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#why is the TVA just SO incompetent
magicalgirlagency · 1 year
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Has anybody been rescued from the TVA headquarters?
It's a tough mission on Wondaria's end, as the TVA would constantly cover their tracks with many gadgets and machines (such as the Reset Charge) to maintain their Sacred Timeline, but the Bureau is surely working on it!
Oh, and by the way, reguarding the Avengers' incarceration situation, it is now confirmed: Wondaria now has a "sibling" incarceration system.
It was an idea originally thought by Stephen Strange, as a way to compensate for his incompetence. His intial plan involved banishing the remaining perpetrators to the Mirror Dimension, but since he has failed twice in doing so (with Thanos in Infinity War, and Wanda in Multiverse of Madness), the wondarians have considered the suggestion, but have decided to not pick the Mirror Dimension as its banishing place.
Wondaria is a place where only the pure-hearted are allowed to enter, so the idea of an inner incarceration system was completely out of question, and was a pressing issue for quite some time. They came to the conclusion that in order to create such a system, they should procure another vacant dimension where the rules don't apply to them, hence the name "sibling" system.
This was system was created with the intention of containing major threats to stop any catastrophic consequences from happening in the long run, and also because Wondaria aims to avoid death sentences, because of principles.
In the end, an empty dimension has been found, and was given the name of The Forsaken Lands of Oblivia (or just Oblivia, for short). It's a barren desert-like realm where the flow of time is completely unexistent.
While the Wondarian Bureau of Multiversal Rescue has the Fighting Egrets for their rescuing missions, this incarceration system has the Revenger Crows (the name was Thor's idea, inspired by his old shortly-lived group, the Revengers). Why crows? Because crows are said to be able to hold grudges, and the entire universe surely holds a grudge against the Avengers.
The Crows' mission is to find the remaining criminals that haven't cannibalized themselves, and bring them to justice. Wondaria is still willing to give them a chance to explain their (poorly made) choices until anything else is decided, through the means of a trial, where questions are asked and evidences are shown (and OH BOY, DO THEY HAVE PLENTY OF INCRIMINATING MATERIAL*).
Once declared guilty, the criminals will have their bodies fully crystalized for all eternity, and then banished to Oblivia. This punishment was chosen, not only because death is too good for them, but as payback in the name of all of those people who have been left for dead due to their stupidity and negligence.
Wondaria wants them to feel what half of their universe has felt for five years when trapped inside the Soul Stone. There will be no mercy, as it is too late for that; may they all suffer as many innocents have suffered.
*Check the timestamp 1:01:46 (Context: The Snap/The Blip) in this essay video for more details.
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worstloki · 3 years
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cackling over how earth-centric the TVA is...like.......
ragnarok, the literal destruction of the entire realm of asgard:
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hurricane in alabama, america:
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and then you've got the entirety of space-time to bomb and a majority of shown names are earth cities too or just a planet name
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cfgtrhxfcgyf ok marvel we get it, this is a reverse isekai, now at least show us what the other realms look like, please,, loki is literally an alien,,,,
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iamanartichoke · 3 years
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I wasn't sure if I was going to post this, but I may as well.
I keep starting to reply to things and then stopping bc the words just aren't there, and I suppose I figured out the core of what bothers me so much (and is making me have such a rollercoaster of a fan experience) about the show.
(cut for length)
It's not well-written. My opinion is my opinion, so I'm saying this subjectively, take it or leave it, but ... I feel that it's not well-written. The overall story is fine, and the plot is fine, but I don't know if it's because of the limited number of episodes not being enough to house the story, or because of the relative inexperience of the writer/showrunner+director, or both, or something else, but -
In an earlier reaction post to episode 4, I mentioned really wanting to sink my teeth into all of the subtext I picked up on. That was what made me initially enjoy the episode so much - there were a lot of little moments that I initially felt revealed so much about the characters and about Loki, and I wanted to analyze them. But at some point, as I gathered more information, my perspective changed and now I no longer want to analyze the subtext bc ... subtext = good. Subtext w/out payoff = not as good.
I'll go into more detail in a moment, but I think the tl;dr of it is that I feel like the narrative requires the audience to work way too hard to put together all of the moving pieces here and, like, I kinda just don't want to do that work? Not so much of it, and not in vain. A lot of the enjoyment of Loki's characterization is coming from fans who are rationalizing why he's behaving as he is, but the narrative never actually confirms those rationalizations. It's asking us to figure it out and maybe our conclusions will be correct but maybe they won't, though. At some point, subtext isn't enough without explicit follow-through.
I thought my issue was with the lack of character development - that is, not having enough narrative space to really earn the big things that are happening now, like Loki/Sylvie or Mobius turning against the TVA. And that's still true, to an extent; I still feel like the pacing is all very off and it seems like most of these things kinda came out of nowhere (but are not unbelievable - just undeveloped).
But, yknow, it is what it is, it's a limited series, and I can excuse some things. Ultimately, my issue isn't a problem with what the narrative isn't doing, it's a problem with what the narrative already failed to do and probably cannot recover from at this point.
The narrative has left out significant details that should at least help us do some of the work here. If a person turned on Loki and started episode 1 and had no background knowledge of the character besides that he tried to take over New York - how would that person interpret Loki? Would that person say, oh, well, he's been through X, Y, and Z, and plus A happened, not to mention B, C, and D, so really, it makes sense that he seems off-the-rails, or that he'd want to get ridiculously drunk at the worst time ever.
Maybe we'd like to believe they would, but how would they be getting to that conclusion? The narrative hasn't led them in that direction so, no, they would not say well we have to consider this, this, and that. It would be impossible to really understand Loki as a character from just what we've gotten in the series. The general audience would probably interpret Loki as being out of his element and so it becomes, I wonder how this character is going to get the upper hand here. And, while that's not wrong, it's just so limited.
The narrative at face value does not address Loki's identity crisis from Thor 2011. It does not address his hurt and devastation at being lied to, nor does it address how complicated his self-image is (bc it sucked to begin with and that was before he found out he was part of a race of "monsters," as he'd been taught his entire life). It does not reference Loki being so broken at the end of Thor 2011 that he deliberately let himself fall into the void of space (aka tried to kill himself). It does not reference that he was tortured by Thanos or even that he went through a seriously dark time in between Thor and Avengers, and it absolutely does not reference or address any influence or control of the mind stone.
These are all things that we, the fan audience, know because we've already invested our time into this character's story. But tons of people, the general audience, wouldn't know these things. Or if they did, bc they saw Thor and Avengers, they wouldn't be thinking about them as deeply as we would, nor contextualizing them with how Loki is behaving now, or why it would make sense that he needed to get drunk, or why it's understandable that he needs to keep going-going-going in order to not have a spare second to think or feel.
They'd probably look at Loki, again, as a character who was a villain and is now getting his comeuppance in a place where he has no power or control, and no literal powers, and even when he manages to escape and catch up to the variant, he proceeds to fuck up their plan for seemingly no real reason except that he wanted to get drunk bc he's hedonistic. Which Sylvie even berates him for! I mean. This is not exactly a complex character breakdown, nor a very flattering one, but that's what the narrative has given us.
(If the narrative has addressed Loki's mind control, his torture, his mental breakdown, his suicide attempt, and his general shitty self-esteem as a result of his upbringing, please point it out to me. If the narrative has explicitly acknowledged and referenced these things anywhere and I am missing it, please show me where. Please explain to me how the casual viewer would know any of these things that they need to know in order to actually understand what's happening in this story.)
So I mean, okay, we have a narrative that doesn't paint a full, accurate picture of Loki. Fine, sure. But because the general audience starts out on the wrong footing, they're not going to get out of the overall story what the writers probably intended them to. For example, in episode 3, a lot of us theorized that Loki had some kind of plan - that he broke the timepad on purpose, for some reason, bc otherwise it wasn't believable that he'd be such a failure. But episode 4 revealed that no, there was no bigger plan, Loki just plain old messed up. Which is fine if, again, one is only considering the surface-level portrayal here, but it's not true to Loki's actual characterization.
I mean. Loki is not perfect and Loki actually fails a lot, this is true. He fails for a lot of reasons, but incompetence has never been one of them. Usually it's that either things grew beyond his control, or there ended up being too many moving parts, or he had to change his plan at the last minute due to some roadblock or another being thrown his way, or even that he got in his own way - whatever the case may be for his plans' failures, he was always at least shown to know what he was doing.
That wasn't the case here. The "plan" to fix the Timepad failed as a direct result of Loki's actions, which were careless and made him seem incompetent, like he couldn't even handle this mission. "You had one job," etc. And there were pretty big consequences for this; they were not able to get off-world in time and would have been killed had the TVA not shown up at the last second.
And maybe none of these things matter bc the writers never intended any of this to be a reflection on Loki's character, positive or negative. The situation exists solely because the writers needed to put Loki and Sylvie together in some kind of hopeless scenario so that they could get closer, and thus the narrative could set up their romance. I get that - but, there were other ways to do it that didn't require Loki to look foolish.
Furthermore, the whole reason they needed to set up the romance is to show Loki eventually learning to love himself (like, figuratively but also literally). The audience is supposed to gather that Loki and Sylvie fell for one another, possibly due to the high emotional aspect of, yknow, being about to die (in addition to the variant-bond). The intent is clear: Loki and Sylvie almost die but get rescued at the last minute, having now created an emotional bond --> Loki and Sylvie team up and the narrative further establishes that Loki, at least, has caught feelings --> Loki might confess them but is pruned before he gets the chance --> he somehow survives, he and Sylvie are reunited and don't want to lose one another again, and the combined power of their love is enough to break the sacred timeline and spawn the multiverse, and the reason that the power of their love is so, well, powerful is because it's about self-love and self-acceptance as much as it is about having the capacity to love someone else. The end.
