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#well to most people but still
egophiliac · 6 months
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Do yoy like their silly little dance
the inside of my brain at any given moment:
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puppetmaster13u · 4 months
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Meme Prompt 2
Thinkin of feral halfa Jason again. No surprise there.
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chriskotiesen · 6 months
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Sometimes I like to take note of people I pass on the sidewalk and then try to sketch them from memory when I get back to my apartment.
Here are some Toronto summer 2023 fashions
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poorly-drawn-mdzs · 5 months
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This one is dedicated to @shirokokuro, who made a lifeguard AU fic to fill the void where there was none.
Read it here! It's great: https://archiveofourown.org/works/51598429
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stromblessed · 5 months
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
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Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
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I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
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When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
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By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
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(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
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Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
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No wonder Mizu gets mad after this, lol
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So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
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But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
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I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
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Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
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Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
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After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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claraoswalds · 6 months
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HAPPY HALLOWEEN! Doctor Who (2005)
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eunnieboo · 2 months
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i've been quietly posting to bluesky for the past few months but now it's open to the public! come join me if you like~
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thejasontoddarchives · 3 months
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Brothers in Blood will trick you into thinking it’s just a silly crack scenario brought to life and Jason just concocted this plan for shits and giggles. Then you get a single page like this:
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Nightwing (1996-) #121
that reveals he wanted/desperately needed shreds of acceptance even if it was coated in layers of resentment irritation and doubt after going through this:
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Batman (1940-) #650
And it had to be from someone who isn’t Bruce
#jason todd#dick grayson#dc#brothers in blood#look sometimes people need to find the least vulnerable way to be vulnerable and this was that#because the fact is he is vulnerable but the last time he revealed that without undercutting the moment with jokes and giggles#it turned out fabulously wrong for him#if he distracts Dick as much as possible so he'll never find out how much of a mess he is right now or what he actually wants#he can still get that confirmation that Dick cares about him without risking something happening that would be his second final straw#even the telegram where he finally sort of reveals what this was about by thanking Dick for still having his back he has to make it wacky#the ww3 comic that preludes this is even more fascinating#because I do think the cover art is ... impactful?#Jason's holding the Nightwing suit in one hand and the red hood helmet in the other and looking solemnly at his Robin suit glass case#granted it is the pill helmet but still. anyway#he’s doing this not long after Bruce slit his throat and prior to that told Alfred to keep the glass case as in the cave in uth#because meeting Jason again changed nothing and he might as well still be dead to him so that uber-tombstone stays#ofc Jason never heard that convo but it's clear he put the pieces together by himself now while looking at the case#and he’s stranded as to what he should do + silently devastated#because he knows now that he doesn’t matter (in the only way that does matter) to the one person who was the most important in his life#after his parents were gone#so then he decides to come to Dick with this because he really is the only other person who was in his life if only very briefly#anyway that was just my interpretation of that cover but how Jason is actually written in the story is just … off in many ways#but yea#this page and that ww3 cover did kinda solidify what his motivation was for the brothers in blood arc#it was good#if only the execution of everything else was better … The premise/foundation was there
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girlfictions · 5 months
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something i've unfortunately had to come to terms with and urge you all to keep in mind is that there is often no good faith conversation to be had with a zionist — these people are well aware that thousands of palestinians have been murdered in the past month, that the 1948 nakba was one of the most horrific displacements of a human population in history, that israel is currently carrying out ethnic cleansing with full endorsement from the united states — they simply don't care.
attempting to appeal to their sense of morality will not work when these people don't see palestinians as human beings; they have no moral conscience to speak of.
