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#writers wednesday
artemiseamoon · 2 years
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A Hermits Journey
1: This isn’t home
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A oneshot slowly turning into a fic | revised 3.27.23
Words: 2,213
Week 22 @writer-wednesday
The Teller brothers
Au where Garrett Hedlund is Jackson’s younger brother, Noah Teller
This is a oneshot for now! Will be expanded at another time.
This is a preview * read in full on A03 * for now it’s just a oneshot since my plate is over full
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Jax was out of places to look when the phone call came. It was just a few seconds long, brief and to the point. Noah was never one for words, not after dad's death at least. Everyone took it their own way, for Noah, he shut down and remained that way.
It didn’t matter he still had Jax, mom, the club if he wanted it; Noah didn’t want anything to do with any of it. He was known for packing up and vanishing for a long time, much to Gemma’s frustration. Sometimes it didn’t even feel like Jax had a brother left. Sometimes it felt like Noah died too.
Noah’s been gone for 11 months, the longest stint yet. Gemma was all worked up, sure her boy was dead. She was in a frenzy and looking into reports and John Doe’s. Jax had a bit more hope, he knew his brother, to an extent, and he knew Noah would pop up again at some point, especially if he got himself in a hole he couldn't charm his way out of.
Even so, understanding aside, Jax was pissed. He hated when Noah disappeared like this. As predicted, Noah eventually reached out, he used his one phone call to contact Jax.
.
This place was in the middle of nowhere, all types of seedy with years of dirt and memories ground into the wood floor. Faded stickers and posters on the walls with a few vintage beer signs.
Motorhead blared from the speakers and the bar top was packed, shoulder to shoulder. The men looked the part for this place, and their sole focus was the busty bartender, thought they did eye up Jax's kutte when he walked in.
The bartender was older with a cute figure and confidence through the roof. Jax could tell she's been at this a long time, maybe even at this same bar for years. She used the moth to a flame effect she had on the men to her advantage; her tip jar was already overflowing, and she had a few bills tucked in the red lace of her bra.
As Jax observed her, she made eye contact and winked at him before going back to her task. Jax responded with a warm smile, then turned his attention back to his brother, seated directly across him in the booth.
Noah was doing that thing where he stares off at nothing, broody, full of angst. A 90s grunge icon in the wrong era dressed in all black and leather instead of flannel: eerily silent on the outside but a turbulent storm brewing on the inside. Noah looked the same, but different. His hair was longer than Jax's now, and he wore a similar kind of beard.
Continuing to say nothing, Noah brought his glass to his lips and took a drink.
“You lucked out brother, we have friends down here. Charges dropped.” Jax said, cutting into the sounds of the bar and thick silence between them.
Noah made eye contact, his expression remaining unchanged. “I didn’t ask you to do that.”
“Jesus Christ- " Jax sighed, then rested his arms on the table, "I know you didn’t, you're my fucking kid brother! Am I supposed to just let you rot in a cell?"
Noah shrugged, looking away as his jaw ticked.
"Look man, you can’t keep doing this shit. It’s killing mom.” Jax paused, waiting until his brother looked him in the eye to finish. “And me.”
Read more here (A03) ⬅️
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More writer Wednesday
More SOA
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advice from the gang, how nice :)
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ravensoddshoppe · 11 months
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🖋️ Writer's Wednesday 🖋️
Greetings, fellow wordsmiths! It's time for another Writer's Wednesday, where we celebrate the art of storytelling and the power of words. Whether you're a seasoned writer or just beginning your creative journey, this is the perfect space to connect, inspire, and share our love for the written word.
✍️ This week's writing prompt: "Lost in Time" ✍️
Imagine a world where time is fluid and unpredictable. Characters are transported to different eras, encountering challenges and unexpected adventures. Will they find their way back or choose to embrace their new reality?
Let your imagination run wild as you explore the concept of time travel, alternate dimensions, or temporal anomalies. Write a short story, a snippet of dialogue, or even a poem inspired by the theme "Lost in Time."
Feel free to share your creations in the comments below. Let's inspire each other, offer feedback, and celebrate the diverse stories we weave.
Remember, every writer has a unique voice and perspective. Embrace your creativity, and let the words flow onto the page. Happy writing, my fellow wordsmiths!
Discover more of my witchy musings, stories, and sigil creations on our Wordpress - where magic meets the written word.
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skyrim-forever · 1 year
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idk if this has been done but
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What is...
On every What is Wednesdays I will explain a trope, a rhetorical device, or a literary technique in a few sentences. Put in the comments what you would like me to explain next.
What is... a drabble?
What is... dead dove?
What is... archetypal characters?
What is… deus ex machina?
What is… whump?
What is... plot bunny?
