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#will I make this tropey as fuck YES
aahsoka · 10 months
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xo kitty is like a cheesy teen netflix show but calling it a show for koreaboos is kinda dumb like the main character is a white/asian girl trying to reconnect w her heritage + the author (a korean american woman) is a writer and showrunner ……… i just dont think it makes sense to call someone who is writing about their own culture and an exploration of it. even in the diaspora. a “koreaboo”
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imaslutforwritingshit · 8 months
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Edward Cullen Imagine (F!Reader)
Y’all this took 2 hours 😨
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WARNING- smut, biting, oral (m receiving)
PART ONE
Fem. Reader-
Name: Calypso Sawyer (Callie)
Origin- From New Mexico, came to Forks with her father. Had just been introduced as Edward’s girlfriend to the Cullen family<3 A human girl, similar dynamic with Edward, and personality as Bella (but not as y/n tropey as Bella acted💀)
EDWARD CAN READ CALLIE’S MIND*
He just fell in love with her cuz she’s hot af
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Setting- The Cullen Mansion
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“I think I have to go now.”
Edward furrowed his perfect eyebrows, a tug of smile reaching his lips. “That’s not really necessary, Calypso.”
God, the way my name sounded on his lips made me wild.
I forced myself to think straight. “But Alice and Jasper already left. Emmett says he’s about to, too.”
Edward chuckled, a sweet, soft sound. “Jasper’s only leaving because you smell so mouthwatering. He wouldn’t want you to leave on his behalf. Stay.” The last words felt urgent on his tongue, and a sudden jolt of electricity ran through my veins.
Staying, at Edward’s house.
Alone with him.
Maybe I should be scared that I’m going to be alone with a vampire. A cold blooded killer.
But I’m more terrified of what I’ll do around him. The way he makes my senses heighten, and the rest of the world disappear. How he makes my heart feel close to bursting with a brush of his fingers.
I’m scared of myself.
“I don’t know, Edward.” The lie felt far-away in my mouth.
Edward’s smile faded, and he repositioned his body on the large bookshelf. “Because of me?” The look in his eyes told me he had read the words in my mind, the fear I felt, even if it wasn’t directed to him.
“No!” I rushed the words out, and stood off the sofa to touch his face, leaning my body to his shoulders. “No, anything but you. I just don’t want to mess this up.”
Edward laughed, a heavenly vibration on my neck. The small gesture warmed my insides. “You can’t mess this up, Callie. Nothing you could do would pull me away from you.”
I looked up at him. The strong line of his jaw, those predatory, bewildering amber eyes. My gaze wandered to the soft curves of his lips, and I couldn’t help myself when I leaned in.
He gripped my lower back in response, pulling me closer as we kissed. He was delicate, careful with his movement as always, but the intoxicating tease of his tongue on mine was different. He explored my mouth with a new passion, trailing his fingers on my waist. I shivered at the cold, yet exhilarating touch. Edward immediately coiled back, his chest rising and falling quickly from the touch.
“Are you okay?” I knew he already understood I was okay, the light in his eyes proving he already read my mind.
I almost laughed. “Yes, God. I’m okay, Edward.” A playful smile reached my lips, and I grabbed the collars of his shirt, letting my warm fingertips slide over his neck.
The feeling of my skin caused Edward to tilt his head back roughly, the clench of his jaw stronger. His tussled hair spread on old books rearranged on his shelf, and he closed his eyes, like my fingers were blades.
The room was blanketed in a heavy softness, so comfortable I pushed even more, letting my fingers fall to the smooth lines of his collarbones.
“Fuck, Callie!” Edward pushed away from me, and rushed his body to the balcony with supernatural speed, grabbing the railings with brutal strength. I stared with shock as his his body heaved with breath, the thin fabric of his grey shirt untucked from his dark blue slacks.
I covered my mouth and backed up. “Shit, is it my blood?” I hadn’t stopped to consider what my scent could have done to him. I even wore an extra layer of perfume to try to offset it, but it might’ve made it worse.
Edward turned around, walking to me in quick strides, and I fell back on the sofa. He kneeled in front of me, balancing his body on his palms on the cushion.
“That’s not what’s driving me crazy right now.”
I leaned closer, letting my lips part slightly. “Then what is it?”
Edward dropped his head from my eyesight, and curled his fingers near my own. “Vampires, especially males,” Edward lowered his voice, struggling to get the words out. “We go through potent episodes of…lust.”
My mouth fell open, and I manually forced my jaw to shut. “What?” My voice was an octave higher. “Like… in heat?”
Edward laughed a dry, humorless laugh. “Yeah, you could say that.” His eyes met mine, the predatory color returning, like the way he had looked at me the first day we met.
I unconsciously almost moved back, but decided against it. Curiosity dared me to ask the next words. “So…um-how do you… take care of it?”
Edward’s hands snaked to my fingers, casually tracing circles on my knuckles. “How any guy would. Calypso, I’m still 17 in body.”
My face burned. The thought of Edward touching his body, pleasuring his self- it was too much to bear. Edward saw the blush on my face, and his nails dug into my fingers. His jaw was clenched so strongly I thought it would break, and his eyes had a dark coat of desire. He looked so desperate, a biological need for my body on his. So desperate for me. I could practically feel my mind, naked for him, all the images of his body spilling out of my thoughts.
I spoke before I could stop myself, the husky pitch of my voice unrecognizable.
“I suppose I could help you, then. It’s only fair.”
Those words alone flipped Edward over the edge. His fangs bared white, and he grabbed the small of my back, pulling me to the floor. My thighs landed, kneeled up, hitting the planes of his shoulders. He growled, running his hands over my body in animal-like movements.
“You don’t understand,” he groaned lowly, “what I want to do to you. It would sicken you. Everything I’ve thought about.”
I moaned at his touch, the embarrassment from the sound reaching the burn of my face. But it seemed to affect Edward more than me, because his breath changed into a rapid pace on my shoulder blades.
“I’d do anything for you, Edward.”
It was true.
He let out a breathy sound, and snaked his hands under my shirt, each point of my skin electrified into flame at the smooth pressure of his palm.
“You know what I want to do with you, Callie?” He brought his hand higher under my shirt, just above my ribs.
Desire clouded my vision.
“Show me.”
He exhaled in my ear, and roughly dropped his lips to mine, a strange sensation of cold skin meeting my warm one, causing fire to pop in my mouth.
“I won’t be able to control myself, Calypso.” His voice was so raw, stripped bare. He needed me, now. The very sound set me over the edge.
“I already can’t control myself when I’m around you.” I trailed my fingers from the muscles of his back, all the way to the seam of his pants. I traced the lines holding me back from his body, and he shuddered in the crook of my neck.
And he pushed a sharp sting of pressure on my neck- a bite. Edward breathed heavily, licking the area he drew his fangs in my body.
This was a dangerous, dangerous game. He was biting me so hard, the layers of my skin ripped, but not hard enough to draw blood.
This was a reckless mistake, a taste of his full desire for me.
And fuck, it was attractive. I could feel the area between my thighs throbbing, and I tried to clench my legs together, but his body was practically spreading mine out now.
