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#well good for you but not everyone is that lucky
periprose · 1 day
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Sweet as Nuka Cola
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Cooper Howard/The Ghoul x Reader
You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?
Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)
Word Count: 11k
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“Action!”
“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”
Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.
You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.
But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.
“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”
“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”
“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.
“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image. 
“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent. 
You immediately relax out of your practised, professional smile. “Any ADR needed?”
“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.
You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea. 
You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.
“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.
You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.
“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.
“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”
You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”
“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”
Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.
He says your name.
“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”
“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”
You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”
“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit  that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”
You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”
“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”
The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.
“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.
“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”
“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.
“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”
/
The Ghoul walks around the wasteland, two hundred something years into the future.
He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.
So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.
He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.
“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.
He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.
Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.
Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.
This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking. 
Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.
He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.
There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.
He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.
He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.
“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.
A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick. 
It surprises him that no one’s ever just forced their way through.
Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.
“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”
He pushes off a toy figurine of Vault Boy down with extra gusto.
Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.
Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.
He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.
“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.
Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.
Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.
There’s a sudden whirring sound near him. “Huh?”
To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.
Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”
He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.
Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.
He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.
Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.
Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.
A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did. 
/
You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.
It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home. 
Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.
It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.
You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.
“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.
“Mr. Howard. Shooting today?” You ask, and he shakes his head.
“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”
“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”
“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”
“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins. 
“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.
“How do you know about that?” You squint at him, just being jokingly suspicious.
“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”
It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.  
Still, better a friend than nothing at all, that’s what you always tell yourself.
“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”
“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”
“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”
“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”
Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.
“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.
It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.
You just choose to assume it’s entirely friendly.
“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”
“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”
Damn this guy, you think, but you decide to be honest.
“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”
“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”
“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”
“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”
“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.
It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.
“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”
“For you?” You raise your eyebrows at that.
“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”
“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”
“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.
Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.
He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.
“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.
/
A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.
No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.
“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”
You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.
“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.
“Was it good?” 
“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”
Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.
It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.
You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.
“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”
“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.
Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.
You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.
“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.
“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”
“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”
“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.
“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.
“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”
“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”
You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.
Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?” 
“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.   
“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.
“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”
Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”
He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”
Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”
“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”
“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.
“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.
Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you. 
“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”
“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”
Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?
“The end of the world?” You prod at him, and he sighs, leaning against your shoulder. 
“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”
“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.
“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”
“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”
Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.
“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.
“So, odds are?” You ask, just curious, and he exhales.
“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”
That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.
He loved being the hero, really.
He lights a cigarette, and takes a puff.
“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.
Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.
“Backlash, really?” You whisper. 
“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”
“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together. 
“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.
And you absolutely are.
“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does. 
“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.
He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.
God, now that's a movie star kiss. You think.
He kisses you again as Sebastian returns, drink in hand.
“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”
You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes. 
“Okay, present.” He says, not pulling his arm off your waist. 
“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”
/
It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.
You tell him as much, and he likes that– you really are rather sharp about things. 
“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.
You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways. 
You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?
So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.
You shudder.
You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.
/
The Ghoul prods at the body that's just fallen out of the cryo pod.
Oh fuck. 
It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.
Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you. 
“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”
You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.
“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course. 
“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”
“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”
“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”
“...”
“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body. 
“I said, how is that any different from before?” 
“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.
“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”
“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”
“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.
“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.
“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad. 
“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”
“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.
“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”
“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.
“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”
“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember). 
“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself. 
“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”
“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.
Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.
Now he thinks you're just unfinished business. 
“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.
He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.
Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”
“It wasn’t the Chinese.” You interrupt, and he shushes you.
“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”
It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.
“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”
“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.
The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.
“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”
You flinch, and he stops. 
“Oh, God, my eyes–”
The sight comes back slowly then all at once. Light everywhere, overwhelming your senses. 
You blink, tears rolling down your face. 
“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room. 
It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.
“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”
Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”
You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”
How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?
“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”
Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”
You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.
You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.
Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.
/
He never did find Leopold St. West, much to his chagrin– you really, really messed up his day. 
It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders. 
But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.
Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.
No wonder he enjoys his casket time.
/
Coop sighs.
Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.
The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.
He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.
It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.
But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.
Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.
He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.
He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.
A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.
Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–
A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.
He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.
No way is he letting easy money pass by him.
He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.
It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.
Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.
And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.
You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”
He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.
Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–
You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.
You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.
Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.
“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him. “Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.” 
Ooh, it sounds like you have a little bit of a grudge over how you were treated.
“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.
He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.
But you’re still firm in your grasp of him, your weight pushing him down, blade against him.
You’re not angry about back then. You’ve come to terms with that.
You’re angry at the state of the world. 
“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”
“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.
“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”
Coop is actually drawn to silence.
“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”
You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.
Just at a different level. Power corrupts all, you guess.
You loosen your grasp a little. “Thank you.”
It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.
He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.
Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.
You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain. 
Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.
“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”
“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”
“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”
You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.
“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”
You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.
“Alright.” You whisper.
“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does. 
The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.
/
Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out. 
He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.
Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.
Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his. 
You laugh at something the knight next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.
He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.
He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.
You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.
There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.
Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.
You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.
“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”
“We came here to kill off those guys.” He answers you, but it’s not really an answer.
“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.
“I did signal, sweetheart.” He clicks his tongue, lying through his teeth. 
“Bullshit.”
“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”
“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”
“Nah. I’m not.”
“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”
“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular. 
Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.
“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.
“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”
You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist. 
He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.
It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.
What is this fuckery, that you’re able to generate such a sense of guilt in him?
“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”
You grasp his arm back, making him quiet.
He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.
“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.
“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”
This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.
Do you think the only thing he’s burying is some empathy for the human race?
He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.
You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.
Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.
He wipes his mouth, never taking his eyes off of you.
“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.
“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”
“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”
“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”
“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”
It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition. 
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sorapricots · 3 days
Text
Soothing Heaven
Summary: While the nightmare kept trailing behind each of his step keeping him wide awake and tied down to the reminder that his the last of his people, you always accept him with warm smile and open arms.
Pair: Aventurine x Reader
Genre: Hurt/comfort
Warnings: Everyone is sad here :(
A/N: I got aventurine in soft pity AND I won my 50/50 TWICE (Yes my Aventurine is E1 I am so proud) can y’all believe that? Not to mention I got his light cone on 10 pulls with 0 pity… he wanted me fr fr.  Aventurine story quest really kills me. He just want a peaceful life yet the fate say no n make him suffering more than he already suffered :( that man just need some hug fr.
Wc:  1,1k
“You’re a child blessed by Gaiathra Triclops and can lead the clan to happiness. So always remember to protect yourself and never resent the pain and poverty you’re going through… All right?”
Aventurine gasped as he opened his eyes. Beeping from the alarm beside his table can be heard. He pushed the alarm off as he blankly stared the ceiling above him. His sister’s words keep echoing in his head. He exhaled softly as he pushed his body from the bed.
As he started to get ready he start to imagine what and how his trip to penacony will be. Will his mission from the IPC will go smoothly or will he encounter enemies he can’t face?
Whatever the result is he surely does not excited to leave. He grabbed his phone as he walked out from his bedroom. Quickly searching for your name in his contact list and call your number.
One, two, and three rings you finally pick up his call.
“Hello! Good morning my love.” Your smooth voice made him smile softly as he opened the fridge.
“Good morning my lucky charm.” He can hear you giggle from the phone which only make his smile harder. Suddenly he feel the tattoo on his neck pulsed. Which make him grunt a bit. Making his lover stop talking.
“Are you okay my love?” you asked voice laced with worries. Aventurine let out a small hum to show that he’s okay when in reality his clutching his neck pretty hard.
“I don’t feel so good about this my love… are you sure you are okay and will go to penacony?” Aventurine can’t help but smile with how worried and how caring his lover to his well being.
“Don’t worry sunshine, I will be alright. You know I always be alright.” Aventurine can hear you sniffled. Aventurine cooed at the thought of you wiping your tears.
“I’ll go to your place now hm? Let’s have some time together before I left with Topas. I’ll see you in 10, love. I love you my lucky charm.” You let out a choke hum before bid him goodbye and hear a beep from your phone.
.
.
.
10 minutes never feel so long in your life as you sit on the counter with your earbuds on trying to drown bad thoughts in your head. Your finger turning red as you keep picking the skin.
You blinked when you see a harm gloved fingers carefully pull your fingers apart. Suddenly the world is quiet.
Aventurine carefully cup your cheeks with his hands. Treating you like a glass he got from an auction with highest price. Carefully he wiped aways those tears that won’t stop streaming down. And end it with a soft kiss on each of your eyes.
“I’m here. And always be here no matter how far we are.” He said with a whisper. Your eyelids rapidly blink away the tears before you pull him to a hug. Inhaling his scent and absorbing his warmth.
“Be safe, Kakavasha.” Your tone wavering. Aventurine smile softly at the way you call him by his real name. A privilege that is reserve for you and you only.
“I will, precious.” His hands softly rub your back as you hug him harder.
“Let me drop you off at the office.” You spoke softly as you pull yourself a bit to see your lover face. Aventurine smile and nodded.
You both go to IPC office, hands entangled to one and another refusing to let go. The closer you are to the office the tighter your grip on his hand. And all he can do is just pulling you closer to his side.
“Well looks like someone is not willing to say their goodbye.” Topaz welcome both of you with Numby on her shoulder squeaking. You smile at her before Aventurine pull you a bit far away to talk.
“I will go now…” there’s a heavy atmosphere enveloping around both of you.
“I will wait here…” your voice crack as your vision blurry. Hands carefully play with one of his rings.
Aventurine lean in carefully. Cupping your cheeks as his forehead touch yours. His multi-coloured eyes stare at your glossy ones. Thumbs carefully wiping the fallen tears before he kissed you.
Slowly Aventurine pull away. You watch as one of your hand hold the other half set of earing that you have with Aventurine. Carefully playing with the crystal as your eyes watch Aventurine get into the car with Topaz and left.
Empty start to engulfing you as you walk home alone.
.
.
.
Anxious.
One feeling that have been haunted you for the past 3 days. The news spread like a wildfire about what happened with IPC especially Aventurine in Penacony.
If it’s not because how hard it was to be able to step a foot on Penacony and the responsibility you have at home you would go to Aventurine as soon as you can. But fate decided the other thing and all you can do is just wait.
Your eyes keep moving back to your phone as your fingers typing stuff at the laptop on your lap. The sky getting dark and yet there’s no ongoing news about what happened with your lover. Not even from Topaz herself.
Suddenly there’s a jingle of keychains. Your finger immediately stopped typing as you try to confirm yourself if you hear something. You can feel your chest beating.