What is... canon vs. fanon?
What is… a headcanon?
What is… a plot hole?
What is… retcon?
What is… WIP?
What is… a sequel hook?
What is… a crossover?
What is… crack?
What is… a rarepair?
What is… a red herring?
What is… fluff?
What is… smut?
What is… OOC?
What is… a missing scene?
What is… Coda?
What is… a trope?
What is… Alpha vs. Beta Reader?
What is… a cliffhanger?
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰
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hayatheauthor · 10 months
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The Writer's Guide to Authentic Wounds and Fatalities
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Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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blackwolfstabs · 4 months
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Parker's Secret Santa Gifts🎄for @alkivm
ONE NORMAL NIGHT
In the heart of winter and in the dead of night, you and Wednesday share the woods.
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fandom: Wednesday (2022) pairing: Wedesnday Addams × Fem!Vampire!Reader a/n: this is my 1st × reader ever so i'm feeling very insecure about it.. however, i wanted to do something up your alley, Alk. i also wanted to write from Wednesday because i knew writing something of Sam would be too predictable of me haha. anyways, i hope you enjoy!!
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You slid into the partially dark dorm room that held your girlfriend’s strong scent. For someone as dark and mysterious as Wednesday, you never expected her to have a smell that was actually calming. However, this made it easier for you to find her. Being a vampire allowed you the same nose the werewolves had. Maybe even better, in your opinion…
Speaking of werewolves, Enid’s side of the room was the dark side, for once. She must’ve been out with her girl pack. This led you to immediately find Wednesday seated at her desk with a lit lamp as the clicking of the typewriter keys echoed off the walls. Her writing time, you presumed with a small smirk and shake of your head. It was part of her nightly routine. 
But you were looking for a night where they could just be with each other. It had snowed all day, but with the dark that you both adored, came clear skies and moonlight that made the snow sparkle. Wednesday, of course, didn’t care for sparkly things, but you hadn’t seen anything more vintage in decades. And you wanted to share that with her.
You wanted one normal night.
She never stopped typing, her black eyes undivided, but there was something about the way her shoulders braced that told you that she knew you were there. So, you approached her, but before you could speak, she did.
“What is it, Y/N?” she asked flatly. “You know this is my—”
“Yes, yes, I know. This is your writing time,” you cut her off as you stopped behind her chair and leaned against it. “I was thinking… maybe we could take a walk through the woods? We’ve been shut indoors all day because of the snowfall, and the moon is rather beautiful tonight.” You heard her give a short huff, which encouraged you to follow up with, “Almost as beautiful as you…”
Wednesday scoffed as she felt you lean down and kiss her cheek. You had just been outside, on your way over, so your lips were cold against her warm skin. It made her pull away slightly, “Oh, please, your pick-up lines are aging on me.” But even she had her own jokes to turn around on you, and she glanced up to tease, “Almost as much as you.”
To be fair, you did not see that coming as you looked away in mock offense. “You've been waiting to spring that one on me, haven’t you?”
She shrugged and went back to her writing, “Not really. You just fell into the trap.”
“Sly psychic,” you rolled your eyes.
“Dumb vampire.”
God, the way she just threw back words in any situation that made her charisma grow had your vampire instincts tingling. It made you frisky and longing for a hunt. However, if Wednesday followed your lead, you could take the thirst just to have one night with her. “Please?” you hated to beg, yet here you were doing it for her. “Can’t you spare one day of cutting your writing time short?”
Your borderline-desperate tone made her give a small smirk, and that gave you a little bit of hope. You had other plans for that night anyway, so you would make sure she’d show her side of the duality you had gotten the pleasure to know.
“Let me finish this paragraph,” she eventually gave in. 
You let her do so without trouble, pacing around the room like a caged tiger while you waited. And then she stood up from her chair and turned around to catch you looking at her.
“You’ve got the patience of a saint.” The sarcasm was thick in her flat tone.
You just shrugged and nodded to the tunic-length jacket that was lying on her bed, “That should be warm enough for you.”
The raven gave you an uncertain look as she went to retrieve it and slip it on. “Sometimes, I think you forget that I’m not a vampire,” she commented, clearly not convinced one jacket would keep her warm in the snowy wilderness.
“Never,” you assured her. When she turned around and approached you with her dark eyes trying to figure out the million thoughts behind your glowing ones, you gave her a wink. “Don’t worry, love. I’ll keep you warm.” 
She didn’t look convinced. “I’m thrilled.” Then again, she never did.
You never took that personally from her. After all, she was the one to insinuate a relationship that was more than friends. She had even stolen the first kiss between you two. As uninterested as she tried to seem, you knew she was curious about what you had in mind. Otherwise, she wouldn’t have followed you out.
