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#which is because you're making issues out of things that aren't actually issues
mmurkoff · 1 day
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hihi not sure how fond myrielle and aerion are of each other (would love to know more about their dynamic if you are willing to share <3) but they remind me of the “who tf is burning down my kitchen” “making breakfast for my beautiful wife” twitter meme
anon ... i giggled .
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as for marriage dynamics well .. i feel like by default any relationship with a guy everyone hates for good reason is going to be a bit strained . but somehow they're both kind of deranged enough to make it work (er.. well... somewhat...).
ive talked very briefly about it in my little myrielle post already but it kind of had to grow into anything beyond hating each other . right when myrielle gets to court she holds a lot of resentment toward him, mainly because he's the second son of a fourth son - not really heir to anything, and even when she's young she wants to aim higher than that with her betrothal. she spends a lot of time pining after the concept of another man that she deems 'better' (valarr, matarys, even daeron etc - the actual people matter less than the fact that they're further up in the succession than aerion) just because she's decided to herself that she deserves more. a little girl playing into the idea of being a wife and centering her whole worldview about that ala really twisted westerosi expectations and societal structures
it's kind of what you'd expect from two very willful very spoiled preteens; a lot of petty squabbles and little disagreements that have them bickering and squabbling and it's a bit of a mess . in time though it breezes over kind of because they both grow up and 'mature' in the sense that they aren't calling each other stupid and pushing each other over in the yard anymore LOL
by the time they're married ... well . it's .... . myrielle is fond of him and finds him handsome and dashing while they're in public and in private he at least treats her well a couple days a week which is enough . i think it's very shallow in the sense that ... i'm not sure if they ever truly know each other fully . myrielle projects her ambitions onto him and steadily heads down her path to making sure he becomes king (after the tourney at ashford meadow and the great spring sickness when things get a little crazy in how many targs are dying off) and aerion projects some idea of the wife he'd imagined himself to want onto her . in my mind he's kind of giving targ man too caught up in the idea of his ancestry and his family traditions given his whole deal with the dragon delusions etc so its lots of hey what if you pretend like you're (targ woman of his choosing) and ill be (her evil husband) and then we'll be a Proper Couple instead of a Fake Arrangement between me (perfect prince) and a lesser non-targ woman . you can see that there might be some issues here .
definitely not good . they hold resentment for each other mutually for a variety of reasons but theres also some deep seated dedication there especially from myrielle . she gets so deep into the thought of the both of them rising further than they're expected to that she in turn essentially drops everything for him and makes a lot of questionable choices and does a lot of questionable things to keep him happy and to assist him in whatever way she thinks he needs . i feel like she gets very caught up in the idea of really feeding into the idea aerion has of their marriage . tries to play into the thought of being more of a targaryen and tries to shift and change herself which never really works because she does treasure her own family and her identity but also because things just don't go the way she wants .
errr. ride or die i guess but it's weirrddddddd . which is funny to say because in practice they both cheat on each other and lie to each other and fight and bicker but they keep going back for more . why...? well.. maybe duty maybe genuine care maybe a third more evil option. me when i go out and cheat on my wife but its okay because i come back and bring her nice gifts and we do our historical targ roleplay which isn't weird at all guys i promise please guys listen its not weird its not w
rubs my chin. a lot of thoughts but i'm bad at putting them into words. i hope this is anything . probably not. one day you'll get something better from me .... .... <3
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You ever do something not thinking much of it, but after you do it you realize it was actually like a genius move?
This happened to me with my story: Started it off with a fairly standard conflict; someone wants what Tuon has. But afterward I was like "Oh shit, this is a prime opportunity to show his unyielding guardianship!" But not only that, I also realized that it did a great job at reflecting his flaws and sort of foreshadowing them to the reader
Oh man THATS SO GOOD!! It is so nifty when things work out like that, I hear you- long story relatively short, you betcha.
I had something like that with Aeonian, my Tav for Baldur's Gate 3. One of their quirks that I put down on paper early on was that the places were their muscles would be are rock hard - mainly because of the fact that they're cramming a monolithically sized form's worth of matter down into a humanoid body thats eight times smaller, hence putting a lot of strain on their body as a whole, but also à la a statue for a physical form.
"Statue for a physical form.... death and rebirth themes*......statue made of rock. wait."
Because I cannot escape my hyperfixations, geology was thrown back in my face in whence I was immediately reminded of the ROCK CYCLE:
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-which can be pretty well-applied to the whole death and rebirth thing, not to mention a nifty little guideline as to how their character arc can go as well as Aeonian's place as a story in of themselves (long story, involves statues though) and their tendency to 'erode' themselves per se if it means getting where they need to be. Metamorphosis also links pretty cleanly here too, not only because of the metamorphic rock and its processes but because of parallels between Aeonian (embodiment of death [at sea]) and Thanatos, the greek personification of death, who is usually represented by way of butterflies.
I'm real bad at explaining things so I apologize if none of this made a lick of sense, I promise it's a lot clearer in my head and please feel free to ask for clarity on anything!! this is probably some of my favorite character work I've done so far
*dionysus+being the literal embodiment of death [at sea,] longer story
(Please talk more about Tuon he is SO cool and I talk too much, that's some really good character writing)
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patheticgf · 22 days
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fuck you.
#FUCK trying. fuck that shit.#im fucking SICK of the good sweet version of me that people love me for until they realise what i really am and fucking resent me for it#i don't give a shit. im fucked up and rotten and im not fucking ''good'' or ''pure'' and i never will be#and you can pretend that's not what you want but it is. you want me to be good and precious and kind and soft and fucking lovable#you never saw me as harsh and broken and cruel. you always saw me as good.#you wear those fucking rose tinted glasses and you see what you want to see. so when im actually broken and cruel and unforgiving and harsh#when im actually a bad person. you have the fucking audacity to be disappointed.#you have the fucking audacity to wish for something else. you fucking chose this.#it's not my fucking fault you decided to see things in me that were never there.#you want my love to be good and kind and fucking pure? that's nor something i have. im fucked up and messy.#im going to make mistakes and blame you for things that aren't your fault and hate you and it's gonna fucking hurt.#and you're gonna have to deal with the fact that this part of me exists.#i mean to be honest i don't even do or feel any of those things when im actually with you or interacting with you.#it all dissolves when you look at me.#it's mainly when im shut out and i don't know what to do.#i mean you don't even have to deal withit most of the time#if you'd just stop stalking me you wouldn't even see it#i don't really think he's stalking me on this blog but knowing my creepy loser boyfriend i can never rule it out#see i know ur a weird creep. i also know that u have no empathy and u genuinely think ur smarter than me bc my adhd symptoms make seem dumb#which this gives u a HUGE superiority complex and that u have massive jealousy issues and gross fantasies#and the worst of all: often times u pay attention to things that are not me#but i fucking love all that stuff about you. i always knew you were fucked up and that's half the reason i fell in love with you#and you don't feel that way. you see my love as being worth less because of how broken i am.#well fuck you. im gonna love you anyways but fuck you#anyways stop leaving me on delivered for 86 hours lol 😍#I RESPOND IN .2 SECONDS. HE APPARENTLY FUCKING DESPAWNS#☾
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burins · 5 months
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I know this is the Take Personal Responsibility for Systemic Issues website, but I keep seeing weirdly guilt trippy posts about libraries and ebook licenses, which are a labyrinth from hell and not actually something you personally need to feel guilty about. here are a few facts about ebook licenses you may not know:
in Libby/Overdrive, which currently operates in most US public libraries, ebook licenses vary widely in how much they cost and what their terms are. some ebooks get charged per use, some have a set number of uses before the license runs out, and others have a period of time they're good for (usually 1-2 years) with unlimited checkouts during that period before they expire. these terms are set by the publisher and can also vary from book to book (for instance, a publisher might offer two types of licenses for a book, and we might buy one copy of a book with a set number of uses we want to have but know won't move as much, and another copy with a one year unlimited license for a new bestseller we know will be really moving this year.)
