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#what if i buy multiple blogs and each have their own vibe where i can sell as an NFT and manage them.
sophist-icate · 3 years
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can I sell my blog’s aesthetic as an NFT?
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Millie headcanons!!
- I see her as having more of a gothic lolita/almost Victorian gothic style tbh? Basically she dresses like Lydia Deetz in Beetlejuice. However I love throwing in more mall goth aspects too. Fancy black dress, messy looking makeup, demonia boots, Victorian mourning jewellery, and spiked choker & bracelets kinda thing you get me?
- Bullied kid with comorbid probably undiagnosed ADHD and depression type beat
- I imagine ITP takes place in like, early or maybe mid 2010s. I've seen on this blog once or twice the idea of Millie being around the pizzaplex and i love that idea but I always saw her as like, a closer to classic Freddy Fazbear's kid.
- Her family is pretty well off. That's why she can actually afford to dress the way she does (yeah I'm jealous what of it)
- She likes horror a Lot. It's something of a hyperfixation of hers, but it leaves her grandpa quite concerned because My Granddaughter Has Been Holed Up In Her Room Watching Horror Movies All Day Is She Mentally Stable
- I know in canon she was only going to stay with her grandpa while her parents were away but I got the vibes that her grandpa basically helped raise her. (In my own weird au where millie and sarah like, band together with the other protags to investigate freddy fazbears and specifically the bite of 83 and shit she just full on lives with him lol)
- She's intimidating as Fuck when she gets mad.
- Her hair is not naturally black (not sure what color it Is tho, maybe blonde??), but she dyes it (I also imagine she likes to throw in some purple streaks or a black to purple ombre sometimes)
- She has like 3 piercings on each ear. The second set no one knew she was getting until she came back home from going out to do so. She was banned from getting piercings as a punishment so the third one was also a secret no one in the family noticed for like months.
- She would love FNaF. I feel like she'd make "man behind the slaughter" jokes. Is that old? Me and my sister still do it.
- She is absolutely awful with kids, but they love her. She goes out to the park with a black umbrella to brood dramatically in the shade and from the playground she just hears "Millie!!" And then a small crowd of children runs up asking if she'll play with them. She always gives in and agrees to play in the end. She can never even remember their names or anything but they see the sad girl in all black and immediately know She's Friend. She would die for them.
- Oswald is her surrogate brother and ok now that I'm thinking abt millie in the pizzaplex era Gregory would be too 100%.
- She likes chocolate. She gives me the vibes of someone who just, chocolate everything. Her grandpa buys chocolate chips for baking and Millie eats them all.
- As a kid she cried a lot and didnt know how to/was too afraid to stand up for herself. She has a lot of repressed anger from those years and tends to dramatically overreact as a result (I'm not projecting what do you mean)
[TW for implied abuse for the next three]
- OK BOUNCING OFF THAT ONE HC THAT DYLAN HAS DID AS SOMEONE WHO MAYBE HAS IT MYSELF I LOVE THAT. I have an Idea for how it would've formed which is that his familial situation is Very Not Good. Anyways I think, he has probably abt 10 ish alters, Millie would get along with most of his alters. I think Dylan would have multiple persecutor alters which r alters who formed from trauma who harm the body or other alters to try and protect them. Millie actually gets along surprisingly well with one of them.
- On another note w/ Dylan tho Millie's grandpa meets Dylan, finds out just a little bit abt his family and basically tells him like "my home is your home, if you're not safe there, you're always welcome here" so <3 he likes to spend basically all his time at Millie's grandpa's house and he doesnt say it but he worries hes like is your home really that bad do I need to call CPS?
- Millie's parents come home at the end of the year and are like well what'd we miss? And her grandpa's like look at my new grandson Dylan :) Dylan come out and say hi!! And out comes a teenage boy with bright red hair, a bunch of piercings (also a scar on one ear), wearing spiky platform boots, spiked bracelets and choker like Millie's (but in white w/ black spikes) and patched black jeans, wiping Pop Tart crumbs off a My Chemical Romance shirt and he just looks up at them totally nonchalantly and goes "Heyo" and walks off and they're like MAURICE WHAT THE HELL?!? WHERE DID YOU EVEN GET THIS KID?!?! JUVIE?!!?!??
- Millie's grandpa doesn't Know Dylan has DID 100%- Dylan hasn't told him and doesn't plan to- but he notices major changes in personality from time to time and catches Millie, Sarah or Brooke calling him different names occasionally. That plus his vague knowledge of what goes down at Dylan's house, he's sorta put the dots together on his own, but he hasn't said anything yet.
- Ok so like, I love the idea of Brooke having like a pastel/bubblegum-bitch aesthetic. One time Brooke dressed Millie up in a pastel goth style (and Dylan gave her a scene/emo style) and at the time she was like it's so BRIGHT it's so SOFT WHAT but shes been thinking about that ever since and occasionally while shopping she'll pick out a pair of cutesy/pastel earrings or a neon accented choker or something like that.
- Brooke introduces Millie and Dylan to Marina. Millie introduces Brooke to MCR (or something, idk, for as much of a goth as I am I mostly listen to Penelope Scott). Dylan introduces them both to FaLiLV (a Japanese band). Brooke does not like their taste in music.
- Millie's idea of calming down is laying on her bed and listening to screamo.
This took me an hour and a half I'm sorry
ADHAKFJHSJKJHKDSSJFD I LOVE THESE-
The one about Millie being terrible with children but them loving her anyway, is so accurate to my Millie as well. She can take care of a child about as well as she can take care of herself (not much at all-), but her cousins absolutely love when she babysits them, and Gregory looks up to her as a role model (Millie's just like "thanks, but reconsider!" lol)
And the one with Millie's grandpa practically adopting Dylan, I swear ur trying to kill me with wholesomeness, I love them sm. In my AU if Dylan was having issues with his family and Millie's grandpa found out, he'd just calmly stand up and walk into the garage, coming back with a baseball bat. He'd calmly tell Millie and the others that he's just going to have a "talk" with Dylan's parents, while Millie knowing damn well just what he means by that starts chasing after him telling him not to do this, Dylan not far behind.
Dylan's parents would just hear someone pounding on their door, and when they answer there's just an extremely tired and pissed off 60 something year old man on their doorstep, and two teens attempting to hold him back, all while Millie's grandpa is shouting a load of expletives at them.
The whole time Dylan is just panicking, and is all like "M-Mr. Fitzsimmons, you don't have to do this!", whereas Millie knows that her grandfather will not calm down until someone is at least hospitalized.
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apriorisea · 4 years
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What do you think each of the boys top “love languages” are? (Acts of service, words of affirmation, etc)? You write so well, love ur blog 💛
-- Hi!! Thank you so much for your sweet words^^ That’s so nice of you. Also, wow, this is such a great question!!! I love thinking about how to categorize personalities, so I really enjoyed pondering this for a while 🤔😅Eventually I just went with what made the most sense to me, but undoubtedly these opinions could change over time. And, of course, these are just *my* thoughts, so I’d really love to hear from everyone whether they agree or disagree and why~ Thanks again and I hope you are having a great day/night 💜💕
BANGTAN LOVE LANGUAGES
Seokjin: Quality Time      -I think you could make a strong argument that he is also “words of affirmation,” especially given how much he courts praise (worldwide handsome, my handsome face, yes I’m handsome, etc etc), but.....I would also say that exact reason is why it’s not his love language. I think his personality is such that if it were his true love language, he wouldn’t be so bold about asking for it or encouraging it. So....for me, the thing that really makes sense for Mr. Worldwide Handsome himself is quality time. Of the 7 of them, Jin had the most opportunity to experience a “normal life.” He was already a college student by the time he was recruited, so I have always felt that, for him, the magnitude of their fame and the ways it changed his life has been a little bittersweet. No matter how grateful he is for his life and proud of his work and happy to be what he is, I can’t help but feel that he mourns the loss of that normalcy in a deeper way than the others. Therefore, I think it truly means the most to him when he is able to spend free, unbothered, private, and significant time with people he cares about. The ability to set down the title of “BTS’ Jin” for just a moment and be relaxed in company where he feels completely comfortable and cared for and normal is a dream situation for him. 
Yoongi: Physical Touch      -So Yoongi is, in my opinion, the most empathetic member of the group---the one who is always silently watching, listening, observing, and then handling whatever comes up. He is painfully aware of the needs of every person around him and doesn’t hesitate to step up and fill those needs where he can, and if he can’t do it alone, he helps the person find the solution elsewhere. Because of this, I think he’s very well versed in giving love in the form of words of affirmation, acts of service, quality time, and even occasionally giving gifts. However, I think the way he craves affection is through physical touch. Words of affirmation is a close second to me, but I think, genuinely, when he is as in-tune to the emotions and needs of others sometimes he just needs someone to hold his hand. I also think that, for him, physical touch and quality time kind of come hand-in-hand (no pun intended): his idea of being loved is sitting shoulder-to-shoulder with someone who loves him for a long period of time. Someone who will cuddle him and hold his hand and hug him when he’s tired and stressed, when he can’t sleep at night, when he is too overwhelmed to even work. Being in a loving, comfortable environment to him means being in one where puppy-piles on the couch aren’t unheard of, where it’s not strange to bustle around the kitchen bumping into each other, and where a touch on the arm is as commonplace as a smile. 
Hoseok: Acts of Service      -J-Hope is the toughest one for me, for reasons that I can’t quite explain. I think he plays such an important role in the group that has so many nuances I can’t really pin any one love language on him---except, for some reason, the one that sticks out the most to me is acts of service. For someone who has, by his own admission, worked very hard to cultivate and embody a particular persona (one that is happy and carefree and positive), I can see him being really moved by having someone quietly do things for him that make his life easier. Making him a meal after a hard rehearsal, unpacking his things for him after a long tour, doing the dishes or taking out the trash so he doesn’t have to worry about it, etc etc. Doing the hard or tedious or daunting things for him so he has a chance to just relax, to put down the persona for just a moment and be babied a little. 
Namjoon: Words of Affirmation      -Words mean the most to Namjoon. He has intentionally surrounded himself with words his whole life: lyrics, languages, poetry, literature. He probably also enjoys an act of service or an odd hour or two doing something Namjoony (museums, nature, etc) with someone he loves, but I think, when it comes right down to it, Namjoon communicates most and best with words. However, while others need words to praise them or acknowledge them, sometimes I think Namjoon simply craves conversation that stimulates his incredibly high level of intelligence. Sometimes, he just needs someone with whom he can discuss his deepest thoughts, opinions, philosophies, ideas, fears---and who will then affirm everything he has said; not necessarily agree, but just affirm that his thoughts are valid and interesting and provoking, to vibe with him on a similar level. Also, I think he really appreciates being told that his music, his actions, his life has had a positive impact on others. And, of course, I think he, who was mocked early on for his appearance, really thrills at being complimented for things beyond just his intellect and talent. 
Jimin: Receiving Gifts      -I know, I know: the cuddle monster of BTS is surely a “physical touch” person, right?? And if not that, then certainly the highly self-critical, sensitive, classically trained performer would surely crave “words of affirmation” the most, right?? ..........I won’t actually argue much against either of those, because I think Jimin, more than the rest of them, could probably easily fall into multiple categories. Does he love cuddling/hugging/physical closeness? Absolutely. Does he adore receiving praise or affirmation? Definitely. But here’s what I think about Jimin: he is one of the most empathetic people in the group. He’s caring, he’s observant---he’s completely willing to do whatever it takes to make the people around him KNOW they are loved. He’s intuitive and highly aware of the needs of others and acts on that intuition in a pretty selfless way. Because of this, I think it means a LOT to him when someone takes the time to buy or acquire something that he either needs or wants. It’s a sign that someone else has been listening or watching him as closely as he listens to and watches others. I think he is the sort of person who appreciates gifts (especially random ones) because it shows that the other person saw something that reminded them of him, totally at random or totally unprompted. (but yes, also physical touch and words of affirmation)
Taehyung: Words of Affirmation      -Honestly, he is the only one I feel most certain about. Taehyung needs to be told that he is doing well; more than that, he needs to be listened to. Some could argue that being listened to is more “quality time” (and I wouldn’t necessarily disagree) but I feel like hearing the right words and being able to comfortably say the right words to someone who is paying close attention are extremely similar. Taehyung seems to live off the praise of those who mean the most to him. Whenever he learns a new skill (painting, composing, ‘playing’ the violin) he wants to show the world: he wants to be told he has done well. He also very much dislikes being ignored or forgotten or spoken over---all very normal things to be irritated about, but they really seem to dig at him. I could get into a whole discourse about why I think this is (his position in the group, his history within the group, his particular personality etc etc), but for now I’ll just leave it with this: Taehyung is the sort of person who loves to cuddle, loves to receive thoughtful gifts, and enjoys spending time with those he loves---but what he needs most is to hear good things about himself and his accomplishments, to be reassured, to be recognized, and to be heard.
Jungkook: Quality Time      -Here’s my thinking: as the baby of the group, as the precious maknae that was raised by these 6 other men, Jungkook received (and still receives and will continue to receive) all the physical touch (cuddling, hugs, hand-holding, playing with his hair, etc etc) and words of affirmation ( “golden maknae”, he’s the coolest, everything he does is great, so handsome, talented, etc etc) a person could ever possibly want. He’s literally never lacked those things; he has ALWAYS had at least 6 other people to snuggle him and praise him (nevermind the millions of ARMY that would kill to do the same 😂). At the opposite end of the same stick, since he is the youngest I don’t think receiving gifts is anything new or special to him; plus he seems very much the sort of person who RELISHES his ability to provide for himself (see: his fancy car, apartment, etc). He’s also been raised in an environment where things are done for him as a matter of course, so acts of service doesn’t seem to fit either. Therefore, I think one thing that means the most to him is quality time. Actually, quite similar to his hyung-nim and best buddy Jin, I think he also genuinely craves any opportunity to spend quiet, private, meaningful time with those he cares about (although for an opposite reason: Jin aches for a life he used to have, Jungkook yearns for a life he never had a chance to experience). This is also why I think he’s always very vocal about how much he loves and misses ARMY: the time spent at concerts/performances is quality time to him, an opportunity to spend time with some of the people he loves the most.