Edward tenderly kissed the area, then dragged his teeth up my neck, biting just under my jaw. It stung even more this time, and his wet tongue drew circles, making my fingers tremble.
A loud whimper slipped from my mouth, and I dropped my head on his broad shoulder. I could feel the vibrations of his chuckle, and he pulled the fabric of my shirt over my head, a strange confidence washing over him.
“You’re so beautiful, Callie.” His voice had softened, but the low desire still edged on his words, and he let his fingertips meet the clasp of my bra. I gasped, and pushed my palms on his chest. “Please-“
Edward tugged on the lace, a sign to shut me up. “Let me enjoy this. I want you to feel good.”
I was practically leaking out of my panties now, and I prayed to God it didn’t show from my shorts.
He undid the bra, carefully letting the lace fall off my body. The cold air met my already hard nipples, and I fought the urge to cover my body.
I felt so vulnerable. But I liked it. Feeling vulnerable for him.
Edward didn’t hide the breathy moan in his throat, and he kissed my breasts, starting from the low curve to the area near my collarbone. “You’re so perfect, it’s driving me insane. Insane.”
But his hands were grasped tighter around me, nails practically poking through my skin. I knew he was getting impatient.
I pushed him off, gentle enough to be kind, but strong enough to send a message. He wiped his mouth, the swell of his pink lips shining in the light of the open room.
“Get on the bed.” I paused, and added a sweet plead to my tone. “Please.”
Edward slowly rose to his feet, holding the tips of my fingers, but his eyes didn’t rise off my bare body. I could feel the blood rushing to my face.
He sat on the edge of the bed, spreading his legs effortlessly. I watched the strong muscles of his thighs, then trailed my eyes higher, to the bulge in his pants.
Shit.
He leaned back on his arms, a cocky expression smoothing over his features. He was watching me, seeing what I was going to do.
But the urgency in his eyes didn’t fade, and I knew one thing, and one thing only.
I wanted to please him.
I dropped to my knees, and Edward immediately raised his body, closing his knees a little. I pushed the top of his thigh open, and he relaxed tentatively.
“Callie, you don’t have to-“
I rose my eyes to his, hoping the innocent expression would get him to stop talking. It did. His words caught when he stared back down at my breasts, and he shifted his legs uncomfortably to try to hide the reaction of his body.
A smile danced on my lips, and I pulled down the zipper of his pants. He was so big, and I hadn’t even seen his boxers yet.
I wondered if this ever happened before, if he had ever gotten hard to the thought of me.
“Yes. It did. And I have.” Edward smiled, savoring the embarrassment on my face.
The fact he read my mind, heard those thoughts,
I didn’t hesitate when I pulled down his pants.
He was wearing dark grey boxers, clean and neat around his lean frame. His cock was pressing against the fabric, the shape almost being explicit against his underwear.
His voice was thick with mockery. “Do you need me to help you, pretty girl? You seem a little nervous.”
I ripped those off, too.
His cock sprang up, and wo-ow, his body is probably entirely perfect. A pink head, delicately sculpted on his thick shaft, the entire shape veiny, like some work of art, smooth, pale skin twitching with anticipation.
He laughed, the admiration of his dick apparently seeping through my thoughts. I slowly let my fingers wrap around it, and Edward’s breath hitched. I brought my body closer, the points of my nipples grazing over his knees, and I let my mouth touch the tip of his cock. He immediately arched his neck, throwing his head back as if every small touch was causing him overwhelming pleasure. I could see the way his hands were gripping the sheets, and I suddenly wished he was grabbing my hair, instead.
As if he was reading my mind, (he was), Edward let his hand drag on my scalp, urging my mouth to go farther.
I dropped my lips, pushing his dick to the back of my throat, but the length of his shaft was too much for me to fit all the way. Edward didn’t make any complaints, though, because he was too busy trying to control the raspy moans slipping from his tongue.
“That’s it. Yeah, good-“ he broke into a low groan, bucking his hips forward. “Good girl.”
The pet name had me bobbing my head even more, warming his entire dick with the saliva of my mouth. I could feel Edward’s eyes on me, taking in the skin of my back, the feeling of my lips. He clenched the scalp of my hair, and began pushing my head on his body, working my mouth the way he wanted.
He forced my head down, dropping it all the way on his dick, and I made myself take it all instead of gagging. He jerked my head up, over and over, each thrust of his hips in my mouth messier and shorter, as if he was close already. His dick warmed the back of my throat, but he pulled my lips all the way up, saliva coating my tongue. Edward’s eyes were pools of black now, so dark it slightly terrified me.
Whatever episodes of lust he was talking about, he must’ve hit his peak now. It seemed like he was on the brink of destroying me.
“Get up.” His voice was hoarse, and his mouth twitched with the words.
As soon as I did, Edward used his strength to slam me to the couch, letting my stomach hit the cushion. I repositioned my head, trying to meet his eye, but he crawled on top of me, and whispered low in my ear,
“The way I’m about to make you scream, my love, is gonna hurt way more than my cock in your pretty throat.”
Part TWO here
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florallylly · 2 months
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something along the lines of princess protection program of 2010s dcom fame. steve harrington prince of a small italian-adjacent principality forced to flee the country when a military coup takes place.
blah blah he's placed with the buckley family in hawkins, indiana. what i Think would be funny is if all of this is going on and the upside down is still happening.
like steve is obviously not disclosing his identity to anyone except for robin and the buckleys. and like this would cause a lot of shifts in the canon timeline but in my Head . just off the cuff no draft no braincell just gut instinct.
thinking of a steve harrington who relies on tropey examples of what he thinks american "commoner" school is like. he comes off kind of ditzy and a bit out of touch, but he's also hot and charming so he's pretty much a hit.
maybe steve and robin having a really bad first meeting and in retaliation robin comes up with some convoluted story about steve being her out of control drug addicted cousin who got kicked out of private school and sent to hawkins as punishment. or like some type of story along those lines but unfortunately it just makes steve more compelling.
eventually eventually they become the platonic soulmates that they were always destined to be and robin moves to the little italian principality and is finally able to regularly flex her italian skills
ALSO buckley family characterization something found family and the buckley adoption of steve harrington like... well yes....