I get all that. The writers more or less said all that. And, I mean, it's certainly not the way I would have chosen to go about it, but it's a fair enough arc to explore. I don't really have an issue with the intent - but my question, however, is this: if the narrative has so far not addressed Loki's background issues (as outlined above), and has furthermore kinda gone out of its way to portray Loki as hedonistic and narcissistic, among other things (like kinda incompetent), and the context the audience starts with is that Loki's this villain who deserves what he gets -
- my question is 1, why should the audience care whether or not Loki gets to a point of loving and accepting himself (thus to make the theme of self-love, via the romance, hold weight) if they don't know that he hates himself to begin with and 2, why should the audience root for Loki to reach that point when so far the perception of him is that he's "kind of an asshole"? if he's a hedonistic narcissist, he probably already has a pretty inflated sense of himself, right? A misplaced inflated sense of himself, at that, because, again, the narrative has made him out to be not that capable of much of anything. (And it didn't start out that way! It seemed to start out with Loki being capable and intelligent but it's like episode 3, in trying to set up the romance, just jumbled it all up somewhere. I think this is why I'm harping on the Loki/Sylvie aspect so much - it's frustrating bc it kinda messes up the whole story and can't even accomplish what it's supposed to anyway.)
Anyway, that's beside the point. What I'm ultimately getting at is, at what point is the audience supposed to get invested in Loki's personal growth journey?
They can't, not really. Without understanding and having the context of everything Loki has been through up until now, and why he hates himself, and why it's so important that he learn to love himself, then the "payoff" becomes kinda pointless bc the significance of it is lost in translation. So suddenly we're left with this romance that comes off as either "Loki loves Sylvie bc of Reasons" (best-case scenario) or "Loki loves Sylvie bc he's vain, narcissistic, and kinda twisted" (worst-case scenario). Neither of these conclusions are what the writers intended or were going for, I'm positive, but there we are, regardless.
In order for the writers' intent in these storylines to land, they need to address the context of what makes these particular stakes high for Loki. So far, they haven't done that. They're asking the audience to pick up on all of these things, and they're showing things that subtextually make sense and are relatively in-character - but only if you realize there's subtext in the first place.
But you can't expect the audience to do all of the work for you. If you don't want the audience to think that Loki is a narcissistic asshole and instead you are trying to convey that, worst-case scenario, he thinks he's a narcissist but is an unreliable narrator, then you have to address that. If you need the audience to understand why you're going the selfcest route and why it's important to explore Loki's capacity to love himself and others, you have to address where that exploration is starting from and why it matters. Etc etc etc.
The narrative isn't doing any of that. And it isn't like it'd be that hard to do it. They don't need to reinvent the wheel here; a lot of the pieces are already there. A few lines of dialogue for context, a brief scene here or there addressing the issues, a little more care and consistency in how Loki handles things - these are all little things that could go a long fucking way in making the narrative stronger.
I'm rambling. My basic point is that my rollercoaster of emotions with this show is because
- as a part of the fan audience, not the general one, I can contextualize and analyze the subtext and come to the conclusions the show wants me to, and thus find the story and the characters more or less enjoyable,
- but I am also going to be using the subtext to come to conclusions that aren't there but probably should be (I think it would be a better story, for example, for Loki to confuse platonic love with romantic love bc it would pave the way to explore just how fucked up Loki's understanding of love - whether of other people or of himself, and the different forms it can take - actually is)
- and when they're ultimately not there, then I think, okay why am I bothering doing all this work just to ultimately feel very unfulfilled? They don't even have to write it the way I would, I'm not saying that, but they do have to do something to make the story feel rewarding.
If we don't get some confirmation of what Loki's been through, and where his headspace is, and why it matters for him to love himself, then the story remains pretty shallow and, for me, it's not fulfilling enough. It's not engaging enough. There isn't actually anything to sink my teeth into, so it becomes kind of boring. Maybe it's rewarding to other people, and that's great for them, but like - I need more than whatever this is.
So I'm just like - well, I had a lot of worries about this show, but my being bored wasn't one of them and now there's only two episodes left and am I really not going to get anything out of this, in the long run? No new canons, no new depths or layers, no new information on Loki's experiences? This is it?
I don't dislike it. I didn't start out disliking it, and I probably wont end up disliking it. I mean, there are a lot of good moments, and good things, and fan service-y things that I appreciate. As far as inspiration for fic goes, it's a goldmine, both plot-wise as well as aesthetic-wise. All of that is great. I don't dislike this show.
But I am disappointed in it, and I feel like I'll be watching the next two episodes lacking the sense of anticipation that would make it exciting. I'll still enjoy them, probably, if for nothing else just the sheer Loki content, but whatever it was I felt watching episodes 1 and 2 is gone and I'm sad about that, too. Because I really wanted to feel fulfilled by this series; I wanted it to fill up the void that Loki's death in IW created three years ago. And I just ... don't feel it. Maybe, maybe that'll change over the course of episodes 5 and 6. I don't know.
Everything that I end up enjoying long-term, I think, will come about as a result of my own interpretations and analysis and while theoretically there's nothing wrong with that, if I had known all I'd get out of this series was more headcanons or support for my current headcanons then, well - that's fine, I suppose, but I'll definitely a little bit robbed.
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wnnbdarklord · 3 years
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If you had told me yesterday that I wouldn't care about the Loki show anymore, I wouldn't have believed you. Yet here we are. I had maintained hope that we were heading into some AoA style confrontation between Loki and some other Loki. I actually thought the things they brought up during the interrogation scene would be addressed.
I thought Loki was supposed to seize the narrative and prove the timekeepers and every other person wrong. Instead, Loki is the POV character and Sylvie is the protagonist. I thought "this story isn't about you" was something to refute, not the show's mission statement. Hugs to the Loki fandom, I think we really need it today 2/2 (sorry I keep forgetting those things)
The first episode wrote a check the rest couldn't deliver (and even the first episode was tepid at best). But wait, I have to give the whole show a go, right? Wait til everything is out to make my final judgement, right? That's what everyone's been saying!
Never in a million years did I think the show would be this bad. Joke's on me for expecting a Loki show to be about Loki and not some OCs who constantly beat him up and tell him how pathetic and worthless he is. And you know, I could even deal with that since that's what canon has been doing it to him all along, but until ragnarok (and IW to a lesser extent), the narrative wasn't on those character's sides. We still got to see Loki being badass and competent, even if he did eventually lose.
I thought "this story isn't about you" was something to refute, not the show's mission statement.
SAME, ANON, SAME!
This is supposed to be his show, yet Sylvie is the only one who drives the narrative forward. What the fuck has Loki done? Got Mobius on his side, who was immediately zapped? (And let's be real, more narrative weight was given to Mobius being suspicious about C-20 than Loki actually having anything to do with changing Mobius' mind. He just confirmed what Mobius was already suspecting.) Got himself killed again (as far as he was aware at the time)? Give me a fucking break. If they really had to do the fucking TVA narrative, why wasn't it about Loki in Sylvie's position? Why not have him escape, fight the TVA, work to bring them down, discover the TVA were all made up of variants?
Like fuck, imagine the narrative tension of Loki figuring out those people he has been fighting and killing were nothing but brainwashed slaves and the whole plot is so much bigger than even an organization that controls all of time? And not some reveal handed to us in dialogue about some people I, at least, don't give a fiddly fuck for.
And let's be clear, I don't give a fuck what people ship or don't. Sylvie/Loki, Loki/Mobius, Loki/whoever, I don't care.
But if they're really going for the selfcest, maybe don't speedrun it and present it as Loki being some fucking narcissist loser who only ever loved himself. Which, you know, was the actual framing the show put out. I know people are reinterpreting it as "Loki loving himself is literally breaking the timeline", but that feels so unearned and out of left field. It's just lazy, bad writing. And you just know it never would have happened had Sylvie been male.
Loki and Mobius' friendship is also unearned. Friends?!! Friends???!!!! The guy who kept berating you and torturing you and telling you you were worthless and manipulating you and calling you incompetent is who Loki considers a friend???? To the point of tears??????? GIVE ME A BREAK.
NO, IT'S SHITTY AND UNEARNED. Fucking hell, please gets some better standards for friendship, Loki. I hate it.
This show isn't about Loki, it's about validating every worst fucking take on his character I've ever seen.
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lazy-cat-corner · 2 years
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“But why did they make Sylvie stronger than everyone?”
Did they though? All jokes aside, I didn’t see Sylvie as stronger than everyone much less Loki. The show clearly showed her as an equal match to Loki. Both of the times they fought, Loki managed to take the tempad from her and slow her down from killing He Who Remains. The only true fight Loki lost was the Roxxcart parking lot brawl and that’s only because Sylvie’s been plotting for years and threw him off when he realized shit just got real and this wasn’t some typical Loki shenanigans he could half ass and joke around with anymore.
Loki found Sylvie in less than a few hours on the job. He also knew she was still hiding in the tent in the Renaissance Faire. Sylvie’s magic doesn’t even work on Loki. Of course Loki couldn’t out silvertongue her and weasel his way in her favor the first time they met. She’s used those tricks before and knows who she’s talking to.
