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ca-3 · 2 years

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Taking very limited slots,, but doing commissions again so I don't worry about rent this month!! If you can't commission, reblogging this post helps a lot too!

♡ Bust: $45

♡ Waist up: $80

♡ Full body: $95

♡ Chibis: $40

Want to add more characters?

- Add Character to Bust: +additional $20

- Add Character to Waist Up: +additional $40

- Add Character to Full Body: +additional $45

- Add Character to Chibi: +additional $20

♡ Genshin Splash Art: $150

(Sorry! Only 1 character per splash art so the base price is the same as above)

🌸WILL DRAW 🌸:

OC’s (original characters)*

Ships

Fan art

Self ship

Kemonomimi*

*Please provide references for OC’s!! I work way better if I have an actual image to look at. Also please clarify what kind of expression/body type etc. You would like for them! Also so no reference is “too simple” or “too crude.” You can also give me several pic crew references too!

("What is Kemonomini?" - Basically I can't quite do "furry" art, but adding animal features like ears and a tail on a human character is fine.)

🚫 WON’T DRAW 🚫:

NSFW (Nothing too graphic at least… it can be a little risque or steamy but that’s it. It’ll have to be discussed and I’ll let you know I’m comfortable with it or not.)

Intense Gore (A bit of blood is okay, just nothing super graphic please!)

Mecha or Furry/Anthro (Sorry, I have very little experience with those.)

Super muscular characters or elderly characters. (I still need practice with that too…)

Anything that promotes hate or any hateful symbols, any ships containing any minor x adult, inc*st, and basically anything that would make me super uncomfortable to draw. I mean no disrespect, but sorry that’s just how I feel.

These commissions are meant for personal use only.

If I also feel like a commission too outside my skill level I might reject it. I apologize, but I’ll be thankful you even considered me for a commission and hopefully I can redirect you elsewhere!. ;w;)

That’s all the rules I have right now, anything else can be discussed if you need further explanation/information about something. No need to hesitate!! ❤

Also during the creation process please don’t worry about asking to see a sketch or any progress on your commission! (For example, if you’re not sure what you want the pose to look like I can send you a rough idea/sketch before I continue to the final line art and coloring ^^) This is only upon request! So please communicate with me if that’s what you want ❤

If you want or need a commission by a specific date PLEASE let me know when that is so I can make yours a priority. If you don’t mind waiting then I will simply just be going down my list in order.

I will be using Venmo, Paypal, and Cashapp as my use of payment!

Payment must be made upfront before I can start your commission.

If you can’t commission now or can’t afford the full price I do have a Ko-fi where you can leave small tips/donate too if you wish! Thank you!!

KO-FI HERE

Thank you for reading and please share!

#commissions #genshin impact #ca3 art #commissions open #art commissions #commission sheet #commission info #art #artists on tumblr #sk8 the infinity #kimetsu no yaiba

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jayofthetrees · 1 year

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Just a big dump of drawings.

I imagined Fergus saying something like this since I first drew Sponge. She doesn't mind it...It's Dylan who's embarrassed. This was also the last sketch I think I inked.

This was the first sketch I did where I found out I didn't have to do the slower process of inking the areas I wanted to color with a pen if I just copied/pasted the sketch on top of itself a few dozen times.

I recommend it. You get thicker, more defined lines, and you can color right away, providing you haven't left any open spots.

I did this one to practice doing backgrounds with the same method. Just dropping a layer behind the sketch and boom, you're free to do any background you want.

And didn't forget about her, I just had to experiment a little with other characters.

Same as the above, but with Dolly. This only took me about 20 minutes to sketch, color AND do the background.

I've also been trying things with text tools, since my handwriting is a little sloppy, and while the text tool is cleaner, it's a little too robotic for my taste.

Did this one for SumaQosh over on Twitter. Been wanting to draw their Yoshi/Dalmatian OC for a while.

I probably SHOULD practice drawing backgrounds, but I still haven't...

Oh well...

Sponge looks so different now than when I first drew her that I've just dubbed her first drawing to be her as a puppy.

Something VERY different. I got to wondering about what if in a hypothetical season 2 of 101DS, they meet the descendants of other Disney animals, and my mind focused on the Hyena's from The Lion King...

Not sure HOW they'd meet them, but I drew this.

Haven't given her an official name, but the first one I considered was "Neela."

Just one of me trying to get Deepak down.

I don't draw him much, mostly because his spot pattern is a bit of a pain, but with the new way I do things, that might change.

I remember that the first thing I drew on Krita that I was serious about getting right was a headshot of Pongo copied from a Hotwheels package. That took me about 2 hours, and looks VERY rough.

This took me less than one, and is my cleanest pic of him thus far.

Just a headshot of Sponge.

You'll notice I started doing the "Shadowed backdrop" background style with these. Still not a proper background, but an easy way to give the drawing some depth.

I've been practicing with drawing anthro bodies for a while, and this was the first I feel I got right.

Did this one to answer the question of how a dog wears eyeshadow...

Simple. She applies it carefully...

And finally, an answer to ChelleDoggo over on Twitter as to how she gets her eyeliner wings so sharp...

Easy, she traces them over a knife.

And that's it. I'll be the first to say that it genuienly feels good to be getting better a this, when last year, I couldn't even consider doing this kind of thing, and it's in now small part of all you supporting me, so thank you, very much.

#jay'sstuff #101 dalmatians #101 dalmatian street #disney

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short-horse · 11 months

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I just came back from watching Guardians of the Galaxy Vol. 3 and I uh have some thoughts.

Spoiler city. Ye Be Warned! Desktop got rid of the “keep reading” link on the post creator so all you get is a text warming. :/ Overall it was a good movie! A zillion times more enjoyable than Thor: Love and Thunder. I loved how Rocket was central to the story but like.... there was zero tension despite the whole plot. He’s a cash cow they’re not gonna kill him. And the animals of Half-World? There was Half-World! No insane asylum. No clowns. And I know the animals were experimented on or whatever (in Modern Guardians continuity) but holy fucking shit. Lylla my poor baby what did they do to you?! Lylla has never had fucky robot arms to my knowledge. All the more modern pictures I’ve seen of her in comics, she’s still the same, Just an anthro otter. Granted I have never really read much of the Modern Guardians stuff where it retcons Rocket’s backstory. It could still be good, but It’s not nearly as amazing as what was set up in Rocket’s original 4-part series. On the other hand I liked the nightmare fuel too. It was quite sad. And Groot wasn’t nearly useless this time either! I’m glad they’ve let him grow up finally! And Adam Warlock. Oh my. He had ZERO flowing robes or high collars. He was also an absolute idiot manbaby? I also have read very little with that character it it. Mostly just what ties into the Silver Surfer’s books and the Infinity events but he sure as hell isn’t like... whatever THAT was on screen. At least we got to keep him so maybe one day the can be fleshed out. This film did give me one thing I have been too lazy and too unskilled to draw. Rocket covered in orphaned raccoon kits! Those babies were so young, too! Their ears were still floppy and I just wanted to feed them. ;~; It’s the volunteer wildlife rehab experience in me kicking in. I was also expecting baby Rocket to lunge and growl with the way he started to crouch down the first time he was going to be grabbed. There are some baby raccoons that are absolute spitfires! Just old enough to know they are raccoons and that you are a scary predator. They’re not afraid to take you on despite their meager size. There is zero doubt in my mind that’s the type of baby Rocket would have been. A+ material letting Rocket shred High Evolutionary’s face, by the way. High Evolutionary was also too stupid to just... genetically/surgically fix his face? Your team can manipulate lifeforms and create new ones but you can’t fix your face? Lame. For the record, raccoons make shitty pets. Don’t feed them in your yard! Go volunteer at a rehab center if you can if you want wild raccoon experience.

#Guardians of the galaxy Vol. 3 #MCU #where the fuck is the button to add gifs?! I am pissed off about the watering down of the post maker now!

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hometownrockstar · 3 years

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since i was reminded of the game magician's quest mysterious times i want to make a blatant copy - i mean heavily inspired by - oc story verse based on it, basically if u havent heard of that game its just animal crossing where ur the human mc in a town of animal villagers except u also go to wizard school to learn magic and theyre also ur classmates, i used to play it as a kid but i dont remember much abt it aside from the concept. anyways i just want to make a little group of animal kids who are friends and do magic together and maybe have a quest and theres one human in there, like deltarune too since im remembering that game as well lately ok its a human with animal friends on a magic quest with maybe wizard school in it, deltarune and magician's quest mysterious times combined

#i dont even care if its not like a big expanded universe thing like my griffon knights n clown troupe #i just want to design some cute animal kids who do magic :-)#will give me more experience drawing animals and anthros too #ohhhhhh maybe i can even bring back my very first ocs...#the witch with the purple glowy star hair and her wizard friend #sorry baseball sports anime idea youre getting put on the backburner until u get more interesting

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jojaqualityheadcanons · 3 years

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SDV's 1.5 update contains content that plays into racist, colonialist, and imperialist myths and beliefs.

Disclaimer: I loved SDV (which is a given, considering I have an SDV sideblog lol?), and I'm not writing this post to get people to boycott the game or stop liking it or whatever. I just want people to understand why this content is harmful, how it might be affecting your biases and beliefs, and think of how they can engage with this media without exacerbating the harm that it does. I'm Filipino, and I don't speak for all POC or all brown people, but I felt deeply hurt and betrayed by the content update. Please keep that in mind before you interact with this post. Explanation under the cut because of 1.5 spoilers (obviously) and because this got long.

(I will block people who clown on this post. Keep your opinions to yourself unless you also have firsthand experience with the issues I describe.)