The door creaked as it opened slowly. Showing a figure with clothing style that you so familiar with. In a hurry you put everything aside and you run to welcome him.
There he was. Your Aventurine. Looks so dishevelled. His skin looks paler than he already is. There’s no glint of light in his multi-coloured eyes. He looks like he’s about to collapsed anytime soon.
You open your arms. No words to be said as your eyes mirror his. Slowly he walked towards you before he let his body fall limp into your arms.
No sobs to be heard from him, but the way you can feel your shirt getting damp tell a story that don’t need to be untold. Carefully both of you fall to the floor. With Aventurine still in your arms and your arms carefully rub his back.
Suddenly you feel him circling his arms around you. Tight enough for you to unable to let go. You hug him equally tight. Sway your body from side to side. Aiding his inner turmoil. Telling him without words that you will be there.
“Welcome back, Kakavasha.” you said with the softest tone you can give. Sobs suddenly break out from him as you try to calm his trembling body by playing his hair.
Maybe, maybe this is what the emanator of nihility meant when she told him to go back. His soothing heaven is waiting for him after all.
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nina-ya · 2 days
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Hey! It's my birthday and I was wondering if you write for Shanks? If you do, could you do a Ways That Law Wordlessly Says "I Love You"? thanks
Ways That Shanks Wordlessly Says "I Love You"
A/N: HAPPIEST OF BIRTHDAYS TO YOU NONNIE <3<3 I hope your birthday went well!! Luffy Zoro Sanji Law Kid Shanks Pairing: Shanks x reader CW: None. WC: 1.4k
Shanks had a talent for picking up on the smallest of details, especially when it came to you. He always seemed to know what you wanted, even before you had a chance to verbalize it. It was one of the many things that made being with him so special– his ability to read you like an open book.
One day, you two would be wandering through a market on a smaller island. The stalls are filled with various goods and trinkets, each one tempting you in their own way. You walked besides Shanks, taking in the atmosphere of the market. 
As you passed a stall filled with jewelry, a particular piece caught your eye. The craftsmanship was absolutely perfect and you just couldn’t help but admire it. You did not say anything, however, and you moved on from the stall to browse the other vendors. Shanks, though, stayed behind for just a moment, seemingly engrossed in the jewelry himself. Later, the sun began to set, and the market started to close. Shanks led you two back to the ship, and as you were settling down in your cabin, he pulled out a box, handing it to you.
“Got you something,” Shanks said, holding the box out to you with a grin. “Thought you might like it.” You opened the box and found the very piece of jewelry that you’d been eyeing earlier. The piece glimmered against the light, painting soft reflections of the room's light against the walls. You were taken aback, surprised that Shanks had gotten the very thing that you had shown interest in. 
“Shanks, you didn’t have to–” you began, but he interrupted your thoughts with a gentle laugh. 
“I wanted to,” he replied. “I saw the way you were looking at that thing earlier, and I couldn’t resist. Besides, if you really feel bad, I can think of a few ways that you could pay me back.” He said with a playful wink at the last comment. You couldn’t help but laugh at his words, feeling lucky that you fell for someone as amazing as Shanks. He always had a way of making you feel special, spoiling you in the most thoughtful ways. You know Shanks loves you when he pays attention to all your wants and needs. - - -
It’s common for the crew to always seek out some sort of tavern when they make landfall. It’s a fun way to down booze while also getting to try the island's local cuisine. You sat at the bar, watching the red haired man on the other side of the bar as he chatted with the other crew members. He naturally stood out amongst the bunch, his voice projecting across the building. You could practically feel the charisma dripping from his words. It’s one of the reasons you fell for him. 
Shanks approached you with a grin, ordering a round of drinks for everyone. He leaned against the counter, elbows propped up casually, turning to you. “Thirsty?” he asked, his voice projecting over the noise of the tavern. 
You nodded, and he motioned for the bartender to bring some drinks over to you two. Shanks picked up the drinks and motioned for you to follow him. He led you to a table in the corner, the seats being somewhat secluded from the rest of the tavern. While the crew was busy celebrating, Shanks was more than happy to hang out with you away from the rest of them
He slid your drink over to you and tapped the two glasses with a satisfying clink that rang throughout the room. While the others in the crew were being rowdy and singing sea shanties, Shanks sat beside you, close enough that you could feel his body heat radiating off of him. He keeps you engaged in a conversation, pointing out small things around the tavern and telling you interesting places he wants to visit while you guys are visiting the island. He had a way of making everything sound exciting, even if they are the most mundane things.
He would laugh at your jokes, eyes sparkling with amusement, and he would slightly lean closer to you as the noise grew louder to make sure he did not miss a word you said. It was as if you two were in your own bubble. You know Shanks loves you when he values spending alone time with you. - - - Shanks’ lap is always the best seat in the house during all the parties you two found yourselves in. His arm seemed to always find itself wrapped firmly around you, holding you close. You held a mug of rum, sharing sips with him, because he’d much rather use his one arm to hold you and keep you securely against him. Even when he is telling stories or engaging in conversation with others, his grip never loosens and you often could feel his fingers tracing lazy patterns on your waist, leaving a trail of goosebumps.
Tonight, the crew is gathered around a bonfire on the beach, the hot amber flames flickering, giving light to the celebration and filling the air with the sound of the occasional crackle and pop of the firewood. Shanks is right at home, reciting stories, full body boisterous laughter spilling from his lips. Even when his focus is not on you, you know that you are constantly lingering in his mind with the way he pulls you in just a little closer, whispering an inside joke that has you reeling over in laughter. As always you are the carrier of food and drinks, offering it to him every so often.  As the party winds down, Shanks stands, helping you to your feet, his arm still attached to you. It’s as if the world would crumble if he let go. Even as he guides you back to your shared quarters and into your bed, he still cannot seem to let go of you. There is just something about being in Shanks’ embrace that makes you feel so safe and so loved. As you drift off to sleep every night with his strong embrace cradling you to his chest, you know he will be right beside you when you wake up. You know Shanks loves you when he never lets go.
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55szn · 3 hours
Text
moth to a flame - cl16
charles leclerc x fem!reader smau summary everyone says pierre is the one for yn, everyone but charles warnings cheating fc ally rossel notes requested!💐 i love pierre but this was fun to write ngl🫣
probably will do a part 2 some time in the far far future
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yourusername our job is beach (for now)
tagged pierregasly
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pierregasly 😍😍
pierregasly gorgeous mon cœur ❤️
user they are sooo😫😫😫
user SHE IS STUNNINGGGG
user my favorite couple on the grid by farrr
user yessss she’s the best wag she is gorgeous and so nice🥹
user + her relationship with pierre is so cute😣💘
user love herrr
MESSAGES
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PHOTOS
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charles_leclerc does he know where your heart lies?
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user shady ass caption what have you got between hands leclerc
user dammmn okay girl
user seems aimed🫣🫣🫣
user I KNOOOOOOWWWW and i’m nosy as fuck i wanna know😤
user slay i guess
pierregasly mr. mystery? 😂
carlossainz55 🧐
user even he was weirded tf out
user boy who is “he” ????
user caption is overshadowing this serve😍😍
user my bitch’s pose is naaaessty
user he’s such a teenage girl with this dramatic ahh caption 😭
user need to study his brain
user yes but i want to know
TWITTER
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yourusername 🙃
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yourbsf gorg💘
user i’m not saying i get charles… but i get charles
user i too would fuck everything up for a girl like that
user slut
user i can’t even judge her cuz if i could i would’ve gotten with both of them as well
user she did it for us🫡
user NOT THE WAY I LOVED YOU😧
user she’s messy af😭
lilymhe beauuutiful girl 😍
user lily said i support women’s rights but most importantly i support women’s wrongs!!
user and she’s so real for that
user getting one millionaire dick was not enough for you?
user ngl i’m so jealous of her😞
user right like she got with two of the hottest drivers on the grid she lucky af
user she is still a bitch
user i’m so confused with these comments what happened
user there was a paparazzi pic of charles and yn kissing (you can’t see their faces so ppl weren’t sure) but now pierre has unfollowed both of them sooo…yeah
user what a whore
user yeah well charles is just as shitty as her but i don’t see anybody bashing on him🤷‍♀️
user girl you got caught cheating on your boyfriend with his friend and now you’re in here thirst-trapping get a fucking grip
user and she looks good doing it so what.
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avaisdramatic · 3 days
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Watcher made a response to the valid criticisms that communicated a better solution going forward and an apology for their mistakes. In three days, they were able to synthesize the criticisms and find a better solution. Can we agree now that they are not, and never were, horrible, irredeemable people? Nor are they rich capitalists who don’t care about their community?
They are just people, trying to make content, and do what is best for the members of their company as well as their community.
I’m very happy for the outcome as people who cannot afford the subscription will be able to continue watching. I am happy that they acknowledged the flawed presentation of the change that left audience members feeling ignored. I am happy that the creators I support are the kinds of people who listen to criticism and make changes.
As they stated, this was a lesson for them. However, it should also be a lesson to the community that we cannot jump to conclusions and moralize every issue. Demonizing people and making assumptions before even allowing them to respond is just not how the world works. That isn’t how you have good interactions with people, especially in the context of creators. Many are so far removed from the idea that they are human beings, and not the online best friends built into your phone whenever you want entertainment.
I am extremely happy for both the watcher boys and the audience who processed their feelings in mature, respectful ways and gave honest, genuine criticism.
For everyone else who decided to berate those who they disagreed with, demonize people, build narratives that blame specific people (Steven), and all around acted childish, entitled, and hateful: fuck you, you don’t deserve their content and you’re lucky your spiteful attitude didn’t turn them away from content creation all together.
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muddyorbsblr · 2 days
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a startling realization pt1
See my full list of works here!
Summary: Oakley returns to campus after a trip with his mates and steadily comes to realize he's developed feelings for you
Pairing: Oakley x Reader
Word Count: 3.9k
Warning/s: frat boy friends vibes; bit of angst; probably not a completely accurate referencing to the events of 'Unrelated' [let me know if I missed anything!]
Things to be aware of: prequel piece to 'just another memory' but can be read alone; Oakley is a SIMP in the making for Reader
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There'd been a strange sinking feeling in Oakley's stomach since he and his mates hit the road back to Cambridge. It was the kind that he'd only ever felt when he knew he'd done something that could get his mother cross at him and she and his father would impose some form of punishment on him. Perhaps revoke his cell phone for a week so he couldn't join his friends on their regular scheduled shenanigans. Or chat up some stunner that he'd met the week prior.
But things were different now. He was no longer bound by their rules for the most part. He was free to do whatever he wished and this trip to Italy was the perfect showcase of that new dynamic. All he had to do was get his degree and get a job, and he would still have their support and financial aid so that he wouldn't have to stay at the dorms or even have to tough it out with a roommate that might not approve of the way he lived day in day out.
