#working on editing a book for work in which both just let it go or make a joke at your own expense are actual pieces of advice given

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

#neil gaiman #michael sheen #david tennant does a podcast with... #good omens #aziraphale #crowley #sushi #whale #the cove #oscars 2010 #coraline #mini secret compartments #howneilmetmichael #howmichaelmetneil

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

#warm up #writeblr

[mostlysignssomeportents]

Gig apps trap reverse centaurs in Skinner boxes

Enshittification is the process by which digital platforms devour themselves: first they dangle goodies in front of end users. Once users are locked in, the goodies are taken away and dangled before business customers who supply goods to the users. Once those business customers are stuck on the platform, the goodies are clawed away and showered on the platform’s shareholders:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Enshittification isn’t just another way of saying “fraud” or “price gouging” or “wage theft.” Enshittification is intrinsically digital, because moving all those goodies around requires the flexibility that only comes with a digital businesses. Jeff Bezos, grocer, can’t rapidly change the price of eggs at Whole Foods without an army of kids with pricing guns on roller-skates. Jeff Bezos, grocer, can change the price of eggs on Amazon Fresh just by twiddling a knob on the service’s back-end.

Twiddling is the key to enshittification: rapidly adjusting prices, conditions and offers. As with any shell game, the quickness of the hand deceives the eye. Tech monopolists aren’t smarter than the Gilded Age sociopaths who monopolized rail or coal — they use the same tricks as those monsters of history, but they do them faster and with computers:

https://doctorow.medium.com/twiddler-1b5c9690cce6

If Rockefeller wanted to crush a freight company, he couldn’t just click a mouse and lay down a pipeline that ran on the same route, and then click another mouse to make it go away when he was done. When Bezos wants to bankrupt Diapers.com — a company that refused to sell itself to Amazon — he just moved a slider so that diapers on Amazon were being sold below cost. Amazon lost $100m over three months, diapers.com went bankrupt, and every investor learned that competing with Amazon was a losing bet:

https://slate.com/technology/2013/10/amazon-book-how-jeff-bezos-went-thermonuclear-on-diapers-com.html

That’s the power of twiddling — but twiddling cuts both ways. The same flexibility that digital businesses enjoy is hypothetically available to workers and users. The airlines pioneered twiddling ticket prices, and that naturally gave rise to countertwiddling, in the form of comparison shopping sites that scraped the airlines’ sites to predict when tickets would be cheapest:

https://pluralistic.net/2023/02/27/knob-jockeys/#bros-be-twiddlin

The airlines — like all abusive businesses — refused to tolerate this. They were allowed to touch their knobs as much as they wanted — indeed, they couldn’t stop touching those knobs — but when we tried to twiddle back, that was “felony contempt of business model,” and the airlines sued:

https://www.cnbc.com/2014/12/30/airline-sues-man-for-founding-a-cheap-flights-website.html

And sued:

https://www.nytimes.com/2018/01/06/business/southwest-airlines-lawsuit-prices.html

Platforms don’t just hate it when end-users twiddle back — if anything they are even more aggressive when their business-users dare to twiddle. Take Para, an app that Doordash drivers used to get a peek at the wages offered for jobs before they accepted them — something that Doordash hid from its workers. Doordash ruthlessly attacked Para, saying that by letting drivers know how much they’d earn before they did the work, Para was violating the law:

https://www.eff.org/deeplinks/2021/08/tech-rights-are-workers-rights-doordash-edition

Which law? Well, take your pick. The modern meaning of “IP” is “any law that lets me use the law to control my competitors, competition or customers.” Platforms use a mix of anticircumvention law, patent, copyright, contract, cybersecurity and other legal systems to weave together a thicket of rules that allow them to shut down rivals for their Felony Contempt of Business Model:

https://locusmag.com/2020/09/cory-doctorow-ip/

Enshittification relies on unlimited twiddling (by platforms), and a general prohibition on countertwiddling (by platform users). Enshittification is a form of fishing, in which bait is dangled before different groups of users and then nimbly withdrawn when they lunge for it. Twiddling puts the suppleness into the enshittifier’s fishing-rod, and a ban on countertwiddling weighs down platform users so they’re always a bit too slow to catch the bait.

Nowhere do we see twiddling’s impact more than in the “gig economy,” where workers are misclassified as independent contractors and put to work for an app that scripts their every move to the finest degree. When an app is your boss, you work for an employer who docks your pay for violating rules that you aren’t allowed to know — and where your attempts to learn those rules are constantly frustrated by the endless back-end twiddling that changes the rules faster than you can learn them.

As with every question of technology, the issue isn’t twiddling per se — it’s who does the twiddling and who gets twiddled. A worker armed with digital tools can play gig work employers off each other and force them to bid up the price of their labor; they can form co-ops with other workers that auto-refuse jobs that don’t pay enough, and use digital tools to organize to shift power from bosses to workers:

https://pluralistic.net/2022/12/02/not-what-it-does/#who-it-does-it-to

Take “reverse centaurs.” In AI research, a “centaur” is a human assisted by a machine that does more than either could do on their own. For example, a chess master and a chess program can play a better game together than either could play separately. A reverse centaur is a machine assisted by a human, where the machine is in charge and the human is a meat-puppet.

Think of Amazon warehouse workers wearing haptic location-aware wristbands that buzz at them continuously dictating where their hands must be; or Amazon drivers whose eye-movements are continuously tracked in order to penalize drivers who look in the “wrong” direction:

https://pluralistic.net/2021/02/17/reverse-centaur/#reverse-centaur

The difference between a centaur and a reverse centaur is the difference between a machine that makes your life better and a machine that makes your life worse so that your boss gets richer. Reverse centaurism is the 21st Century’s answer to Taylorism, the pseudoscience that saw white-coated “experts” subject workers to humiliating choreography down to the smallest movement of your fingertip:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

While reverse centaurism was born in warehouses and other company-owned facilities, gig work let it make the leap into workers’ homes and cars. The 21st century has seen a return to the cottage industry — a form of production that once saw workers labor far from their bosses and thus beyond their control — but shriven of the autonomy and dignity that working from home once afforded:

https://doctorow.medium.com/gig-work-is-the-opposite-of-steampunk-463e2730ef0d

The rise and rise of bossware — which allows for remote surveillance of workers in their homes and cars — has turned “work from home” into “live at work.” Reverse centaurs can now be chickenized — a term from labor economics that describes how poultry farmers, who sell their birds to one of three vast poultry processors who have divided up the country like the Pope dividing up the “New World,” are uniquely exploited:

https://onezero.medium.com/revenge-of-the-chickenized-reverse-centaurs-b2e8d5cda826

A chickenized reverse centaur has it rough: they must pay for the machines they use to make money for their bosses, they must obey the orders of the app that controls their work, and they are denied any of the protections that a traditional worker might enjoy, even as they are prohibited from deploying digital self-help measures that let them twiddle back to bargain for a better wage.

All of this sets the stage for a phenomenon called algorithmic wage discrimination, in which two workers doing the same job under the same conditions will see radically different payouts for that work. These payouts are continuously tweaked in the background by an algorithm that tries to predict the minimum sum a worker will accept to remain available without payment, to ensure sufficient workers to pick up jobs as they arise.

This phenomenon — and proposed policy and labor solutions to it — is expertly analyzed in “On Algorithmic Wage Discrimination,” a superb paper by UC Law San Franciscos Veena Dubal:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4331080

Dubal uses empirical data and enthnographic accounts from Uber drivers and other gig workers to explain how endless, self-directed twiddling allows gig companies pay workers less and pay themselves more. As @[email protected] explains in his LA Times article on Dubal’s research, the goal of the payment algorithm is to guess how often a given driver needs to receive fair compensation in order to keep them driving when the payments are unfair:

https://www.latimes.com/business/technology/story/2023-04-11/algorithmic-wage-discrimination

The algorithm combines nonconsensual dossiers compiled on individual drivers with population-scale data to seek an equilibrium between keeping drivers waiting, unpaid, for a job; and how much a driver needs to be paid for an individual job, in order to keep that driver from clocking out and doing something else. @ Here’s how that works. Sergio Avedian, a writer for The Rideshare Guy, ran an experiment with two brothers who both drove for Uber; one drove a Tesla and drove intermittently, the other brother rented a hybrid sedan and drove frequently. Sitting side-by-side with the brothers, Avedian showed how the brother with the Tesla was offered more for every trip:

https://www.youtube.com/watch?v=UADTiL3S67I

Uber wants to lure intermittent drivers into becoming frequent drivers. Uber doesn’t pay for an oversupply of drivers, because it only pays drivers when they have a passenger in the car. Having drivers on call — but idle — is a way for Uber to shift the cost of maintaining a capacity cushion to its workers.

What’s more, what Uber charges customers is not based on how much it pays its workers. As Uber’s head of product explained: Uber uses “machine-learning techniques to estimate how much groups of customers are willing to shell out for a ride. Uber calculates riders’ propensity for paying a higher price for a particular route at a certain time of day. For instance, someone traveling from a wealthy neighborhood to another tony spot might be asked to pay more than another person heading to a poorer part of town, even if demand, traffic and distance are the same.”

https://qz.com/990131/uber-is-practicing-price-discrimination-economists-say-that-might-not-be-a-bad-thing/

Uber has historically described its business a pure supply-and-demand matching system, where a rush of demand for rides triggers surge pricing, which lures out drivers, which takes care of the demand. That’s not how it works today, and it’s unclear if it ever worked that way. Today, a driver who consults the rider version of the Uber app before accepting a job — to compare how much the rider is paying to how much they stand to earn — is booted off the app and denied further journeys.

Surging, instead, has become just another way to twiddle drivers. One of Dubal’s subjects, Derrick, describes how Uber uses fake surges to lure drivers to airports: “You go to the airport, once the lot get kind of full, then the surge go away.” Other drivers describe how they use groupchats to call out fake surges: “I’m in the Marina. It’s dead. Fake surge.”

That’s pure twiddling. Twiddling turns gamification into gamblification, where your labor buys you a spin on a roulette wheel in a rigged casino. As a driver called Melissa, who had doubled down on her availability to earn a $100 bonus awarded for clocking a certain number of rides, told Dubal, “When you get close to the bonus, the rides start trickling in more slowly…. And it makes sense. It’s really the type of shit that they can do when it’s okay to have a surplus labor force that is just sitting there that they don’t have to pay for.”

Wherever you find reverse-centaurs, you get this kind of gamblification, where the rules are twiddled continuously to make sure that the house always wins. As a contract driver Amazon reverse centaur told Lauren Gurley for Motherboard, “Amazon uses these cameras allegedly to make sure they have a safer driving workforce, but they’re actually using them not to pay delivery companies”:

https://www.vice.com/en/article/88npjv/amazons-ai-cameras-are-punishing-drivers-for-mistakes-they-didnt-make

Algorithmic wage discrimination is the robot overlord of our nightmares: its job is to relentlessly quest for vulnerabilities and exploit them. Drivers divide themselves into “ants” (drivers who take every job) and “pickers” (drivers who cherry-pick high-paying jobs). The algorithm’s job is ensuring that pickers get the plum assignments, not the ants, in the hopes of converting those pickers to app-dependent ants.

In my work on enshittification, I call this the “giant teddy bear” gambit. At every county fair, you’ll always spot some poor jerk carrying around a giant teddy-bear they “won” on the midway. But they didn’t win it — not by getting three balls in the peach-basket. Rather, the carny running the rigged game either chose not to operate the “scissor” that kicks balls out of the basket. Or, if the game is “honest” (that is, merely impossible to win, rather than gimmicked), the operator will make a too-good-to-refuse offer: “Get one ball in and I’ll give you this keychain. Win two keychains and I’ll let you trade them for this giant teddy bear.”