Background

I was already wary of the 1.5 content update because of how the previews featured ~tropical~ and ~exotic~ stuff, but I decided to give it a shot because maybe I was being too hasty with my judgment.

I wasn't. I made a new save to play with the 1.5 content update, and at first, I was having a great time! The new special orders made gameplay more exciting and varied! I could finally get rid of the nursery from my house without mods! The remixed junimo bundles made me change my usual game strategy. And then, I finally unlocked Ginger Island.

It seemed cool at first, but I had a sinking feeling growing in the pit of my stomach as I kept playing. It got to the point that I started nursing a stomach ache and lots of anger that took me days to shake off. I know SDV has never been a shining example of racial/ethnic diversity and sensitivity (I mean... there's a reason why mods like Diverse Stardew Valley and a bunch of other diversity mods exist lol). But while the lack of diversity in the pre-1.5 content is more of a missed opportunity, the 1.5 content is just... actively harmful and hurtful, imo. Here's a breakdown of the issues with the setting and the characters:

The Setting

Ginger Island, along with the Fern Islands in general, is a tropical island that is clearly based on islands in the Pacific. Its features include fertile soil and an abundance of natural, foragable resources. And for some unknown reason, it has no native human population.

Many islands in the world are uninhabited by humans, and there's always a good reason why. The island's environment may be too hostile, it could be too small to sustain human life, it could be sacred or otherwise culturally unacceptable to live there, or some disaster may have occurred to wipe out the local population or cause them to flee. Some uninhabited islands are nature reserves or privately owned. The point is that if an island is habitable, people are bound to call it home.

Writing Ginger Island as an uninhabited "tropical paradise" feels like a copout. It's as if the game is saying, "don't worry, you're not colonizing this land because no one really lives here! You're not stealing this land or anything because it's up for grabs and is just waiting for the right person to come along to develop it and turn it into a resort for other people who don't live here!" But that claim rings hollow when there are so many signs of civilization there, such as literal computers and ancient structures. And the canon reason for the existence of these things is that dwarves, non-human creatures, lived there once. I just think it's ridiculous and harmful that the game completely ignores and erases the existence of the people who lived and still live in the places that Ginger Island is based on and goes even further to use non-human creatures as stand-ins. I don’t think I have to explain why this isn’t good, considering that people of color have been compared to animals and treated like animals to dehumanize us and justify our oppression for ages.

To really hammer in my point about whitewashing and erasure, all the human labor on the island is done by a flock of parrots that you pay with golden walnuts (i. e., resources that you get for free from the island they live on). There's even an anthropomorphized bird who's a shopkeep! I get that creating a whole cast of human NPCs to fill a town would have been way too much work for a content update, but CA didn't need to use a bunch of animals as stand-ins for non-white human characters. There’s a troubling trend of creators prioritizing animal characters over characters of color, and CA plays right into it. He seriously chose to create more anthro characters instead of adding characters of color to the game in a setting that in real life has populations that are primarily made up of brown people. The game includes brown people's land and cultures, but it draws the line at brown people themselves.

The erasure of brown people and the portrayal of our lands as wild and untamed have been used to sanitize the narrative of colonialism for centuries. Pretending that our lands were wild tropical paradises that were ripe for the taking is pretending that colonizing forces didn't use violent, dehumanizing means to subjugate or wipe out countless peoples and cultures in order to make these lands available. Ginger Island's erasure of brown people just perpetuates this colonialist myth, and the context in which it does so disgusts me: the farmer, who already runs a successful farm that was inherited from their grandfather, goes off to a tropical island they have no personal connection to and uses its natural resources to expand their business further. They also open up a resort on the island for the enjoyment of other privileged people from their homeland, and going there is treated as a luxury. This is a classic colonizer narrative, and I cannot believe the game forces players to colonize an island in order to win.

The Characters

I'm honestly amazed that the amount of feedback about the lack of diversity in SDV didn't prompt CA to create characters of color. I'm amazed that he chose the setting he did and still didn't bother to create any characters of color. The fact that all three of the new human characters who live on this tropical island are white makes me go a little apeshit, to be honest! I hate all three of them for a variety of reasons, so I'll go over them one by one:

Birdie

My reasons for not liking Birdie are primarily related to misogyny (lady spent literal decades in isolation on this island moping over her dead husband?) and ageism (if you tell her to live her own life, she tells you that she's too old to???). Sooo they're not really related to the rest of my discussion here, and I won't get into them further. Moving on!

Professor Snail

White historians, archaeologists, and paleontologists have been stealing and plundering artifacts, relics, and fossils from colonized lands for centuries. These white scientists would send their “discoveries” back to their homelands with little regard for the people they stole from. I’ll acknowledge that Professor Snail doesn’t bring the bones and fossils off the island, so his character isn’t as awful as it could be, but he still canonically has this line:

I really just don’t understand why it was necessary to make this character white when making him a character of color could have easily prevented the uncomfortable real-world implications of a white man coming to a foreign land to plunder fossils without asking anybody for permission. If he he’d been created as someone who traced his ancestry to Ginger Island and wanted to study the island’s biological history, his character could have been so sympathetic and even admirable to me! But his character as it is just makes me think of this meme:

Here are some links for further reading about colonialism in paleontology and other social sciences: 1, 2, 3, 4.

Leo

I had a hard time figuring out how to write about this character because the way CA wrote him is arguably one of the most racist parts of SDV. So many aspects of his character left me speechless and appalled because I cannot believe people are still writing shit like this in the 2020s.

I’ll start off with his storyline: this white child gets stranded on an island and is raised by animals. When the farmer meets him, he speaks in broken English to show how “wild” he is:

As the farmer continues to interact with him, he begins to speak more “proper” English:

Wow... he’s becoming more “civilized” because of the farmer’s influence!

As his story progresses, he reveals that he’s lonely because he doesn’t fit in among the other birds. Eventually, he leaves behind his non-human family and assimilates into a primarily white, Western-coded society because that’s supposedly where he belongs.

This whole storyline is made possible by the problems with the setting that I mentioned earlier. Leo wouldn’t feel so lonely and out of place if there were people on the island. He wouldn’t be depicted as wild and animal-like if he had an adoptive family made up of humans instead of parrots. But because CA chose not to have native human characters on this island, Leo can only be around other people if he leaves his home and family behind. As a result, Leo’s story has very uncomfortable parallels with how colonizers have historically separated indigenous children from their families and cultures and forced them to assimilate into the dominant colonizer culture because they considered indigenous cultures to be savage and barbaric (1) (2).

Leo’s whole narrative unintentionally implies that a good life in a good community can only be had in civilized white Western societies. I’m honestly having trouble with further explaining why Leo’s whole character makes me feel so gross, so just read up on the White Man’s Burden, The Jungle Book and other works by Rudyard Kipling (1) (2) (3) (4) (5, PDF download link), and even Tarzan (1) (2).

Leo’s character is also used to further whitewash non-white cultures:

Poi is a Polynesian dish. Mango sticky rice, which is also a recipe that Leo teaches you in-game, is a Thai dish. In the letter, Leo says that the dish is from his home and enjoyed by his non-human family. Considering that he probably learned these recipes on Ginger Island, and that the only “people” who could have taught him this recipe are literal animals, including these recipes in the game in this way just reinforces the equation of brown people to animals. I’m not Polynesian or Thai, but I know that if CA had included a Filipino recipe in the game and not only had it taught to players by a white character, but also passed off as something from the white character’s culture, I’d be angry. I’ll repeat myself: The game features brown people's food and cultures, but it draws the line at brown people themselves.

I don’t think there’s any way to tweak or edit Leo’s character to fix the issues I described. No matter how we change things, he’s still an orphan raised by animals coded as indigenous people, and he assimilates into the dominant white Western culture. The only way to address these issues is to completely redo his character and even the setting of Ginger Island. Here are some options that I’ve thought of:

Leo is related to someone in the Valley and stays with them for part of the year.

Leo lives with his human family and community on Ginger Island.

Leo’s parents are specifically from Stardew Valley/Pelican Town and he wants to visit in order to reconnect with his heritage.

This list isn’t comprehensive, but it does show that there are so many alternatives to having yet another Mowgli story in Stardew Valley.

Conclusion

I don’t think that CA had bad intentions when he made this content, but the fact is that he did create this content. I’m not calling him a bad person. However, he does have a lot of racist, imperialist, and colonialist biases that he has yet to unlearn. Considering the setting and subject matter of the new 1.5 content, he really should have hired some sensitivity readers to avoid creating harmful content. The man’s sold over ten million copies of his game, and he certainly has the resources to put together a sensitivity team.

I can’t look at Stardew Valley the same way I did before 1.5, but I’m not going to condemn the game as a whole. I might play the game again someday, but I absolutely won’t be going back to Ginger Island. If you’ve enjoyed the Ginger Island content, then good for you! Please just keep all that I’ve written here in mind and accept that that content hurts some people like me.

If you’re a content creator, I urge you to get sensitivity readers if you’re featuring cultures that you’re not a part of to avoid making the same mistakes that I’ve discussed here. Creating from a place of understanding and respect can only make your work better and more accessible to a wider audience, especially to the people whose culture you’re borrowing.

#stardew valley #sdv #sdv leo #sdv birdie #sdv professor snail #racism cw #imperialism #colonialism #blabbering #ids for images are in alt text btw!

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transformers-fan-continuities · 3 years

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Spotlight: Ties That Bind

This one’s a doozy folks! If you missed the last spotlight you can go read it here, but strap in for The Ties That Bind, an absolutely brilliant take on humanformers. It’s hosted here at @tiesthatbind-tf created by @artsy-hobbitses!