The bitter cold of the winter night suited you just fine as you stepped out of the heated indoors and shook your head out to relish the chilly freedom. You sighed in delight, before looking over your shoulder to see Wednesday pacing up next to you. 
She blinked unsteadily, the breeze stinging her eyes and cheeks as her bangs were swept aside. She crossed her arms and hugged them against her chest. “It had to be tonight?”
You rolled your eyes, “Oh, come on, Wednesday, it’s not that bad!” You gave her a playful nudge. “You just need to get that warm blood pumping,” you then teased, your breed leaving you immune to the freeze.
She just growled in annoyance, which made you decide to take the first step—well, more like the second step now… “So, try and keep up,” you told her, then raced away into the woods.
It must have caught her off-guard, because she immediately followed hot in pursuit. “Y/N!” It was like she hadn’t even thought about the fact that she was rushing into a game of Tag, like it was a mindless effort that sent her after you.
Her calls made you run faster, weaving through the trees like a trained dog in agility, and you let out a triumphant howl that sent the crows scattering into the night sky. In return, you actually got a few calls back from the werewolves scouting the forest as well. “Hey, Wednesday!” you hollered over your shoulder, “you think one of those is your roommate?!”
You could hear your girlfriend’s panting grow louder as she flanked you a few yards back. “No!” she answered, “Enid wouldn’t be caught dead in this kind of cold!”
“But you’d like that, wouldn’t you?!” Being an Addams gave you so much freedom to joke about death, considering you were already dead inside. It was meant to be.
“Not tonight, Y/N!”
You just laughed and raced on, filing deeper and farther into the world of forestry that almost shielded the moonlight. The wind seemed to be going 100 miles per hour against your skin, making a million scents bathe your tongue every time you breathed in. 
And then the scent of fur and fresh-kill caught your senses. You were gaining too close to the werewolves, so you figured this was a good place to stop.
Wednesday, on the other hand, didn’t have as keen a sense of smell, which kept her racing on. She couldn’t see you anymore, but she had done that dance before. The amount of times she’d run through this very forest was unimaginable, especially with a destination known or unknown in mind. She wasn’t afraid of running through the dark; however, the crisp cold air was taking a toll on her lungs. She called out for you, slowing down to catch her breath. “Y/N?!”
Compared to the way she’d sounded a few minutes ago, back at the dorm, she wasn’t so uptight about everything. And that was where you wanted her.
The raven slowed all the way, when she didn’t receive a response from you. She glanced around as she trotted forward. “Y/N?” Her panting was silenced among the breeze and so was your movement in the low branch of the nearest tree.
When she passed it, you grabbed her arm and pulled it towards the trunk. She yelped and spun around, yanking her arm away to look up and meet your golden eyes. “Sorry,” you giggled, releasing her to comb your wind-tossed hair back with one hand. 
Her voice went back to its natural, monotoned-self. “Why are you in a tree?”
“We’re too close to the werewolves,” you nearly whispered the explanation. Then, you held your hand out to her. “Come on, I’ll help you up.” 
The gold shimmer in your eyes struck the lightest reflection in hers as she took it and let you pull half of her weight up onto the same branch.
You knew she wasn’t the most comfortable person with heights without being guarded by some sort of railing, so you made sure she was steady before you continued to lead the way up. Being a vampire, your agility and strength were reliable. You could weave quicker through the limbs. And once you reached almost ¾-ths of the way up, you crouched to check on your girlfriend.
Despite her size and normal human strength, she actually kept up well, only being a few branches below. However, being the lady vampire you were, you had lived for a few centuries. So, chivalry was definitely not dead in your era, just evolved out of the strictly-male ideals. “Wednesday!” She paused her climbing to glance up at you, which made you hold your hand out to her again. “I got you.” The cold must have been biting at her because she grabbed your hand with no hesitation, and you lifted her up, wrapping one arm around her waist to safely bring her to your level. 
She wouldn’t admit it, but the raven was relieved that you had the decency to allow her to be closest to the tree trunk. She glanced down, almost nervously, but left it undetectable as she asked, “Is there any reason why you insist on being so high up?”
“No one can see us from up here.” 
She shifted skeptically. 
“I thought you liked being uncomfortable,” you smirked. You caught the way she curved her fingers into the bark, threatening to clutch it if the branch that held them teased a crack or two.
Wednesday gave a slightly flustered sigh. “The last time I was in a tree, things didn’t go so well.” When she looked your way again, the moon light dappling through the trees made her eyes show a shade of brown that wasn’t common in her natural aesthetic. 
It took some of the frost away from the cold that you didn’t realize you could feel until that deep gaze met yours. Her frame looked even smaller as she backed up to secure herself against the trunk, which you knew she did to brace herself in case anything happened. You softened your voice as you moved closer to her. “I won’t let you fall,” the words came so naturally, it was almost considered pure.