BUT back to the upside down happening.
like i kind of want steve to arrive earlier, but i think narratively it would make most sense for steve to be the new kid in 1983. he lives with robin, but they're not really on the best terms because steve just so naturally fit in with the jocks and popular kids from the get go. and like. he's a spoiled kid who honestly robin is projecting onto because her dad is away fixing STEVE'S country like... it's a little his fault.
the timeline goes on as usual except like? idk how the barb and nancy party would work out while living with the buckleys, but perhaps it would have been held at tommy or carol's in this world.
i think it would be Hilarious if robin didn't find out about the upside down until season 3 like she did canonically, but in my heart i know that if steve came home all fucked up like he was after literally Any of the Seasons (???), she would not have been able to sit still. like regardless of the level of dislike that's someone she's been living with and Kind of Enjoys being around (reluctantly). so robin would be in the know sooner or perpetually pissed bc steve is remarkably persistent in keeping his mouth shut
maybe could cause more conflict in s3 with the russians and possibly knowing his identity but ALSO possibility for some type of robin buckley slayage a la her father like.... if that sentence made sense to anyone then it made sense to someone
but i think i think the funny thing is nobody else knowing steve's backstory or situation, just kind of assuming that robin's initial bitter story about steve being a reformed drug addict was the truth. Lol and weird dynamics with eddie munson bc uh oh... is this gonna affect sobriety or like his comfort or smth .... moment...
but mr buckley coming home and finding steve and being like :P hey you can go home now :P and steve breaking down crying like he never thought he'd be able to see the halls he grew up running down again. or see the ocean from his childhood bedroom again. or talk to the same neighbors he's talked to since he was five years old.
and everyone sans robin being like wow didn't know like. fuckin chicago was that meaningful to u ... damn... were u a fugitive or smth bc u had a car and a license.
the prince reveal would have me clawing at the walls gnawing my leg off i think ... eyes rolling to the back of my head i have no way to truly verbalize this
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lushaletta · 2 years
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happy birthday / james potter
pairing: prince!james potter x maids daughter!reader
warnings: royal!au, status difference, mild swearing
summary: his royal highness has a soft spot for an unlikely girl.
a/n: i thought of this in class and it’s the most tropey and cliche thing but it was so fun ?? also i’m now extremely fond of writing for the marauders so yay i think. i’ll probably be writing more of this au just because i enjoyed doing it a ton !!
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⋆ ࣪.  ⁺⑅ ⋰˚ *.゚ .˳⁺⁎˚ ˚⁎⁺˳ . ༺ ˖࣪ ˖࣪ ∗
“Princess, do you think this shirt looks good on me?” James asks. He knows he looks good, he just wants to hear it from you; the voice he values the most.
You laugh knowingly. “Yes, James. I think it makes you look dashing.”
He raises a brow. “Does it?” You nod. He makes a show of adjusting his tie and cuff links, staring at you in the mirror.
And you can’t help but blush. He really is handsome. His hair is messy, the style that his mum scolds him for and you encourage.
Guess whose opinion he follows.
James has never been ashamed of you or your status. It’s the bare minimum, but you’re grateful.
He’s all gold and chalice, while you’re.. you. The daughter of his own fucking maid with just enough money to buy him a cheap ring. It’s plastic, for goodness sake.
“Happy birthday, Jamie,” you say, calling him a nickname just because you can. It’s lovely, since you know he likes it and you also know you’re one of the few people who’ll even dare use the name.
“Thank you.”
He’s getting ready for a birthday ball that he doesn’t even want to go to.
“I’d much rather spend the day with you,” he’d said.
But he knew people were waiting on him, and there was going to be food, so perhaps it’s not that bad. As long as he gets time with you after.
You take a deep breath, pulling the tiny box out of your pocket. “I have something for you.” You’re worried. Not because you think he won’t like it, he’ll love it. It’s just shameful in your eyes. He’s given you expensive things you never thought you’d be able to touch in your lifetime. He’s given you the world.
“You do?”
Instead of a response, you hold the box out in front of him, waving it in his face.
He takes it gratefully, elegantly. His eyes widen. Shit. Does he hate it? No, he probably already has one. Silly of you to think he doesn’t have hundreds of them littering his storage. He hates it.
You clear your throat, prodding for an answer.
“Oh my god, this is amazing, thank you,” he finally says, delight filling his voice.
“I know it’s not much, and you likely—“
“Shut up. It’s beautiful, I love it. Also, does this technically mean you’re proposing to me? Because I don’t have anything prepared. Sorry, darling,” he praises it so easily. Like it’s not an act and like he actually does love it.
Maybe he does.
Your suspicions were confirmed when he slipped the ring on his finger, a little heart adorning the band. He admires it, looking at it in awe.
“This is the best thing anyone’s ever gotten for me. No kidding.”
And to further show his appreciation, he plants a tender kiss on your cheek, one that sort of feels like a present in itself. You’re forgetting whose special day it really is.
None of his fancy crowns or jewels’ shine can compete with that on his face. The smile on James’ lips is a million times brighter than all of them, you’re sure of it.
“Thank you for this. Really,” he adds, as if the kiss and the compliments weren’t enough.
You can only flash him a grin. Then a, “I’m not proposing to you! Not yet, at least.”
“Bold of you to think I wouldn’t do so first.”
There’s nothing James loves more than making you flustered.
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khalixvitae · 5 months
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I HAVE NEVER SEEN SOMEBODY CONVEY IDIA'S CHARACTER AS WELL AS YOU DID OMG I JUST READ WHEN YOU SAID IDIA ISNT AN INCEL so many people misinterpret his character as just being shy but that just sets him up as a stereotypical introvert. It's not that he's SHY it's that he physically doesn't know hoe to deal with people and instead of trying to learn he just assumes there is no point so he perpetuates his own loneliness. IM SO GLAD IVE FOUND SOMEONE WHO UNDERSTANDS HIM LIKE I DO AAAAAHHHH
Aghhhhh hello anon! Im glad you enjoyed my silly little post, that’s so sweet of you! Yea I feel like there’s so much going on with Idia (frankly with both of the Shroud brothers and their whole deal) that gets kinda bogged down by tropey perceptions. Like yes Idia is introverted and mostly opposed to interacting with people, but there are a lot of layers there. He’s agoraphobic, under-socialized, and painfully anxious. he’s scarily smart and prefers to scheme behind the scenes until he’s positive whatever he’s cooking up is fool proof (which I don’t think is an inherently bad trait) because things are easier and require less effort when there’s a script. freeballing social interactions with people and a broader environment you have no interest in connecting with is both taxing and in no way gratifying (in Idia’s mind, and in most cases). Its inefficient, which I also think is a good way of summarizing his attitudes towards social interaction.
He considers it pointless for everyone involved since he’s just going to disappear one day. Not to mention his upbringing and that hot mess of socialization, I think anybody would be fucked up from that. Plus his whole complex about his appearance and the fact that it’s not exactly been pleasant to just exist publicly. With all these factors in mind It’s important to remember that he’s the one who has decided he MUST be alone and that his fate is predetermined. In the name of efficiency/practicality and his sanity (while ironically undermining both) he just gives up before he’s even started. The world doesn’t end for the people around him, but he’s miserable and would be regardless. I mean he outright says so in book 6. The worst part is that he’s really self aware about it - he just doesn’t think he can change his circumstances or himself. I think the rest of his character really relies on that point. Honestly that’s what makes him so tragic and why I think his overblot is so interesting. It calls into question this focus on efficiency because it’s really just a bluff- as smart and rational as he wants to be, he’s quick tempered and honestly very emotional. We actually get to see just how far he can go with this almost martyr like philosophy because it hinges on his low self worth, but once someone he loves is brought into the equation, he completely jumps the gun. He may not see himself as worth saving, but for the one person he cares about/who understands him??? Who he believes he failed? Rationale goes out the window.
Anyways sorry for the little tangent there, I just think he’s so interesting and the incel trope really downplays the nuance there. He’s so smart but so emotionally driven despite being emotionally stunted and tbh I think that’s his downfall.
