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#who knows where life will take me
stromblessed · 5 months
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
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Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
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I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
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When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
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By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
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(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
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Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
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No wonder Mizu gets mad after this, lol
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So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
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But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
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I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
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Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
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Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
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After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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ryllen · 1 year
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this PSA is brought to u, by first year farmer ・゚ *✧
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orchid-n-petals · 8 months
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So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.
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The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.
You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.
And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.
Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".
His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.
But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.
Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.
And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.
I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.
He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.
He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.
He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.
He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.
But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.
I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.
Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.
I don't know, I just have a lot of thoughts about his character.
#bg3#baldur's gate 3#ketheric thorm#and I also have a lot of thoughts of how Aylin foils him#I fully believe that he was in the right in the capacity that he switched around his gods when he was literally ignored despite his life's#work. despite all that he has given. I think it's reasonable to expect in the world of gods who actively meddle in mortal affairs on their#whims and make shit worse that in just one single case they would. idk. NOT expect one of their devotees to remain blindly loyal to them#after their prayers go unanswered. like yes; go and try your luck elsewhere because this devotion of yours is clearly being taken for#granted. you get NOTHING out of your worship. you can't even sleep well because your loved ones are dead and you are expected to just what?#deal with it on your own? and remain loyal? why?#some sense of 'honour'?#I really like this depiction of faith actually. I really like when clerics and paladins are given agency and critical thought that hey!#this is actually giving me nothing despite me dedicating my entire life to it! and I have only one of it so why not take it somewhere where#it's actually valued. you know. as a treat.#I *personally* much more prefer this depiction of a crisis of faith than what we got with Shadowheart or Lae'zel; their stories are very#interesting on their own but I think throwing yourself from one end to the other not because you actually have a goal that it could serve#but because you are desperate for a purpose#is a slightly less potent character narrative than having an actual goal yourself. not by much but by a little.#again#PERSONALLY
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puppetmaster13u · 23 hours
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Prompt 280
Let me kick down the door and- 
Nekomatta Danny. But not just any nekomata Danny. I am saying space cat boy. Twin-tails that seem to flicker into an aurora, into distant galaxies, ghostly flames that could be just that, or could be flickers of distant stars and suns. 
Now, the thing is? Being a ghost, very much illegal in the USA right now, doesn’t matter how many times they throw out the GIW, they can’t exactly take on the entire government any time soon. What isn’t illegal? Being an alien, meta, or any other magical creature. 
So the halfas, yes that (ugh, really Jordan) does include Vlad, all get together to hash out a plan to get out of Amity. And? They like cats, you like cats right? And they have friends- or allies- in the Zone, so maybe they can perhaps get a few… oh? What’s this? A cat-like creature with necromatic powers? Yeah they can- oh. Hm. So that’s replaced their ghost form now. 
That’s fine actually! They’re still ghosts- just erm, no longer human looking. And Vlad can continue to use his human form- yes we need to keep the bracelets on to hide the ears and tails, whatever- to continue running DalvCo. 
It’s not bad, and they’ll admit Vlad has been getting better. Sure there’s still a bunch of blackmail (Jordan, Sam, stop helping him-), but they honestly? Can’t be brought to care. They’re adjusting- grieving in some cases- and focusing on actually finishing everything before the summer ends. 
So it’s probably not a good time for heroes to start investigating Vlad…
If you want a basic summary on Bakeneko and Nekomata, which I HEAVILY recommend reading: 
https://yokai.com/bakeneko/  https://yokai.com/nekomata/ 
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qcomicsy · 17 days
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I have the controversial opinion that maybe, just maybe we stop wanting to go after people with pitchforks for getting characters wrong and not reading the comics inviting them to easy and accessible ways of and making our own content with comic accurate representation
people might feel less anxious about starting comics and misinformation won't spread as easily
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non-un-topo · 1 year
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All it takes is a wee little nightmare to make you too scared to step foot outside for fear of Bad Things happening, like it’s an omen lol
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wavesoutbeingtossed · 1 month
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The whole discourse about the privacy/secrecy/support thing has been sitting with me for a few days (I mean other than it always does to a certain degree) thanks to all the excellent discussion happening and I know I'm not saying anything that hasn't been said a million times before, but I think what we're seeing and what we're going to learn (e.g. from TTPD) is that it wasn't just the support issue, but how it was shown/handled.
