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#would any read this shit
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DP x DC Prompt: The Watchlist
Batman has a watchlist. A list that contains every individual who could become a rouge and a contingency plan for if they did.  
And while they, his children, often make fun of his paranoia and him for having it, they totally understand why he did. They lived in Gotham, for Christ's sake. Where everyone’s just a pin drop away from being the city’s next big villain, forcing the bats to scratch their heads while playing cat and mouse with a sicko for a good few weeks. And while they won’t admit it, the list has helped them a few times. 
But that won’t stop them from making fun of any of the list’s new developments. Because you see, there was a new list. And it wasn’t just a watchlist. No, no, no. It was The Watchlist.
It was a new development after he and Robin went on an out-of-state mission to investigate some town in bum fuck nowhere Illinois. And it was under some pretty tight security as well, so they were expecting something good, like mad scientists or evil mayors. Not profiles of the kids who lived in the town. And while there were a few metas and vigilantes that made the list interesting, by the end of it all they just seemed to be teenagers. 
Until they saw Damian. They hadn’t seen him since he came back from the mission with B. He looked tired. Like ‘Tim hasn’t slept in a week and is surviving on just coffee beans’ tired.
“Ah, I see you all have found it. Good. A few of them will be arriving next week as they’re a part of Gotham Academy’s student exchange program. At least three of them will be staying in the manor with us. Father will need you all to be on standby and to be ready for any possible scenario. Please, for the love of all that is good, do not encourage them in any way, shape, or form. And please do not dismiss them either. The outcome of doing that will be much worse. Is there more that I should add? Yes. Will I? No, because you won’t understand. Not until you've seen what I have.” 
The demon child sighed, then looked them dead in the eyes. “Godspeed to us all.” Then walked away.
Okay, they were scared now.
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dreamsy990 · 7 months
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you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.
compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?
but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.
sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.
he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.
you know what scene that resembles?
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sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.
so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!
he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.
the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.
there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.
not sure if this is very well said or anything i just wanted to talk about my boys
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dykeinthedark · 4 months
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doing this thing i call "reading every class high school lit book i missed out on" partially because as an english minor i feel like a lot of ppl in my english lectures have already read these books in higschool partially because high school english classes suck balls and i think the way they taught kids to read books was lame and dumb as hell and killed love for reading and i think some of these books they make kids read should never be experienced in a classroom setting
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fanvoidkeith · 7 months
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sometimes being aroacespec is confusing. what do you mean, most people can tell the difference between platonic and romantic and sexual attraction? what do you mean people don't "choose" crushes? what do you mean that people can imagine themselves in a physical situation with someone else?? isn't dating just Friendship Plus??? hell, isn't marriage just Friendship Plus?????????
what do they mean??????????? what are feelings???? why am i so confused????????
*edit: changed "aroace" to "aroacespec", since several aromantic people felt that this was not an Aromantic Feeling. i see you, i hear you, and so i changed it to be more accurate to me personally, since i am Confused About Feelings Always
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tittyblade · 1 year
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okay ive been thinking.
rb with your answer + what your interpretation of barbie/ken is
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I simultaneously want to live a lifestyle where I can regularly afford to EXTRAVAGANTLY tip service workers, whilst also living in a world where topping culture is not normal or necessary because minimum wage laws do their damn jobs and actually allow all workers to comfortably support their selves & families without relying on the arbitrary "generosity" of entitled customers
#not a shitpost#anyway tipping is not the norm in many countries bc employers are held to a higher accountability re: liveable wages#and in the U.S. specifically tipping as a cultural norm is DIRECTLY descended from post-civil-war racism#I highly recommend googling that shit bc there are MUCH better sources than my dumb little blog#but basically i believe it arose in industries that employed (exploited) a large newly unenslaved black workforce#by offering service jobs that paid unethically low wages (to post-emancipation black americans with VERY few options/resources)#with the excuse that 'tips' would 'reward' good performance and make up the wage difference to 'deserving' workers#while actually it was a control tactic that enabled racist white customers to financially abuse underpaid black employees#keeping in mind that many white americans at this point resented the new legal right of former slaves to earn money and hold jobs at all#ANYWAY I'm rambling and I don't have a list of sources that's just a summary of stuff I remember reading#I apologize for any accidental misinformation this is why i normally stick to dumb clown biology horror posts#(the nose is the fruiting fungal body. honk it thrice to Release The Spores)#...no wait wait wait i thought i was done BUT:#it's no coincidence that tipping culture has continued predominantly in industries more likely to employ women and people of color#and people without access to higher education. because TIPPING IS FUNDAMENTALLY A FORM OF FINANCIAL ABUSE MEANT TO ENFORCE SOCIAL HIERARCHY#ok whew i think im done#oh P.S. LEAVE A FUCKING TIP for people who provide you services in industries where tipping is (unfortimatrly) standard#Yes even if they do a crap job. TIPS AREN'T A 'BONUS' for 'good performance' they're literally something exploited workers need to SURVIVE#you should be able to screw up occasionally at work without being terrified of being able to pay this month's bills#Humans are human. Which means we are DEEPLY FLAWED and IMMINENTLY DESERVING OF DIGNITY AND COMPASSION.#There i did it i summarized my personal core theology nobody asked for. and in entirely too wordy a process okay i am going to BED