Carnies aren’t in the business of giving away giant teddy bears — rather, the gambit is an investment. Giving a mark a giant teddy bear to carry around the midway all day acts as a convincer, luring other marks to try to land three balls in the basket and win their own teddy bear.

In the same way, platforms like Uber distribute giant teddy bears to pickers, as a way of keeping the ants scurrying from job to job, and as a way of convincing the pickers to give up whatever work allows them to discriminate among Uber’s offers and hold out for the plum deals, whereupon then can be transmogrified into ants themselves.

Dubal describes the experience of Adil, a Syrian refugee who drives for Uber in the Bay Area. His colleagues are pickers, and showed him screenshots of how much they earned. Determined to get a share of that money, Adil became a model ant, driving two hours to San Francisco, driving three days straight, napping in his car, spending only one day per week with his family. The algorithm noticed that Adil needed the work, so it paid him less.

Adil responded the way the system predicted he would, by driving even more: “My friends they make it, so I keep going, maybe I can figure it out. It’s unsecure, and I don’t know how people they do it. I don’t know how I am doing it, but I have to. I mean, I don’t find another option. In a minute, if I find something else, oh man, I will be out immediately. I am a very patient person, that’s why I can continue.”

Another driver, Diego, told Dubal about how the winners of the giant teddy bears fell into the trap of thinking that they were “good at the app”: “Any time there’s some big shot getting high pay outs, they always shame everyone else and say you don’t know how to use the app. I think there’s secret PR campaigns going on that gives targeted payouts to select workers, and they just think it’s all them.”

That’s the power of twiddling: by hoarding all the flexibility offered by digital tools, the management at platforms can become centaurs, able to string along thousands of workers, while the workers are reverse-centaurs, puppeteered by the apps.

As the example of Adil shows, the algorithm doesn’t need to be very sophisticated in order to figure out which workers it can underpay. The system automates the kind of racial and gender discrimination that is formally illegal, but which is masked by the smokescreen of digitization. An employer who systematically paid women less than men, or Black people less than white people, would be liable to criminal and civil sanctions. But if an algorithm simply notices that people who have fewer job prospects drive more and will thus accept lower wages, that’s just “optimization,” not racism or sexism.

This is the key to understanding the AI hype bubble: when ghouls from multinational banks predict 13 trillion dollar markets for “AI,” what they mean is that digital tools will speed up the twiddling and other wage-suppression techniques to transfer $13T in value from workers and consumers to shareholders.

The American business lobby is relentlessly focused on the goal of reducing wages. That’s the force behind “free trade,” “right to work,” and other codewords for “paying workers less,” including “gig work.” Tech workers long saw themselves as above this fray, immune to labor exploitation because they worked for a noble profession that took care of its own.

But the epidemic of mass tech-worker layoffs, following on the heels of massive stock buybacks, has demonstrated that tech bosses are just like any other boss: willing to pay as little as they can get away with, and no more. Tech bosses are so comfortable with their market dominance and the lock-in of their customers that they are happy to turn out hundreds of thousands of skilled workers, convinced that the twiddling systems they’ve built are the kinds of self-licking ice-cream cones that are so simple even a manager can use them — no morlocks required.

The tech worker layoffs are best understood as an all-out war on tech worker morale, because that morale is the source of tech workers’ confidence and thus their demands for a larger share of the value generated by their labor. The current tech layoff template is very different from previous tech layoffs: today’s layoffs are taking place over a period of months, long after they are announced, and laid off tech worker is likely to be offered a months of paid post-layoff work, rather than severance. This means that tech workplaces are now haunted by the walking dead, workers who have been laid off but need to come into the office for months, even as the threat of layoffs looms over the heads of the workers who remain. As an old friend, recently laid off from Microsoft after decades of service, wrote to me, this is “a new arrow in the quiver of bringing tech workers to heel and ensuring that we’re properly thankful for the jobs we have (had?).”

Dubal is interested in more than analysis, she’s interested in action. She looks at the tactics already deployed by gig workers, who have not taken all this abuse lying down. Workers in the UK and EU organized through Worker Info Exchange and the App Drivers and Couriers Union have used the GDPR (the EU’s privacy law) to demand “algorithmic transparency,” as well as access to their data. In California, drivers hope to use similar provisions in the CCPA (a state privacy law) to do the same.

These efforts have borne fruit. When Cornell economists, led by Louis Hyman, published research (paid for by Uber) claiming that Uber drivers earned an average of $23/hour, it was data from these efforts that revealed the true average Uber driver’s wage was $9.74. Subsequent research in California found that Uber drivers’ wage fell to $6.22/hour after the passage of Prop 22, a worker misclassification law that gig companies spent $225m to pass, only to have the law struck down because of a careless drafting error:

https://www.latimes.com/california/newsletter/2021-08-23/proposition-22-lyft-uber-decision-essential-california

But Dubal is skeptical that data-coops and transparency will achieve transformative change and build real worker power. Knowing how the algorithm works is useful, but it doesn’t mean you can do anything about it, not least because the platform owners can keep touching their knobs, twiddling the payout schedule on their rigged slot-machines.

Data co-ops start from the proposition that “data extraction is an inevitable form of labor for which workers should be remunerated.” It makes on-the-job surveillance acceptable, provided that workers are compensated for the spying. But co-ops aren’t unions, and they don’t have the power to bargain for a fair price for that data, and coops themselves lack the vast resources — “to store, clean, and understand” — data.

Co-ops are also badly situated to understand the true value of the data that is extracted from their members: “Workers cannot know whether the data collected will, at the population level, violate the civil rights of others or amplifies their own social oppression.”

Instead, Dubal wants an outright, nonwaivable prohibition on algorithmic wage discrimination. Just make it illegal. If firms cannot use gambling mechanisms to control worker behavior through variable pay systems, they will have to find ways to maintain flexible workforces while paying their workforce predictable wages under an employment model. If a firm cannot manage wages through digitally-determined variable pay systems, then the firm is less likely to employ algorithmic management.”

In other words, rather than using market mechanisms too constrain platform twiddling, Dubal just wants to make certain kinds of twiddling illegal. This is a growing trend in legal scholarship. For example, the economist Ramsi Woodcock has proposed a ban on surge pricing as a per se violation of Section 1 of the Sherman Act:

https://ilr.law.uiowa.edu/print/volume-105-issue-4/the-efficient-queue-and-the-case-against-dynamic-pricing

Similarly, Dubal proposes that algorithmic wage discrimination violates another antitrust law: the Robinson-Patman Act, which “bans sellers from charging competing buyers different prices for the same commodity. Robinson-Patman enforcement was effectively halted under Reagan, kicking off a host of pathologies, like the rise of Walmart:

https://pluralistic.net/2023/03/27/walmarts-jackals/#cheater-sizes

I really liked Dubal’s legal reasoning and argument, and to it I would add a call to reinvigorate countertwiddling: reforming laws that get in the way of workers who want to reverse-engineer, spoof, and control the apps that currently control them. Adversarial interoperability (AKA competitive compatibility or comcom) is key tool for building worker power in an era of digital Taylorism:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

To see how that works, look to other jursidictions where workers have leapfrogged their European and American cousins, such as Indonesia, where gig workers and toolsmiths collaborate to make a whole suite of “tuyul apps,” which let them override the apps that gig companies expect them to use.

https://pluralistic.net/2021/07/08/tuyul-apps/#gojek

For example, ride-hailing companies won’t assign a train-station pickup to a driver unless they’re circling the station — which is incredibly dangerous during the congested moments after a train arrives. A tuyul app lets a driver park nearby and then spoof their phone’s GPS fix to the ridehailing company so that they appear to be right out front of the station.

In an ideal world, those workers would have a union, and be able to dictate the app’s functionality to their bosses. But workers shouldn’t have to wait for an ideal world: they don’t just need jam tomorrow — they need jam today. Tuyul apps, and apps like Para, which allow workers to extract more money under better working conditions, are a prelude to unionization and employer regulation, not a substitute for it.

Employers will not give workers one iota more power than they have to. Just look at the asymmetry between the regulation of union employees versus union busters. Under US law, employees of a union need to account for every single hour they work, every mile they drive, every location they visit, in public filings. Meanwhile, the union-busting industry — far larger and richer than unions — operate under a cloak of total secrecy, Workers aren’t even told which union busters their employers have hired — let alone get an accounting of how those union busters spend money, or how many of them are working undercover, pretending to be workers in order to sabotage the union.

Twiddling will only get an employer so far. Twiddling — like all “AI” — is based on analyzing the past to predict the future. The heuristics an algorithm creates to lure workers into their cars can’t account for rapid changes in the wider world, which is why companies who relied on “AI” scheduling apps (for example, to prevent their employees from logging enough hours to be entitled to benefits) were caught flatfooted by the Great Resignation.

Workers suddenly found themselves with bargaining power thanks to the departure of millions of workers — a mix of early retirees and workers who were killed or permanently disabled by covid — and they used that shortage to demand a larger share of the fruits of their labor. The outraged howls of the capital class at this development were telling: these companies are operated by the kinds of “capitalists” that MLK once identified, who want “socialism for the rich and rugged individualism for the poor.”

https://twitter.com/KaseyKlimes/status/821836823022354432/

There's only 5 days left in the Kickstarter campaign for the audiobook of my next novel, a post-cyberpunk anti-finance finance thriller about Silicon Valley scams called Red Team Blues. Amazon's Audible refuses to carry my audiobooks because they're DRM free, but crowdfunding makes them possible.

Image: Stephen Drake (modified) https://commons.wikimedia.org/wiki/File:Analog_Test_Array_modular_synth_by_sduck409.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

 — 

Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

 — 

Louis (modified) https://commons.wikimedia.org/wiki/File:Chestnut_horse_head,_all_excited.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

[Image ID: A complex mandala of knobs from a modular synth. In the foreground, limned in a blue electric halo, is a man in a hi-viz vest with the head of a horse. The horse's eyes have been replaced with the sinister red eyes of HAL9000 from Kubrick's '2001: A Space Odyssey.'"]

