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#what i would do to have a prequel to merlin
loregoddess · 10 months
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so I've been watching the KH Union Cross stuff (in order, thank goodness, this would be so confusing to piece together otherwise), and like, I knew enough about UX that the appearance of the foretellers at the end of KH3 wasn't confusing bc I knew who they all were, but getting the expanded, explained lore and I'm like okay, actually these weirdos in animal masks are pretty cool, glad to know they'll show up (presumably) in future games
also I'm glad that memorizing the Latin names for the seven deadly sins is finally paying off
#I'm still going to have to comb the wiki or something later to figure out some lingering questions#which I probably still have bc I got a condensed version of all the games for just the story content#so any weird bits of minor worldbuilding that occur due to like gameplay stuff I'd totally miss out on#or I just simply Don't Remember what something was when it was explained bc I was distracted by the outfit designs or something#(I am so distracted by character designs all the time and KH outfits are off-the-wall distracting)#but like overall actually the UX stuff is very interesting!#love to see that lack of communication and poor decision making is not just limited to the old men of the series#(except Merlin he's fine actually he's the only old man who does not seem to make poor life choices)#like wow so many issues might have been avoided if decisions were made differently#which I mean the story works great bc the tragedy is knowing that things could have been better but would never be#bc the characters wouldn't have made the decisions differently bc of their characterization#and UX being Oops All Prequels means it was fated to be tragic in some way or another bc like#you do not get the setting of KH w/out the tragedy of the first Keyblad War (and possibly other things?)#so like I'm fine with the characters making poor decisions bc it makes a good story but also Hot Damn#KH is just generations of mistakes and poor life decisions#and the kids are actually really doing their best at every turn even if they're against the absolute worst odds#and still the theme of the power of friendships persists...absolutely excellent#oracle of lore
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matchavellichor · 6 months
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A Losing Game
A/N: was in the mood to write pure filth so here's some jealous sebastian smut lul. also i left the context intentionally vague so that i could maybe write a prequel sometime but i hope it's clear they absolutely hate each other loool
Sebastian Sallow x f!MC - NSFW - 4.4k words - ao3
Summary: Watching his long-time rival and dueling partner kiss someone else ignites feelings in Sebastian that has him questioning just how similar hate is to desire.
Tags: Yule Ball, Enemies to Lovers, Pining Sebastian, Jealousy, Possessive Behavior, Rough Sex, Semi-Public Sex, Mild Prey/Predator, No Safeword
For the first time in their many years of friendship, Sebastian is the one being dragged to a social event he has no interest in being a part of. Ominis, taking no small amount of pleasure in this, leads them into the Great Hall with an amused smirk on his face, only biting his tongue because he’s respectful of present company. Sebastian frowns.
His robes are scratchy, his date is doused in a nausea-inducing amount of flowery perfume, and there’s not nearly enough firewhiskey in the spiked punch this year.
He tells himself pointedly, as if it’s a matter of public record, that he isn’t looking for her.
Even as his eyes comb over the crowd, and there’s a little pang of disappointment in his gut when he still doesn’t spot her after the third sweep.
“Stop sulking,” Ominis murmurs from beside him. “You look miserable.”
Sebastian proceeds to sulk even more. “How would you know how I look?”
“I’m blind, not oblivious.”
Sebastian rolls his eyes, sitting down at the table the blonde had chosen and preparing himself for an entire night of brooding.
He’d have no qualms in remaining seated in their desolate little corner for the entirety of the evening, but his date—Bianca or Beatrice or, maybe something with a D—has other plans.
She titters something about dancing, and then she’s suddenly tugging on his arm and dragging him towards parquet floors. In no mood to protest, he lets himself get weaved through pairs of students who are doing anything but respecting Headmaster’s Black rule to maintain a Potions textbook length apart.
So much for leaving room for Merlin.
He manages a tight-lipped smile when they stop under a cloud charmed to sprinkle snowflakes, small flurries of white blending into a halo around them. It’s a truly beautiful sight, a winter wonderland of silver and gold englobing them, yet despite this, Sebastian’s demeanor is tight and forced, starkly unhappy.
He pretends he doesn’t understand the reasoning behind his sour mood. Pretends he isn’t thinking about someone else’s hands, someone else’s smell, someone else’s eyes, and the obvious absence of them.
Sebastian feels dreadfully pathetic clinging to the prospect of even simply seeing her as a motivator to suffer through the remainder of the night.
He wonders when he became such a pining, spineless idiot and deduces it must’ve been somewhere during the first dozen times she’d knocked him on his ass in a duel. Surely, a screw was knocked loose then. Or a couple.
Sebastian swallows his displeasure and takes hold of a hand that’s not the right size, that doesn’t have the calluses and rough edges in the places he’s already far too familiar with. It’s easy to fall into pace, but it’s hard to enjoy it. Hard to pretend he’s dancing with someone else.
It’s then, glancing over his date’s shoulder through the haze of floating candles and snowflakes, that he finally catches sight of what he has decidedly not been thinking about all evening.
From the way he stills and all his attention narrows in on one person, you’d think Salazar Slytherin himself just made an appearance butt-naked on a unicycle.
Breath-taking is an understatement. Asphyxiating might be a more valiant contender. Sebastian would be impressed with himself if he managed to get enough oxygen in his lungs to keep his brain functioning for an entire night of staring at her across dance floors.
His eyes comb over every inch of the blood red floor-length gown she has on, head-to-toe, gaze rising to dust over the blush high on her cheekbones, even further up to the gems crested in her hair.
He takes a deep, fortifying breath, though it doesn’t do him any good.
Then, his attention narrows in on the person accompanying her and it’s like his stomach immediately pitches, falls down six flights of stairs, and subsequently plummets into a dark abyss, landing at the bottom with a pathetic, defeated sort of sound.
Because her arm is tucked into the crook of someone else’s elbow, and she’s smiling at something someone else is whispering in her, and despite being only a few feet away at this point, she doesn’t even spare a glance at Sebastian.
Instead, she drapes an arm around her date’s neck, which he reciprocates with a hand at the small of her back, pulls their bodies closer and—
Sebastian squeezes his eyes shut and refuses to look, turning away from what feels like betrayal, though he knows is the farthest thing from it.
Maybe that’s what feels the worst. What makes his mouth taste so bitter he could gag from it. It’s the realization that he has no right to feel so upset about any of it. That he can’t expect anything from her.
That she isn’t his.
His shoulders stiffen and he suddenly stops any movements, letting his hands drop from where they were rested at a chiffon-covered waist, stepping away.
His date calls his name, emitting some cross between a petulant whine and indignant scoff, but he doesn’t really hear her. He’s busy high-tailing towards the drink table and doing the mental math for how many teal-coloured glasses of spiked punch he’ll have to drink to self-induce a coma.
Ominis, with his hell-anointed sixth sense, meets him three-quarters of the way there, falling into step as they weave through pairs of students.
“This is your own doing, you know.”
He’s right, yet Sebastian would still throttle him if there weren’t so many witnesses around. He ignores him.
“Sebastian,” Ominis sighs. “You’re being childish.”
“You aren’t helping.”
“I’m not trying to,” Ominis says. “I thought I’d already made myself clear that I was on her side concerning this.”
Sebastian scowls. “Some friend you are.”
“All you had to do was ask her.”
“Asking her is admitting defeat,” Sebastian mutters over the rim of the glass he just poured himself. “She wouldn’t have ever let me live it down.”
“I don’t understand this game you two play,” Ominis frowns. “Would it have been so hard for you to humble yourself for just a moment?”
Sebastian takes a long drink. “Yes. In front of her, it would’ve been.”
“Then enjoy watching her dance with someone else for the remainder of the evening.”
Sebastian has just about decided to actually throttle Ominis, witnesses be damned, but he’s already making his way back into the crowd, out of reach.
Sebastian groans, yet doesn’t go after him. Refuses to.
From his position on the outskirts of the dance floor, he’s in blissful ignorance of whatever it is she’s doing at the moment. Despite the curiosity eating away at him from the inside, it’s some form of solace that at least he can’t see the smile he’d caught on her face. Can’t see the glow in her eyes, or her hands on her date’s robes, or all the affection he craves so ardently misdirected towards someone else.
Somehow, it’s worse.
And then, as if Fortune, on his damned quarry smiling, has decided Sebastian hasn’t endured enough for one pitiful night already, the steady crescendo of a waltz begins to build.
The crowd pulses and sways in tempo with the symphony, leaving breaches and eyelets, brief openings that he can’t tear his eyes away from, because even if it hurts, he needs to see her again.
That’s how he catches sight of her for the second time that evening. Like the seas parting to reveal a miracle, she finds herself right in his line of vision.
Sebastian conveys the tightening he feels in his chest into an ice-cold glower, features hardened. He prays she’ll just look. Even if it’s something fleeting, a split second of a glance.
Once again, her eyes never make their way anywhere near him.
It’s almost intentional, in a way that drives him insane. As if she knows where he is, and she’s skirting over him pointedly, antagonistically. Sebastian wouldn’t be surprised if it were intentional, a gleaming testimony to all the other ways she manages to get under his skin.
The dancing body of students continues to shift, like a pendulum, back and forth, revealing and concealing. He clings to the momentary sight of her, and still, like a fool, hopes that at some instance she’ll look back. Acknowledge him.
Give him some form of recognition so he doesn’t have to admit defeat so quickly. So that he knows that they’re still playing their game, that he’s not just losing alone.
The composition nears its apex, surrounding gowns and robes reaching a swirling mass of glitter and silks, and something heavy sinks inside of him, an impending sense of foreboding.
He knows what’s coming, somehow.
The orchestra finally reaching its climax.
Her fingers threading through the hairs at the nape of her date’s neck.
Her leaning forward, nose slotting against his, lips hovering over another’s and yet—
He doesn’t look away. Even if it feels like being split open, sternum cracked across the middle, until he’s left with a slick-red, yawning chest cavity.
He can’t look away, because her eyes are open and for the first time in the entire evening, they’re meeting his.
Like most instances involving her, he isn’t sure if he’s winning or losing anymore.
She doesn’t look away, and he can’t bring himself to either. It’s like he’s standing there, split from top to bottom, voluntarily exposed for her to prod at, to ruin. And yet, there’s a bittersweetness to it all.
Her lips aren’t on his, yet she’s looking at him as if she wishes they were.
There’s something taunting in her eyes. Something he might’ve mistaken as a threat if they were in their usual setting, mid-duel in the Undercroft.
A challenge.
It takes him a moment to realize that context shouldn’t matter. This is an invitation for battle, a glaring provocation. He stares.
The sight of her mouth on someone else’s makes bile rise in his throat, makes him so filled with rage and revulsion that he thinks he might suffocate on it all. Yet the sight of her eyes, the sheer amount of longing she’s able to convey in such a short glance, is enough to invigorate him, to channel all his rage and wanting into something else.
His legs move of their own accord.
Her reflexes are as sharp as they are in battle.
The second she sees him coming towards her, she reacts. Murmurs a hurried apology towards her date, who looks so confused Sebastian would almost feel bad for the bloke if he didn’t want to strangle him so violently.
She’s immediately cutting through the crowd towards the opposite direction, her eyes trained on one of the exits. He picks up his speed, but she’s quicker than him, smaller, able to duck through bunches of students with ease, even with her dress hindering her movements.
Adrenaline trickles up his spine. She throws him another glance over her shoulder and smirks, sly and knowing, a look that writhes under his skin in the way her glances always do.
Even if he’s the one chasing her, Sebastian feels awfully like the rodent in their little game of cat and mouse.
They both step into the quiet of the dimly-lit hallway, the sounds of the party bleeding away as the door shuts behind them, casting them in silence.
There’s a split moment where she spins around to look at him, chest heaving. The live-wire tension between them is pulled so taut it’s a miracle the air doesn’t crackle with static.
Neither of them move for a long moment, until her lips curl into a smile.
She breaks into a run and Sebastian doesn’t miss a beat.
He chases after her, his heart pounding with something primal, something instinctive. Like his self-control might slip away from him when he catches her, like he might just sink his teeth into soft flesh, dig his nails into supple skin. She runs as if she’s just as aware of this fact as he is.