The only person keeping him in check now was himself, and as far as he was concerned, there was nothing he'd done in Italy that he wouldn't have done in Cambridge. He had a bloody good time there, even, getting to engage in not just one but two flings, and one of them with an older woman.
And yet, when he thought back on every touch, every kiss, that he'd shared with either of the women, that pit in his stomach would form again. As if the activities he'd engaged in during his vacation were somehow the "wrong thing" that could make someone responsible for him cross.
But why?
"You're awfully quiet back there, mate. Which one of your lucky ladies is taking up space in that randy little brain o' yours, I reckon?" Eric teased, lightly tapping the curly blond's head as he plopped down on the seat next to him, jostling him out of his dwelling over why there was a pit in his stomach to begin with.
"I've no idea what you're on about, mate, I'm not thinking of anyone," he tried to brush it off, brows furrowing together when he tried to remember that night in the pool and the knots in his stomach worsened. Like the memories he made in Italy were not something he could look back at with fondness.
If he dwelled on it for even a second longer than necessary, it almost felt as if he was looking back on those memories with a touch of shame.
"Ah come on, Oaks, you tellin' everyone 'ere that you're not thinking about that stunner of a blonde Elizabetta? Even I'm thinking 'bout her and it wasn't my tongue down 'er throat." Eric crowded his space, squishing him to the side of the van. "Or even that cougar Anna, my lord, man that one was fawning and doting after you!"
As if right on cue, his mobile rang and vibrated violently in his pocket. Another call. He didn't need to even glance at the tiny device to know who it was. She'd been calling since just a few minutes after they'd all said their goodbyes.
That was over 24 hours ago. And he was well on his way back to campus, the scenery already began to elicit that feeling of 'home'. Or at least of familiarity.
"Speak o' the devil! Why don't you pick it up, Oaks? Be a grand old time hearing her pining after you again." His friend flailed into his side, dramatically placing the back of his hand on his brow. "'Oh Oakley how I miss you terribly, why don't I come visit you on Cambridge and we can live out any professor fantasies you might have in that virile young college brain? I'll even get the glasses and the pencil skirt just for you."
"Sod off," he grunted, trying to chuckle away the mental image. Another thing that was bothering him: Those fantasies that he'd had before they left for Italy a little over a month ago…none of them appealed to him now. "If you want, you take her number and live out those filthy little daydreams of yours, mate."
All that he could manage to think of at the moment was the melancholic knowledge that when he got back to his apartment, there would be no one there. He wasn't coming home to anyone. That didn't used to bother him before, but for some reason sitting in this van with all his mates and having to hear them be completely taken up with his own conquests in this trip made him feel as if he should be guilty and shameful somehow of the way he acted. The way he treated both the women that he encountered and found himself entangled with.
This is ridiculous, you're not looking for a wife, you batty little git, he hissed at himself, trying to supress the urge to let out a deep exhale. That would set off everyone in the van. Besides, you don't even know anyone that's even remotely wife material.
"Hey hey hey look alive, lads," Marcus, the one at the wheel, started to call out. His tone was brimming with wanton intent. "We are steadily approaching the dorms, and you know what comes after."
"Sorority row!" the rest of the van cheered, proceeding to make botched barking sounds, effectively drowning out the relentless ringing of Oakley's phone.
But the mention of the dorms finally had him sitting up straighter, realization dawning on him that he was wrong. He actually already knew someone who was so much more than "wife material". Someone brilliant and diligent that had a part of him driven to make the steps to be someone better.
Someone that he called his best friend. Better than anyone in the van with him tonight.
You.
"Marcus, could you drop me off here?" he called out, his stomach flipping at the sight of your familiar silhouette jogging to the front door of your dormitory.
His friends' remarks faded into a dull buzzing in the background as he got off the van, making his way over to you and staying still by your side while you did your step-ups at the bottom step of the stairs. It only took a few moments before you shifted your gaze at him, removing your earphones and hooking the cord behind your head before giving him a beaming grin.
"Goldie Long Legs!" you squealed, the exhilaration from your workout giving you an adorably flushed look, the slightest tinge of pink on your cheeks. "I didn't know you were coming back tonight."
"I was gonna give you a call when I woke up tomorrow, but then I saw you." He did his best not to pay too much attention to the strange somersaults his stomach was making the longer he stared at you. "Coffee?" He tried to keep his tone casual, despite the way his voice cracked on the last syllable, as if he was a nervous lad asking a girl out for the first time.
You answered a giggle that had his heart doing the most bizarre acrobatics in his chest. Why was he reacting to you like this? Was it simply the lack of a woman's presence the last two days as they made their way back, making this reaction more primal than anything else? Was it your exercise outfit and the way the fabric clung to the curves that were rarely ever out for him to take notice of before?
Was it something else? Something that was simply…uniquely…you?
"Coffee? At this hour?" you laughed off his offer. "All the coffee shops are closed by now, and you know how you get with caffeine, Goldie. If you have a sip, you won't know a peaceful night's sleep tonight."
"Oi! Lookin' good there, Y/L/N!" Eric hollered from the van. Oakley's skin bristled seeing how his friend leered over your figure. "Shame you didn't join us, Italy woulda been an even prettier sight with you around."
"Rather not add to the trail of broken hearts you lot left behind," you shot back flawlessly, sticking your tongue out at the boys in the van. "I know you lads well enough to know you didn't behave yourselves."
"Oaks over there's the worst offender of us all!" Eric pouted, pointing at the curly haired blond. "Two flings. At the same time. Shoulda seen him, Y/L/N, he was at the top of his game."
The playful smile on your face faltered for a fraction of a second before you recomposed yourself. That infinitesimal moment was more than enough for the pit in his stomach to make its presence felt once again. Now Oakley knew what it was, beyond a shadow of a doubt.
Shame. And the worry that knowing what he'd done back there would somehow taint your perception of him. When your gaze darted to him once again, he had to fight back the words that wanted to stumble clumsily out of his mouth. They meant nothing to me.
In the moment they were fascinating, and truthfully while he was in said moment, he thought about how things would go moving forward. If he would try to pursue anything with either of them, but ultimately the immediate answer was 'No'. Back then he didn't know quite yet the reason behind his mind's outright refusal, but now he did.
This dalliance was a mistake. I have someone so much better back at home and I've been a fool not to see it.
"Quite the juggling act, Goldie," you remarked, your tone more hushed than before. It felt as if you were putting distance between the two of you despite not having moved an inch. Like there was a wall he couldn't quite scale now just to get to you.
"One o' them even gave him a nice lil picture o' her. A breathtaking blonde called Elizabetta. Ohh man not even the finest girls in sorority row can compare."
Shut up, you little twat, he internally seethed, wanting nothing more than to throw whatever he could get his hands on at Eric's head so that he could just. Stop. Talking.
And then his mobile started ringing again. And your smile disappeared, your face looking as if it was struggling to decide how to reconfigure itself, your neck twitching with every shrill note of his ringtone. "That's probably that breathtaking blonde now," you said in an eerily chipper tone. "I won't keep you any longer, I'm sure you're tired from the trip. And you'd like to spend the night speaking with your new lady friend."
"Oh that's not even the blonde! That's the other one!" Dammit Eric, stop talking. "Older lady. Head over heels for him, she couldn't keep her hands off him every time they were in the room together. Told you, Y/L/N. Top of his game."
"Ohh so a lady lady friend. All worldly and whatnot…" Even your body language was throwing him off now, way too casual to fit how he himself felt in this moment. The feeling of wanting more than anything to explain. "Well then, I really don't want to keep you. I know better than to keep my elders waiting, you should, too."
The boys in the van started cheering and clapping over your remark, jokingly chanting "One of us! One of us!" as you gave them a curtsy, making a motion as if you were wearing a skirt rather than your black and hot pink leggings.
It was only when you were halfway up the steps to your dorm building that he managed to find his voice again. "Breakfast tomorrow? My treat?"
You only answered with another giggle. "Did you hit your head or something back in Italy? You don't do breakfast, Oakley. At most you do half a protein bar at first period. From my purse. I'll see you at lunch. I mean…if you're not too busy with your new lady friends or whatever."
He couldn't come up with an intelligible enough response, instead watching you walk into your building and shutting the door, wiping away at your face with your towel. All that he could do was walk back into the van, telling Marcus in a daze, "Drop me off at my place. I'm not in the mood for stop overs at sorority row."
Oakley wasn't in the mood for any more games. Any more women. Not tonight.
The next morning the first thing he did was call up his service provider to see about getting a number blocked, and then he grabbed his wallet, rummaging around in his desk drawer for a handful of photos to place in front of Elizabetta's. A group photo with his mates from their first class project in freshman year, a photo with his family. A photo of a stolen moment with you where you two were wielding chopsticks at each other in a playful "stand off" for a potsticker, and your graduation photo.
On a whim, he placed the potsticker one in the front, a fond smile stretching across his face as he traced his finger over your face in the picture. And then his alarm clock began to ring and the sound quickly filled his apartment, springing him into action to find the nearest clean outfit he had lying around.
He nearly broke a sweat with how fast he ran to your dorm building, hoping he'd catch you before you started walking toward wherever you'd decided to grab breakfast for this morning. Right as he was across the street from the front doors, you walked out, one earphone plugged in and the other dangling from the cord, undoubtedly mouthing along to whichever song was topping the chart this week.
"Y/N!" He internally winced at the hoarseness in his voice. He wasn't even running for that long; how was it that he was already heaving for air?
Your head snapped up to his direction at the sound of your name, shock registering on your face when your eyes met his. Followed by confusion, your brows adorably knitting together as you watched him jogging towards you as he crossed the street.
"What brings you to my neck of the woods at this hour, Goldie?" you greeted him with a smile, hooking the cord of your earphones behind your neck. "Have a breakfast date with one of the girls from my building? You must have it bad for this one if you're willing to wake up so early for--"
"Y/N, I'm…I'm not here for someone from your building," he cut you off, wiping his hands on his shorts before standing up straight, trying to get his heart to stop beating so bloody fast. "I asked you to breakfast last night, remember? My treat?"
His response had you visibly taken aback. "Oh…" The word came out more like a squeak, making you clear your throat. "I uhh…I thought you just offered that as a nicety. For catching up. We could've done lunch…or you know, coffee now that it's a reasonable hour."
"We could do that, too," he said in a rush, fighting against the strange instinctual urge to reach for your hand as the worry that you might wave him off and start walking away crossed his mind. "After breakfast?"