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yellowocaballero · 1 year
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I'd be interested in those writing shortcuts 👀 (don't feel pressured though)
Yeah sure! This is in reference to this and this posts.
These are all pretty 'fic style' stories, because they scaffold off pre-existing canon. It's like you're walking inside of a pre-built house and you're putting up new wallpaper and designing the rooms. Novel style is like if you're building the entire house. So these are really great for fun and if you have writer's block or have problems starting a story. They're also really good if you're practicing your dialogue, scene composition, characterization, etc - they are not good for developing skills on how to build the house, but if you're trying to work on actually making a readable story they're great methods to practice. They're also a lot easier to make good lol.
While writing these out I realized that they're almost entirely AUs. This is because I like AUs. You don't have to do AUs, you can adapt these however you want if you just like writing canon. Loser. Anyway, these are my low-effort stories:
A series of disconnected scenes that take place over a long period of time. If you have an idea in mind (or you just want to use the OG work's timeline), then you can show scenes or moments over a long period in time. For example, ages ago I wrote an AU story following the life of one character. One scene for 2008, one for 2010, one for 2012 etc.
Rewriting canon. If you have an AU idea or have a way in mind to change canon to something you think fucks harder, then you can use pre-existing episodes or season plotlines and just add your own flavor to what already exists. If you write for BNHA you aren't allowed to do this. That's the rule. How is all BNHA fic 600k AUs where one extremely minor detail is changed. God they're boring.
Alternate viewpoint/missing scene of a story you have. Like you can do this for canon too but that sounds super boring. This is actually something I do in order to help the quality of the main story - if I'm finding myself writing a super complicated character, I write another story about him from his POV to help give me a handle on him. Or write her parts of the story from her perspective. It's a writing exercise to help me figure out the character and it is also easy and fun.
"X Meets Y". Do you really like Legally Blonde? Do you think your favorite character being Elle Woods would be really funny? Stuff like that. Would it be really funny if your blorbo was Sharpay Evans? Yes it would be. Yeah I DID write a story many years ago that was "X meets Teen Beach Movie", why?
I don't know how many other people out there have extremely convoluted entire AU ideas, but if you have the whole AU in your mind then it is incredibly easy to write little stories or snippets from the AU. Like, so easy. A stand-out scene in your mind, the life of one supporting character, an alternate POV, whatever. Literally whenever I want to write something absolutely 0 effort whatsoever I go back to one of my 3 bugfuck stupid AUs and write something for them again.
This is actually something I think everybody should do, because it is basically how I learned story structure: find the trashiest, most formulaic genre you can. Watch or read something from that genre, or just collect genre conventions. Use the pre-packaged and pre-written formula to structure your own story and fill in the blanks.
(Also, these aren't very tropey or reliant on shipping/romance beats, which is nice if you want to get away from that stuff)
Nowadays, I find all of that helpful when I feel like doing something 0 effort. When I was a less experienced writer and I deadass did not know how to build a house, then these were really helpful for learning what wallpaper looks good and what arrangement of furniture creates good fung shui and what couches go best with that coffee table. They're also good passing. Seriously, these are like the most popular stories on my AO3. People eat this shit up. Why. They're so lazy.
IDK, these are what I do because they're the kinds of stories I like to write! What you find easy to write will be different. This is all a very personal list. I can see my personal thumbprint (no romance, AU central) really clearly. I'm kind of curious now: what are y'all's favorite low-effort, easy, fun stories to write?
Also as a heads up if your story doesn't have any sort of conflict in it, then it will actually very difficult to write. Trust me. Conflict makes you voom. Do it. Please. Love of god.
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shalikneez · 8 months
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fourth wing thoughts (no spoilers):
while reading:
- MIRA IS HOT she reminds me of totk zelda
- xaden scares me lowk
- why is xaden so mf big. HUH?! enormous ginamanasaurus motherfucker. in my head he’s 5 foot 10 inches and sleeper bod. next question
- i know rhiannon is sexy. need more of her!
- omg chronic illness mc YES
- violet is so cool lowk like acknowledges her weaknesses ✅ improves herself ✅ isn’t annoying ✅ isn’t a bitch unless ur a bitch to her first ✅ smart as fuck ✅
- bitchass jack barlowe reminds me of nacho cheese doritos.
- dain more like DAMN why don’t u shut the hell up 🤣
- dain is so protective savior complex core like bro has no faith in her aaaahdhdh honestly i would have snapped sooner because like why is he always talking like she’s a child and needs to be saved
- xaden on the other hand is always hyping her up. which is great but occasionally he goes over the top imo . we get it ur down bad my guy
- she’s sooooo silly calling xaden out in public all the time
- so happy dain x violet romance didn’t last. he reminds me of chaol from throne of glass
- ngl thought violet was gonna be the whiny shy useless mc but the whole book up to 60% is all about her getting stronger and cooler and hotter and she’s confident and figures her shit out without complaining
- i loooove her and her sibling’s relationship. it’s so real ngl. book of brennan is so cute. brennan and mira, and mira and violet. i love them.
- violets armor from mira is so cool ik she looks hot in it. fan art better slay
- NAOLIN MENTIONED ‼️‼️
- if she says “rippling muscle” or “he’s so beautiful” one more fucking time—expand ur vocabulary girl 😩
- dain bruh stfuuuuu bro is so annoying he probs looks like this 🤓
- so many cliches but all the cool world building and shit balances it out so well like i don’t even mind that much
- yeah she’s gonna get a special dragon obvi
- i was right 🤭
- dragon descriptions make me 😁😁😁 it’s so httyd and so much detail and care put into it i love it
- dragon world building is so 💗💗
- tairn the dragon u are so cool to me
- i want a dragon
- i miss mira
- xaden is so cool. reminds me of a wolf
- TAIRN IS SO UNSERIOUS 🤣🤣 sarcastic ass dragon
- MATES LMAOOOO so sarah j maas coded
- LIAM IS SOOOO CUTE so puppy dog :) sawyer too
- oh the telepathic connections. it’s so sjm up in here
- telepathy aspect is cool tho i like how this author writes it <3
- why r the dragons getting hot and heavy 🥵 🤨
- omg kisss!
- MIRA OMYGOD I LOVE U I MISSED U SO MUCH MY WARRIOR QUEEN
- ngl around 70% it’s not as entertaining as all the deathly challenges and trials from the beginning
- omg violets power 😮 im a slut for opposite aesthetics
- oh. not a fan of the monster dick sex. uncomfy lowk. good for them though 👍
- ok politics. i don’t care that much.
- OKAY CLICHE DIALOGUE I SEE YOU it’s so weird i’m not even that bothered by it when normally i would be
- this is becoming more romance than death-defying war college stuff :/
- lovers quarrel. lovers share trauma. then lovers make up. idgaf!
- me when the romance book is romancing 😐
- basic adult romance dialogue! welcome back. how are you today
- more monster dick sex. how lovely.
- xaden’s muscles keep rippling. bro stay still!
- man what kinda sex is rebecca yarros having 🧐👁️
- omg plot
- omg TENSION! BETRAYAL! TWISTS!
- oh the climactic end-of-book battle. ngl none of these details are processing in my head. what fight?
