they weren’t kidding that frisk someone can sure strange
anyway so the “see you in the next hell, losers” is inspired by this video ! it made me Think. undertale was their first hell(possessed by the SOUL), deltarune is their current hell(wants the SOUL back)
and the “try as you might, you continue to be yourself” is from when you get a second red flag in Ball Game in undertale ! thought it’d be ironic since. theyre kinda not acting like themself since they don’t have the SOUL anymore. not that they even really know who they were without it
Man I’ve said it before but for as annoying as Leo can be to Hueso, it’s still abundantly clear that Leo has inadvertently done a lot for the man? Yeah, he’s gotten him into a fair share of hijinks, but at the end of each of those was a long standing problem in Hueso’s life solved just like that.
In particular, Hueso’s exile from the Hidden City and his feud with his brother are both solved through Leo’s intervention, and it’s also sweet that both of these issues’ respective episodes end with Hueso happy.
honestly the worst part about being in the tlt fandom is that now im so fucking spoiled for Girl Content. like i go engage with other fandoms of mine now and im like oh yeah lol people fucking hate women. oh yeah lol no there isn’t nearly as much content of my favorite character as angsty boy number 12. hmm. fuck.
OK okokok... gonna put this 'I just woke up' thought out there because this is tumblr and what else is it for? Someone has probably already said this and I haven't seen it, but whatever. I will throw it out anyway.
SO... Gale. We've all seen the posts where people quote the Gale lines about being naturally gifted with magic as a baby, a prodigy etc. and then point out that this is sorcerer behaviour.
BUT, what if... you're all right and it is sorcerer behaviour. BUT the orb feeds on weave/magic right? And sorcerers are born with innate magic... so what if he was born a sorcerer, then trained as a wizard, but the orb consumed his sorcerous magic. And that's why he's not as powerful as he once was, because, unbeknownst to him, all this time, he's been using that natural sorcerous connection to make accessing the weave easier. And now that's gone. Eaten up. Destroyed forever by the Netherese void.
And that's part of what's causing him pain. Because an instrinsic part of himself has been taken away. And he feels it like a phantom limb. Maybe he thinks it was actually connected to his relationship with Mystra, rather than a part of him, and that adds to his sense of loss from that relationship.
What if the first magic item Gale fed to the orb was himself and he doesn't even realise it?
the more i rewatch twin peaks i am reminded more and more that albert rosenfield (and to a lesser extent bobby briggs, though he doesn’t quite articulate it as clearly as albert with the exception of him breaking down at laura’s funeral) is THE only character to recognize laura’s death for what it was—completely avoidable, unromantic, and caused by human evil that nobody recognized the signs of or did anything to stop
I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.
[Darcy:] “Do you talk by rule, then, while you are dancing?”
[Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.”
[Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?”
“Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.”
“This is no very striking resemblance of your own character, I am sure,” said he.
It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:
“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.”
“I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”
I know this is old hat to just about everyone, but I'm more and more enjoying Imogen and Laudna as not just a mirror of the Briarwoods but also, and perhaps even more so, as a foil.
Laudna may be the death magic goth with a necromancer in her head, but out of the two of them, Imogen is the stronger mirror of Delilah. She’s the one with the undead lover, the one prepared to break the world by risking Delilah's return as long as it got her Laudna back, the one with the drive and the thirst for power and knowledge. Laudna meanwhile, while also tempted by power, is mostly just along for the ride, deeply devoted to Imogen over anything or anyone, alive only because Imogen found a way to resurrect her. They have looked each other in the eye, recognised the same seeds of darkness and the possibility of giving in, and said 'Together either way'.
