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sp0o0kylights · 9 months

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Part Two / Part Three

Ao3

It's 8:45 am.

The Red Barn, which is neither red nor a barn, has been open since 7, catering to the early morning crowd with rounds of coffee and pancakes.

It was no Benny's, but given the size of Hawkins and the lack of alternatives?

No one was complaining.

They were all too happy someone had opened up another watering hole for the working class man (or lass, as Foreman Shelly will dutifully remind you) which meant the place was packed with both day and night shift regulars, passing each other in staggered waves.

It also meant Wayne was sharing the packed breakfast counter with a warehouse worker by the name of John Cheese on one side and Police Chief Jim Hopper on the other.

He doesn't mind it.

Wayne's a man on a budget thinner than his shoelace, but he's also a man who understands that small indulgences need to be made in life or you didn't truly live it.

This is how he convinces himself to get a coffee at the Barn after work everyday, reading the morning newspaper and chatting with the other regulars before he heads home.

Bonus, it gets him out of the rapid-fire franticness that is his nephew in the mornings.

(All the love in the world wouldn't change the fact that all that Eddie came with a lot of noise.

The kind of noise that was a tried and true recipe for a headache right after a long shift.)

As a trade off, Wayne went to bed early so he could wake up in time for dinner with Eddie.

It was a nice little system that worked for them.

A routine Wayne was reminiscing fondly on, when the pager on Chief Hopper started to chirp. With a sad moan, the man fished out a few crumbled bills and threw them on the counter, abandoning his coffee to trudge out to his truck.

This was not unusual.

Particularly recently, given they were but a scant few weeks past that whole mall ordeal. A fact all too easy to remember when one caught sight of the Chief’s still healing face.

What was unusual, was when he came storming through the doors a minute later, face now a furious shade of red with his hat clenched in his hand.

The energy in the room shifted, taking on something a little watchful as Hopper swept his gaze from side to side, like a dog on the hunt.

Judging by the way he stilled when he caught sight of Wayne, the latter assumed he found what he was looking for and could only pray it was the person behind him.

(He liked John, but Wayne had enough trouble this year and he wasn't looking for any more.)

"Munson." Hopper called, striding over and dashing all his hopes. There was a choked fury emitting off him, and given the way John audibly scooted his chair away, Wayne knew everyone had clocked it.

"Chief." Wayne greeted, inclining his head towards him.

Idly he wondered what the hell his nephew had done this time.

'So help me if he stole all the town's lawn flamingos and put them in that damn teachers yard again….'

Wayne didn't even get to finish his threat, the Chief was already next to him.

"Mind if I have a word outside?"

Dammit Eddie.

"Ah hell, what's he done now?" Wayne asked with a sigh, eyeing the coffee he had left morosely.

There was still almost half of it left and the pot had tasted fresh for once.

"What?" Hopper said, and then Wayne got to watch as the man ran through an entire chain of thoughts, each one punctuated by things like; "Oh," and "No. "

"This is something else." He finished, flushed and fidgeting, anger making him antsy.

Wayne stared up at him.

"Something else?" He repeated, not sure he heard.

"Yes, something else." Hopper snapped impatiently, before leaning forward, voice dropping low. "This doesn't involve your nephew, but we both know you owe me for how many times I've let that kid off, Wayne. That's a damn big favor I've been doing you and I'm calling it in."

If it were any other cop, it'd sound like a threat.

It was Hopper though. The same Hopper who Wayne had gone to school with.

They'd never been friends exactly, but they had been friendly and remained so. Even now, after Wayne had taken Eddie in, who’d gone on to be an undeniable pain in the local PD’s ass.

Hopper really did let the kid off easy.

Wayne really did owe him.

So he put down his coffee with a sigh, passed his newspaper over to John and stood up, motioning for Hopper to lead the way. Got into the Chief’s truck when he waved him in, and didn’t make a big fuss when Hopper tore out of the parking lot like hell was about to open up under them.