Sylvie’s not stronger than everyone. She’s stronger than the TVA/ Mobius which isn’t saying much considering Loki outsmarted Mobius and ran away from him twice and Sylvie escaped with her toddler teeth and size 5 youth foot. (Like fr there’s a reason why the tva has so many variants. They’re incompetent and fuck up the sacred timeline every 10 minutes)
Still, Sylvie could be stronger than everyone and I’d say good for her because why tf not?
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wickednerdery · 2 years
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Request: While Mobius and Loki's working in TVA, Mobius falls sick and returns to his room ( stomach ache and diarrhoea) and Loki takes care. ( Loki x Mobius please, and I love your works!)
Aww, poor guys keep getting sick these days, don't they? Haha!!
Drabble Time!!
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“You know, this is why I need use of my magic!” Loki declares in frustration.
Mobius isn’t sure why the god’s so upset, he’s the one unable to pull himself off the bathroom floor. “You wanna help?”
“Of course, what I have been saying?!”
“Get me Gatorade.” At the very least, he can try to keep hydrated and perhaps, if given a task, Loki might feel himself useful and calm down...He knows the god means well - with magic Loki could rid him of this illness with a wave of a hand - but right now he’s causing more stress than Mobius is willing or able to handle.
“Gatorade? Gatorade...” Loki repeats the word as he heads off in search of it. The time alone, not spent facing his incompetence, gives him the ability to reconsider his options and work out a better way to help. Upon returning he slips a bottle of every kind of Gatorade into the man’s bathroom. “There are pills, you know, perhaps you should have some of those?” 
Loki’s calm, hopeful, demeanor makes Mobius smile as he works his way to sit up. “I took some, they just take awhile to work is all. Thank you, Loki.”
“Is there...anything else I can do?” It’s the first time Loki asks, despite Mobius having been sick for the past few hours.
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((Okay, so I think Loki will always be concerned about someone he cares for being sick, but I also see him getting very frustrated if he doesn’t have an easy solution - like when the illness is not easily cured/understood and he can’t fix it with magic lol!! Anyway, thanks for the idea/prompt, hope you like the results, @1842007​!!))
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delyth88 · 3 years
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Loki episode 5 rewatch
It’s been a busy week so it wasn’t until yesterday that I had a chance to watch Episode 5 again. And I was a little worried I might not like it as much as I did on first watch, but thankfully I did still find a lot to like about this episode.
Spoilers below...
Firstly, I think it’s taken this long, but I’ve finally gotten used to this new variant of our Loki. To this overly emotive, sweetly stupid at times, often bewildered version of the character.  Let me be clear, he is absolutely not being presented in the same was at the first three films, Infinity War, or even Ragnarok. But I’m finding him easier to watch now that I have no hopes or expectations that he will be the Loki I was hoping we’d get to see again.  Sure, I’m sad they didn’t give us a continuation of the Loki we’re grown to love, but this guy seems to be starting to find his feet, and I’m curious to see what his potential is now.
I was again struck by the increased sense of purpose (no pun intended) of this episode.  It seems to be going places more so than previous episodes were. And again I loved the opening sequence and the music as we travel through the TVA and then out into the Void. It did make me wonder whether the destroyed city was actually a version of the timeline where Loki/Thanos win the Battle of New York, and that’s as far as the significance of that set goes.  My hunch is that we won’t see that long shot of Loki from the trailers in post-apocalyptic New York. They opted for the mirror of the Avengers scene instead as the way Loki finds himself in this place.
I laughed at Loki’s little rant this time too. Particularly the line “plus an alligator, that I’m heartbroken to report I didn’t even find all that strange!”.  In fact there were a few moment when I felt we were getting a little bit of Loki’s old humour. Such as, his “Delightful.” In response to kid Loki talking about cannibalistic pirates, “This is a nightmare.” and “Don’t die isn’t a plan, it’s a general demand of living”.
I do wonder though if this is just about comparison with the other Lokis?  Like they’re all so very much more on the extreme end of comical that it makes our Loki seem the straight guy in comparison? *shrug*
After several days I am still taken by Old Loki and his story.  And on watching it again I was able to appreciate the little moments leading up to his fighting Alioth. He gives the impression of being just so Over It and his crazy comics outfit also directs the audience away from how much he actually cares.  For example he is really quite upset at Lokis in general and presumably also himself after the betrayal by Boastful Loki. He says “We cannot change. We’re broken. Every version of us. Forever.”
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And he seems quite affected by Mobius’ offhand comment that “it’s never too late to change”.
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And then that look back towards Loki and Sylvie as Alioth approaches.
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Gah! This is the kind of thing I wanted for our Loki.  I don’t have the right words to describe it, but it’s partly the back story, partly the change of heart, partly the stakes, the emotional depth. I’m really quite sad that we won’t see more of him.  :( 
@scintillatingshortgirl19​ you asked me what I thought of Loki’s response when Sylvie asks, “How do I know that in the final moments you won’t betray me?”
“Listen Sylvie, I…” Loki pauses and takes a deep breath “I betrayed everyone who ever loved me.  My father, my brother, my home.  I know what I did, and I know why I did it. And that’s not who I am anymore. Okay? I won’t let you down.”
To be honest on my first watch I think I just let it slide over me as yet another one of those lines where they keep telling us what we’re supposed to think of Loki (whether it’s true or not).  I think Episode 4 might have broken me – I didn’t even blink an eyelid.  I think I’ve just heard so many people saying things that I think are absolutely wrong about Loki that I’m just… used to it now?  I dunno. Maybe it was just my mood, or the fact that there were enough other things I enjoyed in the episode that I could ignore it.
But since you pointed it out I’ve been thinking about it and after my rewatch I kinda think Loki has been a little bit influenced by recent events and conversations.  He’s just watched with embarrassment several different versions of himself strike bargains and then betray each other, in such an extreme example of this behaviour that it seemed absurdly comic. Boastful Loki even says “I betrayed you, and now I’m king.” And as they leave the Loki fight behind Old Loki says “We lie and we cheat! We cut the throats of every person who trusts us! And for what! Power!”  So I can kinda see why betrayal is on his mind.  
And perhaps this is something he’s been thinking about for a while now.  Since he tried to strike a bargain with Sylvie before he even really knew her. Old Loki ask if Loki trusts Sylvie and he says” “She’s the only one [of the Loki variants] I do trust! “
But I guess the way I interpreted it is not just literal betrayal like he just watched with the other Loki variants, but also letting people down. Letting himself down. In this context betraying his father would be the events of Thor 1 where he betrays his father’s trust by letting the frost giants into the weapons vault (I think he’s talking about Odin here, not Laufey), and then by not being able to be a good king in the eyes of his father or even his own standards while Odin was in the Odinsleep.  I don’t think he would be thinking of the moment where he lets Laufey into Odin’s chamber because he always intended to betray Laufey and save Odin. Although maybe he feels guilt for that too, in terms of lying to his father.  In regards to his brother, I’d consider any of the times Loki is acting against his brother’s interests, in a serious way such as the times that he was evading and fighting against Thor in Avengers, or when he sent the Destroyer in Thor 1 as betrayals of a sort, and the frost giants at the coronation again. And in regards to his ‘home’ I assume from his perspective this is again about the coronation and the events that led to the destruction of the Bifrost and as far as he’s aware war with Jotunhiem.  Perhaps he’s thinking of the moment when Odin says to Thor “... you are unworthy of the loved ones you have betrayed!” Potentially he’s also thinking of Ragnarok and his actions in causing it after what he read in his file in the TVA. Personally I think he knows it was necessary but still feels a ton of guilt about being the one to actually do it. In this case it’s a betrayal in action but not in heart.
So I think he’s kinda focusing on the guilt he feels. And I think this is why he feels it could extend to Frigga, although he doesn’t mention it I think we as the audience are meant to assume it.  But again, this is in terms of the guilt he feels at a future version of himself inadvertently causing Frigga’s death – as he’s heard this story second-hand from Mobius. You know how if you start feeling bad about something it’s very easy to expand that to a whole bunch of other things you’ve done?  These are the times he feels guilty for his actions in hindsight.
I also think he’s kinda lumping a bunch of things together under the umbrella of the wording of the question that Sylvie has asked.  I think if she’d used a different word he would have echoed that back to her too.
I also think he starts of with “Listen Sylvie, I..” because he was about to defend himself, refuse to acknowledge that he would do such a thing and minimise it, by saying some version of “I would never do that”.  But he catches himself and takes the opposite approach of laying all his faults out plain. Admitting in a slightly exaggerated way that he has betrayed people in the past and he knows it, which he considers is more likely to be believed, and that he won’t betray Sylvie because he’s changed since then.
So I don’t know if I really have a conclusion to draw from this, but I think Loki is exaggerating out of guilt. 
But this is also one of those lines that where the character is telling us not showing us.  Which seems to have started in Ragnarok and is being continued in this series. It’s frustrating, I don’t like it, but it seems this is what they do now.  :/
***
So, it’s taken me a whole ‘nother day to get to finish writing this, and I’ve realised that this is the first episode in a while that has been on my mind since I watched it.  I’m actually invested again! Which I was very much not after Episode 4.
This episode had another piece of Loki’s story, in the form of Old Loki, and that was wonderful, and tragic.  And we’re starting to get somewhere with the plot now.  
And unlike in previous episodes where it looked like they’d left hints of things to come but that turned out not to be the case, I actually feel like we might get payoff for all those comments about Loki’s magic.  Probably not in a way I’d prefer, but at this point I’ll take any sort of change that gives Loki a bit more control over his life.
