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pyjamacryptid · 9 months

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I’m not sure how I got here but I’ve been thinking about the intimacy and devotion of washing another’s hair, the hair of someone you care for (how unconditional a gesture it is) and I then thought of Merlin doing it for Arthur.

It’s not in the job description (a lot of what Merlin does for Arthur is not in the job description) and it’s unlikely something that started his first day as Arthur’s servant. Nor the second or the 20th or by the 6th month. Arthur may be a prince, a prattish one at that, but when it comes to his baths he only expects of Merlin what he expects of any manservant - call for the tub, draw the water, lay out a towel, place fresh clothes close by and so on. But, naturally, he’s also a prince that commands the knights and with training comes injuries. Perhaps an arm was dislocated and he’s on strict orders from Gaius not to utilise it, and definitely not to reach above his head. Later that same day Arthur sits in the bath and realises too late he can’t tend to his own hair. But he doesn’t call Merlin over from where he’s making the bed. He tries to do it himself. He’s still got one working arm, after all.

Arthur only knows how to command things be done. He doesn’t know how to ask for things. He doesn’t yet know that asking isn’t weakness.

But he can’t hide his struggling from Merlin, who’s more mother hen than manservant.

“Here, let me,” he says, suddenly behind Arthur, “before you lose all the bathwater and your arm, both.”

“I don’t need your help, Merlin.”

“Of course not, sire. Now, pass me the hair oil.”

“Excuse me, who is it that gives the orders here?”

“You, sire. The hair oil.”

“…”

“Thank you. Right, hold still. I said hold still—“

After, Arthur will wonder why he ever thought Merlin would be anything but gentle. After, Arthur will wonder when his eyes closed and why they feel a little wet, especially as Merlin took great care to catch anything before it fell in Arthur’s face.

Over time, a stool begins to sit beside the bath, whenever it’s drawn. Over time, Arthur will notice Merlin’s fingers never grow any less gentle (even when he knows his manservant is angry with him). Over time, Arthur will want to ask why Merlin added washing his hair to his list of jobs indefinitely, long after his arm healed, but is afraid he’ll only prompt Merlin to stop because it’s not a job at all. Over time, Arthur will wonder what oils Merlin uses on his own hair, if he has access to hair oil at all, and how his cropped hair might feel to touch.

#is this a ficlet #idk how I got here #or where this came from #listen the devotion of washing hair got to me alright #merthur #bbc merlin #merlin #merlin x arthur #merlin emrys #arthur pendragon #Merthur fic #ficlet #fanfic #merlin ficlet #merthur headcanon #ren writes #IDK WHAT THIS IS JUST TAKE IT (yeets this at the Merthur fandom and skedaddles)

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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nettlesketches · 27 days

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more 'emmet in france' musings from this post :>

some notes:

- woke up in kalos after falling asleep in his chair doing paperwork

- wants to return to Gear Station ASAP, working on inventing a time machine with the help of his pokemon. Emmet considers this a 'slight delay'

- ingo has been a missing person for 3 years

#idk what era za is going to be yet but emmet gets yeeted back 200 years for this one #also emmet has no idea about hisui or anything. ingo just went missing and the case went cold immediately #submas fanart #myart #submas #pokemon #subway boss emmet #pokemon fanart #eelektross #chandelure #submas au #hatless au #pokemon legends za #pokemon spoilers #if the setting is a spoiler

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sinnabee · 7 months

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Commission for @fizziepop! Rambling under the readmore!

The concept for this one was that Y/N has, some-way, somehow... perished. The boys have lost them. And so here they are - torn apart yet brought together, in rage and fear and grief.

But, if you wanna be silly with it - maybe it's just that they tripped and fell down and the boys are acting like its the END OF THE WORLD. Might work with gala again later and do a follow up on this with y/n in the family guy death pose haha! (might even do it on my own if it strikes me!)

This piece took me. MONTHS. And it was a challenge, and I VERY much struggled at times. But Gala has been WONDERFUL through the whole thing, and honestly I had a BLAST working on this piece. (Also Gala idk if I ever mentioned - you gave me WONDERFUL refs and had super vivid ideas, it was awesome.) I learned a lot of fun new techniques, and improved a LOT while working on this! Finished it up last night on stream, and I'm super proud of it! Gala, I hope you love it just as much as I do!!! <3

In particular I am the most fond of the bio-lights on Eclipse, and the shading on moon. Though I do like the patterns for the lights on sun, I think the glow on Eclipse looks just a taaaaad cooler. I ALSO got SUPER carried away with the clouds in the bg - it was meant to me "simple" oopsie. But! It was fun and dang??? I really like how they turned out! (thank you, gouache brush my beloved <3)

#fnaf sb #fnaf sun #fnaf moon #fnaf eclipse #mer au #fnaf au #mermay #no its not mermay but IDK ANYMORE #its almost OCTOBER #*yeets the fish at u*#funky little jester boys #my art #comm #sinna comms #gala comm #stream art #fuck yeah yall i FINISHED IT!!#YIPPEE!!!!!!!!!!