#pluralistic #great resignation #twiddler #countertwiddling #wage discrimination #algorithmic #scholarship #doordash #para #Veena Dubal #labor #brian merchant #app boss #reverse centaurs #skinner boxes #enshittification #ants vs pickers #tuyul #steampunk #cottage industry #ccpa #gdpr #App Drivers and Couriers Union #shitty technology adoption curve #moral economy #gamblification #casinoization #taylorization #taylorism #giant teddy bears

[byoldervine]

Motivation For Writing

Getting Off Your Butt:

1. Aestheticise it. Let the light in through the curtains, turn on your fairy lights, lay a blanket over your lap, light some candles, whatever you need to do to feel like a writer. The right vibes can go a long way

2. Picture that one scene. There’s almost always a moment you’re super excited about that basically inspired the whole book. Picture it, play it out in your head in full cinematic fanfare, gush to yourself about how cool it is and how everyone will love it, picture a future fanbase going nuts for it. You might get excited enough to go back to writing

3. Set a word count goal. During NaNoWriMo this year I think I wrote more than I ever have in one go. The thing that kept me coming back was the desire to not fall behind. I ended up with ~45K words after some complications irl caused me to drop off in the final few days, and that’s all just because I was adding up the 1667 a day word count goal and realising where I needed to be at to keep up. I definitely can’t stay as rigid as I did with 1667 words every single day, but seeing that you’re only a few hundred words off of a goal is super motivating - just be sure to set realistic, easy to achieve parameters for just general use, like 1000-2000 words per week. I know 200 words per day is a popular one for people trying to establish a writing routine that can’t dedicate forever to the craft

Maintaining Motivation:

1. Writing sprints. Writing sprints are a godsend for me, I like to set myself up in the living room with Abbie Emmons’ writing sprint video on. The video lasts two hours and is broken up into two parts; 25 minutes to write and 5 minutes for breaks between writing, so four 30 minute sprints overall. Having the timer and countdown with peaceful music and an aesthetic background is both relaxing and encouraging, as well as giving me a specific time for how much longer I have to push through. It’s easier for me to say “Okay, only ten more minutes, then you can take a break” then it is to say “Just keep going, we’re not stopping until I say so” which is too arbitrary for my brain to accept

2. Give yourself a choice. If you’re struggling to keep your focus, come up with a finish line and tell yourself you don’t have to do any more work once you’ve reached that point. Finish the paragraph, go for another five or ten minutes, keep it up until your next scheduled break. Whatever sounds realistic and doable without being overwhelming. And once you’ve met this goal, ask yourself if you still want to stop. With any luck, you’ll have gotten back into the zone and will choose to keep going. Maybe you’ll want to take a quick break but you’ll come back later on. And maybe you’ll decide that now actually is a good stopping point. Just remember that, if you do still want to stop, don’t force yourself to keep going. You can’t strike deals with yourself if you know you won’t keep your word and all you’ll end up doing is burning yourself out, which will lead to even less writing getting done

3. Try a new angle. If you can’t be bothered to write anymore, is there anything else you can do for your book? Plotting, editing, worldbuilding, character sheets, one-shots all that sort of thing can still be productive for your book while still being different enough to give your brain a slight respite. It also means less work in that particular area later on

Afterwards:

1. Organise. Clean up your workspace and put everything away so it’s nice and neat for when you come back to it. Or if you don’t need to pack things out the way, set it up in an aesthetically pleasing way so it will tempt you back next time. Let it give you the writer vibe

2. Take care of yourself. Get a drink, have a snack, walk about, stretch your limbs, take a breath, cuddle your pet. Something that gets you away from straining your eyes looking at text for a bit. This is also a good time to reward yourself if positive reinforcement is something you use on yourself. If you always feel shitty after your writing sessions, you won’t want to go back to it

3. Positive reflection. Make sure to tell yourself you did good, even if you didn’t get as much done as you would’ve liked or it isn’t up to a standard of quality you’re aiming for. That can all be fixed later on, and you’re infinitely better off than you would’ve been if you didn’t do it. Be proud of yourself. Tell yourself you’re proud of your hard work and your dedication and your effort. Remind yourself that this is a fun thing you like to do. Marvel over how insane it is that you’ve gotten this far - not many people do - and that you’ve got all this tangible work to prove you’ve accomplished something so many people wish they could pull off. If this isn’t fun overall, there’s no point

#writing #writers #bookblr #writeblr #book #writing tips #writing ideas #writing inspiration #writing advice #on writing #writersnetwork #write #writers of tumblr #how to write #writer #writers on tumblr #writers block #writers and poets #writerscommunity #writer things #writer problems #writersociety #writerblr #writerslife

[crowleyholmes]

Hello friends, lovers, hereditary enemies, and fellow Good-Omens-brain-rot-afflicted!

Inspired by some lengthy conversations and the need for reassurance regarding a renewal for season 3, the lovely Eena @michaelsheens and I have decided to start a little Project!

(Sorry, Crowley, we had to…)

THE NICE AND ACCURATE PROPHECIES* WEEK

Running from SEPTEMBER 25TH to OCTOBER 1ST, it’s all themed around season 3 and the assumption we’re gonna get that renewal. (Manifesting, baby.)

✨ THE PLAN ✨

Every day will focus on a theme around which everyone who wants to participate is encouraged to create any kind of content they want to! Art, fanfic, edits, playlists, speculation, meta, go nuts!

(Also please don’t worry if something doesn’t fit neatly into a day’s theme; they’re only meant to give somewhat of a prompt and structure. Ultimately it’s not that strict and serious, we just wanna see your stuff :))

✨ HOW TO PARTICIPATE ✨

Share whatever your big heart and massive brain comes up with and use the tag #gomensnaap

(It’s like a long nap or something.)

You’re also welcome to give shoutouts to other people’s work you love and want to celebrate, but please make sure to link and credit properly (!!!)

Most importantly: have fun <3

✨ THEMES ✨

(under the cut)

DAY 1: “And there will be great lamentations.”

Let’s talk the Second Coming! We start off and warm up with everything plot-related. Theories, meta, crack ideas, let’s hear your thoughts on where you think the Big Main Plot is going to go!

DAY 2: “I can make a difference!”

For day two, let’s focus on Aziraphale’s arc in season 3. Did he go to Heaven with a plan? Or is he winging it? (Pun only somewhat intended.) Was he threatened or manipulated or both or neither? Will he tell Heaven just where they can stick it or can he actually succeed? What’s in store for our favorite angel?

DAY 3: “Hated by Heaven, loathed by Hell. How will our hero cope?”

Day three is all about Crowley and what we think he’s going to get up to. Is he going to go drink himself senseless and have a good cry? Go snek and hybernate for a bit? Hang out with Muriel and do some tempting? Does he have a plan and how will he cope being on his own?

DAY 4: “There was magic abroad in the air…”

Let’s talk Ineffable Husbands! How are Crowley and Aziraphale going to resolve things between them? Will there be a massive fight? Radio silence for days/weeks/months/years? Will they learn to Actually COmmunicate? Will there be grudges, grand gestures, secret meetings, a big rescue mission from either side?

DAY 5: “Extreme sanctions.”

On day six we wanna make ourselves anxious, sad and upset. (As one does.) What thing that may or may not happen in season 3 are you most worried about? Dark/depressed/evil/etc Crowley? Memory-wiped/brain-washed/archangel Aziraphale? Book of Life? How could Neil & Co hurt us the most?

DAY 6: “Do you…want a hot chocolate?”

After day 5’s spiral, it’s time for a metaphorical treat. What are you most looking forward to in season 3? What do you really want to see? Headcanons coming true? Scenes you wish for? Things that’ll make you wanna name your cat/dog/fish/insert other pet here Neil Richard Gaiman or Sir Terence David John Pratchett?

DAY 7: “It’s starts, as it will end, with a garden.”

Finally, to finish it all up, let’s speculate about the end of season 3. How do you think we’ll leave this story? Will things just go back to how they’ve always been? Will there be peace? Earth hidden from Heaven and Hell with a big 500 Lazarii miracle? Aziraphale and Crowley turned human? Or will they get their cottage in the South Downs for the rest of eternity?

#good omens #good omens 2 #good omens season 3 #good omens speculation #gomens #crowley #aziraphale #david tennant #michael sheen #neil gaiman #goodomensedit #goodomensgifs #goodomensfic #good omens fandom event #let's manifest season 3 friends!!!! <3 #ineffable husbands #ineffable beurocracy

[gender-trash]

(i am seriously late in posting about this due to The Problems BUT whatever! its here now!!)

somewhere around late november 2022, i asked my dad "hey are there any out of print technical books you'd like a reprint of for christmas?"

he linked me to a dubious black-and-white pdf of Foundations of Mechanical Accuracy. now, i wound up checking out a copy through link+, and the original edition is a really nicely put together book! the chapters are themed around various types of measurements (length, angle, etc), and they all have these cute little diagrams which the endpapers reuse in a lil repeating pattern... the image captions are done in this really lovely dark red that did not scan for SHIT... tons and tons of diagrams and illustrations and images (both color and b&w)... just, all around, a fucking nice book!! (see also @morrak's post about it here.)

and that made me feel kind of bad about the crappiness of the pdf, which is where the Problems began. i used my phone to take pictures of all the photos and color diagrams in the original and went about replacing them in the pdf, using what turned out to be the world's worst pdf editing software (i also got through replacing all the image captions in chapter 1 of 5 before my dad convinced me to give up). i did NOT finish the pdf editing before christmas 2022 (i was going somewhat off the deep end, because both my housemates were away visiting family and i had zero external structure in my life so it was just me and my cat and this stupid FUCKING pdf wrecking my sleep schedule together); i poked away at it for most of the rest of my time off and then got so goddamn sick of it i put the project away for months. "it'll be a birthday gift instead", i said optimistically (my dad's birthday is in april! it should have been enough time!)

gentle readers, i did not finish the pdf editing by april. mostly because it was such a miserable slog that i put it off until the last possible moment and then tried to make up for it with another death march.

hating both myself and the project again, i decided i was Not going to let myself typeset Anything Else before it was done, and then took a break to bind my immortal (using the renegade publishing typeset! i didn't do any typesetting!!). SURELY, i said, i can finish this in time for christmas 2023.

i'm sure you know where this is going.

in my defense i DID finish the pdf editing by christmas, despite first doing every other possible procrastination project (including a second edition of the little second century warlord book), because by this point my dad had managed to convince me to lower my standards. on the evening of the 22nd i kicked off the print job and said to myself "this will finish printing overnight and then tomorrow i can work on sewing the textblock!"

late on the 23rd, after lots of babysitting and using at least one cartridge of every color ink in my printer, the print job was finally done. (my sweet and lovely cat wants SO BADLY to hunt and stalk the printer while it is printing -- more specifically, the printed pages, i think because they tend to make noise and move and then STOP moving. for this reason, the printer is kept in the craft room, because the cat can be shut out of the craft room and thus prevented from chewing on the pages when i have an all-day book printing job going. unfortunately the craft room was also being pressed into service as a guest room at the time so 80% of the floor space was consumed by an air mattress which i had to repeatedly trip over in order to reach the printer and replace the ink cartridges.)

then i went to my parents' house on the 24th and 25th and apologized to my dad (again) for not having the book finished. but this worked out well because we finished putting together my awesome new book clamp:

(the feet still aren't done being painted so they're just dry-fit on for now but you can still clamp books in it and that's what matters!!)

i came home, sewed the textblock (french link stitch over four linen tapes, with sewn endbands made of variegated embroidery floss over linen cord, and kozo paper glued over the spine)

... and promptly realized i SHOULD HAVE PUT IN MORE OF A GUTTER because some of the text was getting reeeeeeal close to the spine. "it's fine!" i said. "i just have to make sure it lays flat!! what better time than to try out K118 binding, a technique i have literally never done before and which people on the bookbinding discord notoriously have a hard time pulling off first try! i even have tyvek tape for it!"

so it turns out that tyvek tape isn't actually tyvek with glue on it, it's tape FOR attaching pieces of tyvek TO EACH OTHER, which maybe i could have guessed if i'd done even the slightest amount of research or planning. at this point i think it was the 27th and i was still angling to get this thing done by new year's, so no time to order Actual Tyvek.

fortunately, i had ALSO received An Package in the mail with yarn for a totally unrelated knitting project... shipped in a tyvek envelope.

i peeled all the shipping labels and stickers off my tyvek envelope, cut that shit up, and glued it on there.