"Not a lot of the kids involved in the mall fire could be identified, but a few of them were." Hopper started, which felt nonsensical given the utter lack of context.

Wayne hummed to show he’d heard.

“Some of them got banged up more than others, and a lot of people wouldn’t be surprised if they didn’t make it.”

A pause, Hopper white knuckling the steering wheel as he swung the truck hard around a turn.

“For certain people, those kids dying is the preferred outcome.”

A mix of fear and warning swopped low in Wayne’s gut.

"Jim." Wayne said, dropping the use of a last name because if any situation called for it, it was this one. "What exactly are you saying here?"

The Chief chewed on his split lip.

"I know you're smart, Munson. I know you, and plenty of others are aware that something's happening, been happening in this town."

Which was a hell of an understatement if you asked Wayne. Plenty of the upper classes might be able to bury their heads when it came to the military parading about and the flow of “accidents” they brought in their wake, but then, they didn't see all the other signs of trouble.

The absolute oddity that was Starcourt’s construction.

How it had been built using primarily outside crews and anyone who'd taken a singular look at the site could tell you they were building it weird.

Weird as in it looked like it would have a multi-level basement, and not what a mall should have.

Then there were the constant electrical problems. The backups upon backups that failed. The late night delivery vans headed out to the Hawkins Lab.

The things in the woods that kept spooking all the deer and the weird markings they left behind that unnerved even the hardest of hunters.

This didn’t even touch the Russian military that more than one reputable person swore was hanging around.

The very same Wayne himself had seen, on more than one occasion.

(And you couldn’t deny it; those boys were military. Past or present, it didn’t matter. They moved like a threat, and Wayne treated them like one, staying well clear.)

"Yeah." Wayne admitted. "I also know better than to stick my nose in it."

"That makes you a smarter man than me.' Hop complained under his breath, but the anger was self directed.

"The point is, there are some government types crawling around, doing shit they shouldn't be doing, and more than a few of them are in the business of making people disappear.”

This was absolutely not where Wayne had thought this was going.

Hopper took a breath. Than another.

A third.

It was starting to make Wayne nervous, in a way he hadn’t felt since a social worker had brought Eddie to him for the last time and final time. It was the feeling that things were about to shift in a way that would change the course of his life.

"Steve Harrington is sitting in my office right now, beat to absolute shit.” Hopper admitted.

Wayne gave him the floor to talk, letting him go at his own pace without interruptions.

“He's there because some of those government types finally figured out his parents are never fucking home.”

Wayne sucked in a breath.

"We both know his parents, Wayne. Harassing them to come back and take care of their kid won't work, and frankly, I’m beginning to think all the phone lines are tapped anyway.” He winced here, like voicing such a thing pained him, and Wayne understood.

It sounded a little too out there, a little like he was buying into a conspiracy.

Except he wasn’t. Wayne knew he wasn’t.

Jim Hopper might have been an alcoholic, a man living in pain and unconcerned with his own life, but if there was one thing he was solid for, it was shit like this.

He didn’t jump to conclusions. Didn’t believe the first thing people told him. Even at his worst, he did the work to see what was really happening, and made his decisions from there.

(Even if that decision was to accept the occasional bribe, or drive an intoxicated 13 year old Eddie home instead of hauling his ass into the drunk tank.)

“Harrington won’t admit it, but he’s got a hell of a concussion if not a full blown brain injury and he’s not reacting as well as he should to Suites trying to run him off the road.” Hopper continued. Angrily, he added, “Damn kid didn’t even come to me until they tried to break into his house last night.”

His fingers squeezed the wheel so hard Wayne heard the leather creak in protest.

“I’d take him, but my cabin is being renovated from…” He trailed off, heaving a sigh.

“A storm, so me and my kid are bunked with the Byers right now and we’re full up.”

Hawkins hadn't had a storm like that in years, but Wayne wasn't going to call him out on the blatant lie.

“I need a place to stash him for the next few weeks, until I can work with some of the higher ups sniffing around, and get them to call off their attack dogs.”

“And you want to stuff him with me.” Wayne finished.