I’m also feeling again like this story matters.  With episodes 3 and 4 I wasn’t really feeling it.  I hope I’m not too disappointed. lol
I still don’t like the romance, but having resigned myself to the fact this is what they’re doing last week I was better able to watch this.  The fact that Sylvie is as utterly incompetent at personal relationships as our Loki does make it more tolerable to me, and if I take it as some weird AU (which lets be fair is exactly what this is) it is kinda cute. In a way I like that they’re both late 30s/early 40s in appearance, not teens or twenty-somethings. It adds this extra layer to their awkwardness and I think brings home how weird tit is that these thousand year old beings don’t know how to be friends if you can do the mental jumps required to believe this in the first place. I still want it to be platonic or at least not taken any further.  I will gag if they kiss in the finale. 
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iamnmbr3 · 3 years
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So, this is going to be a long, two-part ask (apologies in advance for that). Thank you so much for your Loki series thoughts. I discovered your blog by accident, and I am so glad I did. I was trying to figure out why I felt so hollow/not-great after watching the episodes each week, and your posts helped me find the answer. I was so looking forward to this series, to see more Loki, but what we got...wasn't Loki. I tried to see past the flawed writing and absurd 'plot', tried very hard, but eventually I just stopped lying to myself, and finally let myself think 'I did not enjoy this'. It is very clear that Waldron didn't bother watching Thor and TDW, and it also seemed like he only skimmed Avengers, because the characterization comes off like he only watched Ragnarok (and somehow made it worse than it was in that film). It was a huge disappointment that in a show titled 'Loki', Loki wasn't even the main character after the first (or second; everything blended together for me) episode. (Side note: I like the concept of Sylvie, but like...she didn't need to have that much focus, or take over the plot. Also...I don't understand why she was named the way she was; Sylvie Lushton was a completely different character in the comics. Show!Sylvie seems like Waldron tried to mix Sylvie Lushton--in terms of looks--with Lady Loki, and even a bit of Amora the Enchantress thrown in there. Which is...a strange choice. It would have been so cool to see Amora get an MCU appearance, especially given her ties to both Loki and Thor, but I digress.) I even, slightly, shipped Sylki for a bit due to the concept of it being interesting to me, and even did some art for it, but as the show went on, and Sylvie started taking over as the main protagonist, my interest in it waned. (I am much more of a LokixJane fan, anyway. -shrug-) I also shipped it because I just...cannot ship L*kius at all. Like you, I cannot stand Mobius as a character; you are absolutely right: he is what Pierce was to Bucky. Except this show paints that in a 'positive' light, and even worse, that Loki deserved it. I have no problem with darkships or darkfic. My issue lies with the majority of people shipping it treating it is if it is a healthy, fluffy relationship in canon, when it is clearly the opposite. (Also, ever since Mobius told Loki that his only purpose was to basically be a stepping stone for others to reach their full potential, I knew that I would never like him or ship him with Loki. Perhaps it is personal, but a toxic person I used to associate with said basically the same thing to me in terms of my role in my friend group, and it messed me up for years, at least regarding how I thought my friends saw me. It got better when we no longer were close to them, and of course it wasn't true, but still. It screwed with my sense of self esteem for a long time. So seeing my favorite character being told essentially the same thing made my stomach twist.) 1/2
2/2 (continued) And don't even get me started on how Loki's mistreatment is used for comedy. Or how he is shown as incompetent, while in his earlier appearances in the MCU, he is clearly very intelligent. (These asks are all over the place, sorry about that.) That whole 'narcissist' comment also infuriated me. Because Loki is not a narcissist. Mobius, on the other hand... His trauma also constantly being erased did not sit well with me, either. Ugh. And of course, I have to mention how, while Wanda, Sam, and Bucky got new outfits for their shows, Loki did not. Just a few of those drabby TVA outfits. (Which, I am fine with him in Midgardian clothes. But like...these did not suit him. Even Ragnarok did 'Loki in Midgardian clothes' better. :/ Now, there were some things I did enjoy, like meeting the other Loki variants in episode five. Episode one was okay, too, since I thought it was going in a different, darker direction. And there were bits and pieces of some other episodes I enjoyed, too. But as a whole? Definitely disappointed. However, I flipped through my art book of TDW and immersed myself in the beautiful designs and characters, and fell in love with them and their world all over again. (Sorry, these got so long!)
Very eloquently put! Also so sorry that happened to you. <3 So many people have been hurt by the toxic and dangerous messaging of this show. Just remember that regardless of how the show presents him, Mobius's behavior is not justified at all. Not only is he not a good friend but in real life he would face very serious repercussions for what he did to Loki and would probably end up going to jail for a very long time. Torture and slavery are heinous acts that are against the law for a reason. The fact that this is normalized in the show doesn't meant these acts are ok and I just a reflection of the moral corruption of Mike Waldron and Kate Herron and the Disney execs that okayed this. Thanks for this very thoughtful ask! And yeah. Going back to the good Loki movies is a great way to deal with this. I rewatched Thor 2011 and Avengers and I'm going to rewatch TDW soon. And read my favorite fics. And forget about this. And so glad you’ve enjoyed my blog!!! <3 
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of-house-atreides · 3 years
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This article is breaking my brain
Have you read this article ?
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TW: mentions of suicide and also I’m an angry petty bitch
Yes I know this article is from like three weeks ago but I just found it... and I have things to say.
I swear I can’t handle this anymore...
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“But today, Loki steps out of his brother’s shadow”... to step in another one. It be the TVA or Sylvie, just... take your pick.
“resuming his role as the God of Mischief” um where? when?
The comedy part is debatable but fine, whatever... I must have missed the noir crime-thriller bit maybe it was between two scenes of Loki getting his ass kicked by literally everyone in this show.
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Yeah you forgot that end-credit scene showing Loki alive and well in IW/Endgame.
And no, alternate/variant Loki doesn’t count, he’s not the same person/character.
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Because of course when you think of Loki you instantly think his story should take place in a “bureaucratic nightmare” -
And why not hire competent experienced people for Multiverse of Madness and Loki? Is this Marvel’s way of telling us they don’t really care about these projects?
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Kevin really said “no experienced writers on this project, let’s just hire whoever” - or maybe it’s a budget thing? Less experience means less zeros on the pay checks?
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Wow, ok.
So not a fan of the movies nor a fan of the character, just a fan of the genre, that explains a lot...
“what was really important to me was stripping away all the fantastical elements” ... ?? I’m sorry?? What?? So removing all the fantastical elements from a show titled after who is supposed to be the main character who is a GOD and a prince from another realm/planet was what was important?? The Trickster God of Mischief, magic wielder, master of illusions NEEDED to be stripped from his FANTASTICAL ELEMENTS???
ffs
“find the heart of this story” - is the heart of this story Loki becoming best friends with his (mental and physical) torturer after what? 2 days? Was it falling in love with the ‘superior’ version of himself after only 13 hours together? I’m still looking for the heart of this story.
“what is the relatable message at the center?” - well apparently it’s ‘you can be a God and a warrior with magical powers but still get your ass kicked by literally everyone all the time and never use your strength and skills to fight back’. Or it’s the power of love, idk -
Oh wait, is it falling in love with the female version of himself? For a weird ‘love yourself’ metaphor? That must be it.
Or maybe it’s jet skis.
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Ah yes, the ‘you can be good, actually’ message of this series that is so subtly presented to us...
They really missed the whole fucking point of Loki.
They missed it so bad they made him call himself a narcissist (which he isn’t btw).
For the record, Loki is a prince of Asgard who learnt one day he was adopted and in fact taken from one of Asgard’s worst enemies, the King of the Jotuns, aka Frost Giants “the monsters parents tell their children about at night”. He found out he was not only adopted but also abducted and not out of love. He feels not only betrayed but he thinks he understands now why Odin always favoured Thor and why he’d never have the same love from Odin that Thor has had his whole life. He thinks of himself as a monster and wants to be worthy of Odin’s love. So he tries to get it. And sure, he doesn’t do it in the best way, and yes, he is the villain of that story. But Loki isn’t a villain. He doesn’t like to make people suffer, he did it out of pain, out of hurt. The events in Avengers was after he was thoroughly tortured and coerced by Thanos to invade Earth. There is even a moment in the end when Thor asks him if he thinks this ‘madness would stop under his rule’ (or something along those lines) and he looks unsure and regretful. But due to the fear of Thanos and insecurity about himself (love is weakness or whatever) he keeps going. He redeems himself in Dark World, again in Ragnarok and yet again in IW and he was thrown in the trash for it.
Yes, Loki’s story is complex, but it really isn’t that complex... So maybe Loki is a “scared little boy” but his way of acting out makes sense and there’s a legitimate reason for it that was not explored in the show. And his backstory is probably what she called the “bells and the whistles”... 
“we literally delete his universe” - and apparently you deleted his personality too
“it’s a story of reinvention ... can Loki find goodness in himself?” - again, you’re missing the point. Loki is insecure, but not about his ability to do what’s right, but about whether or not he is worthy of love! Finding goodness within himself comes AFTER!
“Loki’s journey, to me, is really about acceptance of himself” - several questions here, um, first, what about himself does he need to accept? That he’s a Jotun? The show never mentions it. That he’s done bad shit and should forgive himself for it? Give him a reason to. Self-love doesn’t come after being mentally and physically tortured by some guy who acts like he’s your best friend after 2 days of working together and being yelled out that “he can be anyone he wants, even something good”.
Show, don’t tell, isn’t that the point of your job?? The job you begged for??
Loki’s journey should have been about self-love and no, falling in love with the female version of yourself (who keeps saying they have nothing in common (because they don’t!)) doesn’t count!