You shuffled your feet in place, slightly swaying back and forth. It was a motion he knew all too well from you, the one that told him you were trying to think something through, trying to find the reason and the rationality in something before deciding what to say or do next. Had it been any other day, any other circumstance, and had he not been grappling with finding his own sense of rationality in why there was suddenly this shift on how he was acting and reacting around you, he would have swayed with you.
After a few moments your mouth stretched into a half-smile, shrugging before tilting your head in the direction of a nearby cafe and bakery. "Alright then. Let's go."
Oakley couldn't help how his face broke out into a grin, a touch too eagerly falling into step with you, still fighting the urge to reach for your hand. To lace his fingers with yours.
"So tell me all about Italy," you started, looking up at him and squinting your eyes as the morning sun hit your features. "Start with the food because I want to know if handmade pasta--"
"We can talk about Italy later," he breathed out, finally losing the struggle to not reach for you and settling on lightly resting his hand just above the small of your back. "Tell me about what you've been up to the last six weeks."
He'd try and process what it meant later. That all he wanted to do was know how you'd spent your time apart. That he wanted to hear your stories rather than speak about his own. That much as it was an extraordinary experience to roam Italy with his mates, the only thing he could think of now was how it could have been even more beautiful if he perhaps…experienced it with you.
"Oh…" Your voice got smaller again, as if you were struggling yourself to find words. "Well truthfully they were quite boring. My sister visited campus to drag me to the shopping plaza to overhaul my wardrobe. She's quite literally holding my jumpers hostage and replaced them all with…well, things like these." You awkwardly motioned at the dress you were wearing, a frilly sage number with a bow. "I look ridiculous."
"You look beautiful," he blurted out, immediately biting the inside of his cheek when you snapped your head up to give him a questioning look. A new feeling flooded him. Something almost akin to…fear? His heart was still pounding and thrashing in his chest, his breathing thready like the air was too thin.
Like he was afraid that you'd look at him and see right through him. Right into his soul. His deepest, most secret thoughts. Thoughts he hadn't even dared to properly articulate with himself.
And if you saw them, if you saw him, you would walk away without a second thought. Those words that he was so used to wielding without completely meaning it when he was around other girls, he'd uttered to you with the weight of every unspoken thought he'd had of you since last night.
With every ounce of sincerity and honesty that felt so foreign for him to possess.
"Oh please, Goldie, you don't have to butter me up," you laughed off his compliment, waving it away with your hand like it was a little housefly flitting away by your face. "You don't have to lay it on--"
"I'm not." The words were flying out of him faster than his brain could filter them. "You're beautiful, Y/N. And it's not because your sister overhauled your wardrobe or you changed your hair. It's you." His heart caught in his throat seeing your eyes widen, the questions and the confusion in them mirroring his own. What was wrong with him today? "All of you."
You pursed your lips, already looking back in the opposite direction like you were second guessing agreeing to sharing a meal with him. Or maybe even sharing any form of time with him. He already wanted to hit himself for not keeping his mouth shut, he probably just flushed your entire friendship down the toilet all because he started acting the same way he did when he was in the first grade talking to the prettiest girl in class.
"Hmmm," you sounded through pursed lips, taking a deep breath before your features morphed into that all too composed smile that you gave him and his mates last night. "And here I thought all I had going for me was my winning personailty."
"That's just a part of it," he shot back, failing to fight the urge to touch his hand to your arm as you reached the cafe, helping you keep steady as you walked up the elevated platform leading to the door. Right as you walked past him when he opened the door for you, he caught a wisp of your perfume. The same one you'd worn every day since the day he met you, the scent of apples and mandarin blanketing him with a warmth that took him aback.
Memories of his weeks in Italy now bombarded him. How he would relish the apples that he had, breathing in the scent before taking a bite. How he brought an apple when he and the rest of the group visited a citrus grove, and how the combined smells reminded him of home.
Only his family home didn't smell like that at all. It smelled of tea plants and bergamot.
"Oakley?" Your voice broke through his memories. "You alright over there?"
He took in the sight of you, a single eyebrow raised looking like you were amused by his stupefied state, the corner of your mouth upturned in a little smirk. "Right as rain," he choked out, finding it hard to breathe properly with his heart beating so fast it might as well be The Flash on a treadmill. "Just not used to being up this early, is all."
You only wagged your finger at him, tsk'ing in response when he stepped up next to you at the counter. "Shouldn't have shocked your system with changing your routine like that, Goldie. You have to ease yourself into it, take baby steps. Otherwise you'll crash midday and end up taking a twenty-minute nap that quickly turns into four hours, miss a lecture, and then you'll have to rely on my notes. Again."
"Ah, you should know me better by now, Y/N. I'll need to rely on your notes even if I'm wide awake, I can never pay attention to those old windbags."
His words had you rolling your eyes to the ceiling, a devious smile playing at your lips. He couldn't take his eyes off you, every waking brain cell screaming at him to take your face in his hands and kiss you.
"And here I thought your time with your new worldly lady friend would have you respecting our elders a bit more," you quipped, laughing at him when all he could do in response was audibly choke on the air. "Maybe we can hack that debauched brain of yours. Pretend those old windbags are your older lady friend instead, or pretend one of the pretty girls in our lecture room is your breathtaking blonde Italian beauty. Maybe then you'll pay a bit more attention in class."
I won't, his mind protested. Why would I look anywhere else when you're right next to me?
"I really don't think so," he said softly, letting out a chuckle when all you did was shake your head at him, proceeding to order a bacon cheese waffle sandwich and the first of a handful of coffees you'd be drinking throughout the day. All the while Oakley watched you, a fond smile stretching across his face as he lost himself in the memory of the citrus grove again. The scent he was chasing the entire way to Italy and back.
Your scent.
Home
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A/N: Sometime last year I made a lil note in my idea notebook to make a prequel piece to 'just another memory' and now here we are…and it's gonna be a 2-parter with a potential alternate ending because the lil gremlin horn dogs in my writer brain want a scenario where she chooses…well, y'know what, you'll know who it is soon enough 😈😈
'everything' taglist: @simplyholl @loopsisloops @imalovernotahater @coldnique @loz-3 @huntress-artemiss @salempoe @vickie5446 @athalialaufeyson @lokiprompts @kats72 @kikster606 @asgards-princess-of-mischief @lokixryss @thomase1 @mischief2sarawr @lovingchoices14 @lunarnights95 @goblingirlsarah @iamlokisgloriouspurpose @creationsbyme @maple-seed @mjsthrillernp @ladyofthestayingpower @mygfloki @sititran @glitterylokislut @ozymdias @fictive-sl0th  @lokidbadguy @mochie85 @silverfire475 @joyful-enchantress @elizabethmidnight2017 @holdmytesseract @smolvenger @gigglingtiggerv2 @lokidokieokie @lunarnights95 @superficialdomina @kmc1989 @november-rayne @goddessofwonderland @buttercupcookies-blog @peaky-marvel @lokiified @tom-hlover @dryyoursaltyoceantears @herdetectivetheorist
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demon-kumo · 4 hours
Text
𝐃𝐫𝐮𝐧𝐤 𝐘𝐞𝐭 𝐋𝐨𝐲𝐚𝐥
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➤ 𝐂𝐡𝐮𝐮𝐲𝐚 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫, 𝐃𝐚𝐳𝐚𝐢 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫
➤ 𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝐇𝐞 𝐜𝐨𝐦𝐞𝐬 𝐡𝐨𝐦𝐞 𝐭𝐨 𝐲𝐨𝐮, 𝐞𝐱𝐩𝐞𝐜𝐭𝐢𝐧𝐠 𝐤𝐢𝐬𝐬𝐞𝐬 𝐚𝐧𝐝 𝐡𝐮𝐠𝐬, 𝐨𝐧𝐥𝐲 𝐭𝐨 𝐟𝐢𝐧𝐝 𝐲𝐨𝐮 𝐫𝐞𝐣𝐞𝐜𝐭𝐢𝐧𝐠 𝐡𝐢𝐦 𝐛𝐞𝐜𝐚𝐮𝐬𝐞… 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐚 𝐡𝐮𝐬𝐛𝐚𝐧𝐝? 𝐁𝐮𝐭 𝐡𝐞'𝐬 𝐲𝐨𝐮𝐫 𝐡𝐮𝐬𝐛𝐚𝐧𝐝.
➤ 𝐆𝐞𝐧𝐫𝐞: 𝐅𝐥𝐮𝐟𝐟
➤ 𝐖𝐚𝐫𝐧𝐢𝐧𝐠: 𝐂𝐮𝐫𝐬𝐢𝐧𝐠, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐃𝐚𝐳𝐚𝐢'𝐬 𝐭𝐫𝐮𝐞 𝐧𝐚𝐭𝐮𝐫𝐞, 𝐭𝐨𝐨𝐭𝐡-𝐫𝐨𝐭𝐭𝐢𝐧𝐠 𝐟𝐥𝐮𝐟𝐟
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➤ 𝐂𝐇𝐔𝐔𝐘𝐀
No one loves wine as much as CHUUYA. Hell he has a cabinet at home full of it, you were never one to drink though. Yet the minute he stepped into the home the scent of expensive wine reached his nose.
Working in the mafia had never been easy, whether you were a simple office worker or the boss, everyone went home late. Chuuya was no exception, as an executive he stayed longer than most. So the sweet pop in his bones allowed a satisfied smile to come to his face as he stood from the chair.
Finally, time to head home.
The click of the door allowed the corridor to open and sighed at the cool air hitting his face on the hot Yokohama night. His shoes hit the floor with a clumsy clack before it hit him. The strong scent of wine.
Perfect features, in your words "rivaling the gods", scrunched up as he walked through the penthouse and was met with an unfamiliar sight.
You. Hunched over the marble counter with a familiar red bottle in front of you. Soft cheeks hued red alongside your adorable ears, with a dazed look in your eye. Chuuya knew this sight, it had been on his own visage multiple times.
It seems the roles have been reversed.
Blazen blue hues softened considerably on instinct at the mere sight of you as he waltzed over. Placing a hand on your shoulder you looked up with glassy eyes and met the eyes of your lover.
"Hey (Y/n), you good?"
A drunk giggle escaped your lips, "Of course," you waved your hand, "I am perfectly fine, can't you tell?" you said as you were about to take another sip only for your husband to grab the glass.
"Alright love, I think you've had enough." He chuckled, finding your drunken state endearing and amusing. He had never seen you drunk before, you were normally the responsible drinker. It wasn't often that you drank wine.
The smile dropped from his face when you gasped like an overzealous Karen, hand to your chest as you looked at him with mouth agape.
"Sssirr, you may be handsome and k-kind enough to care about some stranger buuuuut don't call me that!" You slurred your demand as you pointed at him.
Chuuya tilted his head, "Call you what?"
"You know exact-ly what I mean you scoundrel! You can't call a w-woman you just met lllovveee,"
Chuuya raised his brows in surprise, "Huh?"
