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#yeah sorry about my face
lothiriel84 · 1 year
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emipon · 1 year
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So excited to play aaaaaaa can’t wait aaaaaa
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stinkythehutt · 4 months
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also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…
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theloveinc · 4 months
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Bakugo is part of the sassy man apocalypse and whenever you point it out he starts seething over it bc he knows he can’t get mad at you or it would just prove you right about him. He’ll sit across the room from you just glaring and it’s the funniest thing. God forbid he puts his legs up too then it’s REALLY funny. Will literally turn his WHOLE BODY away from you the more you pester him about it.
Deku is also apart of the sassy man apocalypse except his outbursts are rarer and therefore more funny bc they’re so genuine. “what do you mean you threw away my moldy shoe polish”-ass AS his voice cracks. He’s so caught up in whatever it is that when you comment on it, he is actually cracking an embarrassed smile bc he fell right into it so naturally.
Kiri is part of the sassy man apocalypse except in a whiny way and then the second you point it out, he’s exaggerating it even more and failing, which is lowkey cringe. He does think it’s funny when you say that tho so he gets a pass.
Shoto is the eye of the sassy man apocalypse. Doesn’t even think it’s funny bc he thinks he’s justified. Will literally rub his eyes with his thumb and forefinger to get his point across, he’s that sassy lmao
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quinn-pop · 8 months
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true love is when you get to be a little bit silly together
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lollytea · 2 years
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I'm never shutting up about this
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thecryptidbard · 3 days
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ALSO can we talk about Hetty’s reaction after Flower tells her “You’re a good friend”???
Think about where she was at this point last year—having also just revealed a massive secret, one that almost irrevocably ruined one of her oldest friendships. She’d admitted in Ghost Court that friends were not something she’d ever had in life—something she hasalso just reiterated moments ago to Sam and Isaac, that one of the reasons she felt so trapped and alone and without options at the end of her life was because she had no friends.
Think about how far we’ve seen her come; in season one, it’s huge growth for her that after Jay’s possession, she admits to the other ghosts that she missed them. Or season two, how in a very un-Hetty move she’s willing to swallow her pride and apologize to Nigel (even though she’s sure she isn’t in the wrong!) for the sake of saving her friendship with Isaac. Or even earlier this season, how closely she’s clinging to Alberta in so many of the episodes, because she’s so grateful she got her friend back after being so close to losing her that she doesn’t even want to be physically separated from her.
And then now, she’s just once again revealed a secret she’s kept for well over a hundred years, in order to save Flower. She’s kept this part of herself from everyone for so long, and the very second she sees that Flower is securely out of the hole, she turns her back to everyone to gather herself and then bolts.
Isaac and Sam make her see that, yes objectively she has people here for her now like she never had in life, but Flower coming in and thanking her is when she actually gets to see and experience the reality of how different her existence is now. “You’re a good friend,” she says, and it might be the first time someone has ever said that to her. And Hetty just looks up at Flower so surprised in that moment, and so heartbreakingly hopeful, because I genuinely think that until right then, she really hadn’t considered it like that before; she just knew that Flower was in trouble and that she had to help her whatever the personal cost, because not saving her wasn’t even an option.
So much of the ghosts’ relationships, especially early on, were transactional, and, especially in Hetty’s case, built around enforcing particular power dynamics: accruing a wealth of back rubs, extorting Pete’s TV time before signing Elias’s contract, or any of the countless occasions she brought up her status as ‘lady of the house’. So the fact that she makes this sacrifice that feels like a loss of power to her is in and of itself big; but Flower acknowledging that, and making sure Hetty herself sees it too, by calling her a good friend—it’s a whole different level of meaningful.
She doesn’t just thank Hetty. She makes sure that she sees what her actions mean to her. And Hetty is so taken aback by it, because Flower saying this to her and meaning it is a gift she was absolutely unprepared for; a “good friend” is not something Hetty has ever known herself to be, up until now. But she very badly wants for it to be true.
