Wouldn't it be entirely possible, even likely, that with all the silly weaknesses vampires and stuff were supposed to have, they'd also turn out to be weak to any number of things that have only been invented more recently? Like who's to say vampires aren't also repelled by the smell of play-doh or driven insane by MIDI music? We've invented so much shit in just the last century there'd be NO predicting this. For all we know they burn to ash if they look at Luigi.
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actually it's kind of wild that aziraphale left for heaven to try and save humanity and the human audience of the show has just been like "0/10 terrible decision go back to your demon partner" about it
aziraphale: I shall bravely sacrifice everything that makes me happy because I have a duty to protect the world
the world: boo no
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actually i think sony should take their sweet fucking time with beyond the spiderverse cuz even with the time they took with atsv it wasn't enough for the animators to have proper working conditions. like take ten years i don't fucking care, people can bitch and moan but i would rather know the employees aren't working 8hours a day plus overtime for 7 days a fucking week to get a movie about spiderman done cuz "waah waaaah i wanna see it" people won't shut up and sony demands their film be made for the profit of it all
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Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.
But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.
Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”
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you were raised in comparison.
it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.
you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.
you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.
what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.
it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.
you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.
you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?
a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.
you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.
it's just - when it died, it curled up into a tight little ball.
something kind of uncomfortable: you do that when you sleep.
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I'm sure this has been talked about plenty but I'm still awestruck at how well Frieren handles Himmel and Frieren's relationship. I have never seen the 'character haunts the narrative' story beat done to such effectiveness.
Frieren's regret is that she didn't know Himmel before he was gone- but he exists in everything Frieren does without her fully realizing it. Frieren is a fundamentally different person and we *know* it is mostly thanks to Himmel's influence. The constant flashbacks, the way in which Frieren's logic and everyday routines have been altered by his memory. She collect spells because he and the others complimented the mundane, random spells she had found. The way that instead of her master, Himmel is the person who the monsters choose to immitate.
The flashbacks too, are so so potent in characterizing who Himmel was- not only in regards to Frieren, but in regards to Himmel as the hero. The person who lead his group to kill the demon king. The person who did everything in his power to help those around him. The person who was so clearly in love with Frieren but understood intimately that Frieren would not love him in the same regard and even worse, would be walking a very long and lonely path.
Hell, it's at the start of every chapter, in which time is only kept by the years before and after Himmel's death.
It all comes back to him, in the end
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Just some Lilith thoughts:
I do not believe for one second that Lilith is as cool and composed and effortlessly poised as some of the fandom make her out to be. Now this is just personal opinion (and I know we don't actually know much about her)
Look at the man she married.
Look at the child she raised.
I don't think she'd be quite as CHEERY/overly optimistic as Charlie or as goofy as Lucifer.
But there is no way that woman is 100% serious all of the time. She's gotta have a sense of humour.
I want her to seem as graceful/regal as she appears... and I also want her to be kind of a dork. She gets flustered too, she makes faces, maybe she snorts when she laughs, maybe she makes really really bad jokes...
I just like the idea that all of the Morningstars are a lil' silly in their own way.
Look at them.🥺
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Saw someone mention something about 'of course Gabriel would get along with a demon, he's an awful person--' and no no no you're missing the point. Like yeah, he does suck and has been awful to Aziraphale, but he's not Uniquely Awful, nor is that the reason he gets along with Beelzebub. He gets along with Beelzebub because they are fundamentally the same, because there is no difference between angels and demons in Good Omens.
One of the things reiterated again and again in the book Good Omens is how Heaven and Hell is fundamentally the same. It's noted that demon wings are not black, but white, and during what while the showdown between Adam and Satan in the series, all the angels and demons actually appear on earth and square off against each other--and the narration specifically says that you couldn't tell the angels apart from the demons. That's why Gabriel and Beelzebub get the same complaints from both Heaven and Hell about how hard it is to get the angels and demons to back down from a war, that's why Crowley says at the end of season 1 that the real Armageddon will be the combined hosts of Heaven and Hell versus humanity. It's why it was mentioned, when talking about season 1, that Heaven and Hell were envisioned as being the upper floors and basement of the same basement--is why the methods to get to both places are always in the same location! The escalators and the elevator!
And that's why Gabriel and Beelzebub got along. Because they were in the exact same position experiencing the exact same difficulties and complaints, and because they the exact same amount of actual care for Heaven and Hell--precisely zero. They fell in love because they're similar, but at the end of the day, all the angels and demons are 'similar', because the demons used to be angels too! Which we are reminded, when Crowley correctly analyzes angels like Muriel, Heaven as a structure, and guesses that they STILL haven't changed the passwords. Crowley recognizes that Heaven and Hell are the same, and are plagued by effectively the same problems, and so he rejects both. He rejects Beelzebub's offer to become a Duke of Hell, even if it would protect Aziraphale. He rejects Aziraphale's offer to become an angel again. Crowley knows that both sides are rife with systematic problems, and so he goes all-in on our side. And on humanity's side.
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Hearing people say "if you like OFMD you should watch black sails!" or "if you like wwdits you should watch Interview With The Vampire!"
It's like babes those shows are nothing alike besides they have the same subject matter and are both gay! "Oh you like comedy with a dash of drama? You should watch a harrowing, traumatic show that will have you sobbing your eyes out!!!!"
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