“I know you don’t have the room.” Hopper admitted easily, stopping his truck at a red light and locking eyes with the other man. “But I also know you’ll be the last place anyone would look for him.”

'Ain’t that the damn truth.'

“You’re really gonna go this far for a Harrington?” Wayne asked, instead of the million of other questions leaping to the forefront of his mind.

This one, he figured, was the most important.

“He’s not his dad.” Hopper said, as firm as Wayne had ever heard him. “He’s not either of his parents, and he saved my little girl.”

Wayne hadn’t even known Hopper had another little girl, but he also knew better than to ask where the guy had found one.

It wasn’t his business, just as nothing else Jim was involved in, was his business.

Except, apparently, Steve Harrington.

“I’m gonna need my own truck if I’m takin' Harrington home.” Wayne said easily, instead of bothering to ask anything else.

If Jim said the kid was different than his daddy, then he was--because when it came to things like that, Jim didn't lie.

No point in it.

“I know. Just needed to talk to you first, without anyone overhearing.” Jim said, before swinging the police truck around and heading back to the Barn.

“I’ll stay in contact with you, and I’ll make sure Harrington pays you for the pleasure of your hospitality. Just--” Here Jim cut himself off, looking like he was struggling an awful lot with the next thing he wanted to say.

Once again, Wayne waited him out.

“Don’t let Steve fool you. He’s good at fooling people, letting them think he’s okay. Too good at it, and between the two of us, I have a real good idea of the reason why.”

A memory came to Wayne unbidden, of Richard Harrington and Chet Hagan, beating some poor kid in the highschool bathroom bloody. The grins on their faces as the poor guy wailed for them to stop.

How they almost hadn’t.

“Alright.” Wayne agreed.

Hopper swung back into the Barn's parking lot, and Wayne moved right to his own beat to shit truck, ready to follow Jim back to the police station.

He wasn’t a praying man, not anymore, but Catholisim wasn’t a thing that let you go easy.

He found himself sending up a quick prayer, fingers flicking in a kind of miniature version of the sign of the cross.

Considering his own kid’s history with Harrington, and the sheer small space of the trailer?

Wayne had a feeling it was needed.

#this has like t wo more parts #pre steddie #wayne as a BAMF #wayne and Hopper both as psuedo parents to Steve #ya'll are gonna have to put up with my weird ass jumping all over the place warm ups sorry lol #Gary's fourth piece is coming no worries #and then this will either take its place or the other one I have will #you CANNOT look me in the eye and tell me all the blue color workers arent aware shits going down #like 100% local crews took one look at starcourt and went what the fuck #nevermind you know the local power plant lol #and with demo critters running around its not like they were tearing through brushes and shit #your local hunters are gonna know somethings up #anyway #beat to shit Steve Harrington #my beloved #hes gonna show up busted to shit with a major grade concussion and Eddie is gonna shit himself #steve harrington #steddie #I spelled collar color and im not changing it #outsider pov #wayne pov #I will write the first person who knows where I pulled John from a prompt of their choice #catholic wayne munson #jim hopper

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pokeberry5 · 5 months

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girl experiences gender euphoria and is immediately slammed by grief

for @litttlittt <3. this was supposed to be a portrait of caroline hill, but litta mentioned tim looking like janet when dressed as caroline and identity issues and angst and things spiraled

something about tim not knowing if he's his mother's child or bruce's or neither's.

figuring out the looks:

i wanted janet to have that poofy 70s hair

#tim drake #dc #bruce wayne #janet drake #sart #i'm picturing this as transfemme tim hence “he” and also compounding issues about bruce treating him as a daughter #which is exactly the gender validation tim wants and needs but isnt sure he deserves #but this also definitely works for trans tim #she gets to process that she looks like her mom!! and her mom will never get to know her daughter #would she have wanted to know her daughter? even though she showered tim with love when she was around #she barely knew her son #gender idk he's a girl 👍 hope that helps #i went down a rabbit hole looking up vintage dior necklaces -- hopefully something martha wayne wouldve worn #-- but dior necklaces are COMPLICATED #i almost drew pearls but i think that wouldve been too cruel to bruce lol #(a decent amount of my art--even when it's not femme tim--gets tagged 'gender' and i dont know what im going but im glad 👍)