We've all gone out of our way to show that introversion =/= lack of support. Someone can be shy, reserved, etc. and still show up for their partner, whether in public or at home. To chalk any of the differences up to the clash between introversion and extroversion is unfair to folks who count themselves among either tbh.
@thisisctrying said something the other day that hit the nail on the head about how if that support had been offered in private, there very well may not have been a Joever to begin with, or at least not at this point in time. (Sorry for loosely paraphrasing, and for namedropping you! Long time listener, first time poster.)
If this were a case where the "shy" partner said, "I am really uncomfortable with the spotlight personally and do not want to court it, but I will support you in your ambitions and offer you whatever you need to make them happen and make the glare bearable," I suspect that would have gone a long way to making Taylor feel seen and comfortable in pursuing her goals in the way that she now has. Again, that might have been more akin to the balance that seemed to have been struck around 2019 from what we can see, but even speaking in a general sense, there are lots of couples out there, celebrity or not, that have similar approaches where there are highly driven people and busy careers involved.
(A famous example being Dolly Parton's marriage. Tbh I know next to nothing about her and Carl, but she's always heralded as an example in this regard, because her husband is famously uncomfortable with the spotlight and hasn't accompanied her to public events in decades, but she's said that she never minded that because that was always work to her, and what was important was that he supported her in pursuing all her career goals and basically ensured she had a place to call home to return to at the end of the day.)
We're kind of in a brave new world with her current relationship because it felt like, at least at the start, we were maybe watching her figure out her boundaries in real time as to what she was comfortable with or not and adjust accordingly. Like so many have said, I fully believe the extreme privacy thing was initially driven by herself and her experiences in 2016, and she needed that quiet time to recover from all of the things and figure out how to exist in the world again.
Stating the obvious, it seemed like eventually privacy was equated with secrecy, turning the relationship and the celebrity into the elephant in the room and something to never be spoken of to the outside world. People are free to choose whatever works best for themselves and their relationships, and for some the separate public lives might work, but the “kept me like a secret but I kept you like an oath” theme is all over her work and it’s clear that it’s a sore spot for her, because she’s been made to feel shame just for the life she leads so many times in the past.
What I’m trying to say is that it’s pretty obvious something Not Great was happening behind the scenes, which didn’t just amount to “she wanted to be a public celebrity and he wanted to be a private hermit.” (Also, in case anyone forgot, this is a person who also chose a public-facing career who also has to engage in press for it, but I digress.) As her career reached new heights post-folklore, if she had the support at home to do all the things without judgment and with encouragement, and in turn offer the same support to her partner, she may have very well lived just fine with that, not unlike Dolly Parton’s case.
By reading between the lines in all the press since, as well as comments on tour and general ~vibes~ with TTPD teasers, it seems like one of the issues was that that was likely not the case. There was all the stuff that we saw — the reticence to acknowledge each other in the media (particularly on one side), the lack of public support even at events at which they were both in attendance for their respective jobs, the great lengths they went to not to be photographed together at events they attended yet no problem taking pictures with other friends and coworkers, the jobs that separated them, the withdrawing from the public even for work accomplishments, etc. Which could all be manageable if a couple chooses to do so together and are not inherently a sign of trouble in themselves.
But what we’re seeing now I think is a reflection of the things we weren’t seeing then, and it seems to indicate some very deep hurt. (I know, call me Captain Obvious.) And like so many have been saying, it feels likely that that part of that hurt is rooted in that very lack of private support where a person would expect it from their partner. Obviously as a Taylor fan blog I’m going to be more inclined to understand her side of a story, but tbh, it’s also because… this is sooooooo common, and something I’ve experienced in my friend group. (@taylortruther is right when she says most breakups are the same one way or another lol.)