She blinked at you. “Don’t make promises you can’t keep, Y/N…” 
You stopped a short distance from her, close enough to see what she hoped you wouldn’t: her desire for comfort. You slid one hand around her waist and the other over her cheek to block the winter breeze. “Here’s my promise,” you whispered, then pulled her into a gentle kiss.
To your surprise, she fell into it instantly, almost as if she was thinking of the same thing. She must have felt secure in your arms, for she then put her arms around your torso. And through the kiss, you smiled. 
She pulled away. “Is that all you got?” she tested you, looking away and over your shoulder to bait you into moving elsewhere than her lips.
You took in a deep breath, and her scent was so strong that you could almost taste her… You felt your golden gaze start to burn and your mouth start to salivate. There was a surge of power that entwined your bloodstream, and the thrill to drink made you stare at her open neck. Well… almost open. “Are you teasing me, Ms. Addams?” you asked her as you dipped your head towards the crook of her neck and nosed her braid over her shoulder, fully exposing her warm skin. 
“Bite me, Y/LN,” she almost purred into your ear. It was supposed to be a tease, but it came out more as a command.
But it was your pleasure, regardless. “Not until we’re in bed, my cold-hearted darling,” you replied, then pressed your lips to her neck. It was hard not to bite her right now. Just a little taste of that sweet drink that came out of the most savage student in Nevermore Academy would have sufficed. But you wouldn’t. Not now. For now, you forced yourself to only kiss and suckle her skin in a slow trail down her neck, but you did manage to let your fangs nip her every now and then.
All the while, Wednesday laid her head on your shoulder, sighing through the treatment with small moans, while her black nails curled into your spine when your fangs would catch her soft skin. 
It was the perfect mix of Heaven and Hell.
It was angelic and demonic.
It was sweet and stubborn.
It was you and Wednesday…
On this one normal night.
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merry christmas/happy holidays alk! i hope this made you smile and i'm wishing you a very pleasureable rest of the season. thank you for being such a supportive friend 🎄✨🎁
- parker (BWS)
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teencopandthesourwolf · 2 months
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"I'll text Stiles," Scott says, grabbing his backpack. "Then I'm gonna go see Allison.”
When Scott turns back around, Derek's lips are a thin line and they are the only part of him that moves when he asks, through his teeth, "Are you going to talk to her, too?”
Scott just squints. Because—huh? 
"Derek, what do you mean, am I going to talk to her, too?” He narrows his eyes even more, suspicious. “Why else would I be going to see Allison, if not to talk to her? I don't just, like, watch her from afar like some creeper, you know." 
Scott isn't about to admit that he has, embarrassingly, done just that on occasion. Alright, occasions, plural—but only once or twice! Five or six times, tops. And only ever when he thought Allison was, or could possibly be, in danger. It's not weird, though. It's not! It's noble, okay? It just sounds weird when you say it out loud. Even if he hasn't actually said it out loud. Well, at least not just now anyways; he's said it in front of the mirror a couple times and it turns out your reflection can be pretty hurtful and judgemental which, honestly, is a little upsetting.  
Just as Scott realises that Derek must know he just told a lie—half-lie!—the Alpha's face does a thing that Scott has never seen it do before. Ever. The dude looks almost… Human. 
And, what the hell? 
Derek clears his throat and shifts his weight from one foot to the other and worries at his bottom lip a bit and now Scott is feeling anxious because who is this guy? And what has he done with Derek ‘I Will Never Give A Single Thing Away About Myself Ever Other Than The Fact I Am Eternally Pissed’ Hale? (that's one of Stiles's). 
Just the possibility of Derek ‘Emotionally Open and Vulnerable’ Hale is, like—it's just way too much for Scott to handle on a Sunday morning when he's supposed to be at the veterinary surgery in less than fourteen minute's time and has to somehow manage fitting in seeing Allison on the way.
But it seems Scott is also too nosy to just move on from this and let sleeping dogs lie. And both of those things are really annoying because strange old phrases and being overly curious is usually a Stiles thing, not a Scott thing, so Scott really doesn't know what he's supposed to do! 
W.W.S.D. 
What Would Stiles Do?
"Um, Derek, have you been—"
"Firstly, McCall, following somebody around and watching them from a distance is not creepy if you think that they need to be tailed for their own safety, alright?" Derek starts and—well.
Exactly!
Scott actually genuinely likes Derek, for just a moment, because he knew he'd been right about that! He gives himself an internal high-five and an imaginary congratulatory pat on the back because being kind to yourself is never a bad option. Unfortunately, Scott now also has to admit to himself that it does, in fact, sound weird when you say it out loud. Or, well, think it out loud. Whatever, he knows what he means.