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amelia-yap · 1 year

Photo

here

#ruby rose #weiss schnee #whiterose #white rose #rwby #my art #GUESS WHO FINALLY GOT A NEW TABLET #man i havent done any digital stuff in such a long time #apparently sai was being weird w/ the pen pressure so i went ahead and downloaded sai2 and it works for some reason #anyway im back bitches!!! sem is over and im ready to vomit wr at y'all #ALSO THE V9 FINALE IM GOING TO BARF ALL OVER THE FLOOR #it was such a goddamn vibe #also why tf does sai2 not have a default blur brush #probably gonna go look around and add new brushes later

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keitorinrose · 2 months

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My day be so fine and then boom i think about branch's past

#i do not like drawing backgrounds 💀#HE WAS SO YOUNG WHEN HIS GRANDMA DIED #AND THERE WAS NO ONE TAKING CARE OF HIM #him having a hug time bracelet my mind immediately went to angst #how must it have felt to hear the bracelet ping and you look around and then you realise you're all alone.#i feel like that's a big reason why he stopped wearing it because it would just remind him every hour that he is on his own #sorry for rambling but everytime i think about branch i go insane #dreamworks trolls #trolls #trolls branch #trolls rosiepuff #kei's art

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sneez · 4 days

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pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

#pathologic #artwork #conrad veidt #(i know there are many other actors but i dont have tags for them my bad)#anyway :D this has been my brain project for the past week or so i have been thinking about it so much #i have so many more things i want to draw for it but i am trying to hold myself back. for the sake of my Wrists #also obviously the cast list is way whiter than it should be for pathologic but german expressionist cinema was not particularly diverse an #i was trying to go for realism so apologies for that #i had so much fun with these i dont normally draw locations because i prefer drawing people but i found it so much more enjoyable #when i could mess around with the perspective and make stuff look wacky. thank you expressionism i love you expressionism #also it goes without saying that i was most heavily inspired by the cabinet of dr caligari (which is why i went with robert wiene. he would #do such a great job i think)#i hope you are all well my friends :D kiss you

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cryptictangerine · 25 days

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*Throws on tin foil hat* THE END IS NIGH! HISTORY REPEATS ITSELF, WE ARE DOOMED! DOOMED I TELL YOU!

#im just joking around #aj has progressed through animals so much better than lps did #going from regular animals to prehistoric then mythical #lps went straight from regular animals to mythical and not even good mythical!#no dragons or unicorns! ugly fairys!#i had to look up lps fairys cuz i barely remembered what they looked like #those bitches ugly!!!!!!#the one i picked was not as bad as the others #lps downfall is my roman empire #animal jam #jamblr #littlest pet shop #lps

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moderndaypandora · 1 year

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The LAYERS needed in a modern/human Dreamling au. Some level of Endless family dysfunction, obviously. Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?

Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.

(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.

Desire: it's your one-month anniversary, what do you do?

Dream: [hesitantly] NOT propose?

Desire and Death, conferring, because that's technically correct but the delivery was suspect.

Death, encouragingly: Good start. And? 

Dream: a nice dinner and maybe a walk?

Desire: well done!

Death: and for a three-month anniversary?

 Dream: give them a key to my flat.

Desire: [airhorn] NO. RED CARD.)

Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".

(Death, rubbing her temples: so you met this guy--

Dream: Hob

Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?

Dream: NO.

Death: oh thank go-

Dream: Hob SUGGESTED this.

Death: . . .

Dream: are you going to be a witness or not?

Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?

Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.

Death: fuck

Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.

Death, brightening: Is Hob that bad? 

Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"? 

Death: yeah.

Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.

Death: [hmmmmmmm'ing approvingly]

Johanna, morose: the bastard.

In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)