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#well that just because statistically some things just weren't going to land or go right doesn't mean
wigglebox · 3 years
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nah, not gonna call spn a bad show
#original#text#i don't like declaritive statements like that#because it's such a massive show with so many authors and not just writers but you tell a story through costuming and lighting and props as#well that just because statistically some things just weren't going to land or go right doesn't mean#it's a terrible show#like you can keep thikning it's a terrible show but i greatly disagree with saying it in such a way that you assume everyone is going to#agree with you because at least i for certain ddo not#it's like with history in general you can't just point to a random part of it and make a general declaritive observation#i'm spelling things wrong i know i am i'm writing fast lmao#i mean in some parts of history you can like idk in the context of the show let's look at...Bugs#bad. bad episode. not the best. tired white guilt trope of native american burial grounds#in horror movies combined with other weirdness#like yes when you point it down to it the barebones of that episode#the story itself within the story wasn't the best#but season 1 in general? good shit#SPN is very layered and intricate so that's why i always keep seeing#'spn is such a bad show but such a good show but it's a bad show'#like see how you can't make up your mind? you're even tricking yourself into thinking#writers writing things INTENTIONALLY is by ACCIDENT because you are just *hand wavess*#idk. i for a little side tracked#point being is that spn is neither bad or good but one that should be acknowledged for its different layers of storytelling#and not just dismissed as a bad show#and if you think it's a bad show still then that's fine but stop assuming people agree with you#slight negativity bl
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Here is a full translation of the interview with the FAZ:
Mr Waltz, statistically you're a rarity. Only five percent of all actors in Los Angeles manage to get enough jobs to get accepted into the SAG. And out of that group, only about five percent earn enough to make a living out of their art.
Becoming an actor is like becoming a father: really easy. Being and staying an actor is much harder.
We're meeting today, because you're not playing the villain for once, but some kind of action-hero in James Cameron's Manga movie "Alita: Battle Angel"
As a futuristic doctor you revive a cyborg from Mars, so you're basically working on the interface of human and machine
Haha, you could put it like that! I like that!
When the story was published as a comic in 1990 it was considered Science-fiction. Today, people like Elon Musk and Jeff Bezos actually work on brain implants and dream of colonies on Mars. Have you dealt with such things as preperation?
I don't take Elon Musk seriously. His behavior strikes me as ridiculous and you can't forget that he has a commercial interest in the topic's sensation. I've already watched moon landing's and flights into space as a child. Is it really necessary to introduce billionaires into space tourism? Well, we will see what happens. I am interested in new technologies but it's difficult to seperate them from journalism of sensation, even if it's dressed seriously.
In time, a lot of things might be possible that I can't even imagine right now. But there is another question: the question of necessity.
The market economy drives our world into an orgy of uselessness. It damages our planet and our lives on it. Who wants to live on Mars? That we will all be unemployed and the environment destroyed is in no relation to any use.
Can one stop the progress if it's useless?
Not as long as someone benefits from it.
What about the desire for disruption?
Disrupting something is an easy action, replacing it with something useful is not.
I'm always ready to disrupt something if there is a useful counterproposal. Not necessarily until then.
A lot of things are turned upside down in film industry. Netflix not only revolutionized the concept of television, it also produces exciting movies. And Youtube even has its own celebrities among the new generation.
Over the past few months I've watched some movies which hadn't been produced without Netlflix. For example the winner of the Venice Film Festival "Roma". Movies like that wouldn't run longer than 3 weeks in theaters. Through the premiers and prices it now receives the attention it deserves. And after that it's on Netflix. As superficial as I can see that, it's not the worst thing.
In contrast to that, I don't have a hard time with not watching Youtube. It's probably a cultural matter and depends on how we want to shape our lives. Of course it's also a generational matter. But why is that? Just because someone is younger, it doesn't mean they are predestined for entertainment through videoclips.
You have 4 children. You have to be familiar with this world. Where do you see the difference to your generation?
In school we were always confronted with things we didn't like, but which we couldn't dispose of.
That's where the wonderful word "Bildung" comes from, which doesn't exist in English. Education refers to an information value. "Bildung" goes further than education through its cultural formation. When I was in school I also didn't understand why I had to study Latin. But not wanting to learn Latin would have never occured to me. Just because no one speaks it anymore and learning it seemed uncomfortable.
And did you like it?
It created connections within a language, trained precise phrasing, as well as logic and discipline. It's certainly more challenging to learn an abstract language than watching a funny Youtube video.
About for or five years ago you warned Facebook might be a breeding ground for the fast growth of terror organisations. Are you surprised that it also seems to threaten western democracies now?
Not at all. History has taught us that medium and structure can be more dangerous than the message, because it's easier to handle the problematic movement than the well oiled machine that keeps it going. Especially when algorithms control the dynamics in the networks, those networks can become independent.
Some hope that societies might improve through a "Wutbürger"-culture and a crazy government.
At best, all of that just has entertainment value.
So maybe not anyone should always add their opinions?
If you don't have anything clever to say you should shut your mouth. But actually it's the other way around. Apart from this choir of stupidity being really annoying, people who haven't developed the resistance and sensors might fall for the noise. Whoever shouts the loudest ends up being heard.
You are known for keeping your private life private. How does that match marketing's and fan's expectations?
Fame is an unsolved problem, not only for me.
You either remain an anonymous observer without a bigger platform to present your realizations. That is an unfortunate paradox because the people who get the chance to move in public have to deal with growing fame while they also distance themselves from the influences and experiences of real life.
Studies have shown that introverts would handle most jobs better. But they tend to get cast out by the loudmouths.
I can imagine that. Self- and foreign perception are a tricky thing. I can remember the first Loveparades in Berlin which I saw on TV. I always avoided the event myself. In the interviews, people were saying things like: "We celebrate our individuality!" And there were one million people that all looked the same. The music was a monotonous bum-bum-bum and I always tried to spot a moment of individuality.
You've been living in the centre of individuality for a while now. Do you still consider the United States of America governable?
Maybe not as a federation. The question I'm interested in is whether the USA as a federation are still worthy of governance. California alone is the fifth largest economy in the world.
In an interview from 2003 you talked about posing, about film makers who eroticise themselves and about how to stand yourself
Oh God, I remember.
Are you currently able to stand yourself?
Sometimes. But it's not easy.
At that time you weren't a Hollywood star and you made yourself very clear in interviews.
"Schindler's list" is mendacious because Spielberg might have thought "that type of movie still lacks from my collection of movies about dinosaurs and UFOs
Or that Roberto Benigni's "Life is Beautiful" is "crap" because it communicates that it's alright to laugh about concentration camps. "when it's a tender laugh"
Do you still dare to say such things now that you constantly meet other Hollywood stars?
In Germany, yes. In America, no.
Do you believe it's better to become famous later in life? And does aging feel better when you're at least famous while you're aging?
Hopefully both, right? As a young man you often experience the world through tunnel vision, because you impatiently want to experience everything, even though you can't sort a lot of things right. If the attention hits you at that point in life, you get in danger of stirring towards a dead end where you don't develop well.
Do you believe you became more careful and more lenient over the years and success?
You're becoming more careful and more lenient. I never thought of that before. I thought: Now I suddenly step back a little. You become more lenient when you connect yourself to it. In a strict German way you could call it cowardice, because you gain another point of view, the insight. And apart from the experience and the success it might be due to the abrasion of the testosterone-related edges.
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