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lazycranberrydoodles · 6 months
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MAILMAN - SOUNDGARDEN
BABYGIRL WHAT IF THE SINGLE PLANK PATH TURNED MY YOUTHFUL INNOCENCE INTO A TOXIC COCKTAIL OF HUBRIS AND MORBID RESIGNATION
yeah. follow for more of the character of all time XO
#verse 2: for all of your kisses turned to spit in my face / for all that reminds me which is my place#for all of the times when you made me disappear / this time i’m sure you will know that i am here#verse 3: my place was beneath you / but now i am above#and now i send you a message of love / a simple reminder of what you won’t see / a future so holy without me#its the bitterness. the references to an inferior origin. the mocking tone. the finality.#the ‘i’m bringing you down with me and the eventuality of my demise gives me power over you.’#the spiteful continuance. OURGHHHHH#urgh yeah. ‘a simple reminder of what you won’t see/ a future so holy without me’ is probably my favorite line in reference to the yllz#my favorite song from Superunknown (album) is Limo Wreck!#but this has been on my wwx playlist for a while. and its right next to LVCRFT’s Dead Don’t Die djbdhgf#which is a banger about how awesome and spooky it is to be undead#(its like. hip hop x pop x how villain songs in musicals are always the best)#e.g.#‘welcome to my lair / put your bones in the air’#sorry lemme just#DEAD DONT DIEEEEE (the dead dont die we just multiply) DEAD DONT DIEEEE (does this look in my eye make you terrified?)#yeah its more goofy silly post resurrection wwx. hes a multifaceted character <3#is the curtain of talismans in the demon suppressing cave fanon or canon btw? i cannot rember where i got it from#used my yllz nenderoid as a reference 😌#art#mdzs#cringetober 2023#mo dao zu shi#my art#yiling laozu#yiling patriarch#wei wuxian#the grandmaster of diabolism#the grandmaster of demonic cultivation#self harm tw
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Books of 2024: NEVER WHISTLE AT NIGHT: An Indigenous Dark Fiction Anthology, ed. by Shane Hawk and Theodore C. Van Alst Jr.
This has a bunch of authors I already love in it (Stephen Graham Jones, Darcie Little Badger, Waubgeshig Rice, and Rebecca Roanhorse!!), and several authors I've been meaning to try (like Tommy Orange, Nick Medina, and Kelli Jo Ford, to name a few), so I'm really hyped for them all to be together in one volume! Plus dark fiction is very much my jam (especially when it comes in a bright and colorful package).
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lothiriel84 · 1 year
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New Year's Day.
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b4kuch1n · 1 year
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I actually for real feel like my phone's scanning quality has dropped monumentally while I was away on thing so that's a fun thing to figure out now. anyways
#sk8 the infinity#kyan reki#hasegawa langa#renga#answering of ''sure'' whenever they ask ''are you gay'' strikes again#gods. genuinely at least on the export the quality of these dropped like to half. whats up with that#sorry if these are impossible to parse#anyways. scribbled these during ''holiday'' ''vacation'' ''getaway'''#sometimes it really is the simple things. hallucinating vividly about the casual life of a pair of teens to survive being in a car for 6hrs#WITH da family#so glad I picked up scribbling on paper again. I actually got stuff to do digitally today and!! literally it feels so much cleaner#like I feel like I relearned a bunch stuff doing traditional ink again for a sec#but yeah. u guys should know by now how much I think about food as a concept#took 3m off last year to write about it in fact. but now Im just microdosing by drawing langa#I'm also actually so insane about reki being a scaredy cat it's so. something. it means so much to me#this of course means koyomi is a jumpscare champion. among siblings that are close in age there must be#the one who sleeps in the lower bunk. and the one who ties a doll to a string by its neck and lower it down to be next to the others face#'why is that so specific' no further question. thank you#gods okay. I need to lay the fuck down it is now my time. to be in bed#Im onto some real exciting stuff rn! and when this piece is done I'll return to ink for a sec#so uh. ink comm maybe not this week. but the next#happy late labor day! seek and destroy. have a good night
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prettyflyshyguy · 26 days
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He's a monster, and he's hungry.
Wrote this over a few days because I'm. Not ok about this. It's on AO3, and under the cut cause it's a short one. Not super edited, just got desperate for more content exploring when Dean was a vampire and when I found none I was like "well alright. Guess I'll make it then."
“I can’t believe it.”
Dean paced the length of the hotel room, passing back and forth by the table where his brother sat, prowling like an animal in captivity.
“You just stood there and watched that freak turn me!”