and THEN it was time for gluing on covers, which i thought was going to be easy because i had actually thought ahead and ordered materials (specifically acid-free museum board), except when i cracked open the box of museum board i decided i Didn't Like It because the surface was too soft and easily dented, so i glued onto it the too-thin board material i'd previously been using (so that the cardboard goes on the outside of the book). this worked super well (the cardboard stuff has a tendency to curl up from the glue moisture, but the museum board doesn't!) and i'll probably use it on other stuff in the future.

i thought the blue bookcloth i used was kind of boring but i showed my dad the available cloth options and he really liked it, so... what do you know? i cut the piece i used on the back cover very slightly too short but it wound up being covered by the leather, so you can barely tell.

and the leather... a scrap just baaaaarely big enough from my bag of leather scraps from discount fabrics... and this the first time i'd ever attempted to put leather on a book... AND YET the only complaint i have is that i didn't manage to put an even amount on the front and back. it's reasonably square and straight!! amazing!!

i am super super happy with how this project came out (especially given the number of problems i encountered) and oh my god check out how much the spine bends

AND, AS A NEW YEAR'S PRESENT, I FINALLY MANAGED TO GIVE IT TO MY DAD

#and promptly got sick after i got home from my parents' house. #which is part of why this post was so long delayed #the trashcan speaks #devil venerable also wants to exploit the memoir class for evil purposes #bookbinding

[larkingame]

hello all! been a moment since we last discussed some things, so I'm coming online to discuss the progress of Larkin's development and make a few announcements :)

over the last ten months, larkin has gone through a lot of changes, some of which I've documented here--but most of it I've kept pretty private. I realized that over the few short years I've been developing the game, I sort of grew an unhealthy dependence on my presence within the 'interactive fiction' community that I really, really needed to take a step back from and break, all in order to ensure that I could enjoy working on what originally started out as a passion project for me.

since july of last year, I've completely reshaped and rewritten how larkin exists as a project, shifted it's genre and started collaborating with a few others to ensure it can be of the highest quality it can possibly be. uptop, i'd like to mention @tapeworrmart who's taken on the immense task of putting together most of the game art for me, @khiita and @ann1a-1 who have both taken on the roles of my editors (and also sounding boards for when I am being absolutely insane) and my production manager phillip, who without his assistance, larkin would barely exist. with that, let's do a progress report. the intended demo of larkin, or what i've taken to calling 'episode one' (yes, i said, 'episode,' more on that in a minute) has stretched to just over 200k words worth of content. it stretches all the way from the earliest versions of larkin's original prologue, to the end of the original chapter two. so far, we've completed 3 out of the intended 20 character portraits, as well as some more art that's slowly been in development.

now, on to the announcements. probably the biggest, and the one I am most ashamed of is--due to the fact that I've been slammed with graduate school work and some other external factors, Larkin as it currently exists is not the best that I think it can be. I'm deeply sorry for this, but I want to ensure that you all are getting the highest quality game you could get from me--and right now, I know it's just not that. Which is why I am unfortunately, pushing the release of the demo back until Friday, June 14th, 2024. Patrons will be granted access to the most recent edit of the demo two weeks earlier on Friday, May 31st 2024. In the meantime, I will be working day and night (quite literally) to get what I'm dropping on you up to par and something that I'm happy with.

To make up for this disappointment, I'm planning on repopulating the blog with a lot of content over the coming months, rewriting new versions of old asks, posting art and short stories.

Next on the agenda and also an equally important announcement. I'm changing the rating of Larkin to Mature or 18+ As I've been writing these past few months, working through a lot of themes and figuring out the story I want to tell, I've found that I think the change in rating is entirely necessary. While I don't think I've ever had that big of a minor fanbase--I think that this is just what I am most comfortable doing. There has consistently grown a little bit more of gore, and trauma exploration, which is the main reason for this change in rating, but, this does allow for the inclusion of something that I've been toying with since the intial release of the game. There is going to be explicit sex scenes in this new version of Larkin--all of which, you the player are able to opt out of, or completely avoid if that's something you want--but I just thought a little announcement would be warranted. This does not mean however, I am comfortable with answering thoroughly explicit asks or getting unsolicited sexual messages. The goal is to keep this game blog mainly tame.

Please respect this boundary of mine.

Third thing to be announced. I've also changed the format in which Larkin will be released. Rather than around the twenty-five chapters in one of a series of 'Books'/'Games', Larkin will be released episodically over four 'seasons' with eight-ten episodes of around 200k-250k words each (though, this is just an early estimate--they could grow longer, as I'm basing this purely off the demo/Episode One)

Finally and a little bit of a fun note: there are now twelve romance options throughout larkin, five male, three female, one non-binary and three gender-selectable. With those upcoming asks, you'll hear more about each in the coming days :)

With all that being said, I wanted to lastly thank all of you for supporting me over the years and putting faith and your interest in this project. truly, the support of all of you means the world to me and I can't wait to share more of larkin with you all.

thank you 💖

#larkin game #larkin if #larkin #announcement #game announcement #blog update #interactive fiction #if #cyoa #cyoa game #twine interactive fiction #twine #twine game #sugarcube twine

[gnomewithalaptop]

Transcendence AU Dash Simulator GO!!!

31 notes

🌟 lesbianstellaconifer Follow

okay but actually block me if you ship mizcor -- 'hurr durr but we age stella up' -- SHUT UPPP she's literally a minor and alcor's canonically over a million years old so how about you stop being a freak

🎩 woodsmans-left-nipple Follow

Babe I hate to break this to you but Mizcor's literally one of the most famous relationships in all of post-transcendental literature

🌟 lesbianstellaconifer Follow

I could not have more obviously been talking about Mizar the Magnificent but you know what? Yeah classic Mizcor supporters can fuck off too actually.

Everybody likes to whip out Twin Souls like some kind of gotcha but have you even actually read it??? Like it's literally supporting demon worship and pedophilia -- both of which are EXTREMELY ILLEGAL btw. So yeah if I see any of my followers reblogging that shit I'm reporting you to the Occult Defense Agency idc if we're mutuals

🐟 demonologyturnedmegay Follow

*looks at my Alcorian Literature PhD* guess we better stock up on prison shivs buddy

🍃 haveyouseenmylibrary Follow

okay I'm sorry but

and Mizar the Magnificent isn't????

5k notes

📷 nature-pics-daily

Los Angeles 🏝️

#sunken city of los angeles #new california #travel #ocean #photography #lmao i almost got eaten by a kelpie trying to take this pic pls reblog it

98 notes

🧁 definitely-mizar Follow

Hey guys! Just wanted to let you know that The Scepter of Vanquished Souls, the newest book in the Wanderlust Trilogy, is now available for pre order on Glamazon!

Purchasers of the hard-cover edition will also receive never-before-seen content, including a deleted scene between Princess Samia and the Shadow King!

🤷‍♂️ not-not-ian-beale Follow

Boosting because I honestly cannot recommend this book enough. Truly one of Mira's best (and I'm not just saying that because she married me!)

25k notes

⚠️ alv Follow

CONGRATULATIONS!!!

You are the 6 billionth user to log into Jumblr today!! This means you are eligible to win a FREE WACBOOK PRO!!!! Click here to claim your prize and win BIG BIG REWARDS!!

#twin souls #mizar #alcor #mizcor #twin souls: reawakened #twin souls: breaking circles #twin souls: newest moon #twinner #twincon3015 #not a scam

Based on your likes!

0 notes

🌞 azarath-metrion-zinthirst Follow

So. I had a day.

📖 stanley-pines-memorial-library Follow

Okay, but consider

🌞 azarath-metrion-zinthirst Follow

I don't remember my older brother's wedding

📖 stanley-pines-memorial-library Follow

A small price to pay for no middle school trauma

🐧 selkiebael Follow

Okay so I just read the url and--

Asfdksfjk go off you funky lil intern

📖 stanley-pines-memorial-library Follow

I'm actually the senior librarian. But thanks!

🐈 alcorphabetical Follow

Posts that have 10k notes. To me

15k notes

🔮 demonoftheday Follow

Today's demon of the day is Nxlar the Antithetical! Responsible for the Florida Springs Massacre of 3007, the body count for this purveyor of madness is estimated to be over 400 (source).

🐸 that-one-half-elf-bitch

I could fix her

41 notes

🍑 lookingformygnomequeen Follow

literally screaming crying throwing up rn I've turned off 'Based on your likes' like eight times @staff can't you just get rid of him already

2.5k notes

🎤 rosaslittleredboots Follow

#i accidentally set my alchemy textbook on fire today and i don't even care AAAAAA this is going to be amazing #northwest mansion mystery #pacifica northwest #rosa darling #im about to be so insufferable about this just you wait

616 notes

👹 sexiestdemon3015bracket Follow

🐸 that-one-half-elf-bitch

Nxlar SWEEEEEP!!!

#if you love me at all you'll vote for my lady love #LISTEN i could bring her to the light i nkow i could

37 notes

👻 sweetthingsaremadeofdeeznuts

Lmao so Nxlar the Antithetical totally turned my apartment complex into a pile of sentient sludge yesterday. I'm fine -- I was at work when it all went down, but uh... yeah, my situation obviously just became super not-great. I hate to ask, but I don't get paid til the 15th, so if some of y'all could float me some cash just so I can get a motel room for a couple nights, I'll fr owe you a life debt

Goal: 0/250

FundFriend

LenMo

#fuck demons fr #like seriously what'd i ever do to them 😭😭😭 #mutual aid #pls boost #don't tag as donation

17 notes

🏳️‍⚧️ gliesssse Follow

Important PSA

So idk if y'all have been reading the news lately, but the alcor virus has been making the rounds on the interwebs again. I feel like I shouldn't have to say this but PLEASE don't click any random links rn, ESPECIALLY if they're tagged with twin souls.

I know we twinners love to joke about it, but the alcor virus is legitimately dangerous and has been known to seriously ruin people's lives. Idk. Just like be smart and practice basic caution I guess? Jumblr's pretty much dead these days, so he might skip over us, but it's always better to be safe than sorry

⚠️ alv Follow

This is a good point! It is always better to be safe than sorry! That's why if you're smart, you'll click here for a list of ways to virus-proof your computer. Stay safe out there everybody!

Based on your likes!

4k notes

🌲 discogirl99 Follow

Anyone else just randomly crave connective tissue sometimes

🧁 sparkle-glitter-sideblog

no actually i think that might just be a you thing

#also i heard screaming on the other line when i called you earlier there better not be a mess when i get home #beloved demon brother tag

2 notes

👑 sameeya

Okay guys I might be crazy but what if the Shadow King was actually telling the truth when he said Princess Samia's brother is still alive??? Like, if you think about it, there's a tonnnn of foreshadowing in Crown of Ghosts and the author tweeted that there was gonna be a surprise twist in the new book sooo 👀👀

#i've connected the dots -- YOU DIDN'T CONNECT SHIT -- i've connected them #wanderlust trilogy #mira ramachandran #crown of ghosts #scepter of vanquished souls #princess samia #samia of cleves #shadow king #ahmed of cleves #bookblr

25 notes

🪨 professionalnatural-deactivated30141227

Reminder that you are beautiful exactly as you are and there are thousands who would sell their souls to imitate what you do naturally <3

👠 mizarsfrillypetticoat Follow

I actually really needed this today 💗

🦇 plsbytemevladdyzaddy Follow

Yo quit reblogging this op is a blatant human supremacist

🪨 professionalnatural-deactivated30141227

And? No one cares lmao

⚠️ alv Follow

Enjoy deactivation. Lmao.