You squinted your eyes at him with a pout, "You heard meee right, I will have you know I am married!" You slouched in your chair.
Chuuya deadpanned, "L-(Y/n), I am the man you are married to."
You scoff a drunk scoff, "Y-you dare lie to me, I know my husband when I see him. And," You pointed at him for the nth time that night, "you look nothing like him."
You look through your blur and see the hazy figure of blue and orange covered in black and red clothes. Yep, 100% not your husband. "Myyy husband is ten times the mannnn you will ever beeee. He would never lie to meeee.... plusss he is-sh the most handsome man I have ever met."
Chuuya flushed bright red at your words but chuckled as he picked you up bridal style, just like he did the day he married you, and smiled at you. The same loving way he always did.
"Well then, that man is extremely lucky to have you. He also loves you more than anything, probably... no he would definitely burn the world for you."
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➤ 𝐎𝐒𝐀𝐌𝐔
Being passed out from beer and liquor was a familiar scene to OSAMU. Within the years of hiding from the mafia and laying low, passed out in bars. But to find his spouse in one, now that was a new one.
"(Y/n), sweetie, I think you should stop," Dazai suggested as he watched you call the bartender for another shot. You already were way past wasted.
It wasn't often Dazai was seen with a worried expression but this was one of the moments. He was worried his darling wife would pass out soon and wake up with the largest migraine when waking up.
"Wwwwhatttt, no!" You childishly rejected it as you waved your hand dismissively. "I cannnn handle itttt."
"Sweetie, if you drink any more you will pass out." Dazai sighed, is this how you feel when you deal with him drunk.
He placed a hand on your shoulder and pulled you up, placing his credit card at the bar, and paying for your drinks. Surprisingly he actually had the money to pay for the amount of shots, for her, he will always pay.
"Come on sweetheart, let's get you to bed."
"mhm, nnnooo!"
You push yourself away from the man, stuttering away as you look at him with an exasperated look. Dazai gave you a worried smile, "What do you mean-"
"I tollld you no!" You shook your head, "I have a husband! I am a married w--woman!" You said with a small hiccup as you held onto the counter with your knees bent.
Thank the lords that this bar is empty, Dazai thought to himself as he let out a small laugh. "Sweetheart, I am that husband."
"Nope!" You shook your head, "I know my husband, he would never look like you. You're hideous, my man is the... picture of... beauty!"
You slid to the floor on your knees as your cheeks reached an even more red state while Dazai chuckled though if you looked close enough you could see a small blush.
"Oh is he now?"
"Y-yes, I would never betray himmm, what kind of woman... would I beee, if I went to bed.... with another man!"
Awww, that is so sweet, even if the man who is currently trying to take you to bed is your actual husband.
All of a sudden, tears fall down your face, large fat puppy tears as broken sobs. Dazai's shifted to shock as he quickly bent to the ground and placed his hand on your shoulder.
"Hey! What's wrong?"
"*Sob* It's just.... thinking 'bout Samu.... *hick* He is always sad." Dazai's eyes widened as he remained silent when you started to rant. "He never shows it... *sniff* but he thinks so poorly *hick* of himself... but he won't tell me how he feels.... he thinks he is unworthy of *hiccup* h-happiness... or me... I'm a terrible wife... I can't even talk to him about that *sobbing*..."
You cried on his shoulder, tears staining his sandy coat but he didn't care. He looked down at you with an expression he rarely ever wore in front of someone. No one could really describe it, looked like a visage of self-loathing and pity. Was this how you really felt.
He brushed a hand to your head, who had now fallen asleep on his shoulder, mouth slightly agape. You looked like a sleepy child in an adult body. He placed a soft kiss on your head.
" Sweetheart, I know you can't hear me so it doesn't count but, you are right I don't think I am worthy of you. You are the best thing that has happened to me, which is why I am trying my hardest to make you happy."
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coolprettyleo · 10 hours
Text
my soul has changed? - will smith au
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wc: 1.4k
tw: depression, suggestion of an ED, awkwardness? mean girl.
will smith x oc celebrini sister!
☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
april celebrini was in a point of her life where everything felt still. she was pretty sure she was suffering from depression and it was a cycle she didn't know how to get out of.
she would wake up, go to school, go to work, and then sleep. she was lucky if she fitted a meal in between that meant she had lost tons of weight.
she had been a pretty healthy teen, she played hockey up until high school alongside her brothers; but when the time came to play college hockey, she got no offers. contributing to her depression.
it was a sport she held so much love and dedication, she couldn't understand why she hadn't been good enough? I mean her brothers were good enough, they got college offers. macklin was even projected to go first overall, so why couldn't she?
those were thoughts that were constantly haunting her mind. if she found something to forget them they would flood back in, like if they wanted her to be a lifeless doll she had been feeling like.
her family had been really worried for her. she had finally seen her brothers after a year, at the NCCAA playoffs and it only caused them to worry more.
flashbacks
april knew that macklin and aiden were gonna bombard her with questions as soon as they were alone. they could hardly recognize her. growing up she was always a smiling person with a big personality and now she was about forty pounds lighter and was a ghost of the person she used to be.
"april what's going on" macklin said shutting the door behind him.
"what do you mean"
"cut the bullshit. I know your not okay, you barley answer my text anymore, what's wrong"
"it's nothing mack-"
"no it's not nothing, maybe I can fix it-
"you cant 'fix' it"
"and why not-"
"because I don't know what wrong with me!"
that had been about two weeks ago. she just didn't know what to tell her family. she really didn't understand why she had been feeling that way.
she was currently at work where she was a barista in a cute coffee shop. she honestly loved working there, she had got the job when she was in high school and had kept it till college. seeing as she didn’t move far away for college, choosing to stay close to her parents.
she often wondered if she might be happier if she moved away just like everyone else did, just like her brothers did. but it would always end in her telling herself; that it's not worth dwelling on.
it was currently six am and at this time of day there weren’t many customers. the cafe was always busy mid day when people were looking to find somewhere to study.
so she was surprised when she turned the open side around, to find a boy waiting outside to come in. a boy who looked a lot like will smith.
april wasn’t an idiot to hockey, she kept up with it a fairly good amount, so she would have to be living under a rock to not know the guy who dominated the ice at her brothers rivalry school.
that didn’t mean she wasn’t going to act like she didn’t know him.
he reached for the handle and took a look at her before turning as red as a tomato and blushing,
“hey, are you guys open?” he asked nervously, mentally slapping himself because he just saw her turn the sign around, to ‘open’
“uhm yeah I’ll be with you in a sec” she told him.
will couldn’t help but think her voice was cute. she had a rasp to it that made him want to give her everything she’s ever wanted.
april finished up, putting the coffee too brew and turned to the counter.
“okay! order when your ready”
“uhm. i actually never been here before… any recs?” he asked after a moment nervously scratching his neck.
“well I get a dirty chai, but considering my brothers hate it, you might hate it too… I guess you might like a frap?” she told him, a little too monotone.
“yeah okay” he told her again nervously. he found her to be breathtakingly beautiful.
he paid and stood back as she got to making the drink.
“you from here?” will asked hoping to make small talk.
“uhm kinda. I was born in Vancouver but moved here when my dad got a job”
will panicked. oh god was she still in highschool
april must of saw the worry on his face because she added,
“that was a couple years ago, im eighteen now” she said smiling at his face. something she didn’t do often anymore.
“oh, i’m eighteen too”
“oh yeah, what brings you to san jose, school?” she said innocently knowing very well he was drafted here and was most likely here to work on development.
“no. I”m came to meet with some people here. I go to boston college” he answered. april starting to not feel so bad because she saw he didn’t want to right away say he was a hockey player.
“far from home huh”
“yeah, i’m literally across the country from everything and everybody i’ve ever known” he told her wanting to slap himself. did she need to know that!?!
“i’m sorry. it’ll get easier” she said remembering her brother had been homesick too but utimatly started feeling better after some time-- as she handing him his drinks and gave him a sympathetic face.
“yeah i hope so, i should be moving here soon, if everything goes right” he said as he took a sip.
“hey this is good!” he said taking another sip as april smiled. something that will thought looked amazing on her.
april smiled at him remembering the fact her brothers liked that drink. boys were so typical
“i’m glad… and hey— if you ever need a friend in town my names april” she told him as she held her hand out to him to shake.
will starred at it for a moment before he quickly met her hand.
“will” he told the girl with a smile.
they were cut out of there moment when two customers walked in.
“I should get back to work. i’ll see you around will” she told him as he smiled a nodded and walked right out.
say something! ask for my number! do anything!
april felt really dumb after she basically just presented herself in a silver platter to the boy and he didn’t finish his part in asking for her number. he had definitely rejected her in the nicest way someone possibly could.
meanwhile will got into the Uber with a gitty feeling. she seemed really cool and having someone to hang out with other than his teammates was going to be so nice.
he was midway into the meeting with some general managers when he realized he didn’t even ask for her number.
“oh my god” he mumbled as he came to the realization
"i'm sorry?" one of the GM's said confused.
“uhh— I said I was excited to join the franchise!” he covered up, feeling like an idiot.
hopefully she was still there after the meeting.
the meeting had gone a little to long for his liking and as he raced down to the coffee shop he hoped she was working a long shift.
he opened the door to see a blonde girl who looked old but yet looked young, and a taller boy with curly hair working behind the counter.
“hi. is april working today?” he said breathlessly
the blonde eyed him for a moment before smirking,
“I don't recall an april ever working here...my name samantha though” she said with a face that will knew was a face of someone who was lying.
“yes there is, she helped me earlier-"
“if your here to file a complaint against her, I can totally help you then,” she said
“no she was great— wait, you said you didn’t know an april-“
“your looking for april” the other barista cut in
“yeah she was here earlier, i was hoping she was still here”
“she got off like two hours ago but i can give you her number!” the curly haired boy told will. he was one of aprils friends and he wasn’t going to ruin this opportunity for her.
“you totally can’t do that!” the blonde girl said in a nasally voice.
“shutup samantha. go take candy from a baby or something” he sassily told her.
she rolled her eyes before walking away to wipe a table down.
“sorry about her, here’s her number— good luck!”
“thankyou so much” he told him as he thought about what exactly to text the pretty girl.
both april and will not knowing the epic love story they were about embark on.
☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
hi guys! i hope this is kinda good, dont feel shy to send in ask and au thoughts… i like never get any but im so open to it!!