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the-cryptid-coven · 4 years
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A word before I begin on this topic- I must apologize for taking so long to post another informational blog piece about witchcraft. I did not believe this blog would blow up as big as it did in the first post alone! So thank you so so so much if you liked, reblogged, and/or followed me!! I am so blessed to have had this occur to me.
Also, please tell me using @cypress-gold what you would like to learn more about. I would love to hear from you guys!! You can also mention this blog or my personal blog in a post, and I will most likely reblog!
And always remember that this is not the only way to do tarot, or the only opinion you can have of tarot. Always do what feels right to you and always look through multiple sources for information.
Now, onto the tarot-
With tarot, the first two things you need to do are-
Select a Deck
Cleanse the Deck
We will be going over these two in this post, along with other topics in the near future.
Selecting a deck-
When selecting a deck, there are a few things people think of that make picking a deck a daunting challenge.
Does the deck have to be gifted?
Where do I get a tarot deck?
What deck do I get?
The first question is a simple answer- no, it does not need to be a gifted deck. Although some do believe in this practice, I personally do not. However, if you must get one gifted, maybe use a recommendation from a friend as your “gifting.” Pick three or so that you like and ask a friend which one seems “the most like me.” Whichever one they believe is the most like you could be them gifting you that knowledge and recommendation. This eliminates having to ask people to buy you things or hint at relatives to get you tarot decks for the holidays (although those are also legitimate if you so wish).
I can also do a free personal consultation where you specify your interests and aesthetics and I can show you some tarot deck options @cypress-gold
When buying your own deck, you can find solid options at bookstores, Amazon, and Etsy. (My first deck was one I happened upon at a Spencer’s and I knew couldn’t leave the store without buying it.)
When deciding on what deck to buy, I believe that you actually do have to judge a book by its cover. Decks are stories, and you need to be able to read the illustrations clearly to understand the stories your deck is telling. By choosing a deck that has imagery you personally vibe with, you will have an easier time reading them. I also suggest that beginners get a deck that is not minimalist. The less illustrations to go off of, the less likely you will be able to read them. Your first deck should be full of rich colors and symbolism, which makes readings easier and more fun!
My first deck general recommendation for beginners is the Modern Witch Tarot deck by Lisa Sterle. It is a modern twist to the original Rider deck, with beautiful art and is an easy read for almost anyone. You can find it on Amazon-
The Modern Witch Tarot Deck https://www.amazon.com/dp/1454938684/ref=cm_sw_r_cp_tai_B.D0Db8NZKGR3
My favorite deck to recommend as a second deck is the Unknown Tarot by Kim Krans. It is a universally loved deck with an in-depth booklet, amazing art, and is great for a witch who isn’t necessarily a beginner, but wants another deck to add to their collection after their first ever one. It can also be found on Amazon-
The Wild Unknown Tarot Deck and Guidebook (Official Keepsake Box Set) https://www.amazon.com/dp/0062466593/ref=cm_sw_r_cp_tai_eaE0DbAV7W9TZ
Also, if you are a closet witch, I recommend using a tarot app. My favorite is the Golden Thread Tarot by Labyrinthos. It is a somewhat minimalist design, true, but each card comes with a full description of what it means, and when you are finally out of the closet, you can purchase a physical copy of the deck that you are used to.
Now that you have your deck, it is time for-
Cleansing!
Cleansing a deck before use is essential, according to most witches. Witch tools have many energies that are passed onto them, from the time they are made to the time you own it. With carriers, manufacturers, and so on, other people have touched the deck, and therefore have messed with it and subconsciously made the deck their own in a small way. Think of cleansing like cleaning off other people’s fingerprints.
There are many ways to cleanse, so make sure you find which one is right for you. Here are my favorites, including one I “created” myself.
Cleansing with incense or an herb bundle is the most common way to cleanse an item. By waving your deck through the smoke, it is cleansed by the element of air. I recommend sage or palo santo, but you can also use an herb that you feel represents you.
Cleansing during a moon phase is also common. Pick a moon phase you feel the most connected to (I personally prefer the full moon), and keep your deck at a windowsill for the night. It is cleansed and ready when you wake up!
Keeping it in your bed at night with you, along with a crystal like amethyst or quartz, also helps cleansing and to also imbue your personal energy into the deck along with it. Make sure it is at a point on the bed that you know you won't roll onto it.
My final and favorite way is one I sort of created on my own (although others may do this and I simply do not know. Feel free to tell me). I call it-
Mindfulness Shuffling
What you do is simply count the cards out into piles. You will create-
7 stacks of 10
And
2 stacks of 4
Start with three stacks, placing three initial stack cards down and deal nine more cards onto each pile (going clockwise or left to right), ending up with the three stacks having ten cards in each.
Now do the same thing with four stacks, and then the two with four.
Combine all of the stacks together and repeat two more times.
While you are counting and dealing out the cards, it is important to only focus on cleansing energies and the numbers you are counting. Think of it as a form of meditation. The only thing that matters is making sure you have 78 cards (this also helps if you take your cards on the go and want to make sure you have not dropped any).
I also like to keep around me crystals, some candles, and incense that I feel represents me so as to start imbuing my energy into my deck the first time I cleanse. For me these crystals are white jade, green moss agate, amethyst, and rose quartz, with candles and incense being either frankincense and/or myrrh, and a Leo candle (my sun sign) with palo santo and warm amber.
I like to use this to cleanse and shuffle my cards after cleansing with one of the other techniques, and I also use this shuffle cleanse as a sort of maintenance for my decks. If I don’t do this for some time, my decks seem to keep giving me the same few cards and stop showing me new readings. This used to happen when I first started out, since overhand shuffles aren’t full shuffles and sometimes keeps cards bundled together for a long time without you realizing.
I hope this beginning lesson helps you with your first steps to obtaining a deck. If you have any questions, feel free to ask in my inbox here or go to @cypress-gold
The next parts shall be about tarot spreads, setting up a personal space at your altar for full tarot divination rituals, how to log your tarot readings, and how to get a feel of your deck’s personality.
Blessed be and may the universe provide for you.
~Cypress
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imagineurfavs · 5 years
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2PM - Junho A-Z
“Girl, YAAS!! A blog that stand 2PM❤️❤️ I just finished reading your Nichkhun and Jun.k A-Z and need one for my main manz Junho😍”
“Hii! Will you do 2PM Junho a-z ?:-) Thank you”
------
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A - Aftercare
He’s big into eating after sex so dont be surprised if the first thing he does is order out something for you both, something you can stay in bed and eat together without worrying about the mess. When you’re done he’ll probably put the bedding in to be washed whilst you shower, where he’ll promptly join you.
B - Body Part (their favourite body part of theirs and also their partner)
On himself, he likes his mouth, seeing how he can make you feel with his lips alone is a huge ego boost. On you, he likes your eyes (or pretty much your entire face). The way every little move he makes, reflects in your expressions.
C - Cum
He tries to be as tidy as possible and keep it to somewhere easy to clean. This usually ends up being your lower stomach.
D - Dirty Secret (a dirty secret of theirs)
I don’t really think he’d have any secrets, not from you at least. He definitely doesn’t let out his submissive side that often though, but rest assured it is there. 
E - Experience
A fair amount. He’s super confident in himself and his skills which is something which only comes with time and experience.
F - Favourite Position
Usually ends up being some variation of missionary. It’s just what comes naturally and it’s for sure the most intimate to him. 
G - Goofy (are they more serious in the moment, or are they humorous etc)
I wouldn’t say he’s serious, but he’s not gonna be cracking jokes left right and centre either. A nice place in between. Can flit between being lighthearted and soft, to being more focused and stern at the click of a finger.
H - Hair (how well groomed are they)
Keeps it all very well trimmed and neat.
I - Intimacy (how are they during the moment, romantic aspect)
Very romantic. His lips are always close enough to your ear for him to whisper words of love to you. That and it’s his favourite space of your neck to nibble.
J - Jack Off (Masturbation)
He does it more often than you know. Usually happens late at night whilst you're asleep next to him. He’ll end up popping a boner but won’t wanna wake you up so he’ll either try and be as quiet as he can next to you, or if he really needs to go at it, he’ll take himself off to the bathroom.
K - Kinks (one of more of their kinks)
One or more forms of sensory deprivation is something he’s into, both giving and receiving. That’s stuff like handcuffs or ties so you can’t touch each other freely, or blindfolds so you can’t see. Temperature play is something he’s a fan of too, but more so hot than cold. Think like the dripping hot wax on each other kind of things.
L - Location (Favourite places to do the do)
Literally wherever is available at the time that has decent privacy, but his favourites would probably be the bedroom, obviously. Mainly because he’s spent so long making the vibes and atmosphere just right, there’s nowhere else he’d rather be.
M - Motivation (What turns them on)
Literally just you. That sounds super vague, and that’s because it is. He’s hasn't even figured it out himself exactly what it is about you yet that get’s him going. It can be anything. It’s something different every time.
N - NO (something they won’t do, turn offs)
Not into sharing, so any kind of threesome or open arrangement is totally out of the question. He’s yours and you’re his, that’s how he wants it to stay. He doesn't wanna risk you catching feels for anyone else.
O - Oral (preference in giving or receiving, skill, etc)
One of the few men who probably prefers giving rather than receiving. He loves the feeling of having your legs locked around him as he’s buried in your core. It gets him feeling a way nothing else can.
P - Pace (are they fast and rough? slow and sensual? etc)
Definitely on the slower side; he keeps a super fluid rolling motion in his hips rather than sharp thrusts. 
Q - Quickies (Their opinions on quickies rather than proper sex, how often, etc)
What he considers a quickie is still pretty long in terms of averages; he just likes to move slowly. If there’s a time when he thinks he’d be really rushed, then I think he’d rather just wait it out until the time is there.
R - Risk (are they down to experiment, do they take risks?)
He’s definitely open to try new things, but you can bet that he’ll stop things midway if he suddenly doesn’t like it. Just like he expects you to be very vocal about how you're feeling throughout. 
S - Stamina (how many rounds can they go, how long do they last? etc)
Prefers one really super exhausting long round instead of multiple. He’ll hold himself back as long as he needs to until he can tell that you're totally satisfied.
T - Toy (do they own toys do they use them on a partner or on themselves?)
Will buy you loads of toys for you to use on yourself, but that’s about it. As for himself, probably just a blindfold which he likes having used on him.
U - Unfair (how much they like to tease)
In theory he loves it, totally gets off on the thought of you squirming beneath him as he holds all the power. But in practice, he just doesn't have the patience for it. The second he sees you starting to get the tiniest bit impatient, he totally gives in. 
V - Volume (how loud are they, what type of sounds they make)
Not too loud. But suuuuper pretty moans imo, long and drawn out, almost a little melodic.
W - Wild Card (a random headcannon)
Usually he’s pretty open about different locations, but whenever you do it at his place, it HAS to be in his bedroom with the door shut. Purely to stop the cats from walking in and out and making things awkward. Nothing ruins the mood more than being mid nut and having a cat come up to you meowing for food.
X - X-ray (what’s going on inside those pants)
pretty average in both senses, maybe a little thicker.
Y - Yearning (How high is their sex drive)
Not crazy high all the time, just because i feel like he’s emotionally driven more than anything. His mind has to be turned on as well as his body for him to wanna go all the way.
Z - Zzz… (How quickly they fall asleep afterwards)
Really doesn't fall asleep afterwards unless he’s totally exhausted. He’d much rather lay with you and talk for hours on end.
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noahrambles-blog · 4 years
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Introduction - Who the fuck am I?
Hello void!
I made this blog so I could shout my questions into the void. My gender has been a big question for such a long time, but I’ve only started really wondering and analyzing recently. I feel like every step forward I make, I slowly inch backwards to where I was. Every epiphany, realization, moment of “thank you god I finally understand” eventually regresses back to confusion and frustration.
I’ve decided to start writing these realizations down. I find it’s easier to write to an audience, and frankly I hate writing in MS word. So, here I am, shouting into the void that is Tumblr. I’m not looking for advice from others, reassurance, nothing. I need to sit in my feelings and dig deep. I can’t get external validation or thoughts or questions or concerns. I’m just way too sensitive to others telling me what to do. Others’ expectations have forced me into the dark closet for too long and well, I’m done.
I’m in therapy currently to break down my past, which includes my parents’ expectations and the very traditional gender roles I grew up immersed in. Every time I think I’m getting somewhere in understanding my gender, I explain it away as “Oh, I’m just being sexist and stuck in those gender roles and stereotypes”. I was a tomboy as a kid? Doesn’t mean anything, girls can be masculine. Etc., etc.
Add on to all the fun confusion, that my partner came out as trans about a year ago. I love my wife dearly and I know she loves me too, no matter what (she’s well aware of everything I’m writing), but I worry that I’m only having these feelings because she’s having these feelings. When I met her, she told me how much she loved a particular video game, and I played it and loved it too, and we bonded over it. Same thing happened with multiple TV shows, hell, even backpacks vs laptop bags. Would I have loved these things without her influence? Granted, there are things that she loves that I don’t. She loves sardines on toast. Gross, right? Other games that I’ve tried and wasn’t a big fan of, instruments, drinks. We’re different people, but we basically grew up together, so of course we have similar interests and we both try each others’ interests. And since we’re so similar, there will be lots of overlap. And that’s okay! (I think. I hope.)
I think that this has really come up more in the past few years because my wife’s sibling came out as non-binary, which frankly, I knew what it was but not much more than that. Their experiences really mirrored my own, but because they used a lot of the same gender role language in their explanation, I wrote it off as them just being a bit sexist. But I fully supported them regardless. 
