#while my household has been languishing for months stuck in a small house for nearly a year

[maddie-grove]

Bi-Monthly Reading Round-Up (November/December)

Playlist

“Fallin’ for You” by Sheila Nicholls (The Perilous Gard)

“Come on Over to My Place” by the Drifters (A Gentleman Never Keeps Score)

“Bobby Jean” by Bruce Springsteen (Eleanor and Park)

“Seasons in the Sun” by Terry Jacks (One Perfect Rose)

“A Sailor’s Prayer” by Ann Price and Marilyn Maltzer (Broken Wing)

“Winter Lady” by Leonard Cohen (When a Duchess Says I Do)

“Dance Music” by the Mountain Goats (What Hearts)*

“Sweet Talkin’ Guy” by the Chiffons (Jean and Johnny)

“Know Your Onion!” by the Shins (Lost at Sea)

“The Snake and the Bookworm” by Cliff Richard (Tempting the Bride)

“Everybody Loves Me but You” by Brenda Lee (Someone to Remember)

*I also seriously considered both “I’ll Meet You Halfway” by the Partridge Family and “Sports Analogies” from Crazy Ex-Girlfriend. It’s a complex book!

Best of the Bi-Month

The Perilous Gard by Elizabeth Marie Pope (1974): In the late 1550s, grave, awkward Kate Sutton is banished to a remote castle in the east of England. She’s greeted by superstitious locals, shady servants, an often-absent lord, and the lord’s guilt-ridden (and hot) younger brother. Bored and irritated by all the drama, Kate questions the circumstances of the tragedy that haunts the family. I didn’t have high expectations for this book, which I bought primarily for the gorgeous Richard Cuffari illustrations, but I was blown away. Pope creates a sublimely uncanny setting in a surprising way, and Kate is a wonderful protagonist: principled, rational, and compassionate beneath her no-nonsense exterior.

Worst of the Bi-Month

Someone to Remember by Mary Balogh (2019): In her youth, Lady Matilda Westcott rejected Charles Sawyer’s proposal at the urging of her parents, who thought him too wild. Now she’s fifty-six, loved by her extended family but stuck caring for an unappreciative elderly mother. The marriage of her niece and Charles’s estranged illegitimate son brings them together again, but she never expects anything to come of it...like a total fool. This is a cute novella with compelling family dynamics. I also appreciated the solidly middle-aged protagonists, although Balogh presents them a little too timidly, like a mom trying to get a picky eight-year-old to try asparagus.

Rest of the Bi-Month

A Gentleman Never Keeps Score by Cat Sebastian (2018): Once-popular Hartley Sedgwick is languishing in the huge townhouse his godfather left him, shunned by nearly everyone for his sexuality. Then Sam Fox, a black pugilist-turned-tavern-keeper, tries to sneak into the house to find a nude portrait of an embarrassed friend. Moved by Sam’s decency, Hartley offers his assistance in finding the portrait. As I explained in my post about my favorite Regency romance novels, I adore this book for the way Hartley and Sam’s love story is mirrored and enhanced by portrayals of many other kinds of love, between brothers and friends and parents and children and neighbors and also one very homely dog. 

Eleanor and Park by Rainbow Rowell (2012): Park, a geeky half-Korean teenager in 1986, keeps his head down and barley avoids outright ostracism in his poor, mostly white Omaha neighborhood. Eleanor, the weird white girl who shares his bus seat, is tormented at school and at home. They have no interest in being friends, but they slowly bond and fall in love over music and comics. What I liked most about this bittersweet YA novel was the ways in which the protagonists improved each other’s lives. With Park and his loving family, Eleanor gets to let down her defenses, while Eleanor’s boldness inspires Park to embrace his differences. I do wish that Park’s side of things had been developed more, however.

One Perfect Rose by Mary Jo Putney (1997): Upon learning that he’s terminally ill, Stephen, the Duke of Ashburton, freaks out and goes on an incognito tour of the English countryside without telling his family. He ends up joining an acting troupe run by the boisterous Fitzgerald family and falling in love with their adopted daughter/stage manager, Rosalind, despite the many reasons they have no future together. (Or do they?) This is a good, old-fashioned weepy romance that’s elevated by Putney’s serious attention to the theme of reconciling with one’s mortality. There’s also some extremely late-1990s New-Age-ish stuff going on, which sometimes felt a little silly but was still charming.

