heehee
very bad and messy comic based off a silly convo; apologies for the chicken scratch lmao
feat @beefy-the-stronk's human!vigi heehee :) trying to get love and relationship advice from crude old men may not be the most sound idea hes had, but its definitely not the Worst. at least theyre honest lol
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People please… Jinx literally knew Silco and Vander’s history. Y’all acting like she never questioned what led to the events in the cannery (unlike Vi, who just takes it at face value that Silco MUST be evil for what he did and Vander MUST have been an angel who didn’t reap what he sowed)/Silco lied about what transpired between them so he could use her and that’s why Jinx stayed with him.
But no, she’s clearly known the truth for YEARS.
Why is it so hard to believe she’d understand Silco’s motives then? Or here’s a more radical idea…that she actually agrees with him and believes in the cause? She has every reason to want independence from Piltover and the Enforcers’ rule.
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Also just since my one jack-psychosis post made its rounds i’d love to add on these things for extra salt in the wound:
-> “jack smiles, so happy to be so needed, so loved.”
-> “they’ll never want to be friends again.” [“and that’s important to you?”] “they raised me. taught me to be who i am.”
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job interview today pls send good vibes in my direction
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I would honestly rather nobody talked about Symweaver at all than have to deal with Twitter’s “ew he’s GAY” and “Symmetra can’t fall in love, she’s autistic” (?!?) takes
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since 2022 is almost over i’ve been thinking about all the movies i watched this year and man, nothing really compares to watching elvis in the theaters. the only other movie i had gone to see during covid at the time was no time to die the year before (since it was daniel craig’s last bond film) and prior to that i hadn’t gone to see a film in the theater since knives out came out in 2019. i’ve loved baz lurhman ever since i was old enough to watch moulin rouge, so i kind of figured i’d like elvis but man, i never expected to care so much about a film like elvis the way i do. and not only that, but the experience itself. the sheer fucking spectacle of this film is one that i don’t know will ever be surpassed for me, because i saw this film eight times in the theater and wondered if it would ever fail to meet the expectation set by that initial viewing, and it never did. not once. it was good every. single. time. i sat in just about every row you could think of and it was not only consistently good, it almost surpassed itself with every subsequent viewing. in 23 years i can’t think of a single movie that has ever made me feel that way. what elvis accomplished is nothing short of miraculous in every way imaginable. i’ve talked about how elvis as a film made me care about a man that only ever existed as a fixture of rock n’ roll music, another name for the history books, a name that mattered in the context of music my folks grew up listening to more than i did. a movie carried on the shoulders of a relative unknown compared to every other major musical biopic to come out in the last few years (bohemian rhapsody and rocketman bolstering far more recognizable star power in rami malek and taron egerton respectively), a name that i hope will go on to even greater heights as a result of his performance and his work ethic. a movie that has given me an experience unlike any other before it, one that i try to relive every time i watch it on my own. a movie that will always be one of the greatest experiences i’ve ever had the privilege of seeing on the big screen.
elvis 2022 man. elvis 2022.
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do you guys ever look back on your writing and feel bad for sharing it? haha. sometimes i’m just like “yeah…that was too much/too mean/too gross” and i wanna like just delete it.
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