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#wrote fic it's mad
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Vivisections are like gay sex to me
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In the 19 years Steve's lived in this house, never once has he slammed his front door like that. Too scared of his parents' wrath should it have caused any damage.
It feels good.
He almost turns around to do it again, a fuck you to his parents and every decision they ever forced on him, but then he remembers. They're all in there. Nancy, Jonathan, Argyle, Eddie, Robin. In his living room, making declarations and decisions about Steve's life for him. Or, well, one of them is.
Like his parents do. Did?
He didn't grab his keys, wallet, or even his coat, but he's not going back for them. It's cold, sure, but Steve's sure his anger will keep him warm until he reaches a destination. Any destination.
He just doesn't understand why- Why they keep doing this to him.
Why he keeps letting them.
No. No, that's a lie. He keeps letting them because he knows, deep down, he's not a fighter. Not for himself.
He'll put himself between the ones he loves and danger in a heartbeat; he's done that since the first time he watched a petal-faced monster peel its way out of the Byers' wall in '83.
But his parents trained the fight right out of him when it came to himself. It was easier to not argue, to just do what they wanted. They'd smile at him when he was good. They'd take him with on shorter business trips when he behaved. His mom would even allow a quick hug if he impressed a shareholder with how well-mannered and quiet he was.
He won their affections with obedience.
He's never- Nancy and he love each other now, but in the same way they all love each other after having survived the horrors the Upside Down. But Nancy never loved him the way he'd once loved her. That was bullshit.
Even Robin and Dustin. He knows they love him now. Will love him forever, going forward, but both had admitted to having a predetermined idea of who Steve was and what he was like and they weren't wrong but they also weren't right because Steve's never been Steve a goddamn day in his life.
Steve hadn't even known Steve until monsters came into his life.
The way everyone used to refer to him as the Steve Harrington was a judgement all its own. A thing that he was, and had no say to be otherwise.
Even Eddie, in the Upside Down, and now, in his own house.
Steve finally feels like he might be becoming who he really is and he's surrounded by friends and it just made him stupid. He'd thought it was confidence, when he pulled Eddie aside to talk, to confess, but then-
Eddie telling him he's confused. Like Steve is a child learning new concepts and not an adult who has been questioning how he feels about men since he first noticed other boys in middle school.
Eddie telling him, 'you don't want this, man. Not really.'
It's not fair.
Robin came out to him, and he'd just wanted to make her laugh so she would quit looking so scared. Eddie came out to him, and Steve had thanked him for trusting him. Jonathan, Nancy, and Argyle confess to all dating each other and Steve congratulated them. But Steve comes out and gets told he's confused?
And Steve didn't even refute it. Just got so hurt he couldn't be there anymore. Left his own house because he'd told Eddie he had a crush on him, and asked if he'd like to go on a date sometime and Eddie said no and told him he was confused.
Eddie doesn't get to decide that for Steve! No one but himself can decide if he like guys or not. No one gets to tell him he's confused about what he's feeling.
It's- that's bullshit, is what it is!
Steve turns on his heel and marches back to his house. His hurt has fully morphed to anger now.
Steve hasn't run away from a fight since '83, and he's not going to start now.
He rips his front door open and is greeted to everyone just inside the door, in various states of putting their winter clothes back on. All the faces look concerned, but he scans for Eddie's.
Eddie who looks relieved for all of two seconds, when it seems to dawn on him that Steve is angry, and it's directed at him.
"The appropriate response," Steve growls as he steps through his door and punctuates those words by slamming it shut again. (It's not as satisfying this time, because he sees how it makes his friends jump.) He barrels on with his words, eyes never leaving Eddie, "when someone comes out to you, is to say 'thanks for telling me' or perhaps even 'thanks for trusting me' or, if one is so inclined, to just say 'cool, dude' but you don't get- you don't get to tell me I'm confused!"
Eddie takes a step back, knocking directly in Argyle, who steadies him, but he doesn't say anything.
Maybe Steve should be more calm about this, given the audience, but he's not able to stop the words now that they've started. "I'm not confused, and I know exactly what I'd be getting into. You don't get to- to try and make your rejection my fault. If you don't wanna date me, just say so. But you don't get to try and tell me how I feel about you!"
From the corner of his eye, he can see Nancy trying to subtly shift herself and Jonathan away from the door, probably to get out of what really should be a private conversation, but Jonathan's a bit preoccupied by catching Robin around the waist as she lunges towards Eddie.
"What the fuck did you say, Munson!" Robin growls, arms swinging out like she's going to claw Eddie to death.
Argyle has inched back a bit, putting distance between him and Eddie in case Robin breaks free. "You dudes should probably talk this out in private."
"Byers, if you don't let me go right now-"
"Robbie, I got this," Steve says, because Robin shouldn't be turning on Jonathan when he's done nothing wrong. Robin continues to glare at Eddie for a few seconds before she makes eyes contact with Steve. He raises his brows slight -I got this- and she furrows hers -are you sure?-, so he tilts his head -yes, really- and she deflates in Jonathan's arms and allows him to drag her away.
"We'll just be in the rec room," Nancy says, looping her arm through Argyles and following after Jonathan.
Eddie doesn't bolt, which is a bit more than Steve expected. They both just stare at each other until they hear the click of the rec room door.
"Steve-"
"That was fucked up, Eddie," Steve interrupts.
"Yeah. It was," Eddie says, but doesn't offer up more, even though Steve is waiting for an apology.
"That kind of reaction is exactly why I didn't come out sooner. What would be the fucking point if no one even believed me? Or worse, if you'd given me that kind of reaction like, six months ago, I probably never admit to liking guys out loud ever again. You can't just- you can't decide this kind of shit for other people!"
"I know! I- I freaked out, and panicked, and I'm sorry. I'm so sorry Steve," Eddie says, and he sounds sincere and looks almost fragile while saying it that Steve loses a bit of his steam. He doesn't want to just keep yelling at Eddie.
"Yeah. Well. Thanks for apologizing," Steve mutters, crossing his arms with a huff.
Eddie worries his bottom lip before he seems to gather all his courage and says, "have I fucked everything up between us?"
"No. Not- I'm going to, like, need some time to get over my crush, but no. It's- it'll just be take time-"
"No! I mean, I can't- if you don't, uh, like me like that anymore I get it, but I- what I meant was. Well. No, I guess that answered my question."
Steve is confused, now. For real, and not about his sexuality. "What?"
"What?"
"You did it again. Deciding for me if I liked you or not."
"Shit. Fuck! Sorry," Eddie drops his head into his hands and groans. "I'm fucking this up so bad."
"Than use, like, real, whole sentences and speak to me!"
"I like you!" Eddie blurts. "I have a crush on you, too, but I- I fucked it up!"
"Yeah. Kinda."
Eddie makes a really pathetic noise at that.
"Not so much we can't, like, figure it out, though," Steve offers. "Not, like, right now, because I'm hurt and angry, but like, I'm not going to stop liking you because of one fight. Not. Uh, not now that I know you like me, too."
"Oh," Eddie whispers, then frowns. "For real?"
Steve rolls his eyes. "I said it, didn't I?"
"Sorry, it's just, just good things don't happen to me. It's- I'm processing, okay."
Steve lets out a long-suffering sigh and heads towards the rec room. "If you want to leave to 'process' alone, I get it, but you're welcome to stay. We can get this party re-started and hang out."
Eddie's silent a moment, and Steve thinks he's going to ask if Steve's sure, but instead he gets a quiet, "yeah. I'd like to stay." and the sound of Eddie's footsteps following him to the rec room.
-
@i-less-than-three-you @nburkhardt @afewproblems @skepsiss
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lauraneedstochill · 1 year
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My first choice (part 1/2)
summary: Aemond thinks you are way too good to be Aegon’s best friend. But you are enough for the one-eye prince to fall in love with.
pairing: Aemond Targaryen and F!Reader words: ~ 5500
warnings: friends to lovers, slow burn (with very obvious mutual pining), angst, Aegon is a sad boy (but ends up being a pretty good wingman!)
author's note: this is inspired by “Little women” and Amy March in particular. I took the liberty to rewrite some plot lines because to me Aemond is nothing like Laurie (Aegon is ;) and I hate love triangles so we are not having any of that sorry. it's a bit of a roller coaster so I divided it into 2 parts in hopes that it will be easier to read: the first part explains Aemond's feelings, the second one is about hers. ✨ part 2
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part 1. How could you be so blind
Aegon knows he's supposed to be relieved — he never wanted the crown and now that Rhaenyra is the Queen and a feast is arranged in her honor, he should be celebrating. And he may have been hitting the wine way too hard for the past couple of hours, but he can’t pretend to be happy, and he gave up trying to force a smile. It’s ridiculous that he is upset over this, and yet he can’t help but feel horribly useless. The prince drinks one cup after another until the room starts spinning and he can’t even sit straight — and then he suddenly finds himself propped against the wall, sliding under the table instead of sitting at it. Aegon catches a few judgemental glances but at this point, he couldn’t care less. There is only one person whose judgment he is afraid of — and it’s not long before he’s greeted with a displeased remark:
“When I asked you not to swoop too low, I couldn’t imagine you would literally lay on the floor.”
He looks up — and here you are, staring down at him, not even trying to cover up your disappointment. At any other time, Aegon would’ve at least tried to sober up, but today he’s disappointed in himself, too, so he doesn’t make an effort. Instead, he reaches out an arm to you with a lax smile:
“Would you like to join me?”