Q) Give us a run down of your cont! What's it about, what's it called, what's it like?

Ties That Bind is a humanformers-based original continuity which is part Science Fiction and part Alternate History where the invasion of Quintessons and introduction of their technology to Earth in 1920 sets the world and humankind on a completely different trajectory. The active narrative spans a period from 1920 to 2070, covering the First and Second Quintesson Wars, the interplanetary Antillan War (leading to the creation of Unicron on Mars) and the Great War which involves the Autobots, Decepticons and Functionist stalwarts, and how it affects the characters.

The cast is pretty sprawling and the narrative is mostly centred around human drama with bits of humor interspaced and a dash of horror (mostly centred around how the previous government often chose to utilize the technology left behind from the Quintesson Wars to create new systems of oppression, which affected many of the characters, in the name of worldwide rebuilding efforts).

Q) What characters take the lead here? Any personal favorites?

I will admit to this continuity being very much heavy on the relationship between Old Bastards Optimus Prime and Megatron, which is given considerable weight as they were best friends who had known each other since childhood and were deeply intrinsic to each other’s growths as individuals, which makes it all the worse when guilt and betrayal enter the party. Despite being captains in two corners of this battle, there’s a part of them that just cannot let go of their pasts together and they need to reconcile with how this will affect their agenda (Megatron) and how they lead their team (Optimus) who don’t necessarily share their history.

Other characters with significant development include:

Starscream, a Cold Construct in a toxic working relationship with Megatron with whom he is hiding a dark secret, who struggles to balance the underhanded viciousness he believes he needs to gain power and his innate desire from his Senate days to make the world a better place.

Windblade, a Camien native who fights her government’s apathy concerning the situation on Earth which they see as unsalvageable compared to their more Utopian society.

Prowl, a Cold Construct raised from childhood to be a cop in a police state, who finds out that he was brainwashed several times to ensure his obedience and efficacy as a government asset and is now working to reclaim some semblance of the humanity he was never allowed to feel and figure out how much of him is who he really is and how much is programming.

Hound, a sheltered Beastman who joined the fight to ensure that Beastmen the world over would have the same rights he did in his homeland of Shetland Isle, but is forcefully stripped of his humanity and faced with his animal side during the war and has to relearn what personhood means amid his trauma.

Q) Is there a bigger point to this, like a theme or some catharsis? Or is it just fluffy fun?

God with the amount of time I spent sleepless trying to figure out how the logistics of this or the semantics of that were supposed to work in universe, I cannot for the life of me say it’s fluffy fun, but I can’t exactly say it hasn’t been pretty engaging either!

There’s elements of war being messy for everyone involved where there doesn’t seem to be a clear line between friend and foe at times, but I think for most part it prescribes to Jean-Jacques Rousseau’s belief that people are inherently good, but are corrupted by the evils of society. Despite its dark themes (Including but not limited to child abuse, torture, illegal experimenation and brainwashing), love and friendships do prevail, kindness does beget kindness, found families are made, even the smallest actions matter, and things do get better because there are people on both sides who genuinely want to, and strive to make it better.

With Cold Constructs and Beastmen, it also delves heavily into what it means to be human; to have agency and personhood.

There’s also a strong undercurrent of taking responsibility for one’s actions, even if they were made with the best of intentions (Avoidance of this is what eats up Starscream and Megatron from the inside, and what Starscream eventually embraces).

Q) How long have you been working on it?

There’s two answers to this!

I’ve had a Humanformers-related universe going all the way back to 2007 around the time the first Bayformers came out---basically I had a choice between learning to draw cars or draw people (I was an anthro artist back then) and I immediately chose people.

The 2007 draft however had no worldbuilding or connective storylines and was mostly a fun little venture into character design and practice which were actually instrumental to me experimenting and learning how to draw humans properly.

I left the fandom for about a decade and when I came back to it in late 2020 around September via the War for Cybertron series on Netflix, I immediately got hooked on the 2005 IDW comics I missed out on and wanted to get around to updating my old designs as well find a way to translate several of the concepts I wanted to explore in a human sense, so the 2020 update became its own full-fledged original continuity with detailed worldbuilding and history.

You can see the artistic evolution of several characters from their original incarnation below!

Q) It’s incredible to see your artistic improvement too! Give us a behind-the-scenes look! Show us a secret ;))

Say hello to my workspace! I’ve been working exclusively on the Ipad Pro since late 2016, which is fantastic because I can basically whip up concepts and sketches on the go anywhere. Nowhere is too out of bounds to work on TTB!

Also, do enjoy this sneak peek at true!form Rung, whose synthezoid human body took years to perfect.

Q) YESSSSS alright I must admit this is one of my favorite Rungs, and certainly my fave within TTB. Amazing. Phew, anyway. Where did you draw inspiration from? What canons, what other fiction, what parts of real life?

TTB was initially conceived as a faithful retelling of the IDW 2005 narrative before it was transformed into its own continuity and as such, it borrows heavily from concepts and mirrored plot lines introduced in that run! I chose to have the series inspired off it specifically for the amount of history and worldbuilding it introduced to the franchise.

Anime like Gunslinger Girl and Beastars inspired the depictions of Cold Constructs, especially the more harrowing aspects of their upbringing as government assets instead of children, and Beastmen (Beastformers) in TTB.

I haven’t depicted the world itself in my art all too much, but the architecture from Tiger and Bunny, which has sort of a futuristic Art Deco feel to it, is what you’d usually see in major cities. There is an in-universe reason for that---with a Point Of Divergence set in 1920 followed by 25 years (an entire generation) of progress basically being kicked to the curb due to the Quintesson wars, mankind was basically in a time-locked bubble until the end of the wars, and by then their heroes were 1920s-style rebellion leaders, which lead to 1920s fashion (especially among the Manual Working Class---Megatron, Jazz and Optimus all rock 1920s fashion at some point of their lives) and architecture being celebrated and retained as sort of a reminder of how things were before The Invasion. This anime’s background design is also where I adopted the tiered system TTB’s major metropolises are often built on (with each tier being designated to a different working class) from.

The main artistic style itself is a love letter to 90s cartoons, in particular Gargoyles’ deep and drama-driven character narratives and designs as well as The Centurions’ take on body armor logistics.

I also take inspiration, especially armor-wise, from the characters’ given heritage and background. As an example, Hotrod who is depicted as Irish has the flames on his armor done up with Celtic knots. Welsh aristocrat Mirage’s armor bears olden knight-style filigree and has his Autobot logo designed as a coat of arms. Indonesian Soundwave’s armor and Decepticon logo takes cues from Batik and Wayang Kulit while their mask is based off the Barong.

Q) They are absolutely gorgeous! Show off something you're really proud of, a particular favorite part of your cont.

The worldbuilding in general! Most Humanformers I’ve seen tend to treat it like a fun exercise which it is and is definitely valid, but I found myself wanting a full-fledged world to lose myself in and I sought to try and make that world myself by drafting a detailed history and timeline of events which would affect ongoing narratives, having indepth worldbuilding to include almost all societal aspects of the universe and expanding on the concept of Beastmen and Cold Constructs existing in a human setting.

I’m not so secretly proud of the research and diversity included to make the cast look like the multicultural, globally-based team that they were meant to be instead of being locked to a single region! My original draft from 2007 was, to put it simply, quite culturally monolithic and I wanted to improve on that aspect with TTB.

I’m also proud that I’ve kept to it this far! I’m a notoriously flaky person jumping from one idea/fandom to another and to have kept at this continuity for the better part of ten months is honestly a personal feat.

Art-wise, this scene depicting a young Megatron working alongside Terminus and Impactor (cameo by @weapon-up-wallflower‘s OC Missit!) is definitely one of my favorites since it helps build up the world they live in and plays to familial bonds and comfort found in one another despite their less than ideal circumstances.

Q) Everything has come together so beautifully, you absolutely should be proud. What other fan canons do you love and why? Would you like to see them interviewed?

I am dying to hear more from @iscaredspider’s Sparkpulse continuity! Her designs are MIND-BLOWINGLY GORGEOUS and I want to hear more about what inspired her to work on it!

Also YOU. Yes YOU BLURRITO. LET ME HEAR MORE ABOUT SNAP.

Q) [wails and squirms away in the mortifying ordeal of being known but in a very flattered way] I WILL SOMEDAY I PROMISE aflghsdjg thank you QwQ

Well that was fantastic, Oni, thank you muchly! A magnificent continuity with so much to look forward to! Coming up next is another personal fave of mine, the first inspiration for SNAP, so stick around...

#long post #gore #ties that bind #spotlight #transformers #HUMANFORMERS #transformers au #tf original continuity #transformers fan continuity #transformers redesign #maccadam #i said id post this on sunday but i realize thats a holiday for lots of folks on this site :/

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surlifen · 3 years

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i dont waste energy hating closed species And You Can Too!

alright you asked for it

Claim 1: “Closed species limit creativity in the art community by locking off certain concepts.”

No, they don’t. If you believe that, then you also must believe that copyrighting in general-- or just generally the fact that making a design exactly like someone else’s is viewed as kind of wack-- are stifling creativity. Why? It’s easy to accidentally make a concept that is similar to someone else’s, because there are literally just not that many Things That Exist. There will ALWAYS be repeats. Generally, if a design coincidentally looks like another, there will be a mixture of backlash from people who believe it was an intentional ripoff, and total acceptance from people who understand that it was an accident. Ultimately, the correct way to live is to understand that 1) these coincidences can happen and should not be punished, but 2) intentionally ripping off someone else’s work is wrong. It isn’t black and white, you must process 2 or more concepts at once.