🪓 wenda-was-a-lesbian-confirmed Follow

🕵🏻‍♂️ alcor-in-the-tardis Follow

#I sent screenshots of that one centaur post to her boss too #give you two guesses what species his wife is (tags by @alv)

Holy shit. Am I actually rooting for the alcor virus rn?

🍄 warioxreader Follow

maybe the real virus was the friends we made along the way <3

⚠️ alv Follow

No, the real virus is me. Don't take credit for my accomplishments.

🐲 retiredbus Follow

Heritage post

62k notes

🐔 old-friends-senior-griffin-sanctuary Follow

I just want to get dicked down again =/

#THIS IS NOT ME TAKING A STANCE ON SHIPPING DISCOURSE I LITERALLY DON'T CARE #best hits tag #i'm basing this entirely off the vibes i got from 2015/2016 tumblr #i just feel like the mizar the magnificent fanbase would be highkey insufferable lmao (to the dismay of all creators involved) #mizar the magnificent #transcendence au #alcor the dreambender #ian beale #mira ramachandran #rosa darling #alcor virus #al-v #twin souls #unreality #tumblr dashboard simulator #tumblr dash simulator

[canyourfavesurvivecastledracula]

Okay, I'm just gonna do it: JAMES BOND. (Daniel Craig edition, because there are several and they're all actually pretty different from each other.) IN HIS FAVOR: --this man has his manners on LOCK. He's not going to be a rude houseguest, even once he determines he dislikes Dracula, which... --he's one of the foremost spies for one of the foremost agencies in the world. He knows something is up with Dracula probably before he even gets on the coach. Hell, he might know as soon as he mentions in town where he's going. And while the stereotype is "Bond goes in shooting and that's all he does, he's literally a shooting machine," he's actually really good at reconnaissance. --I don't know that it's ever been shown that he can be a charming conversationalist, but it's certainly implied, and if Dracula can appreciate dry wit he's definitely got that. --climb down a wall? James Bond laughs at your walls. James Bond does parkour. James Bond survives a 100-foot fall from a viaduct into a river. Even if he stumbles on his way down the wall he's going to survive. --this man has never turned down a gizmo or gadget in his life. He complains to Q when he "only" gets a gun that's bio-coded so only he can shoot it. He's taking that crucifix and he's immediately calling Q to find out if it can be made to explode. --"exploring where he's been told not to" is not only his job description, it's literally the entire plot of Spectre.

--shaving incident can literally happen the exact way it does in the book, he uses a straight razor. --I don't think we ever see him speak Romanian, but he is multilingual, so like, maybe. (He definitely speaks Italian and French, which might be helpful?) --he's used to working with a support team from a long distance. If he can figure out how to get a letter to Q, there is a gay little genius full of Millennial rage who's going to be raining hellfire and brimstone on the Maison de Drac. Speaking of which... --within days of Q and Bond meeting, they figure out how to decrypt a computer together. They don't need shorthand (although they probably both know Morse code). Bond can literally send him something in a code most people wouldn't even realize is a code and Q will be able to read it. --famously cannot force open a door until Q gets insufferable about it. Alas, that poor baby. --depending on where in the timeline you choose to set this, he might have an exploding wristwatch. AGAINST HIS FAVOR: --he's absolutely going to try to bang the Girlies.

--there are definitely at least two guns in his luggage and I strongly suspect that's definitely going to get Dracula's back hair up, in addition to which I'm not really sure how Bond would react to his guns suddenly being gone. --he's probably going to try something before the shovel attack, and I'm going to give 50/50 odds it's after he hears the baby dying. He might not be able to get to the Girlies right then, but he's definitely going to give it a go later (if he's not already dead). --if he doesn't have his guns he can theoretically still handle the wolves (he's pretty good at hand-to-hand combat), but we never see him have more than a two-on-one hand-to-hand fight. Basically if there are three wolves all at once he's probably fucked, unless he did in fact figure out how to make the crucifix explode (or you decide to be charitable and let him have the exploding wristwatch).

I think the question with the wolves is less if he can handle them and more if he thinks he can handle them, and if not, is he going to choose certain death over the possibility of being eaten alive by three beautiful women. And when I put it that way... I think he's choosing the Girlies. Bond has a great track record with getting femmes fatale to switch sides and help him. It's not going to work, of course (he's good but he's not that good) but it'll be what he tries. Which will keep him alive on the 29th but might get him killed (or at least slurped) on the 24th, since he's likely to roll for seduction rather than run away screaming and lock himself in his room.

But yeah, I feel like Bond has a lot of experience being held captive by Evil Foreign Counts, so he knows in principle how to convince the villain to keep him alive, or at the very least lock him into a death trap and then walk away. Which...is exactly what Dracula does in the novel, isn't it? #Bond Villain Stupidity.

We know Bond is skilled with cards. Maybe he and Dracula play Nintendo for two months. But he definitely won't take kindly to Dracula taking his suits. Q makes him pay for those things!

So yeah, if he can keep it in his veins, I think you've argued convincingly that James Bond can survive Castle Dracula, which must be a real relief to Daniel Craig after what happened last time.

#James Bond #Craig Bond #spies #action heroes

[lolitafushiguro]

Nap Time with Satoru, Suguru, Kento and Toji

ー just some headcanons for nap times with these men because i drank pure black coffee even though im not supposed to bc of my meds and now my mind is telling me to write something so i can fall asleep after 😂 sorry i think i'm not gonna edit this.

ー cw: mentions of sex ★

Satoru

he doesn't sleep

at least he doesn't sleep for long hours

if you're the type of person who values a good sleep then you'll find him annoying because he will pester you.

"babe, i wanna fuck." "babe, i want to eat crepe." "hey babe, cook pancakes with me." "babe there's a new sweets shop in town and it's their opening day i wanna go!!"

he'll tickle you, poke you everywhere, pepper you with kisses, play with your hair… you name it.

"let me sleep for once gojo satoru!" you yell at him, covering your face with a pillow.

but he won't stop. and he knows that even if he pesters you like that you love his company and you love to nap with him so he will pretend that something urgent came from jujutsu tech and attempt to 'leave'.

"oh, i just got a message from megumi. there's a new special grade curse spotted in roppongi and i need to go assist them…"

since you can't see him, you feel him shuffle away from you and hear his footsteps…

but in reality he just moved to stand by your bed and is marching his feet to pretend that he's walking away from you.

at first you were kind of disappointed but you had a feeling, so when you got up to look at him, you expect the same old thing again.

"not this again…"

"okay okay i'm sorry! it's just that i don't want to sleep. the sun is up and bright! we should be out sightseeing." he exclaims ever dramatically.

you just sigh in exasperation.

"you can always do it yourself you know." you reply.

ouch. he always wants to do everything with you though.

"fine, i'm staying here…" he grumbles, going back to bed.

honestly he's such a manchild

you know he likes to put on this act every time he wants attention so you grab a book for him to read and cuddled yourself beside him.

"wake me up in 2 hours, i have work to do."

but after that 2-hour nap you woke to him sleeping, he has the book close to his chest, unread. you smile to yourself fondly. you know he needs all the sleep he can get, even if most of the time he doesn't want to.

Suguru

stroke. his. hair.

the best time to nap with him is after showers in the afternoon.

you both would take turns drying yourselves and it's so intimate?? please.

he doesn't nap often like satoru but when he does he usually ends up napping until the evening.

but he loves massages.

he always falls asleep when you give him massages and it makes you feel satisfied.

but usually he's busy with worship at the temple so that's most likely the reason why he can't nap with you all the time.

if he's not at the cult, he's studying philosophy and ancient scriptures on jujutsu sorcery and cursed spirits.

so you either:

give him a massage, he falls asleep and you follow suit

or come to him while he's studying, lay on his lap and feel the afternoon breeze on your skin as he reads by the balcony, and fall asleep.

"love, you need to wake up. i believe you still have something pending, yes?" his voice slowly wakes you and you hum in reply, voice groggy.

"mm… thanks for waking me." you yawn, immediately embracing his body and clinging onto it for a while.

you mindlessly stroke his hair and he smiles, caressing yours too. you both stay like that for a while as the afternoon slowly turns to dusk.

he may or may not fuck you there. hmm…

Kento

weekend naps!!! yayy

when this man sleeps, he sleeps like he won't wake up.

can't blame him though, exhaustion is like his second nature :(

so when it's the weekend and you both don't have work, you'll both do some house cleaning, bake a little perhaps, and read together.

then you have a designated hour when you'll just crash together on the bed and nap ー which usually turns into a long sleep.

but if you're a light sleeper then you either cook him dinner or wake him up to cook for you.

okay bonus: that designated hour for napping? honey you fuck before you tuck your sheets and sleep. that's the silent rule you both follow.

"what should we do after dinner? if we ever wake up." you chuckle.

"up to you, darling." he kisses your forehead. "we can go to the cinema or take a walk." he adds.

"ehh… i don't feel like going out. it's so cold and i'm very tired from this week's workload." you reply.

"well, in that case… do you want to finish the wine we got from Denmark?" he suggests.

"and eat the leftover pie?" you nudge at him.

you both wiggled your brows at each other playfully and nod together, laughing.

Toji

ohhhhh boy

instead of napping you're likely gonna be fucking

this really became a spectrum of mtl likely gonna fuckk during nap times 😂

kidding aside, toji is so-so when it comes to naps. he's a physically active man and he's rarely home because of his missions and the possibility of him gambling to his wits' end is 99%

so if you're a clingy bimbo you can't expect him to be with you all the time (that's me, i'm bimbo. ouch.)

when the occasion happens and he comes to you frequently, napping with you would depend on his mood

sometimes he would use your washer to clean his clothes and spend all day cleaning out his weapons

my goodness, what a freeloader

and sometimes he would spend the day just fucking you.

it's insane, really.

anyway, the naps would come after fucking, and then when you wake up he's gonna go for another round ー you'll lose your mind i'm telling you. remember to clean up after sex!

but sometimes, when he's in a mellow, depressive mood thinking about his past, cuddlebug!toji mode is activated.

and you, being the understanding but naive lover you are, would immediately take him in your arms and just spend hours talking about random things in your lives, but he rarely talks about his traumas; so you do the same.

"and so what did they say?" he quips.

"well they made everyone pass, but the issue lies in the way that the student lied about being sick just to take the exam he missed. everyone is pissed at him since it's the first time that the prof did this. the prof always shuts down examinees who fail to take his exams." you blabber.

there was silence for a while you caught him staring at you with blank eyes.

"what? what are you thinking?" you ask, intuitively knowing he's deep in his thoughts again

"nothing." he averts his gaze and reaches for you. he hugs your body tight and you did nothing but find comfort in his warmth.

oh, how you wish it was always like this.

ー Lolita

#lolita writes #gojo satoru x reader #geto suguru x reader #nanami kento x reader #toji fushiguro x reader #gojo x reader #geto x reader #nanami x reader #toji x reader #gojo fluff #gojo smut #geto fluff #nanami fluff #nanami smut #toji fluff #toji smut #toji angst #gojo satoru #geto suguru #nanami kento #toji fushiguro #gojo headcanons #geto headcanons #nanami headcanons #toji headcanons #gojo hcs #geto hcs #nanami hcs #toji hcs #jujutsu kaisen x reader

[flamingpudding]

Part 10 of Ghost Kid in Gotham

>>Masterpost >> AO3

<<1 Previous Next

A/N: A little side information on why this part is so late.... this was originally entirely different. I planned something else but wanted to adjusted that to what I would learn from AGIT but my copy of the book did not arrive yet... soooo this ended up as Part 10 and the original part 10 will be 11 now I guess, we will see :D

A/N(2): Oh btw AO3 link is now out! So far 3 Parts were edited and posted there! I also recently learned that editing a post does not generate a notice. So I will start leaving a comment on the Masterpost whenever a new Part is up. That should hopefully notify anyone subscribed to the Masterpost!