“I didn’t get the invitation to this pity party so I will pass,” your tone suggests you are not in the mood for jesting. “Now that you’ve succeeded in making a fool out of yourself, would you mind getting upright?”
“I think I like it here,” he retorts, shamelessly staring at the legs of the maids passing by. 
“You like wallowing in misery for all to see?” you huff. “Aegon, get up.”
He fakes a whine:
“My legs gave out, I’m afraid!” 
“You would need to drink all the wine in the castle for that to happen, and I doubt you managed to do that,” you roll your eyes, taking a step toward him — but pause upon hearing a voice behind your back:
“You underestimate my brother.”
Aemond has a habit of sneaking up on people which often startles you yet right now you are too angry at Aegon to be bothered. You throw Aemond a glare over your shoulder but your eyes soften when you see the apologetic look on his face. It’s not the first time that the two of you find yourself in this situation — throughout the years you learned to work as a team: you bring Aegon back to his senses while Aemond helps to physically bring him to the nearest flat surface. You have never asked him for help — and yet he’s always there.
Aemond is about to lean down to help his brother up — you stop the one-eye prince with your hand, your palm inches away from his chest. Anyone else would’ve thought twice before standing in his way but you don’t hesitate.
“He is perfectly capable to get up on his own,” you reject Aemond’s attempt, your eyes fixed on Aegon. “He can hold onto the wall shall he feel unable to stay on his two feet.”
There is something in your gaze that makes Aegon uncomfortable, piercing him to the bone. You are never downright mean or rude but with just a few words you can easily unmask his feigned recklessness. The prince stands up, tottering and feeling a little light-headed.
“Are you happy, now when I'm in the standing position?”
“If you cared about anyone else's feelings but your own, you wouldn't be in this position,” you scold him while Aemond takes his brother under the arm to guide him out. Aegon tries to grab another cup of wine but you slap his hand.
“Do you ever get ashamed of yourself?” you hiss at him.
“Let me think... No, why would I?” he sounds sarcastic.
“You should be,” you whisper scream at him. “You can find nothing to do but dawdle and make a mockery of yourself!”
Aemond feels his brother shuddering at your words, and he tightens his hold on Aegon.
“Well, what else am I to do,” his voice is bitter. “Since I am not an heir and serve no purpose to the realm nor do I have any taste for duty.”
You slow your pace, and a sigh leaves your mouth.
“I feel sorry for you, Aegon, I do. I only wish you'd bear it better,” you reach out to stroke his arm but the prince bristles.
“You don't have to feel sorry for me. Your duty is to marry, and we will see how that goes,” he mutters before he can stop himself — and regrets it the very next second when you swiftly turn to him.
“At least I would be respected if I couldn't be loved,” your tone hushed but sharp.
Aegon stops dead in his tracks, his wide eyes meeting yours. You moved away from the crowd into the hall, and it becomes silent. And then his lower lip quivers.
“But I thought that you loved me,” Aegon whimpers, his assumed nonchalance instantly gone.
“Oh, Aegon, how much did you have to drink?” you come to his side, lending him a shoulder to cry on. While he’s aggressively sniffling, you look at Aemond and quietly mouth “How many cups?”
“Way more than usual,” he gives you a wan smile, and you groan at his answer, taking Aegon by the arm.
“Alright, you can lean on me. But don’t get handsy or I will push you down the stairs,” your remark earns a weak laugh from the older prince, and the three of you head toward his chambers.
Aegon doesn’t talk much but his mood softens and you exchange a few jokes before finally reaching his room.
“I can take it from here,” Aemond suggests but his brother eagerly protests.
“No, I want to be tucked into bed! And definitely not by you,” he sticks out his tongue, and you chuckle at his whim.
“Aemond, I can handle him.” 
The one-eyed prince shoots you a knowing glance and holds the door open for you and Aegon to walk in. You slowly move to his bed, making sure he doesn’t stumble on his way — and then, with a sudden boost of energy, the prince flops down on the fluffy blankets, letting out a satisfied moan. You hold back a giggle and wait for him to crawl under the covers.
“Should I call for the maid to help you undress?”
“No, I am way too comfortable like this,” he pulls the blanket up to his chin, and you sit on the edge of the bed.
“I am sorry for the way I behaved,” he reveals, frowning. “I did not mean to, truly.”
“Aegon, you know I’m not the one you should apologize to,” you take his hand in yours, and he squeezes it with childish eagerness. “You left Helaena all alone. And you promised me you would make an effort.”
“I know, I know,” he yawns. “I was doing better until today, I swear, you should ask her,” his speech becomes incoherent as he is already too drowsy to talk, his cheeks flushed from the wine and the heat of the blankets. As you stand up to leave, Aegon mumbles:
“I fetched you a book... the one you were looking for,” he sloppily points to his table by the window before dozing off.
There is only one book so it’s easy to find — and when you do, you can barely contain a sound of surprise: it's the complete history of Westeros, heavy and hardcover, decorated with gilding. You glance at Aegon but he looks fast asleep so you cautiously get out of his chambers.
If you were to turn around, you would’ve noticed that he kept an eye on you with a grin on his face.
When you walk out, you see Aemond still standing there, his gaze landing on the book and then immediately on you. It takes you a minute to figure it out and then you smile at him:
“Even though I appreciate the gesture, it is hard to imagine Aegon in the library.”
“He asked me to help him find the book you wanted. I did,” the prince explains as if it isn’t that big of a deal. But to you, it is — although you think he only did it out of politeness.
“Thank you, Aemond,” you enthusiastically turn your attention to the book, flipping through the pages in awe. He watches you, feeling the warmth in his chest at the sight of your joy.
“You know that you bring out the best in him?” Aemond says in a low voice, and your heart skips a beat at his comment. You are thankful for the dim lighting that makes your heated cheeks less obvious.
“You overestimate my influence,” you say, then dither before admitting, “I’m afraid I was too hard on him today.”
“Someone has to do it,” Aemond objects, and there’s something in his tone — sincere and soft, that makes you look at him again. At this moment, away from the prying eyes and the pressure of everyone’s expectations, you can see the side of him that people rarely get acquainted with.
“I think you are doing a pretty good job, too,” you tell the prince, finding his presence ever so calming. You could never understand why would anyone call Aemond intimidating when he’s been nothing but kind to you ever since you two met. Whenever you have a chance to be alone with him, his company always brings you comfort, and that feeling is so rare, you want to chase it.
But then you remind yourself of the harsh reality, and your smile falters.
“I’m sorry you had to get involved,” you look down at the book. “I wouldn’t want to distract you.” 
“You need to elaborate on that,” Aemond says uncomprehendingly.
“I’ve heard that you were courting lady Baratheon,” you explain casually, avoiding his gaze.
He hesitates before answering.
“Well, I only plan to,” the prince clarifies. “If she accepts my advances.”
“It would be silly of her not to,” you blurt out and, while you can’t see it, Aemond gives you a quizzical look.
“She may have her reasons —” 
“I can’t come up with a single one,” you tell him with so much confidence, Aemond’s heart flutters at your words but you continue without a second thought. “You are intelligent, good-hearted, handsome — and a really skilled swordsman. Not to mention you have the biggest dragon in the realm, which does sound like a reasonable perk.”
The prince is glad that you’re too preoccupied with the book to see his stunned expression. It’s not just the fact that you compliment him so easily — but also the way you do it. When other people try to, they usually start with Vhagar as if the old grumpy creature is the main good thing about Aemond. But you only bring up the dragon at the very end and in passing, instead keeping the focus on the prince. He is silent for a moment, letting your words sink into his memory.
And then Aemond persuades himself that you only said it out of politeness.
You notice his lack of response — and you are about to question it when a maid comes to you in haste:
“Lady Y/N, your presence is needed. Your father is looking for you.”
“Better not keep him waiting,” the prince encourages you with a grin. “If he finds Aegon, he might hug him to death.”
You playfully elbow him and turn to follow the maid but then stop to say:
“Please make sure your brother stays in bed.”
“Will do,” Aemond looks at you walking away, clutching the book to your chest as if it's the most precious thing in the world.
To this day, it is truly a mystery to him how Aegon managed to befriend someone like you. You met the Targaryen brothers when your family was invited to one of the royal feasts. You were ten and three, the middle one of three sisters. Your oldest — Elaesa — has been the center of attention, beautiful and graceful, but while everyone’s eyes were on her, you looked a little bit disoriented. It was the first feast that you’ve attended, and maybe you got too agitated or overwhelmed — or both — but soon you ended up lost in the castle, and somehow ripped the hem of your dress in the process.
Aemond was the one to find you. The prince has never been keen on taking part in celebrations, often sneaking away from all the noise. That’s when he saw you — fussing with the dress, your sobs echoing through the hall.
“Are you hurt?” he rushed to your side, and you looked up at him with blubbered eyes.
“Why do you have so many halls? You should hand out maps so people can find their way back,” despite being clearly upset, you sounded unusually serious, and Aemond fought back a smile.
“I can help you find your parents without a map,” he suggested, and for a second it seemed to lighten your mood but then your pout worsened.
“I cannot go back,” you gestured at the dress. “I am in such trouble!” you whined, the tears threatening to spill out of your eyes. 
