#wool appliqué

[skrimshawcreations]

A draft for a wool appliqué table runner

#sewing #wool #table runner #wool appliqué #fiber arts #nature #slugs #mushrooms #leaves #fruit

[raintreegatherings]

I call this design “Button Basket”. I have appliqued a vintage blue wool basket onto a little yellow vintage wool pillow and embellished it with three vintage buttons.

Would be a great addition to your Primitive, Prim Farmhouse, Country Prim, Colonial, or Cottage Vintage home.

Thanks for stopping by Raintreegatherings.

#wool appliqué #buttons #primitive pillow #etsyshop #etsyfreeshipping #etsyvintage #etsyhandmade #cottagedecor #farmhouse decor #primitive #primitive interiors #primitive vintage home decor

[mcleodhandcraftgifts]

#airpod case #airpod pouch #thick felt wool #pink rose #appliqué #handsewn #unique gifts

[history-of-fashion]

1894 Coat with leg-of-mutton sleeves and appliqué by unknown maker

wool, cotton

(Irma G. Bowen Historic Clothing Collection / University of New Hampshire Library)

#1890s #19th century #women #coat

[chicinsilk]

Givenchy Haute Couture Collection Spring/Summer 1956. Jacky Mazel in a sober and elegant ensemble in beautiful white basketweave wool from Laffolay. The straight, collarless jacket barely indicates the body line. An applied pocket adorns the left side. The narrow skirt emphasizes the thinness of the line. A very large knotted stole, in light silk chiffon by G.Pétillault, feminizes the silhouette.

Givenchy Collection Haute Couture Printemps/Été 1956. Jacky Mazel dans un ensemble sobre et élégant en beau lainage natté blanc de Laffolay. La veste droite et sans col indique à peine la ligne du corps. Une poche appliquée orne le côté gauche. La jupe étroite accuse la minceur de la ligne. Une très grande étole nouée, en légère mousseline de soie de G.Pétillault, féminise la silhouette.

Photo Philippe Pottier

#haute couture #hubert de givenchy #givenchy #fashion 50s #1956 #spring/summer #printemps/été #laffolay #g.pétillault #jacky mazel #philippe pottier #vintage fashion

[chic-a-gigot]

La Mode nationale, no. 18, 4 mai 1901, Paris. No. 10. — Groupe de toilettes pour dames, jeunes filles et enfants. Bibliothèque nationale de France

Explications des gravures:

(1) Robe de promenade pour fillettes de 10 à 11 ans, en lainage fantaisie bleu-saphir. Robe façon Empire, sur une seconde jupe en forme. La robe est plissée à la taille; petit boléro drapé, fixé sous un chou; col revers appliqué de guipure blanche; col drapé en taffetas bleu. Manches à revers augereau, brodé; bouffant de taffetas bleu froncé dans un poignet droit.

Matériaux: 4 mètres de lainage; 2 mètres de taffetas.

(1) Walking dress for girls aged 10 to 11, in fancy blue-sapphire wool. Empire style dress, on a second shaped skirt. The dress is pleated at the waist; small draped bolero, fixed under a cabbage; lapel collar applied with white guipure; draped collar in blue taffeta. Augereau cuffed sleeves, embroidered; puff of blue taffeta gathered in a right wrist.

Materials: 4 meters of wool; 2 meters of taffeta.

—

(2) Robe de five o'clock pour jeune femme ou jeune fille, en foulard blanc à ramages rose pâle. Jupe en forme, collante des hanches, guipure blanche. Boléro arrondi bordé de guipure. Col revers de batiste entouré d'un volant plissé; Chemisette en liberty blanc plissé; bouffant de manches froncé dans un poignet droit.

Matériaux: 10 mètres de foulard; 2 mètres de liberty.

(2) Five o'clock dress for a young woman or girl, in white scarf with pale pink branches. Shaped skirt, tight hips, white guipure. Rounded bolero trimmed with guipure. Cambric lapel collar surrounded by a pleated ruffle; Pleated white Liberty shirt; puff sleeves gathered in a right wrist.

Materials: 10 meters of scarf; 2 meters of liberty.

—

(3) Manteau élégant pour dame d'un certain âge; fleurs de Chantilly découpées, rebrodées en relief et appliquées sur du gros tulle. Volant de mousseline de soie noire surmonté de bouillonnés en mousseline de soie. Au col, ruche terminée par des pans faisant rabat.