Add on the fact that I moved out of my toxic parents’ house into an apartment with my wife. Meaning day-to-day I can just be...myself, rather than bending to fit this expectation they enforced on me. But I’d been under their thumb for so long, that I don’t really know who I am? 
I was depressed for a really long time. I moved to Canada at 14, and the long winters only exacerbated it. I only feel like I’ve just come out of the fog. A few weeks ago, I went to my therapist to talk all this gender stuff out. I woke up the next morning feeling like garbage, but the two days after that? I haven’t felt that good in a long time. And I got married 10 months ago. I woke up with energy and motivation and desire. I wanted to go shopping and get new clothes, go to the movies, go out and have some beer. I just wanted to be out on the town and in public. I’ve been spending all my time in my apartment for years, so it was pretty weird.
My wife’s sibling got top surgery earlier this year and gave me their binders (since they didn’t need them anymore!) The first time I tried one on, I had a half second of “fuck yeah” followed by hours of utter dread and despair. I’m not 100% sure what caused it, but I think it was from the realization that it didn’t make me completely flat. I didn’t wear it again for a few weeks, but one day I tried it again on a whim, and I haven’t really gone a day without wearing one since. I don’t love the 8 hour time limit (and I work 8.5-9 hours per day, so it’s often a lot longer, which I know is bad) and I don’t love the, well, binding feeling. But it’s nice to be warm all the time!
My other big indicator was when my wife bought me a strap on. We’d discussed me topping a few times in the past and once she came out, she was really interested. So we ordered a strapless dildo. But I couldn’t for the life of me figure it out. If it was in me, it wasn’t in her, and vice versa. We probably did this for 15, 20 minutes, and I was just getting more and more frustrated and upset. I kept trying, even though I was not really in the mood anymore. And then! It was in both of us! And I could move it! And it was so exciting! And then I was hit (again) by a wave of dread and despair. I couldn’t feel anything. I knew my wife was loving it, but I felt like dying. I couldn’t feel anything! I pulled out and laid down and cried. I’m sure my wife was so flustered, it did sort of come out of nowhere from her perspective. 
We haven’t used that dildo again, but I convinced myself afterward that my breakdown was due to my frustration - I’m really bad at being bad at things. I need to be really good at things, otherwise I get frustrated and quit. 
Because of this, we decided to buy a harness and try that instead. We went on vacation and we tried it out. Hoo boy, it was amazing! Looking down and seeing it gave me so much joy! (We had some awesome sex that night. Even me not being able to feel anything didn’t kill the vibe).
We’ve had sex a few times since then, but each time I get a little more dysphoric. We haven’t done anything recently, because I was hoping to analyze what’s going on without the dysphoria during sex, and overall pressure to perform. Since my wife came out, she’s much harder to read. It’s hard to tell what she’s into and what she’s not, because her tastes changed too. I know this means that we should do it more, but I’ve been getting overwhelmed trying to pleasure her, when my new dysphoria has also changed my own tastes and what I like and don’t like. I don’t really ‘finish’ much anymore, partially because my wife isn’t taking initiative and I have a really hard time asking for what I want or need. And I know sex isn’t about that, but all of these factors make it difficult to want it.
So in the meantime, life has been difficult and confusing. But also I’ve been happier than I have been in a while? The mornings aren’t as difficult, sleep comes more easily, I have more confidence day-to-day. And this is all just from considering these issues.
I bought all these gender-affirming clothes (I USED THE TERM GENDER-AFFIRMING CLOTHES BUT I DON’T KNOW WHAT MY GENDER IS WHAT THE FUCK) that are honestly amazing, even though they’re super simple men’s clothes. Boxer briefs are literally my new favorite things. 
I think I’m definitely on the masculine end of the spectrum. Going back to wearing panties (and I always wore granny panties) and bras makes me feel gross, not to mention women’s lingerie. Dresses and skirts are a huge no. Heels are a hell no. Wearing my binder makes me feel like a person. So am I non-binary or a transgender man?
What I do know is this:
- I’ve never wanted to be a mom, but I really like the idea of being a dad. I don’t know what the difference is, but apparently there is one.
- I’ve always disliked my voice - anytime I hear it played back, it makes me feel physically ill. I wish it was deeper. I need to work on stopping artificially raising it (it is relatively low for someone who is AFAB and when I felt that I needed to be feminine and lovely and whatever, I learned to raise it and now it’s kinda stuck in “customer service mode”)
- I like the idea of getting smaller hips through fat redistribution. This dysphoria is actually new today. I haven’t had any issues with this but today I saw myself in the mirror and looked back at past pictures and my hips look massive.
- Surprisingly, the idea of bottom growth on t doesn’t weird me out? 
- I’m terrified of hair loss.
- I really want to fully embrace the academic professor aesthetic. I love the collared shirt under sweater look. I just need some elbow patches and a tweed blazer. I already have the oxfords.
- I’m terrified at the thought of coming out to anyone except my wife. Part of my family would be chill, the other would not. My work is made up of quite conservative people and even the “allies” are misguided. My immediate coworkers would probably be okay with a transition to a binary gender, but I feel like asking for they/them pronouns would result in being misgendered constantly. But I guess I’m being misgendered constantly anyway.
- I’m feeling less and less connection to my pronouns/feminine descriptors. It just doesn’t feel like me.
- I want to get stronger so I can pick up and toss around my wife cause I feel like she’d love that. And I think it would be kinda fun too. I already love pushing her onto the bed. Picking her up and tossing her onto the bed? Hot.
Anyway. This was a lot and was basically just me pouring my thoughts onto this page. There will definitely be more to come.
Goodnight!
Noah
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How to choose a wedding photographer
liam smith photography
Top tips on how to choose your wedding photographer
Know your fine art from your reportage
Look at lots of complete weddings, not just portfolios
Meet in person
Make sure you like them!
Understand what's included in each package
It's an age old question, how do you choose a wedding photographer...this is a long one, let's start with some LOL's...
Understanding the different terminology used when describing wedding photography style is integral to narrowing down your searches. I spent hours trying to define my own style. My work is fun, and it's also documentary. Wait... I've got it. 'Funcumentary' Don't you love a good portmanteau? Blend two styles of photography to invent a brand new one, how about, fine art and documentary? "fineocumentary" or "docart". Liam Smith – best docart photographer in the world (n.b, Liam is the only docart photographer in the world and wins by default)  To answer my own question, how do you choose a wedding photographer? The answer is choose me...I'm obviously hilarious.
What are these stupid words I keep reading, what styles are there? What do these words mean? I believe in creating great images. I've read endless blog posts and magazine articles trying to define what a photography style is and what it means. In my years of experience I have found that there are essentially two types; posed and unposed. Unposed can be referred to as candid, photojournalistic or documentary, essentially they are the same thing; capturing people unawares. Counter to this there are posed images; fine art or traditional. These images are orchestrated and the photographer is in complete control of the outcome. So who cares? It's easy for people within the wedding industry to forget that there is a world outside it. Phrases are coined and banded about and then thrown at the customer expecting them to know what they mean. If I question these terms objectively, fine art sounds like each image is going to take as long as a painting and photojournalism sounds like my wedding is going to be photographed like a war-zone. This is of course me being dramatic, but I hope you can see my point. Documentary/Photojournalism/Candid Documentary wedding photography (sometimes called photojournalism) refers to capturing natural moments, no staging or posing. The intention is to provide the couple with a narrative of the day, it doesn’t matter what happens on the day, your photographer will record it. Grandma falls over; click. Grooms scrunched up crying face; click. This is the real stuff. Pure emotions. No pretending. Great documentary photographers are masters of composition. Patiently waiting to create artwork out of serendipitous moments. Timing is everything. You have to be in the mix, switched on and up close and personal with people. Documentary photographers will also take couple portraits and group pictures. I've written in more detail about documentary wedding photography here Here's an example of being in the moment. Documenting events as they happen.
Fine art Fine art wedding photography focuses on recording your day in the most beautiful and elegant way possible. Lots of bright colours, clean whites, couple portraits and details. Stunning pictures that would look amazing on the mantelpiece or in an album. Fine art wedding photographers are masters of light and styling. Being able to find soft, even light is a must and a keen eye to arrange details to capture that editorial feel is a sure sign of a good fine art photographer. The main man of the fine art world is Jose Villa, his work is exceptional, “For me, it is all about making something beautiful, even if I have to insert myself into the situation. Ultimately, my goal is to craft vibrant, energetic, fine art images that are as unique as the people in the photographs.”
N.B Fine art wedding photographers often take photographs using old school film - expect their fees to be considerably higher if they do. Takeaway/What to Google Documentary/Photojournalism/Candid wedding photography – beautiful images, story telling, documenting not posing, people focused. Fine art wedding photography – beautiful images, posing where necessary, lots of details.
Should I meet my wedding photographer before booking? In short. Yes. For me, this is the second most important factor after the images themselves when deciding on who should photograph your wedding. I always say at client meetings that they have to like me. How much you can like someone in an hours meeting may sound silly, but your gut instinct is rarely wrong. If the vibe isn't right, go with someone else. In order for you to relax, you need to like the person who will be spending the day with you. Of course they won't be partying and socialising, but if you don't feel like you trust them, then ultimately you won't relax, they won't get the pictures you want and everybody loses. Knowing when it's not a right fit is an integral part of the process. A wedding is a collaboration, you have to be able to work together. Even if you choose a documentary wedding photographer who won't be posing you, you still need to trust them. There may be a moment happening right in front of you and the photographer nowhere to be seen. If you can't trust that they are off somewhere else capturing an equally important picture, then you won't relax and you won't enjoy your day to it's fullest. Meet them. It's one of the best investments you'll make in your wedding.
What defines a good photographer? This is also tricky as it is so subjective. Awards are difficult to judge a photographer by as some are more valuable than others. Certain awarding bodies use client feedback to judge the photographers quality of images and service. Others prioritise certain styles, so it's worth investigating whether or not the wedding photography award has come from a relevant and established source.  Who are these sources? WPJA, Fearless Photographers, Masters of Wedding Photography. Directories have their own awards, but only award to those who advertise with them. 'Top 50' round up posts are a technique used to get links to websites. Some photography bodies give you an award for submitting which means you can then call yourself 'award winning'. I have won an MoWP award, of which I am immensely proud. If I were to pin such a big decision on a question or statement, it would come down to this; when you look at their work, do you feel something?  Great images move people. They stir something in the soul. Whether laughter or tears, if you can feel a connection to the images, and the people within them without even knowing them, then it's a great picture and you've found yourself a great photographer.
Look at the blog in serious detail Portfolios are there to give you a wow. The blog is there to tell you the whole story. A portfolio could be made up from 100 or more weddings. A blog is one day. Even if a photographer only blogs the most insane weddings it will still show you what they delivered to the client. If you are happy with that then add them to your shortlist. Important frequently asked questions and top tips A few thoughts and important questions to consider when trying to choose a wedding photographer. How much should I budget? This is of course dependent on your personal circumstance, no one should ever consider stretching themselves financially for the sake of a wedding. I love weddings, I think they're truly magical. But life is long, your family grows and develops, magical moments happen on multiple occasions. Whether it's a wedding day, the birth of a child or buying your first house and rolling around on the carpets, life is full of joy, pay what you can afford. Between £1000 and £2000 is realistic for someone who is good. “Define good” some may cry. Well that's subjective, and I can't. You have to use your judgement on this one and trust your gut. An iMac with the same spec laptop that I'm currently typing on would be one thousand pounds more expensive. Some products are more expensive because of their quality, some are based upon branding. Look at the photographers portfolio and then examine their blog posts in detail. Only then will you be able to gauge what a full days wedding looks like and then make a judgement on call on whether that represents good value. Do I need two photographers? If you love documentary wedding photography, consider this; with a single photographer shooting in a photo-journalistic style, there is no guarantee that all of your guests will be captured in an image. Does this bother you? Maybe it doesn't. Keep in mind that the photographer won't know how your most treasured guests are. A second photographer can be a valuable asset as although it goes against my documentary ideology, the second photographer could arrange formal photographs to make sure that your most important persons are photographed in some capacity. If you're a purist like me then ignore that bit, I like to give both sides of the coin. If your budget will allow it aim for two, more pictures is never a bad thing. Note, this is likely to push your costs up to the £2-3k mark. How many hours coverage do I need? When whittling down the shortlist, working out how exactly how many hours you need might save you money. Magazines for some reason say from bridal prep to the first dance. WHICH I HATE. Many couples don't have a first dance. And what if you don't want photographs taken in the morning? Ten to twelve hours should be about right for the vast majority of people. I always say to clients the best way to judge this is based upon the general vibes of the day. If you know that your crew is going to rave until the early AM, then twelve hours might be a good idea to make sure you capture all the madness. In my experience, ten hours is usually plenty. It gives you approximately an hour and a half of getting ready and another hour or so of the evening dancing. What's included?/what do I need in a package? One photographer, ten hours, £1000-£2000 is the average cost in the UK. With that in mind, ignore books in the first instance - you can always buy one later.  I always recommend to clients that they book as many hours as they can if cost is an issue, they will always have the photographs and can save up for albums and prints at a later date. Do I need an engagement shoot? I think the question should be asking yourself is why do you want an engagement shoot? If the answer is 'to get used to the camera', then it may be worth considering the reality of that for a moment. If you prefer documentary style images, there's no need to pose, so no need to get used to the camera. Documentary photographers are skilled at being unobtrusive and capturing people off guard. Practising poses will not put you or the photographer at ease as you're both engaged in an activity that neither of you want. IF however, you love fine art style images, then engagement shoots are perfect. It gives you a chance to understand your best body position for posed photographs and gives you an idea of likely how long your posed pictures will take on the day. Gut instinct shouldn't be ignored. It exists for a reason. It's not a random part of your brain making decisions. It's a combination of all of your thoughts, feelings and experiences coming to the fore at an important moment. Trust it. The wedding is in the evening/winter etc. will lighting be a problem? You need to know the answer to this when choosing a wedding photographer if it applies. Any wedding photographer worth their salt will have equipment that can deal with low light levels. It is however, something to consider. Shooting in low light is difficult at the best of times. It's near impossible without high end equipment. -If your photographer is cheap, chances are, they won't have high end gear and will struggle to shoot in low light.  If you are having a candlelit wedding ceremony, then these are questions you will have to ask. I received this message from a bride and it is a fantastic question. “Our ceremony is in the afternoon and will be by candlelight. We both don’t like staged photos and are looking for a creative photographer that can shoot gorgeous photos in a candlelit/fairy light environment. We are very aware good photos depend on lighting etc. and are very keen to hear your take on this. Would that be something you would be able to help us with? Do you by any chance have some photos to show from other night weddings? The plan is to create a fairy light backdrop for the ceremony (which will take in a separate area) with candles in the aisle next to the chairs. In this scenario there would be no light coming from above. Do you anticipate that being a problem? There is a beam that runs the length of the aisle that we could always wrap in more fairy lights if you think that might help. In the barn where the dinner and party will take place there will be a festoon light ceiling and a festoon light backdrop behind the main table. On the tables there will be candles, additionally there are loads of lights all over the barn that can selectively be turned on and dimmed. I look forward to hearing from you!" Here is my reply: There are two main considerations when working in low light. One – the images will be grainy Two – candlelight only from below can cast unflattering shadows I’ve attached a few images for your consideration. The first image is an example of how low light levels (only lit by the fairy lights) will result in what’s called ‘grain’ on the photographs. It’s simply unavoidable, but something you should certainly be aware of. Personally I don’t think it matters and often adds character to an image, particularly black and white photographs.