Truth be told, Aemond didn’t have much experience with ladies back then nor did he know a thing about dresses but your distress seemed so genuine he couldn’t leave you be.
“It is not that bad,” he pointed at the ripped material. “I can ask our seamstress to take a look.”
You studied his face for a second, then glanced back at the dress — surprisingly, that was all it took for you to stop crying, and no other coaxing was needed. You wiped your nose and fixed your hairdo, smoothing the damaged hem the best you could.
“I'd appreciate it if you help me find my way back,” you said, your face seemingly more relaxed.
Getting you to talk was pretty easy, and Aemond shortly discovered how open-minded and outspoken you were, using your quick thinking to compensate for your timid personality. When you returned to the hall of the Iron Throne, he was reluctant to let you go but promised to come back with the seamstress. The task only took him about ten minutes, but when he did reappear, you were not alone — Aegon was standing next to you, making you laugh so hard, it looked like you forgot about the dress already. Aemond didn’t mean to interrupt as he suddenly felt very out of place, uninvited in his own home, so he abandoned the idea of helping you and just left.
At first, he thought you fell for Aegon’s flirtatious charms but soon learned that, as much as you did like his brother’s humor, his charms had no effect on you. On the contrary, you often chided him for hitting on young girls and openly condemned his affection for wine. Your honesty set you apart from all the ladies Aegon was surrounded with — and that was the reason he came to enjoy your company as much as he did. Despite the three years age gap, you were the one who told him the truth, no matter how ugly it might’ve been, but you did so without prejudice or any ill intentions. You would usually follow your critique with advice or a solution of some sort to keep the prince away from unnecessary trouble. That is why you were on friendly terms with Helaena, too, and your influence was also welcomed by Alicent, the then Queen. She liked that you were straightforward with your remarks and often said that you were wise beyond your years. Although, as much as Aemond agreed with it, he suspected there was a reason you had to grow up early.
It happened the same year you met — your older sister, with all her grace and beauty, ran away from home to elope with some unworthy beggar. Your mother was inconsolable for at least a week, saying that Elaesa brought shame upon her family. Your father, the kind man that he is, forgave his daughter fairly quickly and tried his best to restore peace. And yet, you came to realize that Elaesa's vagary did cast a shadow over your House. Your youngest sister, Alyna, was a fragile little thing, frequently sick and tacit — which left you to be the one representing your family in the eyes of society.
Within a few years, there wasn't a thing you weren't good at: lords lined up to have a dance with you, ladies admired how well-spoken you were and shared a laugh at your florid sarcasm, and you learned to embroider, to ride a horse, to walk exquisitely dressed and with impeccable posture. But while for everyone else it was a reason to compliment you, Aemond saw the underlying cause of your diligence — the corrosive desire to prove one's worth which was something he learned to live with as well. And which led him to think he understood you better than anyone.
More often than not he found himself watching you as if he had the need to make sure you weren't in harm's way. Helping you with Aegon was a part of that routine but it also gave him a chance to be alone with you. You talked about everything and nothing in particular, and he would catch glimpses of you — the real you, shy and emotional at times, but still understanding and perceptive. He cherished every opportunity to steal you away from the never-ending chattering, from lords ogling at you, from Jason Lannister whose interest in your company should've been concerning. Aemond has gotten so used to observing you, so enthralled with your covert conversations, he didn't realize that a particular feeling was creeping up on him. But there was one person who turned out to be more observant than Aemond has been. Aegon was the mere reason why his brother ended up at your door a few days later. Aemond’s been to your place a couple of times and he promptly memorized the way to the farthest room of the house — the one you used to paint in. It was the only thing you truly allowed yourself to enjoy, an unexpected talent of yours which you soon perfected, too, except it wasn't meant for the others to marvel at but plainly for you to keep your head occupied, to have some quiet time.
He walks in when you are already painting the finishing touches. When you turn to greet him, you stop mid-sentence, seeing that it’s Aemond instead of his brother who you were waiting for.
“He overslept,” the younger prince shrugs. “It isn't a bothersome task to come pick up the portrait of my nephews.”
You point in the direction of the painting with the brush in your hand. Aemond admires your work — as he always does — while you try to shake off your confusion. There is another reason you did not expect to see Aemond today. You tarry with voicing your concern but eventually glance at him with empathy:
“I was sorry to hear about lady Baratheon’s decision.”
“I was not,” he’s quick to retort.
“I cannot imagine agreeing to marry a Stark,” you say, dipping a brush in a jar of water.
“Is it the cold weather?” Aemond grins knowingly.
“Yes! Gods, just thinking about it makes me feel uneasy. All the layers you have to wear to keep yourself warm, barely being able to move, getting no sunlight...,” you ramble, making sure to wet all the brushes before lining them up on the table.
“Some say they've got quite a beautiful scenery,” Aemond tries to object although he knows his argument doesn't stand a chance.
“I wouldn't be able to enjoy that,” you huff. “How am I to capture the beauty if my paint freezes?”
He only hums in agreement, watching you busy yourself with your supplies. You go through the brushes, delicately cleaning the bristles with a cloth. Your fingers carefully take one brush after the other, and Aemond silently admires your love for neatness and order.
“You are staring,” you say without turning to him.
“Where do you want me to look at?”
“Aemond, you are in a room full of art!” you chuckle lightly. “Surely, enough options to land your eye on.”
The prince lets his gaze go around the place, and it takes him about a minute to quickly examine all the paintings. And then he inevitably looks at you again. Aemond thinks he likes this view the most.
“When do you begin your next great work of art?” he asks, hoping to distract you. 
You halt movement, then force out glumly:
“Never.”
“What do you mean?” he’s taken by surprise.
“I’ve come to realize that I’d never be a genius,” you reluctantly explain. “So I’m giving up all my foolish artistic hopes.”
“Y/N, you cannot be serious. You have so much talent and — ”
“Talent isn’t genius!” you throw up your hands in defeat, and he can sense your frustration from a distance. “I may be talented in other things, but when it comes to painting, I want to be great or nothing. And I am only of middling talent,” you scoop up the brushes, give them a quick look and place in another jar to dry.
Aemond wants to argue, he really does — but he also knows better than to try and persuade you when you are like this: firmly standing your ground, exuding nothing but stubbornness. In any other situation, he would’ve found it endearing but it’s upsetting to see you downplaying your brilliance.
“Hm, may I at least ask your last portrait to be of me?”
You instantly turn to him, taken aback. Throughout the years you’ve known him, he clearly expressed that he did not like being painted, and you only could make a quick sketch or two, at best, when he wasn't paying attention.
“Alright,” the long-awaited opportunity makes you smile. “Next time I come for breakfast, I will drag you into the garden to pose for me,” you give him a pointed look, and Aemond humbly nods.
Your smile grows wider but you try to tone it down, afraid to spook him, and focus on wiping the nearest table.
“What are you going to do with your life in the meantime?” he changes the subject.
“Polish up my other skills and become an ornament to society,” you sigh, putting the cloth away.
There’s a brief pause before he says, his voice a bit strained:
“Here is where Jason Lannister comes in, I suppose?”
You say yes but the answer comes a little bit too fast, and Aemond notices that the topic makes you uncomfortable.
“But you are yet to be betrothed to him,” he clarifies, gaze fixed on you.
“I will be if he proposes,” your eyes meet his, and you are sure that there’s a shadow of disapproval on his face that only spurs your stubbornness. You fully turn to the prince to say: “I always knew I had to marry well, I do not feel ashamed of that.”
But Aemond isn’t looking for a fight — he swiftly corrects himself:
“There is nothing to be ashamed of. As long as...” — he can barely bring himself to say it — “As long as you love him.”
For the reason unknown to Aemond, his statement brings a bleak smile to your face.
“I believe we can have some power over who we love,” you object, lowering your gaze for a second as you start absentmindedly twisting the ring on your finger.
“I think the poets would disagree,” he chuckles, trying to defuse the unexpected tension. 
But when you look up at him, your glare is as obdurate as ever.
“Well, I am not a poet, I am just a woman,” you rebut crisply. “And as a woman, I have no illusions about my prospects which do not include me earning a living to support my family. And my parent’s fortune has its limits as I've come to learn. Hence why, if I want to have children — I do — and be able to provide them with everything they wish for, I must rely on my husband,” that last word is pronounced with disappointment. “So don't stand here and tell me that marriage isn't an economic proposition, because it is. It may not be for you but it certainly is for me.”
Had he not known you, Aemond would’ve been very impressed — with how blunt and witty you are, you are very good at delivering speeches. But as he’s standing in front of you, watching your face, he senses that your determination is akin to despair. Aemond thinks he might take a chance at arguing with you, after all — but you’re both startled by a knock on the door:
“Lady Y/N, Ser Lannister just arrived.”
You look baffled for a second, your confidence crumbling.
“Why would he — I, I didn’t expect him today,” you mumble, almost ashamed of his arrival.
Yet you pull yourself together faster than Aemond can come up with a reason for you to stay. You remove your apron and quickly examine your dress, then move to put on a cape.
“Did I miss any paint stains?” you ask Aemond in a haste.
“No,” he looks over the flowing material of your neat dress, your hair knotted up high — and then: “...Wait!”
You stop abruptly while he grabs a clean cloth.
“There is something on your cheek,” he says as you both step toward each other — and in the next second you’re suddenly standing too close. 