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detectivenyx · 10 months
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i hate cinemasins so much you would not believe
#it's an easy formula. i get it.#ha ha plot hole! it must be bad because plot hole!#[plot hole is intentional and explained 10 minutes later]#[plot hole contributes to themes of film]#[plot hole is not actually plot hole if you employ even the most rudimentary of reading between the lines]#[plot hole is thing unimportant to the scene as a whole]#it lets you feel smart without actually having to put the legwork in#'smart' isn't even the right word. 'mildly observant'.#but because of this fucking loser and his stupid little ding sound effect#films have to be spelled out for people or they'll go 'OOOOGH PLOTHOEL????'#'WHY THEY SHOOT THE DOG AT START OF DAS DING? PLOTHOLE DING'#'WHY NO CONCRETE ANSWER FOR QUESTION PROPOSED BY TEXT? DINGGGG'#[THINK!!!!! THINK DAMN YOU!!!!!!! THINK FOR YOURSELF!!!!!!!!!!]#if your critique could be easily slotted into a cinemasins video go back and think about WHY#is it a question answered by the text???#and im more frustrated it took THIS LONG to repair my brain scorching!#even with kokichi's critique video im not happy with it because i did go back and look at him closer#i still don't fucking like him or think he was very well executed but i understand exactly why he was executed the way he was#and so many fanfics who took my critique on board and are like 'i can fix this!' just cinemasins the shit out of him#he needs Standard Character Arc and he must be A Hero#NO!!#you missed even the point i was making back then!!!#it was that his redemption was completely arbitrary! and though it didn't do it well it was intended to poke fun at EXACTLY THAT!#the The Villain Needs Redemption because that shit was all the fucking rage and people were doing it shit!#and it all goes back to this jackass and his stupid monotone voice and his attempts to enable a generation of media illiteracy!#and it WORKED! our ability to analyse narrative got fucking sacrificed on the altar for His Paycheck#and he's a shitbag who makes fun of women with breast cancer#long post
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magistralucis · 14 days
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pronouncing the necron 'sz': personal rating list*
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broke: /s/ only ('seras')
woke: /z/ only ('zeras')
provoke: /s/ and /z/ pronounced separately ('s-ze-ras')
bespoke: /ʂ/ or /ʃ/ ('scheras')
invoke: tensed fricative /s͈/ ('sseras')
misspoke: /s/ but evil ('ßeras')
(* Further notes in tags.)
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steppesliver · 2 months
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true detective: the long bright dark / disco elysium: jamais vu (derealization)
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canisalbus · 4 months
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I really love seeing your dogs and sometimes I think about how amazing your art style would be in animation ♥ Not that this is intended to ask or prod you to do so, just that I can imagine your lovely dogs in motion and theyre such amazing characters I could see them in a movie format. Thank you for sharing them with us ♥
.
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poorly-drawn-mdzs · 10 months
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Names revealed and returned. (context)
[First] Prev <--> Next
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wolfpoets · 5 months
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what is with the like - fear of criticizing tv shows all of a sudden. if you're a loyal fan of a tv show and you put time effort and money into engaging w media? you get to have Opinions about it. on the internet, even! where others can see!
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uncanny-tranny · 26 days
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Something I realized (which was obvious to me subconsciously) is that... The family that vehemently didn't accept me when I first came out but now do accept me are still the same family that I am most unwilling to be open about things I feel protective over.
I remember that my dad reacted so poorly, not to my coming out, but to my transition specifically that my therapist was the one to ask if I wanted to put it on my file that I wanted nothing to ever be shared with him about my health after I broke down multiple times due to my anxiety that I would never transition. While there are and were protections for me, I was incredibly fearful at the time because I was a minor, and I was so worried that he would have prevented my transition that I couldn't have said for certain what (if any) lengths he would have gone to to prevent that.
He's grown a lot as a person, and made some commendable strides. But he didn't find out from me when I medically transitioned the second I turned eighteen, and I think that's among the things that truly made him realize the scope of the issue.
I'm not here to guilt trip parents, guardians, or other members responsible for the care of the children or teens or young adults in their care.... but this is a cautionary tale. You aren't saving the people in your care when you do this, you simply reinforce an idea that you will never care for them, never want them as they are, would rather them be shoved away.
When you give people reasons to be secretive, they will behave secretively. When you give people reasons to doubt their safety around you, they will become sneaky, defensive, and withdrawn. When you give people reasons to doubt that you value their life, they will believe that you don't care if they live or not.
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