you as a patron have NO way of knowing which is which.
ebook licenses are very expensive compared to physical books! on average they run about 60 bucks a pop, where the same physical book would cost us $10-15 and last us five to ten years (or much longer, if it's a hardcover that doesn't get read a lot.)
if your library uses Hoopla instead, those are all pay per use, which is why many libraries cap checkouts at anywhere between 2-10 per month.
however.
this doesn't mean you shouldn't use ebooks. this doesn't mean you should feel guilty about checking things out! we buy ebook licenses for people to use them, because we know that ebook formats are easier for a lot of people (more accessible, more convenient, easier for people with schedules that don't let them get into the library.) these are resources the library buys for you. this is why we exist. you don't need to feel guilty about using them!
things that are responsible for libraries being underfunded and having to stretch their resources:
government priorities and systemic underfunding of social services that don't turn a profit and aren't easily quantified
our society's failure to value learning and pleasure reading for their own sake
predatory ebook licensing models
things that are not responsible for libraries being underfunded:
individual patron behavior
I promise promise promise that your personal library use is not making or breaking your library's budget. your local politicians are doing that. capitalism is doing that. you are fine.
(if you want to help your local library, the number one thing you can do is to advocate for us! talk to your city or county government about how much you like the library. or call or write emails or letters. advocate for us locally. make sure your state reps know how important the library is to you. there are local advocacy groups in pretty much every state pushing for library priorities. or just ask your local librarian. we like to answer questions!
also, if you're in Massachusetts, bill h3239 would make a huge difference in letting us negotiate ebook prices more fairly. tell your rep to vote for it!)
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theliteraryarchitect · 2 months
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A Word of Advice About Critique Groups, Beta Readers, and Other Peer-Based Feedback on Your Writing
In my time as a professional editor, I've had many writers come to me with stories they've been trying to improve based on suggestions from critique groups, beta readers, or other non-professional feedback sources (friends, family, etc.). The writers are often frustrated because they don't agree with the feedback, they can't make sense of the comments they've gotten, or they've tried their best to implement the suggestions but now they've made a big mess of things and don't know where to go from here.
If this happens to you, you're not alone. Here's the deal.
Readers and beginning writers are great at sniffing out problems, but they can be terrible at recommending solutions. For that reason, critique groups can be a disastrous place for beginning writers to get advice.
Here's a good metaphor. Imagine you don’t know the first thing about cars. Someone tells you, “There’s oil leaking onto the driveway. You should cover the car with a giant garbage bag.” Alarmed, you oblige, only to be told the next day that “now the car smells like burning plastic and I can’t see out the windows.”
A mechanic would’ve listened to the critic’s complaint and come up with their own solution to the leaking oil, ignoring the amateur’s ridiculous idea, because they know how to fix cars and can use their skills to investigate symptoms and find the correct solution.
Critique groups actually aren’t bad places for experienced writers, because they can listen to the criticism, interpret it, and come up with their own remedies to the problems readers are complaining about. Beginning writers, on the other hand, can end up digging themselves into a deeper hole.
There's a great Neil Gaiman quote about this very conundrum:
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
So what to do?
First, try to investigate the reader's complaint and come up with your own solution, instead of taking their solution to the problem. Sometimes, in the end, the reader's solution was exactly right, which is lovely, but don't count on it. Do your own detective work.
Second, take everything you hear with a huge grain of salt, and run the numbers. Are 9 out of 10 readers complaining about your rushed ending? It's probably worth investigating. Does nobody have an issue with your abrasive antagonist except your cozy mystery-loving uncle? Then you might not need to worry about it.
Third, give everything you hear a gut check. Does the criticism, while painful, ring true? Or does it seem really off-base to you? Let the feedback sit for a week or so while you chill out. You might find you're less sensitive and open to what's been said after a little more time has passed.
Lastly, consider getting professional feedback on your writing. Part of my job as an editor is to listen to previous feedback the writer has gotten, figure out whether the readers were tracking the scent of legitimate problems, and offer the writer more coherent solutions. Of course, some professional editors aren't very good at this, just like some non-professional readers are amazing at it, so hiring someone isn't a guarantee. But editors usually have more experience taking a look under the hood and giving writers sound mechanical advice about their work, rather than spouting ideas off the top of their head that only add to the writer's confusion.
Hope this helps!
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mrsrdlw · 2 months
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The “first date”
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summary: After figuring out you liked each other, you and Eddie started dating. Your first interaction wasn’t the way he planned, so he decided to take you out on a proper date.
warnings: MDNI 18+; virgin!reader; fluff; some nerdy references (star wars troop); oral!fem!receiving; shitty writing- sorry about that.
author’s note: Hey guys, i saw how much everyone enjoyed Eddie’s Valentine story so i decided to make a second part. It took me longer then i thought to post this, but my classes at college just started so i’m still adjusting my schedule.
After what happened, you spent the rest of the morning talking in bed. You couldn't believe you actually got the courage to make a move on him. Even if it was to offer a little help with his "issue". And this was one of the many things that surprised you today. The fact that Eddie liked you back was insane. In your mind, Eddie only saw you as a girl friend. A girl he could talk about everything and nothing. Of course sometimes you caught him looking at you in was different way, but you didn't want to get delusional.
And for Eddie, he was meaning to make a move on you since he realized he was head over heels for you. But he honestly thought you would say it was way too weird to be with him this way. In a romantic way. But what is best then dating your best friend. The only thing that changed was the intimacy of things. So that's why he'd never said anything. Till this day.
"How come both of us liked each other but never did anything?" Eddie asked with one arm under his head and the other wrapped around your waist. You were laying on his chest, listening to his heart beating. You don't know how to feel about this yet. Forty minutes ago, you were still "just friends". And now you're all over each other.
"I guess i was just so scared to lose my best friend that I stayed quiet. It was better to have you in that way than not having you at all." You were being honest with yourself and with him, trying to figure it out why have you kept these feelings as a secret.
"Well i'm glad you released your horny devil today" That made you laugh and he joined you. "But to be honest, it's not how i imagined."
"What do you mean?" You got up on your elbows to see his face, a little scared from his confession. Didn't he just said that he liked it?
"I actually imagined that i would have the guts to ask you out and take you in a very nice date. Very romantic. And then, after the normal stuff normal people do, i could actually try to kiss you. But i guess we're not normal." With your eyes locked, he caressed your cheek.
"Yeah, here we start being naughty!" You said in a playful tone with a wicked grin that only made him laugh. You always loved his smile.
"I guess because we took things a little too fast, this is still kind of... unbelievable for me. Do you feel it too?" You asked, concerned you're the only one feeling this.
"Yeah. Kind of. It feels like it's a dream, right?" He asked and you nodded. "But i'm sure this is going to be as normal as last night was. It's just a matter of time. Also, just in case you didn’t realize it yet, you're my girlfriend now lady, you're stuck with me."