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jacksgreysays · 18 hours
Text
Extremely late, completely unnecessary opinion of the Watcher situation, (2024-04-24)
So this is a relatively belated post — several days after the initial “Goodbye Youtube” and one day after the “An Update” videos — and surely by this point there are more interesting/insightful op-eds (both in written form and video form, especially penguinz0’s fairly objective POV as, essentially, a YouTube expert) but there is something about the Watcher situation that made my brain itch. Thus, I wanted to write about it in order to make sense of it all as well as get into a philosophy that seems to be haunting me in recent years and which I think applies greatly here.
This may seem completely out of left field considering 1) definitely not fanfiction and 2) about Watcher Entertainment, a YouTube channel which—as far as this tumblr is concerned—I’ve not engaged with whatsoever, but I don’t know where else I would put this, and weirdly enough I think the general tumblr response to this whole predicament is maybe the… if not objective… then at least, most thoughtful?—or, perhaps, least immediately reactive?—amongst the various social media platforms, that I think some people might appreciate this anyway.
In terms of my relevant background: I majored in Management Science (which is just a fancy way of saying Economics + Business + Accounting because they are, weirdly enough, separate things) and minored in Film Studies in school, I am currently working in the stage techn industry (which, I know, is obviously different from film/video industry), and I like to think I am a fan/consumer of a wide variety of independent creators, some of whom I am lucky enough to be able to afford being a patron/subscriber. I won’t go into all of them—because it is a lot—but there are four in particular whose business models I want to analyze in comparison to Watcher’s admitted blunder:
A) RocketJump (known for Video Game High School and Anime Crimes Division; the core group which turned into the podcast Story Break, then became Dungeons and Daddies) B) Dropout (formerly College Humor, we’ll get into their discography later) C) Drawfee (previously an offshoot of College Humor, now fully independent) D) Corridor Digital (used to be mostly behind the scenes of how VFX studios work, have since become a mostly original content creator)
I will say, right off the bat, I am a patron of Drawfee as well as Dungeons and Daddies, and I am a subscriber to Dropout. I am not subscribed to Corridor Digital’s streamer, which I will get into why later. I understand that being able to sustain those two patronages and one subscription is a luxury that not everyone can afford and so my point of view is already skewed by being such a person who could theoretically afford another streaming service if I so chose. I also acknowledge that many fans of Watcher are not in similarly financially secure places as I am and that regardless of the business model, any monetization that comes from fans would have been a rough ask. However, I wanted to go into this essay in a way that accepts Watcher’s statement—that they needed more funding—in relatively good faith rather than assuming the worst (although that is another point I’ll get into later, largely related to the philosophy I brought up earlier.)
All four of the above listed content creators started or, at least, hit their stride on YouTube:
RocketJump and College Humor were, if not household names, then the digital equivalent of it in the “early days of YouTube.” They were part of the wave of content creators that made YouTube seem less like a bunch of eccentrics with cameras making videos on the side and more like a viable way to support yourself/your team with the art you create.
RocketJump’s Video Game High School went from short (less than 10 minutes) minimal location episodes in season one, to 30 minute plus episodes with full on fight scenes and car explosions by season three thanks to a Monster Energy brand deal. They also had two seasons of Anime Crimes Division, a literal TV quality show, thanks to a Crunchy Roll sponsorship. Unfortunately, RocketJump shut down not long after (their videos are still up on YouTube but they obviously don’t add anything new) but the core creative team behind that have been involved in several projects outside of YouTube (Dimension 404 on Hulu being one of the biggest ones so far) including the podcast Story Break (part of the Maximum Fun network) and now the independent podcast Dungeons and Daddies, the episodes of the main campaigns which are free with ads or, for patrons, ad-less along with additional mini-campaigns and other benefits.
I will say, during RocketJump’s decline, they did try their best to keep going. The partnerships with Monster Energy and Crunchy Roll were the big swings to get the funding to make those TV quality shows they wanted. I believe they lucked out with those brands in particular, or, at least, those brands didn’t seem to inhibit the creative process or ask too much of them that it felt like “selling out” but I also don’t have insight into why they didn’t pursue this model of, essentially, very weird but interesting season long commercials. Maybe they just couldn't find the right brands or maybe they did feel like it was too stifling. Regardless, before they shut down completely, they did also downsize—moving out of the actual city of Los Angeles over to Buena Park. Which is in Los Angeles county, and basically counts as LA still, but is way cheaper than literal Hollywood real estate. (I should have added to my relevant background that I’m born and raised LA county, do have relatives and friends in the film/movie industry, so trust me when I say literal Hollywood/city of Los Angeles is so overrated and unnecessarily expensive. There is a reason why LA traffic is the worst and it’s because EVERYONE is commuting into the city. Respectfully and with affection, no one should live there. No one’s start up should be located there.) Obviously the downsizing didn’t necessarily work for RocketJump, but they also didn’t have multiple successful revenue streams the way that Watcher currently does.
In contrast, College Humor was acquired by InterActiveCorp and was turned into CH Media which was three pronged: College Humor, Drawfee, and Dorkly. In 2018 they made Dropout, which had exclusive content separate from their YouTube videos which involved all three prongs. Then some financial shenanigans happened early 2020—IAC withdrew their funding—and there were a bunch of layoffs right before the pandemic which extremely sucked. It has been stated by multiple people involved that it was basically a miracle that Dropout survived through all of that, but there were definitely some sacrifices along the way to make that happen. Currently, Dropout seems to be thriving with mostly exclusive content with the occasional “first episode of a season” posted to YouTube, OR if Dimension 20 is doing a “sequel season” in an already established campaign they will put the entirety of the previous season on YouTube.
IAC withdrawing their funding did put CH Media in a bind. They had to layoff a lot of people right before pandemic and, understandably, a lot of trauma was had. There were also weird issues with who controlled certain IPs/brands/digital assets (I mostly come at this from a Drawfee POV, it took several years for them to own the Drawga series and be allowed to host all of the episodes on their YouTube, and there was also something about the sound file for their opening animation?) but mainly the difference is what kind of content they generate. Originally Dropout had multiple scripted shows with high budgets and pretty cool effects/animations/stunts (Troopers, Kingpin Katie, Gods of Food, Ultramechatron Team Go!, Cartoon Hell, and WTF 101) whereas now almost all of their shows are variations of improv comedians being put into different scenarios or given different prompts. I’m not just talking about Game Changer and Make Some Noise, because Dimension 20 and Um, Actually also technically fall under that description as well. Which is not to say that these shows are worse than the scripted shows—I subscribe to Dropout, so clearly I’m a fan of their current shows—and the budgets for them have since increased to resemble, if not match, those early shows, but it is a noticeable shift in their content creation strategy as a response to the lack of IAC funding. And I will say: Dropout releases at least three videos a week if not more and at least two of those are long form at 30 minutes plus (Dimension 20 being the longest, of course.)
So, these first two business models are not really the most applicable to Watcher Entertainment considering their origin was to get away from Buzzfeed—they’re probably not keen to be partnered with or purchased by a larger company—but there are some aspects to both that I believe are valuable in at least showing the strategy in how these former YouTube creators could successfully extract themselves from YouTube or how they still utilize YouTube even if it is not their main hosting platform or revenue stream.
Then there is Drawfee and Corridor Digital, both of whom are currently—if not primarily—on YouTube, whose situations are more comparable to what I believe are Watcher’s goals.
Drawfee had to rebuild themselves like a phoenix from the ashes of the CH Media layoff during the beginning/worst of the pandemic. Side note: I’m happy that Nathan (one of the four main artists of the current Drawfee team) at least has forgiven(? or let bygones be bygones) Dropout enough to be on an episode of Game Changer (although I will say that this happened after Drawga was “returned” to Drawfee, and after Dropout officially split from College Humor as a brand.) All that being said, Drawfee was a team of four artists plus their editor who wanted to stick together but basically had all of their support system taken away from them. They took a bit of a break to assess their goals and options, announced a patreon with several tiers with great perks, and stuck to their upload schedule. In addition to two videos a week, they also stream on Twitch weekly, have a patron only stream once a month, and a draw class (for one of the higher tiers) once month. After asking their patrons on the relevant tiers if they were okay with it, they began releasing the patron only stream and the draw class to the general public for free after a month. The patreon perks also include things like merch discount codes, high quality PNGs of the final rendered art, access to the draw class with live interaction/critique, and a commission from the artist of your choice. The only “ads” they run are for their own patreon and merch store and, even then, they’re usually at the end of the videos with a credit scroll of the patron names during their exit banter.
Admittedly, they only have MAYBE eight employees—that’s including their video editor(s?) and their discord mod(s?)—with the main four artists doubling/tripling up duties as additional video editors, CFO, and marketing/merch leads. It’s a very streamlined crew and their production costs are not very high since it’s mostly screen recording of their drawings with their audio recording overlayed onto that footage. Although the video editors do sometimes have clever cuts to relevant images depending on their vamping. Sometimes they will have a guest artist but, again, since it’s screen and audio recordings, there’s no travel/housing costs. So, very minimal expenses due to low production costs and small crew but, again, their only revenue source is the patreon/merch, they don’t do outside ads and they very rarely do live shows.
Corridor Digital is, I think, the most applicable to what Watcher would ideally do, which I suppose is somewhat ironic for this essay in particular considering they’re the only one of the four that I don’t financially support. They have two YouTube channels: their main one being where they show the “final product” videos, but I believe their Corridor Crew channel which started primarily as behind the scenes type of videos is where most of their views come from. Especially their React series (VFX artists, Stuntmen, and Animators React etc.) On Corridor Crew they usually upload two videos a week — one which is a React and the other which goes into fun projects/challenges (involving VFX or not) or using VFX to explain scientific concepts — as well as the first episodes of their exclusive content on their streamer. Also behind that paywall are longer and ad-less versions of the videos on YouTube. They also have merch. All of them have merch, I don’t know why I’m stating that. They don’t have a patreon as far as I know, but I also don’t know if their subscription to their website comes with similar perks like discounted merch or something similar.
Anyway, their studio seems to be about 15 to 20 people — not all of them are VFX artists, of course. I believe they have higher equipment costs than Watcher since, understandably, Corridor has to be on the cutting edge of video editing technology. They do occasionally travel for shoots, but it doesn’t require big teams, and that’s only when the local locations available to them don’t match the requirements for the “final product” videos. Otherwise most of their videos are set in the studio or in the alleyway outside their studio in Los Angeles (the city itself, not just the greater county, though they are in a rougher and thus probably cheaper part of Los Angeles). I personally don’t subscribe to their website primarily because their exclusive shows don’t appeal to me—either they’re too technical or a little too dry; to be fair, most of them are VFX artists first before they are performers—and I don’t particularly feel the need to see the extended cuts of the videos uploaded on YouTube. Also I sometimes get a little bummed out by their lack of diversity.