One partner is resentful of the other’s success, or resentful that the other’s priorities begin to evolve as new experiences unlock new goals, or feels the other’s ambitions are not worthy of pursuit, and coupled with perhaps their own struggles in the same domain, it’s easy to see where that can chip away at the other partner’s morale and faith in the relationship. I know I’m just speculating here, but I also don’t think it’s totally unfounded. (Again, because a) I’m picking up what she’s putting down and b) it happens to sooooooo many women even among us dull normals.)
With all the pointed mentions about how much Taylor feels supported in her current relationship and how she in turn loves to offer the same show of support to not only her partner but other loved ones, how she’s stepped out more in the last year to a whole host of events, how she’s mentioned feeling like she locked herself away for years and she’s just proud of her partner and happy she can show up for him even if the chaos around it is unsettling, it paints a picture of what perhaps was happening before last year.
To feel like you’re all alone in carrying the weight of the relationship (or burden of it), of twisting yourself into knots to accommodate the other person’s boundaries (or insecurities) but not feeling reciprocity for your own has to be so painful. (The idea that it may have been even darker and to have a partner not only be unreceptive to your own needs but even perhaps resentful/dismissive/belittling of them is even more painful to think of. I guess we’ll find out when TTPD comes out if that was the case, too.)
At a certain point, that lack of acknowledgement will force your hand to be able to reclaim yourself. And it feels like the further removed Taylor in particular is from it, the more she moves from being sad about the life she felt she gave up by leaving, to angry at the life she felt she was giving up by staying. Especially being in a relationship now where it seems like everything comes much easier, where she can be open about the person she’s with and show up for them, all the stuff that seemed as challenging as climbing Mount Everest in her past is nothing more than a molehill at best in her current life.
TL;DR: I don’t think it’s privacy that inherently spells doom for a celebrity relationship like this; it’s the mutual support and respect that does. If Taylor had felt that in the later years of her previous relationship, I think we could be seeing a different, though not necessarily unfulfilled, person right now in 2024, who’d be happy on tour but whose personal life would look a little different. But it seems like by losing that support she lost parts of herself, and we’ve seen her reclaim that in spades in the last year, and perhaps to degrees she didn’t even realize she could from before all the Bad Stuff started happening in her young adulthood.
I know this was extremely long-winded and unnecessary, especially about total strangers we only know through scraps fed through the media, but I just always bristle at this idea that issues like these boil down to “personality differences,” as though one person wants to live in a city and the other on a remote island, or some shit like that. The whole support (and gender tbh) issue is one that’s just very close to my heart because again, I have seen it play out with so many of my friends in long term relationships and marriages and I just think people in relationships (and women in particular in some circles) deserve better than to feel like they’re being, well, tolerated.
#thisisctrying and taylortruther sorry for tagging you two!#can remove if needed!#but you guys made me think a lot#this was inspired by a conversation i had with a friend the other day#where she relayed an argument she had with her partner#who basically felt slighted that he wasn’t getting acknowledgement for all the housework he does — which is. just. the dishes#and she was like ‘wow congrats you’ve done the dishes — i do every other fucking thing to keep this household afloat in ways you see#and don’t see and i never ask for praise because it’s just stuff that needs to get done because that’s how you support your family’#and it just reminded me that some partners (and a certain kind of man in particular) just… think their struggles take precedence#when their partners drown in them everyday but keep things afloat out of necessity and are never recognized or supported for it#(my friends have shitty husbands/boyfriends can you tell lol)#long post#again the way i just feel like i know the vibes of ttpd in my bones are 😵‍💫#i feel like i have a lot more thoughts but I’m trying to be more gracious and less parasocial so#also just want to again defend the introverts of the world by reiterating that being introverted does not mean unsupportive#being a shitty partner does though!#writing letters addressed to the fire#it’s also just like… i feel like if Taylor had had even a modicum of the support in private and even public she needed#she’d probably still be with you know who and wouldn’t have considered leaving let alone doing it#because it would have felt like enough and like it was what was needed for both of them#whereas we’re seeing a completely new side of her open up now because this is the first time she’s ever had that support from a partner#in her adult life at least#and it’s like it’s opening up things she didn’t know she needed or wanted