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“a more mature and darker path” ...
well this is interesting... was making Loki a clown and the butt of every joke part of making the show mature and dark? Were the terrible attempts at humour? Him being beaten up every two seconds? Having him say lines he’d never say in a million years just to be funny but since it’s out of character for him it fails completely? Was making him incompetent and a complete idiot part of that attempt of making the show mature and dark?
Is that why there’s no magic? You cut off the magician so your show would be more “mature and dark”?
Having him cry every episode doesn’t make your show mature and dark.
Loki from Thor, Avengers, the Dark World and even IW is mature and dark. Your Loki from your series is just a pathetic clown.
“don’t give viewers the story they are expecting” - I personally wasn’t expecting any story, I just wanted Loki, you know, in this Loki series, supposedly all about Loki, and you guys couldn’t even do that.
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So this is the author of the article speaking here, I’m guessing, and I think they’re giving a summary of the show so far, so let’s break this down:
“This is Loki as we’ve never seen him before” - I 100% agree -
“Stripped of his self-proclaimed majesty” - ok, first of all, Loki is a prince, that’s a fact, he didn’t make that up, and for the few years he was King of Asgard disguised as Odin, he seemingly did a great job, so...
“but with his ego still intact” - ah, yes, his ego, you know, because he’s such a narcissist... oh wait -
yes he has an ego, but he has a regal one, not misplaced entirely either - his ego in the show is basically him underestimating the TVA and Mobius (as well as the Time Keepers) - his ego is him getting offended by the variant: the ‘superior Loki’ - his ego in the show is used as a weapon to humiliate and belittle him.
“he faces consequences he never thought could happen to such a supreme being as himself” - he literally tried to k*ll himself in the first Thor - literally a result of his own actions - when he returned to Asgard in Dark World, he didn’t try to pretend he hadn’t fucked up. He didn’t try to hide what he had done (he tries to deny to Mobius in episode 2 that he was manipulating them at the fair) - he sacrifices himself in IW... but sure, Loki from the series is indeed surprised that he is powerless (even when he doesn’t need to/shouldn’t be)
“there is a lot of humour ... he is taken down a few pegs by the TVA” ... he is humiliated by the TVA - definitely not what we were expecting, I’ll give you that.
“sentenced to a lifetime of bureaucracy” - definitely did not expect that either
and here comes my favorite quote: “it’s a sad Loki without any mischief”
yes - yes - yes
that is a good summary of this goddamn show, a sad, pathetic, powerless Loki without any personality 
“fallen God” - yeah that’s definitely not what I was expecting either from the Loki series so good job on subverting expectations I guess...
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“who is going to win out in this match between them?”
there is no match - Loki is powerless - he’s been turned into a pathetic docile harmless wet dog - Mobius literally mentally (episode 1 and 4) and physically (episode 4) tortures him, both time in an attempt to have Loki do his bidding - Loki is the dog and Mobius is the master - even when Loki ‘tries’ to manipulate him it fails because he’s underestimating them (by overestimating himself) - he uses obvious techniques to manipulate the TVA (episode 2) and nobody buys it because it’s not subtle at all! Loki is smarter than that, he is a TRICKSTER GOD FFS!
“there is an interesting dynamic between them that maybe you haven’t seen with Loki in the Marvel movies” - yeah, maybe there’s a reason for that... like... he wouldn’t... submit so easily... he’d be wary, cautious, cunning... he’d be... himself...
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Sans déconner ?
It’s like whoever wrote the series didn’t actually know shit about Loki... like that wasn’t fucking obvious...
And those lectures were apparently done after the script was written so... again, no surprise there... we can see that
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Well...
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“we wanted the show to be imbued with mischief” vs “sad Loki without any mischief” choose your fighter
“Loki has this very sensitive, damaged, broken heart with an enormous capacity to feel emotion on the biggest scale.”
Are surprised that only Tom so far has portrayed and talked about Loki accurately?
“loneliness, sadness, anger and grief and loss”
I love this man.
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I do wonder what Mr. Branagh thinks of the show...
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I’m of the people who see a vulnerability beneath those layers of charm and playfulness. I love Loki because he’s smart and cunning and regal, and elegant and sophisticated. I love him cause at the end of the day, he just wants to be loved, and he deserves to be loved.
And in the end, the only Loki I can’t stand is the one from the series.
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hypexion · 2 years
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So I saw Loki recently. It sure was a TV show. I guess I have some thoughts:
First thing the show does is have Loki get arrested by the “TVA“ who are infinitely more powerful than all other entities shown so far in the MCU. Sure, why not.
It is rapidly established that in spite of this power, the TVA is utterly incompetent. It takes a litte while, but Loki still escapes. By pick-pocketing something.
Indeed, the TVA are easily out-smarted by Sylvie when she is a literal child.
The TVA are also just incredibly mean spirited. Mobius is all “Loki, you are vile and wretched. Your purpose is to die so other people can be cool“ then he wonders why Loki doesn’t like him.
Anyway, Loki, the guy who just failed to take over the world is awkwardly massaged into the role of protagonist. Like he has literally just killed Coulson here.
Luckily, the TVA are time facists, so it’s not hard to get onboard with Sylvie’s plan to find and eliminate the Time Masters.
Less easy to get onboard with the weird romance thing, honestly. Like aren’t Loki and Sylvie meant to be different versions of the same person?
The whole rules as to what counts as a bad varient seem kind of unclear.
Honestly, it doesn’t feel like that much really happened in this whole show? There are fights and people talk a lot about Glorious Purpose and Jet Skis.
Richard E. Grant Loki is cool I suppose.
Miss Minutes is around and I did for a moment think she might be the true real villain.
The actual True Real Villain is “He Who Remains“. It’s... a writing decision.
Like He Who Remains shows up basically right at the end with essentially no explanation. Then he explains everything.
Also he (who remains) is one of those “you see I actually planned everything all along you are merely puppets dancing on my strings“ villains which sort of goes against the the free will theme going on.
Really Ravonna Renslayer is the main villain from an actual “fights the protagonists“ angle. He Who Remains is more of a plot device.
But hey thanks to the multiverse, Agents of Shield is now undeniably canon. It doesn’t need that to be good, but hey. AoS fans win again!
Ultimately, this seems like more of a thing to set up future multiverse stuff than it’s own fully realised story.
I still liked it, just in a “hey cool fight“ way.
Incidentally, if you’re a Doctor Who fan and Ravonna Renslayer seems strangely familiar, it’s because her actress played Martha Jones’ sister.
heh, thanos copter.
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Episode 4 Rewatch Thoughts
So first of all, I would definitely say that I have...calmed down a considerable amount since my first watch, so to speak. @delyth88 said some things in her rewatch post about being able to adapt to things and enjoy the episode more the second time due to knowing what's coming rather than having to deal with the uncertainty - which I how I feel about it as well and is a trend I experienced with episodes 1-2 as well, and in some ways episode 3. Once I had a chance to recover a bit from the narcissist thing and the romance thing, it turned out there were a lot of things I really liked! The big issues I had haven’t gone away by any means, and honestly a couple of the biggest ones aren’t even things that specifically happened in this episode - the first is just the gradual realization I’m having that I don’t think they are ever going to properly address Loki’s past trauma, and all those plot points the MCU just dropped are probably forever going to stay that way. And that fucking sucks, there’s no reason it had to be like this, and I don’t see how I could ever not be upset about that or truly get over it. The other thing is that it’s just incredibly frustrating and sad to me that all those theories about Loki having some kind of other plan in episode 3 to explain the bizarre incompetence we saw, or payoff for the weirdness that was the TemPad breaking scene, literally just amounted to nothing. All these things I hoped were intentional subtext turned out to just be nothing more than...bad writing? So yeah, I’m pretty disappointed about that. But at this point I’m trying to enjoy the series for what it is as much as I can, and on the second watch I really did enjoy a lot about this episode. So yeah, long-ass intro aside, here are my (hopefully more coherent this time) thoughts about episode 4:
Damn, that scene with Sylvie as a child really highlights how inhumane and barbaric the TVA is. Seeing her in that little prison uniform was...oof. Not that we didn’t already know the TVA was terrible, but I appreciate that they’re making it unmistakably clear for the general audience.
It's genuinely a good thing that they're going into Sylvie's trauma, and it's important to the plot, but I can't even put into words how frustrating it is to see them do that while simultaneously refusing to address Loki's. (you know, the protagonist?)
"Kind of an asshole and a bad friend" LMAO Mobius the TVA was holding Loki captive and was eventually going to kill him, can you really blame the guy for trying to escape?? Also an additional episode establishing that friendship would have been good - as much as I'm glad they consider each other friends, it felt premature for either of them to use that word yet.
I have mixed feelings about the Sif scene - overall I like it, but I do have some issues:
Pros: 
-   Loki whump! Both physical and emotional! (I want to see Loki win but I also like whump. It's complicated. Also I'm confused about where exactly she kneed him? Everyone is saying crotch but the first time he's holding his inner thigh so I thought it was there? Anyway if it is the crotch I'm not a huge fan of that particular decision, but my general feelings about whump still stand.) 
-    Lots of sad Loki faces, talking about fear of being alone - good stuff!
Cons: 
-    The first of the dreaded "narcissist" mentions
-    It’s kind of odd that he never even tried fighting back?
-    This also could have been an opportunity to acknowledge Loki's trauma, and as usual, they did not take it. I would have maybe liked a scene where Odin was being a dick to Loki and we got an acknowledgement of some of the emotional abuse. They probably could've worked Loki's fear of being alone into just about any memory. Did it really have to be a scene about how Loki's in the wrong? And in itself I have no issue with Loki facing the mistakes he's made! But I've been waiting 10 goddamn years for just one character or even a single solitary line of dialogue to acknowledge that Loki was wronged too, and by all appearances it still isn't going to happen and I'm just fucking tired.