He almost wants to punish her for it. Bite and scratch and mark as if in vengeance for her thinking she could ever get away from him. For her forgetting that she’s anything but his, as if she should simply know it by now.
She’s fast, but she’s nearly tripping over the dress she has fisted in her hands, and her heels don’t help. All it takes is for her to stumble around a corner and he’s on her, grabbing her gown, pulling her towards him.
He spins her around, and she grunts when he slams her against the wall. Teeth bared, strands of the elegant updo she’d had her hair in falling down over her shoulders, glittery makeup smeared down her cheeks — she looks like something savage.
For some reason, it makes something deep-set inside Sebastian ache.
“Let go,” she grits, struggling against the hold he has on her wrists, under the weight of his body that has her molded to the wall.
His grip only tightens, frustration simmering low in his gut. Sebastian has never known desire like this, shadowed by fury. Want and anger, love and hate, repulsion and obsession.
“I know what you’re doing,” he hisses.
She stills her thrashing in favor of looking up at him through her lashes with an expression so innocent, it’s crucifying.
“Attending a dance?”
His jaw sets. “Don’t get smart with me.”
“Why, are you having a hard time keeping up?”
He stares at her for a long moment, jaw working in tandem with his thoughts. He runs his tongue over his bottom lip and she tilts her head, amused at how worked up he’s gotten.
“I know what you’re doing,” she says.
“And what’s that?”
“Thinking about how badly you want to kill me, probably,” she says. Her eyes fall to his lips and his breath stops in his throat. “Or kiss me. Haven’t quite worked out which one yet.”
“So certain that they’re mutually exclusive,” he murmurs, his gaze falling to mimic hers despite himself. “I think you forget that I’m very multi-faceted.”
“That I’m aware of,” she tilts her chin up, almost as if inviting him to press his mouth to hers, a siren’s call. “You manage to be mind-numbingly stupid and brilliantly obnoxious, all at the same time.”
He scoffs. “And you manage to be the most infuriating person on the planet.”
She seems starkly proud of the title. “What can I say, I invoke passion.”
“You invoke homicidal thoughts.”
“Not the only kinds of thoughts I invoke in you, is it, Sallow?”
He reddens. He’s spent too many showers hunched over his own fist with silencing charms plastered around the tiles for his response to be anything more than a blurted, evocative reaction.
“Anything you think I feel for you is precisely the opposite. I fucking despise you.”
He only notes a split second after that it’s not an outright denial.
Evidently, so does she. Because then, as if she were made to crawl under his skin, writhe underneath it until his nerves were a mess, she smiles.
What he truly despises is how pretty he finds it.
“You don’t hate me.”
He sneers. “Is that so?”
“Hate isn’t the opposite of love. Indifference is,” she leans in. “And I’d hardly call chasing me through the castle simply because I kissed someone else…indifferent.”
He decides then — or more accurately, his too-horny, too-angry, too-impulsive brain decides for him — to wipe the pleased grin off her face the most effective way he knows how.
With a hand fisted in her hair and his mouth crashing against hers.
It isn’t tender or sweet, nor the remotest definition of kind, but it’s fitting and dreadfully familiar, because it’s not like they’ve ever been nice to one another.
He lets go of her wrists to give her some fighting chance, because he’s cruel, but he prides himself on being fair. Instead of pushing him away, or going for her wand, or doing anything to indicate she doesn’t want this, however, she pulls him in. As if she knows exactly how to bring him to his knees, in any and all contexts, and revels in any opportunity to destroy him.
He almost thinks it’s a trap, another one of her grating ploys, but when she tangles her fingers in his hair and drags her nails down his scalp and kisses him back with just as much fervor as he does, it’s hard to believe it’s simply a farce.
Her tongue finds his and Sebastian wonders if they’ll ever do anything together that doesn’t mimic a battle. She fights for dominance in every stroke of her tongue against his, and his stubbornness refuses to grant her it.
“Fuck,” he groans against her mouth, because he’s learning just how much she kisses the same way she duels.
Dirty, unfair, brutal. Like she’s never been afraid of blood, or getting messy, or breaking things.
She stokes a fire that’s been simmering inside him until it’s red-hot and all-consuming, flames licking at the inside of his throat. He pulls her bottom lip between his teeth and bites until he tastes copper, finding some sick form of satisfaction at the pained little whine she lets out.
“You kissed him,” he pants, and there’s something raw in his voice. He rests his forehead against hers and stares at the crimson pooling on her lip. “You kissed him.”
She swallows. “I did.”
Sebastian despises how hurt he sounds. “I could kill him.”
“You won’t.”
“I could.”
“I know,” she nods, chest heaving against his. Her voice grows suddenly soft, until it’s barely a whisper. “I wanted it to be you.”
He groans, almost pained. “Did you?”
She nods.
“Has he ever touched you?”
She shakes her head.
“Tell the truth,” he says, fingers threading through the tangled remains of her chignon, tilting her face up towards him so he can meet her eyes. “Did you let him touch you?” He presses a leg between her thighs, barely able to feel her through layers of tulle. “Here?”
“No,” she gasps from the contact, nails scrambling to drag down his forearm. “Never.”
“Fuck,” he sighs, and tips his head down to press against her throat, drags his lips over her jaw. “Only me, hm? Say it.”
She shakes her head and his gaze darkens, pulling back to tighten his fingers still tangled in her hair, to tear a whimper from the back of her throat.
“No? Who then?”
“No one,” she whispers, and despite the tight angle her neck is at, despite the fear dancing behind her eyes, she smiles up at him again. “You haven’t touched me yet, though, have you?”
She’s baiting him, and he’s aware of it, and still it manages to work.
He feels his self-restraint slipping through the cracks of his fingers like sand. There’s traces of scarlet on her teeth he wants to drag his tongue over. He wants to suck the marrow from her bones.
He spins her around, presses her cheek into the cool flagstone of the corridor they’re in, and molds his body to hers.
“S-shit,” she curses when his patience wears thin and he yanks at the fabric hiding her body away from his, pulling at the skirt of her gown until it rips. “Asshole.”
“Looks better this way.”
His fingers coast up her thighs to hook into her knickers, tugging them down before she can protest. She gasps and he smiles against her cheek, pushing her hand away when she tries to cover herself.
He nips at her ear, his hand reaching between her legs to cup her sex, reveling in the way she tries to squirm away from him.
“What’s wrong? Going to act shy now?”
“Someone could see,” she grits, though something in her tone tells him she’s not going to stop him.
“Wouldn’t they be lucky.”
His breath stutters when he finally dips his fingers between her folds and finds how soaked she is. Something about the revelation is dizzying, the notion that she could possibly want this as badly as he does. He grinds his hips into her arse so she’s just as aware of how gone he is.
Immediately, his hand is fumbling with his belt, the other pressing bruises into her hip to keep her still. He kicks her feet open wider, spreading her for him. His fingers flex on her hip in anticipation.
“You have full permission to use any Unforgivables you want on me if you want me to stop,” he murmurs, burying his nose in her hair and inhaling deeply. He groans. “You’re not getting me off of you in any other way.”
When she doesn’t make any move for her wand he positions himself at her entrance, rubbing to coat himself in her fluids. Her breathing is heavy against the wall she’s pressed against, her gasps coming out in soft little pants. He revels in them for a long moment.
Then, he’s impaling her and all of her breathing stops. Replaced instead by a strangled sort of sound, as if he’d managed to knock out all of the air in her lungs with a single thrust. His jaw falls slack.
He manages to composure himself enough to murmur in her ear, voice hoarse. “Hurts?”
She chokes out a sob, nodding weakly. Her head falls against the wall, clenching around him as she tries to adjust to his size.
His hips snap forward again, even harsher this time, burying himself to the hilt and tearing a yelp out of her throat. “Good.”
“S–Sebastian—”
He pauses, so deep inside her he can feel every little pulse, hips flush against her arse. “Want me to stop?”
Miraculously, she shakes her head. It’s never like her to back down from a fight, after all.
“Of course,” he chuckles, though it sounds uncharacteristically strained, imprecise. Like he’s losing his grip. His head falls to her shoulder and he moans, grunting feverishly against her skin as he starts a brutal, unforgiving pace. “You can take it. Look so pretty taking it.”
“Please,” she whines. “Too much, I–I can’t,”
“You’re a tough girl,” he whispers, tone vicious despite his words. “You’re going to shut your fucking mouth and take my cock.”
She nods fervently, obediently, and Sebastian thinks he deserves a medal for not finishing right then. He yanks her hips back from the wall, shifting the angle and she gasps when he feels him push in even deeper.
“Oh my God,” she moans. “Good — feels s’good, yes, yes. Plea–please don’t stop.”
“Fuck,” he grunts, voice sandpaper-rough. He snakes a hand to her front to rub tight little circles between her legs. “Look at you babbling. Dumb little cock-drunk slut. Can’t even think properly with me inside you like this, can you?”
Her response is too garbled for coherence, a mess of moans and pleas. He groans in a way that’s almost just as saturated with desperation, that tells her she’s not alone in her unraveling. He pulls her head back to smash his lips to her, stifling all kinds of confessions that threaten to escape him.
She breaks the kiss to gasp for air and his fingers swirl against her just right. She tightens. “Gonna — m‘gonna cum,”
“Yeah? Come for me, baby,” his voice breaks on the word, and he’s aware he’s practically begging. He’s too far gone to care, so he scrapes a kiss to her heat-flushed cheek and properly pleads.
“Please. So fucking beautiful. Let me see your pretty face when you come undone for me,” he stares down at her through half-lidded eyes and briefly contemplates the possibility that he’s died and gone to heaven when she looks back at him. “That’s it, look at me.”
He studies her as he sends her over the edge and pulls himself over along with her, her lashes fluttering as she struggles to keep her eyes on his.
The sight is enough to ruin him.
Her makeup a mess from the tear tracks running through them, the hair fisted in his hands in an even worse state, and somehow— she still manages a lopsided smile, as if beyond pleased with herself.
He’s faintly aware of the fact she’s won. He makes peace with the realization.
There’s nothing but the sound of their heavy breathing to fill the silence in the hallway as Sebastian tries to regain his bearings, still buried inside her. Neither of them move for a long moment, and Sebastian likens it to the peace following a war, a brief period of prosperity.
He’s conscious that it’s temporary.
She winces when he finally pulls out of her, their shared spend trickling down the insides of her thighs, her knees nearly giving out to the point he has to hold her up, even if his own legs feel dreadfully unstable.
It doesn’t take her long for her to detach her body from his own, to duck under his arm and slip away. Panic suddenly seizes his chest, dread trickling up his spine. For some reason, he can’t bear to watch her leave. He opens his mouth to say something—an apology, maybe—but she beats him to it.
“That was fun,” she says plainly, glancing back at him over her shoulder. It’s as if they’d just finished another duel. Hardly anything to bat an eye at. Sebastian is at a remarkable loss for words.
She hasn’t continued down the hallway, but she looks as if she’s prepared to.
He’s faintly aware of the fact he probably looks like a fish right now, jaw still slack.
When he doesn’t say anything, she turns her attention to righting her underthings and fixing the tattered remains of her gown. He watches her.
“Goodnight, Sebastian.”
Suddenly sprung to life by the threat of her absence, he takes a step forward. “I’ll walk you back.”
She snorts. “Ever the gentleman.”
“Unless, you’d like to, uh,” he stares down at his shoes, looking uncharacteristically sheepish. “I could transfigure something for us in the Undercroft.”
She looks amused. “My god, you’re insatiable.”
He reddens. “I didn’t mean—oh, Salazar, to sleep…I meant to sleep.”
She turns to face him fully and raises her brows. “You’re asking me if I’d like to forego my own bed in order to spend the night with you in a dusty cellar?”
Mortification washes over him. Why would she? He should’ve kept his mouth shut and walked her to her dorm room instead of deluding himself with the notion that this could’ve been anything more than a quick fuck.
She stares at him expectantly and his fingers twitch at his side with the desire to grab his wand and promptly Avada himself.
It’s then that she decides to saunter over to him, taking her time, until she’s right beside him and can tuck her arm into his. She gestures forward, almost impatient.
“Go on then. I’m little spoon.”