He realises that Derek is still speaking.
"...because Stiles is human and also the biggest danger-magnet in the pack, so it makes sense that one of us should be keeping tabs on him. Thirdly, I—“ 
“Someone, Derek!” Scott blurts, “I was going to ask if you've been creeping on someone!" he interrupts because—honestly, in the most way possible—what?! The hell?!
Scott is both stunned and annoyed at hearing that Derek has been following Stiles (hiding around dark corners and slinking about the place like a wolf ninja. Scott should know. Shut up.) 
Because Stiles! Is Scott's best friend! 
And, like, how long has he been doing this? And for what purpose, really? Because Derek's heart just skipped about twelve beats, never mind one, so reason number two was obviously at least a half-lie of his own. 
That's when Derek's mouth clacks audibly shut. 
Scott just stares. And he knows; there is more going on here than meets the eye.
Then it's obvious that Derek knows that Scott knows and then everybody is knowing and looking and looking and knowing and Scott just—he can't stand it, okay? He needs confirmation. He doesn't necessarily want it, but it's like his mom always says: Life's tough sometimes. 
Eventually, he manages to say, "Are you stalking Stiles, Derek?" and hopes to hell he's wrong because he now feels somewhere in between being affronted on his best friend's behalf, totally grossed-out because it's Derek, ugh, and maybe just a little bit amused. Or is it bemused? Possibly confused. Scott is definitely some of those words. 
And again, seriously, what the hell?  
Has Derek honestly been creeping on Stiles because he's concerned for Stiles's safety? And, if so, why? Like, does Derek even get concerned for humans? Or other wolves for that matter (apart from maybe his own betas which is probably only a biological thing anyway, Scott reckons). Does Derek care about anybody? At all? Dude doesn't even care about himself, Scott doesn't think.
Scott now tries his best to come up with another reason, any other possible reason, that someone might have to follow a person around, but he can't seem to land on—OH, GOD! DOES DEREK HAVE A CRUSH ON STILES? Oh, shit! Oh, shit, shit, shit, shit, shit! He can't. But he—nope. No! Because what. The actual. Hell! He just—no. No, no, no. He can't! Can he? Oh, my God, what if he does?! And if it is true... ew! Derek Hale crushing is just gross! And on Stiles?! Just, no. But also, why? And also-also, how the hell did Scott not notice something sooner?! 
And another thing: Did Scott somehow wake up this morning having somehow travelled in his sleep to one of those Affirmative Universe places that Stiles is always banging on about?
Man, Scott has, like, so many questions. 
Derek still hasn't said anything and is just standing opposite Scott with his stupid arms folded across his stupid chest with his stupid beard in his stupid loft looking really, really stupidly sheepish, and Scott thinks, yep.
Affirmative Universe. 
He doesn't know what to do and Stiles isn't here to ask, so he waves a confused (and maybe amused and bemused) arm in the air and says, “Derek, what the hell is going on? Have we travelled to an Affirmative Universe or something, because—”  
“Don't you mean Alternative Universe?”  
“—you never just, I don't know, don't throw something offensive or at least defensive back at me when I'm talking to you about Stiles. Or, you know, anybody else. Or anything else, come to think of it!”   
Derek now looks, for real, actually scared.
And Scott? Well, Scott is now officially terrified.  
His phone starts ringing and, as it's already in his hand, he just answers it without looking, eyes still fixed on Derek The Imposter. 
“Yooooo, amigo, what's the plan?” 
It's Stiles. Of course it's Stiles. 
Stiles is on the phone and Derek Hale might-probably-definitely have a crush on him, and Scott may or may not be in an Affirmative Universe but can't know for sure and can no longer speak or think or breathe.
“Uh, Scottie? Scottland? Sir Scott-A-Lot? You there, ol’buddy, ol’pal?” 
Derek can obviously hear who is on the other end of the phone. He looks positively constipated, his brows knitting together even tighter than before, tighter than ever before, and his lethal jaw is ticking away like it's being controlled by the World Clock in Berlin that Scott learned about in middle school.
Scott sighs, heavy, like he's seventy years old instead of seventeen.
Derek is now giving his best version of Scott's own speciality Puppy Dog Eyes (something Stiles and Allison always accuse him of), with a definite flavour of please, don't tell…
And Scott wants to cry. Like a baby. Like, throw himself onto the floor and scream and shout and kick his feet in the air. 
Instead, he grits his teeth together like the mature person he is, feeling very firmly smooshed between a best friend-shaped rock and a werewolf-scented hard place. 
Ugh, his life is just so unfair!