And about the narcissist thing - it's frustrating because if they would just do it right, it could actually be really good?? If an element of the story was Loki (and Mobius) thinking he was a narcissist and then realizing he actually isn't, that would be amazing. The problem is, I'm fairly certain they are not going to go that route. I feel like it'll be more along the lines of "yeah you're a narcissist but you can be Good!" instead of acknowledging that Loki was never a fucking narcissist in the first place. Tbh it makes sense that both Loki and Mobius might think Loki's a narcissist, or throw around the term without knowing what they’re talking about - there are great explanations and meta about that - the real problem for me is that, in the eyes of the general audience, it confirmed a harmful and unfortunately very popular misconception about Loki, and it also perpetuates an incorrect view of what a narcissist is. Those are the main reasons I'm mad about it; if they purposefully, explicitly contradict it later it'll probably be fine! I just really don't think they're going to.
Tbh, after the second watch I'm a lot less mad about the shitty things Mobius said while interrogating Loki - it still hurt to hear and I'd still love an apology, but from Mobius' perspective it honestly makes sense that he wouldn't pull any punches considering he thinks Loki is partially responsible for killing the minutemen and Hunter C-20, and is trying to bring down the TVA.
I do still think Mobius turning on the TVA felt rushed. I'm delighted he got there, and the way he realized things made sense - it just happened unrealistically fast. I felt like a lot of things were rushed, and honestly I think more things will probably feel rushed in these last two episodes as well. This is something I felt with The Falcon and the Winter Soldier too - like they needed at least eight if not more episodes to give proper space for the story and character arcs they were trying to squeeze in. Six episodes just isn't enough.
Although, that said, while I still think this episode had weird pacing it didn't really bother me that much on the second watch? Probably because I already knew what the sequence of events was going to be.
The scene when Mobius was pruned was amazing - I loved Loki's emotions, and the way he walks down the hallway still kind of crying but mostly just looking utterly dead inside? *chef's kiss*
The timekeepers scene still felt off to me, and I still can't really articulate why. It honestly doesn't matter that much to me so I don't want to waste time on it, but I guess it just felt...sort of low-budget? Like we already knew the timekeepers probably weren't real/weren't what they seemed, but did they have to look that obviously fake? Idk.
I'm going to make a separate post about the romance stuff, but basically where I’m at with it is: it's a terrible shame to see such beautiful platonic/sibling energy go to waste, I'm real annoyed about it but trying to make peace with it for my own sanity, and I think there are a million clues pointing to it not actually being romantic but I don't trust that any of those were intentional. So I guess we'll see? 
I'm very intrigued by all the Loki variants. Also I'm curious if Mobius is there as well, or if each variant person has their own world? Either way I'll be shocked if Mobius is actually dead (there's a million reasons for that but the main ones are that it's likely pruning doesn't actually kill any of the variants (not just the Loki ones) and anyway he's supposed to be in 5 episodes). I'm really curious about the variant world in general though and I wonder what exactly the dangers are - why Loki "will be [dead]" if he doesn't come with the other Lokis.
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so I wrote most of this...four days ago, and then somehow didn’t get around to finishing it until just now, which feels super weird because after writing this I started getting worried about future episodes again for a variety of reasons, and of course now we’re at T minus 10 minutes? (honestly if I’m somehow late for my own funeral I’m pretty sure no one will be surprised.) but I still wanted to post this to go over some of what I liked so much about episode 4, even if...I am no longer anywhere near as confident as I was a few days ago about where the show might be going. whatever.
***
I’ve done almost nothing for the past day or so except chew over episode 4 some more, partly trying to figure out why I liked it so much when it was broadly very divisive, and I realized that a lot of what I’ve been feeling from this episode is relief.
the thing is I’ve been paranoid since at least Infinity War about Marvel doing setup that looks like it’ll lead to a big payoff and then nothing (Loki’s death, but also Gamora’s and maybe Vision’s, and the general fact that the “fix” to IW was convoluted, took place much later, and caused as many problems as it solved, and just, Endgame in general), so I don’t really trust Marvel that way anymore. plus Marvel has pretty badly fumbled a lot of different things in the past, especially on various social issues, by introducing unfortunate implications that apparently didn’t occur to them even though they’re obvious to literally everyone else...stuff like Thanos’s “sacrifice” of Gamora, or how the Flag-Smashers were portrayed and Karli was a villain for no real reason, or how it would’ve been so easy to add a couple lines in WandaVision that would fix the whole thing where the Maximoffs weren’t just whitewashed but they also voluntarily worked with Nazis and they whiffed that too. 
so, while I’ve been enjoying the show, a lot of that enjoyment has been based on meta I’ve seen and me sort of going “this interpretation is really cool and it makes a lot of sense, but at this point I can’t know if it’s something the showrunners are doing on purpose or if they sorta accidentally implied depth where there wasn’t any and it’s not actually leading anywhere” with things like the TVA being very clearly authoritarian but also supposedly the good guys, Loki being constantly described as an awful person, Loki sometimes being manic or incompetent, etc. etc. etc., along with the similar interpretation of “sure, we fans know all this stuff about how Loki is not an awful person actually, thanks, and the people who arrested him aren’t automatically Good Guys just because they’re in opposition to him but casual viewers--including not-casual-but-not-fannish viewers who should really know better--have not figured any of this out and so the show needs to go out of its way to demonstrate things that are obvious to us” but I wasn’t sure. the second half of episode 1 made me feel pretty good about where the show was headed as far as Loki’s characterization and emotions were concerned, but the more lighthearted aspects of 2 and 3 had me wondering again.
so then what happens in this episode?
the TVA goes fully mask off. the Time-Keepers are in fact fake, the Sacred Timeline by extension is also basically fake, the people who work there are all variants, the ones we know (C-20, B-15, Mobius) show grief and anger over the lives that were stolen from them, Sylvie is arrested as a child who did absolutely nothing wrong (and then put through the same process Loki was in episode 1, which is cool because a lot of it was kinda played for laughs then but showing the same things happening to an innocent child also serves to reframe what happened to Loki as, hmm, not that funny after all maybe!), Renslayer is willing to prune innocent people--friends and coworkers, even--just because they learned too much, all the sinister propaganda WAS SUPPOSED TO BE SINISTER
Loki gets very serious very fast in this episode. he displays a lot of genuine emotion and trauma but he mostly does it in a calculated way that shows just how fast his brain works and how he’s always, always thinking about what other people want/expect from him. (like--even the complaint about too few guards seems to fall into that category, given that he only says it after Mobius insists he must be wanting to make some kind of quip!) his self-image is garbage but through Sylvie he’s starting to maybe work on that. he goes up against multiple armed enemies while completely unarmed and holds his own until he gets a weapon. he pushes back when it matters and doesn’t just accept everything Mobius throws at him. he lies, pretty competently (the fact that Mobius doesn’t believe him is...really not his fault, considering Mobius wouldn’t believe him at first about the truth either, so I’m pretty sure he wasn’t planning to believe anything Loki outright told him), when it actually matters, primarily in what sure seems like an attempt to protect someone he cares about.
and Mobius. says that Loki WAS RIGHT. ABOUT THE TVA. FROM THE BEGINNING!!! I would still love to hear him say explicitly, look, I said a lot of shitty things to you and tossed in some actual physical torture at the end there oops but the vast majority of it was stuff I didn’t really mean and was only saying to get a reaction and/or information and of course it turns out I was wrong about all the TVA stuff, so I want to say for the record that I was wrong about you personally in many different ways and I’m sorry. (which, honestly, would probably be very awkward for both of them because I doubt Loki has much experience receiving genuine apologies.) but I’m mostly okay with it if he doesn’t, because I feel like you were right from the beginning, and by the way you can be whatever you want does a decent job of implying most of that. (...enough for casual viewers to pick up on it? well, I’m not hoping for miracles but sure, probably some of them.)
in other words? all that stuff the casual viewers were missing (not helped by misleading statements from the showrunners), about the TVA so clearly being bad guys, and Loki being a pretty decent person who presents different versions of himself in different situations and also has some shitty coping mechanisms, and the other Loki variant also not being evil just because they were trying to take down the TVA? we were right. that is, in fact, how the showrunners intended all those things to be taken. they didn’t want to come right out with that stuff at first because they wanted to tell a story and have some twists, and the fact that these things were twists for casual viewers is exactly why it was frustrating to a lot of fans, because it felt like obvious things were being misrepresented or overlooked. I still think that’s reasonable, because see above on why Marvel doesn’t necessarily deserve that trust, but at this point I’m a lot more comfortable believing that this specific show more or less knows what it’s doing.
I mean, yeah, there were some cool fan theories that went nowhere, like the whole thing with the broken TemPad, and I agree that was dumb and it’s very annoying that it really was just sloppy writing, but I guess specific things like that just...don’t bother me as much as more systemic, overarching elements like the characterization of Loki and the TVA. and yes, of course I’ll always be annoyed that we’re apparently never going to get explicit confirmation that Loki’s alliance with Thanos was coerced at best. but, you know, what we got isn’t nothing. 
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worstloki · 3 years
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im still thinking about that second episode and i still dont see the correlation between the Kablooie candy and that natural disaster in Alabama? Like??? on what terms did they exclude those other disasters, why was it the one in Alabama and what did it have to do with that candy????? im so confused plz help lmao
loki said he found being called an ice runt/scared little boy offensive and that made mobius remember the kid with the gum, which was apparently the only scrap of a clue they had.