"Oh no! What am i gonna do?" You got out of his chest dramatically and he grabbed you again making you laugh
"Really sweetheart, i don't want you to think you'll have to act differently or anything like that. I don't want you to. I like you the way you are. All goofy and funny and sweet ." He said looking at your lips
"Look at you, all over me, aren't ya?" You said as if you weren't feeling the same
"Yeah, you got me."
After that day, you've been dating, and you couldn't be happier. You waited the whole week for saturday, which was the day of your first official date. That's how Eddie called it. Of course, he didn't want to forget what happened in that morning. But he wanted you to feel extra special. Not just some random girl.
So, he decided to take you to the drive in. This events normally happened at summer, but it was just what he wanted. Something simple, but romantic, where you two could spend time together, watching movies and maybe make out in the middle of it. It was a part of your routine together, watching movies. So, in his head, this would make you both very comfortable with the whole situation of the 'first date'.
He parked his van in front of your house right on time. He pressed the doorbell and there you were. With a cute sweater and a skirt. He loved when you wore skirts. It made your legs look so tempting.
"What do you think? Fancy enough for you mister?" You said looking down at your clothes.
"Oh my lady, you look very fancy. Come on, give me a twirl." You did it and, dramatic in his own way, he put his hand on his chest "You look amazing, sweetheart."
"Thank you, Eds" He always loved when you called him like that. Now, it was even more special.
He drove you both to the location. Even though there was a lot of cars in front of you, you had a great view of the screen. It was only ten minutes before the movie started, so he went to buy you some snacks and drinks to survive through the night. It was a marathon of star wars. The three movies. "A New Hope", "The Empire Strikes Back" and "Return of the Jedi".
The sun was starting to set when he came back. His curls in the golden light just made him look more like an angel to you.
"Here you go. I'm pretty sure we can survive with this, but if you want more, just tell me, a'right?" He insisted on buying the food, not letting you pay for anything
"That's perfect, thanks!"
Through the first movie, you didn't say a word, trying to understand everything in the movie. You always found it very confusing. Alright, maybe you were containing yourself to not put your hand on his thigh or your head on his shoulder.
Eddie also stayed in silence, too anxious to do something and fuck up the night. It was not his thing, getting anxious about girls. It was actually something he was confident. But with you, was a whole different story. He wanted to be closer to you. He was trying to find a way to get you to stay closer to him without being desperate. So he started putting one hand in your thigh. Your warm skin contrasted with his cold hand. He didn't missed the way your eyes went wide the second he touched you.
They gave a break of ten minutes to start the second movie. Now it was dark outside.
"Are you sure you don't want anything else? There is a big line there but i can go, if you want." He still had his hand on your tight.
"Yes, there is enough here." You assured him. You could see he was nervous. He’d made the first move… you could only follow his lead. "I'm just wondering here. This is a date, right?"
"Yes..."
"Don't you think this big space between us is useless? You can get closer Eddie." You said leaving his cheeks with the cutest shade of red
"I'm sorry, i didn't wanted to be too desperate" He said putting his arm around your shoulder and, without thinking too much, you placed your head on his shoulder. Eddie was in heaven. He had the girl of his dreams right by his side.
In the middle of the second movie you were still in the same position. You decided to move but, with the sudden shift, you exchanged looks. For the first time of the night, you were inches away from his lips. You couldn't help but want to kiss him so bad. Feeling the same as you, Eddie placed his hand on your cheek and brought you closer until your lips met. His lips were soft. His scent invaded your nose.
Your kiss changed from passionate to desperate very quickly. Your hands got greedy, wanting to touch him everywhere you could. In need to breathe, you separate. Panting in each other's mouth, Eddie hold your face with his both hands.
"I'm sorry sweetheart, i think we can't stay this close. I can't hold myself." He said making you smile.
"I don't think we're going to be able to pay attention on the movie anymore." Giggling, you hold his hands. "What if i said that i don't want you to control yourself?"
He separated a bit more so he could look inside your eyes. His eyes were wide open, shocked.
"I know you wanted to be a gentleman and all, but i've been thinking about this for the whole week. And remember that little horny devil? He's greedy now. More than ever." You said pressing your tights together. You weren't lying. Since he said he was going to take you on a date, you've been expecting for all the things that could happen. And you wanted to.
He was speechless. It was cute.
"I know, maybe i'm being too excited about everything. But i want it and i thought that if i had to wait for you to make a move, we would do it on the seventh date or something" He giggled at that. You were right, he thought. He wanted that too. But he would never force you to do something he knows that you didn't have much experience and you could be a little insecure. He wanted you to feel safe. He finally said something.
"Are you sure? I told you, remember? We don't have to do anything you don't want to. Especially when we're in this kind of ‘first date’ situation where we feel like we have to do stuff." You kissed him again. All you wanted was him.
"I'm sure. You said yourself remember. We’re not like the normal couples."
"Really? You know, we're in a public place ma'am. You little perv." He said making you both laugh
"So... What are your moves, huh? Gonna do it here with my clothes on or you're going to take me to the back?" You pulled his shirt to you and kissed him again.
He took your hand and pulled you to the back of the van. There was some pillows and blankets on the back.
"You were planning to do this?" You asked getting closer to him again
"I was going to take you to stargaze, actually. But you turned me on now. We'll do it later, kay?" And he kissed you.
Your kiss, like before, was hot. Craving for each other's touch. You couldn’t help but smile at the situation. Two horny teenagers in the back of a van making out like your life depends on it. Your hands travel through his chest down to his lower belly, pulling his shirt up.
"I honestly don't believe you when you say to me you're a virgin" You giggle to his reaction but stoped immediately. With his shirt off, his bare torso was in front of you. The black ink contrasting with the pale skin. You could keep looking at him shirtless for hours. But you wanted something else.
He changed your positions and looked in your eyes one more time, asking for your permission. You give it to him not thinking twice. So he takes your sweater and skirt off, leaving you only with your underwear. Thank god i piked matching ones today, you think to yourself. He kept looking to the white cotton set you chose.
“They’re pretty cute” He said earning a slap from you. “Sorry. I meant it, though.”
Smiling at him, you pulled him closer again by his necklace hanging above you only to stop inches from his lips.
“Why don’t you take ‘em off and see how cute i am without any clothes?” You said proud of yourself for being this bold. His reaction was priceless.
His hands were caressing you carefully, every move with love and affection. With you naked in front of him, his instinct was to drown himself in your neck, your chest, belly. Kissing all over your skin, making you squirm. You could feel his body heat hovering over you. Too overwhelmed by his actions, you try to take his pants off. You needed him.
“Easy there. I think we have plenty of time sweetheart.” He said taking your hands in his. He only laughed at the way you pouted. “I want to make you feel good. So why don’t you lay here and relax?” He dropped your hands, not before kissing them, and went down on your body. “It’s the only thing i could do after what you did for me last week. You were so good.” His warm breath hovered your mound and you twitched.
Not wasting any more time, he licked your clit and you gasped. You’ve never got head before. This was a new different thing for you. But oh, how you loved it. You’ve only felt some kind of pleasure there by your own fingers. But the way Eddie’s tongue kept moving and twisting around, it was a new addiction to your list. Your hands were attached to the blanket under you. You were trying so hard to not let any sound slip from your lips.
“Does it feel good?” He changed his tongue for his fingers and smiled to see you struggling to keep quiet. Not able to speak, you only nodded. Deciding to push things a little bit, he thrust his tongue inside you and you couldn’t hold the moan that came from your throat. Eddie lost his mind. He grew his movements faster than before, wanting to hear that again. He was glad that you only let them out now, or he would’ve cum in his pants by then.