All of this to say, from these four different business models, a bespoke Frankenstein business model for Watcher could be cobbled together. But also, even with that bespoke Frankenstein, there are some changes that Watcher would have to make: primarily their upload schedule. As of right now, I think they do MAYBE one video a week if not, perhaps, one video every TWO weeks. If they want a monthly subscription model, their rate of content generation would ideally be higher to double/quadruple their current upload rate. Obviously they want to create videos with higher production value, but at that rate of generation, something’s got to give: supplement their TV quality shows with either a behind the scenes type series or an increase of “we get four episodes out of Shane and Ryan get increasingly drunk in someone’s backyard” or something similar. Leaning into shows like Worth A Shot (the first season in which Ricky Wang makes cocktails based on a random ingredient, the second season threw in some competitive aspects which I didn’t really find necessary) or the Beatdown which has relatively low production costs (no travel, one location, maybe two cameras at most therefore smaller crew requirements) but a higher polished look. Otherwise, for a separate streaming subscription service, 2-4 videos a month is not going to cut it.
As of right now they probably can’t back out of the separate streaming subscription service because those set ups usually require some level of contract/paying for servers for the website and whatever is hosting their videos for a set amount of time. However, what really strikes me is that I literally didn’t know they had a patreon until I scrolled through the comments of the first Goodbye Youtube video. Maybe it’s been linked "tactfully" in the descriptions of videos, but considering they claim to be lacking in funds, the fact that they weren’t plugging their patreon at the end of every video is not just strange, but also irresponsible considering they do have 25 employees that they don’t want to layoff. Additionally, I understand artists needing to be in a space that promotes creativity, but there are cheaper places that must be comparable that aren’t in literal Hollywood. It’s an unnecessary expense. On top of that, other people have already brought up that it was fairly crass to introduce this paywall, attributing it to the increased production costs, when the next planned “new series” is a reboot of an old Buzzfeed series in which people travel and eat expensive food. I’m not even talking about the personal expenses of Steven, Shane, and Ryan; what kind of car they drive or the cost of their wedding venue doesn’t matter on a business model basis.
But getting back to the patreon: again, I literally didn’t know they had one. I’m looking over their tiers— they have $5, $10, $25, and $100 — and for the most part they seem okay, although I think they have more to offer that wouldn’t necessarily cost them more. Ie, something that has baffled me for a while: the fact they don’t sell the mp3s of the Puppet History songs; they already exist and it doesn’t cost them anything additional because they don’t need to put it on physical media. Or maybe they do and they’re not marketing it similarly to how they weren’t overtly marketing their patreon?
And, okay, maybe they didn’t want to seem desperate — in the early days of Dropout and independent Drawfee, they both were very blatant in getting people to subscribe/join their patreon. As they should be. Desperation maybe doesn’t look cool and sexy, but it is earnest in a way that conveys equal effort that fans who can afford it would want to see. The fact that we weren’t getting rotating ten second clips of Steven, Shane, and Ryan asking people to join the patreon at the end of every video — even if its the same clip every three videos — is wild. And yes, the $25 tier includes a shoutout every 3 months on Watcher Weekly+ (which I don't quite understand what that is,) but the fact that they weren’t doing a quick post movie credits scroll of all the patreon names is, again, wild. Once you have that initial list, it’s not too difficult to add any new names that join and put that title overlay on top of, again, those nonexistent ten second clips of the three.
As others have already stated, it seems like an extreme mismanagement of their existing successful revenue streams, if they are actually struggling to pay all of their employees. Which goes into the philosophy part of this essay: don’t assume malice when it might just be incompetence. It’s something that I have to remind myself of often because I do get paranoid about people’s intentions sometimes and I have to check myself. Am I being overly suspicious of what might be just an honest mistake? Am I assigning ill will to an action just because it inconvenienced me?
Yes, of course, a lot of this situation could be misconstrued as straight up greed. But, also, Watcher is a relatively young company, helmed by three people who certainly don’t have experience running their own company:
They like to travel. They like to bring a full crew around with them. They’re renting out a shiny office in the heart of Hollywood where everyone knows is where real show biz happens. They’re adding more employees to the team because surely more people means better. And they want better productions values because the prettier the videos the more people will like them right?
It’s naive. It’s a level of inexperience combined with giving responsibility to officers whose main priority is to entertain. And if that means entertaining themselves and their staff, then they might not know the difference. It’s the kind of mistake that first time managers make—trying to prioritize fun over getting the job done. Prioritizing making friends with their employees rather than making sure the work the employees put in is equal to (or greater than) what you spend on them whether that is in paycheck or bringing them to cool locations for fun shoots. It’s a mistake anyone can make, it's just unfortunate that they made this mistake in front of millions of people. It doesn’t necessarily mean it’s solely a greed induced cash grab.
But then comes the catch-22 of the philosophy—is it worse to assume incompetence than it is to assume malice? Or, in this case, greed. Especially for the heads of a company that holds the livelihoods of 25 employees in their hands. At what point does it not matter if it’s incompetence or greed if the end result is the same?
Is it better to think that Watcher knew about the various other business models of independent creators and just ignored the efforts put into achieving those successes or is it better to think that they didn’t know and just stumbled into one of the worst moves they could have done. Again, other people have mentioned that Great Mythical Morning—which Watcher has had multiple collaborations with—has managed to make the YouTube subscription/tier system work to the point that they can sustain themselves as well as spinoff channels. Is it incompetence or greed that led to Watcher thinking they could bypass that completely in less time and with less videos?
I’ve been at this mess of an essay for several hours when I should have been asleep. Ultimately I want to say, regardless of incompetence or greed… yes, Steven is CEO and yes he is ultimately the one who makes the final call but it is disheartening to see the pointed vitriol at Steven specifically and the infantilizing of Shane and Ryan in comparison. Either they’re all silly uwu boys who are messing around not knowing how to run a company, or they’re all complicit in a crass cash grab in an extremely busted economy.
I think what’s most frustrating to me in all this is that there were so many other channels and creators who have literally walked this path before them and, again, whether through incompetence or greed or arrogance, for them to just ignore it… It’s not betrayal because I don’t know them and so there’s no relationship to betray, it’s just so inefficient and convoluted that I don’t understand. Or, no, even if it was greed, it’s an incompetent greed because at least pure greed would have been pushing that patreon every second they could. Their ratio of YouTube subscribers to patreon members is less than 1% and I bet that’s because a lot of their audience, like me, literally didn’t know they had a patreon. I probably would have become a patreon member of theirs had I known earlier, ESPECIALLY if it included access to those Puppet History songs. Drawfee has half as many YouTube subscribers and nearly double the patreon members as Watcher. I’m just baffled, is all, and maybe by this point sleep deprived.
Anyway. That’s my, extremely late, completely unnecessary opinion of this situation.
Edit (several hours later after some sleep): I forgot to mention, because they did walk this back almost immediately, even before their "An Update" video, but I believe the original plan was to put EVERYTHING behind that paywall and pull their content from YouTube entirely. Which is, again, extremely baffling, because if ALL of their content is behind a paywall, how would they possibly gain new fans? Even if all of their current fans were able and willing to pay for their separate subscription streaming service, how would a brand new person even stumble on their content enough to want to subscribe if there wasn't a significant amount of "proof of value" free content on YouTube? Again, extremely baffling, and a level of incompetence that overshadows a "cunning" greed. But, like I said earlier, they did walk this decision back almost immediately. If I've misunderstood this and that was never their plan, please let me know, I don't want to be spreading misinformation in a situation that is already so convoluted.
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brian-in-finance · 2 days
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After the onslaught of criticism about her IFTA look, I thought of putting together some of Cait's quotes, a look into her character and what she's about.
“I respect and admire people who put work before fame, and life before work.”
"I think as women sometimes we can judge other women's journeys, actions a lot more harshly than we would if it was a man."
"I think there's something in the DNA of actors that we thrive on the lack of stability or regime. I relish the unpredictability of it in many ways."
The sexiest things about a man are, "Integrity, smarts and kindness".
"I just want to be happy in my life. I want to stay sane. I'm lucky that I have a job that I love. It's very important that your career can't be your only thing. So, I feel lucky that I've also found someone who makes me very happy. As long as I can keep those two things going well, then I'll be good."
"While 'Outlander' is a brilliant period show, Claire represents so many qualities of a 10th century modern-day woman: someone who is forging her own path, fighting for what she believes, and doing so with integrity."
"It's such a compliment when people say they can see 'thoughts' on your face. I started theater before modeling and the frustrated actress within me made work interesting by viewing a character or story in the head with interior monologues."
"Life is meant to be lived and not put on the back-burner for one day when you will have time. I love my job and I love work but it can’t be the be-all and end-all." 
“You have to fight to create the life that you want. I’ve been lucky and had a very varied and interesting career so far, but I’m always thinking about the next chapter.”
"I'm very young at heart but combined with a bit of an old soul. I have two sides of myself, one side is this cray-likes-to-party side, and then the other side likes-to-hibernate-and-keep-quiet-and-read. Those two sides constantly battle and that's why I'm crazy!"
"It was something I've been wanting for a while. There's sometimes fear about actors who become producers—that they're going to try to throw their weight around. For me, it's an expansion of growing within this industry. I like to problem solve. I like to look around at what every single person is doing, and [ask], how can we make things better?"
"Wrinkles equal time, equal life . . . trying to love them."
"SM brings out the very worst in people and makes us feel worse and worse about ourselves. So I'm trying to do, at least one day a week, hopefully 2 days a week, where I just step back and, I've been trying to do it recently and because I really felt like I needed to ... there's so much anger going on and there's so much "uhh" that it was making me feel just awful about everything."
"The modeling industry is completely what you make it. I've had a really great career but what some girls fail to understand is that it is a business like everything else. It's a job, not an opportunity for you and your friends to go away together a lot. You have to remember that the reason you're flying off to an exotic location is that you are there to deliver a job."
“The hardest part when I decided to move into acting was trusting I'd made the right decision.”
Thanks for the message, Anon. 😃 I’m happy to share the impressive list you’ve compiled of Caitríona’s quotes, and I hope people enjoy the walk down memory lane. As for the onslaught of criticism about her IFTA look…
One of the things you and I and everyone else are entitled to is an opinion. Some people liked her IFTA look, some did not. I sometimes post “fashion,” but have no expertise in that field, and I don’t necessarily like or dislike the garments or jewellery or footwear or accessories, or how they’re worn.
As for Standing Ground’s collections, unsupported breasts and nipples abound. I’d like to say it’s by design (wee pun), but I don’t know if it’s the designer’s intent in keeping with his natural scheme or if it’s the model’s choice to go braless. (If I were writing in DM, this is where I would say, “Blah blah blah.”)
What I do know, if I owned “the IFTA” dress and could wear it the way I chose, I would be wearing a bra. Everybody, every body, is different.