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p4nishers · 8 months
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no really ALL im saying is if aziraphale was infront of ME and me only and even gave me a smallest amount of attention i would've already confessed right there. wouldn't have taken me 5 minutes let alone 6000 YEARS. nuh uh. especially if he slutted me out while dressed like THAT in 1793 or rizzed me up in 1941. i may be oblivious but im not dumb as fuck and i would've taken THE FUCKING HINT. unlike SOMEONE. ugh if only i was in crowley's place this shitshow wouldn't have taken more than aziraphale's eyelashes to flutter once and i'm done for the wedding is already in full swing oh lookie here a priest appeared completely out of nowhere how odd how mysterious!! anyway we must not waste this opportunity let's just get over w it for completely normal regular reasons YEP!! nothing to see here just a perfectly regular every day wedding !! like come on man atp u gotta blame urself for wasting opportunities like that
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genericpuff · 2 months
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vent post
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#and before anyone who hates my shit says “yeah because you ARE a loser way to have self awareness for once”#i promise you this would be me with or without the LO fandom LMAO#anxiety is a hell of a thing#and as much as i internally guilt myself into thinking it would be better if i just shut up and hid away forever#i also know that's the trauma speaking because the adults around me always told me to shut up#and even as an adult i still encounter people who talk over me and make me feel like i'm not allowed to be outspoken#but the pen is mightier than the sword and all those years i've spent being spoken over i've been honing my penmanship#i have fun talking about the things i talk about and i don't have any less right than anyone else to do it#i am cringe and i am free#self post#vent post#altho on another note i do wanna make time this week to go find new series to read#too many of my favorites have turned to shit and it's taken its toll#i KNOW there are better comics out there that are genuinely well made#i already have a few that i'm reading that i love but i need to balance out the good with the bad more lol#i just need to take the time to go find good stuff instead of pouring so much of my attention into the bullshit that doesn't deserve my tim#i think both things can be true#i can have a lot of fun dissecting and writing about series i don't like#while also nourishing myself with good works that restore my faith in this medium#“perfectly balanced as all things should be”
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fauvester · 4 months
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THE PRINCES OF THE NORTH!
i thought my little moshang kid could benefit from a baby brother
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child-of-hurin · 11 months
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Part of what charms and compels me in Jeyne Poole's arc is her reaction to her predicament. All the female POVs in this book are dealing with a lot of gendered violence, and they all deal in different but dignified forms... Jeyne is not a POV character and she is absolutely not dignified lol. She cries and begs, she is utterly helpless. But unlike most women in this book who are utterly helpless, she survives. It's frustrating how fans refuse to celebrate that, simply because there is no glory in it.
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rosepompadour · 2 years
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One day I shall be the princess, and spend my whole life dancing in fairyland.
Anna Pavlova, I Dreamed I Was A Ballerina (1922)
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lord-squiggletits · 2 months
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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.
But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.
God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.
All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned
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creatinghelen · 10 months
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and at that moment I felt a fragment of my fractured heart heal. piece by piece, I will get better.
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brookheimer · 11 months
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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fruityfroggy · 6 months
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Some over analysis of the poses in this TS promotional art, because I can (I think)
(Also, this turned out sooo damn long, so be warned)
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Okay, so I had this thought about their hand positionings alluding to a general idea of their (initial) intentions.
There seems to be a pattern with the general placements of the Lis hands that splits pretty evenly. Said placements are: holding out their hand (Ais and Kuras), having their hand on the side of their face/head region (Vere and Leander), and hands that aren't really doing much (Mhin).
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Holding out your hand tends to have a more welcoming and helpful association and feeling to it. So, Ais and Kuras holding out a hand could signify an actual sense of wanting to help MC find a cure. This makes a lot of sense for the two of them since they do seem like the least toxic ones from what we’ve been able to get from the demo (of course, Mhin doesn’t seem very toxic either, but their situation is a little different). Also, I did take into consideration that Kuras is kinda…suspicious in a way, but I think that that could be conveyed by his hand not being held out directly toward the viewer. This might mean that he isn’t necessarily as genuine about it as Ais in some way, but he is for the most part.