It's worth noting that when light only comes from below the shadows can be unflattering. Image two I photographed in a particularly dark barn. This is a combination of fairy lights and ‘candle light’ bulbs worked very well to produce well lit photographs whilst maintaining the ambience. The bulbs fill in the shadows and provide more even lighting across the face.
My recommendation would be to have a combination of the two, candles for ambience and fairy lights to add to the ambient light. Another consideration is the heat from the candles if they will also be your primary light source. I’ve seen the Gentlemen get quite hot in a three piece woollen suit stood next to candles! To reflect Low light equals grain. Grain is not indicative of bad pictures, only low light. If you are having a candlelit wedding ceremony you should definitely ask if the photographers you have shortlisted have example images to share with you.
How do I approach the day? – Blending the styles I believe that weddings should be photographed with care and compassion as well as integrity. Capturing the narrative of the day, true to events. Weddings are an opportunity to dress up. Thought goes into every outfit, from the bride to the second aunt, everyone considers how they will look and wants to look their best. I believe that the bride and groom should also have a series of images that document the connection between them and have them looking amazing. This is possible if you shoot in a documentary style and I believe gives more genuine images than pure fine art. By mixing the two you have the benefit of controlling the location, the light and the basic body positioning, but then you let your confidence as a documentary photographer take over and let the moment unfold naturally. Believe me this takes serious practice and belief in yourself as it can feel super awkward at first, but you have to be bold, if you’re confident, then your client is confident in you. Continue as if this is absolutely normal. I've found if you stand maybe twenty feet away and say "I'm going to shoot this one quite wide so feel free to chat" something magical happens. All of a sudden they feel free to express themselves, everything becomes more relaxed and the real people emerge, not the 'people in that pose'. Then, because you told a fib and you actually have a 50mm lens on, you can shoot at f1.4 and capture those dreamy fine art style images which have all the blown highlights and shallow depth of field, AND capture a natural moment. Hazaahs all round. Here's the magic Here's an example to demonstrate my point. Here we have a beautiful couple and a beautiful location and an outrageously sunny day. The control part from me is placing them in this location under the willow tree. I have used my knowledge of light, environment etc. to place them in a setting I know will look good. The boughs of willow trees create a perfect canvas of elegant greens to create a couple portrait. Next, my instructions are thus "enjoy yourselves, the wedding flies by so take this opportunity to be together in the moment". They look great, the light looks good and everything is peachy. Then I say "I'm going to shoot this one quite wide so feel free to chat!". Then the most extraordinary thing happens. It's as if people feel like they’re no longer being watched and the most intimate moments happen. I've heard of some photographers who say to their clients "imagine a comet is about to hit earth and these are your last few moments, what would you do?". Whilst this may work for some, having to enact a scenario isn’t real to me, plus my clients would probably tell me to fuck off, after all, they did hire me because of my documentary *ahem* unposed style :). The recent image that went viral is a beautiful example of how inviting clients to interact can work. The instruction in that image was "whisper in her ear why you married her". The sentiment is beautiful as is the resulting image, but if we're going all purist, is that a real moment? If my one aim is to show clients images of themselves that they recognise, will they look back on that image and say 'that was the most amazing moment of my life' or 'that was when the photographer instructed us etc. and I cried'? Here is the magic moment. No instruction from me, everything apart from the location is spontaneous. Even the holding of the dress looks amazing, but had nothing to do with me. For me this is the perfect blend of fine art and documentary. The image is absolutely them, this is how they interact, how they stand, how they hold each other. Its magic.
The one thing clients always say The second best thing about this image? We were only gone from the crowd for fifteen minutes. Everyone tells me they hate it at weddings when the bride and groom disappear for the entire drinks reception for photographs. There's simply no need. Find a nice spot, be calm, relax, let the magic happen. It's a moment, it only lasts for a few seconds and then it's gone, so you have to be ready. So Liam what do you do for the other 99% of the day? I take pictures like this:
Liam Smith is a documentary wedding photographer from mars (probably) If you like the look of my work and my philosophy, hey, why not get in touch?
https://www.facebook.com/liamsmithphotography/ https://twitter.com/smithlphoto https://www.linkedin.com/in/liamsmithphotography/ http://youtube.com/channel/UCDRq0noH6kh0afzWK0zt_qw https://www.instagram.com/liam_smith_photography/
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parniarazi · 6 years
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what the universe has taught me about living my best life
I haven’t written on this blog in months, as I’ve been caught up with school, work, and travels. I have been meditating and writing in my journal instead though, a habit I’m proud of and definitely want to continue. I also want to share some things here, especially as I’ll have a bit more free time to write and channel my creativity throughout the summer. I can honestly say, the past year has been the happiest and most amazing year of my life. I turned 20 last October, fearful but excited to end my teen years and embrace adulthood. Moving out of my small hometown, expanding way past my comfort zone, traveling, and falling in love have all changed my life for the better. There’s some points in particular I wanted to draw on, about ways I have cultivated more love and mindfulness everyday, and in return significantly improved the quality of my life. I apologize in advance if some of this is cheesy, just hear it out and give it a chance though! 
☽ Appreciate each phase and live in the moment. If there is one thing the moon has taught me, it’s that things change everyday, the phases will continue and she will go through her cycles. She has taught me to be present, rooted in the moment, in where I am and who I am right now. I’ve always been a dreamer, always thinking about what’s next, where I’d rather be, who I’d rather be. I remember in high school, I was honestly pretty miserable most of the time because all I thought about was being somewhere and someone else. In reality though, when I look back on my life in high school, it was actually really great. I have many good memories and stories, I just didn’t appreciate it enough at the time. Instead, I wallowed in my own misery for literally no reason. Each phase will end, whether you want it to or not. Soon, I’ll be done with college and enter a new phase in my life, and I’m glad I’ve grown up to be more appreciative, more present, and more in love with myself and my life now. Appreciate and be present in whatever phase you’re in now, because it will be gone and different tomorrow. 
☽ Play. Growing up doesn’t mean losing that childhood innocence, your sense of adventure, or your playfulness. If anything, you’ll need your child-like energy more and more the older you get. For a while, I took adulthood way too seriously. I have the blessing of working with kids, and they remind me everyday to laugh and not take things too seriously. Many of my friends, as well as myself, have experienced crippling anxiety throughout our teenage years, because life is fucking hard and scary. Sometimes you need to walk barefoot in the grass, roll down a hill, blow bubbles, watch cartoons, eat candy, and imagine you’re a mermaid. Getting into the rave scene and culture are one of the main things that have also reminded me of this. It’s amazing to see all kinds of people, grown ups from the real world, gather wearing shiny, silly clothes, and glitter to dance and vibe together. We need things like this to remind us life doesn’t have to be so serious all the time, and to allow us to judge less and love more. Remembering this and embracing that innocent, playful energy will unlock so much creativity, compassion, and imagination you have within you. 
☽ Life is full of paradoxes. My favorite one is that life is short, but it’s also so long. You’re here now, and you don’t know if you will be tomorrow, so live a life you’re proud of and leave a mark on the world and the people around you. Be exactly who you want to be remembered as. At the same time, it’s important to remember that there is no rush. You have your whole life ahead of you. You will get to places better than what you even imagined. Take it slow. There’s this cultural attitude of needing to finish school and get a job as soon as possible to be happy and successful. As real as this is, it’s also bullshit because there’s so much more to us than that. Why rush into getting a 9-5 job when you’ll have until you retire to work and make money? You’re told to get AP credits, take more classes, and you’re praised if you graduate early. But for what? Take a gap year if you need it, take less classes if you’re overwhelmed. Take your time because there’s no reason to chase material things and undermine the quality of your learning and the quality of your life. I’ll probably be 25-30 before I finish my degrees, but it’s okay because there are endless opportunities for learning, making money, and growing in a real and authentic way until then. 
☽ Move your body everyday. Something as simple as going on a walk in the morning or doing 20 mins of yoga can improve your life and make you feel better. From insomnia, to depression and anxiety, to physical pain/chronic illness, I’ve seen movement and exercise change lives for the better. We all know exercise releases endorphins, which can boost your mood, help reduce physical pain, even boost your memory and focus. Our culture is obsessed with aesthetics, and working out can suck if you don’t feel great about your body. It’s easy to compare yourself to insta fitness models or experienced yogis, but everything is a process, you have to start somewhere and you have to start with a goal of just feeling healthier and happier. For the longest time I just did ab workouts and squats because I wanted a certain body, but I realized eating food I liked, and doing a simple and easy yoga routine some days felt better than forcing myself to workout and eat healthy. Throw away the scale, don’t count calories or protein, don’t look for physical changes. Move your body in a way that feels good, eat whatever you’re craving, take care of yourself from a place of love and authenticity, and you’ll be surprised how much better you’ll feel on a regular basis. Plus, the gains and strength will come along, too. I’m still working on this as well, but swimming, doing yoga, and going to the gym have helped me feel stronger, sleep better, and have less back pain from my scoliosis.
☽ Go outside. You came from the earth, and to the earth you will return. Feel the sun on your skin, the cool water on your feet, the rocks and sand through your fingers. Connecting with nature, not only by physically being outside more, but also eating more naturally, has beautiful effects that are hard to even describe. The earth has everything we could need as humans, she gives abundantly and has the power to heal us. As humans, we need to spend time with nature, the man-made society and structures we live within can sustain us, but we will never be able to connect, be as conscious, or be whole without returning to our roots. I like to have plants, sage, palo santo, and crystals in my room so I can have more connectivity to earth even when I’m indoors. The relaxing, euphoric effects from spending time outside and in nature cannot be felt or imitated with anything else. It is so grounding and uplifting at the same time, and connecting to the earth is definitely on of the main things that has improved my life. Also travel. See as much of the earth as possible. It will teach you things that nothing else can. 
☽ Meditate. Write. Listen to music. Read books. Expand yourself through multiple avenues by trying new things. I never thought I’d be into crystals or meditating or any of this spiritual shit, but instead of judging myself or others, I just decided to give it a few tries. Meditating is amazing because in a world where our brains and eyes are constantly being given information, fed images, and told what to think, it can be so hard to even hear your own thoughts and feelings over all the noise. We also live in a ‘productivity’ culture, so taking a few minutes out of your day to simply sit with yourself and breathe can be so necessary and useful. Meditating reduces my anxiety, makes me a better person to be around, and helps me deal with situations and make decisions from a place of clarity. It also helps me feel closer to myself, so I trust myself and my decisions more and overthink less. Journaling and writing has the same affect. I like to make gratitude lists in my journal, and manifest goals by writing them out after I meditate. This can seem really out there, but meditating and journaling can make some serious shit happen in your life. You’ll be amazed at the calm it brings you and when things you manifest become reality...whoa. Music and reading are also extremely elevating. I could write a whole other post on those two things alone and the incredible benefits they’ve brought into my life. Listen to an artist or genre different from what you usually listen to. Read a book you normally wouldn’t, just for fun. It’s incredible how much these simple acts of stepping outside your norms will allow you to expand and grow.
☽ Cannabis and psychedelics. If you’ve read this far, that’s amazing and why I’ve saved this fun point for last! I started smoking weed in high school, like many people, and I fell in love right away because I felt how it helped me relax, reduce anxiety, and sleep better. But it wasn’t until the past several months that I really began embracing cannabis as my medicine. As I’ve mentioned, I’ve had chronic back pain and anxiety, and nothing has helped me more than cannabis. It has also helped me gain weight (I was underweight for many years), so I am much healthier and happier now. Weed makes me a better person to be around and it has improved the quality of my life so much. Thankfully, it is becoming more and more acceptable in our country/culture, I even had the exciting experience of buying from a dispensary recently. It really bothers me when people think of weed as a ‘dangerous drug,’ because it is the most amazing, healing plant medicine. I’ve also had a few acid trips and tried Molly in the past year, and psychedelics did and still do intimidate me, but they are so powerful. Tripping isn’t going to make you ‘find yourself,’ but it can be a really useful tool in your journey for expanding your consciousness, your creativity, and allowing you to feel more love and openness. Cannabis and psychedelics help me shed my outer layer, one of anxiety, judgement, shyness, and normativities. Instead, allowing my mind to elevate and be open to love, new perspectives, and a deeper connection to the world around me. I truly believe if used properly, these things can have immense benefits and improve lives. 
