:(((( punk looking like a wet rat (derogatory)
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I was at a Palestinian solidarity gig last night & the one Palestinian artist who was going to perform had COVID so the organisers asked around to see if there were any Palestinians who'd like to say a few words instead.
A local guy who was born & raised in Gaza offered to speak. He started with "I'm an engineer. i'm not a poet or a politician. I don't... do public speaking… I had no idea what to say when I came up here. So i'm just going to tell you about the street I grew up on."
And then he did! He went down the street building by building. He told us about the ice cream shop on the corner, the grocery shop, the charity that supports people with intellectual disabilities. He told us about the people who he knew growing up, the families who still live in the different houses. He told us about the university buildings and about his friends who quit being accountants to start a band together. All on that street.
All of which is gone now, by the way. Bombed to dust.
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Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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the best way to luffy’s stomach is through his heart (or something like that)
a four page one piece fancomic in which luffy and law talk about luffy’s stomach
page 1
panel 1: a top view of luffy and law sitting in grass. luffy is leaning back on his hands with his legs outstretched. law sits crosslegged between them. they are both looking down at the hole in luffy’s abdomen, where law has used his devil fruit power to remove his stomach. “whoa! cool!” says luffy, while law hums, “hmm… interesting.”
panel 2: a close-up of law’s hand holding luffy’s stomach in its cube-like container. “it looks surprisingly average,” law says, “for a bottomless pit.”
panel 3: “isn’t it weird?” luffy asks. he is sitting with his back to the viewer, but his smile is still visible as he leans into law’s space. law is still crosslegged, holding the stomach, and he looks vaguely uncomfortable as luffy keeps talking. luffy says, “that thing can make food stop looking like food and start looking like poop! huh. wonder how it does that…”
page 2
panel 1: law looks off to the side, sweating and kinda grouchy. knowing he’ll regret this, he mutters, “i… know how… at least for NORMAL humans.”
panel 2: the back of luffy’s head takes up most of the panel as he demands, “what?! i wanna know too!” law grits his teeth and shouts back, “you’re just gonna fall asleep!” and luffy yells, “nuh-uh!”
panel 3: luffy grins widely, throws his arms out to the side, and flops onto his back in the grass. he’s loudly yelling, “tell me! tell me, traffy!”
page 3
panel 1: law is visible from a low-angle, as if from luffy’s pov on the ground. he sighs, “fine. here’s how it works.”
panel 2: this panel looks similar to the previous, but its slightly darker, with gray bars at the top and bottom, narrowing visibility to show luffy’s eyes are closing. law continues, “the stomach has two main functions.”
panel 3: law is now barely visible through the gap. luffy is almost asleep. law says, “the first, as YOU know, is the storage of food.”
panel 4: the background is completely dark, and law’s words trail off, “the second is—“
page 4
panel 1: a large, top view of luffy lying on his back in the grass. his arms are thrown wide still and his eyes are open. he has just jolted awake, saying, “hmm?” off-screen, law complains, “i don’t know WHY i bothered.”
panel 2: law accuses, “you didn’t listen to a word i said.” luffy sits up, his lips pursed and eyes narrowed because he’s a terrible liar. he says, “sure i did,” dragging out the “sure.”
panel 3: luffy breaks into a grin and proudly declares, “it’s a mystery!” law cuts him off with a “NO,” his speech bubble literally dripping with disdain.
panel 4: the silhouette of luffy and law sitting side by side. law is whapping luffy on the head with a light fist. law says, “idiot…” before bonking him. luffy yells, “hey!” but he is laughing, and a small “heh” shows law is too.
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Possessed Pearl's
You know how in some ghost stories sometimes its not a person or a land that's haunted but the items?
Well what if, when looking for a mother's day gift for his mom, Danny is looking around a pawn shop and finds a necklace, it's missing some pearls but it's just enough to pass off as a decent gift. Danny humms but decides against it and goes to leave it....
That was until he gasped out blue frost and spots a ghostly woman appear out of the necklace with a somber smile. She isn't as seeable as the other ghosts in Amity though, meaning she doesn't have enough ectoplasm on her own (that might change the longer she's in Amity and around Danny though) and that right now only Danny can see her.
And Danny well... hes been doing his hero gig for a bit now, might go and ask if there was anything he can do to help.
And later Danny's good deed... bites him back. Oh boy. Because now he has the Bats looking into Amity Park... Wait what do you mean Martha is now strong enough to be seen?!
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Robin and Steve playing a dnd character together because Steve said the only way he'd play is literally with Robin. They take turns each session for who speaks but always planning together. It's a teenage human, gangly and uncoordinated and a bit of a loner. Everyone sort of lets the "two people playing one character" issue slide, as they want to play a game with their friends.
Robin and Steve have wildly different character voices, and sometimes announce which way they are walking before stumbling in that direction, and also mutter to themself in character. when it's Steve's sessions to talk he flits with the NPCs Eddie plays, but Robin is just a little aggressive to them. The personality changes are kinda weird but everyone is just happy they're playing.
Everything is going well until the big bad of the short campaign they're all playing knocks them into a wall. Not hard, but hard enough they're scrambling and flailing and...splitting in half. By their own description. Immediately they start, with their respective character voices (they are committing to this bit) bickering about whose fault it is. And about what they should do now their cover is blown.
The table is silent.
Robin and Steve have been conning everyone the entire time. They're playing twin halflings, who alternated who sat on each other's shoulders pretending to be a human because they were goofing off the day they joined the party and were too embarrassed by the mix up to correct anyone about it until they had to. Their voices and personality changes are brilliantly embedded as not Robin and Steve not being able to keep consistent, it's because they've been playing different characters. It's brilliant. It's horrible. Everyone fell for it and the reveal essentially pauses play because everyone starts yelling at them.
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