You turn to him and shyly shut your eyes, taking a deep breath. Aemond is frozen for a moment but then carefully wipes away a slight smudge of green from under your cheekbone. His hand unwillingly lingers as he examines the delicate features of your face. You open your eyes, looking at the prince questingly. His facial expression is unreadable but it makes you wish you didn’t have to go.
You brush away that silly thought and stand back, fixing your cape.
“How do I look? Do I look alright?”
“You look beautiful,” Aemond says with no hesitation, taking you in — with your cheeks a bit flushed, lip parted and eyes shining. “You are beautiful.”
You seem bewildered at his words but then a smile grows on your face — and in a blink of an eye, you’re gone. The prince is left standing there, staring at the spot where you were just now. The room suddenly feels so empty without you — and so does his heart.
The realization strikes Aemond like lightning: he wants to be the one you come to, at all times. The one holding your hand, watching you paint, or read, or dance — watching you do whatever your heart desires. Because his only desire is to be with you. That thought puts down roots deep into his chest, and he doesn’t know how to pluck it out.
Nor does he want to. It’s all he can think about for the duration of the week, until you come to the castle — with canvas and supplies, not hiding your excitement. He almost forgot about his promise but follows you into the garden without objection. You sense a slight change in Aemond’s behavior, him being more quiet than usual, but decide not to push the prince so he won’t reconsider.
“I will start with a sketch and then we will go from there. Alright?” 
He just hums in response while looking at you but you are unaware of the meaning behind his gaze.
“Take any pose you like, I don't want you to feel uncomfortable,” you suggest with a half-smile, knowing full well he will probably remain standing.
And he does, arms clasped behind his back, his eye never leaving your face. You immerse in the process too quickly to be bothered, the piece of charcoal in your hand sliding over the paper, leaving lines and shadows. Drawing Aemond is an effortless task, and you can only enjoy how easy it is to sketch the sharp contours of his face and his lean body. The simplicity can also be explained by the fact that you've already memorized all the details by heart: the curves of his cheekbones and his lips, the flow of his silver hair, the shape and cut of his eye.
When you are finally satisfied, you can’t tell if it’s been an hour or three, and the prince, as it seems, hasn’t moved a muscle. At this point, Aemond’s demeanor does worry you yet you blame it on his nervousness.
“Want to take a look?” you hand him a few sketches. “Mind you, I’m not finished so please don’t judge too harshly —”
“I could never,” his hand brushes yours when he takes the drawings.
Aemond has seen your works before but it's a whole new experience when he's the one being portrayed. He almost doesn't recognize himself — you didn't miss a single feature of his yet somehow this version of him looks too beautiful to be real. He's at a loss for words until he spots that there's another drawing hidden underneath. It's a sketch of him sitting, both arms on the table, his face looks like he's deep in his thoughts.
“When did you do this one?”
“After the coronation,” the memory makes you smile. “Made my poor father lug around with charcoal in his pockets while he was trying to keep up the conversation with Ser Lannister.”
It was the day you got introduced to Jason. You were supposed to be by his side, with your charming smile and polite talks, yet you spend your time drawing Aemond. He can imagine your gaze focused on the piece of paper, the way you must've been looking at him to capture every detail and movement — all of that without him asking to, without him even noticing. There's so much care in that act, he is unexpectedly moved by it.
The words leave his mouth before he can think them over:
“Don't marry him.”
His request makes your hands tremble, and you drop the piece of charcoal, slowly looking up at Aemond, the smile disappearing from your face. He did not mean that, you must've misunderstood.
“...What?”
Aemond turns to you, looking you straight in the eyes:
“Don't marry him,” he repeats, helplessly and desperately.
“Why?” you ask in disbelief, suddenly having trouble breathing. The only reason you can think of sounds delusional, close to impossible. You wait for him to come up with some clever explanation — instead, he comes closer to you, his gaze so warm it makes your cheeks burn.
“You know why,” Aemond says and his hand gently lands on yours. You look down at it, perplexed, your mouth opening and closing, heart rate speeding up.
He keeps his eye on your face as he waits for your reply. You are not repulsed nor angry — which is supposed to be a good sign — but the reaction he gets is actually worse than that. Because when you finally glance at him, you look hurt.
“No,” you yank away your hand as if his touch stung. “No, Aemond, you are being mean, stop it,” you take a step back, your eyes glossy and lips tight. The look you give causes him physical pain — while you are trying your best to fight back the tears.
His intelligence clearly fails him because Aemond has no clue what’s going on. He feels like there is a deeper meaning to your words but he does not get it.
“Why am I being mean?” he asks incredulously as you slowly continue putting more distance between you two.
You don’t even realize you are doing it — it’s almost an urge to not be in his presence, for the first time ever. The weight of his words feels suffocating and merciless. How easy it is for him to toy with your emotions, you think, and that cruelty of his — as you see it — wounds you so deeply, he might as well put a torch to your heart.
“I have felt like everyone’s second choice my entire life,” you bemoan, not being able to keep your agony bottled up any longer. “In everything, no matter how hard I’ve worked to be better. I thought you out of all people would understand that,” you sound raspy, trying to swallow the lump in your throat.
“So I will not be the person you settle for just because your first marriage proposal was turned down,” only when your voice shudders, Aemond finally understands how wrongfully you interpreted his intentions.
But you are out of his reach already — at least ten feet away from him, and the distance separates you like a giant chasm.
“No, I won’t. I can’t,” you are hurting so much, your feelings spill out like blood from a wound. “I can’t do it. Not when I have spent years loving you.”
His breathing hitches as your confession pierces through his chest — and he is left speechless, deafened by it. The moment slips through his fingers with unforgiving pace: you were standing so close only a minute ago — and now you are turning your back to him, rushing away. The last thing he sees is how broken you look, your shoulders slumped and eyes brimming with tears. 
Aemond stands, shocked and paralyzed until it’s too late — the garden is silent with your absence and the only evidence of you being there is your supplies scattered on the ground. Your words are ringing in his head, his heart heavy with a dreadful feeling.
He was afraid he would never have you — but he actually could have.
If only he wasn't so blind.
➡ Part 2
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yes, this is me blabbing again: I’ve watched this movie an embarrassing amount of times, and I’ve wanted to write a fic based on it for a few months. I did rephrase a couple of quotes but still tried my best to do the story justice. my apologies for the angst — just so you know, it was painful to write. also, will I ever stop using friends to lovers trope? only time will tell! (I probably won't, though) I know there is a very heartwarming fic by aemonds-war-crime that was also based on “Little women” and it's only fair that I link it as well!
tagging @greenowlfactif because you asked 💙 comments and opinions are VERY welcomed! 🥺 🎨 my masterlist English is not my first language, so feel free to message me if you spot any major mistakes!
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suchawrathfullamb · 11 days
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I want a fic where Hannibal is a cult leader and in his cult they are looking for the embodiment of their specific deity, then he meets Will somehow and begins testing him secretly to see if he's the true vessel and ofc he is because that man is a goddess
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ectogeo-rebubbles · 8 months
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My friends @the-last-dillpickle and @wanderingwriter87 made a very important post connecting the dots between Heathers and Star Trek DS9 "In the Pale Moonlight" a few months ago and I have been extremely unwell about it ever since
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fabdante · 14 days
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The Party Animal and the Goth
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Duncan tried to tell her before they showed up that this would be different. She should give it a try. It’d been years since the last party she went to with him (she’d been dating Trent at the time to, something Duncan further blamed for her bad time). Maybe she’d like it now. And Duncan wouldn’t leave her alone, he swore. No awkward hanging out by herself and the dog should they have one. And if Trent was there, Duncan would punch him just for her. Blah blah. All sorts of promises. Well. She wasn’t into it. Like she said she wouldn’t be. Duncan fucked off somewhere else. Like she thought he would. And she saw her ex Trent floating around and she was doing everything in her power to avoid any awkward small talk that would ensue the second he saw her again. Like she feared.  Of course the party was going to be that predictable. She should have put money on it. And there wasn't even a dog. Around midnight she’d gotten sick of the whole thing. But Duncan was off doing something (hopefully not someone) and Geoff found her. They talked. She mentioned maybe looking for DJ and leaving. But Geoff lit up like she’d just told him he won a prize and her night got a little weird. Instead of just saying bye or helping her find DJ or literally anything else, Geoff was instantly offering to talk her back to her dorm. So that got her where she was now, walking with Geoff away from his party.  What the fuck.
Summery: A classic 'Geoff walks Gwen home' story set in the year of 2013/2014, in which Gwen has decided to leave a party early and Geoff has decided he'll walk her home. (College AU, no camp.)
Words: 4,274
Rating: Teen (swearing)
Read Here!
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dootznbootz · 2 months
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There's something really fascinating about how Athena treats Diomedes so differently from how treats Penelope and Odysseus (even Telemachus but that's a lil different too)
Athena has basically known Diomedes since he was born (some even say that she had a say in naming him) because of Tydeus. I don't think it's far-fetched to say that in a way, she possibly "molded" him. And Diomedes is kind of known for being the "perfect warrior king". He's respectful of the gods and most of his comrades, an incredibly skilled soldier, and has already achieved so many things despite being one of the youngest kings in the war.
I sadly think that's why Athena treats him so differently than Odysseus, Penelope, and Telemachus.
She cares for him, but it's still "distant" in a way. Or almost in an "I molded you. You will react the way I would want you to therefore I will not be surprised."