I’m no expert in wellness or healing, I just wanted to throw out some mindsets and activities in particular that have helped improve my life immensely. I’m on my journey, just like everyone else, learning and growing everyday. I am so grateful for the woman I am blossoming into, and I never even imagined being able to feel as much love and joy as I do. I hope you were able to take something away from these points, and if anyone would like more specific suggestions, from books to yoga to music, please let me know! 
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hippievibetribe1 · 4 years
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Why dressing well is a priority?
5 benefits of dressing well.
Being well dressed is the most beautiful form of politeness and exhibition of a positive frame of mind.
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podcake · 7 years
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Podcasts & Style/Substance
I must share to you readers that I am in the middle of a very much expected but somewhat rough decision at the moment. After about six or more years of having the same black Toshiba laptop that has stored information from middle school crossover fanfiction to job resumes to questionable png files, I’m afraid it has officially kicked the bucket or at least fallen into some kind of cybernetic limbo. 
After one faithful day when it gave itself one less kick to grant me the privilege of finishing Miss Koboyashi’s Dragon Maid and was forced onto an infinite black screen for all eternity, it dawned on me that my little pal that has been my partner in blogging for years just couldn’t pull through the strength anymore. 
It was an old, busted thing by now-touch pad now replaced by a wireless mouse, brown-gray dust permanently caked onto the screen and in between the keyboard from lord knows wear, a severe lag that regularly musters an effort to keep my video files and word documents secure as I mindlessly surf the internet, and a battery that kept my computer at a pathetic half way point that threatened to undo all of my current progress if a passing dog were to trip the wire at the slightest. 
Little Tobi (as I called them) was a good friend and I will dearly miss them and the disposable information I will lose from letting it rot in the bottom of my bed for now. I write this now from my mother’s laptop as I secretly plan out my next move. 
The likely preceding from here is that I have plans to buy a new laptop to continue my work, to which you are entirely right. I am already aware that the simple black Toshiba with its decent screen size and functional keyboard are all I need for a few extra years of blogging and book pitches, but it’s so…boring. 
Beyond my desktop customization, there’s not much to old Tobi that really sparked the imagination of what kind of person I am and what business I have with a laptop from the get-go. To any passerby I could easily be an accountant or an overworked college student grinding through an essay. 
It’s a bland but perfectly usable piece of machinery that has done me no wrong for years, and yet I find myself eager to pursue something different. Something more pink.
I am set for my next laptop to be a pink one and my itchy buying finger might just make that happen before the summer ends. And my strong, personal desire for every item within my reach to be pink-or something related to pink-tends to skew my idea about features and actual quality. 
My sights have been set on a smaller computer with less memory and detachable keyboard for about a week and I am so very close to just finalizing the deal without anyone else’s input because…it’s pink. And I like pink.
This got me thinking about how we as content creators and consumers tend to be divided over what we perceive as genuine quality in our media. Specifically targeting podcasts, I do believe the concept of style and substance is a very common recurrence we come across and I have mentioned it at least vaguely in most of my reviews and other articles. 
The term “style vs substance” tends to have a fairly flexible meaning behind it that can pertain to multiple aspects at once. This contrast can come to mind when dealing with everyday obstacles and personal preferences over pretty much anything, though let’s talk about how it pertains to audio fiction since I know that’s what you’re here for.
Substance has to mainly deal with the idea of something’s overall depth and purpose. Substance aims to tell you one thing or multiple things and provide it in such a way that the idea can’t be muddled or misinterpreted. Be it an Aesop or a specific type of theme or message, substance is meant to leave an impression in more of the practical variety.
Style is much different. Style can be easily defined as to how something is done or presented in a way that is distinctly unique. Style aims to be eye-catching, interesting, or to generally appeal to a certain type of aesthetic choice. It wants to look good or cool or scary or weird and will go by any stretch of the imagination to fulfill that.
A story that relies too heavily on substance will certainly have a focal point and a clear narrative that is easy to digest, but it will be at the risk of being unremarkable. It will not stick with a listener if an audio drama has a very clean cut story and characters that all fit predetermined roles but no real flair of individuality that makes its whole plot really ring any bells besides the ones set to a very specific tune. 
On the flip side of this coin, too much style can provide an entirely different dilemma. This creates the situation in a which a show is rich in pretty little details and nice music and the occasional wit, but it will ultimately be as compelling as a screensaver. These stories don’t exist in the realm of being genuinely deep or progressive but rather to just to give off a unique vibe, which can make it rather hollow in everything else. 
In my last article, I did go on about my irritation with podcasts that don’t cater to a story and care more about being quirky for quirky’s sake, namely about the over saturation of the “fake radio show” format that is hopefully being reworked by The Bridge as we speak, but that’s a topic I’ve ragged on enough one March ago.
And despite this, I am lucky enough to be invested in a type of medium that seems to have this style and substance balance pretty well figured out. 
Not everyone is a winner in this department, though I am confident in my belief that many podcast writers know that their vision is not complete without a purpose and that this purpose can stay relevant with just the right amount of tasteful flourish. 
As this is a fairly open-ended topic, there is more than one way to manage this balance. For example, I believe a show is capable of being more heavy on substance while still having a style because the aesthetic of choice was minimalist to begin with. Titles that comes to mind is The Bright Sessions, Wolf 359, and the newest show I’ve gotten around to simply titled OAKPODCAST. 
I won’t go into much detail about each one though all of them do cater more to providing substance over style in a way that works. They are known best for their character focus, engaging dialogue and some occasional thoughtful narration, and mostly realistic portrayal of its setting even though they will occasionally lean heavily on otherworldly elements to show the setting is not as normal as it appears. 
These shows are abundant in the substance category because its ideas are meant to be narrowed down to a few very specific idea pertaining to whatever arc or character they may focusing on. And yet they are still memorable because they exist in a world that is just different enough from our own that we’d like to learn more about it.
Shows that play more into style than substance can be equally engaging. Ones that come to mind are Hadron Gospel Hour and The Meat Blockade, two very different shows that are dedicated to strong stylistic choices that don’t interfere with its narrative. 
Be it Gospel Hour with its love for dimensional travel and ideas directly inspired from seventies and eighties pop culture or The Meat Blockade’s ideas drawn from the likes of Kafkaesque and surreal humor and just the right touch of Broadway, it’s clear where the focus is meant to be without it being a deal breaker on where the story lies in all this. Thus the strange decisions work as a service to the story rather than it being treated as a lesser priority. 
Going back to the Broadway thing, I wasn’t kidding. The Meat Blockade has an entire, roughly four minute segment in their fifth episode where a group of anthropomorphic frogs break out in a music number…and it works really well because it’s ultimately an exposition song that describes their current situation, the hidden lore about the setting, some hints of foreshadow, and nicely transitions into the next scene and leaves on a cliff hanger for episode six.
It’s such a strange choice editing and writing wise and I’m choosing to provide this as an example because it’s a damn excellent way to establish creativity and tasteful zaniness that still works to inform.
But it is also possible to have a fifty-fifty situation going on where the style and the substance coexist so well that one cannot exist without the other.
Our Fair City comes to mind where it’s richly described dystopian world and unique characters are used to explore more in-depth themes and still have one single tale to tell, or, multiple branching tales. 
The same can apply to Greater Boston with just a touch more realism thrown into the mix, creating a fairly stylish and satisfying audio drama about life in a fictionalized version of a real city.
The key here is that the world and its rules play a part in why the characters act the way they do which lets it be equal parts distinct and fulfilling as a story.
Without these aesthetic decisions in mind, some of these shows simply wouldn’t be what they are while the same can apply the substance latent shows who wouldn’t be the same without their choice of character interaction and treatment of specific themes. 
Some are far more likely to lean more towards one than the other but that’s because it’s not a necessity for The Bright Sessions to have a jazzy backtrack and it’s not expected for The Meat Blockade to have a long and detailed monologue about Berenger’s relationship with his girlfriend. 
But that’s the interesting thing about the style and substance equation-it can be switched around as many times as necessary to fit a story’s current narrative. Maybe one day we learn the tragic backstory of a single gag character, maybe one day there will be a stretch of retro-funk music played over a straight faced hero’s inner thoughts. 
It’s when these ideas are of service to the stakes and a characters’ all around presence that the script can be flipped and deliver a much needed change of tone that keeps the listener on their toes.
This won’t only be impressive on a sound design and editing standpoint, but also establish some diversity in the writing style to keep the story varied and interesting. 
Whatever the balance may be, it must be one that lets the story flourish in a way that feels authentic and natural. A concept is only as strong as the effort going into it. 
Don’t allow a story to be expressed in a distinct way then it won’t be remembered but let flair and pizzazz be too much of a focus and your final product will come off as meaningless fluff. 
Let your world building and natural need for sparkle be the thing that draws in the viewer rather than isolate them from the goings on of what is especially important. 
Don’t let characters fade into oblivion from a need to make a story easy to understand, let them be factors and active players, not mouthpieces and exposition machines. 
And if one certain element speaks to your project more than the other, that is entirely understandable. Certain plots are better seen through a substance perspective than a stylish one and some ideas are best seen with stylish decisions being a priority with substance being a smaller part of the equation.
I suppose you could say it’s less a case of style vs substance than it is style/substance or substance/style-it’s a balancing act that comes with compromise and patience rather, not just a case of right and wrong.
So thus my decision about what new laptop I should get to replace my old one is less a choice of a functional laptop or a pink laptop, but rather settling on a functional pink laptop.
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aoimori · 7 years
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02.26.2017 MERRY Morning Live @ Holiday Shinjuku
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So Merry had a morning show in Shinjuku. Doors at 7:30am, show at 8:00am. (They also had a fanclub only show that night too, report is over here)   As you can probably imagine, it was incredible and just such a Merry thing to experience. Here is my report including VIDEO EVIDENCE of a little something called radio calisthenics with Gara.
PLEASE ENJOY 👏👏👏👏👏
PRE SHOW
I’m amazed that this even happened. But I guess if anyone is going to do a show at 8am, it’s Merry. They actually started a little late but I had a feeling they would lol. It was an interesting feeling standing outside of this tiny tiny venue so early in the morning, in Kabukicho, with a bunch of other fans. I loved it 
Before the show started they were playing rain sounds with their own rain-themed songs mixed in. Reminded me of Shinjuku Blues! 
I was in front of Yuu for this show, started about 5 rows back and ended up in 3rd.
MORNING EXERCISES !?!?
While we were waiting there was suddenly an announcement over the speakers. Small venues like this generally don’t play that generic pre-performance announcement (honjitsu wa) that lists the rules of the venue etc. So it wasn’t that. It was Gara. 
He very politely told us that we were going to do rajio taisou (radio calisthenics - the kind that old people do in the park in the morning lol). He asked if we had a little bit of space to move around in, with mixed responses, so he said even if you don’t have space it’s okay lol. Today’s calisthenics will be led by… Super Merrys’ MAMURASAKI (aka Gara)
So Gara/Mamurasaku comes out wearing his Tenga shirt and rabbit head mask, the music/instructions come on, and we all followed his lead and did calisthenics together at like 8am in a tiny livehouse in Kabukicho…
There’s actually video of all of this (looks like it was livestreamed) so I HIGHLY RECOMMEND you all watch it and have this experience. It was wild. I laughed so much lol. We actually tried our best to follow him!!
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THIS VIDEO: https://twitter.com/merry_official/status/835628885647597568
Please enjoy his antics
After he walked off stage he got back on the announcements and asked us to wait a liiittle while longer
THE SICKEST SETLIST
SE: Merry March Oriental BL Circus Charlie TOP
Lost generation Atama ga zakuro Zetsubou Jiishiki kajougata deku ningen Tick tack Heijitsu no onna Kasa to ame stupidxcupid Carnival Japanese modernist Chiyodasen democracy
Encore Touzasareta rakuen Happy life Violet harenchi Kasa to ame (acoustic)
THIS SHOW !!!!!!
I thought that since this was a morning show that they would either A) do calmer songs/acoustics or B) go abnormally hard.  
After the SE they immediately came on stage and exploded into Oriental BL Circus. Clearly B was the correct prediction lol
Yuu looked REALLY CUTE. He had his hair styled all crazy to look like bedhead and had heavy black makeup under his eyes to look like he had extreme dark circles from not sleeping. He walked out with this big grin like he was proud of his look
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(from his twitter)
Oriental BL Circus is always really fun and I love the call and response parts in the beginning (I finally learned all the words HA) But it was also a REALLY EXTREME way to start a show in the morning – Gara and Yuu yelling, all of us yelling back lol
I GOT TO HEAR CHARLIE LIVE!!! AAA!!! It’s so so so so so fun and super high energy from start to finish. And so is TOP!! Seriously this show was HYPEEE from the very beginning.
Thennnn atama ga zakuro is actually the first Merry song I ever heard and TO THINK I GOT TO HEAR IT LIVE!?
Also lord help me all I did was watch Gara perform this song and I feel full of sin. Actually during this entire show he was a little nastier than usual lol. Putting his mic between his legs multiple times and enjoying himself, having REAL QUALITY MOMENTS up against his mic stand… he is committed to realism tbqh. IS THIS HOW YOU ARE IN THE MORNING ? ? ? 
ANYWAY. I also got to hear Tick Tack for the first time!! What an old song!! It’s so nice live, everyone was swaying back and forth. And I’m going to love Heijitsu no onna until the day I die, so. You can probably guess what I have to say about that. Gara putting on lipstick and rubbing it off with the back of his hand with the saddest smile…
I just wanna say right now that I LOVE KASA TO AME. If for some reason you haven’t listened to it, please go do it right now. Both versions are great. I own 5 copies of this single. Listen to it. Buy it. LOVE IT.