No work at the dinner table

It was supposed to be a normal dinner. His siblings were supposed to just meet his twin brother. Get to meet him and help him enable a somewhat normal childhood with the second chance Damian was getting with Danyal. Yet here he was hugging, no clutching his brother closer to him as he stared at their father at the head of the table furthest away from the twins.

Danyal's entire attention was on the man. There was no adverse reaction like the last time but he knew by his brother's body language that he was entirely focused on their father. The moment the man had spoken their mothers name Damian had felt how Danyals entire demeanor had changed. It was obviously the league training. The way the boy sat up straighter and his shoulders tensed.

The dinner had started relatively well all things considered. Drake had set up a powerpoint with ground rules for how their siblings were supposed to approach and not crowd Danyal. Of course they barely listened once they got to see the boy and Brown was the first one to nearly get bitten by the young boy attempting to pinch his cheeks. Damian had scowled.

But he had also watched on with fondness as he reluctantly had let go of his brother. He knew he was developing an unhealthy clinginess. But could they blame him? He had believed his brother to be dead for eight year and now finally got im back. Damian believed that a little protectiveness was well in his rights.

Brown had no business in teasing him about his brotherly display. Though he did drone when his siblings started discussing who of the two was the 'evil' twin. Did they not know that both Danyal and him were known as Demon Twins in the league? Questioning who of the two was 'evil' was rather foolish and when he voiced these thoughts he had to hide more of his puzzlement as they laughed.

He felt his vindictiveness calm when Danyal bit Brown soon after and despite him not wanting his brother to literally bite them. At least he could trust that Brown would not cause his brother sickness if bitten, he did not believe the same in regards to his elder brothers.

All it all the dinner was shaping up to be quite fine that was until their father stormed in with Richard closely following him. Damian wasn't sure how to categorize the expressions they were making but he let his instincts take over as he scooped up Danyal in his arms and chose the seat furthest away from their father. But if he had to he would at least call the face Richard was making pensive.

He did notice from the corner of his eyes how Todd choose a seat close to them and radiated a rather protective aura while glaring at their father. The next words the man spoke was enough to calm down even the last bit of excitement their siblings had for meeting Danyal as they all soberly waited for what their father had to say.

"I have been able to reach Talia."

Which brought him to the current situation. He felt how the air tensed. His mother had always been a difficult topic for all of them and he could not blame them. She had a rather strange way of showing love especially with the strong influence grandfather used to have on her.

"Danyal is not supposed to be eight years old." Damian's eyes narrowed as his hold once more tightened on his brother. What did father mean by that? Of course Danyal was supposed to be the same age as Damian, but he had died and only gotten revived recently.

"Bruce, maybe we should…" Richard was interrupted by their father laying out a stack of papers. The man's eyes were hard, clearly unhappy with whatever his mother had done and Damian couldn't blame him for that. He himself still felt conflicted whenever he thought about his mother reviving his dead twin after eight years.

The youngest Wayne looked down at the twin in his arms. Noting how his brother's eyes flickered between blue and green as they were trained on their father.

"Danyal al Ghul died at the age of eight. Talia revived him shortly after he had died." His head snapped up. What?

"According to what Talia was willing to share. Danyal did not come back the same, unable to handle Danyal she had then placed him in an adoption Center in Chicago hiding any traces she could of his revival."

"What?" The whisper was out before he could stop it. Todd was glaring even more intensely at their father. Unspoken works of Danyal having gone through the same Pit Madness that Todd had were clearly there. Richard had moved to stand by Damian and Todd, a grounding hand placed on each of their shoulders as the information ran through all of their minds.

His twin hadn't been revived recently but eight years ago?

"With that information I traced it back as far as I was able to. A family with the name of Fenton adopted him and he lived with them for eight years until he was declared dead about a month ago by a governmental institution."

Their father finally took a seat looking right at him and his twin.

"When did you find Danyal?"

"Danny. He likes to be called Danny." Damian said more or less out of reflex, he would recognise if shock set it wouldn't he? He was trained that way. Richard was squeezing his shoulder and his brother was squirming in his arms.

"About four days ago. Kid appeared in my apartment out of nowhere. Thought Dickie was playing a prank on me."

Their father hned and Todd's words. "That still leaves a good three weeks of no information between Dan-ny's revival and his foster parents declaring him dead."

"A governmental institution declared him dead?" Drake questioned further. "Not the police? Was there even a search?"

"They searched for him for a week before he was declared dead." Richard was the one speaking up this time. At the imploring looks of their siblings the elder brother shrugged. "I looked through the reports Bruce had laying all over his office when I…. talked with him."

Clearly there was more to the 'talk' than his eldest brother was willing to say but Damian would question that later more. Right now his focus was his twin. "So something must have happened during that time that not only deaged my brother but also brought him to us. Mother did not have a hand in this this time?"

Their father shook his head no. "If I can believe her words. She left him alone knowing that once Danny regained his mind he would not seek out the league to keep you safe. Talia denies having anything to do with his relocating or dealing. But she did admit to having had someone occasionally check in on the boy but refused to say anything more on that matter."

Damian's hold tightened once more and his brother was obviously squirming in his hold now, wiggling to find a more comfortable position. He heard a chirp and his eyes looked down at the blue eyes of his brother staring up at him.

Something has happened to his brother to leave him in this state. For now he could ignore that his mother had withheld the information that his brother had been alive all these years. He could ignore the hurt he felt over it and he could ignore the fact that Danyal had not attempted to connect with him to protect Damian once more. He would focus on finding out what had been done to his brother and to ensure that he would be safe now.

His siblings were discussing something around him but he was not really listening as his focus was on his brother in his arms. This time he would get to be the one to protect him.

"Ahbak, Danny." He whispered to the boy looking at him with big blue eyes and he could feel Richard squeezing his shoulder once more as he buried his face in his twin's hair.

"Ahbak, Dami!" The child in his hands told him and Damian once more swore, he would find out what happened to his brother and he would protect him. Everything else he would deal with once he ensured his brother's safety.

"By the way, I have one burning question!" Brown suddenly piped up interrupting whatever discussions were going on and stared at the child and the teen that were supposed to be twins of the same age. Their serious discussion was forgotten as she broke the tension that had built up with her next words.

"Who is the older twin?"

The short silence spoke volumes as Danmian raised an eyebrow at his siblings and Danyal made another chirping noise.

"It's obviously Damian."

"But from what Damian told us I would think it's Danny."

"Did you see how feral he is? He is the youngest."

"But Damian said Danny was protective! That is the mark of an older sibling!"

"You shitting me? He's the younger."

"Older."

"Guys this sounds awfully a lot like the evil twin discussion from earlier…"

"Yea the little shit is the evil younger twin."

"No, the stabby one is the evil younger twin."

"You're biased, because he tried to kill you before."

"And you're biased because you're the favorite chewtoy."

All his siblings were imbeciles, even his twin brother with his recent habit of biting anyone that came too close was better behaved than them. He clicked his tongue, though he smiled fondly as down at his brother who suddenly had started to hiss at Brown for trying to pinch the boy's cheek to prove something. "<tt> Danyal was… is the older one between the two of us."

Also Damian could feel Pennyworth staring at them all from the passage door to the kitchen with high disapproval as he was ready to serve dinner but apparently refused to do so until father put away the stacks of reports in regards to his twin, that obviously broke the butlers no work at the table rule.

#danny fenton #dp x dc #danny phantom #damian wayne #jason todd #tim drake #dick grayson #alfred pennyworth #bruce wayne #de aged danny #feral danny #danny and damian are twins #dpxdc #dcxdp #unedited #no beta wie die like danny #more plot for the story #Bruce found out more while isolating himself in his office #Stepth is asking the important questions *wink* #who is the elder twin #who is the evil twin #ghost kid in gotham #fanfic #crossover

[amourdivine]

PAC ઉ YOUR CURRENT ENERGY!

Hello, lovelies, I know it has been some time, but I missed you. I hope everyone is doing ok these days. Let's look into your energy today, shall we?

paid readings are closed as of february 2024

none of the images are mine unless stated otherwise!

pick a card masterlist & information

the piles.

1 → 2 3 → 4

how to choose your pile.  take deep breaths for a few minutes & look at each and every one of the piles separately. see which one brings you to a feeling, a place or a memory. take your time and feel free to come back to it later.

amourdivine. 2021 - 2024 © do not copy, redistribute or edit my content.

disclaimer. this is a general reading! tarot is a divination tool & is not a substitute for medical and professional advice, nor is it meant to be taken as such. i do not take responsibility for any choice(s) made by you or others regarding my readings.

PILE ONE

queen of cups ✧ death ✧ ace of swords ✧ the high priestess

Before I shuffled, I couldn’t help but feel lonely, like there’s this pang in my chest whenever I think of life and the current state of the world. It reminds me of the term “loneliness epidemic” and how so many of us are struggling to make friends or maintain pre-existing relationships. I think you are beginning to find emotional fulfillment in different things than you did before. Nothing may have worked out - at least, the things that used to work out aren’t working out anymore. There’s this voice inside of you begging for a new beginning, for clarity, and it’s slow but surely coming towards you. Where your energy is will wildly depend on how much you’ve listened to that inner voice already, but it’s a calling towards something new, regardless.

I think you’re scared because you haven’t done this before. You may be discovering things about yourself as well that are quite surprising, like new hobbies or gifts. It’s refreshing too, both painful and refreshing. Sort of like the concept of growing pains - growing up is not easy and there are no guidelines, no roadmaps. Often, we discover things through trial and error. 

You may have withdrawn your energy as well, especially from old social circles. I get the feeling you were unsatisfied. Things felt stuck. They may still feel stuck, boring and completely lost in the routine of it all. It’s okay. You’re growing. Bones can hurt when they heal and grow. The same goes for you. I see snakes here, shedding their old skin. In your case, I don’t think you have found a “new skin” already, but you’ve shed your old life either way. It’s okay to want more, pile one. It’s okay to change. We’re ever-evolving. What suited you then won’t suit you now, that’s how life goes, with the changing of the seasons. It’s beautiful to witness - and when you look back you’ll realize just how much we can shift, how many places we’ll go and how much more there is to life than our old selves.

It’s okay to let it go. You’ll be okay even if the waters are muddy for now.

This is a very spiritual pile! Make sure to cater to your emotional and spiritual needs, taking care of your physical body and being around soothing, comforting or quiet places while you tend to this new self.

channeled messages & songs: white snakes, ring, scarf, life path 8 (or 8 in general), silver jewelry, bodies of water, sleeping, bed-rotting, kundalini awakening, modern loneliness by lauv, scorpio, pisces and cancer, hermitting, social batteries, introvert, epiphany, books, the bible, prophetic dreams, chocolate, ego death. 

PILE TWO

six of cups ✧ the hanged man ✧ eight of cups ✧ seven of wands

You are returning to yourself, it feels like a sort of homecoming. Fighting for your peace while, at the same time, learning to accept what you can’t control. You have walked away from old beliefs, from restraints of the past and renewing your faith in yourself. Even the picture you’ve chosen is a close-up of someone’s outfit walking away. You’ve found dignity and you’re not willing to sacrifice it anymore. Maybe you’ve left a situationship or relationship that was draining you, molding you into someone you weren’t. Props to you for that. It’s not easy and I know it.