When it seems like she's known her other favored mortals for less long, she didn't get to "mold" them. They surprise and bring something "new" for her. She sees her little tricksters' scheme and plot and watches with intrigue but watching the perfect warrior is a "Yes, perfect form. That's what I'd do."
I mean even how her favored mortals pray to her tells you a lot about the relationships they have.
For example, in the Iliad, Odysseus doesn't need to really give as much reverence to her to "earn her favor" during book 10's Night Raid.
Odysseus rejoiced, and prayed to Pallas Athene: ‘Hear me, daughter of aegis-bearing Zeus, you who are with me in all my adventures, protecting me wherever I go. Show me your love, Athene, now, more than ever, and grant we return to the ships having won renown, with some brave act that will grieve the Trojans greatly.’ And Diomedes of the loud war-cry followed him in prayer: ‘Hear me also, Atrytone, daughter of Zeus. Be with me as you were with my father Tydeus in Thebes, when he went there as ambassador for the bronze-greaved Achaeans, camped there by the Asopus. A friendly offer was what he made them, but on his way back he was forced to take deadly reprisal for their ambush, and you fair goddess, readily stood by him. Stand by me now, and watch over me, and in return I will offer a broad-browed yearling heifer, unused to the yoke. I will tip her horns with gold and sacrifice her to you.’
(Book 10, A.S. Kline)
Diomedes brings up his dad and offers a young heifer (granted that could just be how Diomedes is with every immortal) while Odysseus doesn't and is basically like "Yo, help me out like you always do!". Odysseus is much more casual and personal with Athena. And with Penelope, Athena takes the form of one of her sisters to comfort her!
While Athena also most likely has known Telemachus since he was a baby, she's still closer to him than Diomedes.
Imagine that. You're basically molded by a goddess since birth, listen to her and other immortals dutifully, basically become her perfect warrior, and yet you can't seem to reach that familiarity with her. The same warmth she has for her other favored mortals.
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yellowocaballero · 3 months
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Omg hi Ms. Yellow Caballero big fan of your work <3 For real though, I'm really excited that your sharing the Weekenders, it was a joy to read and I'm bongocat-ing now that others also get the privilege to read it as well.
Referencing your tags, would you please elaborate of ableism in fandom and, like you said, how fandom treats characters with unpalatable disabilities?
Hi Ms. Bud Lite I'm a big fan of you <3
TL;DR A fear of writing characters of highly marginalized identities shields you from criticism and discomfort, but it's actively stigmatizing to people of these identities and as a writer you really need to get over yourself and write The Icky People.
I guess I'll come out swinging on this one and say that fandom doesn't like severe mental illness. (As a note, when I say severe mental illness (SMI) I mean illnesses such as psychotic disorders, bipolar disorder, substance use disorders, personality disorders, etc)
Obviously, nobody likes people w/SMI. It's just insanely egregious in fandom to me, since fanfic writers absolutely love writing characters or HC characters with depression, anxiety, or a specific variety of PTSD That Isn't Scary. People actively reject any character HCs for a SMI. When people write a character with SMI, they nicely downplay it, ignore it, substitute it for a disorder they like better, or rewrite it. It's completely untolerated, in both headcanons and in fanfiction, and every time I bring it up I always get the most interesting reasons why somebody couldn't possibly acknowledge a character's SMI in their writing. I've heard all of these:
"I don't know enough about the disorder to write it accurately." Do research.
"I'm not X, so I can't really depict it." You probably aren't a cis white man, but you depict those guys just fine.
"It feels insulting to the character." There is no shame in having a SMI.
"I can't understand what it's like, so it's better to be cautious and avoid giving characters stigmatized identities." There are LOTS of experiences that you'll never understand because you've never had them - you just don't want to write anything you're uncomfortable with. People with SMI make you uncomfortable, and you don't want to write anything that makes you feel uncomfortable, or think of a comfort character in an uncomfortable way. SMIs are marginalized differently than solely depression/anxiety/The Nice PTSD, and by refusing to write them you're actively contributing to the stigma.
I think (?) I've spoken in the past about how I believe that the rigorous external and internal policing of writing people of marginalized identities is actively harmful towards efforts to increase diversity of experience and background in fiction. A lot of fanfiction writers are just terrified to write people who they can't directly relate with, because they're worried 'they'll get it wrong' and be Big Cancelled. I think this is negative enough when it prevents people from going outside of their comfort zone, but on a macro level I think this results in people refusing to write characters of marginalized identities as all. It's an insidious thought process, and it's reflected in people's unwillingness to diversity their writing or acknowledge canon diversity.
'Well, I don't understand what it's like to be Black, so I don't want to write Black people'. 'I want to project on this character, so I only want to write them with mental illnesses and identities I have'. 'If I write a marginalized character incorrectly people will yell at me, so I won't write a marginalized character who's marginalized differently than me at all'. Can you imagine writing a lesbian character with a boyfriend because 'you feel uncomfortable writing lesbian experiences'? It's blatantly homophobic. But people do that with disability and race/ethnicity ALL THE TIME.
People with SMI notice that you feel uncomfortable with them. It's obvious. They notice when a character has a SMI + anxiety, and you only write their anxiety. They notice when a character displays symptoms of a SMI in canon, but you write it out. And POC notice when the characters of color are written out. I know we all like to project on the blorbos and relate to them, and in the joys of your own head do whatever, but as a writer if you only stick to identities you're comfortable with you are actively being a worse writer. Which to me is the REAL sin lmfao.
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I woke up this morning and saw I had a message in my inbox on AO3, presumably about by new fic, and was excited to see the feedback.
When I read what they wrote it was a small comment that said "stop using sudowrite".
Had no idea what that even means, so I had to look it up and found out it's some form of a writing AI.
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Absolutely fuming.
I want to make something abundantly clear right now:
I have not been hand writing and editing all of my own stories, hundreds of pages worth of personally hand written or hand typed content for the past 16 years, only to get accused of using any form of lazy ass writing AI now.
This is what I love to do. For fun.
I put in a lot of unpaid time, creativity and energy into my writing and editing. The only thing I ask for in return is participation from the fandoms I love, be it via thoughtful feedback or valid criticisms.
But this is neither of those things. This is just an outright, baseless lie against the art that I have worked so hard to make myself, and I won't be undermined or discredited.
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There's anger, and then there's whatever space I am occupying well past it right now.
It's infuriating to pour hours of my love, thought and creativity into original content only to have someone come out of nowhere and try to tell me I've been having an AI do it, especially 16 years deep.
Bitch please.
I also found out that app came out in 2020 . . . As I mentioned, I published my first K/S story in 2008 as Ruby JW on the K/S archives, and my first fanfic on fanfic.net was published in 2007 as luigi_is_stellar.
I invite anyone to peruse my decades-long collection of independent content that I have single-handedly accomplished well before such an app even existed, then come back to me and try to tell me that what I do here isn't authentic.
I don't usually get spicy, but when it comes to the art I spend hours writing and drawing independently with my own blood sweat and tears, yeah. I'm going to get spicy.
I do far too much unpaid work out of passion and love for this fandom to have such a serious accusation flung my way out of nowhere.
It's the first time in my 16 years of writing for this fandom that I've ever been accused of plagiarism, and you best trust and believe that I don't take that accusation lightly. I work too damn hard to let someone discredit the work I do personally in such a baseless manner.
Anyway, that was discouraging AF. I am boggled to learn that AI writing is even a thing, no less someone coming out of the woodwork to try to accuse me of using it 16 years into story publishing when I literally teach academic honesty and writing ethics in my line of paid work as an English professional.
Genuinely: Do you know who you're talking to?
A bit of background on me:
I come from a not-so-wealthy family who could not afford to pay to put me through school -- I paid for that all on my own. I had to earn my University English degree, one of four University degrees I hold on my own work and pay alone, without so much as a tutoring session or handout from home.
Not once would I have jeopardized everything I worked so hard and paid for out of my own pocket as a poor ass uni student working two jobs and doing night classes just to phone it in plagiarizing, not on one ounce of my work.
That was all me.
I've handwritten 3 MLA essays in under three hour exams BACK TO BACK, immediately followed by back-to-back Biology exams & a final lab where I ALSO had to write multiple essays and switch from MLA to APA mode within the span of 6 hours.
Those were all bound in handwritten yellow booklets well before we ever had Google Docs, Grammarly, formatting suggestions, or even regularly brought/had access to laptops in UNI. I did my work by hand.
I earned my degrees in English and Biology AT THE SAME TIME before I even turned 24. I earned a double major handwriting my own work papers like my life depended on it, and you actually think I'm about to phone it in now?
Step to me like that again, young blood. I ain't the one.😂
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Anyway, I digress.
Ya girl ain't here to fight BC y'all know I tend to be very easygoing, full of humour, and I love to joke around in the fandom. I'm pretty wide open to opposing opinions or even criticisms. But this is unfounded slander, and I won't be taking that on the chin.
When it comes to my work, I take that very seriously, and I don't play around. My late father once told me that "The work you do and the degrees you earn are yours and yours alone, they can never take that education from you." I live by that sentiment, and have done so by putting forth honest work.
Be it paid or unpaid work, it's my work. Periodt.
It is an unfathomably disheartening and insulting message to receive as someone who writes all their own stuff themselves, draws all their own fanart themselves, does their own photo edits themselves, edits their writing themselves, and has never even used so much as a single outside beta reader/editor for my work. Not once. The art, the writing, the editing -- It's all me.