Everything was so good. His tongue and fingers on your pussy and his free hand pressing your hip down so you kept quiet in place. His burning gaze on you, his hair tickling your thighs. His hot breath coming out of his nose and hitting your mound. You couldn’t take it anymore. You stopped him and pulled him up. He was confused until you kissed him. You could feel your taste on his tongue and how his chin was wet by your own slick.
“I-I need you inside me” You said gasping for air. Eddie felt his cock twitch in his boxers. Your voice was hoarse by pleasure.
He took off his jeans and boxers, almost falling down. You giggled at his tongue poking out while he searched through his wallet for a condom. “I hope this is not in there for five years. You know, condoms can expire” You joke trying to act casual seeing his dick again.
“Ha ha, very funny missy.” His voice full of sarcasm only made you laugh. He was crawling his way up to you when you both heard it. Dart Vader’s imperial march was playing. Probably the last movie had just started. You cracked, laughing hard at the situation. You even forgot where you were.
“Who are we kidding, of course in our first time having sex, Dart Vader is going to be marching towards us. It’s your fault” He said playfully
“My fault?! Why?” You asked amused
“Because you’re goofy. There’s no other reason.” You looked inside his eyes. Both of you still smiling. You just had to squeeze his arm so he knew he could move. And that’s what he did.
Slowly, his ran his tip against your wet folds and thrusted inside you. You closed your eyes, feeling his length stretching you open. It burned, making tears swell up in your eyes. Once he bottomed out, you both moaned. Giving you a few seconds to get accustomed to this new feeling, he caressed your waist, grounding you back to him.
He started to thrust slowly into you. It felt like your lungs were out of air. With each thrust of his hips, that started to get a rhythm. The muscles of his arms were flexed, his necklace was swinging, and the hands that before were caressing you, were now holding your hips for goddamn life.
“Holy fuck, you’re so tight” His eyes closed for a second, trying to hold his load a little longer. You watched every move of his. He looked amazing. It didn’t take much time for his dick to reach that spot you struggled to find. It drove you crazy. You arched your back and that made Eddie go faster. You were biting your lip but it wasn’t working anymore. If there was anyone around the van, they would probably hear your moans.
Eddie was also a mess. He wanted to freeze this moment in his mind forever. You looked perfect to him. The sounds you were making, his eyes were rolling back. Your boobs were bouncing up and down with each thrust of his. He looked down where your bodies met and saw the bulge in your lower belly, he didn’t know how long he would take.
“You’re doing so good sweetheart” He pressed kisses on your neck. You weren’t able to talk, but you pulled his hair bringing him closer to you, if that was possible. He groaned feeling you clench around him. He could feel how close you were. Once again, he massaged your clit bringing you to the edge. “Come on princess, cum for me. Just let it go” and with that, you were gone.
“Fuck Eddie” Was the only thing you said.
Eddie, Eddie, Eddie
You could only think of him. Your nails scratched his back, your feet pressing on his but so he could go even deeper. Your orgasm washed all over you. With you clenching impossibly tighter around him, Eddie was also gone, cumming hard, biting on your shoulder to control his grutal moans.
When your breathing went back to normal with time, he came out of you taking off his condom and laying by your side.
“You think the van bounced too much?” He said breaking the silence. You laughed at his silliness.
“No. Otherwise people would have come here to ruin everything.” You look at him but he was already looking at you. “They might’ve heard us, though.”
“Nah, they’re nerdy people. They’re probably fantasizing about princess Leia now.” As if if wasn’t a nerd too. “You want to get out of here and go stargazing” He said putting a lock of hair behind your ear.
“That was the plan, wasn’t it?” You pecked him on the lips and got up to put your clothes back on.
And that’s how you wrap up the night. He drove you both to a place where you could see the stars. You kept talking and eating the rest of your candy from the movie. Your first date couldn’t be more perfect than that
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caffeineandsociety · 1 year
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There's a specific genre of shitty antisemitic joke that I have seen fly under the radar (as it was designed to) a LOT more often lately - especially since Kanye started going full mask-off nazi - so I feel the need to issue a warning about it. Namely, the genre is jokes that get spread around by people who aren't willfully antisemitic because outside of conspiracy brain rot land, it appears that the point of the joke is absurdism.
As an example, let's examine the 23-and-me lizard DNA test that I've sadly seen floating around unquestioned.
Because, see, to the average person who isn't willfully antisemitic, this genre of joke comes off as nonsequiturs, or hilarious mistakes - you, as a person with some level of basic observational and critical thinking skills, living on Earth and not in whatever batshit mirror dimension conspiracy theorists think we live in, might very well end up getting a giggle out of it because, HAH, we KNEW those DNA ancestry kits were a scam! If you're not a deliberate antisemite but not really up on the dogwhistles, it doesn't scan as anything awful because you're put in mind of things like feeding a photo of something decidedly not human into that one selfie-to-anime neural net, which sometimes works and produces interesting results because the thing is looking for specific patterns and trying to make anything fit - not things like blatantly lying about doing something like that in the hopes that normies who see the absurdity and want to have a laugh at a scummy company's expense will pass it along to people who unironically believe that Jewish people are actual literal lizard aliens and the test proves it.
This is the same strategy that guy at the game awards pulled. You, a person living in reality where the main source of political corruption is just the basic consequence of an economic system that makes power pool in the hands of anyone willing to exploit enough people, a world of banal mundane evil, know damned well that QAnon-pizzagate-satanic ritual abuse cult conspiracy bullshit is, well, bullshit, if you're even familiar with the details of what they believe at all. When someone crashes the stage and thanks Rabbi Bill Clinton, you may very well laugh because to YOU it is a blatant absurd nonsequitur.
Problem is that to someone else, someone who's deep into that shit, it's either someone letting the truth slip, or someone backing the deep state into a corner - whichever is more convenient to believe.
This is one form of how the far right uses memeification (CW: the example discussed in the link is a rape "joke") - it means something totally different to the in-group than it does to the out-group. To you, it's funny because it's nonsensical; to them, it's fun because they think they're onto something huge and they're about to blow this shit wide open and it's going to be their great moment of triumph.
I cannot stress enough that no matter how absurd an antisemitic conspiracy theory sounds to you, there are people who believe it, unironically. There are people who unironically believe that Jewish people are very literally not human and no amount of evidence to the contrary will ever change their minds. There are people who believe that we're born with horns and tails and pointed ears and have them surgically altered to fit in with good Christian humans like some kind of extremely high-stakes game of Among Us. There are people who believe that we steal, ritualistically abuse, and kill Christian babies. These beliefs, while fringe enough that, yeah, most of you who this post is aimed at have never heard them in the wild before very recently, are not nearly as fringe as you probably think they are. Just look at fucking Kanye. This asshole has more fans than there are Jewish people in the world.
So I'm begging you to please, bare minimum, be careful of "absurdist" jokes about Jewish people, especially if they reference lizards, money, banking, or government power. Also, you may see Jewish people debating how religious laws may apply to fictional creatures, but outside of that context you should also be wary of any time Jewish people are mentioned in the same sentence as vampires, dragons, goblins, zombies, fantasy demons, or any number of other fantasy creatures known for greed, feeding on humans, or both.
If the reason it seems funny to you is because you'd have to be really stupid to believe it's true or makes any kind of sense - it's probably looking for you to spread it to people who are, in fact, that stupid.