Your guides are proud - they’re very serious and regal. They think you deserve more than what you’ve had. Not in a self-serving way, don’t mistake it for self-indulgence, but in a human, dignified way. They see you as royalty, too. They don’t want you to settle for breadcrumbs in life anymore. No matter how difficult it’s been, they don’t want you to stop believing that things can get better.

For most of you, this is a time when you’re shifting into a more peaceful but assertive phase. You’re taking charge of your joy, your future and your responsibilities without clinging to self-blame or guilt. Maybe it took you a long time. I heard “recovery” in my mind and this has possibly something to do with a specific illness or disease you’ve battled for so long. There’s a huge feeling of relief, of taking a long breath after a tiring day. 

It’s okay, you’re home now, you’re safe now. You can relax. You’ve got this, pile two.

channeled messages & songs: therapy, journaling, barbie or baby doll, sage green, green tea, pastels, tiktok, doomscrolling, healing, “i’m not the girl i used to be”, rainbow by kacey musgraves, self-acceptance, shadow work, “i’m still standing”, camping, nature, libra and taurus.

PILE THREE

three of swords ✧ the hermit ✧ the star ✧ queen of pentacles

Your heart is broken. Someone or something has left you to lick your wounds and tend to the bruises they gave you. You’re in pain, so much pain that it may be unbearable to wake up everyday. You’re questioning your worth, your self-esteem has crumbled.. and you don’t want anyone to find you, to see you in such a vulnerable state. All you do now is hope for better days, pray a rainbow comes after the storm because the current is heavy and has taken you astray.

Unfortunately life can’t always be what we want or expect. Allow room for these heavy emotions - this too shall pass. It’s okay to be disappointed, to feel betrayed and hurt by what happened. If the ground was pulled beneath your feet, was it ever really that solid to begin with?

This is the aftermath of something painful. And that’s okay. You can’t force yourself to feel good. In the meantime, you can take it slow, nurture the hope for better days and hold onto it. I know we tend to view hope as mostly something negative and passive, but you can take baby steps towards emotional fulfillment. The Queen of Pentacles suggests you take it slow - there is no rush to healing, nothing to be accomplished, there is nothing for you to prove. You’re human, and therefore, worthy of compassion, patience and healing. Remember the Wheel of Fortune: what comes up must go down, what goes down must go up eventually. You’ll feel better, pile three. I promise.

channeled messages & songs: taking a walk, flower pot, cacti, heartbreak anthems, olivia rodrigo, punk rock, “i’m angry all the time”, hurts like hell by fleurie, capricorn, saturn, personal year 5, backstabbing, depression, navy blue by muna.

PILE FOUR

the hanged man ✧ the hierophant ✧ six of pentacles ✧ the star

You’re learning and teaching. Giving and receiving. Letting the scales balance themselves out, remembering that balance is not always fifty fifty. All the piles have had somewhat similar themes, so I wouldn’t be surprised if you have felt drawn to either pile one or two, but this one feels like a continuation of it, so it could be that you’re transitioning from one to another. Naturally, please take only what resonates for you!

You may have found a new job, a stable relationship, a good circle of friends. You know, despite the positive feeling of these cards, I can’t help but wonder if you’re waiting for it all to crumble again, feeling like the shadows of your past are going to haunt you forever. I keep wondering if you’re okay, I keep wanting to ask you. You’re scared, you’ve got your guard up. You can’t really trust it will last - and while it’s true that it all comes and goes, you can trust nothing is ever wasted. 

Let your guard down. Not everyone has your worst interests in their heart. Maybe self-isolation suited you before, didn’t it? You weren’t used to being loved, you still aren’t. But you still deserve it. Sometimes it’s easier to endure the hard things because they’re all we expect. It’s difficult to take in the good things, isn’t it? To feel worthy of them. To realize there is more to life than survival. You’re finally living now - and that’s a good thing. Uncertainty is scary, but in a way, so is the familiarity of hurt, of unrequited lovers and callous friendships. Are you ready to be loved, pile four? You can ask for the good times as much as you want, but when it is here, you have to remember to enjoy it, to not be on the lookout for the bad things so much.

We’re rarely in control. I know it’s difficult, but that’s often a good thing. Not being in control means you can worry less. You can fret less. You can take it day by day, knowing that the outside forces will do what they must and we’re all silly little souls on a giant floating rock.

PS: You’re doing well, I promise.

channeled messages & songs: self-sabotage, nightmares, attachment issues, bulletproof by la roux, bones, candles by daughter, earrings, 2024 planner, five year plan, entj, istj, quiet singing, “the pen is mightier than the sword”, studying, sweater weather, stress cleaning, autumn girl.

amourdivine. 2021 - 2024 © do not copy, redistribute or edit my content.

#pick a card #pick a card reading #tarot #tarotblr #tarot reading #tarot reader #tarot community #divination #witchblr #mine.

[yandere-kokeshi]

dad ghost and ucle soap doing something for me so what if their adopted (read :kidnapped) kid secretly a mermaid?

— Yandere Dad! Ghost and Uncle! Soap with a mermaid kiddo

Warnings: yandere behavior, fantasy AU, and all Platonic!

A/N: This was fun to write! Enjoy!

It’s hard to keep this secret, no? Being a whole different species and forced to hide your ‘real-self’ is a pain, and once these two find out, they’re flabbergasted; looking at each other with wide eyes. And once, in their lives, they have no idea what to do. A good ‘welp…’ coming out of Johnny as Dad! Ghost stands there, unsure what to do or how to properly respond to the situation. 

Despite their surprised state, they quickly adapt — equally getting fascinated, and wondering how the hell you’ve hidden this for so long, without anybody knowing. 

Within a span of a couple of days, they educate themselves on you and your sea life. Buying books, reading internet articles, and sharing their own questions with you. They even go in depth about what your diet is, how your body works, if there’s any more mermaids like you, or if you eat fish. Of course, Uncle! Soap asks if you’re a siren, there are a lot of common traits in both of them, and honestly asks if you can sing. 

Despite your obvious need for water for survival, they both understand the phrase, “clean water”, and they both work on getting an enormous pool built just for you. Even if the cabin of a house is built deep in the mountains, you have a large pathway to a lake that they own; a sum of water that’s clean, and deep enough to discover minerals and kelp. 

They enjoy watching you swim, smiling at your happy state, and whilst Dad! Ghost won’t join you in the water, rather watching from afar as he reads on files or such. But as for, Uncle! Soap, he will literally cannonball himself into the water. 

Opposed to your lovely uncle, he’s quite touchy and loves to touch your tail. Of course, he won’t touch it if he sees you annoyed, or if you say no. But, when he gets the chance, he likes to admire the different shapes, scales, colors, and weight of your fins. 

As for Dad! Ghost, he’s oddly attentive to you. Whilst you know your body better than anybody else, he still tries to care for you. He goes out of his way to buy you special cream to keep your tail moisturized, ensure you’re hydrated enough, and keeping your gills healthy; looking for any tears or wounds of any kind. 

Uncle! Soap can be a menace with his teasing, and when you’re being snarky or breaking a few rules, he’ll joke that he’ll make sushi outta your tail. Of course, Ghost hits him in the back of the head. But he wouldn’t do that… would he?

They both work together — very hardly — to ensure the government doesn’t find out about you. They know what it’s capable of, people kidnapping you and poking you with needles to find out more information; keeping you captive like a pet. And they’ve both promised, as your guardians, that nothing like that will ever happen whilst they’re breathing. 

And because of that, they will execute any type of threats possible. If they see your friends getting suspicious, one day they randomly ‘disappear’. Any type of adults asking specific questions, or why you like the water so much, are found dead on the news.  

They both understand how much water means to you, which at times, Uncle! Soap sometimes suggests moving, and building a house near the salty sea; a place where you’re visibly comfortable and feel like you belong. He might even recommend taking a few trips back to Scotland a few times a year, letting you swim in the large lakes.

—

Masterlist || Please consider reblogging and commenting instead of liking. It helps me as a creator!! Stay well!!

© yandere-kokeshi 2024 — Do not copy, modify, edit, repost, or use my works for ASMR readings, tiktoks, or other content.

#kokeshi!! #yandere blog #yandere x reader #yandere #yandere male #male yandere #anonymous #kokeshi anons #ask #platonic yandere #platonuc yandere mw2 #yandere ghost x reader #yandere ghost #yandere soap #yandere Johnny mactavish #yandere simon riley #yandere mw2 #yandere cod #yandere call of duty #yandere platonic #soap mactavish #soap mw2 #ghost mw2 #ghost cod #simon riley #johnny McTavish #cod #cod mw22 #the icons are not mine #they belong to their rightful owners

[morerawerbreath]

Fictional Men Ranked Least to Most Likely to Eat Pussy

When I’m bored my powers turn to evil. Happy to announce that @earlymodernlesbian is not only is an enabler but wrote a gay companion piece which you can and should read here!!!! 

10. Mr. Rochester — Jane Eyre

No chance of oral here. Sorry, I don’t think he puts Jane first once in this book. She’s too busy being a ministering angel to ever consider anything above and beyond her wifely duty and I don’t think Rochester ever really stops being a narcissist long enough to consider her desires or even, you know, her life. I bet his french mistress asked him to do it once and he was like “ew, no”

9. Rhett Butler — Gone With the Wind

Rhett says shit like “you ought to be kissed and by someone who knows how,” and then I bet would go down on you one time just to show you what you were missing out on, and then he’d tease you about how much you liked it for months afterwards and refuse to do it again. Imagine how much more normal Scarlett might have been if she was getting regular oral.

8. Konstantin Levin — Anna Karenina

Definitely knows about eating pussy and can’t stop thinking about it. I think he might even shamefully obsess about it in conjunction with his dirty peasant laborer fantasies. However, he also has the ascetic monk thing going on so I bet he hardcore represses his desires to actually do it. That being said, I think if he ever got over himself he’d be way into it.

7. Mr Darcy — Pride and Prejudice

I’m not convinced Mr. Darcy even knows going down on girls is a thing, but once Bingley had filled him in I bet he would try it. Elizabeth I’m sure would not object but I can’t see this happening more than once or twice.

6. Oliver Mellors — Lady Chatterley’s Lover

Mellors has the distinct advantage and disadvantage of being the only character from a book that actually describes sex acts. If it was based solely on what he said (being turned on by getting women off, not shutting up about Connie’s ass, talking about how much he wants a “real” woman with a “real” body), I’d say absolutely he wants to get down there and would use the cringiest words possible to describe it. However, they textually do almost everything else so I feel like if he ate her out DH Lawrence would have told us 😔

EDIT: he goes down on her in the most recent movie!!! vindicated

5. Jonathan Harker — Dracula

Jonathan is obsessed with Mina (rightfully) and loves her to the end of the earth, so of course he’d do anything for her, including eat her out. However, there’s so much putting women on goddess pedestals in Dracula that he might just like, repeatedly kiss her between her legs and and be like, “am I doing this right?” and Mina would be like “I love you so much Jonathan” but she wouldn’t actually get off, you know? 