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Putting your hand(s) on the side of your face/head when posing tends to bring more attention to your face. You’re bringing interest to that area by having your hand do something that could enhances how your face region looks. So Vere and Leander on the other hand (pun intended), having a hand placed in said area could represent how they’re planning on “helping you” in a way that prioritizes benefiting them. Vere wants to be free from his magic-bound leash, and he sees that MC is very determined to get involved with the Senobium. He thinks that if he plays his cards right, then MC’s empathy could bring them to help him break free. Promising guidance for MC’s mission is the first step to playing his cards right. Leander’s route though, is clearly going to end in betrayal that would cause some sort of benefit for him. It’s just not as clear when it comes to what it is exactly.
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With Mhin’s pose, there’s a clear difference from the others. They’re not doing anything extra with their hands. They’re not posing in a way that purposefully tries to grab your attention, which could represent how they don’t have any particular intentions toward MC at this point in the game. Mhin doesn’t want help, and they don’t want anything from MC either. I don’t even think that they know about MC’s curse yet (unless I’m forgetting something), Mhin truly doesn’t have much of a reason to interact with them again unless MC approaches them first. Mhin could likely not be the one who starts an interaction between the two for a good while in their route. MC is the one that has to try and get Mhin's attention if they want to romance them, not the other way around like the other Lis. MC has to convince Mhin to come with them, as there's no willingness from them (yet).
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Another thing I've noticed is that Mhin's pose is compact compared to the rest of the group (all shoulders back, one arm up in one way or another). Of course, it's a fairly casual compactness. They're not completely hugging their knees to their chest or anything. But looking at the image altogether, Mhin does seem to be an outlier of sorts. I mean, they're the only one sitting, they're the most compact, they're the only one who's not being attention seeking to any degree. All of this conveys their closed-off personality very well, yes (it's like they didn't wanna be there and just wanted to quickly get it over with), but maybe this says something about their route too. Like I mentioned before, MC will have to try extra hard for Mhin to gain a sense of fondness toward them. So, the lack of fondness and desire to be around MC at the start could also be a reason that they barely fit in with the pre-established posing conventions (is that a phrase?). No other Li has shown signs of this except for Mhin, possibly making a big difference in how you play their route (as opposed to the rest).
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I feel like this is most likely the only actual intentional symbolism that I mentioned so far, but I do want to point out that the mini Eridia at the bottom is heavily scooched to the left so that it barely touches Mhin. I just like this little detail because it's quite a clever way to sneakily remind you that they're an outsider too (if that was intentional). But the fact that we needed to be reminded of that, especially in such a sneaky way. It's almost as if it's emphasizing the fact. I haven't thought of a possible reason for it, but I feel like there could be something in there.
Okay, this was all that I could find and think of. If anything else comes to me, I may do another part. But I think this is enough hidden stuff for an image of Lis to promote a visual novel.....right?
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nocreativityfornames · 5 months
Text
More detailed:
Zombie Apocalypse AU: self explanatory, it's the end of the world, the brothers are humans and not actually related ( apart from the twins and Lucifer and Satan maybe ) and they just come together with MC as a group to survive together. Bonus points if some of them die throughout the event. Yeah, that's right, I want that ANGST. ( Solmare will never give it to us though... )
MC gets sick and the brothers have to take care of them: already talked about this in this post :3
Lucifer is out for the weekend, chaos ensues in the house: classic movie trope, the dad leaves and everyone's excited to do whatever the fuck they want and throw a massive party in the house, only for the parent to send a text saying they're coming back earlier than expected. CHAOS.
The bros become humans for a few days/a week: they're hit with some spell, idk, but become a human for a limited amount of time and have to learn what it's like to live as a human. ( I CRAVE for this to have a scene where Satan gets a paper cut and is just blown away because wtf, HUMANS ARE THAT FRAGILE?!?! ) They're all grow a massive respect for MC at the end, because how the fuck do you live like this??
MC becomes an actual sheep: could be another animal too, but I chose sheep because you know, MC is represented by a sheep. It'd just be a cute scenario, and funny too. Give it to me!
Satan & MC bring a cat home and attempt to hide it from the others: idk, could be satan or mc that finds a hurt street kitten, so they bring it home with them and immediately text the other like: "HELP, EMERGENCY SITUATION, CAT INVOLVED!!"
They keep the kitten in one of their rooms and hide it from the others, but slowly, one by one the brothers start finding out about it, and OH BOY DO THEY GET ATTACHED.
The last one who finds out is Lucifer, obviously, but at that point everyone has already grown heart eyes for the tiny thing, and he can't say no to keeping it because all his 6 little brothers + MC are pleading him to let the cat stay and his heart can't take it. WE ADOPT A CAT, FINALLY!
( this one is just what I have as canon for my mc, honestly XD )
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