Bottom line:
Say you do or don't like my work, that's cash money and we good, whether it's your cup of tea or not.
Butt know that it is my work.
I will not put all of this free time, effort and love into my work only to be accused of lazily ripping the content that I have spent hours writing and personally editing from somewhere else.
And on that note, consider my PSA rant ended.
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lvsifer · 11 days
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Paul Atreides denies him an easy death. Feyd-Rautha has to deal with his new position.
tags: Canon-Typical Violence, Slow Burn, Sexual Tension, Explicit Sexual Content (in the later chapters), Other Additional Tags to Be Added, feyd-rauther is his usual little freak self, will include mentions of noncon later on
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Paul Atreides denies him an easy death. Feyd-Rautha does not bleed out in front of the emperor and the terrorist’s household, his Fremen filth and whore mother. Instead, Feyd-Rautha dreams of death on the dirty floor of a prison cell. 
Blood rusts over his mouth, dries to flakes before his body hits the stone, and Feyd-Rautha tongues at it as his hands try to staunch the bleeding of his wounds. He presses where Paul Muad’Dib Atreides has pushed inside him with his blade, hot from the desert air, a pleasure so close to pain or pain so close to pleasure, Feyd-Rautha cannot name the difference.
He writhes now where he lays in a silence more shameful than defeat. All his life he has fantasised of dying in battle, perhaps in the arena, broken by a stronger hand with the rush of fighting still hot in his blood and the screams of the masses in his ears. Triumphant. Foolish of him. Such wishes come to nothing. This is one lesson the Baron could not teach him, not while he had held Feyd-Rautha under the monstrous wing of his tutelage. Sheltered is what he had been, he realises as flies start to buzz around him, landing on his opened flesh. He swats them away, but they circle him as merciless as any blood-drinking desert bird. No, he rots as any piece of meat left under Arrakis’ pitiless sun.
But he will not die. Or have they thrown him into this cell to find an ignominious end and shame the house of Harkonnen? But what advantage would that bring? Half-delirious, Feyd-Rautha shoves a swath of his leather pteruges over his wounds and pulls it tight against his opened skin to shield it from the flies and what eggs they might burrow into his flesh. A shaky exhale flees his lips as he tries to slow his breathing. What would Uncle say if he saw him like this, disgraced and defeated? Would he have fallen from the favour he clawed his way into? Then again, Uncle is dead. Slaughtered like a pig. The memory stirs Feyd-Rautha’s blood and he moans through his teeth. 
The door opens. Feyd-Rautha looks at the upside-down figures, dark-robed, Suk-braids over their left shoulders, a man kneels down beside him, painted lips, cold eyes, and a finger presses into Feyd-Rautha’s mouth with a salve so bitter and tingling he forgets all else for a moment. 
Then darkness sears his eyes shut.
When next Feyd-Rautha wakes, it’s in an airy room. Black night outside. Translucent white curtains billow and desert wind scatters fine dust over the luxurious trappings of the room: a massive wooden table shining with polish, jewels set into silverware, finely wrought tapestries depicting one of the Arrakeen beasts, a sandworm— 
A figure moves from between the curtains, a slow, irregular step. The tall and lean silhouette of the would-be emperor. Feyd-Rautha feels for his wounds, bandaged, then tests his muscles and grits his teeth as pain shoots through him so incandescent he sees lights behind his lids.
“Cousin,” Paul Atreides says in his slow, dragging voice, a voice that holds witch-power as they all heard when Muad’Dib silenced Shaddam’s Truthsayer. 
Feyd-Rautha groans as he tries to sit up. 
Paul watches his efforts from above with cold blue-within-blue eyes. Eyes that are not his own, it seems, eyes that shimmer with a strangeness that makes Feyd-Rautha shiver. 
Paul slinks closer, desert-creature, false prophet, predator. Killer. Except, of course, Feyd-Rautha is alive and by his wish. Or has he died in that filthy cell?
“You recover well,” Paul says. “But I will need you to heal faster.”
Feyd-Rautha sits up with all his strength, feels one of the stab-wounds’ stitches rip. Blood blooms through the white bandages on his torso. Paul tuts. Then Paul is beside him and pushes him back down, efficient, his hands warm on Feyd-Rautha’s skin, black dusty curls brushing his cheek, and Feyd-Rautha breathes him in, spice and desert and a hint of the acrid stench of stillsuits, and beneath it something boyish and honied. Feyd-Rautha wants to sink his teeth into it, tear him apart. 
“Why?” Feyd-Rautha rasps. “Why didn’t you kill—”
“I don’t waste my resources,” Paul says. 
The Atreides lets go of him as though he’s handled some unruly hound. 
“Resources…?”
“Don’t play dumb, Harkonnen,” Paul says evenly, and after a moment’s hesitation he sits on the mattress beside Feyd-Rautha. The oddness of it strikes him, no-one has ever sat beside his sick-bed, certainly not Uncle, nor maid or doctor. He would have killed any who’d have tried. He looks for a weapon now. His eyes sink to the crysknife at Paul’s hip. Iron tang of blood in his mouth.
“Try it,” Paul says, steel in his voice that he’d already shown when confronting the emperor. Power too, the fierceness of a demigod. 
“I just might,” Feyd-Rautha says and finds Paul’s gaze, grins, “Make you kill me after all, cousin.” He bares his black teeth, “All this for nothing.” 
And Feyd-Rautha spits his blood into Paul’s face. Paul does not flinch. His blue-within-blue eyes seem to burn in the glint of the glowglobes. He’s beautiful like that, with his blood on his face, and it hits Feyd-Rautha unexpectedly. Time stills around them. Breath does not come easily as he inhales. 
“I rule you now,” Paul whispers, dips two fingers into the blood on his cheek and sucks it off his fingers, “Your water is mine.” 
A shiver runs down Feyd-Rautha’s spine, humiliation and with it the hook of desire low in his stomach. If Paul notices what it does to him, he does not show it. 
“What do you want of me?” Feyd-Rautha curls his fists in the bedding.
“You’ll know soon enough, Baron,” Paul says and stands. “Heal quickly.” 
With that, he leaves.
The rush of wind and sand fills the room. The grating of it, abrading all it touches. Feyd-Rautha bites his lip, breathes in deeply until all scent of the boy-prophet has gone and cold darkness envelops him whole. 
This planet holds nothing but strangers now. The only family Feyd-Rautha has left is Paul Atreides.
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u guys arent being sufficiently insane w/ me about the fact that gertrude's plan was to burn the institute down and die with jonah. die together while the building that tied them to a mutual god burned down around them. die as bitter enemies but still too intrinsically tied to each other to die anywhere except here. together. in this building.
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cchapsticck · 4 months
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A couple things: 
The first album he ever owned that he got to choose on his own was Master of Reality when Wayne handed him 5 bucks at the used record store after he picked him up from foster. And he’s pretty sure Children of the Grave changed his brain chemistry. Like something in him got hard re-wired and soldered in place. Like there’s no unfixing that fix.
The first song he ever learned to play on Wayne’s old beater acoustic was Here Comes The Sun, but if anyone asks he says it was Smoke on the Water, which was actually second but the truth is possibly humiliating, considering his curated reputation.
He cannot read music. Which is funny, considering he’s had a “band” since 7th grade. He just kind of picks at shit by ear. Which he’s pretty good at, thank you very much. It's why he likes shit with solos, he can pick out a riff better than he can pick out a chord progression.
Said band did not lock down members with any kind of permanence until 10th and no one had any kind of electrified instrument until 11th because Jeff and Phil and Gareth might be better off than he is - drug money notwithstanding - but tuns out parents aren’t keen to just drop that kind of money so one’s kid can fuck around in another kid’s garage every couple weekends for that kind of price tag
Metal shows are few and far between in Roane County, considering all the ways it is. But the couple no-name bands that have breezed through town at the dive-iest of bars the county has to offer well - he doesn’t want to say, changed his life but - but he’s never been so glad to have been elbowed in the face because everyone’s having a good fucking time and without the accompanying “faggot” attached to the act, which he’s had a repeat performance of just. Generally. In his life outside of the shittest bars in Indiana.  
He’s not saying Zepplin II made him gay but Robert Plant’s face pasted onto that German soldier’s body made him feel some kind of way at a formative age and that’s maybe just something he’s going to take to the grave even if apparently the shittiest of shitheads just decided that was a true thing about him on their own.
Steve Harrington has been hot since, like, junior high. Which is horseshit. Because like, first of all. He sucks. Like, he’s a douche. But Barb Holland died and he ended up in the hospital because apparently those two things are related events and rumor has it he got kicked out of his house and he shaved his head about it and there are a shocking number of scars hidden under that disco hair and that, unfortunately, does not make him less hot or less of a douche. 
Another thing: Dustin Henderson is fucking annoying. Like annoying in the unremarkable way all nerds are annoying that he’s a little dead to (like sometimes he catches himself mid-tirade and thinks ‘damn, I’d kick my ass too’) so he gets it but also. He’s fucking annoying. He’s fucking annoying about Steve Harrington in particular which like. Hilarious. Go figure. 