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larluce · 8 days
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Arthur thinks Merlin was raped (but he wasn't)
This is kind of a prequel to this post, click here if you want more context -> LINK
Tagging @cinnabon-sweetroll-tiramisu , @odinjm , @hssmaureader , @daniella0 , @stressed-but-chill , @smileytrinity
When Arthur finds Merlin in the woods after being lost for 3 weeks, he feels so much joy. He doesn't remember feeling so much joy in his life. Merlin is dirty, his clothes riped and with dry blood, but alive. And that’s all he cares right now.
Arthur: (more than happy and relieved) Merlin! I thought we lost you (goes to him to give him a hug, thinking) That I lost you.
Merlin: (Backs away quickly before Arthur can hug him, wide eye and terrified)
Arthur: (confused) Merlin?
Gwain: Merls, it's us, relax (extends a hand)
Merlin: (shakes his head, frantic, and goes limping to hide behind a tree)
Lancelot: (worried) Merlin... (aproaches carefully) Merlin, it's okay. You're safe now (extends his hand, gently, with a reassuring smile).
Merlin: (shakes his head again and tries to say something but he can't, so he whimpers quietly)
Lancelot: No touching, alright. (Lifts his hands in surrender) No one is going to touch you.
Arthur: (approaches as carefully as Lancelot did) Do you recognise us? (Thinking, begging) Please, say you do.
Merlin: (Nods and tries to speak again, but closes his mouth, frustrated)
Arthur: (realises, heartbroken) You can't speak.
Arthur and the knights can only imagine the horrors Merlin endured. It's obvious he was tortured but they didn't know how much of his new behaviour is result of physical damage or trauma. For example, is Merlin too traumatized to speak or is he physically unable? Did his tortures cut his tonge? Damaged his vocal chords? And what the hell have they done to Merlin to make him so afraid of human touch?
With a lot of reassuring and patience, they manage to bring Merlin back to Camelot. It was difficult not to touch him when he kept limping and falling. And Merlin refused to use a horse for some reason, no matter how much they insisted, so they had to get a cart to transport him. When they finally arrive, they bring him to Gaius immediately so the physician can check him, but Merlin doesn't let him touch him either and he locks himself in his room. It takes days for Gaius to have a formal diagnosis for the prince.
Gaius: (reports painfully) He was starved, beaten, cut, whiped and burned several times for what I could see.
Arthur: For what you could see?
Gaius: He wouldn't let me see all the wounds (sighs). He was also immobilized with chains by the wrists, ankles and neck. He must have struggled a lot because the marks of the chains are actually worse than the torture itself.
Arthur: (his heart aching for Merlin and burning in fury for the bastards who did this, composes himself just enough to ask again) His voice... did they...did they cut his-
Gaius: No, sire. He's physically able to talk He's just too traumatized to do it. It might take a while for him to talk again.
Arthur: (sighs releaved, but still fill with sorrow) Why? Why would they do this to him? Merlin never hurt anyone, who would want to- (stops when he sees Gaius apprehensive expression) You know something.
Gaius: (hesitantly) Merlin can't speak but he can still write, sire. He... he managed to write me some things.
Arthur: (raises his voice, angry) And you tell me this now?! What did he write?
Gaius: ...
Arthur: (demands) Gaius, I order you to tell me.
Gaius: (sighs) Apparently the bandits that captured him wanted... information sire. To know all the weak spots of the castle... and everything related to you.
Arthur: (open his eyes wide, horrified and devastated, and sinks in a nearby chair) No...
Gaius: He didn't say a thing, sire. You don't have anything to wo-
Arthur: (explodes) I know he didn't! That idiot! He should have told them everything! I wouldn't have blamed him, but of course he didn't. I whish he had (breaks down and cries) This is all my fault.
Gaius: (comforting him, a hand on Arthur's shoulder) This is no one's fault but theirs. You can't prevent every conspiration, attack or attemp murder directed at you. You're the king. It's expected.
Arthur: I should have protected him better, found him sooner. I should-
Gaius: Dwelling on what if scenarios won't help you. And it definitely won't help Merlin. What he needs now is for you to be there for him, be strong for him
So Arthur does just that. When Merlin keeps locking himself in his room and refuses to leave, Arthur visits him at the door and slide pieces of paper through the door crack so Merlin can write the words he can't speak and they can have a small talk at least once a day. Arthur can hear things being thrown and broken constantly and, the first days, Merlin doesn't even pick up the paper. When Merlin finally does, the paper is returned with a short messages along the lines of "Go away", "Leave me alone" to which Arthur reponds firmly he won't, he never will, every single time. Then Merlin's messages turn longer little by little and Arthur's one sided conversations with the door are over.
The day Merlin finally leaves his room and resumes his duties is a blessing as much as it is a curse. Arthur is glad and greatful at Merlin's progress, but seeing him doing his chores silently, just noding or shaking his head when asked something, and without sharing a single smile is painful. Merlin still doesn't let anyone touch him, which everyone respects, but is specially difficult for Arthur since, he realises, he used to manhandle his manservant a lot. They still comunicate through papers when necessary, but is just not the same.
A particular day Merlin almost falls down the stairs and Arthur, forgetting his manservant boundaries for a second, catches him in reflex.
Merlin: (separates from Arthur in full panic mode, screaming) NO!
Arthur: I'm so sorry, Merlin! I didn't mean-wait (open his eyes wide in surprise) You talked?
Merlin: (unsure, repeats) No? (brings a hand to his mouth in surprise and repeats, fearful) No? (his hand goes to his neck, nervous, as if expecting something bad to happen, but then he smiles brightly and shouts, very excited) No!😃 NO!😄
Arthur: (laughs in excitment, so happy he might cry) Your voice is back! You can talk again! (about to go for a hug)
Merlin: (lifts his hands, warnly) No!😠
Arthur: (lifts his hands too, quickly) Right, sorry. (They both lower their hands at the same time) Ahm... Is 'no' the only word you can say?
Merlin: (shrugs)
Arthur: Come one, try something else.
Merlin: (hesitanly) Ar...thur?
Arthur: See? You can talk.
Merlin: (smiles softly, and says fondly) Arthur. (tries to say something more elaborated, but in the end only manages to say again) Arthur. (Purses his lips, frustrated)
Arthur: (smiles at him fondly) One word at a time, don't force yourself. I can't believe I'm saying this, but it's good to hear your annoying voice again. (thinking) And hearing you saying my name and smiling. How much I missed that smile.
After that, Merlin is able to give short answers. First from 1 to 3 words and later one sentence or two. He's also more expressive now with his features, not as much as he was before, but he makes small frowns and gives small smiles from time to time. Arthur craves those moments. Even if Merlin's face contorts in fury because Arthur tried to exclude him from going on trips with him to protect him, or because Arthur doesn't do things like throwing things at him anymore because he believes Merlin's made of cristal. Arthur can’t help feeling happy because Merlin's face is finally wearing some emotion.
Then comes the day Arthur sees Merlin having a nightmare.
Arthur finds Merlin fallen asleep in his bed. Before Arthur would have get mad, but he knows through Gaius that Merlin hasn’t been sleeping well so he lets him. He starts checking his informs when suddenly he hears Merlin crying for help. Arthur runs to him inmediatly.
Merlin: (begs in his sleep, moving and crying desperatly) No! Anything but that, please.
Arthur: (tries to wake him up without touching him) Merlin, it's just a nightmare. Wake up.
Merlin: (doesn’t wake up and cries more painfully) Please! Hurts too much! Please! Stop!
Arthur: Merlin-
Merlin: Arthur! Arthur, I'm here! Please! Arthur!
Arthur: (shouts) Merlin!
Merlin: (wakes up abruptly and checks desperatly his wrists and neck)
Arthur: (comforting him) You are safe. You are in Camelot. You are safe.
Merlin: (wipes his tears and looks around) I fell asleep in your bed. I'm sorry.
Arthur: (smiles) It’s okay. (Wants to put a comforting hand on his shoulder but restrains himself) You were having a nightmare.
Merlin: I... I don't want to talk about it.
Arthur: Alright. But if you ever want to. Just know that I'm here to listen.
Merlin: (Nods in understanding and sighs) I'll get back to work. (Stands up)
Arthur: (complains, but not really) As you should. Those chores aren’t going to make theirselfs, you know?
Merlin: (smiles a little, cause he knows what Arthur is doing) Right away, sire. (Leaves)
After that, Arthur asks Gaius if he knows what Merlin's dream are about exactly, because it seemed there was a especific type of torture Merlin dreaded the most, but while Gaius seems to know, he refuses to tell him, even when he commands him. "It's not my place to tell" It's all physician says. It bugs Arthur the rest of the day. It's not until Arthur leads a trial of a rape victim that devasting realisation hits him.
That girl, that poor girl acts just like Merlin. Not letting anyone touch her, barely speaking. There are marks on her wrists of ropes the inmobilized her while she was... Just like Merlin's chains. "He must have struggled a lot because the marks of the chains are actually worse than the torture itself" Gaius had said. Merlin's nightmares. Merlin limping when they found him in the wood. Merlin not wanting to ride on a horse.
Arthur's world crushes all over again. His Merlin, his best friend was raped. Arthur can see his knights came to the same conclusion, because of the devasted expression they have when he meets them in private.
Elyan: (still in denial) It can't be... not Merlin.
Leon: It does make sense though. If none other torture seemed to work...
Percival: And Merlin has always had... very delicate features for a man.
Gwaine: Those sick bastards!
Lancelot: (no quiet believing this theory yet because he knows Merlin has magic to defend himself, but he can't share that so he just stays silent) ...
Arthur: (with deadly and serious expression) As soon as we find them, we'll make them pay. For now I want you to keep taking turns in watching over Merlin.
All knights: Yes, sire!
By month 3, Merlin talks almost as frequently as he did before, maybe with less jokes and smiles, but he's getting there. Arthur is glad some of their usual banter is back.
Merlin: (asks, shyly) Arthur? Could you... it's just I want to try something, but... you don't have to if-
Arthur: (throwing whatever he's doing inmediatly) Of course, anything. Just ask.
Merlin: (blushes a little) Could you... give me your hand?
Arthur: (his heart stops with emotion for a moment, but composes himself) Sure (he extends his hand)
Merlin: (slowly but surely joins their palms and smiles. After a moment, he says relieved to himself) Nothing happened.
Arthur: (joyful at feeling Merlin's touch again, but his heart breaking at Merlin's words) Of course nothing happened. I would never hurt you, Merlin.
Merlin: (smiles a little) I know. (Lets go of Arthur’s hand)
Arthur: (missing his touch already) If you need to... you can ask me to help you again, you know? With the whole touching thing.
Merlin: (surprised) Really?
Arthur: (nods) Whenever you want.
Merlin: (smiles a little) Thank you.
And Arthur finds himself craving those moments too. He always waits for Merlin to initiate the touch. Arthur doesn't risk doing it, fearing he could scare Merlin. So he waits. First Merlin just asks to join their hands from time to time. Then, one blessful day, Merlin tell him is okay to touch his arm or his shoulder like Arthur used to do. Arthur does it gently though, enjoying and appreciating it as he never did before. Arthur feels sense of achievement when Merlin stops tensing at his touch completly, at easy with him again.
Gwaine: (while training, sighs) I miss Merlin's hugs.
Lancelot: (sad) Me too. He's making a great progress with touch though. And he smiles more.
Percival: Remember when he asked me if I could carry him in my back?
Elyan: And you said "I could carry you with a single finger!" And then you picked him up (All the knights except for Arthur, laugh)
Arthur: (suddenly very sternly) stop chatting and get back to training.
Gwaine: Relax, princess. We were just talking about all the times Merlin-
Arthur: (raises his voice, mad) I said get back to training!
Leon: (worried) Are you alright, sire?
Arthur: (harshly) I'm fine.
Gwaine: (realising) Wait... you've never hugged Merlin before?
Arthur: ...
Gwaine: (laughing) Oh, gods! That's what it is. You're jealous!
Lancelot: (warns) Gwaine.
Gwaine: What? Is not my fault mister I'm-too-great-to-show-affection didn't get to hug Merlin before.
Leon: (seeing Arthur's increasinly furious face, warns too) Gwaine, stop.
Gwaine: And he doesn't get to be mad at us just because he'll never get to hug him now.