He mouths YOU OWE ME to Derek, and Derek's whole body visibly sags with relief. 
Then he takes a deep breath and answers Stiles—who is now chanting ScottieScottieScottieScottieScottieScottieScottie down the phone—with, “Dude, shut up and listen, will you! I think we might have a very real problem with Affirmative Universes!”
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altf4d3lete · 17 days
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I think what’s SO interesting about Wednesday’s character is how she reacts to people she cares about being hurt. At the beginning, we see that she doesn’t really care, right? That it’s just another murder to solve, another monster to track down. That the kills are just photos for her board. But when it’s someone she cares about, that facade she puts up absolutely falls away. You can SEE it. The realization that her friends are not invincible. That her friends can be hurt, and it can be because of choices SHE makes. That what she does affects what happens to them. And of course, while she’s not fully to blame for it, because she was gaslighted and manipulated, it’s just so interesting to see that realization. That while she may not care about herself, she DOES care about her friends. And to her, it’s all her fault. She was too naive, too daft, too much of a failure. Too stubborn. You can SEE it. In just her eyes. That’s why Jenna’s acting was praised. To project such emotion from a seemingly emotionless character? It’s incredible. Anyways. I just. This is why I love writing angst. Her inner thoughts are just.. so interesting to pick through. Her reactions are so interesting to over-analyze. Her thoughts are so interesting to write.
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moonlight-clover · 1 year
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~lipstick~
I swear this woman is a goddess and l am so appreciative of all the fanfic writers who are destroying my heart and soul every time l open my dash. Please keep giving this character the wonderful love she deserves! 
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elliewlums · 1 year
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xavier and littering kisses all over your face my brain is fuzzy help
HELP I LOVE HIM
content warnings: pure fluff honestly, pda, xavier gives r all the luv, no pronouns used for r!
note: this was so so fun to write! pls remember to reblog, it helps a ton and comments are always appreciated<33
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you giggle as soft pillowed flesh meets your right cheek first; xavier’s head dips down, mop of brown swaying and tickling your exposed neck. your eyes follow the fluid movement of his chin length hair, the way the light catches it, the way each bob of his head has it flying about his face.
“xavi!” you squeal as he pecks at your jaw, teeth protruding to graze against the bone before going back to his ardent mouthing. the low vibration of his content humming makes you warm, your chest almost bursting with adoration.
“sweetheart,” he murmurs back, his lips now working back up to your forehead, pressing to your temples and then right between your crinkled eyes. you’re soft and melting, boneless in the crowded cafeteria surrounded by your friends; you couldn’t care less, too enamoured with your boyfriend to take much notice of their disgusted stares. his lithe fingers are a welcome sensation against your scalp, a gentle scratching that has you leaning into his touch and practically purring like a little cat.
his lips next find a home at the corner of your mouth; he’s so close, narrowing the gap between the pair of you further until all you can feel is him. his body pressed against yours, his perpetual warmth engulfing you along with his affections. you turn your head, determined to catch his lips in a real kiss, only to be disappointed when he pivots away once again, swooping down to nip at the other side of your neck.
your lips push out into a pout at his aversions and you scrunch your nose, a complaint on the tip of your tongue. he senses it, catches your lips between his before you can utter a single syllable, and laughs into your mouth as the whine dies in your throat.
he pulls away with a wet smack, unsurprised when you chase him and needle your way underneath his arms. absentmindedly, you begin to twirl a strand of his hair between your fingers. he flushes, a subtle red creeping across his cheeks and up to his ears.
you don’t think you’ve ever loved a person more.
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ravensoddshoppe · 11 months
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Writer's Wednesday
🖋️ Happy Writer's Wednesday, fellow wordsmiths! 📚✨
Today, let's dive into the enchanting world of storytelling and creative expression. ✨✍️ Whether you're crafting a captivating novel, weaving magical poetry, or conjuring fantastical worlds, this is your time to shine! Let's share our writing journeys, favorite writing tips, and the challenges we've overcome along the way. 🌟✨ What's the most inspiring book you've read recently? Which character has captured your heart? What's your favorite writing routine or ritual? Remember, fellow writers, your words have the power to transport readers to extraordinary realms, evoke emotions, and ignite imagination. 🌌🔥✨
So, let's celebrate the magic of storytelling and inspire each other to create our best literary masterpieces! Share your thoughts, musings, or even a snippet of your work-in-progress in the comments below. Let's support and encourage each other on this incredible writing journey. 🌟📝✨
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somekindofpoet · 1 year
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Master List
I write gay stuff.
Many of my works are 18+ for sexual themes/violence/drugs. Please consume at your own risk, with this in mind!
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Like A Movie - Reader is a struggling screenwriter but things start looking up when they get a surprise visitor who wants to buy their movie.