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but the Analysts hadn't gotten anything from it??
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so now they know a time period a general location AND that they're looking for a natural disaster (thx loki) which overlaps over 4 years so then they just
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and the only one they find is the 2050 hurricane in Alabama where people were located in a Roxxcart mall.
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iamanartichoke · 3 years
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[please blacklist spoiler tags: #loki tv series spoilers, #loki series spoilers, #loki spoilers]
I need to talk about the Avengers. 
I just want to express how much I hate that the Avengers aren’t on the hook for all their time travel nonsense bc they were “supposed to” do it and Loki is on the hook bc he wasn’t. 
I mean, I am glad that they addressed it right away - that Loki was inadvertantly caught up in the Avengers' time meddling, and that apparently they were doing what they were supposed to and that's why none of them were on trial, but - there are two things going on here that I have issue with. One is, of course, the scapegoating of Loki once a-fucking-gain, but the other is that there's a legitimate problem inherent in framing the Avengers' deeds as The Right Thing So There Are No Consequences, especially because it directly leads to Loki (and only Loki) being scapegoated since, apparently, someone's got to answer for all of this. 
Why Were The Avengers Supposed to Undo the Snap?? 
Of all the possible options they could have gone with (such as reversing time back to just before the Snap happened), going back through time to gather the stones and use them to undo things five years later is, like, one of the worst?? Best case scenario, it implies that the TVA is ridiculously incompetent in managing the sacred timeline and worst case scenario, it implies that the TVA is ridiculously adept in managing the sacred timeline, if their goal is to have it be the worst possible timeline anyone could end up in. 
The Avengers may have done an arguably good thing in undoing the Snap - I don't disagree that those people should've lived - but they also royally fucked over a lot of things in the process and left Earth (and presumably many many other worlds) in total post-Snap chaos while fucking off to die be with their families and/or start new lives. 
This goes back to the plan itself. One of my many issues with Endgame is that not only is the plan convoluted and, frankly, stupid, but also I have a real problem with the concept of the Avengers just saving the world as they see fit, regardless of whether or not that's actually the best thing to do. (If the Russos hadn't done such a shit job with explaining what the Accords were actually supposed to do, then maybe this could have been addressed somehow - like, okay, together we may have the brains and resources to carry off this plan but does that mean we're the ultimate authority on whether or not we should? Maybe we should check with, like, the UN or something about this? [and it’s entirely possible the UN was mentioned and I have forgotten it bc I’ll be honest, I watched Endgame once and have bitched about it ever since.] I digress.) 
The narrative in Endgame and into the MCU beyond plays like the Avengers only care about saving the world when they stand to personally gain from it (they want their friends and family back, they want to feel like they didn't fail, they have unilaterally decided that what they want is the Best Thing for everyone) and once the Good Deed is done and the smoke clears from the battlefield, there's no concern with saving the mess of the world they created. 
TFatWS addressed so many of the problems with the post-reverse-Snap, which implies that the MCU (both in-universe and out) is aware that things are fucked up now. People's lives were literally ruined by what the Avengers did. Refugees are displaced. Humans are coming back to a world where they've been dead for five years and their loved ones have moved on and their homes have been sold and their bank accounts have been closed and they have no jobs. And that’s just on Earth. Yet no one (again, both in-universe and out) feels the need to hold the Avengers accountable for any of this. 
Plus, what about the people who died as a result of the Snap but not from the Snap directly? What about the planes that fell from the sky when the pilots turned to dust? The cars that crashed and collided when the drivers poofed? Etc. Like, fuck all of those people I guess? 
And who, exactly, is "supposed to" clean up the Avengers' mess now that the actual Avengers are either dead, old and living on the moon, or retired? Is it on Sam's shoulders alone (or, rather, Sam and Bucky's)? Is Peter Parker (yknow, the 15 year old Nick Fury went and recruited bc there was no one else) supposed to be fixing things? 
The TVA takes responsibility for none of this. They sit back in their nightmare DMV-esque office and claim that all is as it should be but my question remains: please explain to me how the outcome of the post-Snap universe is ultimately satisfactory to anyone besides the Avengers? 
There's also the fact that Loki figures out right away that the Avengers were engaging in some time travel shenanigans ("the cologne of two Tony Starks is hard to miss” lmfao Loki you snarky shit). Loki recognizes that there's been an opportunity created of which he can take advantage, but he isn't responsible for creating it. The Avengers messed up and created that opportunity so, even if they were supposed to be doing what they were doing, there are still no consequences for the fact that they made a mistake that allowed Loki to then branch off and create a new timeline. 
Let's also say that we accept that the Avengers were supposed to undo the Snap exactly as they did. Okay, sure. BUT: 
- Was Steve, then, also supposed to decide to fuck back off to the 1940s and marry Peggy (which created two Steves, right? The one who was married to Peggy all along and the one who was in the ice?? The TVA is just okay with two Steves?)? 
- What is the actual point of Stephen Strange having the time stone and using the time stone both to gain the advantage over Darmammushumuuyourmom (I’m sorry, I can’t remember his real name) and to look at all the possible timelines to figure out how to defeat Thanos? 
- How is it possible that there are 14 million potential timelines in which the Avengers failed if the TVA’s entire thing is that there can only be one true ring timeline to rule them all? The fact that Stephen can look ahead and determine so many outcomes based on the choices they're making would mean that people do have free will and that their actions aren't automatically dictated by what's “supposed to” happen. They had to make the right choices in order to get to the one timeline in which Thanos failed. 
- What’s the point of Stephen having to protect the time stone, anyway, if there are presumably a few others in Casey’s drawer?
- On that note, if there are a lot of infinity stones hanging around in the TVA’s desk drawers, what makes the original six the specific, correct ones that Thanos had to collect in order to pull off the Snap and why is it then those specific six the ones that the Avengers had permission to go back through time to get in order to undo the Snap as the Timekeepers intended?
- And actually, in fact, if there’s only one sacred timeline and anyone who fucks it up without permission gets “reset” (aka made nonexistent, along with their timeline branch) then, again, why does Stephen have to protect the time stone? Either anyone who steals it was supposed to, or their timeline gets eliminated and the theft ceases to matter. 
- Less significant but also still kinda significant is how Agents of SHIELD figures into all of this. The TVA knows that Loki killed Coulson but they don't know (or don't care?) that Coulson was brought back to life and proceeded, with his team, to go on and get heavily involved in time travel and going back and forth and bringing people from the past into the present? So the TVA is okay with Daniel Sousa leaving his timeline but not with Loki leaving his? 
... I have literally confused myself with all of this, so if anyone followed my train of thought here, congratulations and maybe you can explain it to me lmao. 
But here's my ultimate point: the sacred timeline that the TVA is tasked with maintaining is not sensical or linear. It's full of gaps and holes and people taking matters into their own hands to determine both their own fates and the fates of others. As a result, a lot of people suffer kinda needlessly based on the events in said timeline, and apparently it's perfectly fine for all of this nonsense to occur so that everyone else has some element of control - 
- but Loki is literally the only one who is told uh, actually, no, you are supposed to live a shitty life and die a pointless death and there's not a goddamn thing you can do about it bc it's supposed to happen. 
What in the actual fuck kind of logic is that??? 
Thus, either the TVA (and the Timekeepers) are grossly incompetent, or else they're extremely competent and also really fucking shitty beings who just enjoy the needless suffering of others. 
And somehow this is all Loki's fault!!
And then Mobius has the fucking audacity to say, to Loki's face, “you only exist to prop up everyone else and you, Loki Odinsonson Laufeyson mischief god and king of space lol, do not have any inherent worth or value as your own person. You were born to be a scapegoat and you will die a scapegoat and there's no getting around that, if we have anything to say about it.”
To quote Loki, in a very twisted way - yes, it's funny. It's absurd. 
Does, uh, does this make sense? At some point I crossed over from meta-writing into straight up ranting and so, well, here we are. 
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alwida10 · 3 years
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There is a new sneak peak of the last three episodes and I thought I might take it as a hint to mention all the things the series has done well, in my opinion. Well, obviously there will be spoilers below from the first three episodes and the sneak peak.
Well, my most important point is: the series can be deep, if they want it to be. There have been several instances of very well done deeper meanings.
1. Loki’s dagger metaphor was something it trielt loved. Here a copy for all those who don’t want to see negativity in the original post.
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@crazyaboutloki already pointed out I included experiences the TVA-Loki never made. 😅 I can only assume he made some similar experiences in the centuries before the events of Thor 1. I still stand by my point that the metaphor fits Loki’s experiences we have witnessed quite well.
2. Möbius characterization is good, if they aim for what I think they are aiming, which is a good person serving an evil master. Sometimes I feel like the fandom knows only the extremes (aka “Möbius is Loki’s best friend, praises and supports him and is the best bro/lover Loki could hope for” versus “Möbius is a manipulative shit and tortures Loki for his personal delight”). I don’t agree with any of those. I see him as someone who doesn’t delight in suffering (both in Pompeii and in roxxcart he demands people to act civil to avoid upsetting the victims further). But still he is competent and does what his employer wants and that includes manipulating Loki to do as he wants, if necessary by using threats or show him upsetting footage. It has a lot of potential for Loki getting Möbius on his side and betray the TVA. And I do love the ‘enemies to friends’ trophy. It’s amazing. (I assume that’s why many people jumped to the conclusion he must be a good guy from the first episode on.)