Species owners understand this. I have never seen a species owner come after someone for accidentally making something similar or inspired. This is a myth. Species owners are busy as fuck, generally Normal People, and simply do not have the time or energy or desire to moderate things outside their community. Please talk to literally any of them for more than two minutes and you will discover this. Every species owner I have met is friendly and kind and I’ll go into detail on exactly how bullshit this stereotype of them chasing people down for similarities is later.

So, given that some randos will get upset and harass people over harmless inspiration/coincidence but most will not in ALL cases of accidental over-similarity: this is NOT a species-specific problem and happens just as often--if not MORE often, because of how much people fucking despise closed species-- with non-closed-species characters.

Secondly, species owners do not create a closed species with the goal of closing off a concept from use. They do it to create a community they can manage and share a concept they have created.

Take the world of Nephfei, created by the artist Queijac. The closed species of Nephfei are called Spinxyn, and they are very much sphinxes. They are not a brand-new concept Jac is claiming to have come up with, they are intentional and very direct references to sphinxes. What sets them apart is their species LORE, WORLD, and COMMUNITY.

[image ID: a screenshot of the Spinxyn species guide on deviantart, created by queijac. Text reads “IMPORTANT NOTE: Spinxyn are a species OF sphinx. Yes, they are sphinx, and yes of course anyone can make sphinx characters and designs using similar appearances! I claim no ownership over design aspects! Spinxyn as a CS community, however, which offers social art related activities, world building, themed events, etc., to use the characters in, simply relates to my own PERSONAL WORK and how i want to enrich peoples experiences with it! Please understand this, thank you!!!”]

This species is not closed so that Jac can copyright the idea of a sphinx. It is closed so that Jac has some control over the world and lore they have created. Were anyone able to create a Spinxyn without an approval process, not only would the community become too large to manage too quickly, but all sorts of Spinxyn with aspects that don’t fit the lore would pop up.

[Image ID: screenshot of a message from Queijac in the nephfei official public Discord server. Text reads: “theres just a total disconnect that 99% of ppl making closed species are making. a Group...... its about.... the community....... and building the community around One concept that someone makes and puts rules in place for so that they can actually. U kno. MANAGE THINGS... and make a cohesive group experience....... the reason CS have so much popularity is because they come with a community, not because theyre 100% unique never before seen or heard of concepts”]

Jac explicitly acknowledges that sphinxes do not belong to them and even says that borrowing some spinxyn-specific appearance details is okay!!! The ONLY thing off-limits here is a WORLD, COMMUNITY, and LORE.

Except it isn’t. Because Nephfei also hosts not one, not two, but THREE open species of intelligent beings, plus NINE official species of non-intelligent animals, so that anyone can participate.

Claim 2: Species owners harass and police people who make similar concepts.

I touched on this already re:species owners are busy as fuck & Jac openly encouraging people to make sphinx characters and even borrow spinxyn-specific traits, but this note from ground-lion/seel, the creator of Chimereons, really does it for me.

[Image ID: a DeviantArt note from ground-lion to me. Text reads “hello, thank you for showing me this! we don't actively do anything to police offbrands, since it causes more trouble than i think it's worth. i like to avoid drama wherever possible, and it seems like most people who participate in offbrands are just looking to press people's buttons so we can't/won't do anything to these people, i think it is best to just try and ignore it and move on.”]

Here you have the owner of one of the arguably most shit on and hated species saying outright “we don’t bother doing anything about intentional ripoffs”. For context, this WAS 100% intentional, I had noted ground-lion about a user I saw posting adoptables that were LABELED “offbrand chimereons” (so if anyone was hArAsSiNg PeOpLe oVeR SiMiLaR cOnCePtS here, it was me, calling attention to intentional and stated copying).

Sidenote: I think it’s shitty to intentionally steal a concept. Ground-lion has also said there is no issue with making anthropomorphic chameleon characters, just that chimereons were inspired by a set of traits, a word, lore, a desire to create a community, and their own personal stylization of anthro chameleons. It’s fine to take inspiration from how someone else stylizes an animal, but the degree to which people do it-- just outright copying every aspect of Seel’s work-- rubs me the wrong way. Not enough to say anything because that is only my personal opinion and because I do not have time for that shit.

The Dainty mod team + owner (Pajuxi-Adopts) also have a section stating that to make a design no longer a Dainty, all that’s needed are the following changes:

[image ID: screenshot of Dainty species ToS. Text reads “ Visual edits must be made for discontinuation, here is our standard discontinuation options: - remove the stockings completely and give them fur like an actual satyr - keep the stockings and give them human legs - make them an anthro - keep the stockings but they MUST start at least a quarter to halfway up the bottom portion of the deer leg with a clear divide between the stocking and leg with fur poking out underneath - you are free to suggest your own edits as well! “]

This may be speaking specifically about discontinuing a former Dainty due to the context we found it in, but this means that a design is not considered a dainty if, for example, its stockings show fur underneath and are not part of the body. That’s it. That’s all they ask. Pajuxi is not saying “this is my closed species of SATYRS WITH SOCKS and if you DARE make a satyr with socks i will COME FOR YOU!!!”, they clearly state that satyrs with socks are an acceptable Not A Dainty. I personally think the lore behind the stockings being physically part of the body and all the specific rules they entail is interesting and original and I do not think it’s such a wild ask to say “hey, please respect this and if you see it, don’t rip it off on purpose. You can take inspiration in all these valid ways but I want to have some control over the concept I came up with”.

Claim 3: Species owners are rich elitists making small artists suffer.

Species owners are small, independent artists. Artists being hated the instant they get even moderate success (that’s still usually BARELY A LIVING WAGE) is its own huge discussion and internalized issues + capitalist brainwashing you all have to deal with on your own damn time, but I want to emphasize that someone making a living or even comfortable wage from their art is Good, Actually, and is something we should all be happy to see and want to see more of.

Furthermore, no one is being taken advantage of. CS characters are a luxury item. You do not NEED one. If you absolutely will die without a sock deer, make one where the sock isn’t part of their body. If you will die without a chimereon, make an anthro chameleon and use your own ideas. If you will die without a sphinx character, I’m overjoyed to inform you that fucking nobody ever asked you not to make one. CS involvement is voluntary. If you don’t like them, don’t participate in them, but keep in mind that someone saying “hey, please don’t blatantly copy this design concept I spent time creating” is The Same Thing as someone asking you not to copy their individual character designs. You could live without stealing character designs. You can live without making something exactly like an existing CS.

Claim 4: CS put concepts behind a paywall and make them inaccessible.

Again, these are a luxury item. Most closed species MYO slots cost $10-$45. That is not a ridiculous amount to aspire to. Closed species owners WANT people to participate in their species, so there are a ton of ways.

- Chimereons hold First-Time Owner flatsale slot raffles every single month to ensure people who are new to the community have a greater chance of nabbing a slot than existing participants - Dainties have an art prompt every month, which rewards every participant regardless of skill level one prompt point (the art can be visual or written). Six prompt points can be used to buy an MYO slot for free. If you desperately need a dainty and are flat broke, you can get a free one by writing 150 words a month for six months or doing one drawing each month. Skill level doesn’t matter, ALL participants get a point if they follow the rules. - I joined a raffle for a free pre-made Spinxyn. I did not win the raffle. Jac randomly decided to give out 7 MYO slots too, one of which I won. I entered a raffle that DID NOT HAVE MYO SLOTS AS A PRIZE and got one for free anyway. CS owners want people to participate, I promise. - Dainties just had a 24-hour turn-in event (that they warned about a month in advance so folks could prepare designs), meaning every single person who submits a design in that 24hr time frame gets a slot. Normally slot sales are limited in number and sell out in seconds. - Jac sporadically draws quicker, messier Spinxyn designs which always cost $5 and raffle-flatsales them on Discord. $5 is not a gatekeepy price. - Tomoyokis recently had a free-for-all event where everyone could claim either a free common slot or a $10 uncommon slot. These are just specific examples I remember of easier or free ways to get CS. Non-specifically:

- art = reward systems are common, so again, just writing or drawing enough can equal a free MYO slot or entry into a raffle for a pre-made design - many many species that are relatively new have FREE turn-in events or giveaways to build a community - free FTO slot raffles - paid but discounted FTO slot raffles - random free design giveaways - trading art for a CS character or MYO slot (I’ve gotten a dainty and two dainty MYO slots this way, and I realize not everyone’s art gets accepted, which is why this is a whole list of ways that don’t require artistic skill whatsoever)

So getting your hands on one isn’t the worst thing in the world. You might need a little luck (as in, you have a completely fair chance that is equal to everyone else’s) or a little dedication (6 months of wanting one, or having to have a design ready within a limited time for a free turn-in event).

Also, there’s a reason CS prices cannot change much: this causes issues with the value of all existing CS characters. Dainties will ALWAYS be $35. The MYO slot price will NEVER increase. If it did, all previous dainties would be worth less, or would have to have their worth increased, which is logistics hell. Inflation doesn’t affect CS the same way it does everything else.

Claim 5: ok but legally nothing is stopping me from making one lmaoo

That is true. It’s also true that there’s not really any effective laws in place to protect artists when they say “Hey, please don’t quote retweet my art on Twitter” or “Hey, please don’t repost my art even with credit”. Sometimes, we just respect artists and do what they ask because we are Nice Fucking People, but apparently, species owners are a whole different thing, evil, and do not deserve the same basic respect.