- i know someone had to die but why that particular person. man :(
- i’m sure this battle and strategy and action scenes are so slay. i’m dissociating tho lol
- aw xaden likes her so much. simp
- CLIFFHANGER 😮
overall: i liked the first half better than the second half. first 50% was soooo addicting. i loved the world building and dragons and war college and challenges so much but i’m just not a huge romance person. like the romantic buildup is amazing but afterwards i’m just meh. of course there was the expected tropey/ cliche/ booktok moments BUT most of it was overshadowed by how great the other aspects of the writing was. i dissociated at the end and didn’t really feel attached to violet or xaden or even the dragons (this is a me problem) but i think the ending is great set up for book 2 (will probs give it a read). like u can tell where the book is going but then the author does something unique to make it a little different than other books in this genre, so idk how many surprises book 2 will have. the fact that i read this is in less than 24 hours says a lot though. i hope mira comes back :D
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crehador · 14 days
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brother crab's winter 2024 parting thoughts: high card s2
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WHAT THE HELL
HIGH CARD IS GOOD?!
tl;dr very flashy and aesthetic, consistently good in that regard, but the story was not always gripping to me. however, with the ultimate payoff in the last three eps, totally worth it imo
full review:
wow wow wow i'm kind of glad i fell way behind on anime and had the last three eps of s2 to binge all at once because hoooly shit i enjoyed that immensely
at no point did i think high card was bad, but it definitely had moments where it didn't fully grab me. there were times when it felt like all flash, no substance
and it's definitely not perfect, i have some serious and fairly significant gripes with it. mainly i'm really bummed that leo, wendy, and vijay never really got fully fleshed out. i mean i get it, finn's the main character and chris is the thinly veiled love interest also important so obviously they're going to take up most of the time, but i really feel like the other members of the crew had so much unexplored potential (especially wendy and vijay, because leo did sort of get his moment as a factor in the old man yaoi situation)
speaking of which THE OLD MAN YAOI!! man there were a lot of moving pieces in this show, and sometimes they came together in messy ways (or didn't really come together at all... some bits do still feel pretty disjointed and jumpy to me, tbh)
but overall the payoff of the s2 finale was absolutely worth it to me, particularly since it dealt with my favorites of those moving pieces: the old man yaoi and the sudden YANDERE ONIISAN ARC
i find myself really wishing the show had gone harder on both of those threads sooner, but like... honestly i'm not disappointed with how they played out. the whole theodore and ban thing could not have been more tropey (YEARS of loathing only for a "the one i wanted to protect all along was... you" and then dying for each other like HELLO yes an absolute tropefest BUT TROPES THAT I LOVE. GOOD FOR THOSE TOXIC DOOMED YAOI MFERS)
tilt has always been fascinating to me right from the character design and i am more or less satisfied with how things played out for him too, though i kind of wish we'd had more of this development spread throughout the series. i guess it was there, but... i dunno. in some ways feels like there could have been More (but i may be biased)
like you gotta feel bad for him, it's a sad story, but also that extreeemely creepy unhinged yandere oniisan "i have been stalking you i literally have a wall with giant blown up photos of you i hate the other guy who is calling himself your brother" sequence was SO FUCKING DELICIOUS LIKE WTF??? stunned and absolutely blown away by how hard they went on that, what a delight
(ironically it makes me think about how unhinged matakara in bucchigiri?! just doesn't work while unhinged tilt in high card works super well, but this is not about bucchigiri?! so i won't get too into that)
i am still admittedly just. kind of like. idk. i go back and forth on finn and chris, as characters and as partners. i don't dislike them but they aren't always all that compelling to me. sometimes they definitely are, but sometimes they just fall a bit flat to me. this probably isn't an issue with them as characters, though, just a matter of taste. i occasionally found the chemistry between them lacking as well, but sometimes it was really on point
same feeling about the crew dynamics in general. i looove a good like heist crew or spy agency crew, whatever it is, when the dynamics just click. and sometimes they didn't, here. i am too sleepy to articulate it properly right now but it just felt like there was something missing, some pieces not really fitting together. i didn't dislike any of the characters, but just... i guess wanted more team shenanigans? maybe there was no time for that but it would have been nice (like this is one show that could have done with a few filler and/or fluff episodes, imo!)
anyway. christ. my eye emoji-ing at tilt based solely on his character design finally paid off after two gay ass seasons lmao. good night
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silviakundera · 3 months
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Having honestly the wildest experience flipping back and forth between binging Empresses in the Palace and That Omegaverse Thai BL. Yes, here to report that I have watched 4 episodes of Pit Babe on iQIYI, despite the name itself subjecting me to second-hand embarrassment, and it has officially vaulted over the hurdle of, "Is it good? Is it bad? Does that matter?" in the vein of Love in the Air.
It's.... exactly what it intends to be: that omegaverse AU boyband fic you read on AO3 at 2am when you couldn't sleep. I have never watched a more fanfic-y fanfic projected on screen. An incredible achievement.
Part of me feels strangely exposed and I have to push past my discomfort of thinking about a wider audience getting access to material that I generally consider to be our private fandom matters. But if I repress the knowledge that non-fandom people can see this, it's a dumb tropey good time. I hear there's canon mpreg, which makes sense cause I am pretty sure not a single woman has been on screen in four episodes. Do they canonically exist? Everyone is Gay™ and every named character is dude. I'm honestly racking my brains to recall if anyone mentioned a mom or if a female employee was in the background at some point and I missed it due to covering my eyes from mortification lmaooooooo.
The Babe character is that cliche hot/skilled/rich asshole fictional archetype who condescends to the people he sleeps with, treats them as disposible objects who can be traded to other assholes. (Until this alpha runs into his perfect match, per omegaverse rules!) But innocent flower love interest is apparently Not What He Seems and has his own agenda, as per fanfic 101. We all know how this goes. Supporting characters frequently marvel at how how Love Interest is so special™. Oh what a shock, this scum man alpha never allowed a fuck buddy to do X, Y, Z before. 😮
Naturally, our toxic boyfriend material has a Tragic Backstory that makes him Secretly Vulnerable and everyone wants something from his hot, skilled, rich self. 😢
no but truly, the desperate clinging of love interest Charlie who is thankful for the bare minimum scraps from Babe would be intolerable if we didn't know he has A SECRET SPY MISSION. or something. idk what his deal is yet. Anyway, it's not gross to see Charlie acting out pathetic thankfulness to be included in outings & allowed suck to his dick when Ulterior Motives Are Afoot.
The Sign is out there trying to be good but Pit Babe is so galaxy brain beyond such matters. I was charmed by how much Love in the Air reminded me of Cinemax After Dark and the Red Shoe Diaries of my 90s youth, soft core romance novel stylings surrounded by melodramatic plot (mysteries & fast cars & locker rooms & bar scenes) and Pit Babe charms me in the same late-night tv nostalgic way. The music that kicks up whenever there is a romance moment totally has that early 2000's softcore background track sound. My brain whispers, 'lol that's porn music'.