I forgot my towel for the morning show so I had to participate in Carnival without one for the first time!! Carnival, Japanese modernist and Chiyodasen are ALWAYS fun though. They just kept hitting us with JAMS.
During one song (don’t remember which) when Yuu had a speaking part he ended up just making comments about the show instead of following the lyrics, it was pretty funny lol
I love Touzasareta rakuen live. The vibe is just so good? Gara said something about this being an older song but it has the kind of energy they want to have as they work toward Hibiya Yaon
And then Happy life gets me EVERY TIME. Gara sang the last line without his mic. I’m always really impressed by how he expresses such raw emotion. He just puts it ALL out there as strongly as he physically can, every time. He had the biggest smile right after this song. Like really genuine. Have I mentioned... that I love this band...??
During Violet harenchi Gara and Yuu were back to back in the center of the stage!!! Yuu was in the center and Gara saw him and immediately rushed over. Yuu also likes to go sit on Gara’s desk lol. Later Tetsu was standing in front of me on a monitor and Yuu came over and was standing against his leg and it was REALLY CUTE. Tetsu is an actual mountain btw
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(from gara’s blog)
MC CONTENT BECAUSE MERRY ALWAYS DELIVERS 
Gara and Yuu both said good morning to us a few times (and said wow, saying good morning at a live house feels good huh…)
Gara asked each member what they did the night before...
Nero: so worried that he’d oversleep and get a call from the band on stage asking where he was that he could barely sleep at all
Tetsu: eating meat (this is all he said lol, at first Gara didn’t understand him)
Kenichi: Hesitant to answer, but… said he went to Mankitsu (a manga café?) Gara asked what he was reading and Kenichi was just silent… so Gara asked AGAIN and Kenichi still said nothing LOL
Yuu: Nothing out of the ordinary. He went home, then took the first train in the morning to the venue. Gara said he was sorry he asked
Gara: Didn’t sleep at all because if he slept and then woke up in the morning before the show his voice wouldn’t be in good condition.  He said he actually went home the night before just… never slept lol . ((He posted on his blog about eating mcdonalds actually... but are any of us really surprised by this??))
He made an extended bandoman joke that continued into the next show... something about introducing himself as “bandoman A” from a tabloid story about a celebrity having an affair. But then said instead of having an affair he actually wants to be served by blonde foreign women... and if the tabloids come to him for an interview, he’ll tell everything.
I feel like I missed something here lol but he said he’d better stop talking about this because there were foreigners in the audience (me?? the most blonde foreigner of all?? lol) 
The singing MC was set to the beginning of Kasa to ame (it used to be heijitsu no onna). So each member would start playing as Gara introduced them and did a really short mini solo. Merry has the best MCs.
Gara said that this morning live felt really good so if we liked it, please tweet them, and they’ll show the tweets to their company, and then maybe they can do more events like this. They are always trying to get us to promo them to someone lol
He also wants to do a 24 hour show. The rest of the band did not seem into this idea. He said everyone could have their own little space where they could sit or stand, bring a TV or something, leave and come back whenever they pleased, etc. The band would work in shifts sometimes so someone could sleep. Or go to the onsen. But Nero couldn’t come with them (tattoos) so he’d just have to watch while they rest of them relax. POOR NERO.
They were talking about where they’d be in 20 years? Gara said he’ll still be singing but he might need to sit down… and need someone to help hold him steady as he walked… and to whisper the lyrics in his ear, and tap him on the shoulder when a new song started lol. Yuu just called him an ojiichan
Gara turned the page of his setlist with his foot and it was cute
Between songs Gara said all of us that came to a show this early in the morning must be ACTUALLY crazy. TRUE. During an MC he also told us that we all must be a little atama ga okashii nee… crazy/touched in the head lol. ALSO TRUE.
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(@merry_official)
DOKUDOKU TIME!!!!!!!! SPECIAL EVENT FEAT GARA
The band had a dokudoku campaign for this tour. The idea was to create more Merry chuudokusha (addicts) so at each show a certain member was tasked with doing something fun. Giving things away, taking pictures with fans, etc. Gara was in charge of this show.
He gave away his tenga shirt (signed) which he had also worn during the radio taisou spectacle. He was giving it away on behalf of Mamurasaki, of course.
So before the encore he came on stage and said it was dokudoku time, but then found out that the staff still hadn’t collected all the ticket stubs for him to choose one winner from. So he stalled for a while and just talked about random stuff, asked us if we had any questions, and then would occasionally look back to the staff and be like STILL??? STILL NOTHING? Awkward and angry and adorable lol
One of his topics of conversation was his tenga shirt. He read it out loud and explained it lol. He also said that he received an egg type one from a fan for Valentines day, but he still hasn’t used it. He’s thinking about using it in March for White Day…
Eventually staff brought an envelope to him and he chose a winner. While he was looking at the stubs he said these aren’t all Core tickets… they’re not Core tickets~ in this cute irritated singsong voice lol. Anyway he picked one stub and gave away the shirt. Then he gave away the paper Mamurasaki signed (he said it looked like Mamurasaki had written “iwai/celebrate” wrong and crossed it out and wrote it again… and now it looks like it says “Nero”).
Since he didn’t have a photo to give away too, he decided to do something special. So he turned around and went to find his lipstick that he uses during Heijitsu no onna, came back to the front and put some on. And then kissed the paper. And then chose someone to give it to. He understands a fan’s heart so well…
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(@merry_official) 
AFTER THE SET
After the show I was watching all the members throwing things to the crowd. I think I was watching Gara in the center of the stage when I decided to turn around and face forward again and SUDDEN TETSU RIGHT BEFORE MY EYES!! He was standing up on one of the monitors looking down at us. HE IS HUGE. SUCH A TOWERING MOUNTAIN!! But so kind lol
Gara was standing on a monitor and then jumped up to his desk and did the LONGEST HEADSTAND + FOOT CLAPPING COMBO I HAVE EVER SEEN. He was up there FOREVER. We were all watching and clapping but then gradually starting to think like… Gara… Gara are you okay… GET DOWN FROM THERE GARA!!!
He was SO INTO this entire show lol. The mood was SO good. Maybe the band + the fans were kind of overcompensating for the fact that it was such a strange hour, but we all went REAL HARD.
I then left the show not knowing what time it was, went to Starbucks for breakfast (apparently Gara handed out sandwiches!! But I didn’t know / didn’t see anything even though I waited in the venue for a long time), then went to Shimokita where I spent the rest of the day until the CORE SHOW. Which was really fun, but then turned emotional...
I will never forget this show though 👏👏👏👏👏👏👏👏👏👏👏
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instantdeerlover · 4 years
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What Exactly Is Going on Between Chrissy Teigen and Alison Roman on Twitter added to Google Docs
What Exactly Is Going on Between Chrissy Teigen and Alison Roman on Twitter
 NBC/Getty Images
After making some critical comments about Teigen and Marie Kondo in an interview, rising star Roman faces her first big backlash
In These Trying Times, we reach for the things that get us through our monotonous days. Zoom calls with family. A perfectly risen sourdough loaf. And of course, Twitter gossip about popular-but-niche food personalities. You may have seen a dust-up over the weekend involving food world ingenue Alison Roman and model, cookbook author, and “Queen of Twitter” Chrissy Teigen, resulting in Teigen locking her Twitter account, and Roman making a public apology. Allow us to distract you from the state of the world by explaining this unholy mess.
Who are the key players?
You are likely more familiar with Teigen, an Asian-American model who is married to musician John Legend. She hosts multiple TV shows, has run various food blogs for nearly a decade, published two best-selling cookbooks, and in general is a hoot on Twitter. She has built her brand on the juxtaposition of her beauty and her TMI social media persona, inspiring lists like “20 Life-Changing Things Chrissy Teigen Tweeted in 2019” that round up her various dunks on people, including her husband, and ever-relatable sentiments like “I am so stupid and so tired please stop expecting things from me.” She also yells at Donald Trump a lot.
Alison Roman is the “it” girl of the food world. She has worked as a pastry chef at Momofuku Milk Bar and Quince, and is currently a columnist at the New York Times. She has also published two cookbooks, and her recipes have a tendency to become so popular they earn mononyms like “The Cookies” and “The Stew.” Her most recent viral creation is a very good pasta with shallots and anchovies. Roman has come to represent a modern version of the “domestic goddess” archetype, demonstrating how you too can cook more with less. Her whole vibe is that of your coolest friend who effortlessly throws the best dinner parties. She has also received criticism for the way her recipes, particularly her turmeric-and-coconut chickpea stew, whitewash non-European traditions. But as fans of hers will attest, her recipes are often worth the hype.
So what happened?
In a softball interview in the New Consumer, Roman managed to piss off a lot of people. She used the interview to announce a collaboration with Material, a limited-edition capsule collection of “a few tools that I designed that are based on tools that I use that aren’t in production anywhere.” But almost immediately, she pivoted to criticizing people who leverage their popularity to produce consumer goods... just as she has.
Roman brought up Marie Kondo, author of The Life-Changing Magic of Tidying Up, which espouses her KonMari method of doing away with items in your home that don’t “spark joy.” Kondo’s method has been widely misunderstood by many, especially in the West, as getting rid of all your belongings, but really is more about encouraging you to only keep things you actually want. Kondo recently came out with a line of products, which Roman criticizes, saying she “decided to capitalize on her fame and make stuff that you can buy, that is completely antithetical to everything she’s ever taught you.”
Speaking on Kondo’s product line, Roman joked, “For the low, low price of $19.99, please to buy my cutting board!,” something many readers interpreted as mocking Kondo’s Japanese accent. However, Roman says that she was making an inside joke about an Eastern European cookbook she owns, and Dan Frommer, who conducted the interview, says she was not doing any kind of mock Asian accent during the conversation.
Seemingly unprompted, Roman also brought up Teigen as an example of someone who’s used a bit of success to create a personal brand empire. “What Chrissy Teigen has done is so crazy to me,” she said. “She had a successful cookbook. And then it was like: Boom, line at Target. Boom, now she has an Instagram page that has over a million followers where it’s just, like, people running a content farm for her.”
“That horrifies me and it’s not something that I ever want to do,” Roman, who is now writing her third book, remarked.
That seems sort of hypocritical, right?
Indeed, one of the initial criticisms was that a “capsule collection” of recreated-vintage spoons is not much different from a line of cookware at Target, and that Roman has done plenty to capitalize on her brand, including being in the middle of producing a new TV show (more on that in a second). Also, some say her claims of not making much money are a bit disingenuous, aimed to drum up sympathy for someone who is likely making at least some money off royalties and said TV show. Roman responded to this early criticism with a tweet bemoaning “when women bully other women,” to which journalist Lauren Oyler (who had initially subtweeted Roman’s money claims) responded that criticism and bullying are not the same.
Oh please. I’m not “bullying” you, I’m saying we both know how it works and your comments misrepresent it. Sorry I generalized by saying “speaking gigs” so that my comments applied to other people as well, I should have made the subtweet more explicit by saying “content creation”  https://t.co/XtRsKy1uGM
— Lauren Oyler (@laurenoyler) May 8, 2020
Roman’s “bullying” claims seemed to have backed her into a corner, seeing as a large chunk of her now-viral New Consumer interview was spent criticizing Kondo and Teigen. She could have just said “branding isn’t for me” — which would have been a lie, sure, but at least would have managed not to narrow in on two women of color. The “lifestyle” space is notoriously white, and for Roman to single out Teigen and Kondo comes off as pointed, given that there are so many white people (like Gwyneth Paltrow) doing the same thing. Chrissy Teigen and Marie Kondo are both wildly successful and certainly not beyond criticism. But given that Roman has already been criticized for using Asian flavors in her recipes without acknowledging where those flavors came from, her use of Teigen, who is of Thai descent, and Kondo, who is Japanese, as examples of what she doesn’t want to be strengthens accusations that she needs to better acknowledge her white privilege.
Alison Roman singles out Marie Kondo / Chrissy Teigen as sellouts, yet takes no issue w/ white women capitalizing on lifestyle content, asking "Does the world need another Goop?" when reflecting on her own brand. Says a lot about who she thinks is allowed to build global empires  https://t.co/HJYIvtQZBP
— Michelle da Silva (@michdas) May 8, 2020
Alison Roman coming after Marie Kondo for being successful and making a lot of money is pure Karen energy. There are so few Asians in this lifestyle influencer space anyway and I wonder why she feels the need to drag women of color down just because she doesn’t like competition.
— Eugene Gu, MD (@eugenegu) May 9, 2020
okay so alison roman having such an issue with marie kondo and chrissy teigen making money off of their passions and interest but has no problem with whatever the fuck gwyneth paltrow is doing says a lot
— horrible goose (@meatl0aff) May 9, 2020Okay, but Twitter dust-ups happen all the time. Does it get messier?
It would be one thing if Roman had nothing but Twitter goodwill to lose by criticizing Teigen’s consumerist impulses. But in a now-protected tweet, Teigen wrote of Roman’s remarks: “[T]his is a huge bummer and hit me hard. I have made her recipes for years now, bought the cookbooks, supported her on social and praised her in interviews. I even signed on to executive produce the very show she talks about doing in this article.” She later wrote, “Anyhow. now that that’s out there, I guess we should probably unfollow each other @alisoneroman.”
Did Roman at least apologize?
She did. On Twitter, Roman said she had emailed Teigen privately, but also wanted to publicly apologize. “I’m genuinely sorry I caused you pain with what I said,” she wrote. “I shouldn’t have used you/your business (or Marie’s!) as an example to show what I wanted for my own career.” She also reiterated “being a woman who takes down other women is absolutely not my thing.”