He stared at Sam, hoping for a change in his reaction, a look of sympathy, an admission of guilt, some form of recognition that something fucked up happened in the alley. Sam’s face was blank, his heartbeat steady, and frankly he just didn’t seem to care. In fact, he hadn’t seemed to care about much recently. He was a cold, lifeless, empty husk and Dean was tired of it. His usual quips brought no frustrated response, no snappy replies, he was simply brushed off. There was no banter, no anger, simply complete and utter apathy no matter what he said. Sam had his moments, everyone did. Dean knew he had a tendency to push his luck, many people had told him this. But Sam was different, they were siblings. Sam putting up with him being an ass was just how things were, and would always be. At least it's how it should be. After everything they’d seen and done together… If Sam held any resentment, he’d have made it clear by this stage. He was a good liar, but Dean could always tell. They both knew each other too well. If he had any doubt something was off about Sam, it was quickly disintegrating as he stalked the room, watching him blankly staring up at him from the small table. Not even fidgeting in the slightest. 
They’d been pushed to their limits before, and Sam was always the first to speak up when something was wrong. 
“Dean.”
His lip curled at the sound of his name. It was so hollow. So static. It reminded him of school, when his teacher would check the roll call. It was an obligation and a requirement, not something done out of genuine care. 
He decided to push a little harder.
“I mean what the hell was that all about Sam? Revenge? To get me back?” he growled. 
“You know you’ve talked so much shit about me taking risks, is this all just some master plan to show me the error of my ways? A jab back at how you still, somehow deep down, think I’m Dad’s perfect son?”
He stood still, observing for a change in reaction. Dean desperately wanted to find a tiny shift in body language, a subtle twitch in his eyes or mouth, that sad glint in his eyes.
He breathed out slowly as Sam once again stared back with soulless eyes and a steady heart.
Not enough, Ok, he thought. He was an expert at this. Maybe Sam had steeled up after all these years. 
It wasn’t a completely unreasonable possibility. 
“I almost hurt Lisa and Ben, Sam! I came so close, I could have killed them and no one would have been there to stop me, but you were!”
He took a step towards Sam as he spoke, the venom of the accusation lingering in the air.
Sam breathed out and shuffled in his seat. Finally, a response. 
“Dean, you need to calm down.”
You calm down.
He took another step closer, noting the slight increase in pace of Sam’s heart. Progress, hell yeah. A smile tugged at the edges of his lips though Dean’s eyes were as cold as Sam’s.
“Oh, that's rich coming from you! That’s easy for you to say when you’re not being assaulted by noise like you went to the movies and an intern did the mixing.”
He took another step closer. 
The thrumming beat increased in speed once more. 
“Dean.”
“S’matter of fact,” Dean slid his fingers across the tabletop, tracing the grooves in the rough wooden surface, “you’re exceptionally calm given I’m now stuck doing a bad David Boreanaz impression for an indefinite period of time, with no guarantee this Campbell special will even work.”
He looked up from where his hand slid along the table to match Sam’s unwavering gaze. His brother tilted his head to look up at him as Dean hovered above, adjusting in his seat. Sam slipped his left arm over the backrest of the chair. 
Dean’s expression turned cold once more.
“And I’ve been thinking, Sammy. It’s ironic. Between that creep, you just standing there and watching, and…” jabbing his thumb back towards himself he gestured “... me…” 
Dean slammed his hand back down on the table, leaning in closer. The headlights of a car flickered through the slim gap in the middle of the window curtains drawn behind them. It reflected off of Dean’s eyes for a split second, making Sam flinch. It reminded him of the animals on the side of the highway, peering at them through the bushes before darting away when they drove late at night.
“Begs the question,” Dean continued. “Which one of us is the real monster?”
Sam swallowed. The first real visible sign of him showing some nerves. He’d finally cracked him.
“Since you can hear my heartbeat,” Sam spoke slowly, “what does it say about me now?” 
His tone was outwardly calm, but Dean could hear through him. 
“It says you’re shit scared, Sammy.”
Sam waited for a few seconds before opening his mouth to respond. Whatever he said, Dean didn’t seem to notice, as his gaze began to shift from Sam’s face down to where the light of the window caught the curve of his exposed bare neck. A pang of hunger swelled in the pit of his chest as the noise and light and intensity of the room faded away until all that was left was the steady sound of the beating, beating, beating. 