Characters yelp out Pit Babe at the rate of Sifeng!!!!!!! so I have built an immunity that will serve me well if I venture forward. 💪
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clowndensation · 8 months
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wait explain to me the destiel hatred i’m curious what abt it angers u that doesn’t apply to the other two ships
great question! the answer would unfortunately require 3 hours and a powerpoint presentation, so i will try to do a brief summary:
a ship sucking only ever has about 25% to do with the ship itself. destiel is bad in the sense that i think dean winchester is an annoying character that gets treated with kiddie gloves by the narrative, which makes him irritating to see on screen, because i personally dislike it when "men are angry and abusive because they just love too strongly, and don't know how to express it :(" is played straight as a character's primary internal conflict. especially over 15 seasons. it's boring, he's boring, and 35 year old men shouldn't be going to colleges trying to figure out which freshman girls are legal or not. hate him.
however the real sin of destiel, beyond the fact that dean winchester and i have beef that will only ever resolve when i get to reincarnate as the rusty nail that kills him, is that the fans are so so so fucking annoying. like yes the narrative frames dean as a golden boy who can either do no wrong, or "well, i guess he did wrong there, but what about how tortured he is :(" but good god. at least the show isn't trying to convince me that destiel is some groundbreaking lifechanging love story, complete with "omg this moment" montages where they romanticize scenes that feature dean either insulting, threatening, or humiliating cas. like this entire show (post season 5) is dean chronically either infantillizing and attempting to keep cas under his control, or holding him up as the only person he can rely on, thus giving cas expectations that are impossible to fulfill.
and don't get me wrong! people can like a shitty person and a fucked up ship. that's basically everything i enjoy on here. but at least like. acknowledge it. aldfkjalka. and if you're gonna like a shitty person and a fucked up ship, at least write about it in an interesting way. 90% of fic and posts written about destiel aren't even about destiel as presented in canon, they're about two generic men with generic personalities who suffer from the world's most generic tropey problems. cookie cutter ass basic relationship. the high school au of ships. boring.
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shiplessoceans · 11 months
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The finale of ted lasso was beautiful. Sod off if you didn't like it, I did.
This morning I woke up and got ready for my last day of work. I was made redundant in April. I have worked with these same crew of people since I was 25.
I'm 35 years old. This job represents a decade of my life and will always be a part of me. Not the work itself, fuck the work, but the people. The memories, things I learned from them, stories I have, experiences and lessons I never would have learned without them.
And today as I accepted the flowers they gave me, hugged them as they cried and told me to stay in touch, told me they'd miss having me around and followed me to my car to wave me off...
Cat Stevens was in my head singing "...and I know, that I have to go away. I know I have to go."
And I felt profoundly sad for Ted. So happy that he was back in Kansas where he felt truly at home. But so incredibly sad that in order to be home he had to leave the family he had built.
Ted has to be with his son. He could never have lived with himself if he had missed watching his son grow up. And while he made friends, Richmond was never Ted's home. He missed Kansas the entire time.
He had to go.
I love these people I work with but I have worked this job for long enough and redundancy or not, it is definitely time to move on.
It doesn't mean I won't miss them every day.
It doesn't mean I'm not scared to go.
Ted Lasso treated these characters as human beings from the very beginning. Flawed, imperfect, fully formed human beings and threw out the tired two-dimensional tropes.
Yes in a tropey sitcom Ted and Rebecca would have ended up together, Richmond would have won the whole thing, nate would never have betrayed Ted and never grown as a human being through his mistakes, Roy and Keeley would never have broken up, had a kid and Jamie Tartt would still have been a jerk... and Ted would have just continued to do Skype Christmas until Henry grew up or the show gradually wrote him out as though he never existed like the oldest Cunningham sibling on happy days.
Fuck. If that's the show you wanted, go watch every other sitcom ever.
People don't work like that. Nates positive treatment by Ted doesn't erase years of bullying and a crushing feeling of inadequacy instilled in him by his father. Ted's can-do, positive attitude comes at the cost of his ability to confront the difficult things in his life. The world isn't split up into good people and villains. We're all just humans doing our best and fucking up sometimes.
The second you decided you knew what the character arcs should be, you passed a judgement. A determination about the characters based on who they were at that moment.
And instead you should have been curious about where the characters ended up as they grew and changed, respecting that it may not be where you wanted them to end up, but that it's not your decision to make. Same as anyone in your life that you care about.
Be curious, not judgemental.
Thankyou Ted Lasso, and Fuck you for making me cry today.
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fiendishwinx · 9 months
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why do you like rivusa? (i love rivusa i just want to hear your reasons why)
Now, I did say that if I ever got the chance, I'd write a whole essay about them. Like 10 pages, minimum. But knowing me, it's gonna be shitty bullet points again! Yay! Who doesn't love those?
[SEASON 1]
-I know this season's a tossup for them. Rough times, rough times. Musa's feelings are unrequited (or at least appear to be unrequited) throughout most of it, right up until s1e25. Sucks (for me) that it takes him until the finale to reciprocate, but I like to interpret that as S1 Riven, or "girls!...who needs them" Riven, being understandably wary of anyone's sudden, unfounded affection towards him.
-But the thing about Musa here? She's stubborn with it--her affection. He's not ready for it yet, but she's layin' it on him, and she's layin' it on him thick. With reckless abandon, where her whole damn heart's on the line. That's a dangerous and naïve thing for someone to do, and any cagey person (Riven) would keep their distance. Ignore them, even.
And yet:
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-And homegirl gives NO fucks about it, either--no reciprocation necessary! Well, maybe a little, because she stops pursuing him at the end of s1e9. He's dating someone else now, and he's being an ass about it, kinda, but she gets over him. To protect herself, as any humbled girl should. In turn, she's a lot more closed off (especially towards him) than before.
-Deep, deep down though?....it's still there. Can't get rid of those feelings, for shit.
-Would've loved some more buildup scenes post s1e9, or between s1e23 and s1e25, showing their gradual apologies, Trix-ocalypse bonding, and then Riven's "oh fuck, she's serious" moment that he starts pacing outside over. Let it rock his world for a bit.
--
[SEASON 2]
-There's a lot of will-they-won't-they this season, but I don't mind that. Always been a "it's the journey, not the destination" kind of shipper, anyway. But something they will do this season, and a whole lot of it, is touch:
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-So many touches, grasps, hugs...shared hiding spots.
-Everyone's roughed up from last year, and Musa can't quite verbalize what's hurting her, much less explain it, but she can sure as hell grunt, unravel, and burst into tears in his arms. Because while yes, her friends are amazing, and give her plenty of advice and support, when it comes to Riven, he doesn't tell her how or what to feel. He just lets her do it. Hics, snot, and all.
-On the flip side, Riven's been humbled, or humble squared. Wouldn't say matured just yet, but he's tamed down his ass-ness, compared to S1. He's quieter, more distant. That's what imprisonment and nearly dying does to you (and it won't be the last time, either). Instead of yelling or mocking someone, he might choose to say nothing at all. It's both a blessing and a curse, though, concerning the both of them.
-Remember the formula, people. You put an avoidant guy in front of an emotional girl, then throw in some death dice. What do you get out of that, exactly? A relationship.