IN CONCLUSION

Talk to a CS owner. They’re reasonable and kind people. There’s an exception to every rule, of course, but what I’ve found overwhelmingly is that they’re literally just people like you and I who were excited to make something cool and share it with people. The emphasis is HUGELY on community. I used to dislike the idea of CS too, but since participating in them and talking a ton with the owners (who are super down-to-earth and active in their servers-- Jac helped me with a confusing horse video game and gave me a Free Horse in there), I’ve realized that the caricature of CS owners as greedy and bitchy, laying claim to basic concepts like A Cat With Wings, is just bullshit. The stereotype that CS community members are an angry mob who will roast you over a fire if you draw a chameleon on two legs is bullshit. The idea that CS are impossible to get, are for the bourgeoisie, and cost thousands of dollars is bullshit (I bet you’re thinking about scarfoxes right now. Hot take: I think it’s great that an artist is selling their intellectual property for that much. I think we all should be able to. I think if someone chooses to spend that much on a design they think would make them happy, that is literally not a fucking problem, and since it was their choice and their money no one is being taken advantage of unfairly. Let people buy the shit they want to buy, I promise you will fucking survive).

I like CS, I think they are neat, I wish people would give the owners a break. They are just independent artists like me. They get lied about and stereotyped over this stupid drama bullshit and they’re so tired and saddened when the subject comes up. They literally do not police anyone-- they don’t have the time or the desire, and it wouldn’t work anyway.

I won’t post CS content here anymore. But I like participating voluntarily in these communities. I don’t understand why that’s something YOU get to have a problem with.

Stay out of my inbox. Thanks.

#long post #LONG LONG POST #seriously im not inviting argument so please please do not slide into my inbox or replies #anon ASKED; i am ANSWERING. the dialogue ENDS here.#not art #also this isnt meant as a like. Woke Post to Blow Up #it's my personal explanation and thoughts #so only read it if you want to.

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fosterscribbles · 3 years

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You draw canids/quadrupedal animals in general so well I am so inspired by your works. Do you have any suggestions or tips on how to get better at wolf/dog etc anatomy? I've always leaned towards anthro/humanoids BC they're easier for me to draw but I really wanna start getting better at drawing my 4 legged ocs

Thank you so much!! As for tips and suggestions I do have some! This ended up a little long but I hope these are helpful in some way!

For wolves and dogs in particular (bc I have most experience with them) they have a similar structure, things just sit slightly different sometimes depending on dog breed. For example, wolves hold their neck level with their back quite often, while dogs necks stand upright typically. When looking at your animal of choice you can take notes on aspects you are interested in or want to express in your art! You can do this for any animals, looking at the way they typically hold themselves and how things are placed, taking notes on the aspects you find important or read as the animal best to you. This is not to say anyone who doesn't follow these structure 'rules' is wrong or bad at art. I fully belive there is no wrong way to make art, and I myself don't follow these rules 100% all the time (this goes for all my tips). But if you want to include these things in your work for any reason, thats something I like to look into and take notes on!

Look at photos! You don't always have to trace photos, if you want to work off them just by sight you can! But tracing photos of the animal you are trying to draw can be a good way to explore the shapes and placement of things as well. My favourite method of this is less tracing and more finding the structure to use as a framework. For this you place circles for the head, shoulders, hips, and all the joints and use lines to connect them together. This shows where things are and gives a skeleton to build on or learn from! I don't condone stealing other people's art or images, but tracing photos can be very helpful for some people to learn (and of course proper credit should be given if you post it online).

Practise drawing the basic shapes of the animal in a variety of poses. This can give a good idea of how the basic shapes of the animal move and change depending on the pose, and if you can get a good idea of simple poses and how those shapes look you can build on top of those with other details!

Do a full page (or more if you're up for it) of quick gesture drawings/sketches! I use reference images for these as well. Get your references out where you can see them and begin doing quick and loose sketches! You can choose to focus on pose, movement, shapes, etc.. The trick to these is to not worry or get hung up on them looking 'good' or presentable. These are meant for practise and understanding certain elements of your subject matter! You can do these timed if you'd like, 1min/5min/10min intervals to challenge yourself depending on whats most comfortable for you. But you don't have to of course!

This one isn't always everyone's favourite but is very true: Practice a bunch! Its cliche but I got to drawing canines the way I do in large part by drawing them constantly. Even a bit of practise can help, you don't need to work yourself into the ground, in fact please don't! Doing some practice when you can is good no matter how much you do in one sitting, day, week, and so on.

As a final note, I know its hard to give yourself a hard time with art, especially when trying to do things you aren't used to or have never tried before. Patience is hard, but it does take time! Everyone's ability is different, so take it at your own pace, theres no wrong way to learn/paractise. Don't be afraid to make something you think isn't the best or you don't like, you're learning and what you made is still art in its own right! And if you find you want to try these tips, you're free to try them in a different way, use your own take on them, or change them up however you see fit. Not every method works for everyone so play around and see what suits you best! They aren't super specific, so I do hope they are still helpful in some way! I could always try doing a post more in depth about how I work on these things one day, but you are free to ask more questions too if needed! Good luck and have fun!!

#asks #max text #im not an expert so this is the best ive got but i hope it helps!#also my tablet is still fkd so i dont have any examples to include but i can add them at a later date mayb #theres some that dont require one i could do too so may rb in the future with examples bc i am bad at explaining sometimes lol #srry its so long btw lol #long post #just in case

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daaziscoolbesties · 3 years

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i yearn for one(1) thing only, and that is to have a nice, simplistic, cartoonish artstyle. an artstyle that doesnt rely on anatomy, but the "movement" of the drawing, if you get what i mean.

i dont want realistic proportions and traditional colors and basic poses and gradient shading, i want funky lil dudes in funky poses with funky styles littering my sketchbook :( but alas i havent figured out how to develop that kind of style yet, my brain wants anatomy to look nice but also i dont want to draw eyes. i dont want to take time out of my day to learn how to draw lips i want to draw a line that extends past the characters face. i dont want all my characters to have pointy chins with curved cheeks i want their heads to be round and friend-like or full of sharp edges depending on their personalities and styles. i want to give them all not-quite human ears, blob feet, simple faces, but at the same time i want enough detail to convey the story or emotion im trying to tell.

ive spent so much time recently agonizing over how to use 3d model websites, using real-life references and tracing over them for practice, color-picking from real images to try and do realism and failing miserably, but you know whats easier than that? funky little dudes. little dudes who do not care if their legs are too long or their hair is too bouncy. i dont want my characters to look human.

ive spent enough time on the artfight website to realize that most people who classify their characters as "human" have the most basic ass designs (no offense to people who like basic human designs its just not my thing) or its like dnd-medieval style outfits which i cant draw for the life of me (ive tried). again no offense to people who actively enjoy and draw characters like that. i just need my dudes to have that certain,,, off-ness to them. tails are cool. wings are swag (especially if they arent even like,, fully attached,, ), elf ears are so wonderful to me no matter how much theyre overused, horns are so much fun to draw, and colors!! i have no knowledge in the color theory department so this works great for me!! the only thing i really know is dont shade with black, other than that i just colorpick from references usually but i dont want to do that!! i want the colors to hurt people's eyes but in a satisfying way. like the character's design is so nice to look at that you dont mind your eyes hurting a bit. like how im enjoying writing this post even though its 2 am and the brightness on my computer wont go any lower.

and then another thing ive noticed from being on the artfight website is that a lot of people classify their characters that are anthro/have anthro features under humanoids/monsters. like i made a google form to find some people to attack and someone sent me in a character with some sort of animal (wolf? idk) arms and legs. like dude!! peak character design i love her. but me personally? i cant draw that shit, its so hard for me. i tried a while back and its just Not my thing. nothing against furries i just. cant. and i dont want to either.

and i got another submission that i accidentally deleted that was like full anthro/wolf-like like my comrade,,, i cannot draw animals what makes you think i can draw an animal who acts like a human lmao. i can do like. very basic tails, and also animal ears but i cant do the arms and legs and such i just dont know the anatomy, and i know i was talking about how i dont want to care about anatomy but i feel like for anthros you really do need to know at least basic animal anatomy so you know how the limbs look and shit and i dont have that knowledge and dont feel like gaining it.

and then there were some submissions that i absolutely adored. there was one that like, was vaguely human shaped but definitely was not a human. they had a dark-ish lavender colored skin and horns and tusks and like goat ears and a sorta fluffy tail with spikes on it and they had wings and such and they were such a pleasure to draw i love them. and they had a fairly simple outfit too, nothing too complicated. and then i also enjoy object head characters, theyre so neato to me. i got one of those and i really wish i had the motivation to work on it cause it looks so fun.

i want to make funky characters but id have nothing to do with them because the only book i ever tried writing (key word tried - never got past planning it out) had strictly human characters in it, and most of the books i read are humans/humans with powers in situations specific to them so id have no idea what lore to make with the dudes. assuming i have the motivation to make lore and backstory because honestly i just really enjoy character designing its super duper fun.