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adventuringblind · 4 months
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Ma Belle
Lestappen x Reader
Genre: Mafia AU, fluff
Summary: an arranged leads to a few struggles. The main one being that Max and Charles can only seem to summon their wife with her favorite movie.
Dialouge prompt: "It's okay baby, you're safe with us." "Yes we can watch the same movie for the millionth time, love."
Warnings: arranged marriage, daddy issues
Notes: part of my 1000 followers event. Requests are open again for regular asks btw (poly, lando, oscar, charles, Max, daniel, and logan for sure, and Liam and Carlos, depending on the request)👀
Masterlist
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Being a bargaining chip had been her purpose. The only reason she was born. In the possibility some kind of treaty needed to be made, she would be there.
So she learned how to be perfect. How to look the part her father needed her to. Played the game that everyone in this line of work plays.
Regardless of if everything in her mind is screaming to back out and run away as they sign the papers. She's being married off to not just one man, but two men who she doesn't know. They know each other. They'd supposedly been in her situation and have been married for a while already. They look at her with Kindess. A Dutch named Max and a Monegasque names Charles. A sympathy maybe only They can share with her.
She closes herself off the second they are alone. She is nothing more then a possession. A piece on the board for if things go wrong. These two don't actually want her and they already have each other. Why is she even here? Because of some treaty?
She ignores them. Keeps her distance. Pretends they don't exist. All the while watching the same move over and over again when they aren't around to hear.
Beauty and the Beast is her comfort movie. The one consistent in her life apart violence and backwards politics. She's not sure where it came from, the love for this movie. Maybe it's the comfort she finds in knowing she's not the only one locked away for some underlying purpose.
Max and Charles, to their credit, attempt to make am effort while not scaring her further away. They offer food at her door when she doesn't want to come out. They make attempts to show her affection. They give her space when she needs and don't push for more them she is willing to give.
Max and Charles weren't supposed to be home until later. Out on 'buisness' which code for something probably illegal. Which means, she wraps herself up in a blanket and makes her way to the television. She puts on her comfort movie and promptly passes out after a having a sleepless night in her own bed.
When the two males return, they find her asleep with the movie long forgotten. They don't move her, but instead restart the film. They stay with her until she wakes.
The shock hits first and then something like bewilderment follows. She eats with them after that and even keeps up some light conversation.
They tell her that the situation isn't ideal, but they made the most of it and intend on doing the same with her. They comfort and hold. They keep her safe when she needs it. They spoil her when she lets them.
But most importantly, they watch the same movie with her over and over again.
On this particular occasion, she was coming home from a visit with her father. The man who basically abandoned her with unfamiliar men for the entirety of her life. It left her feeling drained and insecure. She had been prepared for this her entire life and somehow she wasn't treating Max and Charles like she knows a good wife should.
She collapses on the couch. She pays no attention to anything else and just sobs. You'd think she was injured. Maybe even dying. Though this certainly felt like death. The idea that Max and Charles will leave her one day, send her back to her father who will find some other way to use her. It makes her stomach churn.
The two males take in the scene before them. Charles hastily fumbles for the the remote and sets up the movie they've watched almost everyday for a month now. He it man enough to admit its grown on him and he has the lyrics of every song memorized and working on turning it into piano music. Max sets about getting the female upright. She goes unwilling and ends up with her head in Max's lap.
"liefde, what's got you in tears?" Max makes an attempt at drying her tears only for more to show up.
She hiccups a few times. "I'm not a good enough wife, but I'll do better I promise. Just, please, don't send me back."
Charles joins the on the couch and runs nimble fingers along her skin. "Did something happen with your father to make you think that?"
"He used to make me pretend to be a wife to some of the men who work for him." Her eyes get cloudy thinking back to the memories. Her childhood was not one she looks back at fondly. "I just want to be enough."
"Dry your tears." Max starts before she can spiral again. "It's okay, baby, you're safe here with us. You're trying your best, and we know this kind of situation isn't easy. Just let us show you we care, yes?"
She looks up to see the movie ready to be played. The soft music in the background instantly calms her. "You don't mind?"
"We can watch the same movie for the millionth time, amour." Charles laughs softly when he sees her smile. "It really is a good movie."
"Charles is jealous." Max smirks playfully. 
A genuinepang of curiosity hits her. "Of who?"
"Belle, because I'm the beast and he's obviously Gaston."
"Why am I Gaston?!"
"Because you wear red all the time, duh."
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starhoppin · 6 months
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pick a picture; what makes you different from your future spouse's previous partners
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pile 1 -> pile 2 -> pile 3
disclaimer; this is a general reading! these messages may not fit everyone. please take what resonates and leave the rest.
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「 pile one」
temperance rv (cb: death, the chariot), king of cups (cb: the magician, six of swords rv), strength rv (cb: wheel of fortune, two of cups rv)
one thing that makes you different from your future spouse's previous partners is that you're willing to work on the relationship. specifically, you're willing to work on yourself. your future spouse may have dated people in the past who always made promises that they'd change their behavior if it was hindering their relationship, but they never actually followed through with their promises. however, you will immediately start implementing those changes because you understand the importance of your connection. you're also emotionally mature/balanced. you've worked through your problems and won't allow the past to affect your relationship with your future spouse. they may have dated people who have brought emotional baggage into their relationship. because you differ in that aspect, there is a lack of confusion in your connection. your future spouse may have also dated people who suffer from self-doubt issues that ultimately put a strain on the relationship. specifically, their self-doubt manifested as jealousy and caused them to be controlling of your future spouse. whilst you have a healthy self-esteem which leads you to talk through potential problems with your future spouse instead of resorting to those measures.
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「 pile two」
two of pentacles (cb: seven of swords, the lovers), eight of wands (cb: judgement, ten of pentacles), ten of wands rv (king of swords rv, eight of swords)
first thing that i heard was "one true love." i think your future spouse may have dealt with cheating or dishonest partners in the past. however, you are their person; their partner and equal in every way. you and your future spouse are very open with each other. i heard "dream team" lol. you work together through challenges. you are partners in every meaning of the word. i cannot emphasize enough how much this person cares about you. it's like any words i choose just fall flat and don't do justice to their feelings. you're different from their previous relationships in terms of passion. you sparked something in them; you're everything in this person's eyes. their previous partners are nothing compared to you. your future spouse's previous partners may have played mind games with them, leaving them stressed out and burdened. but you aren't like that. you're clear with your intentions and don't mess around when it comes to your connection.
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「 pile three」
page of wands rv (page of cups, three of cups), the emperor (cb: ten of cups, the moon rv), the star (cb: the magician rv, five of cups)
your future spouse's previous partners may have been solely interested in the physical aspects of their connection. however, you're different because you're interested in the emotional aspects. your future spouse views you as both their best friend as well as their partner. you fulfill this person completely. they may not have had a traditional "relationship" until they meet you - perhaps, flings/situationships/failed talking stages, etc, but never really connected with anyone on a deep emotional level. i'm getting that they never really felt like they could open up to someone until they met you. you made your future spouse believe in love again. they may not have had the best of luck in terms of romance which left them disillusioned. you reignited their passion and desire to pursue a relationship.
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tarot deck used in this reading: cirque du tarot
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tanadrin · 1 year
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I'm imagining the very unfortunate 13 year old trans boy who has top surgery and then grows more later as puberty progresses.
(I know that 13 year olds don't get top surgery unless there's something VERY weird/wrong [for instance: cancer] going on with the kid's body.)