Part I
Part II
Part III
Part IV
Part V
Part VI
Part VII
Part VIII
Part IX
Tara
Spin Me Round -NSFW! R plays spin the bottle with the Scream gang
Skin Deep - NSFW!
Ghostface reader meets her match in Tara Carpenter
Part I
Part II
Part III
Part IV
Part V
Drabble 1-Strap Party!
Drabble - Sweater Weather
Drabble - Fighting Words
Drabble- Nudes
Jenna
Nevermore Grounds - Reader owns Nevermore Grounds, a Brooklyn coffee shop that Jenna stumbles upon.
Part I
Part II
Futbol or Football - Jenna is preoccupied with a soccer game on tv, reader interrupts
Missed Connection - A flight delay causes a chance meeting between R and Jenna Ortega
Part 2 Part 3 Part 4 Part 5 Part 6 - NSFW! Part 7 - NSFW!
PR Agent Drabble
Playlist
Vada
Terminal - Reader deals with her parent having a terminal illness, and Vada struggles to cope with the aftermath of the shooting
Kissing Lessons -NSFW! Reader teaches Vada how to do the do
Oh! Dealer - NSFW! - Vada calls Reader for a ride after she does E, they get high together and experience some new highs
Oh!Dealer Pt II - NSFW! - Drug Dealer! R and Vada try to figure out how this is all going to work.
Oh!Dealer Pt III
Low Budget Spider-Man - NSFW! - R gets dragged unwillingly into a friendship with Vada, and then the crush begins
Lightning Drabble
Cranberry Juice Drabble
Lorraine
La Petite Mort NSFW!- Reader finds out Lorraine has just been bearing through intimacy with RJ, and takes it upon herself to educate her on how it should be one
LPM - La Drague NSFW! - Reader and Lorraine take a ride into the woods for a picnic...and other things.
LPM - C'est Comme Ça - The repercussions of RJ's return hit hard
LPM - T'en Va Pas NSFW! - Reader works until she's numb enough to clock out, Lorraine brings her back around
LPM - Vouloir, C'est Pouvoir NSFW! - R deals with RJ, Lorraine gets jealous
LPM - La Fin NSFW! - We get closure
LPM - Bonus Content 1 NSFW! - A new girl at the ice cream shop makes Lorraine jealous
Drabble-Fight.
Drabble-Jacket
FilthX - NSFW! - X AU where Pearl isn't a homicidal maniac and R is the star everyone wants, including Lorraine
X Drabble
LPM - Lorraine NSFW Alphabet
Phoebe
How To: Be The Perfect Partner - A Lecture - NSFW! - Phoebe has prepared a lecture for Reader: how to be a perfect partner
Wednesday
God Complex
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What is... a rarepair?
Rarepair refers to a rare pairing inside a fandom. This means that a pairing that someone ships does not have a lot of fanart or fanfiction about them or anything at all.
While crackships are always rarepairs, these rare pairings can make a lot of sense in canon, but they are just not that popular. But they often also refer to shipping characters that do not interact in canon at all, maybe not even know each other in the source material.
There are no exact numbers on when a pairing is considered a rarepair but some characteristics are that the tag on AO3 does not have a lot of hits and that most of the entries were written by the same person.
Shipping a rarepair can be frustrating, when you feel like you are alone in your love for a pairing, but it can also be fun to be able to shape the pairing together with two, three other shippers however you want them, because you basically own the ship by solely contributing to it.
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hayatheauthor · 6 months
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Everything You Need To Know About Writing Gunshot Wounds 
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Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 
Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 
How To Categorise Gunshot Wounds
There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 
Picking The Right Firearm 
Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  
The Impact of Firearm Selection
The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:
Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.
Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.
Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.
Choosing the Right Firearm for Your Narrative
The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.
Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 
Categorising The Wound 
Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 
In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.
You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 
Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.
Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.
Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.
Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.
Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.
Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.
Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.
The Anatomy of a Gunshot Wound
To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.
1. External Appearance and Bleeding:
Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.
Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.
Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.
2. Internal Damage and Symptoms:
Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.
Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.
Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.
Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.
By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 
Medical Assessment and Treatment
Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 
1. Initial Assessment:
Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.
ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.
Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.
2. Trauma Assessment:
Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.
Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.
3. Treatment:
Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.
Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.
Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.
Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.
By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.
The Psychological Impact
Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 
For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 
If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 
1. Shock and Denial:
Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.
Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.
2. Fear and Anxiety:
Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.
Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.
3. Post-Traumatic Stress Disorder (PTSD):
Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.
Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.
4. Depression and Isolation:
Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.
Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.
5. Recovery and Resilience:
Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.
By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.