(side note a song about trucks doing the deed came on just now and its interrupted my flow, apologies).

i only have three actual characters right now. one is an original roleplay oc whos design is literally athletic shorts, an oversized long sleeved grey sweatshirt, long purple hair, and demon horns. the second one is my persona whos design some sorta medival knight outfit kinda thing? but not ugly it looks really cool (idk one of my friends designed it bc i won some contest from him but the drawing was on a super small scale so idrk the details,,,) with a plague doctor mask and crown, and shoulder length wavy brown hair, dyed bright pink at the end. and then my last one im not too comfortable using other places because theyre a character my friend is using in the story hes writing, and thats really the only place theyve been used. but theyre easily my favorite and im already writing a ton so ill talk about them too.

they're a sorta elf species thing from another planet, with pale green skin and pointed ears. they also have a tail, its like,, super thin, but with a feathery bit at the end. probably not the texture of a feather but i dont know how else to describe it. they have short, curly, almost-draco-malfoy-blonde hair that when it gets too long they can put in a man bun. their eyesight is kinda shitty so when they got to earth, they were exploring some supply closets around the airship. drop off area. thing. like airport but for rocketships and also fancier. yeah. they were exploring that area and found a nice big pair of round glasses with grey frames. and they also found a cowboy-style hat and a sharpie so they wrote their name on the underside of the brim of the hat and stole the hat and glasses (but left the sharpie in the supply closet).

yeah theyre my favorite, my absolute beloved, my child, so cool. i want more characters like them but with maybe a bit more snazzier designs. theyre super cool and all but they could have more pizzazz if they werent in a story where its too late to give them more pizzazz. i just want to be able to give my characters thigh-high boots with a bunch of buckles and fluffy hair with tons of accessories crammed in and abnormally large and long ears that can harbor many piercings and horns that can hold rings on them and special little details on their outfits like who knows what but i dont have any characters to do that too, so i have to make them from scratch, which is always hard especially when you have artblock.

and i also have like 17 characters i need to fully draw, line, and maybe color for artfight before august 1st. so i dont know. i have many things to do and plenty of time to do it but instead i spend my time halfway watching repetitive youtube videos that get boring or sleeping all damn day because i stay up too late doing things like this or i just do nothing at all and its tiring and frustrating but i also feel nothing about it like theres no consequence if i dont do it besides you know. not doing it, not gaining that experience, not making something i enjoy.

so i should do it but i dont for whatever reason, i think its called executive dysfunction but im not sure. this post started out very differently than it ended and i said somewhere up there that i was writing this at 2 am but now its almost 3. this is so many words why couldnt i have put this energy into something productive

#long post #sorry its so messy but like i said its almost 3 am and i dont want to go back and format all this #i might come back and make it look nicer in the morning #maybe not who knows #i just checked and this is 1.5k words what the hell

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wolfmarrow · 3 years

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Idk if this post is gonna go over well or not haha but regardless....

Furry Art/anthro art???

Not my thing, never been interested in it. But im more or less good at drawing animals and would like to to start maybe delving into that fandom as a means for money.

Is it all about money for me? Yes. Do I mean that disrespectfully? Absolutely not.

But im broke and in a shitty situation. Its not something i want to delve to deep into because i don't like sharing personal stuff too much on the internet but...

my warriors commissions get me very little and I figured if I have the capacity to offer this sort of art I may as well give it a shot.

So I've been practicing quite a bit , watching some videos and trying to learn about this fandom but im interested in any tips or info from people who have experience. Let me know what it takes, what I should be doing, all that sort of stuff.

I like how my art is turning out, i think it looks decent and ive been putting a lot of effort in but any extra help on how to navigate this fandom would be really appreciated!

And I know its shitty to be in this just for the money but hey, I gotta do what I gotta do.

#help a guy out #boost if you have to #my art #art #furry art #anthro art #digital art

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yeslahrt · 3 years

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Commission Details & TOS

The prices indicated on my commission sheet are base prices for the examples shown on the graphic. Here is more information to help clear up any additional question you may have. Once I am commissioned, it will be assumed that you have read through the information below!

WHAT I WILL DRAW:

Animals! I can draw a variety of animals and would love to have more practice to expand on my portfolio.

Mythical animals! I will do my best to illustrate your fantasy animal.

Monsters! I will take a stab at drawing your weird creature and make it look awesome.

D&D characters! Anthros! If it has a skeleton, I will do my best to draw what you want.

Yes, I am open to drawing sensual illustrations per my taste.

WHAT I WILL NOT DRAW:

I am still working on gaining more experience with using perspective, therefore I will not draw mech. One day, though.

I do not have the experience to draw gore.

I do not have the experience to draw chibis.

No, I will not draw pron for you.

WHAT TO EXPECT...

INQUIRIES & ORDERS: All clients should tell me everything that I need for your quote. If the client is too vague, I may not be able to accurately portray the character in the same fashion as you would like. (See below for info regarding references). Once we are ready to move forward, you will receive an invoice at the PayPal email you provide me.

I will not start working on your commission until the invoice is paid. If the invoice is not paid within 72 hours, I will send a confirmation of cancellation of your commission and discard your project. You will then have to wait until I have slots available again.

Repeated offenders will be denied service and potentially banned from my services.

Responsibility of following copyright notices and laws will fall solely on the client. Please do your own research and due diligence when commissioning licensed characters that do not belong to you. *

WHAT I NEED FROM YOU:

PayPal Email: (Please note that I only take USDs.)

Commercial or Personal Use? (If commercial, please explain.)

Printed and Framed? (Yes, I can have your illustration printed, framed, and sent to you for additional costs.)

Type of Illustration: (Please tell me what to illustrate for you. IE: Icon, extra small (XSm) portrait, regular portrait, half body, full body, etc.)

Do you want flat color for your illustration? (+$10 for regular portraits, +$15 for half body, +$20 for full body illustrations)

Do you want full color and shading? (+$30 for regular portraits, +$40 for half body, +$50 for full body illustrations)

More characters? Additional characters per illustration START at half cost as a base idea, but prices will vary depending on your commission and how much added work it will be.

Quick Personality: (Used to get a sense of the character I will be illustrating.)

Extra additions? (Do you want them smiling? Crying? Serious? What do you want them doing, if applicable?)

Do you have references? (If yes, I will ask you to email them to my business account. Do not send them to me via Tumblr.)

REFERENCE GUIDELINES

Please send me pictures of your character(s) for reference! Things to consider: potential hairstyles, outfits, color palettes, preferred skin tone, other illustrations of your character that you commissioned from other artists, etc. Anything to better help me portray your character correctly is good.

I also need a few words about their personality for setting a mood for your character. This should be no more than three sentences max.

If you have a pose in mind, please reference the pose. Otherwise I will take artistic freedom with the rough sketch.

WARNING: Do not send me a link to your toyhouse or website where I have to get the references myself. Otherwise you risk your inquiry being rejected.

Yes, I am okay with clients sharing a google folder of references specific to your commission with me.

WiPs & WORK PROCESS

You, the client, will receive periodic WiPs of the initial rough sketch that will lay down the foundation of your commission. This is the time for you to tell me if there are any major concerns or adjustments that should be made to avoid incurring additional work fees.

You will eventually be asked to confirm the rough sketch before I begin working on finalizing the line work and illustration. Once confirmed, minor details can be requested to be altered and changed, but the main part of the illustration will not be altered without incurring additional fees.

Once the line work has been finalized, I will begin working on adding flat colors. I strongly recommend you to send me color palettes if you are very particular, otherwise I will take artistic freedom with the illustration. You will again be sent a WiP to make any color corrections. If any of the flat colors are off, this is the time to tell me before I finish your commission with the final shading.

POST PERIOD OF REVISION: I will make minor alterations within reason after the first 72 hours of completion. Any changes that require me to go back and rework the line art, which will lead to me fixing colors/shading, (ex: a different outfit) you will incur an additional 50% - 75% of the original commission cost.

PLEASE BE ADVISED: If you are having me design your character for the first time and your thought process is exceptionally particular concerning your character, you may incur an additional 30% conceptual design fee for the additional time I will spend with you to make the actualization of your character the best it can be.

DELIVERY OF COMMISSION: I will send you an email with a link to your finished commission (usually via Google drive). Unless you have specifically requested for a printed and framed bundle, there will be no physical product or merchandise exchange.

WHAT ABOUT DEADLINES?

The client is more than welcome to suggest a date that they may need the commission to be completed by. Depending on the type of turnaround you are requesting, you will be charged a rush fee of 35 - 50% of the original cost of the commission.

Otherwise the commission will be done in the order received and you may be given a rough estimate of when the work should be started. The completion of the project will take between 1 week and 2 months, give or take, once you have been notified that the work has started.

ART SCHEDULE & SOCIAL MEDIA

Please be aware that I hold a job outside of social media. I sadly do not have a set schedule for my job. I find my creative drive spontaneous throughout the day, therefore I do not have a predictable drawing schedule. If you wish to watch me draw, then you can find the link in my bio to follow me.

Sadly, because of Tumblr's algorithms of hiding/shadow banning posts, I cannot add a link to it here for your convenience. All I can say is if you have the ITCH to watch me draw, you know where to find me, if ya' catch my drift? 'Eh? 'Eh?

ADDITIONAL FEES

If you, the client, are requesting thorough concept art of your character, which include reference sheets alongside of an illustration, I will ask for an additional fee for the service I will provide when spending extra time making sure that your new character is just right and providing a character reference sheet.

As a rule, I always add my watermark to a small portion of every commission that will not hinder your view of the work. If you wish to have a file without my watermark, please expect an additional fee added to your commission price. Personal use only.

If you wish for a high-quality illustration for printing, please expect an additional 50% minimum fee added to your commission. Personal use only.

The print-and-frame bundle will incur additional costs and time. Please contact me for more details.

CANCELLATIONS AND REFUNDS

Every client has the right to cancel their commission any time before I START work on their commission. Other refunds may be issued based on client relation, otherwise all payments are non-refundable once I have started work on your commission.

I also reserve the right to cancel your commission for any reason, for which you will see a refund if you have paid.

HOWEVER: If I terminate your commission due to the harassment of myself or my followers on social media, racially charged behavior or hate speech, threats of violence, obsessive or otherwise disturbing behavior... YOU WILL NOT GET A REFUND REGARDLESS OF THE STATUS OF YOUR COMMISSION.