Matériaux: 5 mètres de tulle; dentelle en laize pour découper; 10 mètres de mousseline de soie.

Chapeau de crin noir fleuri de roses.

(3) Elegant coat for a lady of a certain age; Chantilly flowers cut out, re-embroidered in relief and applied to heavy tulle. Black silk muslin ruffle topped with swirls of silk muslin. At the collar, a ruche ending in sections forming a flap.

Materials: 5 yards of tulle; wide lace for cutting; 10 yards of chiffon.

Black horsehair hat flowered with roses.

—

(4) Robe en homespun oyster. Jupe ample du bas bordée de deux bouillonnés de taffetas vert même ton entre lesquels court une broderie pailletée acier. Quille de taffetas froncillé fixée par une broderie. Corsage drapé bordé de broderie, décolleté sur un plastron plissé à plis lingerie en taffetas blanc. Col en taffetas brodé entoure de petits plissés. Manche mitaine à petit volant de taffetas.

Matériaux: 6 mètres d'homespun; 3 mètres de taffetas.

(4) Dress in homespun oyster. Full skirt at the bottom lined with two bubbles of green taffeta of the same tone between which runs a steel sequined embroidery. Ruched taffeta quille fixed with embroidery. Draped bodice edged with embroidery, neckline on a pleated plastron with lingerie pleats in white taffeta. Embroidered taffeta collar surrounded by small pleats. Mitten sleeve with small taffeta flounce.

Materials: 6 yards of homespun; 3 meters of taffeta.

—

(5) Robe de promenade pour jeune femme ou jeune fille, en granité havane clair. Jupe rayée de biais en travers, devant uni; Boléro croisé, rayé de biais; gilet de taffetas blanc piqué noir et fermé par de très petits boutons. Col revers en taffetas bleu ou panne ou velours léger. Cravate en mousseline de soie bleue. Manches rayées de biais.

Matériaux: 7 mètres de granité; 0m,50 de taffetas bleu; 1 mètre de taffetas blanc.

(5) Walking dress for a young woman or girl, in light Havana granite. Striped skirt across, plain front; Bolero crossed, striped on the bias; vest in white taffeta with black stitching and fastened with very small buttons. Lapel collar in blue or panne taffeta or light velvet. Blue Chiffon Tie. Bias striped sleeves.

Materials: 7 meters of granite; 0m.50 of blue taffeta; 1 meter of white taffeta.

—

(6) Robe de réception pour jeune femme ou dame d'âge moyen, en crépon geranium. Jupe drapée, bordée de biais de taffetas blanc avec dépassant noir et ouverte de côté. L'ouverture est ornée d'un plissé en mousseline de soie. Corsage blouse rentré sous une ceinture corselet en satin noir. Grand col faisant empiècement, bordé de biais blancs et d'un volant plissé en mousseline de soie noire. Manche élargie du bas, garnie comme l'empiècement.

Matériaux: 12 mètres de crêpe; 4 mètres de taffetas blanc; 6 mètres de mousseline de soie; 1 mètre de taffetas noir pour les dépassants.

(6) Reception dress for a young woman or middle-aged lady, in geranium crepon. Draped skirt, bordered on the bias in white taffeta with black overhanging and open on the side. The opening is decorated with a silk chiffon pleat. Blouse bodice tucked under a black satin corselet belt. Large yoke-shaped collar, edged with white bias and a pleated flounce in black silk muslin. Sleeve widened at the bottom, trimmed like the yoke.

Materials: 12 meters of crepe; 4 meters of white taffeta; 6 meters of chiffon; 1 meter of black taffeta for the overhangs.

—

(7) Jupon de costume, en taffetas soufre. Au bas, trois volants en mousseline de soie or, surmontés d'un bouillonné; au-dessous, dents aiguës dessinées par des bouillonnés posés pied contre pied, et remplies par des croisillons en comètes de velours noir.

Matériaux: 6 mètres de taffetas; 6 mètres de mousseline de soie.

(7) Suit petticoat, in sulfur taffeta. At the bottom, three ruffles in gold silk muslin, topped with a swirl; below, sharp teeth drawn by swirls laid foot to foot, and filled with lattices like comets of black velvet.

Materials: 6 yards of taffeta; 6 yards of chiffon.