I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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steddieunderdogfics · 3 months
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This week's writer spotlight feature is: @lexirosewrites! They have forty-four Stranger Things and forty-three Steve Harrington/Eddie Munson works on archive of our own!!
An anonymous nominator recommends the following works by lexirosewrites:
24-Hour Diner
On Thin Ice
And the Sun will Rise
Bandaids for the Heart
Waking Up In Vegas
A/B/O isn't for everyone, but Lexi writes it in a way that it IS. I've always been a fan of the trope, but Lexi writes A/B/O in a way that expands beyond the basics. They've expanded their universes to play with common A/B/O themes in ways I've never seen -- each one feels fresh and exciting. And yes, they're popular in their own right, but they have so many hidden gems!! I just adore them and the work they've done beyond the tropes and tags. They put so much work into their stories and building their community, pushing through all the fandom bullshit to bring joy to their bubble of fandom. They're easily my go-to author rec for anyone getting into steddie and/or A/B/O and they deserve all of the love!! And if you're seeing this Lexi, thank you for continuing to create and share your beautiful ideas with us. ♥ - anonymous
Below the cut, @lexirosewrites answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I love the chemistry that Steve and Eddie have. They’re two people who make no sense together and yet they make so much sense together? They have a good mix of parental issues and they’re on opposite sides of the social spectrum, which makes for a lot of fun exploring their relationship.
What’s your favorite trope to READ?
I’m a sucker for soulmate fics. They’re my true weakness in life.
What’s your favorite trope to WRITE?
I love to write about mutual pining. I enjoy making it clear that both parties are pining and suffering under the delusion that their feelings are unrequited.
What’s your favorite Steddie fic?
This is such a hard question. I don’t read as much as I used to, but the one I reread the most is “Consummate Professional” by Eddywow for sure. It’s just a cute fic and the smut is A+ as well!
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’ve worked through most of my favorite tropes at this point, but I’m excitedly planning a timeloop fic set in the omegaverse.
What is your writing process like?
It’s a bit of a mess, truthfully. I start with unorganized bullet points to brainstorm things I think will happen in the fic and slowly arrange that into a real plot with actual events and not just some loose threads of a story. Then, I just go chapter by chapter to put them in order and make changes as necessary after that.
Do you have any writing quirks?
I write omegaverse fics almost exclusively. Which I’d say probably qualifies as a quirk! I also just have a habit of writing recurring themes in many of my works. For the most part, they all have angst, lots of pining and miscommunication, and a perfectly cozy happy ending with a big bow on it.
Do you prefer posting when you’ve finished writing or on a schedule?
Oh, I hate waiting. The moment a chapter or fic is done and someone has at least skimmed it over for big issues, it gets formatted and posted. The only times I wait are for events like the Big Bang or a gift for someone’s birthday!
Which fic are you most proud of?
“Bandaids for the Heart” is the work closest to my heart because I’m a nurse and I got to use my love for nursing to write about my job and craft a whole story out of it. I’m very proud of how it turned out and the fact that I finished it despite some personal challenges along the way.
How did you get the idea for 24-Hour Diner?
I actually got an ask on tumblr with the prompt that inspired me to write it!
When writing 24-Hour Diner, what was something you didn’t expect?
I actually have a longer Mafia AU fic and I was worried they’d end up being too similar, but I enjoyed finding little ways to distinguish it as its own fic.
What inspired On Thin Ice?
I love to ice skate and a friend in my discord server was gushing about HexieWrites’ “Carve Your Name Into My Chest,” which made me want to explore my figure skating background.
What was your favorite part to write from On Thin Ice?
There’s a scene where Steve gets injured and Eddie has to carry him off the rink. Every story has at least one “that’s the scene I really want to write!” and that was the one for this fic. I love some good hurt/comfort!
Do you have a favorite scene and/or line from any of your fics?
That’s so hard to narrow down, but I’d have to say that it’s a scene from my fic “Bad Beat,” where Steddie are at prom and Eddie pulls out a granola bar from his tux pocket because he knows Steve likes them… even as Steve is fully planning on pranking him for a bet. It’s a heartbreaking scene and I think about it a lot.
Do you have any upcoming projects or fics you’d like to share/promote?
I’ve got lots of upcoming fics, but I can’t share most of the titles yet since they’re gifts! However, I have a The Greatest Showman inspired fic called “A Million Dreams” that’s getting posted in early January!
Outside of these questions, Is there anything YOU would like to add?
I’m honestly so grateful to have the support that I do for how niche most of my fics are. Most people in the Steddie community have been incredibly kind to me and I really appreciate it, even if omegaverse isn’t their cup of tea. I’m just here to have fun and make new friends!
Thank you to our author, @lexirosewrites, and our nominator! See more of @lexirosewrites' work featured on our page throughout the day!
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