Being a woman who takes down other women is absolutely not my thing and don’t think it’s yours, either (I obviously failed to effectively communicate that). I hope we can meet one day, I think we’d probably get along.
— alison roman (@alisoneroman) May 9, 2020
Teigen locked her Twitter account, and announced to her millions of followers that she is taking a break due to the drama and the abuse she received in the wake of her and Roman’s interactions. “I really hate what this drama has caused this week,” Teigen wrote, according to the Daily Beast. “Calling my kids Petri dish babies [Teigen’s children were both conceived through IVF] or making up flight manifests with my name on them to ‘Epstein island,’ to justify someone else’s disdain with me seems gross to me so I’m gonna take a little break.”
So where does this leave us? Am I not allowed to make that pasta anymore?
Roman may have summoned the monkey’s paw when she tweeted, on April 7, “Dear lord please let me get through this pandemic without a backlash, my shallot pasta popularity is all I have in these dark times.” A lot of people are pissed at Roman right now, which is bolstered by a low-level resentment that’s been bubbling for some time. Some of it is the usual backlash that comes whenever anyone becomes popular. She has a cool job that she is very good at, she’s experiencing an influx of opportunity, and you probably have one friend who won’t shut up about her. Of course, some contrarians are going to roll their eyes.
But some of it is because of her refusal to acknowledge the way she borrows flavors without credit. In an interview in Jezebel last year, Roman said that, being white, she has “no culture.” White people often like to position themselves as some sort of default, and though she may not feel any particular connection to the “vaguely European” countries her forbearers came from, whiteness is indeed a culture — the dominant one. And yet a certain set of people associate turmeric and coconut milk mainly with her. Roman can hardly be solely blamed for white supremacy in the food industry, and it’s of course not as though white people aren’t allowed to cook curries. But it’s the whole picture — of a white woman making a name for herself off South Asian ingredients with which she joyfully admits she has no particular expertise, while simultaneously criticizing women of color who are making a living doing almost exactly what she’s doing — that’s so frustrating to many.
The backlash also reveals the limits of what Kristin Wong calls Roman’s “too cool to care” persona. In the New Consumer, Roman brags that she runs her own social media and communications, however sloppily. “The Internet loves authenticity and admitting you’re a creative mess who doesn’t understand business reads as authentic,” Wong writes. “By shunning how it all works, you’re raging against the capitalist machine, which only makes you more appealing to it.”
But at a certain point, Roman reached the level of fame in which her persona is at direct odds with how her life now looks. She may have begun as a 20-something clueless girl who was just really good at cooking, but now she has books, TV deals, and a line (sorry, capsule collection) of products. Any attempt at “relatability” rings false, because little about her life is relatable to most people. Her positioning of not being into the whole marketing thing reads more as a result of her privilege, not a cute quirk. “For people of different ethnic and racial backgrounds, the ‘money is bad/I don’t care about success/business is stupid’ narrative just doesn’t hit the same,” writes Wong. “When you grow up with generational poverty, as so many immigrant families and marginalized groups do, you don’t have the luxury of not giving a shit about money.”
Roman’s fans will largely remain Roman fans and her detractors will likely remain detractors. Other than horrid Twitter trolls, Teigen has received an outpouring of support from cooking industry all-stars like José Andrés. I made The Cookies last week and they were pretty good.
Disclosure: Chrissy Teigen is producing shows for Hulu in partnership with Vox Media Studios, part of Eater’s parent company, Vox Media. No Eater staff member is involved in the production of those shows, and this does not impact coverage on Eater.
Disclosure: John Legend is a board member of Vox Media, Eater’s parent company.
via Eater - All https://www.eater.com/2020/5/11/21254554/chrissy-teigen-alison-roman-twitter-fallout-explained
Created May 12, 2020 at 03:18AM /huong sen View Google Doc Nhà hàng Hương Sen chuyên buffet hải sản cao cấp✅ Tổ chức tiệc cưới✅ Hội nghị, hội thảo✅ Tiệc lưu động✅ Sự kiện mang tầm cỡ quốc gia 52 Phố Miếu Đầm, Mễ Trì, Nam Từ Liêm, Hà Nội http://huongsen.vn/ 0904988999 http://huongsen.vn/to-chuc-tiec-hoi-nghi/ https://drive.google.com/drive/folders/1xa6sRugRZk4MDSyctcqusGYBv1lXYkrF
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FLM235 Blog 4
What have I learnt throughout this period - post production
During this phase of post production for scene 2 I’ve learnt a lot more about editing. I’ve never really edited a music video (besides my own) before. It’s been very interesting learning all the short cuts from Alex, after we had a editing session together i’ll never edit the same. I didn’t realise how much the mouse confuses things, Alex showed me an easier way of syncing footage but it still confuses me a bit. Emma wanted the story to of the video to have 2 gradis which required a lot of stable shots, multiple takes and costume changes. In order to do this the camera needed to be stable and locked off, so that in post you can underlay the footage and crop the frame so that both images appear on the screen. This gives the illusion that there are 2 gradis. Learning this trick was tricky at the start, but after a few play arounds I am completely confident in this editing trick. I’ve learnt that with music videos its not only want the director wants but what the artist wants as well. I’ve learnt a lot about gradi and how he see’s the world, I’ve built a friendship with him and I hope to work with him again in the future.
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What tasks have I undertaken in my production role?
The tasks I’ve undertaken as an editor in this phase has been…
I’ve viewed and marked all the rushes so that I know which takes are good.
I’ve named and commented on each clip so I know what the clip is and can if it goes out of focus ect.
I’ve synced all the footage to the song and market which parts go where.
Brainstormed with Emma and Gradi on what clips suit certain parts of the song.
I formed the rough cut with Alex, who helped me learn about the structure of a music video.
listened to the song a million+ times
I’ve formed a edit that makes sense and is ready for exhibition :)
How could I improve upon my undertaking of this role?
I can always improve on my editing skills, I can’t wait till I’m at the point where I can do things really fast with shortcuts. I plan to buy a better keyboard and a gel that has all the short cuts marked on the keys. I’m going to spend my break learning more about editing and watching tutorials. So that I can hopefully come back with better skills. I could also improve my knowledge on data and coding stuff I know its related in someway but I’m still not sure how. That side of computers confuses the hell out of me, I want to be able to understand not only the lingo but problems that I might face with my computer and others. I also want to work on my time management skills, post production is probably the most time consuming thing about film making. If I don’t know how to do something I want to learn how to manage the time required for me to learn it.
What challenges has my group faced during this period?
There ain’t many challenges that we have faced as a group in this phase. One that I can think of is Gradi not giving us the master track until after all the footage was synced. This kinda stumped the formation of the rough cut, the song wasn’t too different but it changed the vibes of the footage. It took some time but  Alex, Emma and I figured out a way to make it work. There are a lot of challenges I’ve dealt with as an editor, one of them being syncing the sped up version of the song too footage that has no audio of the song. Let me explain. So there is a shot of Gradi rapping the sped up version of the song across the street. We set up the camera on one side of a busy road and Gradi was on the other side. I was on the same side as Gradi playing the song sped up by 150%. The plan was to shoot this in 50p and slow it down in post to match the song played at normal speed. Because we were shooting from across the road there was no song for me to sync it too. I spent a lot of time painfully watching his mouth move in slow motion to try and sync the footage, it was extremely satisfying when I finally got it right. Another challenge I faced is the mental insanity of listening to the same song over and over again, not just talking about in post but everyday of shooting as well. The last challenge I’ve had to overcome is sleep deprivation, I’ve been working on multiple projects this trimester all of them in post, so balancing the time I put into each project is tricky. I edit into the late hours of the night and normally have to wake up pretty early to get more work done. Ive tried my best to manage this but sometimes it gets the better of me.  
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Have we overcome these challenges? How?
Persistence. A lot of persistence. All of these challenges come with the job of film making, persistence is the key to over come them. I think everyone in my crew understand this and is willing to work together to overcome any obstacle. Everyone pulls their weight and and if they can’t they ask for help.
In what tasks has my group succeeded? Why did we succeed?
I think we all have collaboratively made something of substance. We succeed with the concept of the music video by preparing the shots ahead of time and thought about post in the process. Emma successfully communicated her and Gradi’s vision to everyone involved which made working together easy. The shots are well thought out and look great. We succeeded in a way I thought wasn’t possible. Everyone was on their shit and we got the job done. I’m really proud of what me and my group has made. I think this will be a nice instalment to my show reel and i cant wait for people to see it!
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Event Management - Live Event: Planning
Audience
With the event being based around university students, we targeted our audience towards students as well as people of a similar age because they would be able to relate to the artists playing the event. The primary audience were people from the all of the music courses at the university as well as media school pupils. We did however find ways in promotion to interest other people as well.
Marketing
After we finalised the details of the event, we decided to make a poster to promote the event. Callum chose to create the poster but we all had an input in terms of colours, fonts and positioning.
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The majority of promotion was done via social media because, it is proven as a way to get information to people quickly and effectively. Posts were made regularly through Facebook and Instagram on both the event pages and our own. personal pages. 
We announced the acts at different times to add a bit of mystery to the event, making the audience intrigued to see who else is playing. This helped us have a larger amount of posts to make as well, helping us interact with those interested in coming.
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The screenshots above show the dates in which we posted as well as the number of people that we were able to reach. Towards the end of the posts we were gaining more interest which was really promising to see.
As well as virtual promotion, we decided to use the posters and advertise using physical copies as well. We printed of a load of posters as well as flyers so that we could promote the event outside of social media.
We were able to put posters up around the universities media school areas as well as in local businesses in town. Takeaways like Valentinos and Go Peri agreed for us to place our posters in their window. The venue itself also had posters up both inside and outside a week before the event took place, to try and bring in a larger crowd.
Badlands Record Company were holding an event for their store the Saturday before our event. Tom came across this event on Facebook and we all decided to go along and hand out flyers for our own event. This worked for us really well as we were approaching people interested in music. It was also great that the store allowed us to put up multiple posters inside.
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Tech
Below is a list of tech equipment we need:
PA (including speakers, cables, mixing desk, microphones)
Cameras
Smokey Joes allowed us to use their PA system so we didn't need to worry about hiring one out. The camera equipment was provided by the photographers we hired for the gig.
The event was an acoustic gig meaning that no amps or drum kit were needed. This made the stage look nice and tidy and not cramped. We did this because, we have all played gigs where we were cramped on stage.
Bookings
As a group we worked together to discuss artists that we could approach to play at the event. Below is a list of suggestions that we came up with for both POM and Alumni.
POM:
Jack Cooper
Hot Beige
Dom Watton
Tandem
Courteney Yeoell
Ryan Nicklin
Lewis Shepherd
LEAH
Chloe Hepburn
Will Mawer
Conor Begley
Rosie Mountjoy
Alumni:
Harry Daniels
Ben Cipolla
Bobby Scaife
Will MackMersh
Dan Walton
Lucy Gray
Charlie Sly
Melissa Grace
Rob (Thrill Collins)
After going through the shortlist, the six acts we decided on were Jack Cooper, Courtney Yeoell, Ryan Nicklin, Bobby Scaife, Harry Daniels, and Ben Cipolla. All of these acts agreed to play, however Bobby went back on his word saying he didn't want to over play Cheltenham and Ben ended up double booking himself meaning he was unavailable as well. Ben let us know well in advance of the gig so finding a replacement was easy.
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We then had to go back to the shortlist and find replacements for the two acts. We decided on Charlie Sly and Lucy Gray as suitable replacements as they both are still based in Cheltenham and both have a good following.
Unfortunately, Charlie pulled out on us the night before the event giving us no time to find a replacement. (This cannot be evidenced fully as he pulled out for personal reasons that we don’t want to display on a public blog).
Callum and Tom were both artist liaison and were in charge of talking to artists if they had any queries leading up to the event. I was the sound engineer on the evening so I also was in contact with some artists a week prior to the event discussing any tech related questions they had. Both Jack and Courteney had questions regarding the use of drum kits and full band setups with which myself and Callum dealt by visiting the venue and looking over the PA equipment to see if it was possible. We both decided the venue was suitable for a I've band if the artists wished to play that way. The final decision from both acts was that they were just going to perform acoustic sets.
The event ran smoothly and I was really happy with how things went. The only thing to look at is to book artists sooner to prevent what we experienced with some alumni acts.
Contracts
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The contract above clearly lets the artist know that they will be paid via rider on the event night. As well as the contract, we created an artist information document. The document told each artist exactly where they needed to be and what exactly was happening at the event.
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The artists received the above document and the contract 4 days before the event. The idea of the document was really good but I think it could have been distributed to artists a lot sooner than it was.
Promotion
We decided that we wanted to try and find cool and exciting ways to bring people in to our event. We thought that a deal with MooMoos Clubrooms would bring more people in if they could get discounted entry to MooMoos after. Callum contacted MooMoos and they got back to us saying we could offer people who attended the gig £3 entry to MooMoos (instead of the usual £6), a free queue jump and a free cocktail. This was all put onto our posters.
Another promotion idea we had was Callum’s idea of allowing people to pay £2 to draw a design for Callum’s new tattoo. The winner was picked as a raffle and the design is now on Callum’s arm! The £34 raised through this didn't benefit us financially but it helped us bring more people into the venue.
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Meetings
Like the broadcast event, we had meetings every Thursday to discuss ideas and voice opinions on how to promote the event. We all had equal say in the decisions that were made both in and outside the meetings. Like the broadcast event, we regularly talked on group calls and on Facebook to make sure everything would run smooth.
Venue
The original idea we had was to host the event at The Stable. We liked the stable as it is a chilled out venue and has a relaxed vibe to it. After we enquired about hiring the venue, we discovered that if we were to hold the event there then we could not charge an entry fee. We decided that as a business that we shouldn't run an event if we were to make no money back at all.