#La Mode nationale #20th century #1900s #1901 #periodical #fashion #fashion plate #color #description #Bibliothèque nationale de France #dress #cape #suit #collar #petticoat

[wardog-of-the-endless]

Jeff Satur Black Tie Fashion Breakdown

I can do all things through spite, which sustains me.

I love the fashion in Black Tie. Jeff's really living his best Valentino life, and I wanted to break down what I could determine. Granted, his coats almost all seem to be custom, and while I worked in the industry it was not with Valentino, so I would hesitate to guess. (I mean, I will if you want, my DMs are open). But everything else I could more or less find on the website and I thought, why not? My besty already got slapped with it, why should you guys escape?

Let's Do This.

Opening Look

Coat: Full Length Likely Custom (Ostrich)

Top: HEAVY COTTON POPLIN LONG SLEEVE SHIRT $ 950.00

Tie: WOOL AND SILK VALENTIE TIE WITH METAL V APPLIQUÉ $ 520.00 (*See Author's Note)

Slacks: LANA STRETCH PANTS $ 1,250.00

Shoes: M-WAY ROCKSTUD ANKLE BOOT IN CALFSKIN LEATHER $ 1,550.00

Earrings: VLOGO SIGNATURE METAL AND GLASS BEAD EARRINGS $ 850.00

Secondary Look:

Coat: Half Length (Assumed Custom) Jeff Satur Chevron Feather

Nose Stud: ROCKSTUD METAL NOSE RING $ 190.00

Lip Wrap: VLOGO SIGNATURE METAL LIP RING $ 190.00

Tie: WOOL AND SILK VALENTIE TIE WITH METAL V APPLIQUÉ $ 520.00 (*See Author's Note)

Top: Unknown

Shoes: ROCKSTUD M-WAY SINGLE MONK STRAP SHOE IN CALFSKIN AND MATCHING STUDS 50MM $ 1,150.00

Tertiary Look

Coat: DOUBLE-BREASTED WOOL AND CASHMERE COAT WITH EX CHESS ALL-OVER INTARSIA PATTERN $ 8,850.00

Tie: WOOL AND SILK VALENTIE TIE WITH METAL V APPLIQUÉ $ 520.00

Top (assumed): HEAVY COTTON POPLIN LONG SLEEVE SHIRT $ 950.00

Slacks: LANA STRETCH PANTS $ 1,250.00

Shoes: M-WAY ROCKSTUD ANKLE BOOT IN CALFSKIN LEATHER $ 1,550.00

Earrings: VLOGO SIGNATURE METAL EARRINGS $ 1,370.00

Final Look:

Coat: Full Length (Assumed Custom) Jeff Satur Red

Nose Stud: ROCKSTUD METAL NOSE RING $ 190.00

Top: Existence Cannot Be Confirmed

Shorts: LANA STRETCH BERMUDA SHORTS $ 1,250.00

Shoes: ROCKSTUD M-WAY COMBAT BOOT IN CALFSKIN WITH FEATHERS 50MM $ 2,850.00

Author's Notes: (Image from Jeff's Instagram)

The finale red look seems to have at least 2 iterations, the heavier solid piece that may involve a tie (social media) and the lighter almost-chiffon that Jeff got rained on in the MV.

Author's Note: At least one of the Valentie ties in the opening/secondary look appears to have been customized (embroidery) per social media images (Jeff's Insta) rendering it priceless. (He does wear alternate Valentie Ties in appearances that do NOT appear to be embroidered with JS).

Not to be all The Devil Wears Prada about it but:

"Are you wearing the-?"

"The Valentino Feather Boots? Yes, I am."

p.s. hi @markmybirds. love you marmar.

#Jeff Satur For Valentino #Jeff Satur #Valentino #Black Tie MV Fashion Break Down #Toni Talks Clothes #Fashion Related #Fashion Media #Me Outing Myself For My Background In Fashion #Here We Go #KP Cast #WB Cast #Fashion Moment #Thai Idol #Thai Singer #Music Video Analysis #It's Probably Nothing: War Says To Herself #I'm FINE #I'm Totally Normal About This [Lying] #Are You Wearing The? #The Valentino Feather Boots? Yes I Am

[beckysquiltingagain]

One of the ladies I quilt for does amazing hand appliqué with wool!