--
[SEASON 3]
-Less focus on them this season, and I never really vibed with the majority of their scenes being...inflammatory. Small moments like s3e9 (yeah, he could've spared Bloom's feelings more, but we've got two seasons of character development showing why he'd err towards bluntness, Musa...) and fuck-ing s3e19 (like, where? where does this come from, guys?!), that make my eye twitch. Rainbow's type-casted them at this point--they're the tropey, drama-prone "bickering couple" now, and indefinitely.
-If they weren't so serious about it, and had more of a snarky/teasing banter kind of situation? I would've ate that shit up. That's a trope I could get behind, and tbh, it'd make a lot more sense, given the narrative. Like, let them be a fun background couple now, it's fine.
-Shout out to "bACk aWay frOM mY WiFe" Riven in s3e21:
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-Say what you want about it, but at the end of the day, Musa sees that he still cares, has always cared in his own way, and will drop everything at any hint of her being in danger.
-From this season's crumbs, I gathered that these two are lines--not parallel or perpendicular ones, but they do cross, and it's at this rare point where their love languages sync, their communication's on point, and they both genuinely see things eye-to-eye. It's somewhere outside of the graphing window, but they'll find it.
--
[SEASON 4]
-That interaction in s4e2? That's what I was talking about. Some quippy back-and-forth, where nobody's butthurt. Could've been the blueprint for them this season. And last season.
(Keep in mind, S4 makes me tired and delusional. Another jealousy plot? Failed simping attempts? Nope, doesn't ring a bell. W-Who's Jason Queen, again? No clue who that is, babe...must've hit my head on something...)
-But I do like seeing them switch here, where Riven's confronted with his own insecurities, and starts showing emotional vulnerability towards Musa, in different ways:
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-Is it unpopular to say that, though S4 Rivusa irks me to bits, I prefer them to their characterization in S3? Because at least here, their arguments seem justified; Riven's threatened by Jason, and in turn, Musa's promising career on Earth, because it sparks the realization that he's stagnating, and might get left behind? And if it weren't for that realization, that fear, I'd think he'd be very supportive of her endeavors (going back to s2e15, and what he did at the concert for her: "everyone sing, goddammit!").
-This could've been their final relationship "bump", so to speak. They'd have all their deeper, more personal issues bubble to the surface ("Support me, Riven!", "I'm not good enough for you", "Please don't abandon me", etc.), which they'd address and come to terms with, then end S4 being that much closer.
--
Wait! Let's not forget SOTLK:
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-This scene, in its entirety, had me levitating off the ground. Straight into the stratosphere, and you couldn't have paid me to come back down. Riven knows what he's fighting for, and Musa loves him, crunchables hair and all. That's the finale, for me. The end! Close the curtains, I beg of you!
Fuck, there's more?!
--
Anyways, I've always liked the underdogs--the easy-outs, and the least picked poll options. While it's a lonely experience to favor those types of ships (until I joined the fandom here, and found people who either like Muri/Rivusa, or are at least willing to discuss them, critically), it's never discouraged me from making ship content, you know? Some sites will just...never get to see it, though lol. Not that they'd want to, judging from what I've encountered.
I think they're neat, and if no one agreed with me on that, I'd be fine. You'd just see me in that empty section, way up in the stadium's bleachers, waving around some half-powered light stick by myself.
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mintedwitcher · 8 months
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on the subject of AO3 comments actually, I didn't want to put this in the tags of that last post but like. not a fucking day goes by now that I don't think about this one particular comment somebody left on one of my merthur fics from like, two years ago.
it was for Judge Not in My Absence, and in it, I BRIEFLY mention that Gwen - in this au version of events - chose not to marry Arthur and instead became a midwife (I used the wrong term in the fic but tbh I am too lazy to go back and change it, though I probably will at some point; I referred to her as a wetnurse) for the women in the lower town. I needed her to have a childcare related job for a spin off I was planning at the same time in the same au. Nothing disparaging was said about Gwen (love her) or about midwives or anything.
this one commenter came in, and said "I really think you should look up the history of black women and wetnurses, it's not pretty."
I think about that comment every day.
yes, I am aware of the history, but I didn't pick that career for Gwen because of her ethnicity. I picked it because I needed her to be in relation to childcare for a reason. not just casual proximity to a child, but in childcare, involved in it, emotionally invested in it. could I have done a better job at explaining that? yes, definitely. could I have picked a better career for Gwen? probably, I'm not sure. I could've had her pick up work as a seamstress as she did in canon, or take over her father's forge as a blacksmith, I suppose, but neither of those would've given the same incentive to the spin off I wrote for her path. so yes, I went with midwifery. it just made the most sense to me at the time.
that comment, though, has stuck with me for two years. I didn't delete it because, well, it was a fair concern, shared without malice or insult, and there was nothing really to be angry about. I understand why the comment was left in the first place. and I still think about it daily.
the point I'm trying to make here, and doing a horrible job of, is that the stuff you leave in comments has an impact on the writers who receive those comments. it may not be the impact that you intended when you made the comment. I don't know what that particular commenter intended when they made the comment on my fic, but it has stuck with me for two years, and it has undoubtedly made me more conscious of the choices I make in my writing. because I don't want to receive that kind of comment again, but I know that I probably will. I'm not so arrogant to assume that I'll never write anything off-kilter or inconsiderate or insensitive ever again, despite my best intentions.
you can't please everyone, as a writer, and you shouldn't strive to. that's how you end up with tropey, incoherent writing projects. all you can do is write what you want, write what you would be happy to read, and hope that like-minded readers find it enjoyable too.
as a commenter, though. know that your words have an impact, for good or ill, and its up to you to decide what kind of impact you want to make. a negative or cruel comment at just the wrong time can be the thing that makes a writer quit writing. a positive, uplifting, or even constructively critical comment (like the one I've been thinking about) can be the thing that encourages a writer to keep going, because at least they know that someone has enjoyed what they've written.
tldr; don't be an ass when you leave comments, you never know what kind of impact it'll have.
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elendsessor · 11 days
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so uh me and my family went to go see ghost busters world iceborne today and it was fine kinda??
i do want to talk about it since i have a lot of feelings about it despite only seeing this and the original
but first actual thing that genuinely is awful that i do want to make known: if you’ve seen trailers you might know that the movie got sponsored by booking.com and yes they do shoehorn it in the movie. booking.com has very positive ties to israel because y’know travel agency and is one of several companies the bds suggests pressure boycotting so please please please do not ignore that fact about the movie please please please please do not support booking.com. do boycott booking.com.
uh spoilers below the cut i guess?
ok actual positives because i fucjing loved the ghost designs. cgi wasn’t great at points (main bad guy ghost dude i forget the name of looked best when obscured in shadows and not actually shown in detail) but the designs were at least done well. and phoebe and melody’s relationship was cute yet was done so fucking dirty. the movie did have good jokes and the acting was really solid, the world building is cool, and yeah if you turn your brain off for most of the film it’s fun. only when there’s action and ghosts is it actually compelling i noticed and it’s really sad since a good chunk of the movie is not that.