Minors absolutely can and do get, for instance, breast implants--but only if they're cis, and only with parental permission. The fucked up thing is that a lot of medical procedures that are considered perfectly safe and uncontroversial as long as you're cis (puberty blockers, HRT, various kinds of plastic surgery) get rhetorically transformed into a big scary cloud of evil for trans people, and even transphobes who are nominally opposed to, say, breast implants for sixteen year olds certainly aren't going to spend nearly as much time, if any at all, railing against that sort of thing in public. Because all of this is a post-hoc justification for an intense disgust they feel at gender nonconformity, not actually a principled defense of anybody's rights.
This is also why you can't rhetorically pin them down on any single point. They'll lie about GCS; and when you point out that's a lie, they'll go "well, what about puberty blockers?" And if you point out that puberty blockers are pretty safe, were invented to treat precocious puberty in cis kids, and their effects are entirely reversible, they'll leap to bathrooms or FUD about nebulous issues of "women's rights," and if you try to pin them down about that, they'll circle right back around to lying about GCS, hoping any onlookers have forgotten about or missed that part of the discussion.
I have very little sympathy for people who argue so transparently in bad faith and whose pyschosexual obsessions are so nakedly on display. Books like Irreversible Damage lay bear the extent to which transphobia is almost wholly about cis peoples' anxiety about their own gender and gender expression, in the same way that homophobia is often straight people twisting themselves into knots about their own sexuality. What these people really need is therapy, or an ayahuasca retreat, or to do some yoga about it, but that would require the uncomfortable process of cultivating self-knowledge, so plan B is "make sure I don't have to be confronted with evidence that the human experience is more diverse and complicated than I have been previously willing to believe."
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cy-cyborg · 5 months
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Disability Tropes: The Miracle Cure
The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.
But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?
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[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]
Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.
The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.
Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?
I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.
You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.
Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.
If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.
Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.
This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.
I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.
There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".
An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).
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[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]
Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.
Ok but Cy, you mentioned there are ways to use this trope well, what are they?
So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.
Don't have your only disabled character take the cure
If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.
Don't make it a total cure
In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.
Do something interesting with it
I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.
If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people
Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.
So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?
Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.
The Dragon Prince:
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[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]
The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.
While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.
The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.
Full Metal Alchemist: Brotherhood
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[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]
The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.
However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.
The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.
When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.
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qqueenofhades · 1 month
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what's been particularly vile to me is this group of white online leftists who insist that anyone who cares about more than this one issue for the election is a bad person, like, as if us black and brown people are making up reasons to be afraid and not.....believing the gop when they say they are coming for us. believing trump who has said previously that he does not bluff, that he will do the things he's said he will do (i hate what social media has gone to the word gaslighting but it feels like gaslighting. we lived through four years of trump. we saw the damage. stop treating us like we're being dramatic). it must be great to not have to worry about that i guess? "life won't change under trump" is such a telling admission because maybe theirs won't but mine will. and so many others' will.
and it is often again these (white) online leftists that love to call anyone who disagrees with them a white liberal (derogatory) because they know it would be racist (bad) to be this shitty and condescending to poc but they don't want to actually listen to anything black and brown voters are saying. it's easier to just call us white liberals and throw our opinions out, to ignore the work of black people for decades to gain the right to vote, to disregard the weight of telling them to not do that. it's genuinely appalling. they care so much about racism until it's time to engage with poc who have different opinions than their online echo chambers, then we're just stupid liberals with terrible opinions like..... wanting to live. not wanting four more years of trump. so sorry for that.
sorry for this vent in your inbox, i'm just so fucking tired of white people trying to rewrite history as if trump wasn't that bad. he was for my family and countless others and i am terrified for what's to come if he wins.
The thing about (the often-white) Online Leftists is that they have become just as much as a radicalized death cult as the diehard Trumpists. If you don't want to die for The Revolution and/or sacrifice your life, friends, family, the rest of the country, etc., then you're Insufficiently Pure and must be Purged. (Which I think is just complete BS, as none of them could actually handle sacrificing anything, but it's increasingly the only kind of performative rhetoric that is acceptable in leftist-identified discourse spaces.) This is functionally identical to "if you aren't willing to lay down your life for our Lord and Savior Donald Trump and the Great White Christian Nationalist Dictatorship, you're a liberal cuck," but with the names and justification changed. It doesn't change the underlying radicalization, nihilism, and insanity of the premise.
Another thing the Trumpists and the Online Leftists have in common is that they are busily rewriting just how bad Trump was in order to serve their Ideology. Ever since January 6, 2021, the Republicans have thrown everything they have at revising and whitewashing any suggestion that it was an "insurrection," and the Online Leftists have done the same, in an attempt to "prove" their insane point that Trump "would be better" than Biden. This is embodied in the recent ultimate-brainworm-nonsense maximalist-online take that "Biden has to lose so the rest of the world will see that the US rejects genocide!!!" That's right, the message that the rest of the world would take from Biden losing to Trump is that the US rejects genocide. Never mind if Trump literally wants to commit all the genocide possible and to install himself as a fascist theocratic dictator. In the deeply twisted minds of the Online Leftists, this is the only possible interpretation of Biden's loss, so they'll push for it as hard as they can! The Trumpists and the Online Leftists, at this point, are working pretty much in concert to damage Biden for similar insane reasons and get Trump elected. Etc etc., one Nazi and ten people at the same table is eleven Nazis.
Like. Sure. Four years ago, when Trump was president and people were dying by the thousands because he didn't want to wear a mask because it smeared his bronzer, just to name literally one of the terrible things he did every single day (and not even mentioning how much worse a second term would be) we were absolutely better off. Super-duper great. (Sarcasm.) Either that or "there is suffering and evil in the world and the only solution is to drastically increase the suffering and evil for everyone and to destroy what progress we have managed to make because It Does Not Fix Everything Now" is an absolute moral imperative, and either way, yeah. I'm calling bullshit.
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hischierswhore · 1 month
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hiii, could you write some angst to fluff with nico?
like maybe they into a big argument, but end up resolving everything
thaankss🫶🏼
jealousy is a good thing
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pairing: nico hischier x bff!reader
a/n: hi anon! i kind of steered away from the whole 'argument' plotline but i think this turned out cute?? idk.
You were currently at some party with Nico and the rest of the team. You were talking to Luke when you excused yourself to go grab a water bottle, as you suddenly felt the urge to drink some water. On your way to the fridge, you saw the worst sight possible: Nico chatting away with Y/bff. This wasn't the first time you'd witnessed the two together. They looked comfortable in each others presence, which made you feel kind of weird for some reason.
As much as you loved Nico and he was one of the most adorable people on earth, it still bothered you seeing him hanging out with someone other than you.
You'd grown to have a massive crush on Nico, your best friend of 4 years. You'd become friends when he started playing with the Devils, and had slowly fallen in love with him ever since. The biggest issue was that you couldn't bring yourself to tell him how you felt because you didn't want to risk losing him.
So now here you were, watching Nico act all happy and close to Y/bff, thinking about what you should do. Tell him how you feel? Go talk to Y/bff? Confront both of them? All these thoughts flew through your head in seconds, causing your mind to run rampant.
You were lost in thought when a hand grabbed yours from behind. You turned around to see Nico smiling at you. He handed you a water bottle and you smiled back as you muttered a quiet "Thanks" before heading off towards Luke once again, leaving Nico standing next to the fridge confused.