A sharp, intense pain stung the side of Dean’s neck breaking him free of the trance as he collapsed to the ground groaning and twitching in pain. Through fading vision he looked up to see Sam still sitting on the chair, slouching back, but holding a syringe in his left hand. The contents empty. 
“You… sonof-abich…” his words formed a slurry as his body went limp.
-
“Nice of you to join us Samuel.”
“What the hell is going on here?”
“Sam’s showing me what all those years of boy scout training taught him to do.”
Dean sat on a chair, his legs, arms and chest bound with thick twine rope. Smiling at Samuel for a moment, he motioned with what little mobility he had in his hands to indicate. Samuel glanced at his brother with a questioning look.
“You did this?”
“He shot me full of dead man’s blood, and I gotta say, that’s one hell of a drug.” 
Dean’s tone was dry and unimpressed. Samuel assessed the room, looking as though he wanted to ask more questions, but decided against it. 
“Anyway you said you were getting something to help?” Dean’s voice broke the silence.
“This is help.”
Samuel pulled a glass jar out of a brown paper bag, setting it on the table. The contents was dark and viscous. It had sloshed around in transit, coating the airgap at the top of the jar. The light pierced through the clear glass and bright red light danced across the varnished wood tabletop.
“Wh- what is that?” 
“Cows blood.” Samuel said curtly.
“That’s help?”
“It’ll keep you alive.”
As he twisted the lid open Dean’s eyes flicked between the jar and the two men.
“Well can you at least untie me first?” he pleaded, his voice straining. 
The rope dug into his wrists and the thought of being spoon fed cows blood was sending his mind to a dark and violent place.
“Dean, it's just a precaution.” Samuel attempted to be reassuring. 
Dean clenched his jaw. Precaution for what. You weren’t even here to see Sam attack me.
“Oh cut the bullcrap!” Dean spat, pulling against the rope binding his arms and legs. “C three P O over here was a bit too cautious back in the alley and look where it got us!”
Samuel stared at him tensely. Dean winced as a spike of sound ringed in his head from a car horn outside. 
“Look I’m fine, Samuel. Really. Just untie me.”
The older man hesitated.
“Please?” Dean cracked a smile that usually got him whatever he wanted.
Usually.
Samuel watched him carefully while he placed the jar lid on the table. The unmistakable smell of iron, meat and death began to waft through the room. He leaned into the scent as he realised just how hungry he was. How dry his throat was. How much the deep, dark red called out to him.
“Samuel I will kill you if you try and hand feed that shit to me.”
The older man raised an eyebrow in response, unimpressed, and picked up the jar.
“Wait!” 
Dean grimaced and hissed through gritted teeth as Sam called out from the other side of the table.
“One drop of human blood is enough, are we sure that cow’s blood is clean?”
“Oh you gotta be fucking kidding me Sammy…” Dean groaned.
Samuel paused, running it through his mind, blinking a few times, he contemplated the risk and the chance. Looking back, Sam shrugged silently.
“Sam has a point. If any human blood, from a cut or a scratch, got into this at the abattoir, you’re done.”
Dean ignored him and glared at Sam.
“God I can’t listen to you right now.”
“I didn’t say anything!” Sam blurted in frustration. 
“Your fucking heartbeat man! It's so loud, it's so monotonous it’s killing me! Look, Samuel, just cut this fuckin rope and hand me the fuckin jar.”
Reluctantly, and cautiously, he pulled out a hunting knife from a holster on his belt. Staying as far from Dean as possible, he nicked part of the rope on Dean’s right arm just enough for him to wiggle it loose. Waving it in the air and stretching the fingers, Dean looked back to the two who were eyeing him off.
“See that wasn’t so bad now was it.” Dean’s tone was sarcastic and he tapped the armrest with his index finger.
“C’mon guys don’t look so nervous.  You can just drug me up again, it’s not like that's off the cards is it Sammy.”
Sam glanced away at the mention of his name, Samuel grunted in frustration as he reached for the jar and took a step towards the chair. In an instant the background thrum of his heart filled Dean’s mind, it was faster, full of nerves and fear compared to Sam’s horribly persistent flat tone. As he approached holding the jar out, Dean felt something shift under his lip.