Arthur: (shouts and launches himself at Gwaine and they start fighting)
The rest of the knights: (try to stop them but is useless).
Arthur: (about to throw the finale punch)
Merlin: (enters the training ground and aproaches, confused) Arthur? Gwaine? What's happening?
Arthur: (gets distracted at Merlin's appearance)
Gwaine: (takes advantage and makes Arthur trip)
Arthur: (Ends with his face in a puddle of mud)
Gwaine:... 😨
Elyan:... 😧
Lancelot:...😓
Percival: ...😰
Leon: ...🤦‍♂️
Merlin: (burst out laughing) OMG! Your face! I can't! 🤣😂
All the knights, specially Arthur: (stunned but mostly mesmerised cause Merlin hasn’t laugh, properly laugh since they found him in the woods and they have missed his beautiful laugh so damn much)
Merlin: (wipes his tears of hapiness) Sorry. I'm done now.
Arthur: (Thinking, almost in panic) No, you aren't! (Turns to Gwaine and orders) Gwaine, give me your face.
Gwaine: What-
Arthur: (smashes mud in his face)
Merlin: (starts laughing again, but not as hard as before)
Lancelot: (understanding what Arthur is doing, thinks) Is not enough. (Makes a ball of mud and throws it at Elyan's face)
Elyan: Hey! 😠
Lancelot: (pointing at Merlin) Look!
Merlin: (is laughing harder)
Percival: (shouts) Mud fight! (And everyone starts throwing mud at each other)
Merlin: (still laughing) What are you doing, you idiots! Now I'll have to wash all your armors!
Arthur: Don't be dull, Merlin! Join us!
Merlin: (giggles) You're worst than children, I swear. (shakes his head but joins the fight)
Arthur's finally got his Merlin back and he'll never lose him again.
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thetimelordbatgirl · 2 months
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What’s the point of the Isle if Red was born in Wonderland and not on the Isle? What’s even the point of Auradon Prep if there’s Merlin Academy with some of the villains and heroes going to school together? What’s the point???
"What's the point???"-A perfect summary of Disney Descendants nowadays. Seriously, the fact that they changed Red to having been born and raised in Wonderland when prior Descendants stuff alluded to the Queen of Hearts having been on the Isle...like what is the point of doing that??? Queen of Hearts could still be wanting to get revenge on Auradon even with Isle backstory, hell that might add to her reasons for revenge, since I'm pretty sure taking Wonderland People out of...well, Wonderland, would drive them insane as its the one place they thrive in and now they've been removed from it and are stuck in a prison and well...I can only imagine Queen of Hearts getting worser because of the Isle. (Seriously, even Ever After High addressed how wonderland people feel when unable to return to Wonderland, aka they feel lost and such in a world that isn't made to understand them...granted they also had the better Queen of Hearts design and better name for her kid but). There is literally no point to removing Queen of Hearts from the Isle and having Red born and raised in Wonderland beyond messing stuff up in Descendants even more (seriously, the prequel book could have been Red and her mom getting control of Wonderland back...not whatever you call the actual plot of the prequel book). Also they actually expect you to believe Red WITH the wonderland backstory, is somehow 'whip smart' and Chloe Charming is the naïve one...when I'm pretty sure the wonderland girl would be the naïve one actually while Chloe Charming would be the smart one??? Especially if Red somehow thinks the Isle was appealing just because it had no rules...
And Merlin Academy...oh one of the many banes of my existence...just...can we call it what it is: Ever After High rip off that also breaks a shit ton of continuity in Descendants??? Because similar to Ever After High, its a school that future heroes and future villains attend...that also leads to the fact that Descendants can no longer be based on the animated films like they claimed to be, because how the fuck would I dunno, Cinderella work if she attended the same school as Prince Charming??? Especially as animated Cinderella was put to work by her step family as soon as her dad died so there'd be no time for school??? How does Aladdin even work now when in the animated film, Jasmine has never been allowed out of the palace because of her over-protective father and has to sneak out and literally met Aladdin for the first time in the animated film...when according to Rise of Red, she and Aladdin BOTH attended school together and also dated in school, which??? HOW DOES THE PLOT OF ALADDIN WORK NOW THEN- and just, why the fuck is HADES of all bitches in the school??? Doesn't he have an underworld to rule??? Or is Disney gonna ditch mythology accuracy completely now??? And I guess Beast in Descendants got cursed as an adult if he attended a school, so rip that 'cursed as a child' implication from animated Beauty And The Beast- and lord, imagine your classmate in the future imprisoning your dad and you having to switch places with your dad, if Belle is attending the school as well. Maleficent....as long as its Leah and Stefen attending Merlin Academy with her I won't scream as much....if its Aurora and Phillip though, screaming time- and just, again, like Belle and Beast, Fay is just, I guess, seeing her classmate deal with family abuse and doing nothing for her when she's the classmate's future fairy godmother.
And also just because they apart of Merlin Academy: Morgie, son of Morgana Le Fay...where the fuck she been? Disney literally did not include her in Sword of The Stone, so where she come from? Also shit name for her son, not as shit as Red, but you know, its up there. Zellie, daughter of Rapunzel...third Rapunzel kid in Descendants lets go...but also hoping she's a time traveller because uh...how else is Razpunel's daughter in Merlin Academy with the future heroes and villains??? Ulyana...another sister of Ursula because using Morgana (Little Mermaid 2) was hard I guess...also comes with a 'whats the point' but a big one this time: what was the point of bating us with Dara Renee playing Chloe, only to reveal Dara is playing Ulyana and someone (with lighter skin tone then Dara) else is playing Chloe? What was the point of doing that beyond being iffy? And Hook...nothing to say on him...I just don't have anything on him, he's the least of Rise of Red's problems, he's just connected to one, aka Merlin Academy and the time travel plot (I'm not starting on that one because that'll be along ass rant...).
So yeah, like said: What's the point- perfect summary of Disney Descendants nowadays.
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shootingstarpilot · 6 months
Text
Fic Writer 20 Questions
Thanks for the tag, @merlyn-bane!
1.) How many works do you have on ao3?
Eight!
2.) What's your ao3 word count?
217,911
3.) What fandoms do you write for?
*sobbing* Star Wars, my beloved. The brainrot is real; I am consumed. When I was still on FF.net, though, I had stuff up in Harry Potter and How to Train Your Dragon.
4.) What are your top five fics by kudos?
back then, i was dauntless
how to bring him home
if i don't make it back (from where i've gone)
though some would harm you
like lightning changing hands
5.) Do you respond to comments? Why or why not?
I absolutely do! I feel bad because I know I've gotten some lovely comments on chapters that aren't the most recent one, and those tend to get lost in the inbox, but I promise I'm working on it- if you get a response from a comment you left a year and a half ago, don't hold it against me 😅
I do it because I want so badly to build community here! I love getting comments from people, responding to something with a wee hint of a tease because I'm AWFUL and then getting a keysmash of a response and then exchanging snippets in the comments, truly, it fills me with delight- and I've met some absolutely wonderful people who I got introduced to by responding to comments-
Anyway. Community. That.
6.) What's the fic you wrote with the angstiest ending?
Oh. Hm. Hm.
I... guess it would have to be though some would harm you? Although I'm not sure if I feel confident in that designation, because it's very much part of a multi-work series. And I'm too much of a sucker for happy endings to write a stand-alone fic that doesn't have one, I think.
7.) What's the fic you wrote with the happiest ending?
Oh, neural plasticity, for sure! Short and sweet <3
8.) Do you get hate on fics?
A bit. I can brush off the "actually the Jedi were the real monsters" assholes easily enough, but honestly, the comments that hit the hardest are the ones that clearly come from people who think they're offering ✨constructive criticism.✨ Not only because I didn't ask for it, but also because saying my work is "fatiguing" or "I'm sure there's a decent story here, but it's being buried under what you're trying to do with it-" there's nothing constructive there.
Side note: the person who left that last comment deleted it about half an hour later, because when I went to reply, it had vanished from my inbox. I don't know if they did that because they didn't want me to be able to reply, or if they realized that what they said was unhelpful and mean, but if they ever happen to see this-
I still got the email, prick.
9.) Do you write smut? If so what kind?
Write? No, I haven't quite worked up the panache to try. Reading, on the other hand...
10.) Do you write crossovers? What's the craziest one you've written?
I do have snippets of one crossover that I actually posted in an anonymous collection, ha- an old BBC Merlin/ Good Omens/ Supernatural fic that I dug out of my old documents. Other than that, no- unless you count the Prequels and the Clone Wars as different enough to qualify as a crossover.
11.) Have you ever had a fic stolen?
Not that I know of!
12.) Have you ever had a fic translated?
Also not that I know of- very much open to it, though!
13.) Have you ever cowritten a fic before?
Since I don't think taking drabbles in tumblr chats to ridiculous lengths counts, I'd have to say no- I'd like to, though!
14.) What's your all time favorite ship?
Codywan. Fiercely, unwaveringly Codywan.
Just to reinforce this- 292 of my bookmarks consist of Cody/Obi-Wan. The next most common romantic pairing (Aziraphale/Crowley) has less than half that, at 121.
I'm a goner, and I can't even bring myself to regret it.
15.) What's a WIP you'd like to finish, but doubt you ever will?
OKAY SO I've written snippets of a modern AU focusing on Helix, Needle and Stitch, and I'm totally gonna take this opportunity to rage about it. I'm probably never gonna finish it, but it gives me a warm and fuzzy feeling, so, hey- what else is fic for, really, if not for indulging yourself?
At first, it's just Needle and Stitch. It's just been the two of them, for as long as Stitch can remember. Needle's only a few years older than him, but he's raised him, kept him in school, kept a roof over their heads and food on the table-
Food on Stitch's plate, at least.
Then, one night, Needle does not come home.
A hit-and-run, the nurse tells him, although the words will not trickle through until much later. A coma.
He will not, they say patiently, come home for some time.
(There is so much that needs doing.)
Helix, meanwhile, is studying physical therapy at the local community college and working part-time at his brother Ace's bakery.
It's during one of these shifts that a skinny little twerp comes in and hands him a job application.
(Rent and bills and Needle Needle Needle-)
It doesn't take Helix long to realize something is... off.
Ace tells him not to push it, but-
The kid's a good worker. Great, as a matter of fact. He's never late. Stays past closing, too, if they've had a rush. He tells Helix about his brother and nothing else.
(His brother hasn't come to visit.)
Everything that's not sold at the end of the day gets packaged up and given out. They only toss in the dumpster what's really, truly inedible- stuff that got dropped in the kitchen, scraps left over from customers-
He thinks it's raccoons, at first, until he peers in and sees Stitch flatten himself against a heap of bags in the corner.
They package up leftovers for him, after that. A bit more than leftovers, maybe. Ace sets aside sandwiches. Helix buys him a thermos and tells him it's been in the lost and found for over a year. They make sure he eats.
(Needle's getting transferred out of the ICU.)
Stitch is trying. He's doing everything he can, and more besides. But Needle's life is too expensive and he's buckling under the weight.
(He hasn't even grieved. Not really. No room. No time.)
Eventually, something has to give.
He does.
(He hadn't expected someone to be there to catch him.)
Featuring:
Helix stumbling into adopting first one, then two idiot kids
Ace being a supportive brother
Needle finding his way home
Mace Windu as Needle's (unfairly attractive, Helix thinks) neurologist
Obi-Wan as a hospital social worker who gets assigned Needle's file
Cody as Obi-Wan's husband, Helix's cousin, and children's book author (Stitch's favorite)
(listen I am WEAK for author!Cody, truly)
(Helix was totally the one who got them together and he regrets it every day of his life.)
Sheev Palpatine as the epitome of the evil of the American healthcare system
The Melidaan crew running a long-term, non-profit care facility that offers both in-patient and out-patient rehab services
16.) What are your writing strengths?
(I'VE PUT TOO MUCH THOUGHT INTO THIS. SHIT.)
17.) What are your writing weaknesses?
I am, apparently, really good at writing breakdowns. >:3
18.) Thoughts on writing dialogue in another language for a fic?
Dialogue does not come easily to me. I have to work a bit to hit my stride. But I think it turns out well enough!