I reserve the right to refuse your inquiry and/or commission for any reason I feel necessary. If I refuse your commission inquiry, please do not inquire about said commission again in the future.

— TERMS OF SERVICE —

MY RIGHTS — My right as an artist grants ownership of the copyright of my artwork. I do not however claim ownership of a client’s character or ownership of characters from television shows, movies, games, books, etc. In addition, I control the display and exhibition of my work, and the distribution of the work. Clients and/or followers cannot:

Re-post my work without my written consent.

Use my work for their Wattpad novel colors.

Upload my work on other social media platforms without my written consent.

Claim my work as their own, even if it's a commissioned piece.

Use my work with the intention to redistribute, promote themselves, generate revenue off of my work, or take away from my bottom line. I am a business owner and my artwork is my brand.

PERSONAL USE TERMS — As default, all commissions will be assumed that they are for the client’s personal use and enjoyment. Any intention to use my work in any way that may promote you, generate revenue, or that will redistribute my work will require a commercial user license.

COMMERCIAL USE TERMS — If you would like to commission artwork from me in a way that will promote you, generate revenue, or that will redistribute my work, (such as, and not limited to: promotional material, merchandise, raffles, giveaways, indie games) will require you to sign an official agreement. Commercial based commissions have different fees. Once signed, my illustrations will not include any watermarks and will come to you with a high-quality resolution. This will not allow you to change, edit, or repurpose my illustrations and I will ask you to credit me for my work in some form. You are required to clearly state if your commission will be used commercially.

Extended License — This license is an agreement that will grant the client full ownership of your commissioned artwork. You will receive my work with no watermarks, at a high-quality resolution, and you will be able to edit, change, repurpose, redistribute the product at your leisure with no credit to me as the artist is so desired.

Licenses are not eligible for discounts. Non-negotiable.

Again, responsibility of following copyright notices and laws will fall solely on the client. Please do your own research and due diligence when commissioning licensed characters that do not belong to you.

— DISTRIBUTION OF INFORMATION —

I acknowledge that I sometimes collect sensitive information from my clients. You have a right to privacy. I do not collect, sell, or otherwise give out your personal information. Your inquiries and orders are confidential unless I feel a reasonable threat is being made and/or must report such information to the authorities.

If the client requests that I do not display their commission in my online portfolio, I will respect that request to the best of my abilities. However please understand that I reserve the right to print and display my artwork for my physical portfolio and that your request will not extend to my physical gallery unless other arrangements have been made.

#commissions #commission info #commission sheet #commission tos #tos #terms of service

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cosmiccolours-art · 5 years

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DOODLE COMMISSION PRICES!

If you’re interested please contact me through Tumblr Messages!!

Do’s & Don'ts:

Do:

Pretty Much Any Animal (Felines, Canines, Birds, Reptiles, Etc)

Anthros / Furries

Human(oid)s

Fanart

Oc’s and Fc’s

Pokemon

MLP

Any Original Species

Gore

Don’t:

Pornography / Nudity

Mecha / Machines (I’m not opposed to drawing them, but I promise you nothing if you request it. As I have no prior drawing experience for them)

Super Buff People (See above)

Hate Art

RULES / INFO:

I accept payment only through PayPal and CAN$

I do not start drawing until you pay, but please pay after I say you too.

Refrain from giving me a deadline, please. (My activity for art is extremely varied and I tend to get busy a lot, especially for school.)

I will, however, show my progress when asked. I can also show the sketch before I line if requested.

If wanted more characters in a picture it will cost only be 70% for each extra character of the original Commission type’s price.

If you want me to draw someone else's Oc, please get the other creators permission first before you ask me to draw them.

After the drawing is done I do ask if small changes are needed, but I will not do drastic changes that would change the whole drawing or Refunds

I may raise prices in the future.

Do not erase my watermark from my art.

If you have any question feel free to ask me~!

#commisson info #commission prices #commision info #commision prices #open commission #open commision #commission sheet #furry #anthro #feral #doodle commissions #long post #i get the feeling these prices are sort of cheap #but i'm just here for some quick cash so *shrug*#reblogs would be super appreciated~!!! <3 <3

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time-to-write-and-suffer · 5 years

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Hey guys! I’m still doing commissions if ya want them! Cheer up this old bag of anxiety and sadness by giving them money in exchange for art you made them draw! I am a monkey and I will dance at your command! Interested? Send an email to [email protected] or contact me here on tumblr! My discord is EffOff#2255, if that’s what you’re into.

More info under the cut!

Payment is through PayPal, for now.

Written descriptions are welcome, but visual references are far more important. If you have a Pinterest board, an existing piece of art, a moodboard, a photo, pretty much anything I can look at, please send it over. The more information you give me, the better I’ll be able to match your request.

I will send you updates on my progress if you require it, so you can make adjustments, but I will limit them to 3 or 5, depending on level of complexity, and will send them when I see fit, not on demand.

I won’t draw anything I consider morally dubious.

I might draw a tasteful boob or butt, though. No bits.

Gore is fine as long as it’s not too hardcore. I don’t have the medical knowledge for that and I don’t want to look up references.

I’m open to drawing anthro stuff, but as I have little to no previous experience drawing animals, this will be at your own risk, and references will be crucial.

I can’t do mecha. Hard angles give me anxiety.

If you want to commission me to draw something that isn’t an OC or a person (say, a landscape or a scene), you’re welcome to message me, but prices and results may vary, so I wouldn’t risk it.

I won’t draw copyrighted characters until I’m 100% sure about the legal aspects of that whole deal. Aka no fanart. Sorry. (OCs within a specific fandom are welcome, however.)

I will post every commission I’ve made on my Deviantart, unless you have a specific reason for me to wait to post it, like if it’s a gift for a friend and you’re waiting for their birthday.

I reserve the right to decline a request for whatever reason, though I’ll try to be nice about it.

#photo #commissions #art commisions #my art

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wausdraws · 4 years

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Howdy! Commissions are now open! As this is my first time doing anything of the sort, I'm keeping it to five slots so I'm not overwhelmed, on the chance I am commissioned. Also of note: I am open to discussion! If you're unsure about anything, please contact me via Discord, at Awauspic#3154. I will answer you as soon as I can, so feel free to ask!

A Few Things First

A few things you'll want to know before even considering commissioning me.

All In One Place. Since I'll be having a limited number of slots, I'll be leaving these available for checking. You can track these on my Trello if you want to see what I'm doing, though I will also state whether my commissions are open or closed on my dA profile & art Tumblr.

Full Payment Beforehand. I require full payment upfront for commissions. Pricing and Payments below will cover how I'll handle refunds and anything extra that may come up.

Communication is key! I will check with you for every stage of the commission, and request that you stay reasonably responsive; I want to make sure it looks as good as can be, but to do that, I need to know your thoughts!

On Uncertainties: If you think you might want to commission me but aren't sure where anything falls - contact me! I want to give you the best possible experience, which includes before you commission me. I'm perfectly willing to discuss what you want with you, regardless of whether or not you decide to commission a piece from me.

Referring to references... As a general, I will want a flat-color reference, with no or minimal shading, or an available color palette. If there isn't one available, I'll work with you to get the appropriate colors down and provide a swatch with the completed piece for future reference.

Cleaning up afterward. Post completion, you have one week to point out anything minor or easy to fix within the piece that bothers you; as long as it's within that week, and reasonable, I'll fix it. Past that, however, it's done and dusted, and I will not be altering it.

What Can I Do For You?

You're okay with the above? Great! Here's what will be accepted, what will be rejected, and a few things I'm a little iffy about. This isn't exhaustive, so if you're hesitant at all, contact me! I'm more than happy to clarify for you!

I will draw:

Furries! As visible in my commission post above, I will draw fursonas and general furry creatures, feral, to anthro, to 'taur.

Animals! In-line with furries, I'll also do general animals.

I might draw:

Fandom content! This is more so because I need to know where it's from, and have references available. Though by no means an exhaustive list, some fandoms that I'll cover are:

Undertale/Deltarune

Since this is AU heavy, please specify if Classic for standard, or give me the AU. I try to keep up but dear god.

Warriors, including OCs.

Light Gore. I am willing to draw bleeding/injuries/fights. See below for what classifies as too much. Again, this is case-by-case.

Body horror. I'm much more tolerant when missing chunks, extra mouths, broken shapes, and general weirdness is just part of the design. However, it is still case-by-case, and we'll need to talk it out.

Innuendo or Suggestive. Tasteful relative nudity, suggestive posing or behavior, and visual innuendo. Nothing too obvious, but I’m game to work with you on figuring something out.

I will not draw:

Mechs!

Actual Human People. Those who are real people. I’m not drawing a celebrity, I’m not drawing your cousin.

Humans, in general. This will change as I improve, but for now, humans are a firm no go.

Bugs. I am terrible with them. I will improve, but for now, these are no-go.

NSFW.

NSFW Gore is anything excessive; pieces being ripped off, clear abuse or painful deaths are hard no's.

NSFW Sexual is with visible genitalia, actual sex, etc.

Pricing and Payments

Having chosen what you want and the piece in question confirmed to be alright, here comes the rest of it; paying the artist. As a heads up, everything listed is in US Dollars.

Details, Extras, and Deadlines, Oh My.

Character(s)

Group Shots: I will do multiple characters for full-body pieces of any level, but not for sketches or mugshots. Each character will add seven dollars onto the original price, for up to five characters total.

Complications In The Making: Characters come in varying levels of complexity. However, if one is exceptionally intricate - either in having heavy, detail-orientated patterns or a lot going on, that will be ten dollars per intricate character, alongside the original pricing.