“NO.”
His voice boomed as he jerked back in his seat, the legs scraping against the floor. Breathing sharply, he tilted his head down avoiding the stares of his associates. 
“Get away from me.”
Grunting and breathing through gritted, sharpened teeth, he glanced up. 
“Sammy, drop the machete.”
They’d both instinctively reached for their weapons. Brandishing them high, already poised for a clean decapitating swing. Dean growled and heaved deep breaths of air, flexing the remaining restraints. He could break free, if he wanted to. With one arm loose, he could easily rip the remaining rope off. He contemplated the thought, reveling in how powerful it made him feel. 
“Dean?”
Samuel’s voice snapped him back to reality. He’d placed his machete back on the table, Sam had lowered his but still gripped it. 
Dean extended his free arm out and flicked his hand towards the table.
“Just hand me the fuckin jar already.”
Samuel was quick to oblige, and quicker to back away once Dean had it in his grip. He tried to not dwell on the way his companions looked at his mouth instead of his face. He could feel the second set of teeth against his lips, his tongue. The smell of blood was suffocating him now, a mixture of alluring coppery tones and the stench of raw stale flesh. He wasn’t sure which was making him feel more ill. The pungent aroma or the fact he liked something in it.
“So you two just gonna watch like this is some sort of peep show or what?”
Neither responded, still fixated on his every move. Pulling a face, Dean limply held the jar up as it to toast before bringing it to his lips. Taking a tentative sip, he recoiled as blood spilt down his chin. Groaning and sputtering he violently spat it out.
“Augh, god this tastes disgusting–”
“I promised you help, I didn’t promise it’d taste nice. Now drink it.”
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milkovski · 2 years
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“show me what you’ve got tough guy ;)”
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ladychandraofthemoone · 3 months
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HAPPY 35TH ANNIVERSARY SHINING TIME STATION 🚂✨☁️💨🎉🎊🎂
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(the conductor family is in the background just facepalming he’s fine btw😅😅)
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Note
That post about everything being "Nah" I felt in my core. I'll always respect people who identify differently but when they ask me "what's your pronouns?" Or "where do you lie romanticaly?" I'm just "eh call me whatever you want I guess" or *I don't feel romantically for much anything" maybe cause online people always thought I'm one gender and irl people always thought I was the other so I just responded with "sure I guess"
and it's honestly such an easier way to live ngl... like when it comes to people who Know that i use they/them, it hurts to hear my given pronouns. but when it comes to strangers and just people who i haven't told, it's like... "yeah. ok. ill put on this hat" it feels a bit like a performance. it feels Mischievous, even! ohoho, they've been Tricked!
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pokimoko · 4 months
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Listening to instrumentals from the silly doo-wee-ooo show is actually something that can be so painful.
#doctor who#doctor who music#murray gold#segun akinola#musings about music#this is specifically about 10's theme in vale decem. the long song in 11's regen piece. and clara's theme in face the raven / clara's diner#i get psychic damage everytime i simply hear the use of the motifs elsewhere because of the tragic associations those sadder renditions hav#obviously these songs aren't the only examples in doctor who but they are by far the most emotionally devastating ones for me personally#and obviously it isn't just leitmotifs either. basically hearing any piece that played during a sad scene gets to me.#how are you supposed to explain to your coworkers that you're tearing up because of instrumental sound association?#'yeah sorry these violins and humming sounds summoned vivid images of my favourite character dying/leaving and it made me sad'#love that composers can just straight up pavlov bell your emotions by getting you to associate a melody with a sad scene#an addition to this is doctor who instrumentals that make me nostalgic because I associate them with my own past#like 'this is gallifrey: our childhood. our home'. that song was one of my alarms for a good long while back when i was 15ish#so it kinda transports me back to that time in my life whenever i hear it. music really is its own little kind of time travel#i am very much looking forward to the continuing psychological damage murray gold will inflict upon me in the new season#and to have previously uplifting character leitmotifs used against me and forever be contaminated with sad feelings. love to see it#(also: not a instrumental but damn 'the stowaway' has no right being as good as it is. who knew a christmas sea shanty could sound so great#apologies for this probably niche-ish post (is it niche to know ost title's by heart? asking for friend). just feeling things about music
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