Hm. Coming from a purely technical perspective here, I think the reader should be able to understand everything that's spoken in a fic. If a character says something in another language, then I think the best way to convey that is, "X muttered something Y didn't catch," or, if the listener recognizes that it's at least in another language, "X muttered something in French."
If the reader should understand it, then something along the lines of: "'I knew we shouldn't have trusted him,' X muttered in French."
If the POV character doesn't understand the language, it doesn't make sense to provide the reader with a perfect transliteration of what the other character is saying. The character wouldn't have that knowledge. It can really take me out of the fic when two characters suddenly start conversing in written-out sentences in another language, and I have to scroll all the way down to the footnotes for translations.
19.) First fandom you wrote for?
But then again, that's just my opinion- I'm sure others have their own thoughts on this!
20.) Favorite fic you've ever written?
Harry Potter.
Hell, I have to say like lightning changing hands, if only because whatever fic I'm writing at the moment is my favorite. It's the act of creation that does it for me!
(Also because it's such a good opportunity to explore so many relationship dynamics.)
No-pressure tags for @jedi-enthusiast, @themonopolyhat, @shadow-pixelle, and @foreverchangingfandomsao3!
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adhd-merlin · 3 months
Text
merlin S1 rewatch: episode 9
let’s move on to ep 1x09 because I need to get on. with my life. I already re-watched this ep months ago and I can’t be arsed to do it again so I’m going to use screencaps and perhaps the transcript to refresh my memory.
kilgharrah warning merlin that excalibur MUST NOT be wielded by anyone but arthur, and merlin handing the sword to uther literally the next morning is so funny to me. it's kind of the same thing that happens with the cup of life, when iseldir tells merlin “hey this is important so don’t lose it okay?” and five minutes later we see the cup rolling down a hill. I love consistent characterisation. please don’t give this boy anything important for safekeeping he has enough on his plate already!!
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I think Arthur’s coronet looks a bit dumb but still it’s nothing compared to the horrendous Burger King crown he'll wear as king. why did uther get such a prettier crown. why couldn't arthur just wear his father's crown. so many questions
why did they name the undead knight tristan, was he supposed to be the tristan? I think he was. I think their take on tristan and isolde in S4 was so disappointing btw. anyway moving on
Merlin: Gaius have you seen that knight’s crest before? Gaius: No, I don’t think so. I didn’t see it clearly. Actually I’m not even sure I saw a knight. Perhaps it was a trick of the light or a collective hallucination
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Sir Owain: I don’t need luck Arthur: oh fuck he’s going to die
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Arthur’s face after Uther holds him back and someone else picks up the undead knight’s gauntlet. so much self-sacrificing acts of bravery and NONE of them done by him. wrong and upsetting
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S1 Arthur I'm not sure how to tell you this so I'll just say it. your haircut looks dangerously close to a mullet
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Merlin: maybe arson can fix this
Nimueh telling Uther she was his friend!!! fuck season 6 I want a Merlin prequel
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he’s a precious baby. he’s shmol. only tiny
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gwen doing her whole “you know I'd grant you anything merlin… I mean, not anything! haha” meanwhile merlin is too worried about keeping arthur alive to notice. GIRL HE'S BUSY
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WHY. who stands like this
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he holds this stupid pose the entire time morgana is talking to him. imagine begging someone not to commit suicide while they brood and look out of the window like a sullen byronic hero. I would have pushed him out of the window. drama ass bitch
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this is the second nighttime encounter between uther and gaius in this episode. uther saying goodbye to gaius before going to fight in arthur’s place. toxic yaoi. is this anything
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YOU KNOW NOTHING YOU STUPID CHILD. I love that Kilgharrah is a hater and a bitch. to be fair to him he spent 20 years in solitary confinement so he's earned it
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gaius drugging arthur then gently helping him into his bed is hilarious. he’s so good at lying and drugging people. big fan of gaius using his evil talents for the greater good, or just to have a laugh sometimes which is equally valid
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what a fine blade you have there… it would be a shame if something were to happen to it
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he’s wearing silver bracelets!! plural!!
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[Enter Arthur, visibly furious]
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Gaius [gathering his things]: I've just remembered I've left something on the stove. I must go right now immediately
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Arthur [while Gaius scurries away]: YOU HAD GAIUS DRUG ME??
arthur and uther little father and son moment was cute ngl
there are a few more scenes until the end but I don't have much to say about them except that I love gaius and merlin's relationship
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Gaius: [stares loudly] Merlin: [pretends not to notice]
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roleplayfinder · 19 days
Note
Heyo! 24 year old female writer here. I’m eighteen plus so please please please ensure you are before writing to me! Now a little about me, I do work, quick fire would be nice but I can’t always be here. So you may see me post more depending on what ideas I’ve got and what cravings I have. But with my time off you can guarantee I’ll be posting more! Just a heads up I’m looking for clean roleplays! I do prefer discord to conduct roleplays purely for the purpose of being able to keep things more organised! My discord is eleanorwinchester
So I’m looking for those of you who can use third person, past tense and lots of detail. I say this not to be mean but because I do consider myself to be advanced literate, I expect potential partners to be the same! I’m looking for oc (me) x male canon characters from the above movies but I will enclose further fandoms and movies with in the post! I use third and past tense and would be grateful if you do too! Please note I do have dyslexia. I’d love to get some aus going as well as some love triangles. Doubles are welcome! But please note ALL my roleplays are doubles. I will be prioritising those of you who don’t want to double and are happy to play canons. I’m just getting to a point where doubles feel transactional, I’d like to do something for myself where I can :).
I’m also craving the Sherlock, Shadowhunters, A Court of Thorns and roses, Supernatural, My Life With the Walter Boys and Hunger Games (originals and prequel),at the moment as well! I’d honestly kill for someone to play Dean Winchester atm. I think he’s a really well written character and I have some ocs who may work with him.
I’d love our roleplay to be something of comfort to us both. Something to cheer us up and keep us engaged in the story! If you’ve got any wild ideas you’ve been dying to do for the below fandoms send them my way if it’s doubles I’ll do my best to accommodate them! If there’s a character in brackets that’s who I’m looking to ship with, I need you to play them!
Fandoms I seek include:
Saltburn (Felix)
Downton Abbey (Tom)
ACOTAR (Cassian, Rhys)
Bridgerton and Queen Charlotte
Merlin (bbc show)
Shadowhunters (Jace, Julian, Mark)- PLEASE I BEG?
Sherlock (Sherlock)
Skins
Pitch Perfect
Supernatural 😍 (Dean)
The Office (us)
Brooklyn Nine Nine 😍
Superstore
My life With the Walter Boys 😍❤️ (Cole, Will)
Ginny and Georgia ❤️(Marcus)
House of the Dragon (Daemon)
Death in paradise
Riverdale
MCU (Thor, Steve, Loki)
Wuthering Heights
Teen Wolf (Stiles)
TVDU (Klaus, Elijah)
Pirates of The Caribbean (Jack)
Narnia (Caspian, Peter)
Buffy (Spike)
Hunger Games (Finnick)
Ballard of SongBirds and Snakes (Coriolanus, Sejanus)
Divergent 😍 (Four)
The Outsiders (Dallas, SodaPop)
#bxg #longterm #romance #detailed #drama #literate #advanced #dark #sweet
eleanorwinchester
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idkaguyorsomething · 5 months
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Doctor Who Fic Recs
¡The specials are nigh upon us (or maybe the first one will already be out by the time I finish writing this, who knows)! Over the course of 60 years, there’s been quite a few absolute gems that some anonymous, talented souls have put out for our enjoyment. So here’s some of the highlights, scraped together from various corners of the internet:
This one is centered around Nine, after his regeneration. He has to confront his trauma as he goes on a journey through his past, traveling through his memories and meeting his past selves. It goes really deep into a lot of lore surrounding the daleks and Classic Who, so if you don’t know a lot about that this probably isn’t for you. It also came out before the 50th anniversary special, so there’s no War Doctor, and it has its own interpretation of the last moments of the Time War. But if that’s not a dealbreaker, definitely check this one out, because it’s got a fantastic story about regret and identity.
This story is a prequel to both series set on Gallifrey, with some rare Doctor/Master/Rani shipping, a very eldritch approach to Time Lord society, and a really interesting fusion of TARDISes with daemons. If you’re not familiar with the concept of daemons, this story really isn’t a good starting point, plus there are some references to the Big Finish audio stories that are rather important. It’s not exactly a story as much as it is a bunch of fragments set in the same universe exploring a lot of the ideas it introduces. A must-read if you enjoy Doctor Nyarlathotep.
A personal favorite of mine, centering around the unexpected pairing of Martha Jones and Lucy Saxon. It deals with the fallout of a certain couple of Time Lord’s actions during The Year That Never Was and is very short, but manages to squeeze in a lot of emotions. It will make you understand how this pairing could work while doing justice to Martha’s character.
Drop whatever it is you’re doing. Go read this. Now. It is one of the most well-written fics you will ever find, period, and probably the best Academy Era fanfic out there. The author has an excellent grasp on how an unlikely friendship would develop into something more and then break down, making it one of the most compelling and believable explorations of the Doctor and the Master’s relationship before they were the Doctor and the Master. It can get pretty dark (we’re talking self-inflicted regeneration) but if you can stomach those topics then you’ll find something amazingly well-written.
¿Do you wish that we could’ve seen tiny Amelia as a child companion on the TARDIS instead of her adult self? ¿Are you a fan of platonic fluff? ¿Are you in the mood to have your heart explode from a cuteness overload? ¡Then check this one out! The only possible complaint is that it’s too short.
Wherein Rose decides to haul around the dalek from Van Statten’s bunker instead of Adam. ¡Very funny and enjoyable and underrated! It has a dalek named Pedro and Nine being enjoyably grumpy until he decides he can make an exception against hating all daleks just this once. ¿What more could you possibly want?
This one is a short piece about Martha and Ten going to watch a supernova, but what makes it extra special is that it’s a real supernova and the fic was written by an irl astronomer. Their passion for their work really bleeds through into their writing, and it helps to emphasize the sense of wonder and exploration that Doctor Who at its best can bring.
¿Remember Jethro from Midnight? ¿The guy who looked like Merlin? ¿No? You will after reading this.
Mostly crack that doesn’t take itself too seriously and isn’t afraid to poke fun at some of the classic sci-fi setting fanfic cliches. ¡¡Number one shipper TARDIS, sex pollen, and Martha Jones having a good time abound (¿have you figured out which companion is my favorite yet?)!!
https://www.whofic.com/viewstory.php?sid=53318 Set during the Day of the Doctor, this little oneshot is just a slight au where we get to see every Doctor (up to that point) play their part in saving Gallifrey. Obviously they couldn’t have done anything like that in the show itself without resorting to dubious CGI necromancy bullshit, but man does it make you wish they could’ve had something similar.
And last but not least, ¡some classic Donna and the Doctor friendship! This is pretty much the distilled essence of everything everyone loved about their dynamic, being sweet, silly, and sad. It leans more on emotions than action or humor, but with the upcoming specials it is well worth a read just to remind yourself of everything they went through.
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Hey, just read your ladies of arthuriana post and lvoed it! I've been meaning to get into Arthuriana, do you have any recommendations on where to start? I've only read children's versions of the stories as a kid (green Knight, galahad, etc) and would love to read more now that I'm older!
Hey, thanks, the ladies are extremely near and dear to my heart! Welcome to this wild and wacky world.
There are a few good options for entry points I think — depends exactly what you're looking for. The French romances are a fun, self-contained, and give you a feel for the courtly love situation and the pattern of often-magical quest shenanigans. Chrétien de Troyes is by a large margin the most famous; I'd recommend starting with his Lancelot or his Yvain. Marie de France is also a great option — her lais are a bit shorter but full of fun. The later Middle English Gawain (Green Knight, Marriage of Gawain, etc) stories are similar in that they are also pretty self-contained, but the vibe is less magical adventures and courtly love.