there’s too much plot ok. it’s your run of the mill family drama with ghosts sometimes there. i’m tired of the family is forever shit when it isn’t found family or paints the parents as “flawed but well meaning” and having the dad be lovingly stupid (gary’s technically not the biological dad but he does do dumb dad—pretty much flanderized homer simpson you know the trope), the mom strict to a fault but is right in the end, and incompetent brother who’s trying his best but needs a little help. most families are not like this. most families are dysfunctional in their own ways. you don’t have to have physically abusive parents or unsupportive parents to have shitty parents. painting families in this very generic way sets a really really unhealthy expectation that if your parents aren’t openly pieces of shit you aren’t allowed to hate them or if you defy them you’re automatically in the wrong.
but then there’s phoebe. oh is there phoebe.
i hate how in movies now to get across female empowerment is just make the girl super smart and be shoved in the spotlight too often. she is not interesting at all i’m sorry. you can tell she’s the smart one because she wears glasses and likes science isn’t that quirky? seriously when are we going to just get a strong female lead who has interests that aren’t tomboyish or *insert school subject here*? filmmakers do know that girls and women are also human beings with a wide range of individual likes and dislikes that can’t be reduced to tropes right??? again creating the unrealistic expectation that women cannot be treated like normal people unless they’re uber smart or uber strong. this is a problem for all minoritized group representation and i really cannot hate anyone who doesn’t like how the film industry is trying to bend over backwards for groups to force in representations that only hurt them.
biggest sin is she is not interesting on her own. she is so tropey it’s a fucking travesty. melody the ghost girl was the only compelling person—the only one who made phoebe somewhat interesting to watch—and of course she’s not safe from being a trope. i don’t like how melody has to have direct ties to bad guy mcbad and the sudden turnaround that, while it paid off for her, was rushed to hell and back for the drama.
and worst of all, there was homoerotic tension between phoebe and melody and nothing ever happens.
please just let them hold hands.
i know this is a mainstream movie so two people of the same sex even brushing up against one another is a crime but.
they were cute together and fueled several ghost au fanfic ideas.
damn you film industry.
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thorniest-rose · 7 months
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screammm that last ask about twt steddie people writing steve like a prop is too real, the fic these people want out of steddie is sanitized all to fuck until there is ZERO personality left because you can’t be accused of being Problematique™️ if the characters never fucking do anything! they also never put any effort into making them sound like they’re in the 80’s or that they’re from the american midwest and somehow eddie’s a twink and steve is a beefcake even though the actors are basically the same fucking size lmao. honestly they may as well be writing fic for heartstopper
omg!!! Yes pop off in my inbox, it keeps me hydrated. I definitely saw a lot of raunchy, explicit stuff on steddie twt, some of which I liked, but there was only so much I could see about Eddie being a submissive, breedable kitten before my brain switched off.
And then there was the whole "if you write dark content, don't follow me" debacle over the summer where people were saying if you write non-con or underage etc then you were DISGUSTING AND YOU SHOULD BE ASHAMED OF YOURSELF and that was the last straw for me. And when I defended darker content and people who write it, I got called out so much. But I just don't care about fitting in and I'll never water myself down to be more mainstream or more accessible, I write what I want and people can enjoy it if they want to, or not read it.
Also I don't mind if people don't try to work on Steddie sounding like they're from the 80s, I don't really do that either honestly, but yeah the whole big hunky Steve / tiny twinky Eddie confuses me so much, like I love size difference but there's just kinda... not a size difference with Steddie? And it would be nice if the wider fandom could appreciate how they actually look rather than forcing them into tropey molds all the time idk??
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It’s another fantastic Friday on the farm and we are very happy to bring you the first round of September recs from our friends!
Enjoy your weekend and give these fics a read from your favorite cozy spot. Be sure to leave the authors some love!
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Ain’t justice blind (marchtwentyfour) “One of the most underrated & best AUs i have ever read from the D&P fandom. The characters are fleshed out, the foundation for David & Patrick's relationship was laid out so believable it felt so earned when they finally got together. This fic also explored them navigating their relationship, growing into it, and the very satisfying happy ending they got. I love LOVE this fic and i re-read at least every quarter?”
Birthday spanking (@lisamc-21​) “This story exemplifies the perfect one-shot… a potentially humiliating meeting of our favorite co-workers at a club morphs into a blazing hot (yet tender) canon-divergent celebration of David’s birthday, just a few hours outside of SC. Lisamc21’s words paint the scene beautifully and efficiently, and her depiction of anxious sex god David and take-charge Patrick is A+!“
The fundamental things (@goodiecornbread​) “This Mutt/Jake fic—yes, trust me, just try it—is so rich, thoughtful, and fun. Mutt needs a place to sleep and Jake's got a bed. Magic ensues. There's lovely insight into their characters, some Schitt family backstory, quiet hobbies on winter nights, interactions with other Schitt's Creek residents, and lots of understated affection and intimacy.”
How long till we reach the door? (@lizzie-bennetdarcy​) “This is everything you could ask for in a one shot: sweet, hot, funny, tropey (in the best way) plus David escaping down a fire escape!”
I’ve never known anyone quite like you before (orphan_account) “I'm not even sure how to describe this piece. It's just so fucking beautiful. It's a different style but it's a masterpiece in 250 words. I beg you to read it.”
Keeping us tied and true (@whetherwoman​) “This fic was a huge surprise for me - there's not much omegaverse in this Fandom and I was quite wary of it but the tags won me over - it is very different from what you might be expecting from a standard omegaverse fic and I was so glad I gave it a try. It's tender and *very* hot and beautifully written. Plus did I mention also: fake relationship and only one bed. What more could you ask for?”
Music moves him (@smallumbrella369​) “Wow. Listen to this music and read this fic of Patrick trying to tell David what he meant by "slow", and how he makes him feel, like music under his skin. Phew!” 
Polaris (strangeluvz) “This is a super-angsty, post-breakup David/ Patrick fic, and it’s just so perfectly on point in tone, characterization, and atmosphere. I can’t get it out of my head!”
The start of something good (@khughes830) “It's sweet, and I love the way they gravitate towards each other from the very beginning. It's the knowing that they both carry. Also, everybody gets involved and it makes it fun. Cora Brewer and Ellie Mullens are such good fun!”
Time until the end of time (@ships-to-sail​, @yourbuttervoicedbeau​) 
“absolute perfection. iconic. unparalleled.”
“I honestly don't understand how this isn't being recc'ed everywhere by everyone?? It is stunning and heartbreaking and perfect and I feel like everyone is sleeping on it. Every single new chapter blew me away and the ending...I won't spoil it but the authors absolutely knocked it out of the park.”
“It was so beautifully written and so unique and creative. A very different way for our David and Patrick to meet and fall in love, and also an exploration of one’s life and a look at how we have affected people in our life. Even if we don’t realize it until it’s examined. Sometimes too late but to still know the love is there.” 
“Everything. Such a creative concept. So much love and care was put into it. It’s a beautiful exploration of how David became the person he is, seen through the eyes of current David (looking back at himself, how he felt then and how he feels now about it) and Patrick. Every chapter was an emotional whirlwind in the best way. It was all just so, so beautifully done. I am in awe.“
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