of letting him die because he wants so badly to believe that losing does equal death and jounouchi’s existence is the most inconvenient counterargument of all. and obviously, jounouchi keeps not dying. and it's endlessly infuriating—almost slapstick at this point, that much to kaiba's frustration, no matter what he does, he can never make jounouchi submit for very long.

jounouchi and kaiba spur each other on to a ridiculous extent: kaiba enjoys pushing jounouchi past the breaking point, whereas jounouchi enjoys getting pushed to his limits to test his own capabilities. whether that’s necessarily a good thing though is…well…hmm. anyways.

their dynamic is the type of messiness only two prideful high schoolers can get up to. maybe it’s just kaiba's repression and jounouchi's recklessness, but there is a fascination with each other that they’re incapable of leaving alone. there’s intimacy in knowing someone so well and fearing that fact, but kaiba and jounouchi never respond to this fear by avoiding it—they’re engaging with it time and time again. they infuriate each other with a passion that never sits still. kaiba and jounouchi seek a validation from their counterpart while simultaneously denying each other from it, and it’s mean, but invigoratingly so.

at some point, it’s not even about wanting validation anymore, but point-blank wanting its keeper by any capacity: wanting a visible reaction to their effort as proof of reciprocation, proof that says “i’ve finally affected you just as much as you affect me.” because kaiba and jounouchi want to leave a mark on each other, they want their counterpart to fully understand how much they’ve affected them, and they want to witness that reaction themselves. it’s no longer this big, nebulous ideological debate with a reflection: the pull between them is made both physical and personal. so, like, not to go the trite route of arguing that two men who can’t stand each other were ~secretly attracted to each other this whole time~, but how else are you supposed to word this?

in some hypothetical universe where they do come together, even the ways they love manage to compliment each other in its own clumsy way. seto kaiba never does anything in moderation: if he hates something he will destroy it, if he loves something he will possess it, and if he is obsessed with something, he will single-mindedly pursue it at the expense of everything else. his repression manifests itself in a passion so pressurized it’s all-consuming against everything it comes to contact with. inversely, katsuya jounouchi loves freely and transparently: showing affection comes as naturally as breathing to him. he embodies the belief that love is not only about the grand gestures, but the day-to-day acts of warmth and casual acknowledgments that it's there. a man who wants to be wanted by someone so badly it aches paired with someone who makes no reservations as to what he's committed to, capable of a love so overwhelmingly insatiable that it is neither fickle nor delicate, and a man who finds the act of trusting others with his affection so unthinkably humiliating that he’s convinced himself it’s something beneath him paired with someone who makes it look infuriatingly easy. they are going to invent a new language to love each other with. i believe in them. i would not write two separate essays titled “here’s how puppyshipping can still win” if i did not believe in them.

ultimately, it feels cheap to build kaiba and jounouchi’s relationship off what life lessons they could "teach" each other reformation-style when they already have a legitimate dynamic in play. they can be good for each other, or they can tear into each other in ways they’d never expect to be capable of. there’s something exhilarating in knowing there’s someone who has that kind of power and wanting to keep them within your reach, a buzzing excitement in knowing someone who can not only withstand you at your worst, but fight back at you with twice as much vigor. sure, there’s potential for growth here, but that’s because there’s potential for literally anything.

kaiba and jounouchi inspire reinvention and self-determination from each other at the best of times and enable each other’s most self-destructive tendencies at their worst. so i think. puppyshipping is the most fun. when you ship them the same way you leave a fork in the microwave to watch it explode. the end.

TL;DR: me x the guy who keeps breaking my worldview and forces me to reevaluate myself every time i see him which i hate so much that i just want him to DIE

#puppyshipping #violetshipping #seto kaiba #joey wheeler #ship analysis #character study #not intended to convince anyone of anything this was a silly project to do on the side for MEEE #also i genuinely dont think any of the points i make are new #in my quest to be as holistic as possible and read every puppyshipping-adjacent meta analysis i could get my hands on #defense essays. criticism. livejournal blogposts #ive found several times that every point i make has already been made before in some kaijou 200k longfic posted in like 2011 #so if this essay is for ANYONE who isnt me.#its for the kaijou fic authors who have put in the work. god's strongest soldiers etc etc #actually. might reblog with an actual afterword citing my favorite ygo analysis i read in prep for this lol #i allude to a few of them in certain sections but i think youd have to be REALLY chronically online to notice #(coughing)#anyways special thanks to the friends who kindly beta read a document titled 'YAOI THESIS FINAL.docx'#fer + voski + cherry + sully + eric + cleo + gabby + chris + clover + vio #dear god i have inflicted this essay onto so many people #i love you.#you have enabled me and now we're all paying the price #yugioh

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