If you want something more meaty, there are a few things that go through the whole Arthur saga from beginning to end. I would highly, highly recommend the Lancelot-Grail (aka the Vulgate cycle) over either Malory's Le Morte Darthur (probably the go-to English starting point) or Geoffrey of Monmouth's History of the Kings of Britain. And specifically starting with the Lancelot proper, and not the prequels that were added later, The History of the Holy Grail and the Merlin. The Lancelot-Grail super, super long, but I enjoyed every moment. It's one of the most character-driven medieval narratives I've ever read, really getting in everyone's head, which made it extremely engaging and visceral. And while there is some neat stuff in Malory, a lot of the core elements are pretty stripped of their emotional context. Also chock full of damsels, I had to go through the alphabet three and a half times to label them alphabetically as they showed up.
This may or may not be at all fun or useful for anyone who isn't me, but I've digitized a bunch of my notes on texts here if you want to peruse that for anything that looks particularly interesting.
Have fun and welcome!
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independence1776 · 12 days
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19 Questions Meme
Supposed to be 20 questions, but one seems to have vanished along the way. Thank you to @spiced-wine-fic for tagging me.
1. How many works do you have on Ao3? 120, though some of those are moodboards instead of fic.
2. What’s your total AO3 word count? 492,336 words. I'm not prolific.
3. What fandoms do you write for? Star Wars, in the Kanan comics niche of the Rebels subfandom but I also work in rather a lot of Prequels-related material and I love the JFO/Survivor era. I also wrote a lot in the Tolkien fandom, Silmarillion side, but I'm only dipping my toes into the fandom at the moment and I'm not sure I'll return in depth.
4. What are your top five fics by kudos? 
I am not the world's biggest fan of sorting by kudos; kudos doesn't mean best, it simply means popular. And often in the case of AO3, it means "in a popular fandom" so it skews results. There are plenty of fantastic fics that don't have a lot of kudos. And just because they're in the top-5 doesn't mean the author thinks they're their best works.
I'll step off my soapbox now. In order from most to least: To Remake the Universe (MCU), In Deep or In Darkness (MCU-Young Wizards crossover), Never Discussed But Silently Acknowledged (Star Wars), An Unexpected Welcome (Tolkien), Evolving Roles (Star Wars).
5. Do you respond to comments? Always. On one level, it's simply polite to say "thank you" to compliments. On an entirely different level, commenting on fics was how I found fandom friends, especially in my early years in fandom.
6. What is the fic you wrote with the angstiest ending? The one where I killed (BBC) Merlin.
7. What’s the fic you wrote with the happiest ending? *shrugs* I mostly write happy endings. Readers' choice of which is the happiest. 
8. Do you get hate on fics? A few times. I'm generally able to laugh about it now. There are a couple of hate comments I find truly hilarious.
9. Do you write smut? If so, what kind? Nope.
10. Do you write crossovers? What’s the craziest one you’ve written? Love 'em. I write a lot of Star Wars-Tolkien crossovers. I have no idea which one people would think is the most out there.
11. Have you ever had a fic translated? Yes. The two I know of are on AO3 but there have been a handful of others over the years that people asked if they could translate and I have no idea if they ever were, where they were posted, or (at this end of time) even what stories they were.
12. Have you ever co-written a fic before? A fic, no, but for a bit, I co-wrote a short-lived series.
13. What’s your all time favorite ship? Elrond/Celebrían for Tolkien. For Star Wars, Han/Leia and Padme/Anakin. Favorite noncanon Star Wars is Owen/Beru/Obi-Wan.
14. What’s a WIP you want to finish but doubt you ever will? ...So I posted a WIP a couple of weeks ago. It is the only WIP I've posted because my policy is to only post completed fics. I'd hoped that I'd get some encouragement to write more but I'm honestly not sure anyone realized it was a WIP because I didn't get encouragement to continue or a single "looking forward to more!" type of comment. I lost the little bit of enthusiasm I had because I'd been stalled on the fic for a while (I began writing it in fall 2020!) and it really feels like I could walk away from it and no one would care.
15. What are your writing strengths? I am sadly the type of writer who has a hard time seeing her strengths.
16. What are your writing weaknesses? Description is my go-too weakness. You can probably add writing romance to this.
17. Thoughts on writing dialogue in another language in fic? I prefer not to except for dramatic effect. I'm, for better or worse, monolingual. And I refuse to learn conlangs just to read a fic. If there's too much dialogue in a conlang, I'll hit the back button.
18. First fandom you wrote for? Mutant X.
19. Favourite fic you’ve written? I don't have an answer for that. Or at least a permanent one; there's a handful of fics that rotate through that position depending on mood, time of day, opinion toward the fandom, etc.
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ala-baguette · 17 days
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Fandom: Fantastic Beasts and Where to Find Them (Movies), Harry Potter - J. K. Rowling Rating: General Audiences Characters: Newt Scamander Additional Tags: Mystery, Adventure, Epistolary, Episodic Narrative, Historical Fantasy, Prequel, Travel, Magizoology (Harry Potter)  Summary:  The year is 1913. War is brewing in both the Muggle world and the Magical one, and the whole world can feel it coming. But who has time to worry about such things when there are creatures to save?  Join Newt as he travels the world, meeting new friends and foes, exploring new terrains, experiencing new cultures, and, of course, studying the wonders of all the fantastic beasts and where to find them.
Chapter 1
Herein lies the wonderous adventures of the world-renowned magizoologist, Newton Artemis Fido Scamander! At least I hope they will lie here. I have to have them first—the adventures, I mean. But that’s what I’m setting off to do. Have adventures. Merlin, that first line looks pretentious, doesn’t it? Like the sort of thing Theseus would say. Maybe I should revise that: Herein lies what will probably be the mad ramblings of some poor sod named Newt whom no one’s ever heard of. Yes, that’s likely more accurate.
 Continue reading on AO3!
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findroleplay · 3 months
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Heyo! 24 year old female writer here. I’m eighteen plus so please please please ensure you are before writing to me! Now a little about me, I do work, quick fire would be nice but I can’t always be here. So you may see me post more depending on what ideas I’ve got and what cravings I have. But with my time off you can guarantee I’ll be posting more! Just a heads up I’m looking for clean roleplays! I do prefer discord to conduct roleplays purely for the purpose of being able to keep things more organised! My discord is eleanorewinchester but feel free to reach out here too!
So I’m looking for those of you who can use third person, past tense and lots of detail. I say this not to be mean but because I do consider myself to be advanced literate, I expect potential partners to be the same! I’m looking for oc (me) x male canon characters from the above movies but I will enclose further fandoms and movies with in the post! I use third and past tense and would be grateful if you do too! Please note I do have dyslexia. I’d love to get some aus going as well as some love triangles. Doubles are welcome! But please note ALL my roleplays are doubles. I will be prioritising those of you who don’t want to double and are happy to play canons. I’m just getting to a point where doubles feel transactional, I’d like to do something for myself where I can :).
I’m also craving Shadowhunters, A Court of Thorns and roses, Supernatural, My Life With the Walter Boys, Hunger Games (originals and prequel), GG at the moment as well! I’d honestly kill for someone to play Dean Winchester atm. I think he’s a really well written character and I have some ocs who may work with him.
I’d love our roleplay to be something of comfort to us both. Something to cheer us up and keep us engaged in the story! If you’ve got any wild ideas you’ve been dying to do for the below fandoms send them my way if it’s doubles I’ll do my best to accommodate them! If there’s a character in brackets that’s who I’m looking to ship with, I need you to play them!
Fandoms I seek include:
Saltburn
Downton Abbey
ACOTAR (Cassian, Rhys)
Bridgerton and Queen Charlotte
Merlin (bbc show)
GG
The Mortal instruments: Shadowhunters (Jace)
Sherlock (Sherlock)
Skins
Pitch Perfect
Supernatural 😍 (Dean)
The Office (us)
Brooklyn Nine Nine 😍
Superstore
My life With the Walter Boys 😍❤️ (Cole, Will)
Ginny and Georgia ❤️(Marcus)
Game of thrones (tv verse)
House of the Dragon (Daemon)
Death in paradise
Riverdale
MCU (Thor, Steve, Loki)
Wuthering Heights
Teen Wolf (Stiles)
TVDU (Klaus, Elijah)
Pirates of The Caribbean (Jack)
Narnia (Caspian, Peter)
Buffy (Spike)
Hunger Games (Finnick)
Ballard of SongBirds and Snakes (Coriolanus, Sejanus)
Divergent 😍 (Four)
The Outsiders (Dallas, SodaPop)
_
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hollowwhisperings · 11 months
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The Mythology of Keyblades: Riku the Beach Boy of Avalon
This theory is partially Crack and partially a genuine investigation into the usage of Arthurian mythology within the KH series.
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(this line from Monty Python & the Holy Grail inspired this whole theory: all i had to do was replace the referenced [Lady of the Lake] with Riku)
If you've loitered about the Kingdom Hearts fandom enough and read enough interviews with Tetsuya Nomura, you'll soon conclude that Riku is Tetsuya Nomura's Favourite Child in this series. Riku is the driving force for most of KH's story beats & Riku has played deuteragonist to Sora, story-wise if not in gameplay, in every game that isn't a prequel. Riku seems to gain a new & unique special ability with every game (often at a harsh price). Yet, for all the time the audience spends with Riku... the series is very careful about revealing anything about the boy beyond his utter devotion to Sora. The game even encourages players to Forget and Overlook the integral roles Riku plays in the series, typically via throwing a Kairi between him & Sora.
Jokes aside, while Riku's Secret Anime Prince coding is STRONG, it is not the point being explored here: there are 2 seemingly nonsensical Disney Crossovers established prior to most everything else: 'Alice in Wonderland' (something somewhat explored in my 'Princesses of Light as Stars' series of tinhattery) and 'The Sword In The Stone'. This post shall examine the latter, an animated adaption of the King Arthur myth, and how it is represented in KH not solely through the character of 'Merlin' but as the underlying principle behind the x-blade, Keyblade Wielding & how Riku acts as Kingdom Hearts itself.
Boy at Beach Distrubiting Swords
Let's start with Riku's Keyblades: he has had more than one, not due to gears or keychains but due to... apparently being able to churn fresh swords from his Heart as the Plot Requires.
The different keyblades used by Riku throughout the series thus far are the following:
Kingdom Key (Sora's default keyblade)
Souleater/Way to the Dawn (Riku's default from KH1 until KH2.9)
the Keyblade of Heart (while possessed by Apprentice Xehanort's Heartless, AKA Ansem Seeker of Darkness);
the [Combined Keyblade/"Gayblade"] (alongside Sora)
Braveheart (Riku's current keyblade)
(given that King Mickey found Kingdom Key-D in the Dark equivalent of the Destiny Islands & the whole "x-blade was made of light & darkness" thing... THAT keyblade, currently wielded by King Mickey, may ALSO come from Riku)
That's 5 different keyblades (6 if we include Kingdom Key-D), and ALL have been seen onscreen with at least 1 other, typically Kingdom Key, marking each of these keyblades as being 'distinct' and 'separate' from each other. Before figuring out what Heart Maths may be at play here... a brief interlude.
Young Adult Gifts Toddler Giant Sword: More Wholesome than it Sounds
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Supposedly, the ability to [manifest] & "wield" a keyblade is only possible through a successful Bequeathing Ceremony: Terra performed such a ceremony for Riku in BBS. This, however, is a method passed on by the Master of Masters & subsequent schools of keyblade masters: given... literally EVERYTHING seen on "traditional" schools of keyblade mastery, this Premise is Factually Dubious. The series shows multiple characters manifesting or otherwise wielding keyblades without any such ceremonies: even assuming that these rites "carry over" through acts of Posession and Cloning, the Need for a ceremony becomes questionable. This would not be the first (nor last) time in the KH series that the "knowledge" of Foretellers, Mentors & Scholars prove to be Assumptions rather than Absolute Fact.
Exhibit A: Axel & Accidents
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Axel is the best example as, unless we are later informed that Subject X performed the ceremony on Lea (or that Roxas or Xion did so without knowing), Axel has never been part of nor possessed by an existing keyblade wielder: his keyblade is entirely his own, a surprise to all.
Sora & Kairi were never formally bequeathed a keyblade though the latter "accidentally" inherited the ability from Aqua in BBS. Sora never had such a ceremony, the KH Wiki (dubious resource that it is) explains Sora's keyblade wielding as being a result of Ventus sleeping within Sora's Heart: I think it is more likely that, unlike the Formal Ceremonies of past keyblade schools may have taught, Hearts do not actually require outside recognition of "worth" in order to manifest a keyblade.