He stared at you as you walked away, but his face soon returned to its normal expression as he continued to chat with Y/bff.
They pair continued chatting the night away and you just didn't want to be there anymore. Not knowing what to do, you headed home early to avoid being a third wheel. Once you arrived home, you got ready for bed and cried yourself to sleep at the thought of your love for Nico not being reciprocated.
You woke up in the middle of the night to someone rubbing your back. You slowly opened your eyes and realized it was Nico, who was gently rubbing your back in an attempt to wake you.
You sat up slightly and rubbed your eyes as you yawned, "What's wrong?"
"Oh nothing, I just wanted to see if you're okay. You left the party and didn't tell anyone" He replied as he pulled away from your back. He noticed the faint tear marks on your face, even though the room was dark. "Are you okay? What happened?"
"Nothing really, I was just tired." You lied. It was true you weren't tired, you were crying yourself to sleep at the fact that you liked Nico more than he liked you. He was probably trying to comfort you by waking you up, not realizing that he was actually making you feel worse.
He nodded as he let out a small sigh. He sat down on the edge of your bed as he began to play with your hair, "Are you sure you're alright? You seem like you aren't yourself."
"I'm fine, Nico. Just go back to the party and talk to Y/bff again or something" You replied quietly as you tried to ignore the confusion in his voice. You knew Nico cared about you, but it was only a friendship. No matter how much you wanted it to be more, you knew it wouldn't happen.
There was a silence that filled the pitch black room, that is until Nico reached for the lamp on your bedside table and turned the dim lights on. You could finally see Nico's face, and he could see yours in much better detail.
"Y/bff? What are you talking about?" Nico asked as he looked into your eyes. Your cheeks were bright red and you were nervously avoiding eye contact.
"It doesn't matter. Just leave me alone" You snapped as you curled up into a ball and you felt the first fresh tear land on your cheek. You hated this part of being in love with someone; dealing with the rejection when they didn't return your feelings.
The tears started flowing once again as Nico brushed his hand up and down your back, attempting to soothe you. But he failed miserably, because instead of calming you down, it only caused you to cry even harder.
Nico felt his heart breaking into a million pieces as he watched you wither away in front of him.
"Y/n please talk to me. What's going on?" Nico pleaded as he lightly shook you. You slowly opened your eyes and glanced over at Nico, noticing the hurt look in his eyes.
"Just go back to the damn party and talk to Y/bff, since she's apparently caught your eye lately" You snapped before rolling over onto your stomach.
Nico was silent for a few moments as he stared at you, wanting to know why you said those words to him.
"You think I'm into Y/bff?" He asked with a sad tone. "Is that what this is about?"
The silence on your end spoke volumes. The way your body language changed gave it away, and it killed Nico to hear the truth spoken aloud.
Nico's heart dropped to the floor as you sobbed uncontrollably into your pillow. He hated that he was the reason behind your tears. Tears ran down your cheeks as you buried your face into the soft material. A lone tear rolled down his cheek and landed on your arm, causing you to stop sobbing and turn to look at him.
"I'm not into Y/bff, you know" He whispered.
You hesitated to answer him as you gazed at his face, desperately trying to figure out what to say.
"But you've both been super chatty lately and hanging out a lot more" You finally uttered.
"Well I didn't want to have to tell you but she's been giving me dating advice on this girl I like" Nico confessed.
"And the last thing I want is for the girl I’m after to think I'm going after her other best friend, especially considering me and this girl are best friends." Nico continued.
You froze, unable to speak. Your mind went completely blank as you listened to Nico explain what was going on. The last thing you expected was for Nico to actually reveal that he was into you. Was he serious? Had he always been into you? You felt faint as you thought about everything that just happened.
When you finally regained control of your senses, you quickly turned to face Nico. There was no mistaking the large smile plastered across his face. You blushed deeply as you attempted to fight back your emotions.
"What?" Nico asked with excitement.
"Do you mean it?" You squeaked.
Nico laughed as he nodded vigorously. "Of course I mean it!"
Your heart soared as you smiled brightly at Nico, reaching forward to hug him. He embraced you tightly as you continued to cry, this time tears of joy.
After another minute, you broke apart from each other. Nico looked at you with the goofiest face possible.
"Were you jealous, schatzi?" He teased.
You rolled your eyes, "Shut up."
He chuckled as he patted your shoulder, "It's okay to admit it, sometimes jealousy is a good thing."
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taglist
@lovelynikol16
(if you'd like to be added to the taglist for any of the players i write for, please let me know!)
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themisteriousentity · 6 months
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"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"
You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself
Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus
Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class
Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves
And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully
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I want to break down a common point of conflict when addressing NPD stigma.
A lot of hangups people have tend to be along the lines of "but I DO see a lot of people with actual NPD who are acting in toxic or abusive ways".
This will be kind of long, so bear with me.
Point #1: People are way more likely to be diagnosed if they exhibit "stereotypical" symptoms.
There's this image of NPD as a disorder that is only present in those with patterns of destructive behavior towards others. Many therapists have this conception. (Shockingly, the mental health field is not perfect & without stigma.)
Gonna copy-paste this here from my other blog (so forgive me if you've seen it before), because it's a good example.
Three people are criticized at work. Their boss yells at them for their performance in front of everyone. Person A gets mad and defensive. They yell back, using cutting remarks as a way to try and ease the distress they feel. Person B acts really mature and responsible the whole time, nodding along and agreeing and promising to do better, just desperate to maintain and improve their status. Desperate to be liked. Later they go home and handle their distress through self-destructive means, and spend the next few months overworking themself to the point of illness. Person C doesn't seem to respond much at all. They go quiet and seem distant. They don't lash out or lash in, but for the next month or so, their productivity drops. They simply aren't able to focus on work or self-care, no matter how hard they try. The stress is overwhelming. All three of these people have the same root issues, but only the first would be labeled a narcissist. Outwards behaviors and presentations don't reflect the pain, distress, and difficulties with life that are underlying them.
So, three main things happen.
There ends up being a higher rate of people with destructive behaviors who are diagnosed with NPD
The people who don't particularly exhibit behaviors and are considered ""too nice to have it"" are overlooked entirely (and never get any sort of help for their underlying issues, yayyy)
People are more likely to be more honest about "ugly" symptoms / symptoms that are frowned down upon than they are in other mental health communities.
(Also some people decide to act super edgy about it, which is annoying but here we are. Some of them are trolls.)
(And while I'm at it, some people are misdiagnosed with NPD because a psych sees someone who committed a violent crime and is like "uhh slap them with the Evil Asshole™ disorders!! no further thought given.")
Point #2: People who have messed up are not inhuman monsters who deserve no help or support
While I do think it's important for people to understand that patterns of toxic behaviors aren't the ONLY way NPD can present, I'm not going to let the conversation stop at "some of us are nice though!!"
Human beings aren't RPG characters who can be sorted into "monster" or "ally". Every single person has done something hurtful, has messed up, exhibits some sort of behavior that puts strain on their relationships sometimes.
So I'll bullet point some aspects of this that need to be talked about.
People without NPD also commonly exhibit toxic behaviors, but people ignore that nowadays. Either they armchair diagnose anyone who's slightly rude, or they only focus on it in pwNPD and ignore it in themselves or others. NTs can be jerks too, and they're probably less likely to acknowledge it than pwNPD who are constantly watching and checking themselves and analyzing their behaviors and attempting to do better.