Backgrounds: With all pieces, I’ll include a simple mono-color background, as well as one without. In fully rendered, I’ll add an effect on top to make it special. However:

Funky Background on Non-Rendered: I'm happy to add background effects on a non-rendered piece. However, it'll cost you another two dollars.

Simple Scenery: Scenes are another beast entirely. For simple scenes, that's seven dollars.

Detailed Scene: Fifteen dollars flat for anything detailed; more requested features drive the price up by two dollars every two features.

Deadlines. If you want a piece done by a certain time, it may drive up the price depending on how quickly you want it, and if there is anything I will have to set aside to get it done. Naturally, I will reject deadlines that I know I will not have time for, or are otherwise unreasonable.

Start to Finish: For a single fully rendered body piece, it takes me approximately three days to complete, while balancing it between the rest of my workload, while sketches often only take minutes.

Sets: You can commission multiple works at once, and I'll bundle them together to be done along the same timeline, or at least with each other; excluding a deadline or real-life problems, I'll have them done and sent to you at the same time. Individual prices still apply.

Up-Front, And Returned

After alerting me to your intent to commission and getting the details worked out, so comes the green.

A Cuppa! Feel free to pay me through Ko-Fi! It takes in 3$ increments, so anything divisible by three is an option, and with less processing fees.

Paypal! After we've got everything settled, I'll hand over my Paypal.

Patreon! Still a WIP, my Patreon is available if you're feeling like you want regular doses of art, or just want to support me. I appreciate it no less. <3

In the event of a refund... I will refund for work not completed. If, for example, you commission a full render, but request a refund after I have completed the sketch, I'll keep the sketch costs, but return the rest to you; you also, of course, get to keep what work was done before the refund.

#Wauspdraws #Awauspic draws #commissions #commissions opened #commisions open #commision #taking commisions #read more #art #digital art #drawing #help a college student out

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fountainpenguin · 5 years

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What do you think of TUFF Puppy? I see a lot of people give it flack for one reason or another, but do YOU think that’s warranted? Would you recommend the show at all? Hopefully that’s not a loaded questions. Thanks!

I was able to watch the show with my free 1-month trial on Hulu (as opposed to buying the episodes on Amazon or something), so that’s always nice, and it was a good way to keep entertained during my study breaks this semester.

I previously wrote out my general thoughts about “T.U.F.F.” in THIS post just after I finished my binge-watchif you’d like to read that too. I can expand on some thoughts in more detail more below the cut.

“T.U.F.F. Puppy” isn’t the first show that pops into my head as a recommendation for its genre (“WordGirl” is the superior crime-fighting cartoon in my mind). When it comes to secret agents, I do enjoy a good “Bruno the Kid” for its wit, slow burn character development, and the fact that some of its villains legitimately die. And when it comes to cartoons that really explore animal behavior and what it would be like to live in an anthro animal world, I’d point first to “My Gym Partner’s a Monkey.”

But for what it’s worth, “T.U.F.F. Puppy” was enjoyable. It didn’t feel like a repetitive Monster of the Week show and it had its share of fun and engaging plots. There were some worldbuilding elements I really enjoyed (such as laws protecting endangered species - including villains - and the aquarium doubling as prison for aquatic criminals). There were some fun animal behaviors that I enjoyed seeing anthropormorphized, such as Kitty bringing people dead mice to express affection and the Chief (who is a flea) sneaking drinks of Keswick’s blood when he gets hungry. Many of the jokes were creative and worked for me- for example, a background character ended up committing crimes solo for a day because his usual partners in crime were on jury duty.

It is a show aimed at 7-year-olds, so it has its share of simplistic characterizations, crude humor, and a preference for action over long-term character development. And blood. There will be blood.There are a few continuity issues as well, but they’re pretty minor details. If you’ve enjoyed the other Hartman shows and are itching for something to watch this summer, it’s a fun choice if you can find it for free. I will say that now that I’ve watched it, it’s fair game for headcanons and ‘fic allusions.

I’ve been re-watching the series with my little brother (skipping around to see my favorites instead of going chronologically this time) and it’s been enjoyable. He’s gotten really into it and we like quoting random lines at each other (There’s an entire song about how to defuse a nuclear bomb that we’re particularly fond of).

The way I see it, if you go into it with an open mind, you’ll enjoy it, and if you go into it looking for reasons to dislike it, you’ll find them. I’ve been thinking about it for a few weeks now and I think that “T.U.F.F.” might actually be my second favorite of the Hartman shows. I’m more biology-minded than tech-minded and worldbuilding-oriented than action-oriented. I could never get interested in much about “Danny Phantom” except Youngblood psychology, and as much as I adore Mikey being a manipulative narcissist, the rest of “Bunsen Is a Beast” is a little hit or miss for me.

I enjoyed how “T.U.F.F.” really drew me into the world. If you watch the show starting from Episode 1, you learn everyone’s names extremely quickly. That means every major character at T.U.F.F., every single villain, and every henchman every villain has. I believe the exteriors (and some interior rooms) of every major character’s home were seen within the first half of Season 1, except Keswick’s which was seen in Season 2. We even learned the streets of several major locations. Details like that helped strengthen my belief in the world and follow along without getting lost. Villains were often defeated through clever plots rather than just punching them into submission, which was nice too, and they were a nice blend of being goofy and legitimately threatening.

Feel free to skip anything containing the Caped Cod, though, because he’s a piece of work and you’re not missing much.

Character-wise, I would have liked to see more female characters, and more villains too. One of the awesome things about “WordGirl” is that is has a truly massive pool of villains to draw from, and they’re all fleshed out in lovely shades of moral gray. In “T.U.F.F.” you will get the same few villains over and over again, so you’d better learn to like them. Some of the villains didn’t appeal to me, while others are fascinating from a psychology / writing perspective.

I wasn’t very interested in Snaptrap (the show’s main antagonist) during my first watch. He’s your typical evil megalomaniac, but he’s also dumber than bricks and doesn’t have a lot of redeeming qualities to choose from. During my second watch, however, he’s grown on me. I’ve realized that I like him more when I listen to what he says instead of overthinking what he does. He’s probably the funniest character in the entire show, and has a whole slew of quirky lines like “If I’m so dumb, why have I been getting away with slowly poisoning you?” and “I love our new crib! It was an impulse buy. (Gasp!) We should steal a baby to put in it!” One of his quirks is that ambiguity trips him up, so he’s easily confused and has a lot of quasi-insightful thoughts about mundane things… it’s hilarious.

Snaptrap’s not that bright, but he’s incredibly impulsive with a knack for building destructive weapons and promptly losing them. He also has a streak of affection for kids and is a surprisingly good parent when put in that position (He’s absolutely the type who would encourage his kids to follow their dreams and would support them every step of the way, which is an interesting quality for a villain). Literally the first thing he did when he realized he’d accidentally cloned himself was send his clone into the world to live the happy life he didn’t get to have. He grows on me more and more each day. He’s fun.

I like the Chameleon (the second main antagonist of the show) a lot. I favor neutral characters, and the Chameleon tends to base his loyalties on the kindness others show him. Sadly for him, both the good guys and the bad guys find him clingy and annoying, so he ends up ping-ponging back and forth between whichever side he believes will cause him the least amount of pain (When he knows he’s upset powerful enemies, he’ll try to hide in either jail or witness protection to avoid facing consequences).

His motives for most crimes are hilariously petty. He’ll target vacation spots where he had a bad experience or attempt to burn the whole city because he thinks the heating company takes advantage of him for being cold-blooded. He’s the type of villain who commits international crimes purely to earn the “international criminal” bragging rights, but he’s also the type of villain who will drive random strangers to the airport mid-crime attempt despite it being out of his way. He’s described himself as someone who “doesn’t always make the best choices, but you just can’t help rooting for anyway.”

The Chameleon is arguably the smartest of the main villain trio, but his weakness is that he’ll let his “friends” walk all over him in a desperate attempt to maintain one-sided friendships. In Season 2 he got himself tangled in a terribly abusive relationship with his girlfriend and is completely in denial that she’s only interested in him for his money. He’s exactly the type of quirky villain I’m interested in. I’d love to tap inside his head for a ‘fic or two.

The third main villain, Bird Brain, isn’t one of my favorites. I did enjoy a lot of the minor villains, such as the members of F.L.O.P.P. (the Fiendish League of Potential Perpetrators) who think they’re way more evil than they really are. Meerkat is particularly interesting. He’s obviously in the criminal business for fame rather than fortune, but planning isn’t his strong suit. He can organize a get-together, put together an evil lair, scout for useful weapons, he’s great at pep talks, he has connections- he can do EVERYTHING on the spectrum to put a criminal organization in motion, except actually think up ambitious plans. He works so hard, but he’s his own worst enemy.

He’s like an evil secretary.He really needs a boss to design plans for him and keep him on track and pat him on the head and tell him he’s doing a good job. If Snaptrap ever took him into D.O.O.M. (and listened to him), he’d have organization and Meerkat would have muscle. Seeing ‘kat run with the big kids for a day would be interesting, I think.

Anyway, there’s a nice handful of engaging characters in the show and some fun episode plots as well. The worldbuilding is decent, though there’s still room for headcanons to expound upon. I’d recommend it to anyone who thinks they might like it, because if you have a good attitude, you’ll see it as a good show. It has its ups and downs, but it’s cute and clever overall. There are three seasons worth of episodes (Seasons 1 and 2 have 50 individual episodes each) so if you watch it, you’re sure to find something in there you enjoy!

#asks #Anon #Eyyy Hartman gang!#Spy dog show #Vile Verminious #Lonely lizard #No mere cat #The tag I should check later

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