3. The sneak peak uses Loki’s speech from the renaissance fair tent together with the scenes of the TVA after Sylvie bombed the sacred time line. It made me realize that her plan is actually exactly like he narrates. Just not with the tent, but with the TVA. She lures the minute men outside with a bait (the branching time lines) while she goes for the kill. Nice parallelism. Also, Loki isn’t that incompetent, only the timing was against him. Yay! Boy I hope they use the remaining screen time to show him being badass.
4. @iamanartichoke mentioned that Sylvie calling Loki out on his odd behavior on the train feels significant and I agree. It could mean he will take her complaint to heart and get his shit together. IF they go for a development from “overwhelmed and broken and therefore acting strangely” to “Loki gets a new aim and owns the stage with being a badass” they did set it up well. And if they deliver, it will feel epic. Already in the third episode I felt like he was acting a lot more competent in comparison to episode 1+2. If my former theory that he pretends all that to make the TVA people underestimate him is correct it’s already bearing fruit in the next episode: in the trailer Sylvie has at least the double amount of guards. Loki even complains the lack of guards for him would be an insult. So, perhaps he’s going to use the low security to uncover Möbius’s old memories from before the TVA? That would be awesome!
And with that I’ll settle for my humble wish we’ll get him to do this expression again! 😈
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worstloki · 3 years
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Okay, this is gettin’ real screwed up here.
I watch a lot of TV. Probably too much. And I’ve seen characters beaten to their knees before, sometimes even with collars. And yeah, there’s usually someone standing over them, and it’s been a woman sometimes. The kind of scene we got in episode 5 of Loki is not new ground.
But here’s the thing. In EVERY OTHER SCENE I can remember like this, the person kneeling is the hero. They’ve been brought down, fully humbled before the sneering villain, and in a few minutes something will happen to get them back on their feet again. It’s usually a tense moment, a “what if they break?” that makes you want the hero to win. You aren’t rooting for, or even liking in some cases, the person standing. You’re cheering for the person on their knees.
This doesn’t seem to be the case with the Loki show. Yes, the viewers may be rooting for Loki, but there’s no hatred for Sif there. She’s not proved herself to be a cold, heartless villain, ruthlessly pounding the hero until all he can do is kneel at her feet.
Except…she did kind of do that. But it isn’t treated as something bad. It’s treated more as something Loki deserved, in my opinion. The show wants us to feel like he deserved to get repeatedly beaten up and told horrible things, just for cutting off a lock of Sif’s hair. I’ll grant, it’s peanuts compared to what happened to him in the mythology. But it’s still bad. Especially since they had him acknowledge it, repeat her cruel words back. They’re playing it off as if Loki is still the villain by himself, and is only good because of other people- Mobius, mostly, but Sif is part of that.
That’s not the way Loki’s character is. In the comics particularly, his biggest arcs are always about reinventing the labels given to him, changing “villain” into something good, something he can use, and doing it by himself. Yes, there’s outside influence, but ultimately Loki is the one who decided to change.
The show is not letting him do that. The show is portraying him as a stubborn jackass who refuses to change until other people show him the light- either with psychological torture presented as therapy, or with beating him up a bunch of times until he gives in. The show and its characters are forcing Loki to become good- they aren’t showing him doing it by himself. He is not becoming one of the good guys, he’s being essentially enslaved by them, and the show is passing it off as somehow all that good influence finally rubbed off on Loki’s cold, villainous heart. That’s why him betraying Mobius was shown as so bad even though Loki barely knew him and had been psychologically tortured by him- Mobius is written as a character who can choose to be good, and Loki is written as a character who must be forced to be good.
And something about an entire show revolving around an independent character being treated as a villain, literally enslaved by the “good guys” (back when the show still wanted us to think the TVA weren’t shady as all hell), beaten to his knees with a collar around his neck until he accepts that he deserves to be alone because he isn’t “good” like everybody else…that doesn’t go down right for me.
The TVA being presented in not just a neutral but often reliable light is something I thought would change once Loki literally called out their propaganda and Sylvie called them fascists, but, for some reason the authoritarian genocidalists are not being presented as a bad thing and it irks me too.
It's especially weird because of the way what Loki claims to have wanted by making choices for people and what Mobius claims the TVA do ARE THE EXACT SAME THINGS, except Loki, until the show, hadn't done that of his own volition and was being tortured during the invasion and is treated terribly for something he didn't even succeed in doing, while the TVA successfully erase events on a mass scale but are presented as having a higher (or at best, - equal) moral ground.
The exact same thing was done in Ragnarok where Loki's "turning point" from a tricksy villainous scoundrel happened because Thor left him frying on the ground and gave him a pep talk filled with lies and general slander about how he could be better - and people see that as good because Thor is framed as a hero, and it's because instead of accepting Loki is a complex character they take what the narrative tells at face value and that is that Loki fights the protagonist(s) so he's bad.
I personally don't like the narrative pushing a character that is canonically an abuse victim and attempted suicide and was tortured right after as someone who needs fixing because he's lusting for power and needs it to gain a sense of control during a retcon which is occurring for the sake of calling him a complete bad guy who needs to change (probably because no actual original character development could be thought of?) after he was just confirmed as queer and colloquially (i assume) called a narcissist because of twisted love.
That he deserves to be alone was presented neutrally as a joke even as he was repeatedly getting beaten to the ground, and then both people he could call friends were removed from his immediate vicinity right after.
Loki isn't being presented as a character that has done a huge mix of good and bad in the movies, he's being presented as an oft incompetent idiot that deserves what he gets because he shouldn't have run away from captors, or he cut Sif's hair, or he killed his mother, or he dared to think he had any importance or could do something good, because the truth is he's an evil lying scourge.
"But maybe," Mobius says, "Maybe he wants to mix it up. Sometimes you get tired of playing the same part. Is that possible? He can change?" And everyone's already forgotten that moments before the mission Mobius said to Loki's face that the TVA has pruned a lot of Loki variants because he's so nice! look! he has hope in him when no one else does! It's also easy to forget the "and hey, if it doesn't work, I'll delete him myself," right after because the guy was smiling through it and the scene is followed by Loki really badly trying to explain the logic of being a trickster who everyone knows is a trickster.
A lot of people payed more attention in Ragnarok than to the other Thor movies so it's not a new retcon and people seem fine with the extremely strange take that 'loki is bad but he can do good sometimes,' because the character is more animated and acts foolish and that's generally more fun for comedy, which is fair for people to prefer imo, people find different things entertaining.
But I do solidly hope the show doesn't go that way though and takes a side with Loki on the narrative stance eventually because I've seen a lot of people who just. miss that the TVA's concept is bad. And those who think they're "reforming" Loki. As if the guy needs anything but a break at this point lmao he only got away from Thanos like 2 days ago please just let him rest for a bit he's a fail villain and it's cringe to have your supposed 1st open queer character get beaten to a pulp by Sif and then put wack sexualizing shots for it too :/
it's like the show itself is trying to sell the angle of "Loki is a villain" and I'm a clown who is still wanting that to be intentional because if it is? It could be amazing and playing with how different parties are framed would be s p e c t a cu l ar and could encourage people to reassess the hero coding in other movies including ones Loki was previously in - but we're reaching the last two episodes and I don't feel like that'll happen.
I feel like even if Loki does reach the end of the show as a transformed person it'll be done leaving the audience with "perhaps you're not so bad after all, Loki," and then also give credit to Mobius or Sylvie or whoever else was involved, simply because as even of yet Loki hasn't taken on a lead role in the show. I'd argue he hasn't really contributed anything worthwhile to plot either. As you've said, he's being shown as someone who needs to change but isn't really motivated to. Aw man they better not make romantic love the reason he wants to change.
#no because they're framing things that are humiliating or demeaning as *casual*#I don't even care if they wanted fanservice in the show did it have to be THAT type???#of course it did they don't take the character seriously or consider what they're doing with him despite his legitimate grievances#in a show where Loki's had literally no influence on the main plot but delaying it for the entirety of the Lamentis episode#if i was worse this is where i'd theorize about how Loki isn't a typical 'strong' hero and threatens the fragile masculine ideals of some#like........marvel the F*CK kind of message is this meant to send after Thanos throwing Gamora off a cliff was 'love' and Odin was 'strong'#they've made Loki be embarrassingly bad in fights too and what's up with that?????#''no look he's powerful see he just reversed time on an entire building on his own!!! now watch 2 guards hold him back <3''#bro 2 guards aren't enough if loki wants to escape what movies were you watching bro#you want me to believe this is the guy that went toe to toe with thor and tie-lost because he had tears blurring his vision????#nice try mcu im onto you your writing sucks#the Loki show#loki spoilers#loki show spoilers#im still reeling from Sylvie's backstory of BITING AND RUNNING and that she left the door to the TVA open for so long accidentally??????#im enjoying the show but i'm not going to say it's a good show or even that I see Loki as in-character#he CAN CANONICALLY TELEPORT WHY THE FR*CK WERE THEY SITTING AND WATCHING LAMENTIS BLOW UP#he BROKE the tempad - their ONLY WAY OFF THE PLANET - which was stored in a POCKET DIMENSION - by falling TOO HARD ?????#EXCUSE ME????#put some effort into the story you're trying to sell marvel#the logic with the timelines???? makes NO SENSE??????#the TVA either has no clue what they're doing or the multiverse literally already exists and the sacred timeline continues to be lies#i want to strange Marvel#the entire thing is so entertaining though so im definitely enjoying#ThisPostIsLongerThanMyLifeSpan#TPILTMLS
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