When discussing things like privilege and oppression, people seem to have one of two ideas about transmasculinity depending on what suits them best at the moment. They either picture a passing masculine trans man or a femme-presenting non-binary person. Both of these prototypes are skinny and White and relatively palatable to the general public. They find it easy to paint both as basically having cis privilege anyway, just wanting to play up their oppression to make people feel bad for them or excuse their (trans)misogyny. They’ll call the former a misogynistic dangerous Aiden and the latter a basically cis theyfab. There’s no room at all for people like me, people on T but still perceived as a butch lesbian. Closeted transmascs. Intersex transmascs. Multigender transmascs. Gnc transmascs who’ll wear a beard and a dress, but are allegedly exempt from experiencing transmisogyny. And yet even those two prototypes still get discriminated against, assaulted, and killed in cold blood. But that must have been despite their male/cis privilege.
It’s funny that those narratives are so dominant. Have you considered you’re seeing transmascs as privileged because you’re only hearing from the most privileged transmascs? That the handful of skinny White transmasc youtubers and musicians and celebrities you can name only got that far because they fit the picture? But invisibility is a privilege, so I guess the rest of us should shut up and be grateful.
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How do I respectfully discuss the topic of diversity with a co-author, as well as assigning a race to an “ambiguous” character?
Anonymous asked:
My co-author and I, for context, are both white and in highschool. For the main cast of our story, each of us ended up creating three characters. All three of her characters were white. Two of mine were white as well, alongside one character who is ambiguously brown-skinned.
Do you have any advice on respectfully bringing up the subject of diversity to a co-author, even if it means potentially changing our established characters?
Additionally, do you have any advice on retroactively assigning a race/culture to a character? I now understand after reading this blog that “ambiguously brown” characters should be avoided, but I did not when initially creating him. I worry that I could fall into stereotypes— while portrayed positively, he’s somewhat of a “nerd” archetype. But I don’t want to whitewash him either.
“Hey, why’d you think we made a mostly all-white cast?”
In other words: Just be normal about it. As you yourself note, you also didn’t exactly put a great deal of thought into the racial/ ethnic identity for your single brown character either, so it’s not just about your writing partner. This is about how you guys like to create as a team, and what sources of inspiration you both tend to gravitate towards. If a pair of high school students who write together can’t have a chill conversation about the races of the characters they are creating, then I’d worry more for their dynamic as a creative team. Discussions of race are only as weird and awkward as people decide to make them, and that’s often framed by the baggage each person is bringing into the conversation.
Whether or not you change the characters is up to you.
“Diversity is a marathon, not a sprint!”
Write diverse characters when and because you want to. I think the push for diversity is best when it’s self-motivated. Strangers on the internet telling you to do something is definitely not the reason to do it. I’ll note the same applies IRL. Otherwise, you’re changing your behavior for the sake of peer pressure. Writing groups on the internet like our blog do not exist to sit in judgment of your work. These are venues to discuss, critique and receive feedback, but the final choice always rests with you.
There’s not enough info for me to tell if the experience of whiteness is so intrinsic to your characters that changing their race will alter them greatly. I would argue the same for gender and sexual identity. Sometimes, changing dimensions of a character’s identity alters a lot about who they are. Other times, particularly if the character is not thoroughly fleshed out, changing their race only adds to their characterization. Only you can say which scenario applies here.
Other mods have written on how to handle your dilemma of “white as default” in an earlier post available here. Please explore our #POC Profiles for more inspiration.
Your third paragraph can be answered by re-reading all 3 sections of the FAQ and exploring our archives using the tags.
Marika.
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very frustrating being a transgender/queer person of color in online queer communities whenever they're so white centric. you look up "transmasc haircuts" and it is mostly all white people with straight hair. "trans girl name ideas" and it is all names with european or [white]american origin. you are expected to remove your connection to religion[99% of the time referring to Christianity] after discovering queerness, which... Is alienating to people who practice native faiths, hinduism, islam, etc. calling black femmes aggro masc because they do not fit the white idea of femininity. passing tips often pertain to white people. the idea of nonbinary being thin white person with short hair excludes so many people. white people in online queer communities use their status of being gay or transgender to ignore the fact that they are capable of being racist just because "they're oppressed too." it is so irritating
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“aw henry cavill cant play kaladin but what about dalinar?” you know dalinar’s also asian right
“oh uh how about taln” …taln is Black
“how abou” if the next name out of your mouth isn’t szeth then i will hand you copies of stormlight archive with every character descriptor highlighted so you realize literally every non-shin character is a person of color
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