#quilting as art #becky’s quilting again #hand appliqué #million little stitches #when the back looks as good as the front

[superinjun]

Chief’s Blanket - 2013

θəliχʷəlʷət Debra Sparrow (Musqueam)

hand-spun sheep’s wool, wool appliqué, great blue heron feathers, leather

gifted to Chief Kim Baird in recognition of her leadership of Tsawwassen First Nation

#θəliχʷəlʷət (Thelliawhatlwit) #debra sparrow #musqueam #weaving #textiles #indigenous art #native art #first nations art #ndn art

[umabloomer]

Researching about Jewish quilting traditions. There are not very many Jewish examples of bed quilts or American style quilts, but there are textiles that use quilting techniques like appliqué, piecing and quilting (layers of fabric held together with stitches).

1. Torah mantle, silk appliqué, c. 1760-1825, Europe

2. Torah mantle, silk appliqué and metal ribbon, c. 1775-1800, Czech 

3. Challah cover, synthetic fabrics, 1970s, Afghanistan

4. Torah ark curtain, quilted cotton and silk embroidery, 20th century, Ottoman Empire

5. Tray cover, silk, cotton, wool, beads, early 19th century, Kurdistan

All from The Jewish Museum, NYC

#jewish textiles #jewish #textiles #quilting #textile history

[drsteggy]

I haven’t updated this in a bit and it’s actually further on than this- the gold lame appliqué has been put on. Gold lame is from hell and it’s awful and everyone I have crossed paths with agrees YET it looks cool so.

Anyway. This has been attached to the back and the liner. I made some weird error doing that where one side of the liner was too long and the other too short yet the neckline matched up with the wool part??? So I ended up shortening the one side and adding the parts I cut to the other and it appears to have worked.

I keep freaking myself out every time I make an error like this. I told myself at the start of this project that I’m making this because I want to wear it. It’s not a competition piece!!! I’m already slightly above my skill level on this thing and it’s teaching me a ton. The price of that learning are the errors I make.

I’m pretty confident NONE of these errors will be apparent to a casual viewer of this cosplay, even close up in real life. Most of them are happening under another layer. But at competitions, they flip up your layers and look. They will spot the weird hem that doesn’t hang quite right, or the crooked lines around the zipper, so it won’t past muster at a larger con….it might at a small one but I am not ready to advance to masters.

So, this is being made because I want this costume. There is a pre made version, but it looks cheap up close and it definitely does not come in my size. This one will be mine. It has been fun to make. Working on it settles my brain, which is something I need this time of year. I love how it is coming out.

I’m also making this to wear to a cosplayer wedding this winter,and it is already worthy of that.

Next up is the belt, boots and gloves. I’m not worried about the belt. The boots I think I can manage. The gloves are already terrifying. I’m probably making some belt pouches as a palate cleanser after finishing up the cape and tabard.

I also need a holster for my Purah Pad, I’m probably making another version of my Shiekah Slate and I’d like to do a Royal Guard halberd/gleeok horn fusion weapon for this. My dead line is still 2 months away, so I think I’ve got time for all this nonsense. I have built my slate in a week before lol.

#breath of the wild #my midlife crisis is more fun than yours #legend of zelda #link cosplay #royal guard #tears of the kingdom

[raintreegatherings]

Candle Mats have been used since Colonial Days to protect surfaces from hot wax.

Click on ETSY.ME above for more info or to order.

#wool appliqué #primitive vintage home decor #heart shaped #heartdecor #primitive #primitive decor #etsyshop #etsyfreeshipping #etsyvintage #etsyhandmade

[mcleodhandcraftgifts]

#upcycled wool sweater #felt lambs wool #thick felt wool #airpods pouch #airpods pouch #moose appliqué

[cdg-universe]

Comme Des Garcons AD2014 Navy Wool Jumper with Appliqué Braids

#Comme Des Garcons

[billgibbarchive]

Charcoal wool skirt suit with lizard skin appliqué and trim, Bill Gibb, 1972.

Collection of the Aberdeen Art Gallery & Museums.

#Bill Gibb #70s fashion #vintage fashion #fashion history #scottish history #historical dress

[vogueman]

Joseph Quinn photographed by Charlie Gray for Esquire Singapore, September 2022. Joseph wears wool-silk suit with floral appliqués, chiffon T-shirt and leather shoes, all by Valentino

#Joseph Quinn #fashion