Assuming that NPD makes someone abusive doesn't help anyone. Can it impact behaviors, and make it more difficult for people to be self-aware? Of course. But an important step in healing from any mental health condition (especially personality disorders, ime) is realizing that you're not inherently ""bad"", and that you can take responsibility for your actions and learn to deal with things in constructive ways. Just going "NPD makes people bad, full stop"- other than being a mean shitty thing to say- absolves people of guilt and asserts that there's no reason for them to try and improve.
Yes, it's okay for people to hate their abusers. Their abuser. Not an entire community of people who happen to (maybe) share a trait with them.
Building on the above point, people tend to go in defense mode when they hear things like "pwNPD who have acted in toxic ways can learn to improve their behavior", "people shouldn't be saying awful things about folks with this condition", etc. because they automatically try to apply this to their abuser. Interpersonal situations are very different from society-wide mental health access. No, don't stay with your abuser expecting them to change, and don't hold onto the hope that they will. No, don't censor yourself or your hatred or anger towards them. Just don't make blanket statements about a disorder that they may or may not have- blame their abusive actions, not their mental health.
"I hate you for your abusive actions and the harm that you caused me." =/= "I hate a group of people because of an inherent unchangeable part of them that's tied directly to severe childhood trauma they suffered. Because of it, they're evil and unlovable and are incapable of change. They're inhuman and will never experience real connection with others." ..........See the difference??
Even if there were a disorder with a 100% rate of toxic douchey behaviors, I'd want the conversation around it to be changed. I'd want different words to be used to divide up the spaces and conversations and resources, so that survivors of abusive or toxic behavior can get help, but that the disorder still has space to be treated. Otherwise, there are zero resources for healing. Nothing is being done to help these people or solve the issue. They're just told they may as well not try. They're blocked from healthcare entirely, despite how the entire point of being diagnosed with a condition is supposed to be to treat it.
There's a wide range of people who have NPD- it presents in many different ways, a person who has it may or may not exhibit harmful behaviors- but no one deserves to be denied treatment or told they're unlovable because of a condition they have that was formed from trauma.
Speak out against abusive behavior. Don't destroy healthcare for a medical condition.
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erose-this-name · 2 months
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humans are not the default race
In every scifi and fantasy setting with """races""", humans are the default.
If you're lucky, we're the short-lived, fast-reproducing pests that are all white Europeans for some mysterious reason, and also have disproportionate rates of being raised as undead because we can't be bothered to make zombie dwarf minis or animate a vampire gnome that has to jump up to bite a tall person's neck.
(We've got BOTH human AND elf skeleton warriors! Oh, hey, I just changed the scale, now it's a hobbit skeleton OR a giant skeleton! Such skeleton diversity! No, Khajiits can't be bone boys, a skeleton with a tail and a cat skull is just TOO SPOOKY)
I feel like a lot of people don't realize that we (Homo sapiens) have the longest running endurance of any land animal. Being able to run a marathon is not normal.
(It's because we evolved the very unusual hunting strategy of Slowly Chasing Gazelles Or Whatever While Throwing Sticks At Them Until The Gazelle Or Whatever Collapses From Exhaustion Then Casually Walking Up And Bashing Their Head In With A Rock™).
Even Neanderthals probably couldn't match our tenacity (they were considerably stronger and tougher though, but by no means dumber judging from the size of their brain cavities{which was bigger than ours actually})
(the evolutionary Neanderthal hunting strategy was probably something like Jumping Out And Stabbing An Ice Age Megafauna With A Stick Then Getting Punted 12 Feet Into a Tree Then Getting Up And Doing It Again Until It Dies Because You Have Superhuman Bone And Muscle Density And If You Do Break One Of Your Unbreakable Bones Your Homies Will Take Care Of You Until It Heals™ [Neanderthal skeletons are found with healed fractures surprisingly often despite said bones being much stronger and denser than ours, they just kept evolving denser bones until they couldn't even swim without sinking like a rock and they still got broken all the time])
So given that we, Homo sapiens, actually literally used to be the "species that specializes in sheer endurance, determination, and unbreakable fucking will", I want more fantasy and scifi settings where we are that way! I think the only setting where that's even remotely the case is Undertale. We're not just the "default" intelligent species!
The only reason we're good at everything is because we can make complex tools and can learn and aren't bound by instinct. Which, by definition, all fantasy races would also be able to do. Otherwise, they'd just be considered animals. Like trolls and Redditers.
The "default" species should just be really good at making tools and quickly adapting, but kinda suck in every other category. So I guess gnomes or goblins are the default d&d race.
And Humans are certainly not the Tolkien "that one race that lives short lives and reproduces faster than everyone else and is good at farming" because:
A) we actually do already live relatively long lives for mammals of our size and also GIVING BIRTH CAN KILL US, AND IF OUR PARENTS DON'T RAISE US JUST RIGHT THAT CAN ALSO KILL US, WE ARE SPECIFICALLY VERY BAD AT REPRODUCING
B) we are in no way adapted to farming, and most of our modern health and societal issues stem from the fact that we aren't meant to farm or be civilized, but do it anyways.
We only farm because it helped us survive the ecological collapse at the end of the ice age, now we're in too deep to go back.
When the ice age ended (quite abruptly) the ecosystem couldn't provide for hunters and gathers anymore, a bunch of stuff were getting heat stroke, sea levels rose, hibernation and bloom cycles and reptile gender ratios were out of wack, predators died out because herbivores died out because plants weren't doing well so weren't making as many fruits or seeds. Decomposers like vultures and worms had a field day. Until they didn't (rip condor population). It would take a while for a new equilibrium to emerge and for evolution to fix things.
But farming doesn't need any outside ecosystems except for soil and pollinators, mostly, so that still works. And farming makes more food meaning you can have more people.
But it also means you can't go back to foraging without all the extra people dying of starvation. So anarcho-primitivism would technically be the most deadly ideology if implemented and therefore is not based, unfortunately. Here's hoping for an apocalypse to do that for us! (I would not survive it)
Fun Fact: those isolated tribal societies like the Sentinelese that still do hunting and gathering only spend 15-20 hours a week doing that and another 20 doing camp chores, and the rest of their time forming meaningful relationships and not being depressed.
Notice how most of what they do as "work" (hunting, fighting, hiking, berry/mushroom/etc picking, cooking, camping, arts and crafts, oral history/story telling) are things that we need to do during our limited free time just so that our "work" doesn't drive us insane. If we were good at farming or industry or civilization, then things like math and repetitive manual labor wouldn't be work.
Sure, these foragers die young, but so did medieval peasant farmers who were even less healthy since they had much less diverse diets (a lot of carbs) and got plague more often thanks to cities and their close proximity to livestock. And our modern sedentary lifestyle is bad too.
Hobbits are suited to farming (also Entwives I guess). Hobbits are quite good at it, at the cost of not being as good at much else, they inherently enjoy it quite a bit and most* aren't haunted by the sense they should be anything else, like we are. *(The Took family got that call to adventure 'tism)
We only think that we're not special or can't be anything other than what we currently are because we no longer have anything else to compare ourselves to. The Neanderthals, Denisovans, and irl hobbits died out tens of thousands of years ago and the fucking aliens are somewhere, presumably
We are special, only we survived.
But at the cost of becoming the species equivalent of an abandoned child raised by wolves. We fantasize about these things because we all know that we shouldn't be alone. But our perceptions of ourselves are twisted by our trauma and lack of socialization.
Personally, the realization that having lost our family was probably our fault makes that hurt so much worse.
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