Broken Wing by Judith James (2008): When unconventional countess Sarah finds her long-lost little brother at a Parisian brothel, she’s overjoyed, appalled, and relieved that he was protected by sex worker Gabriel St. Croix. Grateful, she offers Gabriel a reward and insists he come to live with her and her family. This is another tear-jerking, charmingly dated romance; I felt like a teenager again, reading top-shelf angsty fanfiction. It’s best in the slow-burn first half, during which Gabriel must adjust to a massive reversal of fortune after a lifetime of trauma. The more action-packed second half makes great use of the unusual late 1790s/early 1800s setting, but it does feel hurried.

When a Duchess Says I Do by Grace Burrowes (2019): Widowed Matilda Wakefield, the Duchess of Bosendorf, has been on the run since getting mixed up in her diplomat dad’s clandestine activities. An encounter with scholarly Duncan Wentworth lands her a live-in secretarial position at his rural estate. They connect with each other, but how can love grow when they’re the object of multiple sinister plots? While this entry in the Wentworth series is not as incandescently lovely as My One and Only Duke, I’m still a sucker for spooky country houses, responsible-household-management plots, and sad early-middle-aged heroes. Burrowes is also an excellent writer, and I’m glad that I discovered her.

What Hearts by Bruce Brooks (1992): Sensitive Asa excels at school but struggles at home, thanks to his mother’s severe mental illness and his stepfather Dave’s emotional abuse. Divided into four novella-like sections, the novel follows Asa from his parents’ divorce in first grade to his first love in seventh. I liked parts of this weird, sober book when I read it as a kid, and I felt the same this time. It’s got brilliant moments, most involving Asa and Dave’s relationship, but there’s a lot of telling-not-showing in between. Brooks also can’t seem to decide on the time period; it’s probably supposed to be set 1965-1971, but it always feels like 1963, and you can only blame so much of that on the North Carolina setting.

Jean and Johnny by Beverly Cleary (1959): Short, bespectacled, and working-class, fifteen-year-old Jean feels invisible at her high school until handsome upperclassman Johnny Chessler starts paying attention to her. She’s thrilled, but her parents and sister warn against chasing him. I didn’t like this book much in middle school, but I revisited it because it occurred to me that Jean was a lesbian. Having reread it, I know I was wrong on two counts: Jean is unfortunately not a lesbian (she clearly thinks Johnny’s hot), and the book’s not that depressing. Jean’s no sad sack who’s doomed to a life of grimly chaste square dancing; she’s a legit snack who becomes increasingly self-assured and assertive. 

Lost at Sea by Bryan Lee O’Malley (2003): Raleigh, a Canadian eighteen-year-old, hitches a ride back home from California with some classmates she hardly knows after a meeting with her long-distance boyfriend ends in heartbreak. Lonely and a little disconnected from reality--she maintains the belief that her mom somehow sold her soul, which now resides in a stray cat--Raleigh slowly makes friends with her travelling companions and finds some piece of mind. Although nothing much happens in this short graphic novel, it’s one of the most authentically just-graduated-high-school stories I’ve ever read. I could relate to those feelings of fear and disappointment even in the face of exciting new possibilities.

Tempting the Bride by Sherry Thomas (2012): David Hillsborough, Lord Hastings, has desired Helena Fitzhugh, first-wave feminist and successful fiction editor, since they were kids together, but he’s always hidden behind insulting remarks. When Helena’s affair with a married man ends in scandal, though, she unhappily accepts David’s offer of marriage in order to cover it up. Then she gets hit by a carriage and loses every memory she formed after her mid-teens, which happens to be when she met David. Thomas always has an engaging style and deals with even outlandish plots in a sophisticated way, and her take on the 13 Going on 30 plot is enjoyable. However, it is rushed at the end.

#theme of the bi-month: oh no he's hot #books #reading