Once Upon A Meteor Shower
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Riku's Heart entrusting Kingdom Key to Sora in KH1, a last-ditch effort from its Light to keep to its Oath of Protection, strikes me as being more "faithful" to what we have observed of keyblades in-game. For all that the formally schooled Keyblade Wielders past recited "May Your Heart Be Your Guiding Key", no one embodies the intent of this principle more than the entirely self-taught Sora: Riku and King Mickey likely next closest in trusting their Hearts over what they have been taught.
A Heart entrusting its physical manifestation to Another due to the Connection between them seems a "Truer" bequeathment than the (admittedly heartwarming) recitations of a stranger. Keyblades may NOW be deemed "weapons" to conquer Darkness... but the original x-blade was made of Light AND Darkness, a union of forces working in balance rather than opposition. The first x-blade was a tool for Protection, not Hurt: a creation of Heart and, thus, of Love.
Exhibit B: Body & Hearts
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A creation of "Heart". As in, 1 heart = 1 keyblade. Multiple hearts in 1 body? Multiple keyblades.
Roxas is the Go-To example: the Nobody Twin of Naminé, created when Sora "unlocked" Kairi from his Heart whilst Ventus slept within it.
Roxas, in his every appearance, is capable of Dual Wielding: a keyblade from Sora, a keyblade from Ventus. Upon gaining an independent, replika body... Roxas can still, apparently, dual-wield.
...despite no longer sharing the Hearts of Sora nor Ventus (nor Xion).
(as this is a Riku speculation post, not a "what the heck is up with Roxas" one, i'll just... put a Pin in this mystery for now but the "maths" of 1 heart = 1 keyblade are, indeed, still facts of canon: Nomura confirmed as much when revealing the Above Album Art he made for Utada Hikaru's KH3 songs)
Exhibit C: Proof of Concept
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Then we have Aqua: she lost her keyblade between saving Ven & falling into Darkness. The keyblade of Master Eraqus came to her aid: this is consistent with the established concept of Bequeathing Ceremonies. It's uncertain whether the same person can bequeath keyblade-wielding to multiple persons but it seems likely given the scale of the Unions in KHX.
(At that same point in time, the Heart of Eraqus was hidden within a Nort'd Terra: 3 Hearts existed within Apprentice Xehanort, all of them in conflict with each other, to varying degrees.)
The keyblade Aqua receives, the keyblade of Master Eraqus, is named 'Master's Defender'. This was originally the keyblade of the Dandelion Brain but was passed onto Ephemer and from pupil to student until eventually being inherited by Eraqus. This seemingly aligns with the concept of Masters 'bequeathing' keyblades to students, specifically THEIR keyblades.
Interestingly, Riku has never wielded Terra's keyblade (or its likeness, via keychain) 'Earthshaker/Ends of the Earth' after its being bequeathed to him, likely due to its remaining with Terra's 'Soul', the 'Lingering Will' within his armour. If this is the case... NONE of the keyblades Riku has conjured or wielded are a result of his Bequeathment Ceremony. Terra's Keyblade becomes a 6th (or 7th) keyblade connected to Riku, albeit an unused one.
Speaking of Terra...
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Xemnas (the Nobody of Apprentice Xehanort AKA 'TerraNort') is NEVER seen wielding a keyblade, let alone two.
...but he DOES wield two [lightsabers]/'Ethereal Blades'.
If Xemnas had ever believed in his own personhood, it's plausible that he could have dual wielded keyblades like Roxas... though the conflict between the Hearts of Xehanort & Terra are unlikely to have cooperated long enough for dualwielding to be sustainable in combat.
Back to the Beginning
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Kingdom Key was formed by the Light within Riku's Heart. That Light entrusted itself to Sora while Riku himself was lost in Darkness. Riku is later seen wielding a different keyblade, 'Soul Eater'. Given that KH1 sets up a premise of there being 'two' Kingdom Keys, one of Light & one of Darkness... perhaps 'Soul Eater' was made from the Darkness within Riku's Heart. Maleficent or Ansem SOD would know better than most anyone how to create such a thing.
(it's still Weird that Riku's Heart is the ONLY Heart we see capable of manifesting TWO, simultaneously existing & separately wielded keyblades: Riku using Souleater never prevented Sora from using Kingdom Key; Souleater becoming 'Way to the Dawn' did not affect Kingdom Key; and Riku & Sora use each other's keyblades interchangeably in KH2, even dualwielding at times)
While Riku is possessed by Ansem SoD (the heartless of Apprentice Xehanort), he wields a keyblade forged by the hearts of 6 of the 7 Princesses of Heart: this keyblade is named 'Keyblade of Heart' or 'Keyblade of People's Hearts'. This is an artificially made keyblade, wielded by an entity made up of at least 4 people's Hearts (Riku, Xehanort, Terra, Eraqus) and it does not seem to survive past Ansem SoD's defeat.
During the events of KH2.9 (at the 'Drop Point' between the first timeline of KH3 & Sora's First Retcon), Riku and King Mickey find themselves struggling in the depths of the Realm of Darkness. They had hoped to find the missing Master Aqua yet their journey has only proven the point of Master Yen Sid's preventing such a rescue 10 years prior: alone, surviving the journey to the abyss would be all but impossible. Similarly, Sora immediately post-DDD would not have survived the pace set by Mickey & Riku: Sora needed the lessons and confidence boost he found through Herc & Meg before he was truly ready for Aqua's Attempted Rescue.
Before Sora has his Hero Moment (complete with Riku's slow-mo heart-eye reaction to it), Riku's keyblade 'Way to the Dawn'... breaks. Riku also spontaneously gets a Hair Cut. Not due to any attack landing on him from the Demon Tide nor due to any bout of Gay Agony: just... "randomly" (Sleeping Realm Theory covers this).
So then Riku casually manifests a BRAND NEW KEYBLADE, while not at all possessed nor acting as a Heart Hotel, and that keyblade is Braveheart.
(which is basically Kingdom Key but Make It Modern)
It's also in the Realm of Darkness that Sora & Riku first wield their Combined Keyblade whilst in the same plane of reality: in DDD, they wielded their blade across parallel dreamscapes. The [combined keyblade] in KH3 looks exactly as it did in Dream Drop Distance: half Mirage Split, half Nightmare's End.
How Many Hearts Does 1 Riku Have?
The highest number of "hearts" occupying 1 Riku is 10, in KH1: his own, Xehanort's & Terra's, the ghost of Master Eraqus (still biding his time for Maximum Drama), with the 6 Disney Princesses of Heart smooshed within the 'Keyblade of Heart' the Riku Vessel is wielding.
By that time in KH1, both Sora and Riku have wielded Kingdom Key. Riku had also acquired & begun wielding the 'Souleater' keyblade.
Kingdom Key is the keyblade born of the Light in Riku's Heart: a sword entrusted to a Crowned Prince from someone hidden within water, a gift that marks its wielder as a saviour and a fate-chosen king. Sora bears Riku's Crown, a pendant he is never seen without, and Riku (& his Heart) was sinking within both literal (storm and tide) and metaphoric (falling into darkness/sinking within deep waters) waters when Sora receives Kingdom Key. When Sora arrives in Traverse Town, the Final Fantasy & Disney characters there hold Kingdom Key in reverence: the Key follows Sora so THEY follow him too.
There is an Irony about every keyblade-related argument Sora & Riku have in KH1: Kingdom Key WAS Riku's before it was Sora's, the authority of the sword & reverence given to its wielder WAS on "loan" from Riku... but, ultimately, the wielder chosen by the Physical Representation of Riku's Heart & the Light within it?
Yeah, no, sorry Riku: your Heart Likes Sora More.
After KH1, Riku never attempts to "reclaim" Kingdom Key: it's probably during the events between KH1 & KH2 that Riku realises that Kingdom Key is not only a literal manifestation of his own Heart but that he believes Sora to be the best person to wield that "Heart", that "Destiny".
Even if Riku had not somehow managed to manifest the Souleater/Way to the Dawn keyblade, needing to "borrow" Kingdom Key during his year-long vigil at Sora's bedside... I doubt he would have KEPT the sword or that it would let itself be "kept".
Riku's unique connections to both Light AND Darkness make it somewhat reasonable to conclude that 'Souleater' is the Dark counterpart to Kingdom Key: a keyblade formed by the Darkness of Riku's Heart, a keyblade that evolves to 'Way to the Dawn' and Riku's efforts to master his Darkness and return to the Light.
(this still begs the question: how the heck does Kingdom Key-D fit into all this?? no, i'm genuinely asking: what is up with that keyblade)
ALTERNATIVELY! Kingdom Key-D was very logically forged by Riku's Darkness, manifesting in the Realm of Darkness alongside the Fallen Destiny Islands. This makes it Interesting that Mickey could carry it around prior to personally meeting Riku but, regardless of any realizations on its nature & likely relationship with Riku (or Sora), Mickey wields this keyblade-D from KH1 onward.
(This potentially leaves Mickey's Original Keyblade, seen in BBS, as yet ANOTHER keyblade available for Riku's use: the count has risen to 9, 8 if excluding Key-D.)
So... if Riku's Darkness forged Kingdom Key-D, what was Souleater & what IS Braveheart?
Alt #1: Riku, like any Strange Pond Person, can summon as many Magic Swords as Destiny Requires because... he is Literally Kingdom Hearts & that leaves ALL hearts "free" for his use.
Alt #2: The keyblades Riku wields (Souleater, Way to the Dawn & Braveheart) are all manifestations of SORA'S Heart. Sora may be oblivious as to why he is so fixated on Riku but, if Chain of Memories is anything to go by, Sora's HEART knows what it wants, damnit! Even without any allegedly required Bequeathment Ceremony, Riku is a "Child of Destiny" and had already crowned Sora as one too: just as Riku's Heart reached out to Sora, Sora's Heart may have reached BACK for Riku. Thus both boys end up with Keyblades: each holding onto a piece of the other (somewhat literally).
This gives additional explanation to their easy trading & wielding of each other's Keyblades in KH2: the keyblades "belonged" to BOTH boys and always had.
This interpretation easily applies itself to Sleeping Realm Theory, too: 'Way to the Dawn' still "broke" because of Riku's Sacrifice but instead of figuratively representing Riku's Heart "breaking" via his actually Dying, it would represent physically the effect that Sacrifice had on Sora: his Heart broke, "dying" with Riku.
Alt #3: Riku's extra keyblades were from Maleficent, "Ansem", Ansem &/or King Mickey. The timeline allows for Maleficent's providing Riku with the 'Souleater' keyblade: it does not QUITE align for the broken connection between Riku & his Would-Be Fairy Godmother that we can assume happened upon her death in KH1, nor account for any effects caused by her subsequent "resurrection". The timelines required for the other candidates to be involved are not consistent with that of the games nor supplementary canon.
Before wrapping up, let's acknowledge the Giant Crowned Rainbow Sword in the room:
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The [combined keyblade], wielded by Riku & Sora in DDD & KH3, is a manifestation of "their Hearts [beating] In Tune". It is That Simple: any efforts to straightwash its existence WILL cause plot holes so just Accept The Gayblade is Gay.
That the Gayblade just so coincidentally resembles both the Ultima keyblade(s) and various x-blades, definitely fit most description of what the x-blade is & how it can be made?
These are also Just Gay. Kingdom Hearts has been building up to (gay) Love being the Ultimate Power of the series from its very beginning: it has ALWAYS used heart imagery and symbolism, used Disney Couples to mirror the changing relationship of Sora & Riku, used "the connections between hearts" as a child's understanding of love (in all forms).
The logical evolution for a Coming of Age journey about a Boy & his Best Friend, in a series that repeatedly uses & is named for 'hearts', who have become stronger as their hearts became more attuned... is for said Boy to realise, acknowledge and recognise that the connection of their hearts has Changed into something less platonic: romantic love, like that between couples in Disney films, like Riku (& Selphie) brought up to Sora through star-shaped fruit before ever exploring those stars personally.
The [combined keyblade] was naturally forged through mutual devotion: its existence implies that the fabled x-blade of legend was ALSO forged by mutual love, that Kingdom Hearts chose its guardian because of Love, that the x-blade's legendary strengh came from its need to protect its dearly Beloved: there is no Straight Explanation for Sora & Riku being able to make the combined keyblade.