And he’s got a lot of annoying ammunition in that particular annoying gun, because apparently Harrington’s been living in his basement. So the kicked out thing is probably true. A lot of what he’s got to say is anecdotal. Lives in the basement. Pays rent. Makes dinner for Henderson’s mom. Drives him to school. Owns a bat with nails in it? Which. Alright? That makes about as much sense as anything else going on. The weirdly dense law enforcement presence in the wake of the Holland murder (and those are feds, like, he knows cops, he grew up around a lot of cops - thanks Dad - these are not cops) and the ever evolving whatever-this-is of Steve Harrington which he is for sure paying a normal amount of attention to and not unloading his guts at Gareth and Jeff who for sure don’t want to kick his ass about it because are we all seeing this shit? It's been like 5 years of high school and this is a puzzle he is no closer to solving, as he is no closer to graduating. And it's not because he’s being a dipshit about Harrington’s gradual transformation no matter what Gareth keeps insisting. (he’s being a dipshit about graduating because he’s a dipshit - separate problem)
But like, something is for sure going on with Steve Harrington. And fuck him dead because he is desperate to pick it apart. It's got nothing to do with the horny goblin in his brain barking about the, shall we say, aesthetic realignment here (which maybe, like, is coming for the integrity of his own genre cred but like. Come on, man.) and it's got everything to do with someone like Steve Fucking Harrington willfully abdicating the throne to throw himself amongst the Maligned With Problems The World Will Make Your Fault. Like he had to have known the flavor of hell people like him and Hagan and every other one of those silver spoon fucks made of his life. And not just his, just like, anyone remotely adjacent in the social order. 
There’s this kind of unspoken truth at shows. Like metal, hardcore, whatever, any genre within a genre that fills up bars like this, like he’s pretty sure the punks even have this rule, this remains true: the more normal the guy looks the more fucked in the head he is. That guy is dangerous. That guy is working through some shit you cannot even begin to conceive of and this is only outlet he’s got. Like that guy will straight murder you if you come at him wrong in a pit and everyone knows it. You do not fuck with that guy. You do not make eye contact with that guy. So Steve Harrington in his tightass Levi’s and bright white fresh out the 3-pack t-shirt hugging the back wall of the Hideout on a Thursday night sure is a red flag. But red’s always been his favorite color, so-
So he buries his shoulder blades in the wall right next to him and hits him with a of all the gin joints and Steve just squints at him like he’s got no fucking clue what he’s talking about. Figures. Harrington always seemed like a philistine. Steve just runs his hand over his shaved short head, and Eddie swears he can hear the rasp of Steve’s palm over the noise of the bar. 
“You come here often?” And it's not not a come on and he’s a little prepared to get decked but it's also a genuine question. 
“It’s work.” Steve says, not unkindly but not really looking at him either. Like he’s not really interested in the conversation or Eddie at all.
“It’s work?”
And that gets Steve looking and he does not look impressed. It's cute. Which probably says more about Eddie’s ability to turn disdain into some semblance of private affection but we’re not going to unpack that bag we’re just going to throw the whole suitcase out. 
“Well, I can’t work the bar so I just pull people out of the pit. Work the door sometimes.” Steve says over the noise of the bar, by way of explanation.
“How about that?” he says with no small amount of genuine awe. “Mall work not cutting it for you, then?”
Steve just kind of one shoulder shrugs. Not cutting it in the sense that the mall like, fuckin’ burned down but. Y’know. Speaking in kind of a general hypothetical kind of way. Looking for a new career path kind of way. Less about the mall directly. Or at all. 
“Yes and no. I got punched less by skinheads at the mall.” and that almost sounds like a joke, like Harrington isn’t totally hating this conversation. Delightful. 
“And you’d willingly go into this line of work when Henderson says you can’t win a fight?” he says it like he means it, like he’s actually surprised. Because he is. Because getting laid out at a show is just some shit that happens sometimes. Assholes with something to prove, the wrong guy took an elbow at the wrong time, a drunk got in the pit and doesn’t know the difference between a good time and a fight, like, shit happens. 
Steve’s scrunched up face of repulsion and offense is additionally cute. 
“Yeah well, Henderson says a lot of shit about you too.” 
He may have been operating on the assumption that Steve actually had no idea who he was. And was just some weird guy who, for some reason, had a lot of personal information about him that was in no way reciprocated. Just kind of figured he would have been beneath Harrington’s notice in a big picture kind of way. 
Fuck you, Henderson, how dare you. 
“Only glowing reviews, I’m sure.”
“More or less.”
Alright he’ll take back point two, then. You’re on thin ice, Henderson. 
“Is that where the uh-” and he kind of gestures limply at the pit and then towards the thick, formerly stapled up scarring in Steve’s hairline. Like he’s come home from a show with a bloody nose or a black eye or two but nothing like that.
“No.”
It's the finality in his tone, when he says it that makes him suspect he’s fucked this up and the conversation is over.
And it is. 
So he hangs around the bar for the set and then he leaves and its not really all that interesting. 
But he thinks about that for a while, that something rattled Steve Harrington’s cage so hard he’s this now. Somewhere in the realm of quietly fucked up, and on the edges of good sensibility and good taste because its more comfortable out of a spotlight. Even if the dark on the edge of that pool of light is more than a little dangerous, but at least there’s a place to hide. 
And then Chrissy Cunningham dies on his ceiling and he has to keep hiding.  
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mad-c1oud · 4 months
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was trying to figure out why my fic a letter to your old address was getting hella kudos out of nowhere and well uh
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I see
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michpat6 · 2 years
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mipha’s happy ending is her death.
had she managed to survive waterblight ganon, she would have been the last champion standing. there would only be one divine beast firing at calamity ganon, but without link there with the master sword to do any real damage she’s just making it easier for zelda to snatch him up and put him on a divine leash, and who’s to say the other three beasts wouldn’t turn on Ruta in an attempt to snuff out the one that got away?
but if she does make it out, leaving Ruta on standby or whatever makes sense, link is dead. zelda is trapped in the castle. the other three champions are ghosts bound to cold, mechanical tombs that do nothing but wait for new victims. she can’t kill three blights if she barely survived her own. she can’t possibly kill the calamity.
so mipha goes back to Zora’s domain, hugs her father and Sidon, and hears from the Sheikah scientists that the Hero has been placed in that cave they found on the Great Plateau, that it’s going to heal him better than her Grace ever could, and that he’s going to wake up soon and retrieve his sword and save all of Hyrule.
mipha holds sidon closer and mipha waits, because she knows link, she loves link, and he always comes back. he never leaves a quest unfinished.
the fields burn, more people die from the Guardian attacks, lynels armed with shock arrows take over most of the woods near Zora’s Domain, and mipha waits.
and waits.
and waits.
a hundred years pass. sidon has grown so tall, even taller than her, and she wonders if the sheikah scientists were lying. that woman, Purah, hasn’t contacted her in ages, and the last she heard of Impa, she could barely walk a few feet without needing her cane.
a lynel has made its home atop shatterback point. mipha would feel more confident in taking it down if her Grace wasn’t waning after a century of use healing anyone that comes to her, and if she didn’t still feel the phantom pains of Waterblight’s spear as it pierced her torso. she’s too afraid to pick up a trident, now, because all she can hear is her own screams echoing off of Vah Ruta’s walls.
then link walks right into the throne room and asks after Divine Beast Vah Ruta. why doesn’t he have to worry about this one? why isn’t it infected like the others?
mipha runs up and engulfs him in a hug, tears streaming down her face, and when she pulls back to look at him there’s no recognition in his eyes.
he doesn’t remember her. he doesn’t remember anything. all he knows is that he has to save his princess.
mipha has known that the two of them were meant to be together since she was born. she grew up hearing the legends of hyrule’s royal family, she knows how intertwined their souls are, but still she held out hope that maybe once, just this once, a different princess would catch his eye, maybe one that wields a trident instead of a Sheikah Slate.
but now he doesn’t know anything about that. he doesn’t know anything about anyone, and still the only thing on his mind is zelda. mipha’s happy for her friend, she’s happy that zelda is the one who gets to have him if it isn’t her, that zelda has found someone so devoted, but it doesn’t stop the ugly, jealous part of her from rearing it’s head just a little bit.
she points link in the direction of shatterback point, and watches his back disappear around the corner. he comes back thirty minutes later with twenty shock arrows and a new sword and shield.
he’s going to gerudo town next, he tells sidon, because boys will be boys and the two of them have bonded over the week he’s spent in the Domain. he wants to learn more about Urbosa, and more about Zelda by extension. Those two were close, weren’t they?
mipha wishes him luck. he leaves. so she waits.
and waits.
and waits.
a month later, a message from the Chief of Gerudo Town reaches Zora’s Domain. the Hero of Hyrule went inside of Divine Beast Vah Naboris two weeks ago, and he hasn’t come out. their scouts can confirm that Naboris is back on the prowl, kicking up a sandstorm as it searches for its next challenger.
without mipha’s power to give, without her Grace to guide him, without her to save him, link has died again. they can’t afford to put him back in the shrine of resurrection, who knows how long he’ll sleep this time, and Zelda’s power is growing weaker by the day-
if only she hadn’t survived, mipha thinks. if only she were a ghost, too, and if only she could offer him her Grace so he would survive Thunderblight Ganon. At least he would be alive. At least she would be happy to stitch his skin back together and shove the life back into his body for as long as he needs her to, it would be her pleasure.
mipha’s death is her happy ending, because at least in death she gets to stay by link’s side.