We then started looking for other venues, ruling out obvious gig venues like Frog and fiddle and Two Pigs because we didn't want the event to be like a standard event you would go to.
We decided that Smokey Joes was the best backup option that we had because, it is a quirky venue making people want to come along. Smokey Joes is a decent sized venue meaning that we can get a large crowd in.
We arrived early on the day to set up the venue and the PA system. We opted to move some of the tables and chairs back a bit to allow people the option to stand in front of the stage if the wished.
The only venue cost was paying Smokey Joe’s a £50 deposit which we would get back after the event had finished. We decided to use this £50 as the money for the artist rider as we were not allowed to bring our own alcohol onto the premises.
It would be a really cool idea if in the future, we could have our own venue to host these sorts of gigs in so that we do not need to worry about deposits or venue costs.
GANNT
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We did end up falling 1-2 weeks behind schedule but everything still ran for the same time lengths as we had planned. For future events, we should try and stick in with the GANNT chart better.
Staff
Below is the list of jobs that we had to do:
Sound Engineer
Artist Liaison
Stage Manager
Door Staff
Photographer / Videographer
I am the most experienced sound engineer in the group, so I decided to take on the role. Each artist had one instrument and one vocal meaning that, it wasn't too hard for me on the night and things ran as smooth as they could have done. As artist liaison, Callum was in charge of sorting out any queries the artists had on the night. Tom worked as stage manager and worked closely alongside myself and Callum to ensure that artists were sound checked on time and that the layout of the stage looked as good as it could. Will was overseeing the event helping the rest of us in roles if we needed his help.
We hired Will and Callum’s girlfriends to work on the door on the night, to collect ticket money as well as the money for the tattoo raffle. We had a few issues with people wanting free entry, but this was sorted out by Tom and Will.
We also hired Jonny Nolan to take photos and Jake Randall to record some videos of the event. Both were really easy to work with and luckily didn't request any payment from us. We did buy them a few drinks though, just to thank them.
The hiring policy worked really well. The only thing we might change in future is my role depending on if we hire a venue with a sound engineer. This would be fine though as it means I can helps the others in a different role.
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aspenrosearts · 6 years
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Sean Douglas
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junker-town · 7 years
Text
THIS WEEK IN SCHADENFREUDE: When Texas A&M snatched THIS WEEK IN SCHADENFREUDE honors from Texas
The Aggies didn’t just blow a 34-point lead. They also ruined what had been a delightful weekend of laughing at Texas and Baylor. Here was the online meltdown.
Texas A&M was winning its Week 1 game against UCLA, one day after former conference rivals Texas and Baylor had lost upsets.
Mood: Aggies http://pic.twitter.com/5NsqmCXF3h
— SB Nation GIF (@SBNationGIF) September 4, 2017
Texas A&M blew a 34-point lead and lost.
Texas: What a terrible opener Baylor: Hold my beer A&M: lololololololololol y’all ain’t seen nothin'
— TexAgs (@TexAgs) September 4, 2017
That fake-spike touchdown happened after the clock was already stopped.
Sumlin just made all of the shit I talked to UT invalid
— Jack R. Landingham (@KINGGJACK) September 4, 2017
Let’s check in and see how Aggies fans responded afterward.
A literal university regent immediately announced he intends to vote for Kevin Sumlin’s firing.
I'm sure I may be criticized for this post but I honestly don't care. I've been on the Board of Regents for the A&M System for almost seven years. During that time, I've not once commented on Kevin Sumlin and his performance during his tenure at our school. I never said a word when he and his agent manipulated a much bigger and longer contract. I said nothing about his arrogance and his mishandling of multiple player controversies. I said nothing when we had multiple awesome recruiting classes, only to see key players leave our school or underperform. But tonight I am very disappointed and I have to say this. Kevin Sumlin was out-coached tonight, which isn't new. He recruits well, but can't coach the big games, or the close games. Our players were better tonight. Our players were more talented tonight. But our coaches were dominated on national TV, yet again. I'm only one vote on the Board of Regents but when the time comes my vote will be that Kevin Sumlin needs to GO. In my view he should go now. We owe it to our school and our players. We can do better.
Share this as you see fit.
Shortly after that, the popular Aggie message board at TexAgs broke.
Live look at our site. Nice work, everyone. http://pic.twitter.com/4PIIlXBm72
— TexAgs (@TexAgs) September 4, 2017
Once the site was back up, the vibe was as follows.
Checking in on TexAgs... http://pic.twitter.com/gGfXlf0svy
— Jake Trotter (@Jake_Trotter) September 4, 2017
THREAD: “Legitimate Business Opportunity”
All,
With the inevitable collapse of Aggie football this year I would like to personally invite all of you to get in on the ground floor of my new up and coming business.
We will be selling tarps, similar to the ones at Baylor, to cover unsold seats for upcoming home games.
Kyle Field is a beautiful place and I would hate for the appeal to be ruined by empty seats. So join me in my quest to monopolize the college station tarp business and make Kevin Sumlin type money.
All name suggestions will be considered.
THREAD: “Not letting A&M ruin college football for me”
Instead of just giving up on college football because our season is over, I'm planning to just be a college football fan until Sumlin is fired. I hope we go 11-1 from here on out, but I'm not going to spend any time watching this team. I'm going to watch as much college football as I can, without all the normal thoughts that go through my head while watching games (ex/ is this good for A&M, etc), and just be a fan. We'll see how it goes.
The first reply:
Congratulations!
And the second:
We're all f'ed.
For so many reasons, my favorite current TexAgs thread is “Go Get Major Applewhite”
— Dan Wolken (@DanWolken) September 4, 2017
THREAD: “Things we could have bought with Sumlin’s salary this year”:
1. Twenty-five Lamborghini's
2. A really nice house
3. Ten private shows by Katy Perry
4. Seven Waffle Houses
5. 270,000,000 Skittles
Any one of those would have given us equal chance at beating UCLA.
THREAD: “Land Kiffin”
THREAD: “Ruined the TV remote”
THREAD: “SUMLIN SHOULD RESIGN”
ANY MAN WITH AN OUNCE OF SELF RESPECT AND LOVE FOR ALL THINGS GOOD AND HOLY WOULD RESIGN AFTER THAT.
FIRE. SUMLIN.
THREAD “OFFICIAL MELTDOWN THREAD”
Fire Sumlin and make him pay for his own plane ticket home. Mond needs to change positions.
I believe you described the "bargaining" stage of grief ... You have progressed passed the denial and anger stages which is good. Next is depression which will be tough. Let me know if you need someone to talk you through it.
The Aggies forum at 247Sports looked on the bright side.
THREAD: “well, let us and horns laugh at each other and feel better”
Horns lost to maryland in all aspects and we lost 34 point lead. we can all laugh at each other now and feel better about selfs.
THREAD: “It's okay guys we covered the spread”
National Champs in Moral Victories
THREAD: “My Saturdays just got wide open”
I didn't think it was possible, but I think I'm done watching or caring about A&M football for the foreseeable future. I came into this season about as unexcited as I've ever been for a football season and they just crushed my spirit in one half. I don't even know how to describe this feeling.
Things were not much better at AggieYell.com.
There is, of course, a GoFundMe to buy out Sumlin’s contract.
It’s well short of its $10 million goal, but it’s still early.
Let's not wait any longer. Let's buyout his contract ASAP. This inexcusable. On the bright side, if for some reason he doesn't get fired, we can use the money to buyout AD Woodward' s contact. Worse case, we'll donate it to BTHO Harvey relief efforts. Maybe we could hire Mattress Mac!
Here’s some of what happened at SB Nation’s A&M blog, Good Bull Hunting.
It looks like the Aggies will cover the spread here
— Good Bull Hunting (@GBHunting) September 4, 2017
One author was able to look on the bright side:
Texas A&M is back!
The Fightin’ Texas Aggies shocked the nation on Saturday with a display of running game domination never before seen by the UCLA Bruins. Texas A&M’s top three runners, RB Trayveon Williams, RB Keith Ford, and QB Kellen Mond combined for a staggering 371 yards and 5 touchdowns on the ground. Combined with an early defensive strategy that was aggressive and opportunistic, it is no surprise that A&M amassed 38 points in the first half alone against an opponent who was favored to win by 4.
The Aggies lost, obviously.
From a choose-your-own-adventure:
Chapter 1: This is Incredibly Easy
You are standing next to a field with a 34-point lead and 4:08 remaining in the 3rd quarter. You have assembled a masterpiece. The powerful running game you devised is matched only by the intensity of your defense.
Should you run down the play clock before snapping?
Yes.
No, we should snap the ball quickly because... identity?
Congratulations! You successfully completed the "protect a 34 point lead" scen- ... wait, what? Okay, you have decided not to run down the play clock.
If you click on “yes”:
A commenter requested a Kiffining:
A&M needs to offset this embarrassment with a fireinf
Fire the coaches tonight. On The tarmac at easterwood.
And a Texas fan stopped by:
Horns fan here. Holy #%@^
I don’t know which was worse, probably the Horns loss. But, this is why you should play the Horns, at least one of us would win a game.
Unbelievable.
Let’s check in on Reddit.
#Tradition? http://pic.twitter.com/1DGjoEH4qb
— RedditCFB (@RedditCFB) September 4, 2017
When an Aggie asked an Atlanta Falcons fan about what happens next:
At R/Aggies, the No. 2 post from the last month was when Texas lost. The No. 1 post arrived hours later.
The comments under the game story on AggieSports.com should not be turned into an A&M recruiting meme.
Surely you weren't fooled into thinking they had stopped playing in the Aggie tradition. A&M is where top high school players go to become chokers and previously successful coaches go to see their career ended. Some things NEVER change. At the end of the year when we fire Sumlin and hire another sucker it still won't change.
At halftime, Texas A&M’s Facebook page posted this graphic.
Other Facebookers pined for the glory days of Dennis Franchione ...
The Aggies have always left their fanbase disappointed and yes occasionally embarrassed. They stooped to a unbelievable new low and it's all Sumlin. God I thought no one could out do Fran, congrats Summy, YOU WIN!
... and R.C. Slocum.
only a moron can repetitively lose season after season,while in a commanding lead,and only a moronic athletic director and department cant see it,why dont you just bring back RC Sloacombe so we can all predict the plays instead of just the outcome.
If Sumlin is still the head coachin the morning I won’t watch the rest of the season.
Call Scott Woodward, Director of Athletics, Phone: 979-845-5129
Tell him that Sumlin has to go.
But the finale post was even rowdier.
Other Facebook statuses were equally aggrieved, including several calling for the team to just attempt coachlessness.
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Fire Kevin Sumlin now! IDC if we don't have a coach the rest of the year....
Posted by Rick Wilk on Sunday, September 3, 2017
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Dear Texas A&M: Please fire Kevin Sumlin tonight. We will play just as good without a coach. Disgustedly, Football fans
Posted by Linda McFarland on Sunday, September 3, 2017
This isn’t how a firing works.
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It would be good bull to fire Kevin Sumlin and donate his buyout money to a Harvey charity
Posted by Chris Elam on Sunday, September 3, 2017
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Fire Kevin Sumlin .... he couldn't coach if he owned a bus company.
Posted by Lincoln Terrell on Monday, September 4, 2017
On Twitter, some people have changed their names to calls for Sumlin’s firing.
The comments under a TexAgs Facebook post of Sumlin’s presser delved into the real issues ...
... such as Sumlin being bad at unfucking situations with his hands ...
1 thing I noticed that was telling was Sumlin was engaged and hands on with his players in the first half, especially the line. The 2nd half he had a pure lack of emotion or fire. He always does this, when the game goes sideways he has no words or physical movements to fire his players up and re focus. He often states blankly into the nearest scoreboard as to wait for a response from the screen to tell him how to unfuck the situation. The only way to describe it is when you watch a war movie and the bullets are flying, explosions everywhere, people dying and there is that 1 soldier who just goes into shock and another soldier has to make him come to reality and get back in the fight... a&m doesn't have a veteran soldier to get our shell shocked coaches head back in the game unfortunately...
... as well as all the rap music and chewing gum, two things Josh Rosen clearly took advantage of during those fourth quarter drives ...
Sumlin will loose the teams focus now for the rest of the year. 4-8 season. Receivers suck. Kirk is good. The OL and DL played hard. I didn't see them give up. But they played with the plays they were given. Why not just run the ball. Didn't play tight ends. Didn't work with clock. I'm beyond frustrated. That game was in the bag. Coaches let them score 35 damn points! How does that happen? He threw Mond out on national TV to figure it out... he shouldn't have been put in that position. Hubenak should have been brought in as soon as Mond couldn't get the ball moving. The arrogance of Sumlin. If I could get my season pass money back I WOULD!
Time to have discipline!
Lack of discipline. Where to start?
-No more uniform changes.
-No more rap music at practice.. I see a lot of dancing around.
-No more celebrating before the clock says 00:00. Shouldn't have been celebrating on the first damn play!
-No more kids disrespecting the head coach on the sideline.
-No more chewing gum on the sideline Sumlin.
To be a winning team you need a head coach like Saban. He would never allow the above to happen.
I'm so damn pissed I can't even think straight!
... and the entire rest of the coaching staff, lest we only fire Sumlin ...
As bad as Sumlin is i can't beleive nobody is calling for Chevis head....what has this guy brought to ATM? He got destroyed by Tennessee Alabama, LSU and now UCLA.....Chevis and Sumlin are horrible coaches.....I imagine that Sumlin won't be here by next weekend....
... and goodness, do these Aggies hate chewing gum or what?
The coaches lost that game for the entire team, in the second half! How can you allow a team to score 30+ points while you stand on the side line smacking your bubblegum & do nothing about it??? Sumlin needs to stay in cali!
And finally, from the Sumlin presser Facebook comments, one spouse who’s ... well ...
My hubby was at the lake all afternoon/evening, and kept his phone off so he wouldn't know what happened.
This is from my mother.
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