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rhapsoddity · 2 months

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Did this at the start of the week but RAAAAH NEW OLI SKINS

NameMC rlly providing for us while we wait for Oli to finish his SOS episode

#theorionsound #oli orionsound #idk if these are for SOS or not but YEET HERE U GO #rhaps art #mcyt #mcyt fanart #mcytblr

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lemony-snickers · 1 year

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"you are the only one who's ever broken me open."

"do not scream god's name, scream mine."

"please don't make me say it if you aren't going to say it back."

"your heart is beating so fast." "because i'm happy."

"i want to draw a map of your scars so i can always find my way back to your heart."

"i don't believe in such nonsense." "i'm not asking you to. i'm simply asking that you believe in me."

"is that good? that's all i want, to make you feel good."

"it reminded me of you. but then, sometimes i think everything reminds me of you."

"what a fragile thing, that love can so easily turn to violence."

"why are you doing this?" "because i love you."

"it didn’t feel right when I was always thinking of you."

"i would have felt like the luckiest person on the planet."

"are you gonna take that off or should i keep guessing?"

"i wanted this to be special."

"i can't believe... after all this time... i should have known it would be you."

"i want to be wildly, deliriously happy. wildly, deliriously loved."

"i try always to be too much for you."

"the sooner i leave, the sooner i will return and we can begin again."

"i didn't die." "you were dead to me."

"i don't care if other people see us together, you do."

"and you say i'm the one who should be resting."

"i'm sorry." "for what?" "that you got stuck with me."

"what makes you happy?" "lots of things." "and what makes you unhappy?" "lots of other things and some of the same ones."

"i wish i could give you the world." "the world is not enough. but you are."

"i have never needed anything so much as i need you. and i hate you for it."

#lemony snippets #writing prompts #fanfic writing prompts #smut prompts #romance prompts #angst prompts #i mean i guess they are prompts if you ignore how bad most of them area ;dlsjfasdf #idk here are a bunch of horrible half-formed pieces of things i have written but have either never finished or will never publish #for some other more talented person(s) to utilize as they see fit should they so choose #anyway yeet #this is a queued post #as is almost everything these days lol #gosh re-reading this stuff is so cringe-y help asdasdf

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solacium · 1 month

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presence // aventurine

he'll never outrightly ask you what it is, not at the outset.

he might find you curled on the couch, quiet, trying to breathe out the something in your chest that writhes and constricts, or in tears, but he won't ask, only sit quietly with you, lean against you, the weight of him enough to reassure you of his presence. maybe you reach for him, curl into the hollow of his body, and he'll let you, hold you until the tears stop, or you can feel your hands again, or you fall asleep, to the steady rhythm of his heart.

you'll wake, or look at him, and he'll speak, then, maybe look back at you with those iridescent eyes that you love, as he asks, softly, if you're feeling better, if you want to talk about it.

he'll keep you company, either way, listening. there is a steadiness in the weight of his arms around you, in the even beat of his heart against your back. you'll have to move, eventually, one of your legs falling asleep under you, and you'll both laugh, and shift. he gently disentangles himself from you, to get you something to drink. you settle back down, curled around each other, talk quietly until the sunlight changes.

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blastlight · 1 year

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The announcement | The blog message

Discord is changing their username system. as an example change: the account User#7235 would change their username to @ user, with an additional profile nickname (like Twitter has), on top of server nicknames-- and that's IF you manage to get your desired username in the first place.

Please leave feedback on Discord's feedback site if you're opposed to this change.

#i haven't even covered problems that this system will CAUSE here #but that's alllll in the feedback forum....... its all the same thing and its all so correct. i hope they listen......#also to be noted is that i think you can just not change your username and nothing will happen...#although that only 'fixes' one aspect. and only even about 25% of a fix #it's a mess.#discord #polls #tpolls #blast babbles #options 5 and 6 are by far the stupidest reasons they gave for this smfh #also this is my first poll idk how well it's formatted lol #yeet

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acknowledge-reigns · 5 months

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No Yeet (Roman Reigns x Fem!OC SMUT) 18+

Description: Roman hates the word yeet. His bratty sub loves to push his buttons.

Warnings: Dom/sub dynamic, bratty sub, pet names (babygirl, princess, baby. Lil, short for Lilith...), light degradation (use of the word slut), orgasm control and denial, oral (f receiving), fingering, teasing, begging, edging, spanking, aftercare, fluff at the end, tiny bits of angst if you squint.