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sexynetra · 3 months
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Guess who wrote a fic loosely based on this video 🤭
Thank you @thecollectionsof for encouraging me <333
“You trust me, don’t you?” Dawn smiled hopefully — a dazzling grin that had Amanda’s brain shorting out.
She did trust Dawn. More than she trusted anyone in the world.
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sajirah · 3 months
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The Prison Chapter One
The Prison
In honor of me being newly unemployed and House of Flame and Shadow dropping in less than 2 weeks I wrote a thing. You can read it here or on AO3. Enjoy.
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-o0o-
Feyre was a murderer.
That was why she was here after all, staring out at the island that was soon to be her prison. She probably deserved it. But that didn’t mean she wasn’t absolutely petrified to be here.
“Any advice?” She asked the marine unlocking her shackles.
He glanced up at her, considering, and then said, “Pretty thing like you? Find the meanest, nastiest fucker on that island and convince him to protect you.”
Feyre didn’t need the soldier to explain how exactly she was expected to ‘convince’ said man. She’d already had plenty of nightmares of exactly that scenario after her sentencing. The worst part was his advice was probably one of her better options.
“Thanks,” she replied quietly. I think.
He didn’t reply, only pulled off her shackles and then took a strong hold of her arm. She didn’t know why he bothered. It’s not like she could hijack this boat and sail it back home all by herself. She didn’t even know how to drive a car, let alone a boat. She supposed she’d never learn now.
The captain stepped in front of her then, weary and clearly wishing he was anywhere else.
The feeling is mutual pal.
“Feyre Archeron, you have been sentenced to life on The Prison. Do you have anything to say before your sentence is carried out?”
The woman in question stared at him blankly. What was even the point? He was going to throw her onto an island of rapists and murderers no matter what she said. She’d already screamed and cried and swore at her trial. What more could she possibly say?
The captain had the gall to look annoyed. As if she were the one ruining his day.
“Right,” He turned to the marine holding her arm. “Toss her and let’s leave this fucking place.”
Toss her?! “Wait, what?!-” But it was already too late and before she could react the marine was hoisting her up and shoving her overboard.
Icy seawater hit her like a ton of bricks. The shock froze her limbs for precious seconds as her mind tried to reorientate itself. Kick! She thought frantically. After a few terrifying moments her body obeyed.
Salt stung her eyes as she broke the surface and sucked in oxygen but she still managed to see the blurry shape of the boat as it passed her and glided off towards the horizon.
“Fuck you!” She shouted after it. It was petty, but who was going to care about her behavior now? Her dead mother? Her absent father? Her sisters she hadn’t seen since she’d been hauled off by the police?
The island loomed large a quarter mile behind her. She supposed it didn’t matter to the courts if their prisoners actually made it onto the island. Just that they’d been dumped within its vicinity so there was no hope of them ever escaping.
How far even was the mainland from here? Thirty miles? Forty? Fifty? It had taken at least a few hours to get here. They’d left at 9 am sharp and if the sun was anything to go by it was barely noon. Not that any of this mattered. She was never going home.
No one escaped The Prison.
For a few indulgent moments Feyre considered letting herself drown. As terrible as it seemed, it certainly had its appeal compared to eking out a miserable existence on an island full of dangerous criminals. After all, they didn’t send just anyone to The Prison. Only the worst of the worst for this place. Murderers. Serial killers. Violent rapists. Enemies of the rich and powerful.
It was dizzying to think she was considered one of them now.
She let the moment of self pity linger and then let it go. Right. She’d never been a quitter. She wasn’t about to start now.
Resigned, she pointed herself towards the island and started swimming.
-o0o-
Feyre arrived upon her new home’s doorstep looking, for all intents and purposes, like a drowned cat.
It had taken her at least an hour to swim to shore, fighting six foot waves and avoiding what she desperately hoped were not sharks. She couldn’t be sure but she swore something had bumped up against her in the water at some point and hadn’t she read somewhere that sharks bumped into their prey before they circled around to take a bite out of them?
Shivering, she glanced down the beach, hoping against hope none of her fellow prisoners had seen her, but almost immediately she spied two men melting out of the tree line.
Well fuck.
Adrenaline flooded her veins and she scrambled to her feet as one of the men crept closer, holding his hands up as if she were a spooked horse. He was older, hair grayed and skin weathered by the sun. Clothes barely more than rags. Was this what awaited her if she managed to survive as long as him? Rotted teeth and preying upon new arrivals like scavengers?
“Easy there doll. We’re not gonna hurt ya…”
Either he thought she was a moron or he was one himself because Feyre knew exactly what that man had planned for her and quite a lot of hurt was involved.
“Bet you’re real hungry after that swim,” the other man said. He was younger than his companion, but in many ways he looked worse off. Starved and mean looking. “We’ve got some food over at our camp. We’ll share it…”
Even if she were desperate enough to take him up on his offer, his hollow cheekbones and bony wrists led her to believe that statement was a load of bullshit.
She waited, muscles coiled and tense as the men drew ever closer. Suddenly the skinny one reached out, attempting to make a grab for her but Feyre was ready for him. She kicked the sand and it arced up and sprayed straight into his eyes. He howled, clutching at his face, and stumbled forward but she was already bolting out of reach and into the forest.
“Wait, come back!” The older man shouted.
“I can’t see!” The other roared. “I’ll fucking kill her!”
But Feyre was already putting as much distance between her and her would-be captors as possible, not knowing which direction she was going except that it was ‘anywhere but here’. She heard the older man crashing in the underbrush just behind her, shouting at her like she were an unruly dog set loose.
She didn’t even realize his shouts had stopped until she was halfway up the hill. She dared a glance over her shoulder and saw nothing but trees and ferns.
Good.
She kept climbing.
-o0o-
It’s getting dark.
That was all Feyre could think as she wandered the woods in search of food and shelter. So far she’d found a tiny stream of questionable quality and a crooked stick. She supposed she could poke someone’s eye out with it if she was very lucky and her attacker were very still but she wasn’t holding out much hope in that department. Unfortunately the other items on her survival list had yet to be discovered.
Though with the way the sun was going down she was starting to worry. The temperature was dropping rapidly and though her clothes had long since dried they weren’t exactly made to keep one warm in near freezing weather. When she’d first realized they intended to send her off to her final destination in only her prison uniform she’d nearly fought them.
“You can’t be serious!” She’d raged at the officers escorting her onto the boat. “How am I supposed to survive without a coat? A knife? A lighter?”
The officers had been silent but their message was loud and clear: You don’t.
They expected her to die out here. They expected them all to die out here. Well clearly they hadn’t met Feyre. If there was one thing she was good at it was survival. And spite.
Especially that last one.
Still, if she didn’t find shelter soon even sheer undiluted spite was going to have trouble keeping her warm.
It took another hour before she found what she was looking for.
In the dying light, she spotted a little burrow under a rocky outcrop. It would be a tight squeeze, but it was better than her current options which were…nothing. It wasn’t exactly the Four Seasons, but it would mostly protect her from the elements and, more importantly, keep her out of sight. The last thing she needed was another of her fellow prisoners happening upon her while she slept.
As she wormed her way into the muddy crevice, she wistfully reminisced upon her bed back home.
To think, just a year ago she had been sitting in an upscale dining hall, celebrating her sister’s marriage. If someone had told her then what her future held she never would’ve believed them.
And still, she couldn’t fully regret the actions that had led her here.
Perhaps if she hadn’t seen the bruises littering Nesta’s arms things would’ve been different, but she had. And once she had seen them she couldn’t unsee them, no matter how many long sleeved dresses and cardigans her sister wore afterwards. Feyre still had the image of purple fingerprints dotting her sister’s wrist branded into the backs of her eyelids. Nesta never said a word about them. No matter how many times Feyre and Elain begged her to. She had been the very picture of the quiet, demure wife.
And Feyre had hated it.
Perhaps it would’ve gone on indefinitely like that, Nesta’s stoic silence and her sisters’ outspoken concern, but then it had happened.
It had been over something innocuous, his breakfast not being done on time, his coffee being too hot, or his newspaper not being laid out on the table the way he liked. Whatever it was, all Feyre remembered was the way her sister had reacted to her husband’s ire, braced and waiting for a blow. She’d seen it in her eyes. The hatred. The fear. The self loathing of having her sisters here to witness her humiliation. And then he’d grabbed her by the chin, fingers pressed deep enough to leave marks and Feyre had seen red.
Perhaps she truly deserved to be here for what had happened next. For the sheer satisfaction she had felt as she’d watched him bleed out around the butter knife in his eye socket. All she had known then was that this man would never touch her sister again.
She had never lost a moment’s sleep after doing what she did. When she had closed her eyes in her cell after her arrest the only thing she had regretted was the looks of horror and disbelief on her sisters’ faces. She hated that her final memories of her family were those.
But she still couldn’t regret it. No amount of wealth was worth broken bones. Nesta may have been willing to live in gilded luxury for the price of her battered body, but that wasn’t a trade Feyre agreed with. Better her sister live a rich widow who hated her. Better she was thrown to the rapists and murderers.
And I’d do it again. Every time. Feyre thought as she curled into the mud and let her exhaustion lull her to sleep.
Elsewhere, in the gathering dark, something stirred. The other prisoners retreated to the shoreline. They knew better than to enter the forest at night.
There you are. A voice whispered into Feyre’s dreams. I’ve been waiting for you.
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