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h1myname1sv · 6 months
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Fic Writer 20 Questions
Thank you for tagging me @forloveofcodywan!!
1.) How many works do you have on ao3?
70
2.) What’s your ao3 word count?
430,621
3.) What fandoms do you write for?
MCU (mostly Loki and Daredevil, though I do branch out quite a bit), Star Wars (mainly the Prequels and Clone Wars), BBC Merlin...I believe those are my main fandoms currently. I am definitely not the type of writer to stick to one.
4.) What are your top five fics by kudos?
Four out of Five - One of my first DD fics when I was still trying to figure out how to write Matt, so I was very unsure about posting it and I genuinely do not know how it got so many kudos. Basically 4 times Matt does things without sight, and 1 time he absolutely can't. Lots of Matt and Avengers interactions.
Merlin's Beard! - Merlin and Arthur interrupt the final battle at Hogwarts and very casually save the day. Everyone is very confused, but they just go along with it because hey, Voldy's dead. Most definitely crack taken seriously.
Life Asked Death - The last fic in my Three of Us Against the World series! Gamora, Loki, and Nebula are actually really caring siblings, and they defeat Thanos and save the world together.
Not the Last Dragonlord - I just wanted to write a scenario in which Balinor survived, and he and Merlin get to figure out how to be father and son together. My first ever Merlin fic, too!
The World Will Pay - The first fic in my Three of Us Against the World series! We get to see how the three of them meet and get to know one another in Nebula's POV. Honestly, one of my favorite fics out of all the ones I've written.
5.) Do you respond to comments? Why or why not?
Of course! They give me serotonin, and I want to give some serotonin back :)
6.) What’s the fic you wrote with the angstiest ending?
The Reasonable Expectation of Deception - One of my Whumptober 2023 fics, with Thor and Loki wrapped up in an Infinity War AU. I don't want to give spoilers, exactly, but the Major Character Death tag is definitely there for a reason.
7.) What’s the fic you wrote with the happiest ending?
we're inches apart (and even closer at heart) - Matt/Nat is actually adorable and THEY GET MARRIED!!! :D
8.) Do you get hate on fics?
I think I've gotten one or two comments, but they're so insignificant I don't really remember them.
9.) Do you write smut? If so what kind?
Nope. I don't believe I'm capable of it LOL
10.) Do you write cross overs? What’s the craziest one you’ve written?
I don't usually write cross overs, but I have written a few. For example, the aforementioned Merlin x Harry Potter crossover.
11.) Have you ever had a fic stolen?
I hope not.
12.) Have you ever had a fic translated?
I don't think so.
13.) Have you ever cowritten a fic before?
No. Writing is mostly a solitary enterprise for me, but if you have a really really really good fic idea then I would theoretically be willing to cowrite a fic with you.
14.) What’s your all time favourite ship?
Do I have to choose??? Codywan or Matt/Nat, maybe. (I feel like we should come up with a ship name for them. I've seen several, but no general consensus.)
15.) What’s a WIP you’d like to finish, but doubt you ever will?
I have no published WIPs because I always want to finish what I've started, but I have had a draft of The Curse sitting on my computer for quite a while. If you were wondering, it is indeed about a curse. Very creative working title, I know.
16.) What are your writing strengths?
Writing distinct POVs for different characters, probably. I do try my very best.
16.) What are your writing weaknesses?
Plot and action scenes. Sometimes, I don't know how to connect all the separate ideas I have in my head.
17.) Thoughts on writing dialogue in another language for a fic?
I think it's nice, as long as it's not so overdone that you might as well have written the whole fic in that language. I admire the people who can do it accurately.
18.) First fandom you wrote for?
Criminal Minds
19.) Favourite fic you’ve ever written?
I don't have ONE favorite (you can probably tell that I'm the indecisive type). I've already mentioned The World Will Pay, but I also really like Falling, which is from the same series, but written in Loki's POV. Halfway to Heaven was my Whumptober 2022 fic about a powerless Matt Murdock who still manages to go toe to toe with Fisk; Faith is a Dooku character study and sort of redemption fic. Basically, I just like all the ones that feel like I gave justice to my favorite characters, because I think all fics are kind of like love letters to our favorite characters, and we want to get it right. This may be ironic, because I tend to hurt my favorite characters, but let's not look too deeply at that.
No pressure tags: @mari--lace @sinivalkoista @peppersonironi and anyone else who'd like to join in!
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Drumroll Please
I have recently come to the decision to share more of my fan fiction on Tumblr, hence this shiny new sideblog to collect all assorted snippets, first chapters, new ideas, so on and so forth. First order of business will be laying out all the fandoms I post for over on my AO3, and putting together a Masterlist with links to each “what if” series. My other blogs here include @triscribe for Shenanigans, @birdsandbatsofgotham for all the DC art/writings I stumble across, and @storiesfromthescribe where I only talk about my original projects.
Featured tags here will henceforth include:
-pjo (new as of 2024, I finally watched the new series and guys. GUYS. I love it so much. And I love even more that it’s inspired me to write more in a week than the past two months) The Trade AU
-star wars (originals, prequels, sometimes sequels, plus a wide swath of cartoon show characters and occasionally a reference to the live action ones too) Main Series: What-If AUs and Vod’e An and Visions
-marvel (I am first and foremost a Spidey fan, so he’s usually the one getting tossed into shenanigans with a healthy dose of GotG on the side) Avengers Nonsense Starring Spider-Man and Guardians Shenanigans
-dc (listen. LISTEN. I haven’t touched any comic to have come out in the last decade, but I would never have become a fandom person if not for the Bats, so I will make new AUs based off of their familial nonsense until the day I die) Canon? What Canon? Batfam Stories  and YJ AU Assortment
-hogwarts (for all things Harry Potter, because She Who Shall Not Be Named created a great sandbox that I still love to grab and run with, usually down a road called Total Disregard of the Author) Main Series: Alternate Living Arrangements
-transformers (I’ve got knowledge from half a dozen different continuities and I am not afraid to assemble my favorite pieces into a whole new amalgamation of adventure) (catch-all series to be determined) Cliff and the Kid
-alta (I can remember blowing off a friend’s slumber party to watch The Boy in The Iceberg when it premiered, okay? My fan fic ideas for this show are not a recent development, but actually writing the dang things down and posting them is new and comes in fits and spurts) Avatar AUs
-bnha (My Hero Academia was a bit of an accidental fandom, honestly, but for a year or so it was just about the only thing I wrote for, and there’s a heap of fic on my AO3 account to reflect that) Wild Cards and Something Strange Hit Me and my Doubles AU
-misc (the catch-all, the extraneous, the fandoms I really only dabble with, hence adding an extra tag to keep them all bunched together for quicker identification) Featuring: Back Again (Merlin) and Smallest, Smartest, Youngest (Voltron) and Got to Be Joking (Ranger’s Apprentice)
-originals (which won’t appear here all that often, but since I *do* have a few pieces of my own worldbuilding creations available to read...) Scribe Sampler and The Understudy Project
Alrighty, last couple of links to other websites: Tri on Instagram, where I occasionally post my art of various fandom and canon characters Ko-fi, where one could commission a speedier update to one of my fan fiction stories they particularly love or purchase a signed copy of my self-published novel And as of March 2023, I’ve also got a brand new Patreon account, where the first pieces of big WIPs go up, and you can read the first chapter of my book Wolfen’s Rage for free.
Now then. Who’s ready to read?
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raspberry--fool · 1 year
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There are lot here, so just pick whichever ones you want to do.
I O P S V (cyrus / aurelius / andrea)
AD AE AN AR
BB BD BE BF
oh that is a lot! jokes on you, i’m doing all of them :3
I. Are there any stories you have been brainstorming but haven’t written yet? so, so many. i have two prequels to sic semper tyrannis up my sleeve, a pirate story set after the death of their beloved captain in which they wrestle with their grief and their conflicting feelings about him, a couple of stories set in the world 9 year old me created as a coping mechanism and a retelling of herodotus’s story of mycerinus (look it up if you don’t know it – it’s an incredible tale!)
O. Which writer(s) influenced your style? Alternately: which writer’s career do you wish you had/hope to achieve? i want so badly to write like maggie stiefvater……also, i want my worldbuilding to be as good as ursula le guin’s in her earthsea series (my childhood)
P. What draws you to a story idea? (Example: themes, a fun character, Aesthetic, etc.) god…..i have no idea. story ideas sort of just appear in my brain and shout at me until i’ve written them down. sometimes they’ve come from songs, sometimes from images, a few times even from dreams! what draws me to them, i guess, is probably the characters and how they feel and view the world and whether that’s compelling enough?
S. Are you a pantser, planner, or plantser? (How much planning do you put into your stories?) i love the idea of pantsing but ultimately i can’t write without a scene-by-scene plan so i am very much a planner.
V. Original fiction: Do you have a face claim for (character)? most of them i make on picrew…. that’s cyrelius at the top and, from left to right, elias digby, adrien bennet, nora atkins and andrew spencer from merlin motors:
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AD. If (story) were adapted in another medium (comic, tv show, etc) what would it be? i have this incredible movie adaptation of honourable dishonour that lives in my head bcs i just know it would be visually so stunning……and i have all these ideas for how you could use the medium to your advantage, especially because in the book sunlight is a motif that runs throughout and it would be so cool
AE. What is one word or phrase you catch yourself using weirdly often? ohhhh so many how do i pick. probably ‘laughed disbelievingly’ or ‘wrinkled her nose.’ not sure but i do know this happens a lot
AN. If you could collaborate on a story with any author, living or dead, who would it be? JANE AUSTEN sorry but she’s actually my best friend
AR. You are a famous author (you are to me!) and someone comes to your house to interview you and take pictures of where the writing magic happens. What is your ideal writing space and how does the interviewer describe the meeting to their audience? (IE: what kind of vibe do you hope to give off as an author?)
BB. How do you come up with titles? Do you dread this or love it? they appear to me in a vision only when i am at my absolute wit’s end glowing and haloed and tell me ‘be not afraid. i am the perfect title for your wip and i have been staring in your face for like a month and you haven’t even noticed’
BD. What do you like most about your writing? my prose, specifically descriptions. give me any setting and tell me to write 2k words on how beautiful/ugly/eerie/scary/empty/lively etc it is and i am in my comfort zone forever <3
BE. Original fiction: (story) is getting published and you get full creative control for the cover. Describe what you envision. oooo ok so. first of all they wouldn’t be photos they’d be quite simple art designs. i think sic semper tyrannis would have a raised fist in the middle, and then around that fist the silhouette of a bear’s paw or a bear’s head. cyrelius i imagine maybe an image of the rooftop since that’s an important motif OR of like a crown. or actually maybe a hand coming up from the bottom left holding a wine glass and a hand coming from the top right and stirring the wine with the finger…..or something to do with hektor since he’s essentially the keystone of it all?
BF. What is one question you have always wished someone would ask about your story/writing/character? Answer that. “talk to me about the motifs in cyrelius?” omg wowww what a great question pippa. ok this is gonna get a bit long sorry
honour: so. all the politicians in the royal court have the title of ‘honourable minister’ and addressed as your honour, which is in direct contrast to their obvious corruption, greed and self-interest. at one point the group have a debate with an elderly noble relating to the definition of honour – he believes its defined by heritage, wealth, land, prestige, having important family, titles. cyrelius go on a business trip in which they end up having to solve a mini-mystery and resolve a dispute, and at the end they praise a poor farmer for his honour. when they are condemned and brought to the king at the end he says that they have betrayed ‘both their personal honour and the honour of their nation.’ the rooftop: so aurelius loves sitting on the rooftop of cyrus’s cabinet building and later cyrus ends up joining him there. it’s where they have their first kiss, where they stay up late to talk and where they go to escape from the monotony of paperwork. it’s also where they hide their diaries and letters when they learn that they’re going to die. it’s significance is that it’s actually one of the highest points in the city, and therefore they can see what most politicians are blind to: the slums. this is significant bcs it represents how they see and care about the injustice that most of the royal court either ignore or actively exploit. and those are just the main ones…….
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