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uncanny-tranny · 3 months
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I'm by no means recovered fully, but it genuinely feels so... freeing and exalting to be excited to eat, to look forward to a meal you're making. I can feel it changing my brain chemistry 💛
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kaeyapilled · 8 months
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i am still not over the fact arlecchino is referred to as "father" by the house of the hearth kids btw. the gender of it all
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the high prices of fucking Everything is so exhausting i stg
#i need to take an uber to the vet TEN MINUTES AWAY#i repeat IT IS A TEN MINUTE DRIVE#and its gonna cost me nearly 60 bucks. the FUCK#and who knows how much the checkup for my cats is gonna cost#let alone whatever prescription they need for the long drive#im so tired. im so so tired#its moments like these where i can see my future#ah yes. working 9-5 for a company that sees me as nothing more than a tool to be replaced when broken#just barely scraping by on minimum wage in a world where that isnt enough to pay for essentials#left with no time or energy to actually enjoy being alive or do the things i love#years and years of the same exact shit over and over and over again hating every second#and KNOWING it could be so much better but also knowing that it fucking Cant. sigh#sorry sorry im just. angry again at the absolute state of things#i would love to love life but my fucking god the world at large makes it tough#white-knuckling the little things once again#man its just. its so STUPID lmao#like why are we torturing ourselves like this? why are we just Accepting this#life could be so great but stupid shit like taxes and inflation and utilities exist#most of the shit we have to pay for should be free. it should be free.#it shouldnt be difficult to Live just because the majority of us don't have the fake fucking paper to buy things#its pointless its ridiculous and it makes me furious#why should i kill myself just to survive huh. why should i. why should any of us.#we all deserve to fuckin. idk enjoy sunsets and good food and art and each others' company.#instead everyone's stressing themselves to death over making rent and getting groceries and paying bills. fuck.#id love to be able to create art that Sells and open a shop or something#but also the thought of creating purposefully marketable art purely to make money fucking kills me inside#comms are one thing but... just... sighing sighing sighing. man idk#i just dont know. ill deal but everytime i manage to think positively reality comes in with a sledgehammer and now i want to go back to bed#the point is to live BUT YA CANT FUCKIN LIVE BC POINTLESS STUFF REIGNS SUPREME. WHO'S GONNA COMMIT ARSON W ME CMON LETS GO#this stupid fucking country and this stupid fucking government. i hate it here
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possamble · 2 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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bonefall · 7 months
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I recognize a lot of ADHD symptoms in Nightheart too.
The thinking everyone hates him is a big thing, taking rejection harder than it should be,
You're right... the Rejection Sensitive Dysphoria... I am Nightheart's therapist and I am slapping him with so many mental illnesses.
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randomhumanbeing2311 · 3 months
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there is just something so beautiful about songs about the joy you get from such mundane things.
like singing about how the weather's sunny or the weather's rainy but in a way so heartfelt and uplifting the song stays with you, close to your heart for years to come even if you don't know its name
like singing about how much you love your best friends. not because they recently did something that particularly amazes you but just appreciating them being there for you and just generally genuinely making you happy
the most mundane everyday things can become the most meaningful and heartfelt and it's probably just because I'm aroace but I feel that they're so much more genuine than songs about how happy you are because you and your romantic partner got back together or something
i remember seeing a youtube comment a short while back that was along the lines of "I know that usually it's only love songs that are meaningful but this song is the exception" and just thinking dear god how sad must this person's life be if they can't find beauty in anything other than something to do with love. Have you never just stared at a bird perched in a tree singing? Never seen a painting so full of colours that compliment each other in such a way that they each make the others look brighter but it never becomes a clashing over-the-top mess but a harmony of rainbows? Never just eaten a really good meal?