Most of the time, when I disagree with an opinion, I silently 🙄 or 🤦🏻‍♂️ or 🤯 or 🤬 or 😂, and scroll along my merry way. The odd time when I both 🤬 and chime in is when someone says it’s their opinion Caitríona is not married to Tony.
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Literacy Ideas
Remember… opinion has caused more trouble on this little earth than plagues or earthquakes. — Voltaire
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bad268 · 3 days
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I love your writing so much!!
Can you kaybe do a Ralf Aron one where him and the readers parents go way back and they always thought that Ralf and the reader were going to marry each other?
Skip To That Part (Ralf Aron X Reader)
Fandom: RPF/WEC
Requested: Clearly (THANK YOU SO MUCH LOVE)
Warnings: None (no physical descriptions of reader)
POV: Second Person (You/you)
W.C. 1270
Summary: Let's just skip to the best part of the wedding (save me from embarrassment). + Song Rec
Join my 1K Celly
As always, my requests are OPEN
MASTERLIST // HITLIST
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~~(^Pinterest)
Today was the day. Your wedding day. As cliche as it sounded, you were excited to start the new chapter. Sure, not much of a new chapter when you grew up with your future husband, but a step forward nonetheless. Ralf and you had been friends since primary school and together since you were teens. You were interested in engineering, so it was easy to follow him around everywhere. You were able to help with his karts, and it was only a matter of time before he put a ring on your finger.
The only thoughts that ran through your head as you stood at the altar were that you could not believe it. All that planning was finally coming to fruition, and so far, it was perfect. The skies were clear, the weather was nice and the wedding itself was small. You only wanted your closest family and friends since you were both pretty reserved. Plus, this was your day. Neither of you needed to justify your want to have a small ceremony or reception. 
There was one very important part of the ceremony, though. It was something you were looking forward to, and when you first told Ralf about it, he thought it was a great idea. You had heard about people having their parents or married family members give you advice or tell a story during the ceremony, and every video you saw of it made you want to include it in your day. 
Your concentration (or lack thereof) when your mom and Ralf’s mom stood before you. You chuckled nervously before they took the place of the officiant and faced the rest of your families.
“Before we get started with the advice,” Your mom started as a few of your families looked at your mothers.
“We thought now would be a good time for a story,” His mom finished off. Everyone laughed, but you looked at Ralf nervously, knowing this was probably going to be an embarrassing story. His mom waited for everything to calm down before gesturing to your mom and saying, “For some background, I have known her for years.”
“That’s right! At least 30 years!” Your mom laughed, playing along. “And we said that when we had kids, we would force them to be friends.”
“Well, lucky for us, our kids didn’t need to be forced!” The entire group erupted in laughter as you leaned to try and hide your face in Ralf’s shoulder. “These two were always attached. I don’t even think I ever saw you apart!”
“I can think of one time where I walked in on you two-” Your mom started, but by the glint in her eyes, you knew this was not a story you wanted to air out.
“Mom, please don’t embarrass me too much on my wedding day,” You cut her off immediately. No one needed to know that story. Some things just needed to stay between you and her, and this was one of them. 
“Ok, we won’t say that story,” Your mom conceded as she brought her hand up to fix a hair that had fallen in front of your eyes. “But I will say this. One day, we took them to the local karting track. This was back when they both wanted to be F1 drivers.”
“Oh right! To say Ralf got beaten to a pulp was an understatement,” His mom chuckled, poking fun at her son.  
“We were like 7!” Ralf defended himself with a laugh.
“Anyways,” Your mom dragged out before gesturing to you, “You climbed out of that kart so quickly and ran to Ralf. I don’t even think I’ve seen Lightning McQueen go faster than that!”
“You hit him with such momentum that it knocked him over! Good thing you both were wearing helmets,” His mom joked. The rest of the guests also laughed as both of your cheeks flushed from embarrassment. “I said right then and there you two would get married, so thank you for making me 100 euros richer.”
“You bet money on my love life?” Ralf gasped as his mom added the last part. “I should get at least half! I mean, it is my life!”
“And I get the significant other’s tax of 50%,” You joked with everyone, but once everyone calmed down, you turned to your mom and mother-in-law, “Did you really make a bet based on that one interaction?”
“Oh no!” They both said quickly, almost offended at the accusation.
“There’s plenty of instances that led to the bet,” His mom said.
“Like when you first met, and you grabbed his hand and said, ‘mine’ before dragging him into your room.”
“Or when you both raced against each other, swapped cars and immediately said each other’s cars sucked.”
“Or when you joined Prema just to travel with him during his F4 and F3 champaigns.”
“Or when you said you couldn’t stand each other after every other time you hung out.”
“Or when you both admitted to not wanting to ruin your friendships because of your feelings,” Your mom exasperated. “I had to listen to it for three years! We had to do something!”
“What do you mean you had to do something?” You and Ralf asked skeptically. You did not like the sound of that. Neither of you did.
“Let’s just say someone had to give you a little push but don’t shoot the messenger,” His mom replied quickly as she raised her hands in surrender. That’s when you realized what they were talking about.
You were 15 when you became official with Ralf. He slipped a note in your post box, and you knew it was him because it was his handwriting. You knew his handwriting like the back of your hand. It was a love letter that you still had to this day. As soon as you read his confession, you went to his house and admitted your feelings. The rest was history. 
However, the way his mom said, “Don't shoot the messenger” got you thinking. You never mentioned the letter to Ralf, thinking he delivered it, but the way she said it seemed suspicious.
“Did you give me that letter?” You decided to just bite the bullet and ask.
“What letter?” Ralf asked as he glanced between you and his mom confused. “What am I missing here?”
“Ralf, did you or did you not confess to me through a letter?”
“No…” He trailed off but picked it back up in a second. “I wrote a letter once, but I threw it away. I was going to give it to you, but the day after I wrote it, you came over and confessed. I didn’t need to give it to you.”
“Would it happen to have started with, ‘How about we shift our gears and drive into the sunset together? Because with you, every road feels like a scenic route’?” His face said it all as his eye snapped to his mom. “So the bet is invalid because the messenger interfered. I petition to just move on and never speak of it again.”
With a laugh, they sat back down, and the officiant stood between us again. Just as the officiant was about to call up the first couple to give us advice, Ralf stopped them.
“Can we just skip to the part where we kiss? We can do the advice during the reception, but that story took forever,” Ralf pressed as he tried to pull you closer. The officiant looked at you for approval, to which you nodded with a sigh.
“I think it’s time we skip to that part.”
~~~~~
© BAD268 2024. DO NOT REPOST WITHOUT PERMISSION.
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tapefish · 1 year
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dont worry about me, got all the luck I need
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captainshakespear · 8 months
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"Nicky vs Primo unarmed cage match" "Nicky vs Primo armed combat" "Nicky vs Primo track and hunt in the forest" there's no version Nicky doesn't win. it doesn't matter how much cocaine Primo has done beforehand. because Nicky could do exactly that much cocaine beforehand and still turn Primo into a paste if necessary.
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crescentfool · 1 year
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i love ryomina
no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.
it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.
ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.
minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.
the two of them complement each other and tell a beautiful story from start to finish.
minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.
it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.
november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.
it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.
how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.
ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.
he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.
SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.
and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!
so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.
messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!
even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.
march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.
and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.
p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.
ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!
i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙
#lizzy speaks#persona 3#ryomina#ryoji mochizuki#minato arisato#meta#long post#(literally)#HI SO UM YESTERDAY I COULDN'T FUCKING SLEEP so to cope i was like 'i will talk out loud about anything and everything'#and somehow that turned into me talking about ryomina out loud and something about verbalizing my thoughts made me feel crazy about these-#two again. i mean for the record i continue to love them always very dearly but like my p3 braincells sometimes go into hibernation bc-#ive been on a really huge splatoon kick. but anyway my voice was like cracking at 3am because i was tearing up#i was like 'THE!! IM! SO NORMAL ABT WHAT ORPHEUS AND THANATOS AND MESSIAH SYMBOLIZE' etc etc etc#so i kinda just went to sleep like 'ok well you GOTTA type it out. everyone needs to know about this.'#and um i didnt mean to make 1069 words! sorry! not really! but i love them!!! even if im very quiet these days!#ohhh how lucky i am to have had the chance to experience ryomina they are such a gem. they make me so goddamn emotional#they really mean a lot to me because of well. (gestures at the entire post) but also they came at a really good point of my life and FUCK!!#im so so grateful to them!!! i love them!!!! the themes that their relationship and characters convey just !! IM SO NORMAL ABOUT IT!!!#they've affected me so profoundly and deeply and i wish i could make better art to get this across. but its ok. one day i can. one day#they make me so fucking talkative like actually but um. i had a lot of fun writing this! i dont think ive had like. a proper appreciation-#post for them that articulates why i like them so much (unless you count the essays i write in my art tags) so it was nice to make this.#admittedly theres a lot abt p3 that im rusty on since its been a goodwhile since ive interacted with the source material#and in a way you could say that like. i need to renew my p3 license LMAOOO but god some parts of p3 still have such a huge death grip on me#and what i mean by that is that the big Fucking Events have such!! clarity!! in my mind!! i recall them and i wilt on the spot!!#oh god i cant fucking shut up. the tags are probably 500 words long. enjoy my ramble. i wish every ryomina enjoyer a Good Life <3#actually no. i hope that EVERYONE on the dash today has something that sparks joy for them the way ryomina does for me.#everyone deserves 2 have something that makes their brain do a little excited dance that makes them blow up and explode. its good for u!#BYE FOR REAL this is why i have to post my thoughts very spread out otherwise yall would have so many WORDS on ur dash pls help i have so#many emotions and i am so tiny i cannot possibly fit all the feelings i have about ryomina and other things inside my tiny little body
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wixterirox · 2 years
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Everyone that makes Billy centric content I love and appreciate every single one of you
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tambourineophelia · 3 months
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in addition to that, remember how i found out my ex has a kid through his whatsapp icon??
(the kicker is, i only looked at it because my fucking grandma told me on the phone: oh you know how i kept his number, because I always thought...* well looking at his new picture I might just delete it now...)
well at christmas i wanted to send myself some pictures i took with my mum's phone (with permission of course) and what do i see? she TEXTED HIM MERRY CHRISTMAS. we broke up over three years ago! ma'am this man didn't even send you a fucking condolence card when dad died! he does NOT get a merry christmas!!
so I told her that. she was a little snappy about it, which annoyed me because sorry, this is -my- old heart break, I'm not texting your exes either?? (or my ex's parents for that matter) but then! she said: but I DO wonder what kid he's holding there...
and I was like mum, what the heck, that's obviously HIS kid, what other child would that be
and she was SO CONFUSED. MOTHER! WHAT
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