4. Heathcliff — Wuthering Heights

Someone who is willing to dig up your grave would definitely be down to lick your pussy. Cathy and Heathcliff are so rabid about each other I bet oral is like, one of the least weird things they would have done to each others bodies if they had the chance

3. Gabriel Oak — Far from the Madding Crowd

Not intimidated by Bathsheba’s independence and position of power. Could take care of her and spoil her if she ever let him and they both know it. Plus, not afraid to get down and dirty and do farm work for her. If a man cures your sheep and saves your hay before a storm, what else will he do for you? 👀

2. Mr. Knightley — Emma

Mr. Knightly is the definition of a service top. 100% confident in his masculinity and completely comfortable putting Emma’s needs and wants first, but not gonna let her get away with being high and mighty. Excellent combination of obsessed with her but still in charge. ;) She would get neurotic about it and he would tell her to chill out and he’d be right.

1. George Emerson — A Room with a View

George chugs his respect women juice and is so turned on by the idea of women as individuals with unique desires he can’t stand to see Lucy betray herself by marrying a robot. “I want you to have your own thoughts even when I hold you in my arms” ?!? “The desire to govern a woman lies very deep, and men and women must fight it together before they shall enter the Garden” !! What’s not to love about a pro-Eve humanist who enjoys swimming naked and is constantly telling everyone to be less embarrassed about desire and the body? No question George is going to be eating Lucy out every day of their lives and getting off on it himself.

Bonus: 

Marius Pontmercy — Les Misérables

Shy, but also French. Not sure which one wins out here. 

#pride and prejudice #emma #wuthering heights #a room with a view #far from the madding crowd #gone with the wind #anna karenina #lady chatterley's lover #dracula #jonathan harker #mr darcy #heathcliff #rhett butler #jane eyre #mr rochester #marius #les mis

[k2ntoss]

Hi, hi, hello <: first time sending an ask to anyone but I cant stop thinking of this rn and I feel like you'd appreciate the comedy of this. So like, this is definitely a more crackfic idea than anything, but I was just scrolling on amazon for Valentine's gift ideas and i found this, and the idea of gifting it to Jason?? peak comedy in my mind

Imagine lighting it right before he goes on patrol just to mess with him a little too...👀 I just think it has so much potential for so many shenanigans, y'know? 😁😁

(I've been lurking around for a lil bit, gotta say I love your writing btw, it's great)

PRETTY LATE BUT I'M HERE, i tried to write something nice for a few days but i just couldn't squeeze my brain. NOW, i feel so honored to be your first ask, it's just so special so i really hope my little drabble is enough <3 and thank you so much for your sweet words baby

at first you wanted to get jason a nice edition of one of his favorite books, one of those expensive pretty books with a hard cover and write a lovely letter to him but scrolling and looking around some pages that candle popped up and you just couldn't resist it so there were now five items on your shopping cart, the book, the candle and stuff to wrap everything up. ready for valentine's day and getting him a pretty surprise in which you worked in every night as he went out on patrol until the day before valentine.

for those who think jason isn't that much of a valentine's day enjoyer let me tell you how wrong you are, jason enjoys picking up things for you because he knows it makes you feel special and even if it turns out into being more of a commercial holiday jason knows taking people for granted is not a good think, it's so easy to lose your loved ones and he's in no way letting you go one day without knowing how much you mean to him. so as soon as you wake up you're met by a big and warm hug, a chaste kiss on your lips and a pretty gift box on your lap; jason looks at you with a wide smile when you open the box just to find that sweater you saw on a store a few weeks ago, the one you wanted to get but couldn't buy because you were on a rush "jay... you didn't had to, this is just perfect" and it's simple but there's just so much in the fact that jason had in mind how much you liked that sweater and kept it in mind for days.

"i had to, anything for my baby..." he says softly and a sweet chuckle escapes his lips when you kiss him, arms wrapped around his neck before letting go of him to stand up. jason's eyes are fixed on you, your figure moving around as you pick a gift box from the closet just to walk back to the bed, going to sit on his lap before placing your gift on his hands and looking at his reaction as he opens it, the smile on jason's lips as his hands caress the book before he picks up the letter and seeing his green eyes tear up a bit is just so heartwarming you can't help but to cup his face with one of your hands.

"you know? you're the best thing that has ever happened to me" he says, a soft giggle slipping through jason's lips as he looks up to hide the small tears that are pooling on his lashline and it makes you nod "i think you've said it a few times before" and it makes you smile when he leans into your touch, nuzzling his face against your palm. suddenly, you remember there's still one more box you have for him and you stand up all of the sudden to go get it and he looks curiously at you when you turn around, holding the box and smiling widely.

"what do you have there?" jason asks, a small grin on his face as he sits straight on the bed before looking to the screen of his phone. it was almost time for him to go get ready for patrol, late in the evening he is just waiting to have a little more time with his lover. "it's a little surprise for both of us but by the look on your face i guess you have to start gearing up, right?" you ask before placing the small box on the edge of the bed "you can start, it's a small surprise so i can show you while you get ready" and the smile on your lips mixed with your soft tone makes him feel so lucky to have someone as patient and understanding as you by his side.

he nods happily, getting out of bed to start pacing around the room while leaving soft pecks on your cheeks and temples when he walks next to you, small playful kisses on your lips when he stands in front of you to start changing his clothes. jason is being specially sweet and playful today and it just fuels the need to use that little new gift, it's just something you can't help but think when jason is stripping in front of you just to get into his black compression shirt and the tactical pants that just make his body look even hotter. as he starts putting onto his armor you sit, legs crossed on the bed as your hands hold the box with a wide smile "so can i steal your attention a little now?" and jason turns his head around to look at you before nodding, going to stand in front of you.

your hands toy a little with the pretty bow to open the box, revealing the not so small candle and the label on it and jason's face is a mix between a poem and a stream of ideas of how it can end up "babe– how do you plan on using that?" he asks, a low laugh escapes his lips and it sounds like a growl because of the ideas popping on his head "well, i think the idea is pretty clear" the playful smirk on your lips is driving him crazy but he has to go on patrol "are you gonna wait for me to come back? i'll try to be extra quick" and his voice sounds so excited, because it's what was missed to make this valentine's day the perfect one.

"extra quick? i wouldn't want you to get in troubles, jay..." you start but you know damn well he is going to insist "no, i will be back before you even notice" he rushes before leaning in to kiss your lips in a firm and deep touch, hands on your hips to push your body a little into the matress and any idea of making him go with his full patrol vanishes when he bites your bottom lip and grunts a little into your mouth.

he pulls away, triumphant smile on his face before he walks out of the room to get his helmet and you rush to put the candle on the little night stand next to your bed before lithing it in the exact same moment jason sets a foot back on the room, stopping on his tracks as soon as the smell of vainilla hits his nose "sweetheart..." he starts but his first instinct is to pick his phone up to call dick.

if he was going to ask for a favour he was going to make it worth it, you lit the candle and he really couldn't think of anything else to do. probably the best gift for you both because it could help him expend more time with you.

"dick, c'mon! i'll do anything you want me to, i swear it's important" you can hear his voice and the urge on his tone as he speaks on the phone "it's not my fault i actually have a valentine's date!"

it makes you chuckle because it only lets you know how much he wanted to accomplish what you were asking him and to wait a little for him your eyes drift to the label just to find out the candle could be used in a few more ways than just start an encounter.

"it's a dinner date, okay? we made reservations!" jason sounds almost desperate at this point.

"jay! it's a body wax candle! can we try wax play?" you ask, not even noticing your voice could be heard through his phone.

"so dinner date, huh? i don't want the details, i'll cover you with bruce"

#⭒ 📬 ⭒ #valentines day jason todd blurb #jason todd imagine #jason todd x reader #jason todd x you #jason todd x y/n #jason todd x gn!reader #jason todd blurb #jason todd fluff #jason todd smut #jason todd #red hood imagine #red hood x reader #red hood x gn!reader #red hood x you #red hood x y/n #red hood smut #red hood fluff #red hood #dc comics #reader insert #valentines day

[silverameco]

Bookshop AU - @wolfstarmicrofic - 763 words

Sirius loved Tuesdays, because he didn't work the afternoon, and could go annoy his brother. Regulus had been working at Lily's bookshop for a few years now. It was striking how well he fitted in the place. When Lily openned her shop, Sirius never thought he would ever see his brother in it. And now, he couldn't imagine it without him.

Sirius was leaning against the counter, bickering with Regulus who kept rolling his eyes, pretending to be bother by it. Sirius knew he was enjoying his presence every Tuesday. They never thought they could have this, after all.

Regulus left him alone to fetch something at the back of the store. Suddendly, the bell of the door tinkled and Sirius turned his head to face the stranger. It might be the best thing he ever did, because the man standing before him was the most beautiful sight. He had sun bleached curls, tiny freckles on the bridge of his nose, and a scar crossing his face. Most of all, he had amber eyes glinting in the sun that filtered through the glass door. Sirius felt like he himself was glowing under his gaze.

"Hi, I'm looking for-", the stranger began.

"A book ?" Sirius interrupted with a cheeky grin. "I think you might be in the right place. A bookstore, that is."

The man sent him an amused smile. "Er, actually-"

"Sirius stop being rude to my customers, and my friends." Regulus said with an annoyed tone and his usual frown, coming back from the backstore. "Hi, Remus, ignore my stupid brother." he added to the stranger's attention.

Sirius couldn't process the information that this beautiful man was friend with his brother of all people. His mind was just a litany of Remus, Remus, Remus.

"Err- hey ! I'm not being rude." he said after a beat. "In fact, Remus, maybe I could help you find this book we were talking about-"

"No, you can't, you don't work here, Sirius." cutted his annoying shit of a little brother. "Come on, Remus, I'll show you the books we were discussing the other day."

He took Remus' arm, dragging him away, between the book shelves. Remus followed, but Sirius noticed his gaze lingering on him, a glint of something in his eyes, and the ghost of a smile on his lips.

So he waited patiently - maybe not so much - for them to come back at the front of the shop. When they did, Remus was holding three books. Sirius looked at the books while he payed for them. He could feel Remus very close to him, because Sirius was still against the counter. He didn't intend to move one bit.

Two of the books he didn't know, but the third one was Les Fleurs du Mal, by Charles Baudelaire. Poetry, then. With a flash of inspiration, he snatched the book from his brother's hand, ignoring his exasperated sigh.

"This one," he said, "is a very good choice."

Remus raised an interested eyebrow at him. "You like Baudelaire ?"

"Nah, I'm more of a Rimbaud kind of guy." answered Sirius with a knowing smile. "But this one is a very special edition."

"Oh, is it ?" Remus asked with an amused smile, seemingly waiting to see where he was going with this.

Sirius took a pen laying on the counter, openned the front page and began writing. He took his time, letting Remus pay meanwhile.

"Yes." he said finally, handing the book back to Remus. "It has my number on it. Call me, if you want."

Sirius said it with what he hoped looked like a confident smile, but really he was shaking a bit.

"You don't have to. He's annoying." Regulus said.

But Remus kept looking at him and smiled. "Yeah, but I think I will." he answered finally. Sirius felt his heart roared.

"You're both hopeless." commented Regulus.

"Bye Sirius." Remus said with a wink and then he was gone already.

Sirius looked at his brother with a huge grin, to which he answered with a glare.

"Do you really have to flirt with my friends ?"

Sirius gasped in offense. "You're literally dating my best friend and his girlfriend who is also my friend !"

This particular Tuesday would become one of Sirius' favorite days ever.

#throwing french poets in there for my own personal enjoyement #also jegulily crumbs bc i felt like it #and black brothers banter bc i love them #silv writes things #wolfstar microfic #wolfstar #sirius black #remus lupin #regulus black #marauders #marauders era #dead gay wizards