But they are also in many ways a direct subversion of the Briarwoods. Delilah and Sylas both seemed perfectly happy to have made a pact with Vecna and revelled in the power he granted them, even knowing the disaster he would bring and the horrific acts he asked of them. Imogen and Laudna meanwhile, while tempted by power and openly voicing said temptation to each other, actively fight against it. Imogen was prepared to risk Delilah's return for the sake of Laudna's resurrection, but she would've fought her every step of the way. She's tempted by the power and knowledge of Ruidus, but also prepared to give all of it up if it means saving the world, because unlike Delilah she chooses to care about people other than herself and her lover. Laudna may be prepared to follow Imogen into hell itself, but she may also be what would lead her back out, because unlike Sylas she doesn’t just recognise darkness in her lover, she wants to fight it alongside her.
This is what I mean when I say these two hold the potential for great darkness. They wouldn’t function as a mirror and a foil of the most romantically iconic critical role villain duo if they didn't. But holding the potential for darkness and corruption also means holding the potential to resist and fight said darkness at every turn. It gives them the potential to choose kindness and struggle while still keeping a little bit of that darkness in their hearts, because without it, they never would have found each other.
I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
Yo....I can't get over the Izutsumi reveal, and how it's in a side comic. Like, she was never human. She's a cat with part of a human soul put into her. That's probably why she acts so cat instinctively. Just.....fjdhdhdh what...wow...
I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...
| New beginnings | Innocence | Opportunity | Spontaneity |
He sets out on this new adventure, following and guided by the two new people in his life. They offer loyalty, protection and encouragement to continue on and learn the lessons he needs to learn. The mountains in the background symbolise the challenges ahead, but he keeps his eyes forward. The white flower in his pocket represents purity and innocence - the Fool, only in that the world has not made him cruel and bitter.
tldr: cyno x reader, tighnari x reader. i was tempted to write this as all three of them together but i decided against it. COLLEI IS LIKE A DAUGHTER TO ME…slight spoilers for the windblume event! slightly jealous tighnari in his part. mostly fluff. reader is from sumeru i guess…sososo sorry that tighnari’s part is shorter :( i wanted them to both be around the same length but oh well.
TIGHNARI grips you tighter as the four of you reach mondstat’s city gate. the watchmen are looking at you with a little too much ‘windblume spirit’ — and he can admit it’s making him a little wary. collei is talking excitedly about her friend amber, and cyno is making jokes that nobody understands. you sigh, feeling tighnari squeeze you tighter when you pass a group of particularly drunk-looking guards.
“jealous of them, ‘nari?” you laugh. your boyfriend scowls, glaring daggers at whatever poor sap decided to look at you that night.
“you know i’m protective,” he interjects. he’s right— you’d never once felt truly in danger around him. tighnari’s gloved hands snake completely around your waist, and his hair tickles the back of your neck. he presses a kiss to your nape, before resting his face in your hair. “i take care of what’s mine, you know.”
before you can reply, tighnari is suddenly dragging you up the path that you have somehow fallen behind on. sly bastard!
CYNO isn’t touching you as you arrive in mondstat, but he’s standing so close to you that it’s driving you crazy. something about him being “cyno the adventurer” and you being “y/n the beautiful dancer from sumeru”. why he had to put ‘beautiful’ in there, you didn’t know. but it was clear that he was trying to save some sort of face in front of his friends.
your relationship was certainly no secret; and especially since this was a vacation there was no reason to be shy. windblume was a time for romance for archon’s sake!
the traveler came and introduced you to a few people— namely sucrose, amber, and albedo. plans were made to go camping. you were ready for an exciting night under the stars on the beach with your lover.
“y/n, would you like to share a tent?” cyno asked, his white hair down and flowing down his shoulders. you gave him a funny look, and he gave you one right back.
“what sort of question is that? we live together, cyno.”
cyno blushed and scratches the back of his neck. “well, i suppose i just wanted to ask.”
you sigh, moving to sit right next to him. cyno’s arm winds it’s way around your waist until his warm hand is rubbing affectionately at your hip. instinctively, you lean closer into him until you’re practically in his lap.
“thanks, cyno.” you whisper, pressing a quick kiss to his cheek and delighting in how red his face goes in a matter of seconds.