Kayfabe compliant. This is a story about Roman, not Joe.

18+!!!! MDNI!!!!

Face claim is Megan Thee Stallion.

See my other stories here.

It had been a couple of months now since the press conference where Jey and Cody had affectionately been dubbed 'team yeet' by the fans, due to Jey's obsessive ussage of the word and getting even Cody, although in a drunken state at the time, on the 'yeet' train as well. It was like overnight the word was re popularized, amongst the WWE Universe and the wrestlers in the locker room at least.

Two Months. Eight weeks of hearing that damn word non stop. Roman had lost count of the amount of times he's yelled at Jimmy not to say yeet, simply explaining "I don't like that".

That explanation was a hell of a lot easier than the deeper reasoning.

He missed Jey. His little cousin, his right hand man. While Roman refused to admit that he was in anyway jealous of Cody, he refused to utter that word. That word was a symbol of betrayal. Of his cousin leaving him and aligning with the enemy.

A lot has happened as of late. More recruits to the bloodline. Specifically a newly signed Lilith "The Vixen" Obsidian.

Fresh out of the independent circuit but with plenty of experience, Lilith knew what she was doing. Not just that but she practically grew up with Roman and The Usos. They had been close childhood friends. She and Roman had shared their first kiss, went to prom together and so much more.

There was never a question of where her loyalties lie. The two had gone their seperate ways after high school with no hard feelings at all. They just wanted different things in life at the time. Roman was pursuing football, and Lilith was ready to begin a wrestling career.

Fast forward and years later, Lilith couldn't have gotten signed to WWE at a more perfect time. With the bloodline's rivals growing more powerful by the day something had to he done.

The minute Rhea Ripley sat in Roman's locker room and said for Paul, Roman's Wiseman, to acknowledge her.. That was when Roman knew it was time to make the call. Lilith of course eagerly agreed to join the bloodline and handle any potential drama and disrespect from Rhea. And things grew from there.

Feelings were quickly rekindled. It started as a one night thing. Roman needed to blow off some steam, Lilith was ready and willing. So they had sex. From there it moved on to friends with benefits. Any time either of them were in need of pleasure, the other was one call away.

It continued to grow though until eventually Roman asked Lilith to be his girlfriend. And she said yes.

Roman sat in the chair in his locker room, Lilith perched in his lap playing with his long gorgeous mane.

"Yeet" Jimmy says

"I already told you, I don't like that." Roman snapped. To be fair he was already frustrated as hell with LA Knight of all people having the audacity to challenge him. And he'd hurt his finger in the process of the scuffle with that nobody, to say he was in a pissy mood was an understatement.

Lilith though, ever the brat didn't miss a beat seeing the look on his face. She looks directly in his eyes with a challenging smirk.

"Yeet" Lilith says as if daring him. You could hear a pin drop in that locker room.

"Everybody but Lilith, out. NOW." Roman's voice boomed. Lilith giggled, clearly amused with herself as Solo, Jimmy and Paul quickly headed out of the room at the tribal chief's command.

As the door closes, Roman faces Lilith. With a determined look on his face, he takes a step towards her, his dominant aura emanating from every pore. Lilith's eyes widen slightly.

Roman firmly grabs Lilith's wrist, his grip both gentle and commanding. Lilith's heart races, her bratty facade crumbling under the weight of Roman's dominance.

Standing in front of her, Roman leans in, his voice low and authoritative. "Now babygirl, I know you know better than breaking your tribal chief's rules." he spoke.

Roman maintains his dominant stance, his eyes locked with Lilith's as he contemplates the appropriate punishment for her bratty behavior. He smirks, sensing her nervous anticipation.

With deliberate slowness, Roman reaches out and gently brushes a strand of Lilith's hair behind her ear, his touch sending a shiver down her spine. He leans in closer, his warm breath grazing against her earlobe as he whispers, "You know, I think you need a reminder of who's in control here."

Roman's hand trails down Lilith's neck, his fingertips grazing her collarbone, before slowly sliding underneath her shirt. His touch is both firm and tender, igniting a mixture of pleasure and anticipation within her.

Roman's eyes gleam with a mix of mischief and dominance. He leans in, his lips grazing against her earlobe, his warm breath tickling her skin yet again. "You've been a very naughty girl, Lilith," he murmurs, his voice dripping with a potent mixture of authority and desire.

"You remember your Safeword, Princess?" Roman asks.

"Oreo" Lilith stated.