I would trade a thousand shallow, boring, generic songs about romance or heartbreak in exchange for one song about the beauty in the mundane things we take for granted.
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kermit-coded · 7 months
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i will never be able to put into words how much the percy jackson books mean to me... they were a formative experience and they truly helped shape me into the person i am today, so the fact that we're finally getting a good live action makes me feel unwell...
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found--family · 1 month
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am i the only one who sensed some jilted lover vibes from jensen? 
#burcon#cockles#thoughts#at the start of the panel and through a few particular interactions he seemed very standoffish#he was giving a little bitter and hurt and perhaps even resentful - maybe he only learned of misha's gf#at this con too! maybe it was news to him. on top of not seeing misha for months i can understand#if he was feeling a bit neglected and out of the loop. there's also the matter of misha's gf not being#in a poly thing with jensen and dee like vicki was ie. what she has with misha is seperate so i'm sure#that's another difficult thing to deal with knowing their time together is strictly separate#i've no doubt he wants misha to have a partner and be happy but there's an adjustment period#letting new people into your life and whoever misha's partner is now or in the future is going to#affect jensen on a personal level and moreover his relationship with misha. it's all very intriguing#and while i like what little i've seen and heard about this woman for misha i just think no matter who#she is it's going to take a toll on jensen's relationship w misha. i thought it was plain to see on jensen's face#during their panel: numerous moments where he was giving a poker face that wasn't covering a laugh#but instead like he was trying to smooth out his bitterness. or so my eyes and brain and heart tell me.#just various moments where things looked uncomfortable and jensen making off-colour jokes that didn't land#and which furthermore were barbed and snarky - not in their usual banter way but like he was lashing out#and using the excuse of chaotic panel convo to explain away his comedic pitfalls. but again maybe i'm#looking to much into it? idk. there are some lovely moments! fun and caring moments - but they#mainly came from misha's direction ngl. it seemed like misha was trying hard to keep the peace#while jensen was just running his mouth on comments and jokes that kept not landing - for me#everyone on my dash is loving their dynamic this panel - and i want to feel that love! it is possible that#learning misha has a gf has skewed my perception a little like i'm putting context onto moments#i otherwise wouldn't. but i also think i would've laughed and generally felt better watching their panel#if that was the case. idk. whatever the reason i do think something was OFF between them on stage#and it was coming from jensen from the start. misha picked up on it partway though but things felt#a little strained throughout. like jensen wasn't looking at misha as much as usual or reaching out for him#misha tried to salvage and not react to things. but both their answers to the last Q were passive aggressive af#and when they left the stage together they weren't close or touching or chatting like they usually are...
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identityquest · 29 days
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lizzie get two wolves 👍
#strato.txt#oil painting#wip#im worried ive unbalanced the composition w the second one on the right tho... its so much closer to the edge#ugh whatever. aunt lizzie is the focus here#i wish i knew what she actually looked like this is just cobbled together from general features of my family#solid build... dark curly hair... bigass ears. she could be one of my cousins. she could be me#ok rq im gonna lay out the story in the tags for anyone who hasnt seen the previous lizzie art#my great-something aunt lizzie was disabled and couldnt walk very well and she died young#she wanted to see the second floor of the farm house real bad but no one ever carried her up there and she died before seeing it#they buried her in a long white dress somewhere down at the creek. we dont know where her graves lost unfortunately#the night she was buried something wearing a white dress walked into the house and up the stairs and disappeared#and sometimes you can hear her down around the creek screaming#somewhere along the line wolves got mixed into the imagery for me#my uncle told me a story about another 'white thing' that was wolfish and would jump on cars#so i just assumed lizzie was a werewolf my whole life#anyways. i think her staying after she died was a manifestation of her desire for autonomy. maybe#maybe if shed had modern accommodations she wouldnt have felt the need to stick around. or maybe she would have idk#either way i think death afforded her control over her own desires in a way she hadnt experienced before#and i think thats why she still hangs around the creek#i hope she would like this. maybe ill take it down there and leave it out for a night when its finished so she can see
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