"Good girl." Roman responds as his hands move lower, skimming over the curve of Lilith's waist before slipping underneath the waistband of her pants. His touch is tantalizingly light as he traces circles along her hip bones, teasing but never fully satisfying her growing need. Each touch leaves her craving more, her body yearning for release. Once he pulls his hand away, he relievers delivers two quick slaps to her ass.

He leans back slightly, his eyes locked with hers, relishing in the sight of her desperation. "You see, Lilith, I am the one who decides when and how you receive pleasure, I'm the one who makes all the decisions around here." he says, his voice a low growl.

Roman's lips curl into a smug smile "You want my touch, don't you, Lilith?" he whispers, "You're craving it, yearning for it. But you gotta learn, babygirl." he muttered.

Roman's fingers trail along the edge of Lilith's pants again, teasingly close to where she desires him the most. He watches as her breath quickens, her eyes pleading for his touch. However, he remains steadfast, denying her the relief she so desperately seeks.

"Tell me, Lilith," Roman continues, his voice dripping with authority. "Tell me how much you need me. Beg for my touch."

Lilith's cheeks flush with a mix of embarrassment and desire as she hesitates for a moment before complying with Roman's command. With a trembling voice, she whispers, "Please, my tribal chief... I need you. I need your touch. Please."

Roman's grip tightens ever so slightly on her waist, his dominance palpable. "Good girl," he murmurs, his voice laced with satisfaction. "But I'm not finished with you. Strip." he added.

Roman watches with lustful eyes as Lilith begins to strip for him immediately. He couldn't help but grin, she probably thought he was going to let her cum. She would be wrong.

For the next couple of hours He pushes her to the brink of climax repeatedly, only to deny her release.

With a calculated touch, Roman continues to tease Lilith's body, his fingers tracing a maddening path along her sensitive skin. He brings her to the edge of climax, skillfully manipulating her pleasure until she's on the verge of losing control.

Just as Lilith's body trembles with anticipation, Roman withdraws his touch, denying her the satisfaction she craves. A whimper escapes her lips, a mixture of pleasure and frustration. Her eyes plead with him, silently begging for release. She was laid back on the couch, her legs spread wide displaying her glistening pussy and allowing his fingers and mouth to work their magic.

He continues to repeat the tantalizing cycle, each time bringing her closer to the edge before abruptly stopping. The waves of arousal crash over Lilith again and again, intensifying her desire and driving her to the brink of madness

"You're mine, Lilith," he whispers as his fingers pump in and out of her pussy with a steady rhythm. "Your pleasure, your release, everything belongs to ME."

Lilith's breath quickens, her body yearning for release. "Please" she whimpered and begged.

"You think you can defy me and still expect pleasure? Nah, princess. Not today." He chuckled.

"Look at you," Roman continues. "Pleading for release like a desperate little slut." he says as he denies Lilith release time and time again, "MY desperate little slut."

Roman slowly and sensually explores Lilith's body, his touch becoming more intimate and passionate. He pays meticulous attention to her responses, ensuring her pleasure reaches its peak.

"You can cum for me now, babygirl." Roman says as Lilith's arousal builds under Roman's skilled ministrations, he carefully listens to her body, attuned to her every moan and whimper. He knows exactly when she reaches the point of no return, when her pleasure is on the cusp of overwhelming her.

With a final flick of his tongue against overly sensitive clit, Roman pushes Lilith over the edge, allowing her to climax with a wave of intense pleasure that echoes through her entire being.

Roman grins, his beard still glistening with her juices as he lifted her gently into his arms and sat again with her in his lap.

With a tender touch, Roman runs his fingers through Lilith's hair. He leans in, pressing a soft kiss against her forehead, his lips lingering against her skin. "You did beautifully, my love," he whispers, his voice filled with admiration and affection. "I'm so proud of you."

Roman wraps his arms around Lilith, pulling her close to his muscular chest, offering her warmth and security. He gently rocks her back and forth, creating a soothing rhythm that helps her unwind from the heightened sensations.

As they bask in the afterglow, Roman peppers Lilith's skin with light kisses, his lips tracing a path of tenderness along her neck and shoulder. He murmurs words of reassurance and comfort, reminding her that she is cherished and loved.

"So, what's your problem with.. that word?" Lilith asked curiously, refraining from repeating the word that had led to her punishment in the first place.

"I don't want to be reminded of how I messed things up with Jey." Roman stated honestly. Lilith was the one person he could share his true emotion with.

"Ro, you know you could try talking to him. Apologizing. He'll forgive you." Lilith encouraged.

"I can't be seen as weak. That makes the bloodline vulnerable." Roman said.

"Baby, you are anything but weak. And whatever decision you make, I'm gonna be right here along for the ride." Lilith assured him.

"I love you, Lil." Roman says.

"I love you too." Lilith smiled as she kissed him.